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Jesus noli me tangere Stock Photos and Images
Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalen-noli-me-tangere-1590-by-le-baroche-urbino-1535-urbino-1612-italian-italy-image487556884.htmlRM2K963NT–Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy,
![Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo](https://c8.alamy.com/comp/2B01M26/italy-christ-and-mary-magdalene-noli-me-tangere-oil-on-canvas-painting-by-titian-1490-27-august-1576-c-1512-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-2B01M26.jpg "Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo")
Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-christ-and-mary-magdalene-noli-me-tangere-oil-on-canvas-painting-by-titian-1490-27-august-1576-c-1512-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-image344245054.htmlRM2B01M26–Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection.
Noli Me Tangere ('Touch me not') by the Italian painter, Marcantonio Franceschini (1648-1729), oil on canvas, c. 1700 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-touch-me-not-by-the-italian-painter-marcantonio-franceschini-1648-1729-oil-on-canvas-c-1700-image544012732.htmlRM2PH1WP4–Noli Me Tangere ('Touch me not') by the Italian painter, Marcantonio Franceschini (1648-1729), oil on canvas, c. 1700
Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fresco-giotto-resurrection-of-jesus-noli-me-tangere-do-not-touch-me-fragment-of-a-fresco-in-the-scrovegni-chapel-in-sunlight-padova-italy-image603157313.htmlRF2X1858H–Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy
Noli Me Tangere (Touch Me Not) by Titian (Tiziano Vecelli or Vecellio c. 1488/90-1576), oil on canvas, c. 1514 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-touch-me-not-by-titian-tiziano-vecelli-or-vecellio-c148890-1576-oil-on-canvas-c-1514-image453921804.htmlRM2HADWW0–Noli Me Tangere (Touch Me Not) by Titian (Tiziano Vecelli or Vecellio c. 1488/90-1576), oil on canvas, c. 1514
Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-noli-and-tangere-1515-1520-by-sperindio-cagnoli-1490-1535-gerolamo-giovenone-1490-1555-madonna-and-child1535-40-italy-italian-noli-me-tangere-touch-me-not-according-to-john-2017-by-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image453514755.htmlRM2H9RAKF–Noli me Tangere - Noli and Tangere 1515-1520 by Sperindio Cagnoli 1490-1535 Gerolamo Giovenone (1490-1555) - Madonna and Child,1535-40 Italy, Italian. Noli me tangere , touch me not, according to John 20:17, by Jesus to, Mary Magdalene, when she recognized him after his resurrection,
Noli Me Tangere (Touch Me Not) by Hans Holbein the Younger (1497/8-1543), oil on oak panel, c. 1526-8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-touch-me-not-by-hans-holbein-the-younger-14978-1543-oil-on-oak-panel-c-1526-8-image453719820.htmlRM2HA4M78–Noli Me Tangere (Touch Me Not) by Hans Holbein the Younger (1497/8-1543), oil on oak panel, c. 1526-8
Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalen-noli-me-tangere-1590-by-le-baroche-urbino-1535-urbino-1612-italian-italy-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image487556797.htmlRM2K963JN–Christ Appears to Mary Magdalen ( Noli me Tangere) 1590 by LE BAROCHE, Urbino, 1535 - Urbino, 1612, Italian, Italy, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection,
Noli me tangere, c.1525, by Correggio (1494-1534), byname of Antonio Allegri, an Italian painter of the Renaissance. Noli me tangere was a sentence spoken by Jesus to Mary Magdalene when she recognized him after his resurrection. Prado Museum. Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-c1525-by-correggio-1494-1534-byname-of-antonio-allegri-an-italian-painter-of-the-renaissance-noli-me-tangere-was-a-sentence-spoken-by-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-prado-museum-madrid-spain-image178729618.htmlRMMANRCJ–Noli me tangere, c.1525, by Correggio (1494-1534), byname of Antonio Allegri, an Italian painter of the Renaissance. Noli me tangere was a sentence spoken by Jesus to Mary Magdalene when she recognized him after his resurrection. Prado Museum. Madrid, Spain.
An altar piece showing the appearances of Jesus during his Resurrection . Clockwise from bottom: Resurrection, Noli me tangere, Ascension, Pentecost (Meister des Schöppinger, c. 1449, Pfarrkirche, Westfalen). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-altar-piece-showing-the-appearances-of-jesus-during-his-resurrection-clockwise-from-bottom-resurrection-noli-me-tangere-ascension-pentecost-meister-des-schppinger-c-1449-pfarrkirche-westfalen-image472230389.htmlRM2JC7XK1–An altar piece showing the appearances of Jesus during his Resurrection . Clockwise from bottom: Resurrection, Noli me tangere, Ascension, Pentecost (Meister des Schöppinger, c. 1449, Pfarrkirche, Westfalen).
Fresco 'Noli me tangere' by Italian Early Renaissance painter Fra Angelico (1440-1442) painted on the wall in the monk's cell at the San Marco Convent (Convento di San Marco), now the San Marco Museum (Museo Nazionale di San Marco) in Florence, Tuscany, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fresco-noli-me-tangere-by-italian-early-renaissance-painter-fra-angelico-1440-1442-painted-on-the-wall-in-the-monks-cell-at-the-san-marco-convent-convento-di-san-marco-now-the-san-marco-museum-museo-nazionale-di-san-marco-in-florence-tuscany-italy-image242041202.htmlRMT1NX0J–Fresco 'Noli me tangere' by Italian Early Renaissance painter Fra Angelico (1440-1442) painted on the wall in the monk's cell at the San Marco Convent (Convento di San Marco), now the San Marco Museum (Museo Nazionale di San Marco) in Florence, Tuscany, Italy.
Noli me tangere by Martin Schongauer (1450–1491). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-martin-schongauer-14501491-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230388.htmlRM2JC7XK0–Noli me tangere by Martin Schongauer (1450–1491). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
Risen Christ appears to Mary Magdalene (Noli me tangere). Detail of the altarpiece 'The Childhood and Passion of Christ' dated from around 1480 by German Renaissance painter Martin Schongauer from the Dominican Church in Colmar, now on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/risen-christ-appears-to-mary-magdalene-noli-me-tangere-detail-of-the-altarpiece-the-childhood-and-passion-of-christ-dated-from-around-1480-by-german-renaissance-painter-martin-schongauer-from-the-dominican-church-in-colmar-now-on-display-in-the-unterlinden-museum-muse-unterlinden-in-colmar-alsace-france-image263767435.htmlRMW93J1F–Risen Christ appears to Mary Magdalene (Noli me tangere). Detail of the altarpiece 'The Childhood and Passion of Christ' dated from around 1480 by German Renaissance painter Martin Schongauer from the Dominican Church in Colmar, now on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France.
