RM2WR94DP–Portrait of Johann Bugenhagen, print maker: anonymous, after design by: Lucas Cranach (II), 1525 - 1586, paper, height 334 mm × width 213 mm, print
RMPMD77X–Cairo street [or Mosque, Sultan Hassan]. Date/Period: 1897. Painting,oil on canvas, mounted on paperboard. Height: 334 mm (13.14 in); Width: 171 mm (6.73 in). Author: Arthur Streeton.
RF2HKE1K1–Inspired by Portrait of two unknown women, identified as Countess Jermyn and Miss Anson, with border decoration, England, 1858, paper, albumen print, height 123 mm × width 96 mm, height 334 mm × width 243 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMMWFYR7–. English: The junction of the Karapiro Stream and Waikato River Maker Role Date von Tempsky, Gustavus painter circa 1864 Medium Summary watercolour Materials watercolour, paper Dimensions Image 338 (Height) x 488 (Length) mm Support 338 (Height) x 488 (Length) mm Classification watercolours, landscapes Registration Number 1977-0003-1 Credit Line Purchased 1977 with Ellen Eames Collection funds and assistance from a Special Government Grant . circa 1860. Gustavus von Tempsky 334 KarapiroStream-WaikatoRiver
RM2WR71HC–Puttenberg Castle in Beert, print maker: Jean Théodore Joseph Linnig, 1853, paper, etching, drypoint, height 334 mm × width 393 mm, print
RMPNDDP9–Near Sorrento. Date/Period: 1863. Painting. Watercolour and bodycolour on paper. Width: 334 mm. Height: 249 mm. Author: JOHN BRETT.
RF2HKCH8G–Inspired by El Arco of the church Santa Maria in Burgos, Spain, El Arco of the church Santa Maria in Burgos, Spain., Juan Laurent, Madrid, c. 1850 - c. 1900, paper, albumen print, height 334 mm × width 249 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WR70DM–Cordoba-Capilla del Rey Don Fernando, Juan Laurent, c. 1857 - c. 1880, albumen print, height 334 mm × width 250 mm, photograph
RMPNCF3F–Juliette Gordon Low. Date/Period: 1887. Painting. Oil on canvas. Height: 1,334 mm (52.51 in); Width: 965 mm (37.99 in). Author: EDWARD HUGHES.
RM2JE2R1J–Portrait of Diether von Isenburg, Archbishop of Mainz, Numbered top right: dccxiiii., print maker: anonymous, 1544 - 1650, paper, letterpress printing, height 334 mm × width 210 mm
RF2HKE2WW–Inspired by View of the green house in Sebastopol during the Crimean War, La Maison Verte, Sebastopol, Durand-Brager & Lassimonne, Bisson Frères, Sebastopol, Sebastopol, publisher: London, printer: Paris, 1855 - 1856, paper, albumen print, height 334 mm × width 382 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNDNE1–George Catlin. Date/Period: 1849. Painting. Oil on canvas. Height: 1,588 mm (62.51 in); Width: 1,334 mm (52.51 in). Author: William Fisk.
RM2JDYACW–Portrait of Diether von Isenburg, Archbishop of Mainz, Numbered top right: dccxiiii., print maker: anonymous, 1544 - 1650, paper, letterpress printing, height 334 mm × width 210 mm
RF2HM011W–Art inspired by Portrait of two unknown women, identified as Countess Jermyn and Miss Anson, with border decoration, England, 1858, paper, cardboard, albumen print, height 123 mm × width 96 mm, height 334 mm × width 243 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPMD7C4–Malham Cove. Date/Period: Ca. 1911. Painting. Oil on canvas. Height: 1,334 mm (52.51 in); Width: 1,925 mm (75.78 in). Author: Arthur Streeton. ARTHUR ERNEST STREETON.
RM2JDYMJE–Cross section and plan of the Noorderkerk, Architectura moderna ofte Bouwinge van onsen tyt (series title), Plate IX., print maker: anonymous, after design by: Hendrick de Keyser (I), publisher: Cornelis Danckerts (I), Amsterdam, 1631, paper, engraving, height 334 mm × width 223 mm
RF2HKY4YH–Art inspired by El Arco of the church Santa Maria in Burgos, Spain, El Arco of the church Santa Maria in Burgos, Spain., Juan Laurent, Madrid, c. 1850 - c. 1900, paper, albumen print, height 334 mm × width 249 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPNBF1N–The Dead Christ with Angels. Date/Period: Ca. 1524 - 1527. Painting. Oil on panel. Height: 1,334 mm (52.51 in); Width: 1,041 mm (40.98 in). Author: Rosso Fiorentino (Giovanni Battista di Jacopo).
