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Ivory objects Black & White Stock Photos
. English: Page from Das Heiligtum zu Aachen with woodcut illustrations of two ivory objects in Aachen Cathedral Treasury, Germany. Two of 51 illustrations in Franz Bock's 1867 publication on the Aachen Cathedral treasures. . 1867. unknow engraver Franz Bock, Das Heiligtum zu Aachen, Seite 26 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-page-from-das-heiligtum-zu-aachen-with-woodcut-illustrations-of-two-ivory-objects-in-aachen-cathedral-treasury-germany-two-of-51-illustrations-in-franz-bocks-1867-publication-on-the-aachen-cathedral-treasures-1867-unknow-engraver-franz-bock-das-heiligtum-zu-aachen-seite-26-image184881832.htmlRMMMP2JG–. English: Page from Das Heiligtum zu Aachen with woodcut illustrations of two ivory objects in Aachen Cathedral Treasury, Germany. Two of 51 illustrations in Franz Bock's 1867 publication on the Aachen Cathedral treasures. . 1867. unknow engraver Franz Bock, Das Heiligtum zu Aachen, Seite 26
Hierakonpolis ivory objects. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hierakonpolis-ivory-objects-image354412809.htmlRM2BGGW49–Hierakonpolis ivory objects.
medicine, instruments / equipment, ancient surgical instruments, bronze, ivory, out of: Theodor Meyer-Steineg (1873 - 1936), 'Ein Beitrag zur antiken Akiurgie', Jena, 1912, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-medicine-instruments-equipment-ancient-surgical-instruments-bronze-96401269.htmlRMFGRCPD–medicine, instruments / equipment, ancient surgical instruments, bronze, ivory, out of: Theodor Meyer-Steineg (1873 - 1936), 'Ein Beitrag zur antiken Akiurgie', Jena, 1912, Additional-Rights-Clearences-Not Available
Antique carved ivory tablets, collectible objects used as scratchpad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-antique-carved-ivory-tablets-collectible-objects-used-as-scratchpad-133342592.htmlRFHMX7RC–Antique carved ivory tablets, collectible objects used as scratchpad
Representation of Frau Minne on an ivory-colored mirrored cube from the 13th to 14th centuries, in the Berlin Museum, Frau Minne is an embodiment of courtly love in Middle High German literature, Germany, digital improved file of a original print of the 19. century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-representation-of-frau-minne-on-an-ivory-colored-mirrored-cube-from-172677839.htmlRFM0X49K–Representation of Frau Minne on an ivory-colored mirrored cube from the 13th to 14th centuries, in the Berlin Museum, Frau Minne is an embodiment of courtly love in Middle High German literature, Germany, digital improved file of a original print of the 19. century
some, several, a few, order, objects, spare time, free time, leisure, leisure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-some-several-a-few-order-objects-spare-time-free-time-leisure-leisure-143181054.htmlRFJ8XCW2–some, several, a few, order, objects, spare time, free time, leisure, leisure
The International Exhibition: stereoscope by Mr. Emanuel, of Brook-street, 1862. 'Ivory is one of the most beautiful objects that can be used in ornamental work, and its admirable properties have been appreciated from time immemorial...It is questionable, however, whether the great beauty of the ivory will last. It has a tendency to blanch and to turn yellow; but in its present state, new from the workman's hands, it is certainly very charming. Amongst the larger ornaments produced by this jeweller we engrave a stereoscope mounted in ivory, which is profusely decorated with an ornamentation of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-international-exhibition-stereoscope-by-mr-emanuel-of-brook-street-1862-ivory-is-one-of-the-most-beautiful-objects-that-can-be-used-in-ornamental-work-and-its-admirable-properties-have-been-appreciated-from-time-immemorialit-is-questionable-however-whether-the-great-beauty-of-the-ivory-will-last-it-has-a-tendency-to-blanch-and-to-turn-yellow-but-in-its-present-state-new-from-the-workmans-hands-it-is-certainly-very-charming-amongst-the-larger-ornaments-produced-by-this-jeweller-we-engrave-a-stereoscope-mounted-in-ivory-which-is-profusely-decorated-with-an-ornamentation-of-image595001842.htmlRM2WG0JWP–The International Exhibition: stereoscope by Mr. Emanuel, of Brook-street, 1862. 'Ivory is one of the most beautiful objects that can be used in ornamental work, and its admirable properties have been appreciated from time immemorial...It is questionable, however, whether the great beauty of the ivory will last. It has a tendency to blanch and to turn yellow; but in its present state, new from the workman's hands, it is certainly very charming. Amongst the larger ornaments produced by this jeweller we engrave a stereoscope mounted in ivory, which is profusely decorated with an ornamentation of