Jorge Manuel Theotocopuli (1578-1631). Spanish painter. Noli me tangere, 1609-1612. Lazaro Galdiano Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jorge-manuel-theotocopuli-1578-1631-spanish-painter-noli-me-tangere-1609-1612-lazaro-galdiano-museum-madrid-spain-image346150497.htmlRM2B34EDN–Jorge Manuel Theotocopuli (1578-1631). Spanish painter. Noli me tangere, 1609-1612. Lazaro Galdiano Museum. Madrid. Spain.
religion, biblical scene, 'Noli me tangere' (Do not touch me), woodcut, coloured, by Ludwig Richter (1803 - 1884), Germany, 19th century, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-religion-biblical-scene-noli-me-tangere-do-not-touch-me-woodcut-coloured-19727939.htmlRMB42K57–religion, biblical scene, 'Noli me tangere' (Do not touch me), woodcut, coloured, by Ludwig Richter (1803 - 1884), Germany, 19th century,
Christ appears to Mary Magdalene (Noli me tangere). Brussels, early 16th century and 19th century ? (shrine). Oak, polychrome. Schnütgen Museum. Cologne, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-appears-to-mary-magdalene-noli-me-tangere-brussels-early-16th-177363680.htmlRMM8FH54–Christ appears to Mary Magdalene (Noli me tangere). Brussels, early 16th century and 19th century ? (shrine). Oak, polychrome. Schnütgen Museum. Cologne, Germany.
Noli Me Tangere Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-image184255505.htmlRMMKNFNN–Noli Me Tangere
Perugino, painting, Noli Me Tangere, 1500-1505 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/perugino-painting-noli-me-tangere-1500-1505-image442388933.htmlRM2GKMFGN–Perugino, painting, Noli Me Tangere, 1500-1505
Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Catholicism, Christ, Christianity, French, French Art, glow, God, hair, humility, Jesus, John 20:16-18, landscape, Magdalene, Mary, Mary Magdalene, New Testament, prostrate, recognition, red hair, Religion, Religious, robe, submission, tree, tresses, wounds Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/touch-me-not-noli-me-tangere-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-11-18-x-7-12-in-283-x-191-cm-bible-biblical-catholicism-christ-christianity-french-french-art-glow-god-hair-humility-jesus-john-2016-18-landscape-magdalene-mary-mary-magdalene-new-testament-prostrate-recognition-red-hair-religion-religious-robe-submission-tree-tresses-wounds-image454265409.htmlRM2HB1G4H–Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Catholicism, Christ, Christianity, French, French Art, glow, God, hair, humility, Jesus, John 20:16-18, landscape, Magdalene, Mary, Mary Magdalene, New Testament, prostrate, recognition, red hair, Religion, Religious, robe, submission, tree, tresses, wounds
Titian, Tiziano Vecellio, Noli me tangere, painting in oil on canvas, circa 1514 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/titian-tiziano-vecellio-noli-me-tangere-painting-in-oil-on-canvas-circa-1514-image345159831.htmlRM2B1FATR–Titian, Tiziano Vecellio, Noli me tangere, painting in oil on canvas, circa 1514
Inspired by Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Catholicism, Christ, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-touch-me-not-noli-me-tangere-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-11-18-x-7-12-in-283-x-191-cm-bible-biblical-catholicism-christ-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459241484.htmlRF2HK475G–Inspired by Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Catholicism, Christ, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sandro Botticelli, Noli Me Tangere, painting in tempera on panel, 1484-1491 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sandro-botticelli-noli-me-tangere-painting-in-tempera-on-panel-1484-1491-image569498507.htmlRM2T2EW4B–Sandro Botticelli, Noli Me Tangere, painting in tempera on panel, 1484-1491
Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fresco-giotto-resurrection-of-jesus-noli-me-tangere-do-not-touch-me-fragment-of-a-fresco-in-the-scrovegni-chapel-in-sunlight-padova-italy-image603157316.htmlRF2X1858M–Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy
Claude Lorrain, Christ Appears in front of Mary Magdalene (Noli me tangere), painting in oil on canvas, 1681 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-lorrain-christ-appears-in-front-of-mary-magdalene-noli-me-tangere-painting-in-oil-on-canvas-1681-image505410724.htmlRM2MA7CF0–Claude Lorrain, Christ Appears in front of Mary Magdalene (Noli me tangere), painting in oil on canvas, 1681
Giulio Romano (1499-1546). Noli me tangere. Christ appears to Saint Mary Magdalen after the resurrectIon. Mannerism. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-giulio-romano-1499-1546-noli-me-tangere-christ-appears-to-saint-mary-51604850.htmlRMCYXPEA–Giulio Romano (1499-1546). Noli me tangere. Christ appears to Saint Mary Magdalen after the resurrectIon. Mannerism.
Christ Appearing to Mary Magdalen as a Gardener (Noli me Tangere), painting in oil on canvas by Peter Paul Rubens (and workshop), 1615-1618 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appearing-to-mary-magdalen-as-a-gardener-noli-me-tangere-painting-in-oil-on-canvas-by-peter-paul-rubens-and-workshop-1615-1618-image478574407.htmlRM2JPGXF3–Christ Appearing to Mary Magdalen as a Gardener (Noli me Tangere), painting in oil on canvas by Peter Paul Rubens (and workshop), 1615-1618
Christ Appears to Mary Magdalen - Mary Magdalene 1581 ( Noli me Tangere) 1581 LAVINIA FONTANA (1552 - 1614) France French ( Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalen-mary-magdalene-1581-noli-me-tangere-1581-lavinia-fontana-1552-1614-france-french-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image487556771.htmlRM2K963HR–Christ Appears to Mary Magdalen - Mary Magdalene 1581 ( Noli me Tangere) 1581 LAVINIA FONTANA (1552 - 1614) France French ( Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized him after his, resurrection, )
religion, christianity, Jesus Christ, resurrection, with Mary Magdalen, 'Noli me tangere', mezzotint by W. Unger, 19th century, after painting by Rembrandt van Rijn, Netherlands, 1651, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-religion-christianity-jesus-christ-resurrection-with-mary-magdalen-36923388.htmlRMC4204C–religion, christianity, Jesus Christ, resurrection, with Mary Magdalen, 'Noli me tangere', mezzotint by W. Unger, 19th century, after painting by Rembrandt van Rijn, Netherlands, 1651, Additional-Rights-Clearences-Not Available
Noli me Tangere 1520 -1525 Garofalo - Benvenuto Tisi (or Il Garofalo) (1481 – 1559, Italy,Italian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-1520-1525-garofalo-benvenuto-tisi-or-il-garofalo-1481-1559-italyitalian-image225362863.htmlRMR2J4HK–Noli me Tangere 1520 -1525 Garofalo - Benvenuto Tisi (or Il Garofalo) (1481 – 1559, Italy,Italian.
