. American homes and gardens . st successful in obtaining the particular effect she sought,which is most unique. The enclosed piazza is the chief pride of its owner, andthe crowning distinction of the house, for it is really a sumptu-ous living-room or conservatory. It is the real center of theMcDonald house and gives that importance and interestwhich few houses have. It is enclosed with lattice, the wholebeing carefully screened. The walls are of stone, set withpanels reproducing the Nymphs, by Jean Goujon, fromthe Fountain of Innocence, Paris, and statuary is placed amidtrailing vines and pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/american-homes-and-gardens-st-successful-in-obtaining-the-particular-effect-she-soughtwhich-is-most-unique-the-enclosed-piazza-is-the-chief-pride-of-its-owner-andthe-crowning-distinction-of-the-house-for-it-is-really-a-sumptu-ous-living-room-or-conservatory-it-is-the-real-center-of-themcdonald-house-and-gives-that-importance-and-interestwhich-few-houses-have-it-is-enclosed-with-lattice-the-wholebeing-carefully-screened-the-walls-are-of-stone-set-withpanels-reproducing-the-nymphs-by-jean-goujon-fromthe-fountain-of-innocence-paris-and-statuary-is-placed-amidtrailing-vines-and-pa-image371823087.html
RM2CGX03Y–. American homes and gardens . st successful in obtaining the particular effect she sought,which is most unique. The enclosed piazza is the chief pride of its owner, andthe crowning distinction of the house, for it is really a sumptu-ous living-room or conservatory. It is the real center of theMcDonald house and gives that importance and interestwhich few houses have. It is enclosed with lattice, the wholebeing carefully screened. The walls are of stone, set withpanels reproducing the Nymphs, by Jean Goujon, fromthe Fountain of Innocence, Paris, and statuary is placed amidtrailing vines and pa
. William Shakespeare; poet, dramatist, and man . ion. Thisroom has been a place eagerly sought by literarypilgrims since the beginning of the century. Thelow ceiling and the walls were covered, in the earlypart of the century, with innumerable autographs.In 1820 the occupant, a woman who attached greatimportance to the privilege of showing the house tovisitors, was compelled to give up that privilege,and, by way of revenge, removed the furniture andwhitewashed the walls of the house. A part of thewall of the upper room escaped the sacrilegioushand of the jealous custodian, and names runningba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-poet-dramatist-and-man-ion-thisroom-has-been-a-place-eagerly-sought-by-literarypilgrims-since-the-beginning-of-the-century-thelow-ceiling-and-the-walls-were-covered-in-the-earlypart-of-the-century-with-innumerable-autographsin-1820-the-occupant-a-woman-who-attached-greatimportance-to-the-privilege-of-showing-the-house-tovisitors-was-compelled-to-give-up-that-privilegeand-by-way-of-revenge-removed-the-furniture-andwhitewashed-the-walls-of-the-house-a-part-of-thewall-of-the-upper-room-escaped-the-sacrilegioushand-of-the-jealous-custodian-and-names-runningba-image372137472.html
RM2CHC940–. William Shakespeare; poet, dramatist, and man . ion. Thisroom has been a place eagerly sought by literarypilgrims since the beginning of the century. Thelow ceiling and the walls were covered, in the earlypart of the century, with innumerable autographs.In 1820 the occupant, a woman who attached greatimportance to the privilege of showing the house tovisitors, was compelled to give up that privilege,and, by way of revenge, removed the furniture andwhitewashed the walls of the house. A part of thewall of the upper room escaped the sacrilegioushand of the jealous custodian, and names runningba
. History of lace. semblance of a water-lily leaf, the emblem of the Stures,leading one to believe they may have been of Swedish fabric,for many ladies of that illustrious house sought shelterfrom troublous times within the walls of the lace-makingconvent of Wadstena. In the same cabinet is displayed, with others of more ordi-nary texture, a collar of raised Spanish guipure, worked bythe Princesses Catherine and Marie, daughters of Duke JohanAdolf (brother of Charles X.). Though a creditable perform-ance, yet it is far inferior to the lace of convent make. Themaking of this Spanish point forme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-lace-semblance-of-a-water-lily-leaf-the-emblem-of-the-sturesleading-one-to-believe-they-may-have-been-of-swedish-fabricfor-many-ladies-of-that-illustrious-house-sought-shelterfrom-troublous-times-within-the-walls-of-the-lace-makingconvent-of-wadstena-in-the-same-cabinet-is-displayed-with-others-of-more-ordi-nary-texture-a-collar-of-raised-spanish-guipure-worked-bythe-princesses-catherine-and-marie-daughters-of-duke-johanadolf-brother-of-charles-x-though-a-creditable-perform-ance-yet-it-is-far-inferior-to-the-lace-of-convent-make-themaking-of-this-spanish-point-forme-image370395948.html
RM2CEGYPM–. History of lace. semblance of a water-lily leaf, the emblem of the Stures,leading one to believe they may have been of Swedish fabric,for many ladies of that illustrious house sought shelterfrom troublous times within the walls of the lace-makingconvent of Wadstena. In the same cabinet is displayed, with others of more ordi-nary texture, a collar of raised Spanish guipure, worked bythe Princesses Catherine and Marie, daughters of Duke JohanAdolf (brother of Charles X.). Though a creditable perform-ance, yet it is far inferior to the lace of convent make. Themaking of this Spanish point forme