Bunch of dominoes isolated on a white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bunch-of-dominoes-isolated-on-a-white-background-29254308.htmlRFBKGJ4M–Bunch of dominoes isolated on a white background
Ivory carving shows King Adolf in a scuffle at the end of the 13th century, at the time of the Battle of Göllheim, in the Germanisches Museum zu Nürnberg, uremberg, Germany, digital improved reproduction of an original print from 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ivory-carving-shows-king-adolf-in-a-scuffle-at-the-end-of-the-13th-172348373.htmlRFM0B431–Ivory carving shows King Adolf in a scuffle at the end of the 13th century, at the time of the Battle of Göllheim, in the Germanisches Museum zu Nürnberg, uremberg, Germany, digital improved reproduction of an original print from 1880
Ivory tusk of a walrus which was carved by an Eskimo and presented to President Taft. Frank and Frances Carpenter collection , Gift; Mrs. W. Chapin Huntington; 1951, Tusks,Alaska,1890-1940, Sculpture,Alaska,1890-1940, Ivory carving,Alaska,1890-1940, Miniature cities & towns,Alaska,1890-1940, Taft, William H,(William Howard),,1857-1930,Associated objects, United States,Alaska Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-tusk-of-a-walrus-which-was-carved-by-an-eskimo-and-presented-to-president-taft-frank-and-frances-carpenter-collection-gift-mrs-w-chapin-huntington-1951-tusksalaska1890-1940-sculpturealaska1890-1940-ivory-carvingalaska1890-1940-miniature-cities-townsalaska1890-1940-taft-william-hwilliam-howard1857-1930associated-objects-united-statesalaska-image533624769.htmlRM2P04KRD–Ivory tusk of a walrus which was carved by an Eskimo and presented to President Taft. Frank and Frances Carpenter collection , Gift; Mrs. W. Chapin Huntington; 1951, Tusks,Alaska,1890-1940, Sculpture,Alaska,1890-1940, Ivory carving,Alaska,1890-1940, Miniature cities & towns,Alaska,1890-1940, Taft, William H,(William Howard),,1857-1930,Associated objects, United States,Alaska
Close Up of a White Electric Steel String Guitar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-close-up-of-a-white-electric-steel-string-guitar-168519524.htmlRMKP4MAC–Close Up of a White Electric Steel String Guitar
Upright Piano 1831 Loud & Brothers American This large upright piano takes the form of a secretary desk and has a case of carved rosewood with gild decoration. Its fabric panel (a modern replacement) covers the piano action. In the nineteenth century, pianos such as this were aspiration objects for middle-class American families. The piano industry became a leading industry in the United States, led by companies such as Loud & Brothers in Philadelphia, Chickering in Boston, and Steinway in New York City. These large firms imported raw materials such as ivory, ebony, and rosewood to produce the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upright-piano-1831-loud-brothers-american-this-large-upright-piano-takes-the-form-of-a-secretary-desk-and-has-a-case-of-carved-rosewood-with-gild-decoration-its-fabric-panel-a-modern-replacement-covers-the-piano-action-in-the-nineteenth-century-pianos-such-as-this-were-aspiration-objects-for-middle-class-american-families-the-piano-industry-became-a-leading-industry-in-the-united-states-led-by-companies-such-as-loud-brothers-in-philadelphia-chickering-in-boston-and-steinway-in-new-york-city-these-large-firms-imported-raw-materials-such-as-ivory-ebony-and-rosewood-to-produce-the-image458444488.htmlRM2HHRXHC–Upright Piano 1831 Loud & Brothers American This large upright piano takes the form of a secretary desk and has a case of carved rosewood with gild decoration. Its fabric panel (a modern replacement) covers the piano action. In the nineteenth century, pianos such as this were aspiration objects for middle-class American families. The piano industry became a leading industry in the United States, led by companies such as Loud & Brothers in Philadelphia, Chickering in Boston, and Steinway in New York City. These large firms imported raw materials such as ivory, ebony, and rosewood to produce the
graphi design like elephant teeth or ivory shaped and white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/graphi-design-like-elephant-teeth-or-ivory-shaped-and-white-background-image367906158.htmlRF2CAFG1J–graphi design like elephant teeth or ivory shaped and white background