Noli me tangere - Do not touch me - Jesus with Mary Magdalene - Titian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-do-not-touch-me-jesus-with-mary-magdalene-titian-image456244032.htmlRM2HE7KWM–Noli me tangere - Do not touch me - Jesus with Mary Magdalene - Titian
Noli me tangere by Martin Schongauer (1450–1491). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-martin-schongauer-14501491-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230374.htmlRM2JC7XJE–Noli me tangere by Martin Schongauer (1450–1491). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
Ely Cathedral Noli Me Tangere Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ely-cathedral-noli-me-tangere-24158125.htmlRMBB8DX5–Ely Cathedral Noli Me Tangere
![Italy: 'Noli Me Tangere (Touch Me Not)'. Fresco by Fra Angelico (c. 1395 - 18 February 1455), c. 1439-1443. The appearance of Christ to Mary Magdalene. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo](https://c8.alamy.com/comp/2B01KW2/italy-noli-me-tangere-touch-me-not-fresco-by-fra-angelico-c-1395-18-february-1455-c-1439-1443-the-appearance-of-christ-to-mary-magdalene-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-2B01KW2.jpg "Italy: 'Noli Me Tangere (Touch Me Not)'. Fresco by Fra Angelico (c. 1395 - 18 February 1455), c. 1439-1443. The appearance of Christ to Mary Magdalene. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo")
Italy: 'Noli Me Tangere (Touch Me Not)'. Fresco by Fra Angelico (c. 1395 - 18 February 1455), c. 1439-1443. The appearance of Christ to Mary Magdalene. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-noli-me-tangere-touch-me-not-fresco-by-fra-angelico-c-1395-18-february-1455-c-1439-1443-the-appearance-of-christ-to-mary-magdalene-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-image344244910.htmlRM2B01KW2–Italy: 'Noli Me Tangere (Touch Me Not)'. Fresco by Fra Angelico (c. 1395 - 18 February 1455), c. 1439-1443. The appearance of Christ to Mary Magdalene. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial.
Noli me tangere (Mary Magdalene and Christ after the Resurrection) - Bas-relief from the 3th pillar - Facade of Orvieto cathedral - Umbria - Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-mary-magdalene-and-christ-after-the-resurrection-bas-relief-from-the-3th-pillar-facade-of-orvieto-cathedral-umbria-italy-image481847496.htmlRM2JYX1B4–Noli me tangere (Mary Magdalene and Christ after the Resurrection) - Bas-relief from the 3th pillar - Facade of Orvieto cathedral - Umbria - Italy
![Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo](https://c8.alamy.com/comp/2RWRGTY/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-2RWRGTY.jpg "Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo")
Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-image566616315.htmlRM2RWRGTY–Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial.
Noli me Tangere Breviary for Paris, folio 356 Early 14th century manuscript Parchment Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-noli-me-tangere-breviary-for-paris-folio-356-early-14th-century-manuscript-113154415.htmlRMGG2HH3–Noli me Tangere Breviary for Paris, folio 356 Early 14th century manuscript Parchment
![Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo](https://c8.alamy.com/comp/2B01KW4/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-2B01KW4.jpg "Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo")
Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-image344244912.htmlRM2B01KW4–Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial.
Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-plaque-with-the-journey-to-emmaus-and-noli-me-tangere-ca-111520-162559424.htmlRMKCD65M–Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20
A stained glass window of 1876 by Hardman & Co. depicting Mary Magdalene in the Garden of Gethsemene speaking to the resurrected Jesus. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-stained-glass-window-of-1876-by-hardman-co-depicting-mary-magdalene-30722132.htmlRMBNYEB0–A stained glass window of 1876 by Hardman & Co. depicting Mary Magdalene in the Garden of Gethsemene speaking to the resurrected Jesus.
Art inspired by Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-touch-me-not-noli-me-tangere-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-11-18-x-7-12-in-283-x-191-cm-bible-biblical-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459560181.htmlRF2HKJNKH–Art inspired by Touch Me Not, Noli me tangere, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 11 1/8 x 7 1/2 in., 28.3 x 19.1 cm, Bible, Biblical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Detail from a stained glass window by Ward and Hughes circa 1865, depicting twelve events from the life of Jesus Christ; Appearance to Mary Magdalene. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-from-a-stained-glass-window-by-ward-and-hughes-circa-1865-depicting-29216066.htmlRMBKEWAX–Detail from a stained glass window by Ward and Hughes circa 1865, depicting twelve events from the life of Jesus Christ; Appearance to Mary Magdalene.
Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fresco-giotto-resurrection-of-jesus-noli-me-tangere-do-not-touch-me-fragment-of-a-fresco-in-the-scrovegni-chapel-in-sunlight-padova-italy-image603157315.htmlRF2X1858K–Fresco Giotto Resurrection of Jesus - Noli me tangere ('Do not touch me'). Fragment of a fresco in the Scrovegni Chapel in sunlight. Padova, Italy
Art inspired by Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20, Made in León, Spain, Spanish, Ivory, traces of gilding, Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm), Ivories, According to the Gospels, Jesus appeared to his disciples several times after the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-with-the-journey-to-emmaus-and-noli-me-tangere-ca-111520-made-in-len-spain-spanish-ivory-traces-of-gilding-overall-10-58-x-5-14-x-34-in-27-x-134-x-19-cm-ivories-according-to-the-gospels-jesus-appeared-to-his-disciples-several-times-after-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033367.htmlRF2HW8YNY–Art inspired by Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20, Made in León, Spain, Spanish, Ivory, traces of gilding, Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm), Ivories, According to the Gospels, Jesus appeared to his disciples several times after the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Risen Christ appears to Mary Magdalene (L) and to Saint Thomas the Apostle (R). Detail of the altarpiece from circa 1480 by German Renaissance painter Martin Schongauer from the Dominican Church in Colmar on display in the Musee d'Unterlinden (Unterlinden Museum) in Colmar, Alsace, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-risen-christ-appears-to-mary-magdalene-l-and-to-saint-thomas-the-132123507.htmlRMHJXMTK–The Risen Christ appears to Mary Magdalene (L) and to Saint Thomas the Apostle (R). Detail of the altarpiece from circa 1480 by German Renaissance painter Martin Schongauer from the Dominican Church in Colmar on display in the Musee d'Unterlinden (Unterlinden Museum) in Colmar, Alsace, France.
