Untitled, John Claude Nattes, 1765–1822, British, 1815, Pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 inches (23.8 × 33 cm), architectural subject Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-john-claude-nattes-17651822-british-1815-pen-and-black-ink-and-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-9-38-13-inches-238-33-cm-architectural-subject-image389622858.html
RM2DHTRX2–Untitled, John Claude Nattes, 1765–1822, British, 1815, Pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 inches (23.8 × 33 cm), architectural subject
Blundeston near Lowestoft, Sussex, John Claude Nattes, 1765–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blundeston-near-lowestoft-sussex-john-claude-nattes-17651822-british-undated-watercolor-pen-and-black-ink-and-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-11-34-18-58-inches-298-473-cm-image389613865.html
RM2DHTCCW–Blundeston near Lowestoft, Sussex, John Claude Nattes, 1765–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary, John Claude Nattes, 1765–1822, British, 1812, Graphite on medium, smooth, cream wove paper, Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm) and Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm), chores, genre subject, history painting, house, interior, people, room, England, Europe, Kensington, London, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-room-at-great-grove-house-kensington-mrs-bavizzettis-seminary-john-claude-nattes-17651822-british-1812-graphite-on-medium-smooth-cream-wove-paper-sheet-9-14-x-12-1316in-235-x-325cm-and-sheet-9-14-12-34-inches-235-324-cm-chores-genre-subject-history-painting-house-interior-people-room-england-europe-kensington-london-united-kingdom-image389613291.html
RM2DHTBMB–A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary, John Claude Nattes, 1765–1822, British, 1812, Graphite on medium, smooth, cream wove paper, Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm) and Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm), chores, genre subject, history painting, house, interior, people, room, England, Europe, Kensington, London, United Kingdom
St. John the Baptist in the Wilderness, Claude Mellan, 1629 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-st-john-the-baptist-in-the-wilderness-claude-mellan-1629-162495289.html
RMKCA8B5–St. John the Baptist in the Wilderness, Claude Mellan, 1629
Shrewsbury; a romance. With illus. by Claude A. Shepperson : Weyman, Stanley John, 1855-1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shrewsbury-a-romance-with-illus-by-claude-a-shepperson-weyman-stanley-john-1855-1928-image261425139.html
RMW58XC3–Shrewsbury; a romance. With illus. by Claude A. Shepperson : Weyman, Stanley John, 1855-1928
Claude Mellan, (artist), French, 1598 - 1688, Daniel Dumonstier, (artist after), French, 1574 - 1646, John Barclay, published 1623, engraving, plate: 15 × 10 cm (5 7/8 × 3 15/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-mellan-artist-french-1598-1688-daniel-dumonstier-artist-after-french-1574-1646-john-barclay-published-1623-engraving-plate-15-10-cm-5-78-3-1516-in-image386222312.html
RM2DC9XE0–Claude Mellan, (artist), French, 1598 - 1688, Daniel Dumonstier, (artist after), French, 1574 - 1646, John Barclay, published 1623, engraving, plate: 15 × 10 cm (5 7/8 × 3 15/16 in
The Honorable William Rowley Esq., John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Claude Arnulphy, 1697–1786, French, 1745, Mezzotint, Sheet: 10 x 14 1/8in. (25.4 x 35.9cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-honorable-william-rowley-esq-john-faber-the-younger-ca-16951756-netherlandish-active-in-britain-after-claude-arnulphy-16971786-french-1745-mezzotint-sheet-10-x-14-18in-254-x-359cm-image389651852.html
RM2DHX4WG–The Honorable William Rowley Esq., John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Claude Arnulphy, 1697–1786, French, 1745, Mezzotint, Sheet: 10 x 14 1/8in. (25.4 x 35.9cm
Saint John the Baptist in the Desert, 1629, Claude Mellan, French, 1598-1688, France, Engraving in black on cream laid paper, 372 × 277 mm (image), 394 × 278 mm (plate), 416 × 300 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-john-the-baptist-in-the-desert-1629-claude-mellan-french-1598-1688-france-engraving-in-black-on-cream-laid-paper-372-277-mm-image-394-278-mm-plate-416-300-mm-sheet-image328662834.html
RM2A2KTPA–Saint John the Baptist in the Desert, 1629, Claude Mellan, French, 1598-1688, France, Engraving in black on cream laid paper, 372 × 277 mm (image), 394 × 278 mm (plate), 416 × 300 mm (sheet