. History of lace . ance of a water-lily leaf, the emblem of the Stures,leading one to believe they may have been of Swedish fabric,for many ladies of that illustrious house sought shelterfrom troublous times within the walls of the lace-makingconvent of Wadstena. In the same cabinet is displayed, with others of more ordi-nary texture, a collar of raised Spanish guipure, worked bythe Princesses Catherine and Marie, daughters of Duke JohanAdolf (brother of Charles X.). Though a creditable perform-ance, yet it is far inferior to the lace of convent*make. Themaking of this Spanish point formed a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-lace-ance-of-a-water-lily-leaf-the-emblem-of-the-sturesleading-one-to-believe-they-may-have-been-of-swedish-fabricfor-many-ladies-of-that-illustrious-house-sought-shelterfrom-troublous-times-within-the-walls-of-the-lace-makingconvent-of-wadstena-in-the-same-cabinet-is-displayed-with-others-of-more-ordi-nary-texture-a-collar-of-raised-spanish-guipure-worked-bythe-princesses-catherine-and-marie-daughters-of-duke-johanadolf-brother-of-charles-x-though-a-creditable-perform-ance-yet-it-is-far-inferior-to-the-lace-of-conventmake-themaking-of-this-spanish-point-formed-a-image369742154.html
RM2CDF5TX–. History of lace . ance of a water-lily leaf, the emblem of the Stures,leading one to believe they may have been of Swedish fabric,for many ladies of that illustrious house sought shelterfrom troublous times within the walls of the lace-makingconvent of Wadstena. In the same cabinet is displayed, with others of more ordi-nary texture, a collar of raised Spanish guipure, worked bythe Princesses Catherine and Marie, daughters of Duke JohanAdolf (brother of Charles X.). Though a creditable perform-ance, yet it is far inferior to the lace of convent*make. Themaking of this Spanish point formed a
. Hurlbut's Life of Christ for young and old . Plowing in Bible time 53. They sought out the inn at Bethlehem but Joseph found within its walls noplace where his wife could rest after her long and wearisome ride. 54 Witt €m=^m in ?|i£( €tabh CHAPTER 7 FOR A FEW months after their marriage, Josephand Mary lived in their httle house at Nazareth.Joseph worked at his trade as a carpenter, whileMary cared for the home and carried the water for theneeds of the house from the well in the middle of thevillage; walking with her jar full of water on her head. One day Joseph came home and told his wife t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hurlbuts-life-of-christ-for-young-and-old-plowing-in-bible-time-53-they-sought-out-the-inn-at-bethlehem-but-joseph-found-within-its-walls-noplace-where-his-wife-could-rest-after-her-long-and-wearisome-ride-54-witt-m=m-in-i-tabh-chapter-7-for-a-few-months-after-their-marriage-josephand-mary-lived-in-their-httle-house-at-nazarethjoseph-worked-at-his-trade-as-a-carpenter-whilemary-cared-for-the-home-and-carried-the-water-for-theneeds-of-the-house-from-the-well-in-the-middle-of-thevillage-walking-with-her-jar-full-of-water-on-her-head-one-day-joseph-came-home-and-told-his-wife-t-image370030006.html
RM2CE091A–. Hurlbut's Life of Christ for young and old . Plowing in Bible time 53. They sought out the inn at Bethlehem but Joseph found within its walls noplace where his wife could rest after her long and wearisome ride. 54 Witt €m=^m in ?|i£( €tabh CHAPTER 7 FOR A FEW months after their marriage, Josephand Mary lived in their httle house at Nazareth.Joseph worked at his trade as a carpenter, whileMary cared for the home and carried the water for theneeds of the house from the well in the middle of thevillage; walking with her jar full of water on her head. One day Joseph came home and told his wife t
. Selected poems; . ti^^m. Above Crows Nest A BLANKET low and leaden,Though rent across the west,Whose darkness seems to deaden The City to its rest;A sunset white and staringOn cloud-wrack far away—And haggard house-walls glaringA farewell to the day. A light on tower and steeple, Where sun no longer shines—My people, O my people! Rise up and read the signs!Low looms the nearer high-line (No sign of star or moon),The Horseman on the skyline Rode hard this afternoon! (Is he—and who shall know it?— The spectre of a scout ?Or spirit of a poet, Whose truths were met with doubt?Who sought and who Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/selected-poems-tim-above-crows-nest-a-blanket-low-and-leadenthough-rent-across-the-westwhose-darkness-seems-to-deaden-the-city-to-its-resta-sunset-white-and-staringon-cloud-wrack-far-awayand-haggard-house-walls-glaringa-farewell-to-the-day-a-light-on-tower-and-steeple-where-sun-no-longer-shinesmy-people-o-my-people!-rise-up-and-read-the-signs!low-looms-the-nearer-high-line-no-sign-of-star-or-moonthe-horseman-on-the-skyline-rode-hard-this-afternoon!-is-heand-who-shall-know-it-the-spectre-of-a-scout-or-spirit-of-a-poet-whose-truths-were-met-with-doubtwho-sought-and-who-image369646332.html
RM2CDARJM–. Selected poems; . ti^^m. Above Crows Nest A BLANKET low and leaden,Though rent across the west,Whose darkness seems to deaden The City to its rest;A sunset white and staringOn cloud-wrack far away—And haggard house-walls glaringA farewell to the day. A light on tower and steeple, Where sun no longer shines—My people, O my people! Rise up and read the signs!Low looms the nearer high-line (No sign of star or moon),The Horseman on the skyline Rode hard this afternoon! (Is he—and who shall know it?— The spectre of a scout ?Or spirit of a poet, Whose truths were met with doubt?Who sought and who
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