Perugino (Pietro di Cristoforo Vannucci), 'Noli Me Tangere', 1500/05; Italian Renaissance depiction of a biblical scene with Christ and Mary Magdalene post-resurrection, highlighting Perugino's serene artistry and influence on Raphael, rendered in tempera on panel, part of a predella revealing Christ’s divinity Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/perugino-pietro-di-cristoforo-vannucci-noli-me-tangere-150005-italian-renaissance-depiction-of-a-biblical-scene-with-christ-and-mary-magdalene-post-resurrection-highlighting-peruginos-serene-artistry-and-influence-on-raphael-rendered-in-tempera-on-panel-part-of-a-predella-revealing-christs-divinity-image597752061.htmlRF2WMDXRW–Perugino (Pietro di Cristoforo Vannucci), 'Noli Me Tangere', 1500/05; Italian Renaissance depiction of a biblical scene with Christ and Mary Magdalene post-resurrection, highlighting Perugino's serene artistry and influence on Raphael, rendered in tempera on panel, part of a predella revealing Christ’s divinity
The Risen Christ appears to Mary Magdalene. Wooden carving from 1490-1492 by German sculptor Tilman Riemenschneider displayed in the Bode Museum in Berlin, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-risen-christ-appears-to-mary-magdalene-wooden-carving-from-1490-112314413.htmlRMGEMA51–The Risen Christ appears to Mary Magdalene. Wooden carving from 1490-1492 by German sculptor Tilman Riemenschneider displayed in the Bode Museum in Berlin, Germany.
Painting titled 'Noli me Tangere' by Italian Artist Titian (Tiziano) dated 1514 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-noli-me-tangere-by-italian-artist-titian-tiziano-dated-1514-image474714985.htmlRM2JG93PH–Painting titled 'Noli me Tangere' by Italian Artist Titian (Tiziano) dated 1514
Noli me Tangere 1520-25 Garofalo (Benvenuto Tisi) 1476-1559 15-16th Century, Italy, Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-1520-25-garofalo-benvenuto-tisi-1476-1559-15-16th-century-italy-italian-image225362883.htmlRMR2J4JB–Noli me Tangere 1520-25 Garofalo (Benvenuto Tisi) 1476-1559 15-16th Century, Italy, Italian
Brera gallery, Milan. Noli me tangere. Fede Galizia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brera-gallery-milan-noli-me-tangere-fede-galizia-94160327.htmlRMFD5ACR–Brera gallery, Milan. Noli me tangere. Fede Galizia.
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Andrea d' Agnolo, said, Andrea del Sarto, Florence, Italy, Italian , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-146836082.htmlRMJETXWP–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Andrea d' Agnolo, said, Andrea del Sarto, Florence, Italy, Italian ,
Noli me tangere by Jerónimo Cosida (1510–1592). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-jernimo-cosida-15101592-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230380.htmlRM2JC7XJM–Noli me tangere by Jerónimo Cosida (1510–1592). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
Noli Tangere by Santino Tagliafichi 1746-1829 Church of San Michele Arcangelo Church of San Michele - Archangel Michael,is a place of Catholic worship located in the hamlet of San Michele di Pagana, 12th 13th Century ,Rapallo, Italy, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-tangere-by-santino-tagliafichi-1746-1829-church-of-san-michele-arcangelo-church-of-san-michele-archangel-michaelis-a-place-of-catholic-worship-located-in-the-hamlet-of-san-michele-di-pagana-12th-13th-century-rapallo-italy-image456820664.htmlRM2HF5YBM–Noli Tangere by Santino Tagliafichi 1746-1829 Church of San Michele Arcangelo Church of San Michele - Archangel Michael,is a place of Catholic worship located in the hamlet of San Michele di Pagana, 12th 13th Century ,Rapallo, Italy,
Sforza castle museum, Milan. Noli me tangere, Bartolomeo Suardi called Bramantino, 1495. Fresco. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sforza-castle-museum-milan-noli-me-tangere-bartolomeo-suardi-called-94160683.htmlRMFD5AWF–Sforza castle museum, Milan. Noli me tangere, Bartolomeo Suardi called Bramantino, 1495. Fresco.
Italy Italian Noli me tangere,1368-70 Probably by, Jacopo di Cione 1365 -1400 Italy Italian, ( New Testament (John 20: 14-18) tells how Mary Magdalene at first mistook the Risen Christ for a gardener: he is shown holding a hoe. She kneels before him and Christ urges her not to touch him, saying 'Noli me tangere'.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-italian-noli-me-tangere1368-70-probably-by-jacopo-di-cione-1365-141507251.htmlRMJ665XB–Italy Italian Noli me tangere,1368-70 Probably by, Jacopo di Cione 1365 -1400 Italy Italian, ( New Testament (John 20: 14-18) tells how Mary Magdalene at first mistook the Risen Christ for a gardener: he is shown holding a hoe. She kneels before him and Christ urges her not to touch him, saying 'Noli me tangere'.)
Stained glass window by Alfred Octavius Hemming depicting “Noli me tangere”. Jesus in the garden with Mary Magdalene. All Saint's Church Brixworth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stained-glass-window-by-alfred-octavius-hemming-depicting-noli-me-25507499.htmlRMBDDY23–Stained glass window by Alfred Octavius Hemming depicting “Noli me tangere”. Jesus in the garden with Mary Magdalene. All Saint's Church Brixworth
Noli me Tangere 1514 by Titian - Tiziano Vecelli or Tiziano Vecellio 1515 - 1517 Venice Italy Italian ( Christ appears to the Magdalen after the Resurrection to comfort her. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-noli-me-tangere-1514-by-titian-tiziano-vecelli-or-tiziano-vecellio-165144198.htmlRMKGJY32–Noli me Tangere 1514 by Titian - Tiziano Vecelli or Tiziano Vecellio 1515 - 1517 Venice Italy Italian ( Christ appears to the Magdalen after the Resurrection to comfort her. )
A stained glass window depicting St John 20:17, Church of St Mary, South Tidworth, Wiltshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-stained-glass-window-depicting-st-john-2017-church-of-st-mary-south-26607321.htmlRMBF81WD–A stained glass window depicting St John 20:17, Church of St Mary, South Tidworth, Wiltshire
Noli me Tangere by Agniolo di Cosimo di Mariano TORI, known as Agnolo BRONZINO, Monticello, 1503 – Florence, 1572, Italian, Italy, Agnolo di Cosimo, said, il Bronzino, 1503-1752 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-agniolo-di-cosimo-di-mariano-tori-known-as-agnolo-bronzino-monticello-1503-florence-1572-italian-italy-agnolo-di-cosimo-said-il-bronzino-1503-1752-image245194058.htmlRMT6WFEJ–Noli me Tangere by Agniolo di Cosimo di Mariano TORI, known as Agnolo BRONZINO, Monticello, 1503 – Florence, 1572, Italian, Italy, Agnolo di Cosimo, said, il Bronzino, 1503-1752
POLIPTICO ISABEL CATOLICA-NOLI ME TANGERE-JESUS RESUCITADO Y MARIA MAGDALENA. Author: FLANDES, JUAN DE. Location: PALACIO REAL-PINTURA. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poliptico-isabel-catolica-noli-me-tangere-jesus-resucitado-y-maria-magdalena-author-flandes-juan-de-location-palacio-real-pintura-madrid-spain-image219865234.htmlRMPNKM9P–POLIPTICO ISABEL CATOLICA-NOLI ME TANGERE-JESUS RESUCITADO Y MARIA MAGDALENA. Author: FLANDES, JUAN DE. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.