Portrait of a Gentleman/Mourning Miniature Unknown. Portrait of a Gentleman/Mourning Miniature, late 18th century. Watercolor on ivory with human hair housed in metal locket with glass lenses, Recto (sight): 2 15/16 x 2 3/8 in. (7.5 x 6 cm). Miniatures commissioned upon the death of a loved one epitomize the sentimental nature of these objects. In this double-sided locket, the finely rendered portrait of the deceased serves as a memento of the sitter, while the mourning scene on the reverse functions to memorialize his life. Mourning miniatures typically combined stock iconography—a bereaved Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-gentlemanmourning-miniature-unknown-portrait-of-a-gentlemanmourning-miniature-late-18th-century-watercolor-on-ivory-with-human-hair-housed-in-metal-locket-with-glass-lenses-recto-sight-2-1516-x-2-38-in-75-x-6-cm-miniatures-commissioned-upon-the-death-of-a-loved-one-epitomize-the-sentimental-nature-of-these-objects-in-this-double-sided-locket-the-finely-rendered-portrait-of-the-deceased-serves-as-a-memento-of-the-sitter-while-the-mourning-scene-on-the-reverse-functions-to-memorialize-his-life-mourning-miniatures-typically-combined-stock-iconographya-bereaved-image504681900.htmlRM2M926WG–Portrait of a Gentleman/Mourning Miniature Unknown. Portrait of a Gentleman/Mourning Miniature, late 18th century. Watercolor on ivory with human hair housed in metal locket with glass lenses, Recto (sight): 2 15/16 x 2 3/8 in. (7.5 x 6 cm). Miniatures commissioned upon the death of a loved one epitomize the sentimental nature of these objects. In this double-sided locket, the finely rendered portrait of the deceased serves as a memento of the sitter, while the mourning scene on the reverse functions to memorialize his life. Mourning miniatures typically combined stock iconography—a bereaved
Set of vector illustrations with the elephant. Isolated objects on a white background. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-vector-illustrations-with-the-elephant-isolated-objects-on-a-white-background-image417418601.htmlRF2F731K5–Set of vector illustrations with the elephant. Isolated objects on a white background.
SILLA DE MONTAR DE PEDRO III EL GRANDE - SIGLO XIII. Location: MUSEO DEL LOUVRE-ESCULTURAS. France. PEDRO III DE ARAGON EL GRANDE. PEDRO II DE CATALUÑA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silla-de-montar-de-pedro-iii-el-grande-siglo-xiii-location-museo-del-louvre-esculturas-france-pedro-iii-de-aragon-el-grande-pedro-ii-de-catalua-image385509808.htmlRM2DB5DKC–SILLA DE MONTAR DE PEDRO III EL GRANDE - SIGLO XIII. Location: MUSEO DEL LOUVRE-ESCULTURAS. France. PEDRO III DE ARAGON EL GRANDE. PEDRO II DE CATALUÑA.
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . o have been knownin Neolithic Crete. However,in the Neolithic settlement atPhaistos was found a piece ofunworked ivory, proof posi-tive of connexion with Asia orAfrica even at that remoteperiod. The oldest Minoanseals, the conoid and button-shaped signets of the EarlyMinoan period, found in numbers at Koumasa and else-where in Crete, were of bone and ivory, and probably,like the oldest Egyptian seals, also of wood. And, as inEgypt, the soft stone steatite wassoon used to make the same objects(Fig. 85). The further Eg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gean-archeology-an-introduction-to-the-archeology-of-prehistoric-greece-o-have-been-knownin-neolithic-crete-howeverin-the-neolithic-settlement-atphaistos-was-found-a-piece-ofunworked-ivory-proof-posi-tive-of-connexion-with-asia-orafrica-even-at-that-remoteperiod-the-oldest-minoanseals-the-conoid-and-button-shaped-signets-of-the-earlyminoan-period-found-in-numbers-at-koumasa-and-else-where-in-crete-were-of-bone-and-ivory-and-probablylike-the-oldest-egyptian-seals-also-of-wood-and-as-inegypt-the-soft-stone-steatite-wassoon-used-to-make-the-same-objectsfig-85-the-further-eg-image338352896.htmlRM2AJD8G0–Ægean archæeology; an introduction to the archæeology of prehistoric Greece . o have been knownin Neolithic Crete. However,in the Neolithic settlement atPhaistos was found a piece ofunworked ivory, proof posi-tive of connexion with Asia orAfrica even at that remoteperiod. The oldest Minoanseals, the conoid and button-shaped signets of the EarlyMinoan period, found in numbers at Koumasa and else-where in Crete, were of bone and ivory, and probably,like the oldest Egyptian seals, also of wood. And, as inEgypt, the soft stone steatite wassoon used to make the same objects(Fig. 85). The further Eg
isolated black and white shiny piano keyboard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-isolated-black-and-white-shiny-piano-keyboard-113668656.htmlRFGGX1ET–isolated black and white shiny piano keyboard
Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-and-white-engraving-cut-out-isolated-on-white-illustration-of-29826642.htmlRFBMEM56–Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851.
