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Hindu goldsmith Stock Photos and Images
Indian goldsmith working at home. Andhra Pradesh, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-indian-goldsmith-working-at-home-andhra-pradesh-india-33229790.htmlRMBX1MX6–Indian goldsmith working at home. Andhra Pradesh, India
Bactria 200-100 BC Greek silver coin Bactria or Bactriana - historical region in Central Asia. ( north of the Hindu Kush mountain range and south of the Amu Daryariver, modern-day Afghanistan, Tajikistan, and Uzbekistan. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bactria-200-100-bc-greek-silver-coin-bactria-or-bactriana-historical-177538051.htmlRMM8RFGK–Bactria 200-100 BC Greek silver coin Bactria or Bactriana - historical region in Central Asia. ( north of the Hindu Kush mountain range and south of the Amu Daryariver, modern-day Afghanistan, Tajikistan, and Uzbekistan. )
Sri Poyatha Moorthi Temple, built in 1781, is the oldest Hindu temple in Malaysia and one of the oldest functioning Hindu temples in Maritime Southeast Asia. In the 1780s the Dutch colonial government granted the Chitty (a distinctive Tamil group also known as Indian Peranakans) community a piece of land in the heart of Malacca for the purpose of setting up a Hindu temple. The land was located on Goldsmith Street, now known as Jalan Tokong. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sri-poyatha-moorthi-temple-built-in-1781-is-the-oldest-hindu-temple-in-malaysia-and-one-of-the-oldest-functioning-hindu-temples-in-maritime-southeast-asia-in-the-1780s-the-dutch-colonial-government-granted-the-chitty-a-distinctive-tamil-group-also-known-as-indian-peranakans-community-a-piece-of-land-in-the-heart-of-malacca-for-the-purpose-of-setting-up-a-hindu-temple-the-land-was-located-on-goldsmith-street-now-known-as-jalan-tokong-image344261018.htmlRM2B02CCA–Sri Poyatha Moorthi Temple, built in 1781, is the oldest Hindu temple in Malaysia and one of the oldest functioning Hindu temples in Maritime Southeast Asia. In the 1780s the Dutch colonial government granted the Chitty (a distinctive Tamil group also known as Indian Peranakans) community a piece of land in the heart of Malacca for the purpose of setting up a Hindu temple. The land was located on Goldsmith Street, now known as Jalan Tokong.
PLACA QUE NARRA LA VIDA DE BUDA - ORFEBRERIA HINDU. Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/placa-que-narra-la-vida-de-buda-orfebreria-hindu-location-private-collection-madrid-spain-image231210829.htmlRMRC4FNH–PLACA QUE NARRA LA VIDA DE BUDA - ORFEBRERIA HINDU. Location: PRIVATE COLLECTION. MADRID. SPAIN.
India/France: 'Two Goldsmiths'. Engraving by Pierre Sonnerat (1748-1814), 1782. Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to Southeast Asia between 1769 and 1781. He published this two-volume account of his voyage in 1782. Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. Volume 2 covers Sonnerat’s travels to China, Burma, Madagascar, the Maldives, Mauritius, Ceylon, Indonesia and the Philippines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/indiafrance-two-goldsmiths-engraving-by-pierre-sonnerat-1748-1814-1782-pierre-sonnerat-1748-1814-was-a-french-naturalist-and-explorer-who-made-several-voyages-to-southeast-asia-between-1769-and-1781-he-published-this-two-volume-account-of-his-voyage-in-1782-volume-1-deals-exclusively-with-india-whose-culture-sonnerat-very-much-admired-and-is-especially-noteworthy-for-its-extended-discussion-of-religion-in-india-hinduism-in-particular-volume-2-covers-sonnerats-travels-to-china-burma-madagascar-the-maldives-mauritius-ceylon-indonesia-and-the-philippines-image344226240.htmlRM2B00T28–India/France: 'Two Goldsmiths'. Engraving by Pierre Sonnerat (1748-1814), 1782. Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to Southeast Asia between 1769 and 1781. He published this two-volume account of his voyage in 1782. Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. Volume 2 covers Sonnerat’s travels to China, Burma, Madagascar, the Maldives, Mauritius, Ceylon, Indonesia and the Philippines.
A Goldsmith, from Indian Trades and Castes, ca. 1840. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-goldsmith-from-indian-trades-and-castes-ca-1840-image374694678.htmlRM2CNGPTP–A Goldsmith, from Indian Trades and Castes, ca. 1840.
