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Italian armor Stock Photos and Images
Fernando d'Avalos (1489-1525). Italian condottiero of Aragonese extraction. Chief commander of the Habsburg armies of Charles V in Italy during the Habsburg-Valois Wars. Engraving. Museo Militar, 1883. Later colouration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fernando-davalos-1489-1525-italian-condottiero-of-aragonese-extraction-chief-commander-of-the-habsburg-armies-of-charles-v-in-italy-during-the-habsburg-valois-wars-engraving-museo-militar-1883-later-colouration-image338300478.htmlRM2AJAWKX–Fernando d'Avalos (1489-1525). Italian condottiero of Aragonese extraction. Chief commander of the Habsburg armies of Charles V in Italy during the Habsburg-Valois Wars. Engraving. Museo Militar, 1883. Later colouration.
Parts of armor: helmet, vambrace or forearm guards and gauntlet. Ca. 1550-1560. Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-parts-of-armor-helmet-vambrace-or-forearm-guards-and-gauntlet-ca-1550-102987828.htmlRMFYFE0M–Parts of armor: helmet, vambrace or forearm guards and gauntlet. Ca. 1550-1560. Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caligua-gaius-julius-caesar-augustus-germanicus-12-41-ad-3rd-roman-92329070.htmlRMFA5XJP–Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark.
Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caligua-gaius-julius-caesar-augustus-germanicus-12-41-ad-3rd-roman-92328963.htmlRMFA5XEY–Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark.
Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caligua-gaius-julius-caesar-augustus-germanicus-12-41-ad-3rd-roman-92328966.htmlRMFA5XF2–Caligua (Gaius Julius Caesar Augustus Germanicus). (12-41 AD). 3rd roman emperor. Julio-Claudian dynasty. Bust of emperor with armor. Rome, 37-41 AD. Marble. Ny Carlsberg Glyptotek. Copenhagen, Denmark.
Italian War of 1521-1526. Surrender and imprisonment of Francis I of France (1494-1527) at the Battle of Pavia (February 24, 1525), in which he was defeated by Emperor Charles V. Illustration by J. Llopart. Chromolithography. 'Historia Universal' (Universal History), by César Cantú. Volume VII. Published in Barcelona, 1886. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-war-of-1521-1526-surrender-and-imprisonment-of-francis-i-of-france-1494-1527-at-the-battle-of-pavia-february-24-1525-in-which-he-was-defeated-by-emperor-charles-v-illustration-by-j-llopart-chromolithography-historia-universal-universal-history-by-csar-cant-volume-vii-published-in-barcelona-1886-image472583910.htmlRM2JCT1GP–Italian War of 1521-1526. Surrender and imprisonment of Francis I of France (1494-1527) at the Battle of Pavia (February 24, 1525), in which he was defeated by Emperor Charles V. Illustration by J. Llopart. Chromolithography. 'Historia Universal' (Universal History), by César Cantú. Volume VII. Published in Barcelona, 1886.
Waistcoat cuirass, ca.1580. North Italian. Armoury. Grandmaster Palace. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waistcoat-cuirass-ca1580-north-italian-armoury-grandmaster-palace-valletta-malta-image351767662.htmlRM2BC8B6P–Waistcoat cuirass, ca.1580. North Italian. Armoury. Grandmaster Palace. Valletta. Malta.
Waistcoat cuirass, ca.1580. North Italian. Armoury. Grandmaster Palace. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waistcoat-cuirass-ca1580-north-italian-armoury-grandmaster-palace-valletta-malta-image351767569.htmlRM2BC8B3D–Waistcoat cuirass, ca.1580. North Italian. Armoury. Grandmaster Palace. Valletta. Malta.
Anime, articulated armour. Hungarian type. Italian, ca.1580. Back. Armoury. Grandmaster Palace. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anime-articulated-armour-hungarian-type-italian-ca1580-back-armoury-grandmaster-palace-valletta-malta-image351767549.htmlRM2BC8B2N–Anime, articulated armour. Hungarian type. Italian, ca.1580. Back. Armoury. Grandmaster Palace. Valletta. Malta.