View of the Tuilleries Palace, Paris, John Pye the younger, British, 1782 - 1874, Claude-Louis Desrais, (French, 1746–1816), Engraving on paper, The view is taken looking at the principal façade of the Tuilleries Palace, with the enclosed court in the foreground. Troops drilling in the court., London, England, 1798-1801, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-tuilleries-palace-paris-john-pye-the-younger-british-1782-1874-claude-louis-desrais-french-17461816-engraving-on-paper-the-view-is-taken-looking-at-the-principal-faade-of-the-tuilleries-palace-with-the-enclosed-court-in-the-foreground-troops-drilling-in-the-court-london-england-1798-1801-print-image391102424.html
RM2DM873M–View of the Tuilleries Palace, Paris, John Pye the younger, British, 1782 - 1874, Claude-Louis Desrais, (French, 1746–1816), Engraving on paper, The view is taken looking at the principal façade of the Tuilleries Palace, with the enclosed court in the foreground. Troops drilling in the court., London, England, 1798-1801, Print
Trees and Deer, John Constable, 1776–1837, British, after Claude Lorrain, 1600–1682, French, 1825, Pen and brown ink with brown and gray wash on medium, rough, cream laid paper, Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm), deer, forest, landscape, trees Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trees-and-deer-john-constable-17761837-british-after-claude-lorrain-16001682-french-1825-pen-and-brown-ink-with-brown-and-gray-wash-on-medium-rough-cream-laid-paper-sheet-11-38-x-7-78-inches-289-x-20-cm-deer-forest-landscape-trees-image389845641.html
RM2DJ702H–Trees and Deer, John Constable, 1776–1837, British, after Claude Lorrain, 1600–1682, French, 1825, Pen and brown ink with brown and gray wash on medium, rough, cream laid paper, Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm), deer, forest, landscape, trees
John Paul Jones in Battle, Carl Guttenberg, German, 1743 - 1790, Jacques Claude Notte, French, 1771 - 1795, Engraving on paper, John Paul Jones (1747-1792) is shown on the 'Bon home Richard' during his battle with the English frigate, 'Serapio.' He is about to draw a pistol from his belt. Set in a frame. Inscribed below in French, description of the battle of July 22, 1779 and artists' and publishers' names., France, ca. 1780, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-paul-jones-in-battle-carl-guttenberg-german-1743-1790-jacques-claude-notte-french-1771-1795-engraving-on-paper-john-paul-jones-1747-1792-is-shown-on-the-bon-home-richard-during-his-battle-with-the-english-frigate-serapio-he-is-about-to-draw-a-pistol-from-his-belt-set-in-a-frame-inscribed-below-in-french-description-of-the-battle-of-july-22-1779-and-artists-and-publishers-names-france-ca-1780-print-image391161117.html
RM2DMAWYW–John Paul Jones in Battle, Carl Guttenberg, German, 1743 - 1790, Jacques Claude Notte, French, 1771 - 1795, Engraving on paper, John Paul Jones (1747-1792) is shown on the 'Bon home Richard' during his battle with the English frigate, 'Serapio.' He is about to draw a pistol from his belt. Set in a frame. Inscribed below in French, description of the battle of July 22, 1779 and artists' and publishers' names., France, ca. 1780, Print
Anne Claude Philippe de Tubières, comte de Caylus, Holy Family with St. John the Baptist, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Girolamo Mazzola Bedoli (Italian, Viadana ca. 1505–ca. 1570 Parma), 18th century, Etching, Sheet (trimmed): 7 15/16 × 10 1/2 in. (20.1 × 26.7 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-claude-philippe-de-tubires-comte-de-caylus-holy-family-with-st-john-the-baptist-anne-claude-philippe-de-tubires-comte-de-caylus-french-paris-16921765-paris-after-girolamo-mazzola-bedoli-italian-viadana-ca-1505ca-1570-parma-18th-century-etching-sheet-trimmed-7-1516-10-12-in-201-267-cm-prints-image344651529.html
RM2B0M6F5–Anne Claude Philippe de Tubières, comte de Caylus, Holy Family with St. John the Baptist, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Girolamo Mazzola Bedoli (Italian, Viadana ca. 1505–ca. 1570 Parma), 18th century, Etching, Sheet (trimmed): 7 15/16 × 10 1/2 in. (20.1 × 26.7 cm), Prints