Vishnu as Rama. c.1850. opaque watercolour ,. Source: Add.Or.1900. Author: ANON. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vishnu-as-rama-c1850-opaque-watercolour-source-addor1900-author-anon-image231242265.htmlRMRC5YT9–Vishnu as Rama. c.1850. opaque watercolour ,. Source: Add.Or.1900. Author: ANON.
Temple Necklace ( Mangalsutra) with black pearls and red,green gems ,diamond on black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-necklace-mangalsutra-with-black-pearls-and-redgreen-gems-diamond-on-black-background-image474282046.htmlRF2JFHBGE–Temple Necklace ( Mangalsutra) with black pearls and red,green gems ,diamond on black background
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199542.htmlRFPRTE7J–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
SIVA - DIOS HINDU. Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/siva-dios-hindu-location-private-collection-madrid-spain-image226541029.htmlRMR4FRB1–SIVA - DIOS HINDU. Location: PRIVATE COLLECTION. MADRID. SPAIN.
On the left, RÄma is installed as king by the priest Vasiá¹£á¹ha, who anoints his brow with sacred marks, while Åšatrughna holds the imperial parasol and the two other brothers hold chowries (fly-whisks). SugrÄ«va had previously sent the monkeys to gather water from the four seas and all the important rivers, which they hold here in golden jars for the coronation ritual. On the right, RÄma, with SÄ«tÄ beside him on his throne, dispenses gold and jewels to his helpers, all in human form. One of his ministers hands RÄma a necklace of magnificent pearls for SÄ«tÄ, and she unclasps her own n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-the-left-rma-is-installed-as-king-by-the-priest-vasiha-who-anoints-his-brow-with-sacred-marks-while-atrughna-holds-the-imperial-parasol-and-the-two-other-brothers-hold-chowries-fly-whisks-sugrva-had-previously-sent-the-monkeys-to-gather-water-from-the-four-seas-and-all-the-important-rivers-which-they-hold-here-in-golden-jars-for-the-coronation-ritual-on-the-right-rma-with-st-beside-him-on-his-throne-dispenses-gold-and-jewels-to-his-helpers-all-in-human-form-one-of-his-ministers-hands-rma-a-necklace-of-magnificent-pearls-for-st-and-she-unclasps-her-own-n-image226959632.htmlRMR56W94–On the left, RÄma is installed as king by the priest Vasiá¹£á¹ha, who anoints his brow with sacred marks, while Åšatrughna holds the imperial parasol and the two other brothers hold chowries (fly-whisks). SugrÄ«va had previously sent the monkeys to gather water from the four seas and all the important rivers, which they hold here in golden jars for the coronation ritual. On the right, RÄma, with SÄ«tÄ beside him on his throne, dispenses gold and jewels to his helpers, all in human form. One of his ministers hands RÄma a necklace of magnificent pearls for SÄ«tÄ, and she unclasps her own n
Temple Necklace ( Mangalsutra) with earrings with black pearls and red, green gems on background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-necklace-mangalsutra-with-earrings-with-black-pearls-and-red-green-gems-on-background-image474282043.htmlRF2JFHBGB–Temple Necklace ( Mangalsutra) with earrings with black pearls and red, green gems on background.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654688.htmlRFMW8BD4–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
EXTERIOR-DET PUERTA DORADA,CORONADA POR SIVA Y PARVATI. Location: ROYAL PALACE. PATAN. SHIVA. Parvati. SIVA DIOS HINDU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exterior-det-puerta-doradacoronada-por-siva-y-parvati-location-royal-palace-patan-shiva-parvati-siva-dios-hindu-image444144190.htmlRM2GPGECE–EXTERIOR-DET PUERTA DORADA,CORONADA POR SIVA Y PARVATI. Location: ROYAL PALACE. PATAN. SHIVA. Parvati. SIVA DIOS HINDU.
RÄvaṇa now prepares himself for a final great effort. According to Rajput traditions, having taken a bath within his qanÄts, he emerges clad in golden armour, strewn with flowers and mounts his battle chariot drawn by eight white horses and covered by his imperial parasol. Chowrie (fly-whisk) bearers, Brahmins, trumpet blowers and drummers salute him as he sets out with his troops, prepared to conquer or die. Ramayana. Udaipur, c.1653. Source: Add 15297(1), f.138. Language: Sanskrit. Author: SAHIB DIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rvaa-now-prepares-himself-for-a-final-great-effort-according-to-rajput-traditions-having-taken-a-bath-within-his-qants-he-emerges-clad-in-golden-armour-strewn-with-flowers-and-mounts-his-battle-chariot-drawn-by-eight-white-horses-and-covered-by-his-imperial-parasol-chowrie-fly-whisk-bearers-brahmins-trumpet-blowers-and-drummers-salute-him-as-he-sets-out-with-his-troops-prepared-to-conquer-or-die-ramayana-udaipur-c1653-source-add-152971-f138-language-sanskrit-author-sahib-din-image227161105.htmlRMR5G28H–RÄvaṇa now prepares himself for a final great effort. According to Rajput traditions, having taken a bath within his qanÄts, he emerges clad in golden armour, strewn with flowers and mounts his battle chariot drawn by eight white horses and covered by his imperial parasol. Chowrie (fly-whisk) bearers, Brahmins, trumpet blowers and drummers salute him as he sets out with his troops, prepared to conquer or die. Ramayana. Udaipur, c.1653. Source: Add 15297(1), f.138. Language: Sanskrit. Author: SAHIB DIN.