Christ the gardener, detail from Noli Me Tangere (don't touch me), by Giovanni della Robbia (1469-1529), glazed earthenware. National Museum of Bargello, The Bargello, Palazzo del Bargello, Florence, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-christ-the-gardener-detail-from-noli-me-tangere-dont-touch-me-by-giovanni-167480931.htmlRMKMDBHR–Christ the gardener, detail from Noli Me Tangere (don't touch me), by Giovanni della Robbia (1469-1529), glazed earthenware. National Museum of Bargello, The Bargello, Palazzo del Bargello, Florence, Italy.
East window of 1869 by Lavers, Berraud and Westlake, depicting Mary Magdalene at Jesus's tomb St Peter's Church, Deene, Northamptonshire, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-east-window-of-1869-by-lavers-berraud-and-westlake-depicting-mary-92999912.htmlRMFB8E9C–East window of 1869 by Lavers, Berraud and Westlake, depicting Mary Magdalene at Jesus's tomb St Peter's Church, Deene, Northamptonshire, England
Noli me tangere. Painting by Pontormo, after 1531, based on a drawing by Michelangelo Buonarroti. Casa Buonarroti in Florence Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo da Pontormo, Jacopo Pontormo, or simply Pontormo, Casa Buonarroti memory celebration genius of Michelangelo, Fine Art Museum, Italy, Italian, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-painting-by-pontormo-after-1531-based-on-a-drawing-by-michelangelo-buonarroti-casa-buonarroti-in-florence-jacopo-carucci-may-24-1494-january-2-1557-usually-known-as-jacopo-da-pontormo-jacopo-pontormo-or-simply-pontormo-casa-buonarroti-memory-celebration-genius-of-michelangelo-fine-art-museum-italy-italian-image526916422.htmlRM2NH737J–Noli me tangere. Painting by Pontormo, after 1531, based on a drawing by Michelangelo Buonarroti. Casa Buonarroti in Florence Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo da Pontormo, Jacopo Pontormo, or simply Pontormo, Casa Buonarroti memory celebration genius of Michelangelo, Fine Art Museum, Italy, Italian,
A stained glass window depicting the Appearance to Mary Magdalene , St James' and St Bartholomew's Church, Waterfall, Derbyshire, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-stained-glass-window-depicting-the-appearance-to-mary-magdalene-29215593.htmlRMBKETP1–A stained glass window depicting the Appearance to Mary Magdalene , St James' and St Bartholomew's Church, Waterfall, Derbyshire, England
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-from-florence-high-renaissance-and-early-mannerism-italy-image487332646.htmlRM2K8RWNA–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy
Jesus appears, after his death, to Mary Magdalen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jesus-appears-after-his-death-to-mary-magdalen-105283594.htmlRMG3828A–Jesus appears, after his death, to Mary Magdalen
Mary Magdalene speaks to the risen Jesus after first mistaking him for the gardener. 'Jesus saith unto her, Touch me not; for I Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mary-magdalene-speaks-to-the-risen-jesus-after-first-mistaking-him-83331139.htmlRMERG1M3–Mary Magdalene speaks to the risen Jesus after first mistaking him for the gardener. 'Jesus saith unto her, Touch me not; for I
A stained glass window by William Wailes depicting the Appearance of Jesus to Mary Magdalene, St Peter and St Paul's Church, King's Sutton, Northampto Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-stained-glass-window-by-william-wailes-depicting-the-appearance-of-jesus-to-mary-magdalene-st-peter-and-st-pauls-church-kings-sutton-northampto-image470638032.htmlRM2J9KBH4–A stained glass window by William Wailes depicting the Appearance of Jesus to Mary Magdalene, St Peter and St Paul's Church, King's Sutton, Northampto
'Noli Me Tangere', 1523-1524, (c1934). Artist: Correggio. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-noli-me-tangere-1523-1524-c1934-artist-correggio-135285752.htmlRMHT2PA0–'Noli Me Tangere', 1523-1524, (c1934). Artist: Correggio.
A stained glass window depicting Mary Magdalene meeting the resurrected Jesus in the Garden, Waterfall, Derbyshire, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-stained-glass-window-depicting-mary-magdalene-meeting-the-resurrected-29215319.htmlRMBKETC7–A stained glass window depicting Mary Magdalene meeting the resurrected Jesus in the Garden, Waterfall, Derbyshire, England
Noli Me Tangere by Hans Holbein the Younger (1497–1543). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-hans-holbein-the-younger-14971543-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230376.htmlRM2JC7XJG–Noli Me Tangere by Hans Holbein the Younger (1497–1543). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
Jesus Appears To Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-appears-to-mary-image5079673.htmlRMANMJ7A–Jesus Appears To Mary
Noli me tangere by Anton Raphael Mengs (1728–1779). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-anton-raphael-mengs-17281779-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230383.htmlRM2JC7XJR–Noli me tangere by Anton Raphael Mengs (1728–1779). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
Jesus Christ, full length, Mary Magdalene, saint, figure from the New Testament, half length, woodcut, by Jacques Stella (1569 - 1657), France, 17th century, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jesus-christ-full-length-mary-magdalene-saint-figure-from-the-new-19728028.htmlRMB42K8C–Jesus Christ, full length, Mary Magdalene, saint, figure from the New Testament, half length, woodcut, by Jacques Stella (1569 - 1657), France, 17th century,
Noli me tangere by Benvenuto Tisi )also known as Il Garofalo) (1481-1559). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-by-benvenuto-tisi-also-known-as-il-garofalo-1481-1559-this-painting-depicts-the-moment-when-mary-magdelene-recognises-the-resurrected-jesus-she-reaches-for-him-but-he-asks-her-not-to-touch-him-noli-me-tangere-as-he-has-not-yet-ascended-to-heaven-image472230378.htmlRM2JC7XJJ–Noli me tangere by Benvenuto Tisi )also known as Il Garofalo) (1481-1559). This painting depicts the moment when Mary Magdelene recognises the resurrected Jesus. She reaches for him but he asks her not to touch him (Noli me tangere) as he has not yet ascended to heaven.
People wearing colorful costumes during the Sinulog Festival in Cebu Province. Sinulog Festival is annually celebrated at the same time as Ati-Atihan, both festivals are in honor of the infant Jesus. Philippines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/people-wearing-colorful-costumes-during-the-sinulog-festival-in-cebu-province-sinulog-festival-is-annually-celebrated-at-the-same-time-as-ati-atihan-both-festivals-are-in-honor-of-the-infant-jesus-philippines-image447869592.htmlRM2H0J66G–People wearing colorful costumes during the Sinulog Festival in Cebu Province. Sinulog Festival is annually celebrated at the same time as Ati-Atihan, both festivals are in honor of the infant Jesus. Philippines.