Claude la Fevre and Mr. John Hayls, Print made by Thomas Chambars, ca. 1724–1789, British, after unknown artist, undated, Etching on moderately thick, smooth, cream wove paper, Sheet: 11 13/16 x 9 1/16 inches (30 x 23 cm), Plate: 6 11/16 x 5 3/16 inches (17 x 13.2 cm), and Image: 5 5/8 x 4 13/16 inches (14.3 x 12.2 cm), bearskins, buttons, collar, cravat, gaze, long hair, mantle, moustache, oval, portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-la-fevre-and-mr-john-hayls-print-made-by-thomas-chambars-ca-17241789-british-after-unknown-artist-undated-etching-on-moderately-thick-smooth-cream-wove-paper-sheet-11-1316-x-9-116-inches-30-x-23-cm-plate-6-1116-x-5-316-inches-17-x-132-cm-and-image-5-58-x-4-1316-inches-143-x-122-cm-bearskins-buttons-collar-cravat-gaze-long-hair-mantle-moustache-oval-portrait-image389781405.html
RM2DJ424D–Claude la Fevre and Mr. John Hayls, Print made by Thomas Chambars, ca. 1724–1789, British, after unknown artist, undated, Etching on moderately thick, smooth, cream wove paper, Sheet: 11 13/16 x 9 1/16 inches (30 x 23 cm), Plate: 6 11/16 x 5 3/16 inches (17 x 13.2 cm), and Image: 5 5/8 x 4 13/16 inches (14.3 x 12.2 cm), bearskins, buttons, collar, cravat, gaze, long hair, mantle, moustache, oval, portrait
Anne Claude Philippe de Tubières, comte de Caylus, Pieta, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Perugino, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469–died 1523 Fontignano), ca. 1729–40, Etching, printed in brown, Sheet: 21 in. × 15 1/4 in. (53.3 × 38.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-claude-philippe-de-tubires-comte-de-caylus-pieta-with-the-body-of-christ-supported-by-the-virgin-and-two-holy-women-saint-john-stands-to-the-left-from-recueil-destampes-daprs-les-plus-beaux-tableaux-et-daprs-les-plus-beaux-desseins-qui-sont-en-france-cabinet-crozat-after-a-drawing-by-perugino-anne-claude-philippe-de-tubires-comte-de-caylus-french-paris-16921765-paris-after-perugino-pietro-di-cristoforo-vannucci-italian-citt-della-pieve-active-by-1469died-1523-fontignano-ca-172940-etching-printed-in-brown-sheet-21-in-15-14-in-533-388-cm-image344652666.html
RM2B0M7YP–Anne Claude Philippe de Tubières, comte de Caylus, Pieta, with the body of Christ supported by the Virgin and two holy women, Saint John stands to the left; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Perugino, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469–died 1523 Fontignano), ca. 1729–40, Etching, printed in brown, Sheet: 21 in. × 15 1/4 in. (53.3 × 38.8 cm
Vulcan's Forge, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, Published by Josiah Boydell, 1752–1817, British, 1802, Mezzotint and etching, printed in brown ink on moderately thick, smooth, cream wove paper, Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm), Plate: 6 7/16 x 8 11/16 inches (16.4 x 22 cm), and Image: 5 5/8 x 7 7/8 inches (14.3 x 20 cm), anvil (tool), arches, blacksmiths, cave, chiton, columns (architectural elements), cyclopes, forge, forging (metal forming), gesture, gods, hammers (tools Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vulcans-forge-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-published-by-josiah-boydell-17521817-british-1802-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-smooth-cream-wove-paper-sheet-10-1516-x-16-58-inches-278-x-422-cm-plate-6-716-x-8-1116-inches-164-x-22-cm-and-image-5-58-x-7-78-inches-143-x-20-cm-anvil-tool-arches-blacksmiths-cave-chiton-columns-architectural-elements-cyclopes-forge-forging-metal-forming-gesture-gods-hammers-tools-image389731869.html
RM2DJ1PY9–Vulcan's Forge, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, Published by Josiah Boydell, 1752–1817, British, 1802, Mezzotint and etching, printed in brown ink on moderately thick, smooth, cream wove paper, Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm), Plate: 6 7/16 x 8 11/16 inches (16.4 x 22 cm), and Image: 5 5/8 x 7 7/8 inches (14.3 x 20 cm), anvil (tool), arches, blacksmiths, cave, chiton, columns (architectural elements), cyclopes, forge, forging (metal forming), gesture, gods, hammers (tools
Claude Mellan after Daniel Dumonstier, French (1598-1688), John Barclay, published 1623, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-claude-mellan-after-daniel-dumonstier-french-1598-1688-john-barclay-77442782.html
RMEDYR1J–Claude Mellan after Daniel Dumonstier, French (1598-1688), John Barclay, published 1623, engraving
Claude Mellan after Daniel Dumonstier, French (1598-1688), John Barclay, published 1623, engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-claude-mellan-after-daniel-dumonstier-french-1598-1688-john-barclay-123360235.html
RMH4KF6K–Claude Mellan after Daniel Dumonstier, French (1598-1688), John Barclay, published 1623, engraving