Italy. Lavinium. Tomb of the Warrior. Armor and weapons. First quarter of the 5th century BC. National Roman Museum (Baths of Diocletian). Rome, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-lavinium-tomb-of-the-warrior-armor-and-weapons-first-quarter-image150497693.htmlRMJMRN9H–Italy. Lavinium. Tomb of the Warrior. Armor and weapons. First quarter of the 5th century BC. National Roman Museum (Baths of Diocletian). Rome, Italy.
Milanese vambrace, 1570-1580. Probably by Lucio Piccinino (active ca. 1575–1590), Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-milanese-vambrace-1570-1580-probably-by-lucio-piccinino-active-ca-102563807.htmlRMFXT553–Milanese vambrace, 1570-1580. Probably by Lucio Piccinino (active ca. 1575–1590), Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
Armour of Alof de Wignacourt (1547-1622) Grand Master of the Order of Malta. Probably performed by the Milanese armourer Geronimo Spacini, 1601-1622. Grandmaster Palace. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armour-of-alof-de-wignacourt-1547-1622-grand-master-of-the-order-of-malta-probably-performed-by-the-milanese-armourer-geronimo-spacini-1601-1622-grandmaster-palace-valletta-malta-image351767687.htmlRM2BC8B7K–Armour of Alof de Wignacourt (1547-1622) Grand Master of the Order of Malta. Probably performed by the Milanese armourer Geronimo Spacini, 1601-1622. Grandmaster Palace. Valletta. Malta.
Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait, detail. Engraving by Antonio Roca Sallent. Las Glorias Nacionales, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gonzalo-fernndez-de-cordoba-1453-1515-called-el-gran-capitan-the-great-captain-spanish-general-portrait-detail-engraving-by-antonio-roca-sallent-las-glorias-nacionales-1853-image431785175.htmlRM2G2DEB3–Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait, detail. Engraving by Antonio Roca Sallent. Las Glorias Nacionales, 1853.
Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait, detail. Engraving by Antonio Roca Sallent. Later colouration. Las Glorias Nacionales, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gonzalo-fernndez-de-cordoba-1453-1515-called-el-gran-capitan-the-great-captain-spanish-general-portrait-detail-engraving-by-antonio-roca-sallent-later-colouration-las-glorias-nacionales-1853-image437521574.htmlRM2GBPR6E–Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait, detail. Engraving by Antonio Roca Sallent. Later colouration. Las Glorias Nacionales, 1853.
Hernando de Alarcon (1466-1540). Spanish explorer and navigator of the 16th century. Drawing by Santiago Llanta. Portrait. Lithography, 19th century. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Nueva, 1869. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernando-de-alarcon-1466-1540-spanish-explorer-and-navigator-of-the-16th-century-drawing-by-santiago-llanta-portrait-lithography-19th-century-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-castilla-la-nueva-1869-image341008498.htmlRM2APP7PX–Hernando de Alarcon (1466-1540). Spanish explorer and navigator of the 16th century. Drawing by Santiago Llanta. Portrait. Lithography, 19th century. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Nueva, 1869.
Louis XII of France (1462-1515). Queen of France (1498-1515). Louis XII leaving Alexandria on 24th of April 1507, to chastise the city of Genoa. Chromolithography from a miniature in 'Le Voyage de Gênes' by Jean Marot. Detail. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-xii-of-france-1462-1515-queen-of-france-1498-1515-louis-xii-leaving-alexandria-on-24th-of-april-1507-to-chastise-the-city-of-genoa-chromolithography-from-a-miniature-in-le-voyage-de-gnes-by-jean-marot-detail-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image602513021.htmlRM2X06RE5–Louis XII of France (1462-1515). Queen of France (1498-1515). Louis XII leaving Alexandria on 24th of April 1507, to chastise the city of Genoa. Chromolithography from a miniature in 'Le Voyage de Gênes' by Jean Marot. Detail. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Louis XII of France (1462-1515). Queen of France (1498-1515). Louis XII leaving Alexandria on 24th of April 1507, to chastise the city of Genoa. Chromolithography from a miniature in 'Le Voyage de Gênes' by Jean Marot. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-xii-of-france-1462-1515-queen-of-france-1498-1515-louis-xii-leaving-alexandria-on-24th-of-april-1507-to-chastise-the-city-of-genoa-chromolithography-from-a-miniature-in-le-voyage-de-gnes-by-jean-marot-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image602512976.htmlRM2X06RCG–Louis XII of France (1462-1515). Queen of France (1498-1515). Louis XII leaving Alexandria on 24th of April 1507, to chastise the city of Genoa. Chromolithography from a miniature in 'Le Voyage de Gênes' by Jean Marot. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Bartolomeo Passerotti (1529-1592). Italian painter. Portrait of a young general, ca. 1575. Oil on canvas (93,8 x 76,2 cm). El Greco Museum. Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-passerotti-1529-1592-italian-painter-portrait-of-a-young-general-ca-1575-oil-on-canvas-938-x-762-cm-el-greco-museum-toledo-spain-image475241720.htmlRM2JH53JG–Bartolomeo Passerotti (1529-1592). Italian painter. Portrait of a young general, ca. 1575. Oil on canvas (93,8 x 76,2 cm). El Greco Museum. Toledo, Spain.