closeup Temple necklace gold (mangalsutra) with black pearls. Red and green gems ,stone on black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/closeup-temple-necklace-gold-mangalsutra-with-black-pearls-red-and-green-gems-stone-on-black-background-image474282039.htmlRF2JFHBG7–closeup Temple necklace gold (mangalsutra) with black pearls. Red and green gems ,stone on black background
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654978.htmlRFMW8BRE–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
The Virgin and Child Attended by Angels. Artist: Attributed to Manohar (active ca. 1582-1624). Dimensions: H: 12 5/8 in (32.1 cm) x W: 9 3/16 in (23.3 cm). Date: ca 1600. The Virgin Mary and infant Jesus, seated on a floral carpet, are honored with an offering of a plate of fruit, visible in the foreground, consistent with the Hindu devotional practice of prasad (offering). They are attended by three angels, one bearing a gold censer and another with a Chinese-style blue-and-white porcelain bowl decorated with geese. Their feathery bodies and faces resemble those of the peris, or fairies, of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-and-child-attended-by-angels-artist-attributed-to-manohar-active-ca-1582-1624-dimensions-h-12-58-in-321-cm-x-w-9-316-in-233-cm-date-ca-1600-the-virgin-mary-and-infant-jesus-seated-on-a-floral-carpet-are-honored-with-an-offering-of-a-plate-of-fruit-visible-in-the-foreground-consistent-with-the-hindu-devotional-practice-of-prasad-offering-they-are-attended-by-three-angels-one-bearing-a-gold-censer-and-another-with-a-chinese-style-blue-and-white-porcelain-bowl-decorated-with-geese-their-feathery-bodies-and-faces-resemble-those-of-the-peris-or-fairies-of-image213261375.htmlRMPAXW1K–The Virgin and Child Attended by Angels. Artist: Attributed to Manohar (active ca. 1582-1624). Dimensions: H: 12 5/8 in (32.1 cm) x W: 9 3/16 in (23.3 cm). Date: ca 1600. The Virgin Mary and infant Jesus, seated on a floral carpet, are honored with an offering of a plate of fruit, visible in the foreground, consistent with the Hindu devotional practice of prasad (offering). They are attended by three angels, one bearing a gold censer and another with a Chinese-style blue-and-white porcelain bowl decorated with geese. Their feathery bodies and faces resemble those of the peris, or fairies, of
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654702.htmlRFMW8BDJ–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
'Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: H. 11 3/8 in. x W. 7 7/8 in. (28.9 x 20 cm). Date: ca. 1590-95. The Hindu epics the Mahabharata and the Ramayana, and other texts such as the Harivamsa, a genealogy of Hari (or Krishna), were translated into Persian and illustrated for the first time during Akbar's reign (1556-1605). Unlike other manuscript projects for which the Mughal court artists inherited a tradition of iconography and style from earlier Iranian manuscripts, they had to invent new compos Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-holds-up-mount-govardhan-to-shelter-the-villagers-of-braj-folio-from-a-harivamsa-the-legend-of-hari-krishna-dimensions-h-11-38-in-x-w-7-78-in-289-x-20-cm-date-ca-1590-95-the-hindu-epics-the-mahabharata-and-the-ramayana-and-other-texts-such-as-the-harivamsa-a-genealogy-of-hari-or-krishna-were-translated-into-persian-and-illustrated-for-the-first-time-during-akbars-reign-1556-1605-unlike-other-manuscript-projects-for-which-the-mughal-court-artists-inherited-a-tradition-of-iconography-and-style-from-earlier-iranian-manuscripts-they-had-to-invent-new-compos-image213263720.htmlRMPAY01C–'Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: H. 11 3/8 in. x W. 7 7/8 in. (28.9 x 20 cm). Date: ca. 1590-95. The Hindu epics the Mahabharata and the Ramayana, and other texts such as the Harivamsa, a genealogy of Hari (or Krishna), were translated into Persian and illustrated for the first time during Akbar's reign (1556-1605). Unlike other manuscript projects for which the Mughal court artists inherited a tradition of iconography and style from earlier Iranian manuscripts, they had to invent new compos
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199546.htmlRFPRTE7P–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