Sts. Anne, Joseph, Joachim, Bernard and John the Evangelist (Parenté de la Vierge), Claude Mellan, 1648 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sts-anne-joseph-joachim-bernard-and-john-the-evangelist-parent-de-162494856.html
RMKCA7RM–Sts. Anne, Joseph, Joachim, Bernard and John the Evangelist (Parenté de la Vierge), Claude Mellan, 1648
Holy Family with St. John the Baptist, Anne Claude Philippe de Tubières, comte de Caylus, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-holy-family-with-st-john-the-baptist-anne-claude-philippe-de-tubires-162335012.html
RMKC2YY0–Holy Family with St. John the Baptist, Anne Claude Philippe de Tubières, comte de Caylus, 18th century
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 26.3 x 40.7 cm (10 3/8 x 16 in.); platemark: 20.6 x 25.8 cm (8 1/8 x 10 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-89-view-of-a-mountainous-extended-country-1775-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-263-x-407-cm-10-38-x-16-in-platemark-206-x-258-cm-8-18-x-10-316-in-image240504819.html
RMRY7X9R–Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 26.3 x 40.7 cm (10 3/8 x 16 in.); platemark: 20.6 x 25.8 cm (8 1/8 x 10 3/16 in
The Actors Making Ready (recto), Studies of the Holy Family and Saint John the Baptist (verso), 1705/1710, Recto by Claude Gillot (French, 1673-1722), Verso attributed to Claude Gillot (French, 1673-1722), France, Pen and brown ink and brush and gray wash (recto), and pen and brown ink and brush and gray wash, with touches of pen and black ink and traces of red chalk (verso), on cream laid paper, 158 × 260 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actors-making-ready-recto-studies-of-the-holy-family-and-saint-john-the-baptist-verso-17051710-recto-by-claude-gillot-french-1673-1722-verso-attributed-to-claude-gillot-french-1673-1722-france-pen-and-brown-ink-and-brush-and-gray-wash-recto-and-pen-and-brown-ink-and-brush-and-gray-wash-with-touches-of-pen-and-black-ink-and-traces-of-red-chalk-verso-on-cream-laid-paper-158-260-mm-image328655057.html
RM2A2KETH–The Actors Making Ready (recto), Studies of the Holy Family and Saint John the Baptist (verso), 1705/1710, Recto by Claude Gillot (French, 1673-1722), Verso attributed to Claude Gillot (French, 1673-1722), France, Pen and brown ink and brush and gray wash (recto), and pen and brown ink and brush and gray wash, with touches of pen and black ink and traces of red chalk (verso), on cream laid paper, 158 × 260 mm
Christ Instructs Peter to Feed My Sheep, Christ instructs Peter: 'Feed my sheep.' Christ gestures to an open book with the words 'Petre Amas Me Pasce Oves Meas' (John 21: 15-23). Peter has turned to Christ, in the background two other disciples, mission of Peter ('Pasce oves meas'): Christ pointing to a lamb, Peter perhaps with keys in his hands, Claude Vignon, France, 1624, canvas, oil paint (paint), h 127 cm × w 108 cm × t 3.7 cm d 6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-instructs-peter-to-feed-my-sheep-christ-instructs-peter-feed-my-sheep-christ-gestures-to-an-open-book-with-the-words-petre-amas-me-pasce-oves-meas-john-21-15-23-peter-has-turned-to-christ-in-the-background-two-other-disciples-mission-of-peter-pasce-oves-meas-christ-pointing-to-a-lamb-peter-perhaps-with-keys-in-his-hands-claude-vignon-france-1624-canvas-oil-paint-paint-h-127-cm-w-108-cm-t-37-cm-d-6-cm-image261411324.html
RMW588PM–Christ Instructs Peter to Feed My Sheep, Christ instructs Peter: 'Feed my sheep.' Christ gestures to an open book with the words 'Petre Amas Me Pasce Oves Meas' (John 21: 15-23). Peter has turned to Christ, in the background two other disciples, mission of Peter ('Pasce oves meas'): Christ pointing to a lamb, Peter perhaps with keys in his hands, Claude Vignon, France, 1624, canvas, oil paint (paint), h 127 cm × w 108 cm × t 3.7 cm d 6 cm
A Landscape, with the Story of Apollo and Marsyas, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1775, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm), Plate: 8 1/8 x 10 1/4 inches (20.6 x 26.1 cm), and Image: 7 7/16 x 10 3/16 inches (18.9 x 25.9 cm), (story of) Marsyas - death, bulls, cattle, cliffs, contest, cows, death, fighting, god, grazing, Greek mythology, landscape, mountains, nailing, punishing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-landscape-with-the-story-of-apollo-and-marsyas-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1775-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-10-78-x-16-58-inches-276-x-422-cm-plate-8-18-x-10-14-inches-206-x-261-cm-and-image-7-716-x-10-316-inches-189-x-259-cm-story-of-marsyas-death-bulls-cattle-cliffs-contest-cows-death-fighting-god-grazing-greek-mythology-landscape-mountains-nailing-punishing-image389731865.html