Lelio Orsi (1511-1587). Italian painter. Saint George and the Dragon, 1550. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lelio-orsi-1511-1587-italian-painter-saint-george-and-the-dragon-1550-134372148.htmlRMHPH518–Lelio Orsi (1511-1587). Italian painter. Saint George and the Dragon, 1550. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Lelio Orsi (1511-1587). Italian painter. Saint George and the Dragon, 1550. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lelio-orsi-1511-1587-italian-painter-saint-george-and-the-dragon-1550-134372149.htmlRMHPH519–Lelio Orsi (1511-1587). Italian painter. Saint George and the Dragon, 1550. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting soldiers raffling the tunic of Jesus. Codex of Predis, 1476. Royal Library. Turin. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cristoforo-de-predis-1440-1486-italian-miniaturist-miniature-depicting-soldiers-raffling-the-tunic-of-jesus-codex-of-predis-1476-royal-library-turin-italy-image241839056.htmlRMT1CM54–Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting soldiers raffling the tunic of Jesus. Codex of Predis, 1476. Royal Library. Turin. Italy.
Burgonet helmet. Belonging to the ceremonial armor of Guidobaldo della Rovvera, Duke of Urbino. Steel. Chased and gilded. By Filippo Negroli (1510-1579), Ca.1535, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-burgonet-helmet-belonging-to-the-ceremonial-armor-of-guidobaldo-della-102563828.htmlRMFXT55T–Burgonet helmet. Belonging to the ceremonial armor of Guidobaldo della Rovvera, Duke of Urbino. Steel. Chased and gilded. By Filippo Negroli (1510-1579), Ca.1535, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.,
Marcello Bacciarelli (1731-1818). Italian painter. The Polish-Lithuanian Union in Lublin, 1796. Oil on canvas. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcello-bacciarelli-1731-1818-italian-painter-the-polish-lithuanian-union-in-lublin-1796-oil-on-canvas-19th-century-polish-art-gallery-sukiennice-museum-national-museum-of-krakow-poland-image332048987.htmlRM2A863TB–Marcello Bacciarelli (1731-1818). Italian painter. The Polish-Lithuanian Union in Lublin, 1796. Oil on canvas. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.
Roger of Lauria (1245-1305). Italian marine and military in the service of the Crown of Aragon as admiral of the kingdom's fleet. Portrait. Chromolithography. 'Glorias Españolas' (Glories of Spain). Volume II. Published in Barcelona, 1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roger-of-lauria-1245-1305-italian-marine-and-military-in-the-service-of-the-crown-of-aragon-as-admiral-of-the-kingdoms-fleet-portrait-chromolithography-glorias-espaolas-glories-of-spain-volume-ii-published-in-barcelona-1890-image598605170.htmlRM2WNTR02–Roger of Lauria (1245-1305). Italian marine and military in the service of the Crown of Aragon as admiral of the kingdom's fleet. Portrait. Chromolithography. 'Glorias Españolas' (Glories of Spain). Volume II. Published in Barcelona, 1890.