Vicenza - The painting of The Christ's Appearance to Mary Magdalene after the resurrection 'Noli me tangere' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vicenza-the-painting-of-the-christs-appearance-to-mary-magdalene-after-the-resurrection-noli-me-tangere-image574303704.htmlRF2TA9P6G–Vicenza - The painting of The Christ's Appearance to Mary Magdalene after the resurrection 'Noli me tangere'
A man wearing his costume during the Ati-Atihan Festival in Aklan, West Visayas Philippines. Ati-Atihan is an annual festival celebrated in honor of the Sto. Nino (infant Jesus), where people wear colorful costumes and paint themselves in black soot while carrying an image of the infant Jesus. Philippines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-man-wearing-his-costume-during-the-ati-atihan-festival-in-aklan-west-visayas-philippines-ati-atihan-is-an-annual-festival-celebrated-in-honor-of-the-sto-nino-infant-jesus-where-people-wear-colorful-costumes-and-paint-themselves-in-black-soot-while-carrying-an-image-of-the-infant-jesus-philippines-image447869587.htmlRM2H0J66B–A man wearing his costume during the Ati-Atihan Festival in Aklan, West Visayas Philippines. Ati-Atihan is an annual festival celebrated in honor of the Sto. Nino (infant Jesus), where people wear colorful costumes and paint themselves in black soot while carrying an image of the infant Jesus. Philippines.
Piona, Colico, Province of Lecco, region Lombardy, eastern shore of Lake of Como, Italy.. Abbey of Piona.The cloister of the priory. XIII century A.D. A Fresco depicting the meeting of the risen Jesus with Mary Magdalene (Noli me tangere). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piona-colico-province-of-lecco-region-lombardy-eastern-shore-of-lake-of-como-italy-abbey-of-pionathe-cloister-of-the-priory-xiii-century-ad-a-fresco-depicting-the-meeting-of-the-risen-jesus-with-mary-magdalene-noli-me-tangere-image387111626.htmlRM2DDPCR6–Piona, Colico, Province of Lecco, region Lombardy, eastern shore of Lake of Como, Italy.. Abbey of Piona.The cloister of the priory. XIII century A.D. A Fresco depicting the meeting of the risen Jesus with Mary Magdalene (Noli me tangere).
Noli me tangere. (Touch Me not. / Do not cling to Me.) Denis Calvaert (1540 – 1619). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-touch-me-not-do-not-cling-to-me-denis-calvaert-1540-1619-image487518207.htmlRM2K94ACF–Noli me tangere. (Touch Me not. / Do not cling to Me.) Denis Calvaert (1540 – 1619).
. English: The Life of Jesus by William Hole . 1900s. William Hole (1846–1917) Alternative names William Brassey Hole; William B. Hole Description British artist, illustrator, etcher and engraver Date of birth/death 7 November 1846 22 October 1917 Location of birth/death Salisbury Edinburgh Work location Edinburgh (1870 - 1917) Authority control : Q12060389 VIAF: 59216495 ISNI: 0000 0000 7245 6219 ULAN: 500010386 LCCN: n2004075061 SUDOC: 057068623 WorldCat 448 Noli me tangere - William Brassey Hole Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-life-of-jesus-by-william-hole-1900s-william-hole-18461917-alternative-names-william-brassey-hole-william-b-hole-description-british-artist-illustrator-etcher-and-engraver-date-of-birthdeath-7-november-1846-22-october-1917-location-of-birthdeath-salisbury-edinburgh-work-location-edinburgh-1870-1917-authority-control-q12060389-viaf59216495-isni0000-0000-7245-6219-ulan500010386-lccnn2004075061-sudoc057068623-worldcat-448-noli-me-tangere-william-brassey-hole-image188400961.htmlRMMXEB9N–. English: The Life of Jesus by William Hole . 1900s. William Hole (1846–1917) Alternative names William Brassey Hole; William B. Hole Description British artist, illustrator, etcher and engraver Date of birth/death 7 November 1846 22 October 1917 Location of birth/death Salisbury Edinburgh Work location Edinburgh (1870 - 1917) Authority control : Q12060389 VIAF: 59216495 ISNI: 0000 0000 7245 6219 ULAN: 500010386 LCCN: n2004075061 SUDOC: 057068623 WorldCat 448 Noli me tangere - William Brassey Hole
Noli me tangere (Don't touch me) by Titian. The scene shows Jesus apprearing to Mary Magdalene, but he asks her not to touch him as his ascension is not yet complete. In John 20:1–13, Mary Magdalene sees the risen Jesus alone and he tells her 'Don't touch me, for I have not yet ascended to my father.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-dont-touch-me-by-titian-the-scene-shows-jesus-apprearing-to-mary-magdalene-but-he-asks-her-not-to-touch-him-as-his-ascension-is-not-yet-complete-in-john-20113-mary-magdalene-sees-the-risen-jesus-alone-and-he-tells-her-dont-touch-me-for-i-have-not-yet-ascended-to-my-father-image470957924.htmlRM2JA5YHT–Noli me tangere (Don't touch me) by Titian. The scene shows Jesus apprearing to Mary Magdalene, but he asks her not to touch him as his ascension is not yet complete. In John 20:1–13, Mary Magdalene sees the risen Jesus alone and he tells her 'Don't touch me, for I have not yet ascended to my father.'
A stained glass window by Frederick Preedy depicting scenes in the Life of Christ, Fladbury Church, Worcestershire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-stained-glass-window-by-frederick-preedy-depicting-scenes-in-the-life-of-christ-fladbury-church-worcestershire-image469859407.htmlRM2J8BXD3–A stained glass window by Frederick Preedy depicting scenes in the Life of Christ, Fladbury Church, Worcestershire
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-from-florence-high-renaissance-and-early-mannerism-italy-image487332640.htmlRM2K8RWN4–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy
Sculpture group Noli me tangere (Don`t touch me) from 1649 designed by Gian Lorenzo Bernini and Antonio Raggi in Baroque Chiesa dei Santi Domenico e S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sculpture-group-noli-me-tangere-don`t-touch-me-from-1649-designed-by-gian-lorenzo-bernini-and-antonio-raggi-in-baroque-chiesa-dei-santi-domenico-e-s-image179390798.htmlRMMBRXP6–Sculpture group Noli me tangere (Don`t touch me) from 1649 designed by Gian Lorenzo Bernini and Antonio Raggi in Baroque Chiesa dei Santi Domenico e S
Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-denys-calvaert-1540-1619-16th-17th-century-franch-french-painter-noli-me-tangere-touch-me-not-latin-version-of-a-phrase-spoken-according-to-john-2017-jesus-to-mary-magdalene-when-she-recognized-him-after-his-resurrection-image492423016.htmlRM2KH3PG8–Noli me tangere Denys Calvaert (1540-1619) 16th-17th Century, Franch ,French, Painter, Noli me tangere ,(touch me not ), Latin version of a phrase spoken, according to John 20:17, Jesus to Mary Magdalene when she recognized, him, after his, resurrection,
The resurrection of Christ by Giotto in Scrovegni Chapel, Padua Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-of-christ-by-giotto-in-scrovegni-chapel-padua-image567391764.htmlRF2RY2WYG–The resurrection of Christ by Giotto in Scrovegni Chapel, Padua
Christ appears to Mary Magdalene (Noli me tangere), 1638. Found in the Collection of Royal Collection, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-appears-to-mary-magdalene-noli-me-tangere-1638-found-in-the-collection-of-royal-collection-london-image337004468.htmlRM2AG7THT–Christ appears to Mary Magdalene (Noli me tangere), 1638. Found in the Collection of Royal Collection, London.
