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James gillray Stock Photos and Images
RM2ATFR9G–'A Voluptuary Under The Horrors of Digestion': 1792 caricature by James Gillray from George's time as Prince of Wales. Caricature of George IV as the Prince of Wales, languid with repletion, leaning back in an arm-chair, at a table covered with remains of a meal, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. In the background, the Prince of Wales' three ostrich feathers emblem is shown above a knife and fork crossed on a plate (instead of a coat of arms).
RMDCYMTH–19th century - The King of Brobdingnag and Gulliver - James Gillray (1804) Philippe Sauvan-Magnet / Active Museum
RM2C51F7M–END OF THE IRISH INVASION or the Destruction of the French Armada. A 1797 cartoon by James Gillray showing various politicians
RMF0B3F5–'The American Rattle Snake' political cartoon by James Gillray (1756-1815). Shows American Continental Army in the form of a rattle snake containing British troops commanded by Burgoyne and Cornwallis captured on the surrender of Yorktown on 19 October 1781 with a spare coil ready for future prisoners of war. See description for more information.
RMDE1537–people, couples, marriage, caricature, 'Matrimonial Harmonics', drawing by James Gillray, London, 1805, Additional-Rights-Clearences-Not Available
RMANP99R–The Gout James Gillray 1799 cartoon by the great caricaturist of the agony induced by the inflammatory disease
RMB8KR35–engraving by James Gillray of The Old Lady of Threadneedle Street published in 1797 It was a satire on the currency crisis
RFM4ANMH–Advantages of wearing muslin dresses! by James Gillray published 1802. A fat lady, sitting with a man and woman at a tea table, reacts in horror as a hot poker from the fire falls on her dress and sets it on fire. The man sits helplessly while the second woman upsets the table in her alarm. A butler, entering the room, drops a plate of muffins, and a cat scampers away from the fire. A painting of Mt. Vesuvius hangs over the fireplace.
RMRXK6RD–Punch Cures the Gout, the Colic, and the 'Tisick. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1799. Dimensions: 258 × 340 mm (image); 262 × 364 mm (plate); 288 × 377 mm (sheet). Hand-colored etching with engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute.
RMG15HH1–Famous comic color etching done by James Gillray, entitled 'Scientific Researches! New Discoveries in PNEUMATICKS!' Humphry Davy, 1st Baronet (December 17, 1778 - May 29, 1829) was an English chemist and inventor. In 1798, he joined the Pneumatic Institut
RMMP7KX2–James Gillray, British caricaturist (1757–1815) circa 1819 (circa 1800) ; 1st uploaded 21:07, 31 March 2005. Patricio00 694 Jamesgillrayportrait
RMHCGB3M–James Gillray - The Plumb-Pudding in Danger – or – State Epicures Taking un Petit Souper - 1805
RMD95TR2–The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III viewing a miniscule Napoleon. Hand-coloured engraving
RMFA4N2A–“A Masonic Anecdote”, Alessandro di Cagliostro, after James Gillray Caricature, Book Illustration from “Cagliostro, The Splendour and Misery of A Master of Magic”, Chapman and Hall LTD, W.R.H. Trowbridge, 1910
RMDAN6AY–JAMES GILLRAY (1756/7- 1815) 'Plum Pudding in Peril' of 1805 shows Pitt at left and Napoleon dividing up the world
RMP66T1C–Maniac-raving's-or-Little Bony in a strong fit Cartoon by James Gillray, 1756-1815, engraver 1803. Cartoon showing Napoleon in a fury over relations between France and England. 1803
RMFGPHX9–medicine, disease, gout, 'The Gout', drawing by James Gillray (1757 - 1815), 14.5.1799, Additional-Rights-Clearences-Not Available
RM2BHJ71D–The Gout 1799 by James Gillray (British, 1757-1815) published by Hannah Humphrey England, 18th century Etching hand-colored with watercolor on Wove paper. A devil figure is shown biting into painful and inflamed toe joints. Gout is a metabolic condition where uric acid crystals are deposited in the joints, causing great pain. The big toe is the joint most commonly affected. The main causes are genetic factors and diet.
RM2B2B9G9–An etching by the famous cartoonist James Gillray. The Chancellor of the Exchequer, Lord Petty, takes 42 million pounds in tax payments from the English symbolic figure John Bull. Lord Petty gives most of it to the powerful and privileged. Lord Petty had presented a financial plan, on the basis of which taxes were to be reduced for the higher incomes.
RMM4ANNE–A new way to pay the national-debt by James Gillray published 1786. Cartoon shows King George III and Queen Charlotte standing before the Treasury, moneybags under their arms, their pockets overflowing and bursting with coins (funds from the Treasury to cover Royal debts), William Pitt, his pockets full of coins, hands the king another moneybag taken from an overflowing wheelbarrow; the Prince of Wales, George IV, stands to the right looking destitute; a quadriplegic sits on the ground to the left with an overturned and empty hat between the stubs of his legs, which are fitted with prostheses.