'Portrait of Raja Bikramajit (Sundar Das)', Folio from the Shah Jahan Album. Artist: Painting by Bichitr (active ca. 1610-60). Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: 15 1/4 x 10 1/8in. (38.7 x 25.7cm). Date: recto: ca. 1620; verso: ca. 1540. Sundar Das was a Hindu whoses ancestors had been considerable landowners. He entered the service of Prince Khurram (Shah Jahan) and in 1617 Jahangir awarded him the title of Raja Bikramajit 'which among Hindus is the highest' as Jahangir wrote in his memoirs. Raja Bikramajit was a brilliant military strategist and instrumental to the su Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-raja-bikramajit-sundar-das-folio-from-the-shah-jahan-album-artist-painting-by-bichitr-active-ca-1610-60-calligrapher-mir-ali-haravi-d-ca-1550-dimensions-15-14-x-10-18in-387-x-257cm-date-recto-ca-1620-verso-ca-1540-sundar-das-was-a-hindu-whoses-ancestors-had-been-considerable-landowners-he-entered-the-service-of-prince-khurram-shah-jahan-and-in-1617-jahangir-awarded-him-the-title-of-raja-bikramajit-which-among-hindus-is-the-highest-as-jahangir-wrote-in-his-memoirs-raja-bikramajit-was-a-brilliant-military-strategist-and-instrumental-to-the-su-image212913121.htmlRMPAB0T1–'Portrait of Raja Bikramajit (Sundar Das)', Folio from the Shah Jahan Album. Artist: Painting by Bichitr (active ca. 1610-60). Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: 15 1/4 x 10 1/8in. (38.7 x 25.7cm). Date: recto: ca. 1620; verso: ca. 1540. Sundar Das was a Hindu whoses ancestors had been considerable landowners. He entered the service of Prince Khurram (Shah Jahan) and in 1617 Jahangir awarded him the title of Raja Bikramajit 'which among Hindus is the highest' as Jahangir wrote in his memoirs. Raja Bikramajit was a brilliant military strategist and instrumental to the su
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199563.htmlRFPRTE8B–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
Locket Pendant in Shape of Shell with Animal-Headed Cap Flanked by a Small Bird on Sides. Dimensions: H. 1 7/8 in. x W. 1 1/8 in. x D. 5/8 in.. Date: 17th century. The cap of the pendant takes the form of a makara (a fantastical aquatic beast) set with two turquoise eyes and a red stone in the center of its head. Makaras are Hindu mythological creatures often composed of the body parts of many different animals and are prevalent in South Indian architecture. They are also often found on clasps of jewelry, and on decorative works such as 'alams and ewers. Traces of a red residue suggest that t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/locket-pendant-in-shape-of-shell-with-animal-headed-cap-flanked-by-a-small-bird-on-sides-dimensions-h-1-78-in-x-w-1-18-in-x-d-58-in-date-17th-century-the-cap-of-the-pendant-takes-the-form-of-a-makara-a-fantastical-aquatic-beast-set-with-two-turquoise-eyes-and-a-red-stone-in-the-center-of-its-head-makaras-are-hindu-mythological-creatures-often-composed-of-the-body-parts-of-many-different-animals-and-are-prevalent-in-south-indian-architecture-they-are-also-often-found-on-clasps-of-jewelry-and-on-decorative-works-such-as-alams-and-ewers-traces-of-a-red-residue-suggest-that-t-image212899371.htmlRMPAAB8Y–Locket Pendant in Shape of Shell with Animal-Headed Cap Flanked by a Small Bird on Sides. Dimensions: H. 1 7/8 in. x W. 1 1/8 in. x D. 5/8 in.. Date: 17th century. The cap of the pendant takes the form of a makara (a fantastical aquatic beast) set with two turquoise eyes and a red stone in the center of its head. Makaras are Hindu mythological creatures often composed of the body parts of many different animals and are prevalent in South Indian architecture. They are also often found on clasps of jewelry, and on decorative works such as 'alams and ewers. Traces of a red residue suggest that t
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199530.htmlRFPRTE76–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