Vintage travel concept with baggage on black and white colors. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-travel-concept-with-baggage-on-black-and-white-colors-170753261.htmlRFKWPDEN–Vintage travel concept with baggage on black and white colors.
Bunch of dominoes isolated on a white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bunch-of-dominoes-isolated-on-a-white-background-image274494820.htmlRFWXG8XC–Bunch of dominoes isolated on a white background
Photo chess pieces, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photo-chess-pieces-image479440713.htmlRM2JT0BEH–Photo chess pieces,
![. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photo](https://c8.alamy.com/comp/PFYG6J/articles-about-birds-from-national-geographic-magazine-birds-hunting-with-a-microphone-707-part-or-the-quotroadquot-to-the-ivorybills-nest-was-under-water-one-of-the-expeditions-chief-objects-was-to-record-the-voice-of-the-rare-ivory-billed-woodpecker-the-almost-total-disappearance-of-this-magnificent-bird-baffles-ornithologists-once-locallv-abundant-it-is-now-found-in-a-few-isolated-swamps-to-locate-a-nest-dr-allen-searched-for-the-large-chunks-of-bark-which-the-bird-strips-from-trees-a-mule-team-dragged-the-expeditions-equipment-through-sticky-mud-to-the-nest-please-no-PFYG6J.jpg ". [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photo")
. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/articles-about-birds-from-national-geographic-magazine-birds-hunting-with-a-microphone-707-part-or-the-quotroadquot-to-the-ivorybills-nest-was-under-water-one-of-the-expeditions-chief-objects-was-to-record-the-voice-of-the-rare-ivory-billed-woodpecker-the-almost-total-disappearance-of-this-magnificent-bird-baffles-ornithologists-once-locallv-abundant-it-is-now-found-in-a-few-isolated-swamps-to-locate-a-nest-dr-allen-searched-for-the-large-chunks-of-bark-which-the-bird-strips-from-trees-a-mule-team-dragged-the-expeditions-equipment-through-sticky-mud-to-the-nest-please-no-image216349690.htmlRMPFYG6J–. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no
chess pieces illustration isolated on white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chess-pieces-illustration-isolated-on-white-background-49262213.htmlRFCT42CN–chess pieces illustration isolated on white background
object, colour, photo, camera, nobody, picture, image, copy, deduction, color, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-object-colour-photo-camera-nobody-picture-image-copy-deduction-color-143181090.htmlRFJ8XCXA–object, colour, photo, camera, nobody, picture, image, copy, deduction, color,
![Relics from the Buried City of Brahmunabad, in Sind - Chessmen, Portion of Chess-board, Dice, etc, 1857. 8th- or 9th-century objects excavated at his own expense by Mr. A. F. Bellasis, of the Bombay Civil Service, in what is now Pakistan. 'Figs. 10: chessmen, belonging to different-sized sets; [Bellasis said: "In this same house we were further repaid by finding nearly a complete set of ivory chessmen - one set white, the other black. The kings and queens are about three inches high, and the pawns about one; the other pieces of different intermediate heights. All have been made for use on Stock Photo](https://c8.alamy.com/comp/2R8Y48H/relics-from-the-buried-city-of-brahmunabad-in-sind-chessmen-portion-of-chess-board-dice-etc-1857-8th-or-9th-century-objects-excavated-at-his-own-expense-by-mr-a-f-bellasis-of-the-bombay-civil-service-in-what-is-now-pakistan-figs-10-chessmen-belonging-to-different-sized-sets-bellasis-said-quotin-this-same-house-we-were-further-repaid-by-finding-nearly-a-complete-set-of-ivory-chessmen-one-set-white-the-other-black-the-kings-and-queens-are-about-three-inches-high-and-the-pawns-about-one-the-other-pieces-of-different-intermediate-heights-all-have-been-made-for-use-on-2R8Y48H.jpg "Relics from the Buried City of Brahmunabad, in Sind - Chessmen, Portion of Chess-board, Dice, etc, 1857. 8th- or 9th-century objects excavated at his own expense by Mr. A. F. Bellasis, of the Bombay Civil Service, in what is now Pakistan. 'Figs. 10: chessmen, belonging to different-sized sets; [Bellasis said: "In this same house we were further repaid by finding nearly a complete set of ivory chessmen - one set white, the other black. The kings and queens are about three inches high, and the pawns about one; the other pieces of different intermediate heights. All have been made for use on Stock Photo")