Roger of Lauria (1245-1305). Italian marine and military in the service of the Crown of Aragon as admiral of the kingdom's fleet. Engraving by Serra Pausas. 'Glorias Españolas' (Glories of Spain). Volume II. Published in Barcelona, 1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roger-of-lauria-1245-1305-italian-marine-and-military-in-the-service-of-the-crown-of-aragon-as-admiral-of-the-kingdoms-fleet-engraving-by-serra-pausas-glorias-espaolas-glories-of-spain-volume-ii-published-in-barcelona-1890-image598605209.htmlRM2WNTR1D–Roger of Lauria (1245-1305). Italian marine and military in the service of the Crown of Aragon as admiral of the kingdom's fleet. Engraving by Serra Pausas. 'Glorias Españolas' (Glories of Spain). Volume II. Published in Barcelona, 1890.
Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting soldiers raffling the tunic of Jesus. In Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World, 1476, written by Galeazzo Maria Sforza (1444-1476). Royal Library. Turin. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cristoforo-de-predis-1440-1486-italian-miniaturist-miniature-depicting-image150323967.htmlRMJMFRN3–Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting soldiers raffling the tunic of Jesus. In Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World, 1476, written by Galeazzo Maria Sforza (1444-1476). Royal Library. Turin. Italy.
Pierre Terrail, seigneur de Bayard (1476-1524). French nobleman who took part as a knight in the Italian wars. Bayard gave rise to the legend of the 'the knight without fear and beyond reproach'. Portrait. Engraving by Martinez. 'Los Héroes y las Grandezas de la Tierra'. Volume V. 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierre-terrail-seigneur-de-bayard-1476-1524-french-nobleman-who-took-part-as-a-knight-in-the-italian-wars-bayard-gave-rise-to-the-legend-of-the-the-knight-without-fear-and-beyond-reproach-portrait-engraving-by-martinez-los-hroes-y-las-grandezas-de-la-tierra-volume-v-1855-image560448919.htmlRM2RFPJ8R–Pierre Terrail, seigneur de Bayard (1476-1524). French nobleman who took part as a knight in the Italian wars. Bayard gave rise to the legend of the 'the knight without fear and beyond reproach'. Portrait. Engraving by Martinez. 'Los Héroes y las Grandezas de la Tierra'. Volume V. 1855.
Giovanni Battista Lampi (1751-1830). Italian painter. Stanislaw Szczesny Potocki with his sons Stanislaw and Szczesny Jerzy, ca.1788-1790. National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-lampi-1751-1830-italian-painter-stanislaw-szczesny-potocki-with-his-sons-stanislaw-and-szczesny-jerzy-ca1788-1790-national-museum-warsaw-poland-image247316541.htmlRMTAA6NH–Giovanni Battista Lampi (1751-1830). Italian painter. Stanislaw Szczesny Potocki with his sons Stanislaw and Szczesny Jerzy, ca.1788-1790. National Museum. Warsaw. Poland.
Roger of Lauria (Lauria, c.1245-Valencia, 1305). Italian admiral in Aragonese service. Commander of the fleet of the Crown of Aragon during the War of the Sicilian Vespers. Roger of Lauria depicted during a naval battle at the time of boarding. Inscription: Approached by Guillermo Carner meets him and crosses him with a blow of a weapon called azcona, 1285. Right side bas-relief in bronze (150 x 70 cm). Monument to Roger of Lauria, by Catalan sculptor Felix Ferrer i Galceran (1843-1912) in 1887. It was placed in the Rambla Nova of Tarragona in 1889. Tarragona, Catalonia, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roger-of-lauria-lauria-c1245-valencia-1305-italian-admiral-in-aragonese-service-commander-of-the-fleet-of-the-crown-of-aragon-during-the-war-of-the-sicilian-vespers-roger-of-lauria-depicted-during-a-naval-battle-at-the-time-of-boarding-inscription-approached-by-guillermo-carner-meets-him-and-crosses-him-with-a-blow-of-a-weapon-called-azcona-1285-right-side-bas-relief-in-bronze-150-x-70-cm-monument-to-roger-of-lauria-by-catalan-sculptor-felix-ferrer-i-galceran-1843-1912-in-1887-it-was-placed-in-the-rambla-nova-of-tarragona-in-1889-tarragona-catalonia-spain-image186341585.htmlRMMR4GGH–Roger of Lauria (Lauria, c.1245-Valencia, 1305). Italian admiral in Aragonese service. Commander of the fleet of the Crown of Aragon during the War of the Sicilian Vespers. Roger of Lauria depicted during a naval battle at the time of boarding. Inscription: Approached by Guillermo Carner meets him and crosses him with a blow of a weapon called azcona, 1285. Right side bas-relief in bronze (150 x 70 cm). Monument to Roger of Lauria, by Catalan sculptor Felix Ferrer i Galceran (1843-1912) in 1887. It was placed in the Rambla Nova of Tarragona in 1889. Tarragona, Catalonia, Spain
Etruscans. From left to right: 8- Etruscan armour, 9 and 10: chiton, 11- Etruscan armour. Chromolithography. 'Historia Universal' by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-from-left-to-right-8-etruscan-armour-9-and-10-chiton-11-etruscan-armour-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035512.htmlRM2R0DRBM–Etruscans. From left to right: 8- Etruscan armour, 9 and 10: chiton, 11- Etruscan armour. Chromolithography. 'Historia Universal' by César Cantú. Volume II, 1881.