The Goddess Bhairavi Devi with Shiva. Artist: Attributed to Payag (Indian, active ca. 1591-1658). Dimensions: H. 7 1/4 in. (18.5 cm) W. 10 3/8 in. (26.5 cm). Date: ca. 1630-35. In this painting attributed to the Mughal artist Payag, a demonic form of the Hindu goddess Bhairavi, female counterpart to Shiva, sits on the body of a decomposing corpse. Wearing jewelry and a skirt made of skulls, and horns in the form of spear heads, she is accompanied by Shiva who appears in the form of a devotee. Three of her hands carry symbols of destruction, while her fourth extends a gesture of blessing. The Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-goddess-bhairavi-devi-with-shiva-artist-attributed-to-payag-indian-active-ca-1591-1658-dimensions-h-7-14-in-185-cm-w-10-38-in-265-cm-date-ca-1630-35-in-this-painting-attributed-to-the-mughal-artist-payag-a-demonic-form-of-the-hindu-goddess-bhairavi-female-counterpart-to-shiva-sits-on-the-body-of-a-decomposing-corpse-wearing-jewelry-and-a-skirt-made-of-skulls-and-horns-in-the-form-of-spear-heads-she-is-accompanied-by-shiva-who-appears-in-the-form-of-a-devotee-three-of-her-hands-carry-symbols-of-destruction-while-her-fourth-extends-a-gesture-of-blessing-the-image213106914.htmlRMPAKT16–The Goddess Bhairavi Devi with Shiva. Artist: Attributed to Payag (Indian, active ca. 1591-1658). Dimensions: H. 7 1/4 in. (18.5 cm) W. 10 3/8 in. (26.5 cm). Date: ca. 1630-35. In this painting attributed to the Mughal artist Payag, a demonic form of the Hindu goddess Bhairavi, female counterpart to Shiva, sits on the body of a decomposing corpse. Wearing jewelry and a skirt made of skulls, and horns in the form of spear heads, she is accompanied by Shiva who appears in the form of a devotee. Three of her hands carry symbols of destruction, while her fourth extends a gesture of blessing. The
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199555.htmlRFPRTE83–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
Dagger with Sheath. Culture: Nepalese. Dimensions: L. with sheath 15 3/4 in. (40 cm); L. without sheath 12 3/4 in. (32.4 cm); W. 1 1/4 in. (3.2 cm); Wt. 6 oz. (170.1 g); Wt. of sheath 3.3 oz. (93.6 g). Date: ca. 1650-1700. The figure at the top of this beautifully carved ivory hilt is an iconic Nepalese representation of Garuda, a popular divinity associated with the Hindu god Vishnu. From at least the sixth century, Garuda was depicted as a handsome man with wings, resting on one knee and with hands clasped in prayer. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dagger-with-sheath-culture-nepalese-dimensions-l-with-sheath-15-34-in-40-cm-l-without-sheath-12-34-in-324-cm-w-1-14-in-32-cm-wt-6-oz-1701-g-wt-of-sheath-33-oz-936-g-date-ca-1650-1700-the-figure-at-the-top-of-this-beautifully-carved-ivory-hilt-is-an-iconic-nepalese-representation-of-garuda-a-popular-divinity-associated-with-the-hindu-god-vishnu-from-at-least-the-sixth-century-garuda-was-depicted-as-a-handsome-man-with-wings-resting-on-one-knee-and-with-hands-clasped-in-prayer-museum-metropolitan-museum-of-art-new-york-usa-image213147727.htmlRMPANM2R–Dagger with Sheath. Culture: Nepalese. Dimensions: L. with sheath 15 3/4 in. (40 cm); L. without sheath 12 3/4 in. (32.4 cm); W. 1 1/4 in. (3.2 cm); Wt. 6 oz. (170.1 g); Wt. of sheath 3.3 oz. (93.6 g). Date: ca. 1650-1700. The figure at the top of this beautifully carved ivory hilt is an iconic Nepalese representation of Garuda, a popular divinity associated with the Hindu god Vishnu. From at least the sixth century, Garuda was depicted as a handsome man with wings, resting on one knee and with hands clasped in prayer. Museum: Metropolitan Museum of Art, New York, USA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654717.htmlRFMW8BE5–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
'Balarama and Krishna Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: Image: H. 12 in. (30.5 cm) W. 7 3/4 in. (19.7 cm) Page: H. 13 3/4 in. (34.9 cm) W. 9 1/8 in. (23.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1590-95. The Harivamsa recounts the story of Krishna, one of the incarnations of the Hindu god Vishnu. In this battle scene, Krishna, dressed in yellow and holding his discus, stands atop a mountain. Carrying his own attributes of the plow and pestle, Krishna's older brother Balarama strikes a soldier of the oppos Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/balarama-and-krishna-fighting-the-enemy-folio-from-a-harivamsa-the-legend-of-hari-krishna-dimensions-image-h-12-in-305-cm-w-7-34-in-197-cm-page-h-13-34-in-349-cm-w-9-18-in-232-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ca-1590-95-the-harivamsa-recounts-the-story-of-krishna-one-of-the-incarnations-of-the-hindu-god-vishnu-in-this-battle-scene-krishna-dressed-in-yellow-and-holding-his-discus-stands-atop-a-mountain-carrying-his-own-attributes-of-the-plow-and-pestle-krishnas-older-brother-balarama-strikes-a-soldier-of-the-oppos-image212901183.htmlRMPAADHK–'Balarama and Krishna Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: Image: H. 12 in. (30.5 cm) W. 7 3/4 in. (19.7 cm) Page: H. 13 3/4 in. (34.9 cm) W. 9 1/8 in. (23.