RMRXMH6M–Britannia Between Death and the Doctors. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1804. Dimensions: 240 × 370 mm (image); 254 × 388 mm (plate); 301 × 404 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
RM2BE0GG8–Illustration representing the pain associated with the Gout. Etching by James Gillray, 1799.
RMGC7PA7–Stephen Calloway, Curator of Prints in the Word and Image Department of the Victoria and Albert Museum, London, examines a book of cartoons by British caricaturist James Gillray, which were originally censored in the 19th century, and lay hidden in government archives for over 100 years.
RM2B00XCT–China/UK: The reception of the Macartney Mission at the Qing Court. Hand-coloured etching by James Gillray (1756-1815), 1792. 'A caricature on Lord Macartney's Embassy to China and on the little which the Ambassador and his government are presumed to have known of the manners and tastes of the people they wanted to conciliate (the purpose of the visit was to propose the creation of a permanent English mission to the court of Peking). Chinese etiquette is, that extreme prostrations should be made before the Emperor, which it was intimated Lord Macartney would not conform to.'
RM2B6D49W–The life of William Cobbett - written by himself. No 2' (William Cobbett), 1809. By James Gillray (1756-1815). William Cobbett (1763-1835), English pamphleteer, farmer, journalist and member of parliament born in Farnham, Surrey. He believed that reforming Parliament, including abolishing 'rotten boroughs', would ease the poverty of farm labourers.
![James Gillray. ‘He Steers His Flight: Or, Tentanda via est qua me quoque possim tollere humo’ (1810) [A cartoon of Lord Grenville’s Installation as Chancellor of Oxford. Grenville, seated in a balloon, is ascending into the air. He is attired in his Chancellor’s gown, with a crucifix on his back]. [Cuthbert-Hodgson Collection] Stock Photo](https://c8.alamy.com/comp/2M97703/james-gillray-he-steers-his-flight-or-tentanda-via-est-qua-me-quoque-possim-tollere-humo-1810-a-cartoon-of-lord-grenvilles-installation-as-chancellor-of-oxford-grenville-seated-in-a-balloon-is-ascending-into-the-air-he-is-attired-in-his-chancellors-gown-with-a-crucifix-on-his-back-cuthbert-hodgson-collection-2M97703.jpg "James Gillray. ‘He Steers His Flight: Or, Tentanda via est qua me quoque possim tollere humo’ (1810) [A cartoon of Lord Grenville’s Installation as Chancellor of Oxford. Grenville, seated in a balloon, is ascending into the air. He is attired in his Chancellor’s gown, with a crucifix on his back]. [Cuthbert-Hodgson Collection] Stock Photo")
RM2M97703–James Gillray. ‘He Steers His Flight: Or, Tentanda via est qua me quoque possim tollere humo’ (1810) [A cartoon of Lord Grenville’s Installation as Chancellor of Oxford. Grenville, seated in a balloon, is ascending into the air. He is attired in his Chancellor’s gown, with a crucifix on his back]. [Cuthbert-Hodgson Collection]
RMRJJYFP–British Political Cartoon - James Gillray 1801 - 'Integrity retiring from Office' - politics
RMD98C1N–Sandwich-Carrots! Creator James Gillray, 1756-1815, engraver. Date Published, London 1796 Dec 3d. A buxom girl pushing a
RMERGJ4E–George III caricature by James Gillray. George III examining a miniature of republican leader Oliver Cromwell. Satire on
RMJPA75H–JAMES GILLRAY (1756-1815) English cartoonist. 'The state tinkers' 1780 engraving showing Lord North on his knees watched by King George III as they all conspire to ruin the country by their lack of skill.
RMR23J50–James Gillray (1756-1815) etching 'Philanthropic Consultation, after the loss of the slave bill'. 1796
RMBKAG1F–Hamilton, Lady Emma, 1761 - 15.1.1815, caricature, 'Dido in Despair', copper engraving by James Gillray, 1801, , Artist's Copyright has not to be cleared
RM2RJB76X–'Temperance enjoying a frugal meal'. A satirical print by James Gillray dated 28 July 1792. King George III and his wife Queen Charlotte eating one of their famously frugal meals.
RMWHB08R–The Liberty of the Subject . The Press Gang - 1779. by James Gillray. James Gillray (1757-1815) was without question the most important caricaturist of the Romantic period. His work consisted essentially of social and political satire, and was characterised by an uncompromising, ruthless clarity of vision..