Armours. Italy. 16th century. The Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-armours-italy-16th-century-the-knights-hall-the-state-hermitage-museum-102638229.htmlRMFXYG31–Armours. Italy. 16th century. The Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.
Burgonet helmet. Steel. Chased and gilded. By Filippo Negroli (1510-1579), Ca.1530-1540, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-burgonet-helmet-steel-chased-and-gilded-by-filippo-negroli-1510-1579-102563827.htmlRMFXT55R–Burgonet helmet. Steel. Chased and gilded. By Filippo Negroli (1510-1579), Ca.1530-1540, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.,
History of Italy. 1300. From left to right, 17: Roman senator, 18: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-17-roman-senator-18-doge-of-venice-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582145.htmlRM2WF9FGH–History of Italy. 1300. From left to right, 17: Roman senator, 18: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Etruscans. From left to right: 10- chiton, 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-from-left-to-right-10-chiton-1112-and-13-etruscan-armour-14-leather-garments-with-bronze-shield-15-etruscan-armour-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035522.htmlRM2R0DRC2–Etruscans. From left to right: 10- chiton, 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
Etruscans. From left to right: 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etruscans-from-left-to-right-1112-and-13-etruscan-armour-14-leather-garments-with-bronze-shield-15-etruscan-armour-chromolithography-historia-universal-by-csar-cant-volume-ii-1881-image551035489.htmlRM2R0DRAW–Etruscans. From left to right: 11,12 and 13- Etruscan armour, 14- leather garments with bronze shield, 15- Etruscan armour. Chromolithography. 'Historia Universal', by César Cantú. Volume II, 1881.
Royal Armory. Interior. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-armory-interior-national-museum-of-capodimonte-naples-italy-134819255.htmlRMHR9F9B–Royal Armory. Interior. National Museum of Capodimonte. Naples. Italy.
Hernando de Alarcon (1466-1540). Spanish explorer and navigator of the 16th century. Portrait, detail. Drawing by Santiago Llanta. Portrait. Lithography, 19th century. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Nueva, 1869. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernando-de-alarcon-1466-1540-spanish-explorer-and-navigator-of-the-16th-century-portrait-detail-drawing-by-santiago-llanta-portrait-lithography-19th-century-cronica-general-de-espaa-historia-ilustrada-y-descriptiva-de-sus-provincias-castilla-la-nueva-1869-image341008496.htmlRM2APP7PT–Hernando de Alarcon (1466-1540). Spanish explorer and navigator of the 16th century. Portrait, detail. Drawing by Santiago Llanta. Portrait. Lithography, 19th century. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Nueva, 1869.
Burgonet helmet. Steel. Chased and gilded. Second half of 16th century. By Giovanni Battista Serabalio, Ca. 1550-1560, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia., Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-burgonet-helmet-steel-chased-and-gilded-second-half-of-16th-century-102563826.htmlRMFXT55P–Burgonet helmet. Steel. Chased and gilded. Second half of 16th century. By Giovanni Battista Serabalio, Ca. 1550-1560, Milan, Italy. Knights' Hall. The State Hermitage Museum. Saint Petersburg. Russia.,
Miniature depicting a combat between the Volsci tribe and the Romans, set the scene in medieval times. Miniature from Trois Decades, 15th century. Conde Museum. Chateau of Chantilly, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-miniature-depicting-a-combat-between-the-volsci-tribe-and-the-romans-175905718.htmlRMM655F2–Miniature depicting a combat between the Volsci tribe and the Romans, set the scene in medieval times. Miniature from Trois Decades, 15th century. Conde Museum. Chateau of Chantilly, France.