Relics from the Buried City of Brahmunabad, in Sind - Chessmen, Portion of Chess-board, Dice, etc, 1857. 8th- or 9th-century objects excavated at his own expense by Mr. A. F. Bellasis, of the Bombay Civil Service, in what is now Pakistan. 'Figs. 10: chessmen, belonging to different-sized sets; [Bellasis said: "In this same house we were further repaid by finding nearly a complete set of ivory chessmen - one set white, the other black. The kings and queens are about three inches high, and the pawns about one; the other pieces of different intermediate heights. All have been made for use on Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/relics-from-the-buried-city-of-brahmunabad-in-sind-chessmen-portion-of-chess-board-dice-etc-1857-8th-or-9th-century-objects-excavated-at-his-own-expense-by-mr-a-f-bellasis-of-the-bombay-civil-service-in-what-is-now-pakistan-figs-10-chessmen-belonging-to-different-sized-sets-bellasis-said-quotin-this-same-house-we-were-further-repaid-by-finding-nearly-a-complete-set-of-ivory-chessmen-one-set-white-the-other-black-the-kings-and-queens-are-about-three-inches-high-and-the-pawns-about-one-the-other-pieces-of-different-intermediate-heights-all-have-been-made-for-use-on-image556245105.htmlRM2R8Y48H–Relics from the Buried City of Brahmunabad, in Sind - Chessmen, Portion of Chess-board, Dice, etc, 1857. 8th- or 9th-century objects excavated at his own expense by Mr. A. F. Bellasis, of the Bombay Civil Service, in what is now Pakistan. 'Figs. 10: chessmen, belonging to different-sized sets; [Bellasis said: "In this same house we were further repaid by finding nearly a complete set of ivory chessmen - one set white, the other black. The kings and queens are about three inches high, and the pawns about one; the other pieces of different intermediate heights. All have been made for use on
The old gray dominoes with black spots close up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-old-gray-dominoes-with-black-spots-close-up-29445116.htmlRFBKW9F8–The old gray dominoes with black spots close up
Plastic pawn icon. Outline plastic pawn vector icon for web design isolated on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plastic-pawn-icon-outline-plastic-pawn-vector-icon-for-web-design-isolated-on-white-background-image366065221.htmlRF2C7FKWW–Plastic pawn icon. Outline plastic pawn vector icon for web design isolated on white background
Portrait of a Gentleman/Mourning Miniature Unknown. Portrait of a Gentleman/Mourning Miniature, late 18th century. Watercolor on ivory with human hair housed in metal locket with glass lenses, Recto (sight): 2 15/16 x 2 3/8 in. (7.5 x 6 cm). Miniatures commissioned upon the death of a loved one epitomize the sentimental nature of these objects. In this double-sided locket, the finely rendered portrait of the deceased serves as a memento of the sitter, while the mourning scene on the reverse functions to memorialize his life. Mourning miniatures typically combined stock iconography—a bereaved Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-gentlemanmourning-miniature-unknown-portrait-of-a-gentlemanmourning-miniature-late-18th-century-watercolor-on-ivory-with-human-hair-housed-in-metal-locket-with-glass-lenses-recto-sight-2-1516-x-2-38-in-75-x-6-cm-miniatures-commissioned-upon-the-death-of-a-loved-one-epitomize-the-sentimental-nature-of-these-objects-in-this-double-sided-locket-the-finely-rendered-portrait-of-the-deceased-serves-as-a-memento-of-the-sitter-while-the-mourning-scene-on-the-reverse-functions-to-memorialize-his-life-mourning-miniatures-typically-combined-stock-iconographya-bereaved-image504681954.htmlRM2M926YE–Portrait of a Gentleman/Mourning Miniature Unknown. Portrait of a Gentleman/Mourning Miniature, late 18th century. Watercolor on ivory with human hair housed in metal locket with glass lenses, Recto (sight): 2 15/16 x 2 3/8 in. (7.5 x 6 cm). Miniatures commissioned upon the death of a loved one epitomize the sentimental nature of these objects. In this double-sided locket, the finely rendered portrait of the deceased serves as a memento of the sitter, while the mourning scene on the reverse functions to memorialize his life. Mourning miniatures typically combined stock iconography—a bereaved
. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . s also found ofa crescent-shaped outline similar to othersof faience and crystal that have occurredelsewhere in the Palace. Among otherbone relics tbe arrow plumes with theircuriously notched feathers will be seen to have a special relation to a decorative motive much in vogue at thistime.* As votive objects, moreover, they have an intimate bearing on thecult of .the Minoan Diktynna. The elegant ivory plate of a knife handlehere brought to light Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palace-of-minos-a-comparative-account-of-the-successive-stages-of-the-early-cretan-civilization-as-illustrated-by-the-discoveries-at-knossos-s-also-found-ofa-crescent-shaped-outline-similar-to-othersof-faience-and-crystal-that-have-occurredelsewhere-in-the-palace-among-otherbone-relics-tbe-arrow-plumes-with-theircuriously-notched-feathers-will-be-seen-to-have-a-special-relation-to-a-decorative-motive-much-in-vogue-at-thistime-as-votive-objects-moreover-they-have-an-intimate-bearing-on-thecult-of-the-minoan-diktynna-the-elegant-ivory-plate-of-a-knife-handlehere-brought-to-light-image369773987.htmlRM2CDGJDR–. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . s also found ofa crescent-shaped outline similar to othersof faience and crystal that have occurredelsewhere in the Palace. Among otherbone relics tbe arrow plumes with theircuriously notched feathers will be seen to have a special relation to a decorative motive much in vogue at thistime.* As votive objects, moreover, they have an intimate bearing on thecult of .the Minoan Diktynna. The elegant ivory plate of a knife handlehere brought to light
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Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-and-white-engraving-cut-out-isolated-on-white-illustration-of-29904871.htmlRFBMJ7Y3–Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851.
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![The International Exhibition: the Japanese Court - from a photograph by the London Stereoscopic Company, 1862. Display of '...articles from a hitherto unexporting country, mainly due to the exertions of Mr. Rutherford Alcock, her Majesty's Envoy Extraordinary and Minister Plenipotentiary...[His] contributions...comprise 190 specimens of lacquer-ware...Attention may next be directed to numerous lacquer and enamelled objects in ivory, tortoiseshell, mother-of-pearl...In close vicinity to these may be seen specimens of Hakoni ware...china and porcelain...pottery and quaint forms of earthenware... Stock Photo](https://c8.alamy.com/comp/2WG0K2W/the-international-exhibition-the-japanese-court-from-a-photograph-by-the-london-stereoscopic-company-1862-display-of-articles-from-a-hitherto-unexporting-country-mainly-due-to-the-exertions-of-mr-rutherford-alcock-her-majestys-envoy-extraordinary-and-minister-plenipotentiary-his-contributionscomprise-190-specimens-of-lacquer-wareattention-may-next-be-directed-to-numerous-lacquer-and-enamelled-objects-in-ivory-tortoiseshell-mother-of-pearlin-close-vicinity-to-these-may-be-seen-specimens-of-hakoni-warechina-and-porcelainpottery-and-quaint-forms-of-earthenware-2WG0K2W.jpg "The International Exhibition: the Japanese Court - from a photograph by the London Stereoscopic Company, 1862. Display of '...articles from a hitherto unexporting country, mainly due to the exertions of Mr. Rutherford Alcock, her Majesty's Envoy Extraordinary and Minister Plenipotentiary...[His] contributions...comprise 190 specimens of lacquer-ware...Attention may next be directed to numerous lacquer and enamelled objects in ivory, tortoiseshell, mother-of-pearl...In close vicinity to these may be seen specimens of Hakoni ware...china and porcelain...pottery and quaint forms of earthenware... Stock Photo")
The International Exhibition: the Japanese Court - from a photograph by the London Stereoscopic Company, 1862. Display of '...articles from a hitherto unexporting country, mainly due to the exertions of Mr. Rutherford Alcock, her Majesty's Envoy Extraordinary and Minister Plenipotentiary...[His] contributions...comprise 190 specimens of lacquer-ware...Attention may next be directed to numerous lacquer and enamelled objects in ivory, tortoiseshell, mother-of-pearl...In close vicinity to these may be seen specimens of Hakoni ware...china and porcelain...pottery and quaint forms of earthenware... Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-international-exhibition-the-japanese-court-from-a-photograph-by-the-london-stereoscopic-company-1862-display-of-articles-from-a-hitherto-unexporting-country-mainly-due-to-the-exertions-of-mr-rutherford-alcock-her-majestys-envoy-extraordinary-and-minister-plenipotentiary-his-contributionscomprise-190-specimens-of-lacquer-wareattention-may-next-be-directed-to-numerous-lacquer-and-enamelled-objects-in-ivory-tortoiseshell-mother-of-pearlin-close-vicinity-to-these-may-be-seen-specimens-of-hakoni-warechina-and-porcelainpottery-and-quaint-forms-of-earthenware-image595001985.htmlRM2WG0K2W–The International Exhibition: the Japanese Court - from a photograph by the London Stereoscopic Company, 1862. Display of '...articles from a hitherto unexporting country, mainly due to the exertions of Mr. Rutherford Alcock, her Majesty's Envoy Extraordinary and Minister Plenipotentiary...[His] contributions...comprise 190 specimens of lacquer-ware...Attention may next be directed to numerous lacquer and enamelled objects in ivory, tortoiseshell, mother-of-pearl...In close vicinity to these may be seen specimens of Hakoni ware...china and porcelain...pottery and quaint forms of earthenware...