RM2DJ1PY5–A Landscape, with the Story of Apollo and Marsyas, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1775, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm), Plate: 8 1/8 x 10 1/4 inches (20.6 x 26.1 cm), and Image: 7 7/16 x 10 3/16 inches (18.9 x 25.9 cm), (story of) Marsyas - death, bulls, cattle, cliffs, contest, cows, death, fighting, god, grazing, Greek mythology, landscape, mountains, nailing, punishing
A Landscape with Cattle, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1775, Etching (proof) on moderately thick, moderately textured, beige laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm), Plate: 8 1/16 x 10 1/8 inches (20.5 x 25.7 cm), and Image: 7 5/16 x 10 1/8 inches (18.6 x 25.7 cm), animals, bridge (built work), castle, cattle, cliffs, flute (aerophone), fort, genre subject, goats, hills, landscape, leisure, men, music, musical instrument, nomads, pastoral, resting, river, shepherds, staffs ( Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-landscape-with-cattle-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1775-etching-proof-on-moderately-thick-moderately-textured-beige-laid-paper-sheet-11-x-16-inches-279-x-406-cm-plate-8-116-x-10-18-inches-205-x-257-cm-and-image-7-516-x-10-18-inches-186-x-257-cm-animals-bridge-built-work-castle-cattle-cliffs-flute-aerophone-fort-genre-subject-goats-hills-landscape-leisure-men-music-musical-instrument-nomads-pastoral-resting-river-shepherds-staffs-image389732115.html
RM2DJ1R83–A Landscape with Cattle, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1775, Etching (proof) on moderately thick, moderately textured, beige laid paper, Sheet: 11 x 16 inches (27.9 x 40.6 cm), Plate: 8 1/16 x 10 1/8 inches (20.5 x 25.7 cm), and Image: 7 5/16 x 10 1/8 inches (18.6 x 25.7 cm), animals, bridge (built work), castle, cattle, cliffs, flute (aerophone), fort, genre subject, goats, hills, landscape, leisure, men, music, musical instrument, nomads, pastoral, resting, river, shepherds, staffs (
A Landscape, with the Story of Europa, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, Published by Josiah Boydell, 1752–1817, British, 1802, Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm), Plate: 10 7/8 x 14 1/2 inches (27.6 x 36.9 cm), and Image: 9 9/16 x 13 7/16 inches (24.3 x 34.2 cm), abduction, assistants, bulls, cattle, chiton, costume, cows, flowers (plants), god, grazing, Greek mythology, island, Jupiter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-landscape-with-the-story-of-europa-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-published-by-josiah-boydell-17521817-british-1802-aquatint-and-etching-in-brown-ink-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-10-1516-x-16-58-inches-278-x-422-cm-plate-10-78-x-14-12-inches-276-x-369-cm-and-image-9-916-x-13-716-inches-243-x-342-cm-abduction-assistants-bulls-cattle-chiton-costume-cows-flowers-plants-god-grazing-greek-mythology-island-jupiter-image389742434.html
RM2DJ28CJ–A Landscape, with the Story of Europa, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, Published by Josiah Boydell, 1752–1817, British, 1802, Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm), Plate: 10 7/8 x 14 1/2 inches (27.6 x 36.9 cm), and Image: 9 9/16 x 13 7/16 inches (24.3 x 34.2 cm), abduction, assistants, bulls, cattle, chiton, costume, cows, flowers (plants), god, grazing, Greek mythology, island, Jupiter
Scene of a Storm, with a Vessel Wrecked, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/8 x 16 15/16 inches (28.2 x 43 cm), Plate: 8 3/16 x 10 3/16 inches (20.8 x 25.8 cm), and Image: 7 1/2 x 10 3/16 inches (19 x 25.8 cm), architectural subject, barge (flat-bottomed watercraft), beams (structural elements), castle, cliffs, coast, coats, genre subject, labor, marine art, marine salvage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-of-a-storm-with-a-vessel-wrecked-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1774-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-slightly-textured-cream-laid-paper-sheet-11-18-x-16-1516-inches-282-x-43-cm-plate-8-316-x-10-316-inches-208-x-258-cm-and-image-7-12-x-10-316-inches-19-x-258-cm-architectural-subject-barge-flat-bottomed-watercraft-beams-structural-elements-castle-cliffs-coast-coats-genre-subject-labor-marine-art-marine-salvage-image389731860.html