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1590-95. The Harivamsa recounts the story of Krishna, one of the incarnations of the Hindu god Vishnu. In this battle scene, Krishna, dressed in yellow and holding his discus, stands atop a mountain. Carrying his own attributes of the plow and pestle, Krishna's older brother Balarama strikes a soldier of the oppos
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199570.htmlRFPRTE8J–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
'Krishna and Balarma Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: Image: H. 12 in. (30.5 cm) W. 7 3/4 in. (19.7 cm) Page: H. 13 3/4 in. (34.9 cm) W. 9 1/8 in. (23.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1590-95. A flurry of warriors clash in this epic scene from the Persian translation of the Hindu classic, the Harivamsa. Krishna, on the left, stands in a chariot and is about to release an arrow. His arrow is intended for a soldier in black and gold armour who stands in a chariot, wielding a shield and sword. Kris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-balarma-fighting-the-enemy-folio-from-a-harivamsa-the-legend-of-hari-krishna-dimensions-image-h-12-in-305-cm-w-7-34-in-197-cm-page-h-13-34-in-349-cm-w-9-18-in-232-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-ca-1590-95-a-flurry-of-warriors-clash-in-this-epic-scene-from-the-persian-translation-of-the-hindu-classic-the-harivamsa-krishna-on-the-left-stands-in-a-chariot-and-is-about-to-release-an-arrow-his-arrow-is-intended-for-a-soldier-in-black-and-gold-armour-who-stands-in-a-chariot-wielding-a-shield-and-sword-kris-image212875962.htmlRMPA99CX–'Krishna and Balarma Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)). Dimensions: Image: H. 12 in. (30.5 cm) W. 7 3/4 in. (19.7 cm) Page: H. 13 3/4 in. (34.9 cm) W. 9 1/8 in. (23.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: ca. 1590-95. A flurry of warriors clash in this epic scene from the Persian translation of the Hindu classic, the Harivamsa. Krishna, on the left, stands in a chariot and is about to release an arrow. His arrow is intended for a soldier in black and gold armour who stands in a chariot, wielding a shield and sword. Kris
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199573.htmlRFPRTE8N–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
ELEFANTE DE BRONCE FUNDIDO SOBRE RUEDAS (INDIA). Location: PRIVATE COLLECTION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elefante-de-bronce-fundido-sobre-ruedas-india-location-private-collection-madrid-spain-image226539956.htmlRMR4FP0M–ELEFANTE DE BRONCE FUNDIDO SOBRE RUEDAS (INDIA). Location: PRIVATE COLLECTION. MADRID. SPAIN.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654453.htmlRFMW8B4N–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
BUDA DE ORO. Location: TEMPLO, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buda-de-oro-location-templo-bangkok-tailandia-image209350385.htmlRMP4GMFD–BUDA DE ORO. Location: TEMPLO, BANGKOK, TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199540.htmlRFPRTE7G–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
BUDA DE ORO. Location: TEMPLO, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buda-de-oro-location-templo-bangkok-tailandia-image209416761.htmlRMP4KN61–BUDA DE ORO. Location: TEMPLO, BANGKOK, TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199562.htmlRFPRTE8A–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
TEMPLO PRSART PHRA DEBIDORN - DETALLE DE LA DECORACION. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-prsart-phra-debidorn-detalle-de-la-decoracion-location-gran-palacio-real-bangkok-tailandia-image209331911.htmlRMP4FTYK–TEMPLO PRSART PHRA DEBIDORN - DETALLE DE LA DECORACION. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654530.htmlRFMW8B7E–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