Royal Armory. Interior. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-armory-interior-national-museum-of-capodimonte-naples-italy-134819253.htmlRMHR9F99–Royal Armory. Interior. National Museum of Capodimonte. Naples. Italy.
Tournament armour for horse and knight. 16th century. Brescian manufacturing. Royal Armory. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tournament-armour-for-horse-and-knight-16th-century-brescian-manufacturing-134819254.htmlRMHR9F9A–Tournament armour for horse and knight. 16th century. Brescian manufacturing. Royal Armory. National Museum of Capodimonte. Naples. Italy.
Tournament armour for horse and knight. 16th century. Brescian manufacturing. Royal Armory. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tournament-armour-for-horse-and-knight-16th-century-brescian-manufacturing-134819252.htmlRMHR9F98–Tournament armour for horse and knight. 16th century. Brescian manufacturing. Royal Armory. National Museum of Capodimonte. Naples. Italy.
Roman art. Statue of a military commander. 1st century BC. Glyptothek. Munich. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-art-statue-of-a-military-commander-1st-century-bc-glyptothek-56717769.htmlRMD87M2H–Roman art. Statue of a military commander. 1st century BC. Glyptothek. Munich. Germany.
Johann Georg Fockhetzer. Bavarian painter, active in Cremona between 1758 and 1773. Portrait of a knight wearing armour of the Cauzzi family. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-georg-fockhetzer-bavarian-painter-active-in-cremona-between-1758-and-1773-portrait-of-a-knight-wearing-armour-of-the-cauzzi-family-oil-on-canvas-museo-civico-ala-ponzone-cremona-lombardy-italy-image591220764.htmlRM2W9TC38–Johann Georg Fockhetzer. Bavarian painter, active in Cremona between 1758 and 1773. Portrait of a knight wearing armour of the Cauzzi family. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
Savoyard-style close helmets or Totenkopf. Complete the armour of the cuirassiers or the heavy cavalry. North Italy. Ca.1600-1630. Armoury. Grandmaster Palace. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/savoyard-style-close-helmets-or-totenkopf-complete-the-armour-of-the-cuirassiers-or-the-heavy-cavalry-north-italy-ca1600-1630-armoury-grandmaster-palace-valletta-malta-image351767219.htmlRM2BC8AJY–Savoyard-style close helmets or Totenkopf. Complete the armour of the cuirassiers or the heavy cavalry. North Italy. Ca.1600-1630. Armoury. Grandmaster Palace. Valletta. Malta.
The Italian War of 1542-1546. Battle of Ceresole, 11 April, 1544. The French army, commanded by François de Bourbon (1519-1546), Count of Enghien, defeated the combined forces of the Holy Roman Empire and Spain, commanded by Alfonso d'Avalos d'Aquino (1502-1546), Marquis del Vasto. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-italian-war-of-1542-1546-battle-of-ceresole-11-april-1544-the-image156859564.htmlRMK35FY8–The Italian War of 1542-1546. Battle of Ceresole, 11 April, 1544. The French army, commanded by François de Bourbon (1519-1546), Count of Enghien, defeated the combined forces of the Holy Roman Empire and Spain, commanded by Alfonso d'Avalos d'Aquino (1502-1546), Marquis del Vasto. Engraving.
History of Italy. 1300. From left to right, 11-12-13: warriors, 14: soldier. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-11-12-13-warriors-14-soldier-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594582135.htmlRM2WF9FG7–History of Italy. 1300. From left to right, 11-12-13: warriors, 14: soldier. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Unknown painter of Verona, active in the last quarter of 15th century. Crucifixion, 1490-93. Renaissance. Detail: The soldiers cast lots for Jesus' garments. Museo di Capodimonte. Naples, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-unknown-painter-of-verona-active-in-the-last-quarter-of-15th-century-133454125.htmlRMHN3A2N–Unknown painter of Verona, active in the last quarter of 15th century. Crucifixion, 1490-93. Renaissance. Detail: The soldiers cast lots for Jesus' garments. Museo di Capodimonte. Naples, Italy.