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. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . e Egyptian utensils werecopied. We see the same addition madeto a form of long-spouted libation ves-sels, otherwise closely akin to the usualEgyptian type, reproduced in the Cretanhieroglyphic signary,^ Many other small objects associated with the remains of this Periodpoint to early connexions with Egypt and the further shores of the LibyanSea. Ivory seals such as one from a M. M. II tomb at Mochlos present thedevice of two cynocephali ^ (Fig. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palace-of-minos-a-comparative-account-of-the-successive-stages-of-the-early-cretan-civilization-as-illustrated-by-the-discoveries-at-knossos-e-egyptian-utensils-werecopied-we-see-the-same-addition-madeto-a-form-of-long-spouted-libation-ves-sels-otherwise-closely-akin-to-the-usualegyptian-type-reproduced-in-the-cretanhieroglyphic-signary-many-other-small-objects-associated-with-the-remains-of-this-periodpoint-to-early-connexions-with-egypt-and-the-further-shores-of-the-libyansea-ivory-seals-such-as-one-from-a-m-m-ii-tomb-at-mochlos-present-thedevice-of-two-cynocephali-fig-image369840633.htmlRM2CDKKE1–. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . e Egyptian utensils werecopied. We see the same addition madeto a form of long-spouted libation ves-sels, otherwise closely akin to the usualEgyptian type, reproduced in the Cretanhieroglyphic signary,^ Many other small objects associated with the remains of this Periodpoint to early connexions with Egypt and the further shores of the LibyanSea. Ivory seals such as one from a M. M. II tomb at Mochlos present thedevice of two cynocephali ^ (Fig.
Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo--113668414.htmlRFGGX166–
Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-black-and-white-engraving-cut-out-isolated-on-white-illustration-of-29904424.htmlRFBMJ7B4–Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851.
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![The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photo](https://c8.alamy.com/comp/2WRGXBD/the-loan-collection-of-works-of-art-at-south-kensington-museum-london-1862-display-in-what-became-the-victoria-and-albert-museum-of-pieces-of-the-mediaeval-renaissance-and-more-recent-periodsin-a-miniature-crystal-palace-the-rooms-being-lofty-spacious-well-proportioned-and-capitally-lighted-from-the-glass-roof-above-there-were-sculptures-in-marble-and-terra-cotta-carvings-in-ivory-art-bronzes-furniture-objects-of-ancient-irish-and-anglo-saxon-art-various-works-of-mediaeval-art-ecclesiastical-utensils-ampc-quothenri-deuxquot-waredecorative-platevases-a-2WRGXBD.jpg "The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photo")
The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-loan-collection-of-works-of-art-at-south-kensington-museum-london-1862-display-in-what-became-the-victoria-and-albert-museum-of-pieces-of-the-mediaeval-renaissance-and-more-recent-periodsin-a-miniature-crystal-palace-the-rooms-being-lofty-spacious-well-proportioned-and-capitally-lighted-from-the-glass-roof-above-there-were-sculptures-in-marble-and-terra-cotta-carvings-in-ivory-art-bronzes-furniture-objects-of-ancient-irish-and-anglo-saxon-art-various-works-of-mediaeval-art-ecclesiastical-utensils-ampc-quothenri-deuxquot-waredecorative-platevases-a-image599661537.htmlRM2WRGXBD–The Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance, and more recent periods...in a miniature Crystal Palace, the rooms being lofty, spacious, well proportioned, and capitally lighted from the glass roof above...[There were] sculptures in marble and terra-cotta, carvings in ivory, art bronzes, furniture, objects of ancient Irish and Anglo-Saxon art, various works of mediaeval art; ecclesiastical utensils, &c.; "Henri Deux" ware...decorative plate...vases a