RM2WJ277K–Satirical cartoon by James Gillray entitled, John Bull Happy. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
RMDDTKTF–'Middlesex-election, 1804. A long pull, a strong pull and a pull all together', 1804. Artist: James Gillray
RMT14BF5–Matrimonial Harmonics by James Gillray originally published 1805. A pair of illustrations satirising the way young girls were taught music, French and drawing to attract a man, and how ill suited such lessons were to the reality of marriage. (See companion piece T14BF4)
RM2BE0YY3–Illustration representing the pain associated with the Gout. Etching by James Gillray, 1799.
RMGC7P9K–Stephen Calloway, Curator of Prints in the Word and Image Department of the Victoria and Albert Museum, London, examines a book of cartoons by British caricaturist James Gillray, which were originally censored in the 19th century, and lay hidden in government archives for over 100 years.
RM2GK7R13–The Plumb-pudding in danger, or, State Epicures taking un Petit Souper is an 1805 editorial cartoon by the English artist James Gillray.
RM2FM521M–Cartoon: satire on rising tax, taxes and taxation in the UK: John Bull swamped in the flood of new taxes, print by James Gillray, 1806
RMEX6N39–Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784
RM2A5YY4A–Hand-coloured etching titled 'The Arms of France' by James Gillray (1751-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1803
RMBBNEB0–Napoleon I, 15.8.1769 - 5.5.1821, Emperor of the French 1804 - 1815, carving the world with King George III of England, cartoon, by James Gillray, 1809,
RM2RWBABF–The Union Club. An 1801 satire by James Gillray on the effects of the Acts of Union 1800 when the Parliaments of Great Britain and Ireland merged to form the Parliament of the United Kingdom. The apparant bonhomie in the foreground between various political figures is contrasted with the brawling in the background.
RF2HW5N82–Art inspired by The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WJ277F–Satirical cartoon entitled, John Bull going to the Wars by James Gillray. Colour Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
RM2BX54RJ–A severe crop failure led to a famine catastrophe in England. The Prime Minister William Pitt, who is portrayed as a butcher, remarked in a London newspaper that people should reduce the consumption of bread in favour of other foods. Gillray ridicules the absurd change from bread to meat, which is unaffordable for the population, by offering an oversized piece of meat to the starving John Bull.
RMT14BF4–Harmony Before Matrimony by James Gillray originally published 1805. A pair of illustrations satirising the way young girls were taught music, French and drawing to attract a man, and how ill suited such lessons were to the reality of marriage. (See companion piece T14BF5)
RMGC7PA6–Stephen Calloway, Curator of Prints in the Word and Image Department of the Victoria and Albert Museum, London, examines a book of cartoons by British caricaturist James Gillray, which were originally censored in the 19th century, and lay hidden in government archives for over 100 years.
RM2AR9N9D–The reception of the diplomatique and his suite, at the Court of Pekin, 1792, by James Gillray
RM2WR9WGB–L'Assemblée Nationale ; —or —Grand Co-operative Meeting at St. Ann's Hill.— Respectfully Dedicated to the admirers of 'A Broad-Bottom'd Administration'. James Gillray. 18 June 1804.
RM2FM5208–Cartoon: The Grand Coronation procession of Napoleon Bonaparte (1769-1821), as Napoleon I Emperor of France, from the church of Notre-Dame on 2nd December 1804, print by James Gillray, 1805
RMD9913K–The Hand-Writing upon the Wall', James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing. Above his head a crown is overbalancing a Cap of Liberty. Omen
RMACM1BN–Post Prandial Nap 1806 Gillray cartoon of a chap who has lunched well followed by a reading of the Political Register
RMDXHJGG–JAMES GILLRAY (1757-1815) English satirical artist. One of a series entitled Harmony Before Marriage published in 1805
RM2A5YPBC–Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784
RMBX6T5W–George IV, 12.8.1762 - 26.6.1830, King of Great Britain 29.1.1820 - 26.6.1830, caricature, 'The Lovers Dream', copper engraving by James Gillray, 24.1.1795, , Artist's Copyright has not to be cleared
RF2HTXJWA–Art inspired by Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WJ277R–Satirical cartoon by James Gillray entitled John Bull's Property in Danger. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
RMDDNC76–Hot air balloon in the courtyard of Burlington House, Piccadilly, Westminster, London, 1814. Artist: James Gillray
RM2HTP9W0–Pylades and Orestes (1797) by James Gillray (1757-1815).British caricaturist and printmaker famous for his etched political and social satires.
RMERGJ4H–'The ravages of strong drink - caricature by James Gillray. Caption reads: 'Punch cures the Gout….and the 'Tisick, - the Colic'.
RMGC7P9W–Stephen Calloway, Curator of Prints in the Word and Image Department of the Victoria and Albert Museum, London, examines a book of cartoons by British caricaturist James Gillray, which were originally censored in the 19th century, and lay hidden in government archives for over 100 years.
RM2J4WP48–The reception of the diplomatique and his suite, at the Court of Pekin, 1792, by James Gillray
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