TEMPLO BUDA E.-EXTER-FIGURAS DE GARUDA PARECEN SOSTENER EL TEMPLO. Location: GRAN PALACIO REAL. TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-buda-e-exter-figuras-de-garuda-parecen-sostener-el-templo-location-gran-palacio-real-tailandia-image231210957.htmlRMRC4FX5–TEMPLO BUDA E.-EXTER-FIGURAS DE GARUDA PARECEN SOSTENER EL TEMPLO. Location: GRAN PALACIO REAL. TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199548.htmlRFPRTE7T–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
TEMPLO DEL BUDA DE ESMERALDA - FIGURAS DE GARUDA QUE PARECEN SOSTENER EL TEMPLO - SIGLO XVIII. Location: GRAN PALACIO REAL. TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-del-buda-de-esmeralda-figuras-de-garuda-que-parecen-sostener-el-templo-siglo-xviii-location-gran-palacio-real-tailandia-image231179672.htmlRMRC340T–TEMPLO DEL BUDA DE ESMERALDA - FIGURAS DE GARUDA QUE PARECEN SOSTENER EL TEMPLO - SIGLO XVIII. Location: GRAN PALACIO REAL. TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654652.htmlRFMW8BBT–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
Mace (Gada). Culture: Indo-Persian. Dimensions: L. 26 in. (66 cm); wt. 7 lb 0.7 oz (3.194 g). Date: 17th century. This mace, or gada, is extremely top-heavy, so much that it would be impossible to use effectively as a weapon. It is perfectly weighted, however, for gada-yuddha, or mace training, a form of exercise and a martial art known in India for centuries and still practiced there today. Its beautiful workmanship and lavish decoration would have made it a fine training implement for a Hindu prince. Compare this mace, weighing just over 7 pounds, with another mace in the collection (36.25. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mace-gada-culture-indo-persian-dimensions-l-26-in-66-cm-wt-7-lb-07-oz-3194-g-date-17th-century-this-mace-or-gada-is-extremely-top-heavy-so-much-that-it-would-be-impossible-to-use-effectively-as-a-weapon-it-is-perfectly-weighted-however-for-gada-yuddha-or-mace-training-a-form-of-exercise-and-a-martial-art-known-in-india-for-centuries-and-still-practiced-there-today-its-beautiful-workmanship-and-lavish-decoration-would-have-made-it-a-fine-training-implement-for-a-hindu-prince-compare-this-mace-weighing-just-over-7-pounds-with-another-mace-in-the-collection-3625-image213503141.htmlRMPB9WC5–Mace (Gada). Culture: Indo-Persian. Dimensions: L. 26 in. (66 cm); wt. 7 lb 0.7 oz (3.194 g). Date: 17th century. This mace, or gada, is extremely top-heavy, so much that it would be impossible to use effectively as a weapon. It is perfectly weighted, however, for gada-yuddha, or mace training, a form of exercise and a martial art known in India for centuries and still practiced there today. Its beautiful workmanship and lavish decoration would have made it a fine training implement for a Hindu prince. Compare this mace, weighing just over 7 pounds, with another mace in the collection (36.25.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654471.htmlRFMW8B5B–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
Aizen Myoo. Culture: Japan. Dimensions: 53 5/16 x 32 7/16 in. (135.4 x 82.4 cm). Date: 14th century. The blood-red body and flaming halo of Aizen Myoo, the Wisdom King of Passion, symbolize how, in Buddhist practice, the violent energies of carnality and desire can be converted in the pursuit of enlightenment. Aizen Myoo is the embodiment of rage: his hair stands on end, a snarling lion rises from his head, and his six arms brandish Esoteric Buddhist weapons and other emblems of power. The bow and arrow in his middle hands are attributes appropriated from Kama, the Hindu god of love. In contr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aizen-myoo-culture-japan-dimensions-53-516-x-32-716-in-1354-x-824-cm-date-14th-century-the-blood-red-body-and-flaming-halo-of-aizen-myoo-the-wisdom-king-of-passion-symbolize-how-in-buddhist-practice-the-violent-energies-of-carnality-and-desire-can-be-converted-in-the-pursuit-of-enlightenment-aizen-myoo-is-the-embodiment-of-rage-his-hair-stands-on-end-a-snarling-lion-rises-from-his-head-and-his-six-arms-brandish-esoteric-buddhist-weapons-and-other-emblems-of-power-the-bow-and-arrow-in-his-middle-hands-are-attributes-appropriated-from-kama-the-hindu-god-of-love-in-contr-image213326850.htmlRMPB1TG2–Aizen Myoo. Culture: Japan. Dimensions: 53 5/16 x 32 7/16 in. (135.4 x 82.4 cm). Date: 14th century. The blood-red body and flaming halo of Aizen Myoo, the Wisdom King of Passion, symbolize how, in Buddhist practice, the violent energies of carnality and desire can be converted in the pursuit of enlightenment. Aizen Myoo is the embodiment of rage: his hair stands on end, a snarling lion rises from his head, and his six arms brandish Esoteric Buddhist weapons and other emblems of power. The bow and arrow in his middle hands are attributes appropriated from Kama, the Hindu god of love. In contr