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. Man and beast in eastern Ethiopia : From observations made in British East Africa, Uganda, and the Sudan . Natural history; Indigenous peoples; Ethnology. XXXI IVORY laro-e Ivory work attained g^reat perfection Chinese, Japanese, and I'lindns. It is a curious fact that next to religious objects some of the most exquisite ex- amples of ivory-carving are chessmen, and many beautiful examples come from China. Favourite subjects among the ivory carvers of India are the gods worshipped by the Hindus. The Japanese ivory-carvers are best known in the Western world by their skill in producing clever Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/man-and-beast-in-eastern-ethiopia-from-observations-made-in-british-east-africa-uganda-and-the-sudan-natural-history-indigenous-peoples-ethnology-xxxi-ivory-laro-e-ivory-work-attained-great-perfection-chinese-japanese-and-ilindns-it-is-a-curious-fact-that-next-to-religious-objects-some-of-the-most-exquisite-ex-amples-of-ivory-carving-are-chessmen-and-many-beautiful-examples-come-from-china-favourite-subjects-among-the-ivory-carvers-of-india-are-the-gods-worshipped-by-the-hindus-the-japanese-ivory-carvers-are-best-known-in-the-western-world-by-their-skill-in-producing-clever-image232118209.htmlRMRDHW41–. Man and beast in eastern Ethiopia : From observations made in British East Africa, Uganda, and the Sudan . Natural history; Indigenous peoples; Ethnology. XXXI IVORY laro-e Ivory work attained g^reat perfection Chinese, Japanese, and I'lindns. It is a curious fact that next to religious objects some of the most exquisite ex- amples of ivory-carving are chessmen, and many beautiful examples come from China. Favourite subjects among the ivory carvers of India are the gods worshipped by the Hindus. The Japanese ivory-carvers are best known in the Western world by their skill in producing clever
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![. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photo](https://c8.alamy.com/comp/RDAC38/articles-about-birds-from-national-geographic-magazine-birds-hunting-with-a-microphone-707-part-or-the-quotroadquot-to-the-ivorybills-nest-was-under-water-one-of-the-expeditions-chief-objects-was-to-record-the-voice-of-the-rare-ivory-billed-woodpecker-the-almost-total-disappearance-of-this-magnificent-bird-baffles-ornithologists-once-locallv-abundant-it-is-now-found-in-a-few-isolated-swamps-to-locate-a-nest-dr-allen-searched-for-the-large-chunks-of-bark-which-the-bird-strips-from-trees-a-mule-team-dragged-the-expeditions-equipment-through-sticky-mud-to-the-nest-please-no-RDAC38.jpg ". [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photo")
. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/articles-about-birds-from-national-geographic-magazine-birds-hunting-with-a-microphone-707-part-or-the-quotroadquot-to-the-ivorybills-nest-was-under-water-one-of-the-expeditions-chief-objects-was-to-record-the-voice-of-the-rare-ivory-billed-woodpecker-the-almost-total-disappearance-of-this-magnificent-bird-baffles-ornithologists-once-locallv-abundant-it-is-now-found-in-a-few-isolated-swamps-to-locate-a-nest-dr-allen-searched-for-the-large-chunks-of-bark-which-the-bird-strips-from-trees-a-mule-team-dragged-the-expeditions-equipment-through-sticky-mud-to-the-nest-please-no-image231954332.htmlRMRDAC38–. [Articles about birds from National geographic magazine]. Birds. HUNTING WITH A MICROPHONE 707. PART or THE "road" TO THE IVORYBILLS NEST WAS UNDER WATER One of the expedition's chief objects was to record the voice of the rare ivory-billed woodpecker. The almost total disappearance of this magnificent bird baffles ornithologists. Once locall.v abundant, it is now found in a few isolated swamps. To locate a nest, Dr. Allen searched for the large chunks of bark which the bird strips from trees. A mule team dragged the expedition's equipment through sticky mud to the nest.. Please no
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