Saint Michael the Archangel. Oil on panel by a Cremonese painter, 1525-1530. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-michael-the-archangel-oil-on-panel-by-a-cremonese-painter-1525-1530-museo-civico-ala-ponzone-cremona-lombardy-italy-image590987096.htmlRM2W9DP20–Saint Michael the Archangel. Oil on panel by a Cremonese painter, 1525-1530. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
Peter Paul Rubens (1577-1640). Flemish painter. Portrait of Marchese Ambrogio Spinola (1569-1630). National Gallery. Prague. Czech Republic. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-peter-paul-rubens-1577-1640-flemish-painter-portrait-of-marchese-ambrogio-94916570.htmlRMFEBR1E–Peter Paul Rubens (1577-1640). Flemish painter. Portrait of Marchese Ambrogio Spinola (1569-1630). National Gallery. Prague. Czech Republic.
Histoy of Italy. 1300. From left to right, 15: Bernabo Visconti (1319-1385), Lord of Milan (1349-1385), 16: Venetian warrior (at the background)), 17: Roman senator. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/histoy-of-italy-1300-from-left-to-right-15-bernabo-visconti-1319-1385-lord-of-milan-1349-1385-16-venetian-warrior-at-the-background-17-roman-senator-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image594745428.htmlRM2WFGYT4–Histoy of Italy. 1300. From left to right, 15: Bernabo Visconti (1319-1385), Lord of Milan (1349-1385), 16: Venetian warrior (at the background)), 17: Roman senator. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait. Engraving by Antonio Roca Sallent. Las Glorias Nacionales, 1853. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gonzalo-fernndez-de-cordoba-1453-1515-called-el-gran-capitan-the-great-captain-spanish-general-portrait-engraving-by-antonio-roca-sallent-las-glorias-nacionales-1853-image431785191.htmlRM2G2DEBK–Gonzalo Fernández de Cordoba (1453-1515), called 'El Gran Capitan' ('The Great Captain)'. Spanish general. Portrait. Engraving by Antonio Roca Sallent. Las Glorias Nacionales, 1853.
Polyptych of Archangel Michael, ca.1492. Detail. Attributed to Francesco Pagano (late 15th century-early 16th century). National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-polyptych-of-archangel-michael-ca1492-detail-attributed-to-francesco-134518149.htmlRMHPRR7H–Polyptych of Archangel Michael, ca.1492. Detail. Attributed to Francesco Pagano (late 15th century-early 16th century). National Museum of Capodimonte. Naples. Italy.
Polyptych of Archangel Michael, ca.1492. Attributed to Francesco Pagano (late 15th century-early 16th century). National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-polyptych-of-archangel-michael-ca1492-attributed-to-francesco-pagano-134518148.htmlRMHPRR7G–Polyptych of Archangel Michael, ca.1492. Attributed to Francesco Pagano (late 15th century-early 16th century). National Museum of Capodimonte. Naples. Italy.
Italian War of 1551-1559. The Battle of Saint-Quentin (1557) with the decisive victory of the Spanish forces of Philip II over the French. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-war-of-1551-1559-the-battle-of-saint-quentin-1557-with-the-image157953086.htmlRMK4YANJ–Italian War of 1551-1559. The Battle of Saint-Quentin (1557) with the decisive victory of the Spanish forces of Philip II over the French. Engraving.
Fernando d'Avalos (1489-1525). Italian condottiero of Aragonese extraction. Chief commander of the Habsburg armies of Charles V in Italy during the Habsburg-Valois Wars. Engraving. Museo Militar, 1883. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fernando-davalos-1489-1525-italian-condottiero-of-aragonese-extraction-chief-commander-of-the-habsburg-armies-of-charles-v-in-italy-during-the-habsburg-valois-wars-engraving-museo-militar-1883-image333129965.htmlRM2A9YAJN–Fernando d'Avalos (1489-1525). Italian condottiero of Aragonese extraction. Chief commander of the Habsburg armies of Charles V in Italy during the Habsburg-Valois Wars. Engraving. Museo Militar, 1883.
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-110601948.htmlRMGBX9WG–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving.
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-126445099.htmlRMH9M20B–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Colored.