RM2DJ1PY0–Scene of a Storm, with a Vessel Wrecked, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/8 x 16 15/16 inches (28.2 x 43 cm), Plate: 8 3/16 x 10 3/16 inches (20.8 x 25.8 cm), and Image: 7 1/2 x 10 3/16 inches (19 x 25.8 cm), architectural subject, barge (flat-bottomed watercraft), beams (structural elements), castle, cliffs, coast, coats, genre subject, labor, marine art, marine salvage
View with several Vessels lying close to the Shore, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm), Plate: 8 1/8 x 10 3/16 inches (20.7 x 25.8 cm), and Image: 7 9/16 x 10 3/16 inches (19.2 x 25.8 cm), architectural subject, boats, cargo, castle, cliffs, flags, fort, genre subject, harbor, labor, landscape, marine art, masts, nets (objects), sails, sea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-with-several-vessels-lying-close-to-the-shore-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1774-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-slightly-textured-cream-laid-paper-sheet-11-116-x-16-1516-inches-281-x-43-cm-plate-8-18-x-10-316-inches-207-x-258-cm-and-image-7-916-x-10-316-inches-192-x-258-cm-architectural-subject-boats-cargo-castle-cliffs-flags-fort-genre-subject-harbor-labor-landscape-marine-art-masts-nets-objects-sails-sea-image389731664.html
RM2DJ1PM0–View with several Vessels lying close to the Shore, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm), Plate: 8 1/8 x 10 3/16 inches (20.7 x 25.8 cm), and Image: 7 9/16 x 10 3/16 inches (19.2 x 25.8 cm), architectural subject, boats, cargo, castle, cliffs, flags, fort, genre subject, harbor, labor, landscape, marine art, masts, nets (objects), sails, sea
View of a Sea Port, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 10 7/8 x 16 3/4 inches (27.6 x 42.6 cm), Plate: 7 15/16 x 10 1/8 inches (20.2 x 25.7 cm), and Image: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm), anchor (watercraft equipment), arches, architectural subject, barrels (containers), breeches (trousers), cliffs, coast, coats, costume, ferry, flags, genre subject, gesture, labor, marine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-a-sea-port-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1774-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-slightly-textured-cream-laid-paper-sheet-10-78-x-16-34-inches-276-x-426-cm-plate-7-1516-x-10-18-inches-202-x-257-cm-and-image-7-12-x-10-18-inches-191-x-257-cm-anchor-watercraft-equipment-arches-architectural-subject-barrels-containers-breeches-trousers-cliffs-coast-coats-costume-ferry-flags-genre-subject-gesture-labor-marine-image389730422.html
RM2DJ1N3J–View of a Sea Port, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 10 7/8 x 16 3/4 inches (27.6 x 42.6 cm), Plate: 7 15/16 x 10 1/8 inches (20.2 x 25.7 cm), and Image: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm), anchor (watercraft equipment), arches, architectural subject, barrels (containers), breeches (trousers), cliffs, coast, coats, costume, ferry, flags, genre subject, gesture, labor, marine
Early Morning near Loch Katrine in the Trossachs, Scotland, John Glover, before 1831 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-early-morning-near-loch-katrine-in-the-trossachs-scotland-john-glover-162531083.html
RMKCBX1F–Early Morning near Loch Katrine in the Trossachs, Scotland, John Glover, before 1831
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.2 x 40.2 cm (10 11/16 x 15 13/16 in.); platemark: 20.8 x 26.2 cm (8 3/16 x 10 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-108-landscape-with-satyrs-and-nymphs-dancing-1775-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-272-x-402-cm-10-1116-x-15-1316-in-platemark-208-x-262-cm-8-316-x-10-516-in-image240504813.html
RMRY7X9H–Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.2 x 40.2 cm (10 11/16 x 15 13/16 in.); platemark: 20.8 x 26.2 cm (8 3/16 x 10 5/16 in
Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.6 x 26 cm (8 1/8 x 10 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-145-a-landscape-with-figures-simon-brought-before-priam-1776-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-281-x-41-cm-11-116-x-16-18-in-platemark-206-x-26-cm-8-18-x-10-14-in-image240504824.html
RMRY7XA0–Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.6 x 26 cm (8 1/8 x 10 1/4 in