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199567.htmlRFPRTE8F–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
STUPA CONSTRUIDA BAJO EL DOMINIO LIVACHI-TORRECILLA DORADA. Location: STUPA DE BODHNATH, KATMANDU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stupa-construida-bajo-el-dominio-livachi-torrecilla-dorada-location-stupa-de-bodhnath-katmandu-image211467422.htmlRMP814RX–STUPA CONSTRUIDA BAJO EL DOMINIO LIVACHI-TORRECILLA DORADA. Location: STUPA DE BODHNATH, KATMANDU.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654703.htmlRFMW8BDK–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
STUPA-BOVEDA Y TORRECILLA DORADA-OJOS DE BUDA-BANDERINES. Location: TEMPLO SWAYAMBHUNATH. KATMANDU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stupa-boveda-y-torrecilla-dorada-ojos-de-buda-banderines-location-templo-swayambhunath-katmandu-image353431599.htmlRM2BF05H3–STUPA-BOVEDA Y TORRECILLA DORADA-OJOS DE BUDA-BANDERINES. Location: TEMPLO SWAYAMBHUNATH. KATMANDU.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199565.htmlRFPRTE8D–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
DETALLE SUPERIOR - TORRECILLA CONICA DE LA BOVEDA-ADORNADA CON BANDERAS - OJOS DE BUDA. Location: STUPA DE BODHNATH, KATMANDU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detalle-superior-torrecilla-conica-de-la-boveda-adornada-con-banderas-ojos-de-buda-location-stupa-de-bodhnath-katmandu-image211467420.htmlRMP814RT–DETALLE SUPERIOR - TORRECILLA CONICA DE LA BOVEDA-ADORNADA CON BANDERAS - OJOS DE BUDA. Location: STUPA DE BODHNATH, KATMANDU.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image221199552.htmlRFPRTE80–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
TEMPLO PRSART DEBIDORN-COLUMNA DECORADA CON MOSAICO. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-prsart-debidorn-columna-decorada-con-mosaico-location-gran-palacio-real-bangkok-tailandia-image209321092.htmlRMP4FB58–TEMPLO PRSART DEBIDORN-COLUMNA DECORADA CON MOSAICO. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA.
Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thai-jeweler-handles-the-jewelry-and-precious-stones-in-the-workshop-the-process-of-jewelry-making-close-up-image187654472.htmlRFMW8B5C–Thai jeweler, handles the jewelry and precious stones in the workshop, the process of jewelry making ,close-up
TEMPLO PRSART DEBIDORN-COLUMNATA DE MOSAICOS Y TALLAS DORADAS. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-prsart-debidorn-columnata-de-mosaicos-y-tallas-doradas-location-gran-palacio-real-bangkok-tailandia-image209311284.htmlRMP4EXK0–TEMPLO PRSART DEBIDORN-COLUMNATA DE MOSAICOS Y TALLAS DORADAS. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA.
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TEMPLO PRSART PHRA DEBIDORN - ESTATUA DE CENTINELA. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/templo-prsart-phra-debidorn-estatua-de-centinela-location-gran-palacio-real-bangkok-tailandia-image209311287.htmlRMP4EXK3–TEMPLO PRSART PHRA DEBIDORN - ESTATUA DE CENTINELA. Location: GRAN PALACIO REAL, BANGKOK, TAILANDIA.
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Exhibition of native gold nuggets, proceeding from the mines discovered on the banks of the river Kaap (province of Natal). Durban. South Africa. Engraving of 'The Spanish and American Illustration' (1886). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exhibition-of-native-gold-nuggets-proceeding-from-the-mines-discovered-on-the-banks-of-the-river-kaap-province-of-natal-durban-south-africa-engraving-of-the-spanish-and-american-illustration-1886-image231210549.htmlRMRC4FBH–Exhibition of native gold nuggets, proceeding from the mines discovered on the banks of the river Kaap (province of Natal). Durban. South Africa. Engraving of 'The Spanish and American Illustration' (1886).
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