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. The Saracen sorceress Armida, sent by the king of Damascus, take some Christian knights as prisoners. Rinaldo, a soldier in the First Crusade, frees some of them. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-169522965.htmlRMKRPC7H–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. The Saracen sorceress Armida, sent by the king of Damascus, take some Christian knights as prisoners. Rinaldo, a soldier in the First Crusade, frees some of them. Engraving.
The Italian War of 1542-1546. Battle of Ceresole, 11 April, 1544. The French army, commanded by François de Bourbon (1519-1546), Count of Enghien, defeated the combined forces of the Holy Roman Empire and Spain, commanded by Alfonso d'Avalos d'Aquino (1502-1546), Marquis del Vasto. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-italian-war-of-1542-1546-battle-of-ceresole-11-april-1544-the-163798632.htmlRMKEDJR4–The Italian War of 1542-1546. Battle of Ceresole, 11 April, 1544. The French army, commanded by François de Bourbon (1519-1546), Count of Enghien, defeated the combined forces of the Holy Roman Empire and Spain, commanded by Alfonso d'Avalos d'Aquino (1502-1546), Marquis del Vasto. Engraving. Colored.
Vespucci, Amerigo (1454-1512). Italian navigator, explorer and cartographer. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vespucci-amerigo-1454-1512-italian-navigator-explorer-and-cartographer-36141020.htmlRMC2PA6M–Vespucci, Amerigo (1454-1512). Italian navigator, explorer and cartographer. Engraving.
Vespucci, Amerigo (1454-1512). Italian navigator, explorer and cartographer. Colored engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vespucci-amerigo-1454-1512-italian-navigator-explorer-and-cartographer-39300977.htmlRMC7X8P9–Vespucci, Amerigo (1454-1512). Italian navigator, explorer and cartographer. Colored engraving.
Knight in armour. Engraving from a design by Cesare Vecellio (ca. 1521-ca. 1601) in 1590. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knight-in-armour-engraving-from-a-design-by-cesare-vecellio-ca-1521-ca-1601-in-1590-vie-militaire-et-religieuse-au-moyen-age-et-lepoque-de-la-renaissance-paris-1877-image561008595.htmlRM2RGM457–Knight in armour. Engraving from a design by Cesare Vecellio (ca. 1521-ca. 1601) in 1590. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-image64981388.htmlRMDNM4BT–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving.
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-image69655335.htmlRME1922F–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving. Colored.
Roger of Lauria (1245-1305). Sicilian-Aragonese admiral. Coloured illustration in Spanish Glories. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roger-of-lauria-1245-1305-sicilian-aragonese-admiral-coloured-illustration-image64684778.htmlRMDN6J2J–Roger of Lauria (1245-1305). Sicilian-Aragonese admiral. Coloured illustration in Spanish Glories.
Charles II (1661-1700). King of Spain. Charles II on horseback. Portrait by Luca Giordano. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-1661-1700-king-of-spain-charles-ii-on-horseback-portrait-39081262.htmlRMC7G8FA–Charles II (1661-1700). King of Spain. Charles II on horseback. Portrait by Luca Giordano. Prado Museum. Madrid. Spain.
Gonzalo Fernandez de Cordoba (1453-1515). Spanish military known as El Gran Capitan. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gonzalo-fernandez-de-cordoba-1453-1515-spanish-military-known-as-el-image64615249.htmlRMDN3DBD–Gonzalo Fernandez de Cordoba (1453-1515). Spanish military known as El Gran Capitan. Engraving.
Gonzalo Fernandez de Cordoba (1453-1515). Spanish military known as El Gran Capitan. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gonzalo-fernandez-de-cordoba-1453-1515-spanish-military-known-as-el-image67667854.htmlRMDX2F12–Gonzalo Fernandez de Cordoba (1453-1515). Spanish military known as El Gran Capitan. Engraving. Colored.
Tintoretto (1518-1594). Judith and Holofernes, 1550. Oil on canvas. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tintoretto-1518-1594-judith-and-holofernes-1550-oil-on-canvas-prado-image60846433.htmlRMDEYP6W–Tintoretto (1518-1594). Judith and Holofernes, 1550. Oil on canvas. Prado Museum. Madrid. Spain.
Search Results for Italian armor Stock Photos and Images (70)
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