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.2 x 40.7 cm (10 11/16 x 16 in.); platemark: 21.1 x 25.9 cm (8 5/16 x 10 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-200-a-view-on-the-sea-shore-with-the-story-of-jesus-1777-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-272-x-407-cm-10-1116-x-16-in-platemark-211-x-259-cm-8-516-x-10-316-in-image240504817.html
RMRY7X9N–Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.2 x 40.7 cm (10 11/16 x 16 in.); platemark: 21.1 x 25.9 cm (8 5/16 x 10 3/16 in
Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 29 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 21 x 26.2 cm (8 1/4 x 10 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-133-a-landscape-with-cattle-and-the-angel-comforting-hagar-1776-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-29-x-43-cm-11-716-x-16-1516-in-platemark-21-x-262-cm-8-14-x-10-516-in-image240504815.html
RMRY7X9K–Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 29 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 21 x 26.2 cm (8 1/4 x 10 5/16 in
Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 26.6 x 40.7 cm (10 1/2 x 16 in.); platemark: 20.7 x 25.7 cm (8 1/8 x 10 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-68-a-landscape-at-sunset-with-fishermen-drawing-a-net-1774-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-266-x-407-cm-10-12-x-16-in-platemark-207-x-257-cm-8-18-x-10-18-in-image240504818.html
RMRY7X9P–Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 26.6 x 40.7 cm (10 1/2 x 16 in.); platemark: 20.7 x 25.7 cm (8 1/8 x 10 1/8 in
Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.3 x 40.6 cm (10 3/4 x 16 in.); platemark: 20.9 x 25.8 cm (8 1/4 x 10 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-7-an-island-scene-of-a-mountainous-country-with-cattle-1774-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-273-x-406-cm-10-34-x-16-in-platemark-209-x-258-cm-8-14-x-10-316-in-image240504822.html
RMRY7X9X–Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.3 x 40.6 cm (10 3/4 x 16 in.); platemark: 20.9 x 25.8 cm (8 1/4 x 10 3/16 in
Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss' Cattle from Apollo, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 29.1 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 20.9 x 26 cm (8 1/4 x 10 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-135-a-landscape-with-buildings-mercury-stealing-admetuss-cattle-from-apollo-1776-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-291-x-43-cm-11-716-x-16-1516-in-platemark-209-x-26-cm-8-14-x-10-14-in-image240504814.html
RMRY7X9J–Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss' Cattle from Apollo, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 29.1 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 20.9 x 26 cm (8 1/4 x 10 1/4 in
Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.8 x 25.8 cm (8 3/16 x 10 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/liber-veritatis-no-138-a-view-of-the-sea-with-christ-preaching-on-the-mount-the-water-below-may-probably-be-intended-for-the-sea-of-tiberius-1776-richard-earlom-british-1743-1822-after-claude-lorrain-french-1604-1682-john-boydell-etching-and-mezzotint-printed-in-brown-sheet-281-x-41-cm-11-116-x-16-18-in-platemark-208-x-258-cm-8-316-x-10-316-in-image240504827.html
RMRY7XA3–Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 28.1 x 41 cm (11 1/16 x 16 1/8 in.); platemark: 20.8 x 25.8 cm (8 3/16 x 10 3/16 in
Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-dancing-figures-prints-after-drawings-by-claude-lorrain-series-title-liber-veritatis-series-title-landscape-with-a-seated-figure-with-hurdy-gurdy-on-the-left-to-his-right-seven-dancing-figures-on-the-right-grazing-animals-in-the-background-two-towers-and-a-bridge-print-maker-richard-earlom-mentioned-on-object-after-drawing-by-claude-lorrain-mentioned-on-object-publisher-john-josiah-boydell-mentioned-on-object-london-1807-paper-etching-height-206-mm-width-258-mm-image473262319.html
RM2JDXXWK–Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm
Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-dancing-figures-prints-after-drawings-by-claude-lorrain-series-title-liber-veritatis-series-title-landscape-with-a-seated-figure-with-hurdy-gurdy-on-the-left-to-his-right-seven-dancing-figures-on-the-right-grazing-animals-in-the-background-two-towers-and-a-bridge-print-maker-richard-earlom-mentioned-on-object-after-drawing-by-claude-lorrain-mentioned-on-object-publisher-john-josiah-boydell-mentioned-on-object-london-1807-paper-etching-height-206-mm-width-258-mm-image473298327.html
RM2JE0GRK–Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm
Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-dancing-figures-prints-after-drawings-by-claude-lorrain-series-title-liber-veritatis-series-title-landscape-with-a-seated-figure-with-hurdy-gurdy-on-the-left-to-his-right-seven-dancing-figures-on-the-right-grazing-animals-in-the-background-two-towers-and-a-bridge-print-maker-richard-earlom-mentioned-on-object-after-drawing-by-claude-lorrain-mentioned-on-object-publisher-john-josiah-boydell-mentioned-on-object-london-1807-paper-etching-height-206-mm-width-258-mm-image473334504.html
RM2JE26YM–Landscape with dancing figures, Prints after drawings by Claude Lorrain (series title), Liber Veritatis (series title), Landscape with a seated figure with hurdy-gurdy on the left. To his right seven dancing figures. On the right grazing animals. In the background two towers and a bridge., print maker: Richard Earlom, (mentioned on object), after drawing by: Claude Lorrain, (mentioned on object), publisher: John & Josiah Boydell, (mentioned on object), London, 1807, paper, etching, height 206 mm × width 258 mm
John Rollin Tilton, Temple of Aphaea, Aegina, ca. 1870-1879, oil on canvas, 30 15/16 in. x 48 1/16 in. (78.58 cm x 122.08 cm), Born in New Hampshire, John Rollin Tilton began his artistic career painting signs and rail car decorations in Portland. Encouragement from local critic John Neal prompted him to pursue training in Europe. In 1852 Tilton settled in Rome, where he would spend many productive years. On the strength of his Claude Lorrain-inspired landscapes, he gained a popular following, especially among Grand Tour patrons. Henry Wadsworth Longfellow, Class of 1825, described him as 'a v Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-rollin-tilton-temple-of-aphaea-aegina-ca-1870-1879-oil-on-canvas-30-1516-in-x-48-116-in-7858-cm-x-12208-cm-born-in-new-hampshire-john-rollin-tilton-began-his-artistic-career-painting-signs-and-rail-car-decorations-in-portland-encouragement-from-local-critic-john-neal-prompted-him-to-pursue-training-in-europe-in-1852-tilton-settled-in-rome-where-he-would-spend-many-productive-years-on-the-strength-of-his-claude-lorrain-inspired-landscapes-he-gained-a-popular-following-especially-among-grand-tour-patrons-henry-wadsworth-longfellow-class-of-1825-described-him-as-a-v-image344469511.html
RM2B0BXAF–John Rollin Tilton, Temple of Aphaea, Aegina, ca. 1870-1879, oil on canvas, 30 15/16 in. x 48 1/16 in. (78.58 cm x 122.08 cm), Born in New Hampshire, John Rollin Tilton began his artistic career painting signs and rail car decorations in Portland. Encouragement from local critic John Neal prompted him to pursue training in Europe. In 1852 Tilton settled in Rome, where he would spend many productive years. On the strength of his Claude Lorrain-inspired landscapes, he gained a popular following, especially among Grand Tour patrons. Henry Wadsworth Longfellow, Class of 1825, described him as 'a v
View of a Portico by the Side of a River, with Herdsmen and Cattle, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 x 16 5/16 inches (28 x 41.5 cm), Plate: 8 3/16 x 10 1/8 inches (20.8 x 25.7 cm), and Image: 7 3/8 x 10 1/8 inches (18.8 x 25.7 cm), architectural subject, colonnade, columns (architectural elements), flute (aerophone), genre subject, gesture, goats, grazing, hat, hills Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-a-portico-by-the-side-of-a-river-with-herdsmen-and-cattle-print-made-by-richard-earlom-17431822-british-after-claude-lorrain-16001682-french-published-by-john-boydell-17201804-british-1774-mezzotint-and-etching-printed-in-brown-ink-on-moderately-thick-slightly-textured-cream-laid-paper-sheet-11-x-16-516-inches-28-x-415-cm-plate-8-316-x-10-18-inches-208-x-257-cm-and-image-7-38-x-10-18-inches-188-x-257-cm-architectural-subject-colonnade-columns-architectural-elements-flute-aerophone-genre-subject-gesture-goats-grazing-hat-hills-image389731640.html
RM2DJ1PK4–View of a Portico by the Side of a River, with Herdsmen and Cattle, Print made by Richard Earlom, 1743–1822, British, after Claude Lorrain, 1600–1682, French, Published by John Boydell, 1720–1804, British, 1774, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 x 16 5/16 inches (28 x 41.5 cm), Plate: 8 3/16 x 10 1/8 inches (20.8 x 25.7 cm), and Image: 7 3/8 x 10 1/8 inches (18.8 x 25.7 cm), architectural subject, colonnade, columns (architectural elements), flute (aerophone), genre subject, gesture, goats, grazing, hat, hills
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