St. Andrew`s Church, Welham, Leicestershire, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-andrew`s-church-welham-leicestershire-england-uk-image443024017.htmlRM2GMNDJ9–St. Andrew`s Church, Welham, Leicestershire, England, UK
Triptych: part Rodkowa: Opposite; Left wing: mass. Grzegorz and Donator; Right wing: Iodok and donor; Wing reverse: Noli Me Tangere; unknown painter; around 1510-1515 (1510-00-00-1520-00-00);Grzegorz and the Great (Saint - Pope - Ca 540-604), Jesus Christ (Bible), Jodok (Saint), Maria (Mother of Jesus Christ), Maria Magdalena (Saint), Mass Grzegorz (iconogr.), Noli Me Tangere (iconogr.), New Testament (Bible), mourning (iconogr.), Weyer, Johann Peter (1794-1864), Weyer, Johann Peter (1794-1864)-collection, coats of arms, Dutch painting, portraits of donors, female portraits, men's portraits, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triptych-part-rodkowa-opposite-left-wing-mass-grzegorz-and-donator-right-wing-iodok-and-donor-wing-reverse-noli-me-tangere-unknown-painter-around-1510-1515-1510-00-00-1520-00-00grzegorz-and-the-great-saint-pope-ca-540-604-jesus-christ-bible-jodok-saint-maria-mother-of-jesus-christ-maria-magdalena-saint-mass-grzegorz-iconogr-noli-me-tangere-iconogr-new-testament-bible-mourning-iconogr-weyer-johann-peter-1794-1864-weyer-johann-peter-1794-1864-collection-coats-of-arms-dutch-painting-portraits-of-donors-female-portraits-mens-portraits-image598977285.htmlRM2WPDNHW–Triptych: part Rodkowa: Opposite; Left wing: mass. Grzegorz and Donator; Right wing: Iodok and donor; Wing reverse: Noli Me Tangere; unknown painter; around 1510-1515 (1510-00-00-1520-00-00);Grzegorz and the Great (Saint - Pope - Ca 540-604), Jesus Christ (Bible), Jodok (Saint), Maria (Mother of Jesus Christ), Maria Magdalena (Saint), Mass Grzegorz (iconogr.), Noli Me Tangere (iconogr.), New Testament (Bible), mourning (iconogr.), Weyer, Johann Peter (1794-1864), Weyer, Johann Peter (1794-1864)-collection, coats of arms, Dutch painting, portraits of donors, female portraits, men's portraits,
Jesus Christ Noli me Tangere 'Touch me Not' stained glass window by Jones and Willis 1895, Etchilhampton church, Wiltshire, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-christ-noli-me-tangere-touch-me-not-stained-glass-window-by-jones-and-willis-1895-etchilhampton-church-wiltshire-england-uk-image342530896.htmlRM2AW7HJ8–Jesus Christ Noli me Tangere 'Touch me Not' stained glass window by Jones and Willis 1895, Etchilhampton church, Wiltshire, England, UK
Painting titled 'Noli me Tangere' by Italian Artist Titian (Tiziano) dated 1514 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-noli-me-tangere-by-italian-artist-titian-tiziano-dated-1514-image469623245.htmlRM2J8156N–Painting titled 'Noli me Tangere' by Italian Artist Titian (Tiziano) dated 1514
Jesus Christ, full length, Mary Magdalene, saint, figure from the New Testament, woodcut, by Albrecht Duerer (1471 - 1528), from 'Die kleine Holzschnitt-Passion' (The little woodcut passion), Nuremberg, Germany, 1511, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jesus-christ-full-length-mary-magdalene-saint-figure-from-the-new-19812921.htmlRMB46FG9–Jesus Christ, full length, Mary Magdalene, saint, figure from the New Testament, woodcut, by Albrecht Duerer (1471 - 1528), from 'Die kleine Holzschnitt-Passion' (The little woodcut passion), Nuremberg, Germany, 1511, Artist's Copyright has not to be cleared
'Noli Me Tangere', c1514. Artist: Titian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-c1514-artist-titian-image262741435.htmlRMW7CWAK–'Noli Me Tangere', c1514. Artist: Titian
fine arts, Schongauer, Martin, (circa 1450 - 1491), painting, 'Noli me tangere' (Do not touch me!), altar panel, Colmar Dominican church, high altar, Germany, 1480, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-schongauer-martin-circa-1450-1491-painting-noli-me-tangere-110821221.htmlRMGC89GN–fine arts, Schongauer, Martin, (circa 1450 - 1491), painting, 'Noli me tangere' (Do not touch me!), altar panel, Colmar Dominican church, high altar, Germany, 1480,
Noli Me Tangere '-the resurrected Christ appearing as Mary Magdalena (Jn 20, 14-17); Calvaert, Denys (1540-1619); XVI/XVII century (1590-00-00-00-1610-00- 00; , 5 cm, width 145 cm, thick 9 cm; M.OB.2393 MNW; all rights reserved.Jesus Christ, Maria Magdalena (Saint), The Resurrection of Christ (Bible), Flemish painting, Italian painting, mountain landscapes, purchase (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noli-me-tangere-the-resurrected-christ-appearing-as-mary-magdalena-jn-20-14-17-calvaert-denys-1540-1619-xvixvii-century-1590-00-00-00-1610-00-00-5-cm-width-145-cm-thick-9-cm-mob2393-mnw-all-rights-reservedjesus-christ-maria-magdalena-saint-the-resurrection-of-christ-bible-flemish-painting-italian-painting-mountain-landscapes-purchase-provenance-image598752420.htmlRM2WP3ER0–Noli Me Tangere '-the resurrected Christ appearing as Mary Magdalena (Jn 20, 14-17); Calvaert, Denys (1540-1619); XVI/XVII century (1590-00-00-00-1610-00- 00; , 5 cm, width 145 cm, thick 9 cm; M.OB.2393 MNW; all rights reserved.Jesus Christ, Maria Magdalena (Saint), The Resurrection of Christ (Bible), Flemish painting, Italian painting, mountain landscapes, purchase (provenance)
Jorge Manuel Theotocopuli (1578-1631). Spanish painter. Noli me tangere, 1609-1612. Lazaro Galdiano Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jorge-manuel-theotocopuli-1578-1631-spanish-painter-noli-me-tangere-1609-1612-lazaro-galdiano-museum-madrid-spain-image561317047.htmlRM2RH65HB–Jorge Manuel Theotocopuli (1578-1631). Spanish painter. Noli me tangere, 1609-1612. Lazaro Galdiano Museum, Madrid, Spain.
Plaque with the Journey to Emmaus and Noli Me Tangere. Culture: Spanish. Dimensions: Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm) Weight: 30.5oz. (866g). Date: ca. 1115-20. According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-the-journey-to-emmaus-and-noli-me-tangere-culture-spanish-dimensions-overall-10-58-x-5-14-x-34-in-27-x-134-x-19-cm-weight-305oz-866g-date-ca-1115-20-according-to-the-gospels-jesus-appeared-to-his-disciples-several-times-after-the-resurrection-including-on-the-road-from-jerusalem-to-emmaus-in-the-encounter-represented-at-the-top-of-this-plaque-the-disciples-lament-the-crucifixion-while-jesus-explains-the-redemptive-nature-of-his-sacrifice-below-jesus-appears-to-mary-magdalene-who-at-first-thinks-he-is-a-gardener-when-she-recognizes-him-he-tells-her-image212910640.htmlRMPAAWKC–Plaque with the Journey to Emmaus and Noli Me Tangere. Culture: Spanish. Dimensions: Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm) Weight: 30.5oz. (866g). Date: ca. 1115-20. According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her
Plaque with the Journey to Emmaus and Noli Me Tangere ca. 1115–20 Spanish According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her not to touch him (noli me tangere) since the Ascension has not yet occurred.The swirling drapery, elongated bo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-the-journey-to-emmaus-and-noli-me-tangere-ca-111520-spanish-according-to-the-gospels-jesus-appeared-to-his-disciples-several-times-after-the-resurrection-including-on-the-road-from-jerusalem-to-emmaus-in-the-encounter-represented-at-the-top-of-this-plaque-the-disciples-lament-the-crucifixion-while-jesus-explains-the-redemptive-nature-of-his-sacrifice-below-jesus-appears-to-mary-magdalene-who-at-first-thinks-he-is-a-gardener-when-she-recognizes-him-he-tells-her-not-to-touch-him-noli-me-tangere-since-the-ascension-has-not-yet-occurredthe-swirling-drapery-elongated-bo-image458081741.htmlRM2HH7BX5–Plaque with the Journey to Emmaus and Noli Me Tangere ca. 1115–20 Spanish According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her not to touch him (noli me tangere) since the Ascension has not yet occurred.The swirling drapery, elongated bo
. English: The Life of Jesus by William Hole . 1900s. William Hole (1846–1917) Alternative names William Brassey Hole; William B. Hole Description British artist, illustrator, etcher and engraver Date of birth/death 7 November 1846 22 October 1917 Location of birth/death Salisbury Edinburgh Work location Edinburgh (1870 - 1917) Authority control : Q12060389 VIAF: 59216495 ISNI: 0000 0000 7245 6219 ULAN: 500010386 LCCN: n2004075061 SUDOC: 057068623 WorldCat 391 Noli me tangere - William Brassey Hole Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-life-of-jesus-by-william-hole-1900s-william-hole-18461917-alternative-names-william-brassey-hole-william-b-hole-description-british-artist-illustrator-etcher-and-engraver-date-of-birthdeath-7-november-1846-22-october-1917-location-of-birthdeath-salisbury-edinburgh-work-location-edinburgh-1870-1917-authority-control-q12060389-viaf59216495-isni0000-0000-7245-6219-ulan500010386-lccnn2004075061-sudoc057068623-worldcat-391-noli-me-tangere-william-brassey-hole-image189162072.htmlRMMYN248–. English: The Life of Jesus by William Hole . 1900s. William Hole (1846–1917) Alternative names William Brassey Hole; William B. Hole Description British artist, illustrator, etcher and engraver Date of birth/death 7 November 1846 22 October 1917 Location of birth/death Salisbury Edinburgh Work location Edinburgh (1870 - 1917) Authority control : Q12060389 VIAF: 59216495 ISNI: 0000 0000 7245 6219 ULAN: 500010386 LCCN: n2004075061 SUDOC: 057068623 WorldCat 391 Noli me tangere - William Brassey Hole
Touch Me Not (Noli me tangere) James Tissot (French, 1836-1902). Touch Me Not (Noli me tangere), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/8 x 7 1/2 in. (28.3 x 19.1 cm). Mary Magdalene, meeting the resurrected Christ, falls to the ground “thinking to resume her old place at the feet of Jesus and to embrace them,” as Tissot notes. While Christ had encouraged the Magdalene’s ministrations in an earlier scene, The Ointment of the Magdalene, now he counsels caution, warning, “Touch me not”; the time for such familiarity has passed. The Magdalene’s prostrate body Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/touch-me-not-noli-me-tangere-james-tissot-french-1836-1902-touch-me-not-noli-me-tangere-1886-1894-opaque-watercolor-over-graphite-on-gray-wove-paper-image-11-18-x-7-12-in-283-x-191-cm-mary-magdalene-meeting-the-resurrected-christ-falls-to-the-ground-thinking-to-resume-her-old-place-at-the-feet-of-jesus-and-to-embrace-them-as-tissot-notes-while-christ-had-encouraged-the-magdalenes-ministrations-in-an-earlier-scene-the-ointment-of-the-magdalene-now-he-counsels-caution-warning-touch-me-not-the-time-for-such-familiarity-has-passed-the-magdalenes-prostrate-body-image504685068.htmlRM2M92AXM–Touch Me Not (Noli me tangere) James Tissot (French, 1836-1902). Touch Me Not (Noli me tangere), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/8 x 7 1/2 in. (28.3 x 19.1 cm). Mary Magdalene, meeting the resurrected Christ, falls to the ground “thinking to resume her old place at the feet of Jesus and to embrace them,” as Tissot notes. While Christ had encouraged the Magdalene’s ministrations in an earlier scene, The Ointment of the Magdalene, now he counsels caution, warning, “Touch me not”; the time for such familiarity has passed. The Magdalene’s prostrate body
Search Results for Jesus noli me tangere Stock Photos and Images (238)
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