RM2JE3GBG–Cross section and plan of the Noorderkerk, Architectura moderna ofte Bouwinge van onsen tyt (series title), Plate IX., print maker: anonymous, after design by: Hendrick de Keyser (I), publisher: Cornelis Danckerts (I), Amsterdam, 1631, paper, engraving, height 334 mm × width 223 mm
RF2HKJ1EC–Inspired by Sofie de Vries-Dalberg, Willem Witsen, Amsterdam, c. 1860 - c. 1915, paper, gelatin silver print, height 312 mm × width 207 mmheight 505 mm × width 334 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPNCB0X–He Cast a Look and Went Mad. Date/Period: 1910. Painting. Oil on canvas Oil on canvas. Height: 1,092 mm (42.99 in); Width: 1,334 mm (52.51 in). Author: Maurycy Minkowski. Minkowski, Maurycy.
RM2JE2TDG–Three Jewish men reading around a table, A difficult place from the talmud (title on object), Three men in hats are seated around a table with a number of books on it. In the background, a closet door is open., print maker: Smeeton-Tilly, (mentioned on object), after design by: Meijer Isaäc de Haan, (mentioned on object), Paris, 1878, paper, height 334 mm × width 502 mm
RF2HKJ4A3–Inspired by Mountainous landscape in Spain, draughtsman: Cornelis Apostool, 1772 - 1844, paper, ink, pen, brush, height 423 mm × width 334 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRFDDAH–Valentine rescuing Silvia from Proteus, from Shakespeare's 'The Two Gentlemen of Verona,' Act V, Scene 4, the Outlaws' Cave. Date/Period: 1792. Painting. Oil on canvas. Height: 1,664 mm (65.51 in); Width: 1,334 mm (52.51 in). Author: Francis Wheatley.
RM2JDYB9B–Three Jewish men reading around a table, A difficult place from the talmud (title on object), Three men in hats are seated around a table with a number of books on it. In the background, a closet door is open., print maker: Smeeton-Tilly, (mentioned on object), after design by: Meijer Isaäc de Haan, (mentioned on object), Paris, 1878, paper, height 334 mm × width 502 mm
RF2HKHY97–Inspired by Hunters around a shot moose, Moose Hunting. The Death, William Notman, Canada, 1866, paper, albumen print, height 99 mm × width 128 mmheight 228 mm × width 334 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2JE3GGX–Sculpture of the Nile, Sculpture of the river god the Nile with as attributes a horn with fruits, a sphinx, crocodiles and little boys. Surrounding the scene is a frame with representations of crocodiles, hippos, oxen and small men in boats. The print is part of an album., print maker: Nicolas Beatrizet, after sculpture by: anonymous, publisher: Antonio Lafreri, (mentioned on object), print maker: Italy, after sculpture by: Italy, publisher: Rome, 1525 - 1565, paper, engraving, etching, height 334 mm × width 537 mm
RF2HKE2KB–Inspired by Street view with flags in Yokohama, Theatre street at Yokohama, Yokohama, 1855 - 1890, paper, albumen print, height 208 mm × width 270 mmheight 257 mm × width 334 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2JDYN27–Sculpture of the Nile, Sculpture of the river god the Nile with as attributes a horn with fruits, a sphinx, crocodiles and little boys. Surrounding the scene is a frame with representations of crocodiles, hippos, oxen and small men in boats. The print is part of an album., print maker: Nicolas Beatrizet, after sculpture by: anonymous, publisher: Antonio Lafreri, (mentioned on object), print maker: Italy, after sculpture by: Italy, publisher: Rome, 1525 - 1565, paper, engraving, etching, height 334 mm × width 537 mm
RF2HM1BAM–Art inspired by Mountainous landscape in Spain, draughtsman: Cornelis Apostool, 1772 - 1844, paper, ink, pen, brush, height 423 mm × width 334 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2JE3CH3–Thermes of Antoninus at Carthage, Thermae Antoninianae / Thermarum antonin. vestigia (title on object), Stone wall showing two representations. Above a reconstruction of the baths of Antoninus at Carthage. Below, a representation of the ruins of the baths. Two figures on the right are looking at the images. On the left, a portrait medallion of Antoninus Pius. Numbered lower left Pag. 2 54 1., print maker: anonymous, after print by: Jan Goeree, Netherlands, 1675 - 1725, paper, etching, engraving, height 334 mm × width 206 mm
RF2HM01B0–Art inspired by Street view with flags in Yokohama, Theatre street at Yokohama, Yokohama, 1855 - 1890, paper, cardboard, albumen print, height 208 mm × width 270 mmheight 257 mm × width 334 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2JDYK63–Thermes of Antoninus at Carthage, Thermae Antoninianae / Thermarum antonin. vestigia (title on object), Stone wall showing two representations. Above a reconstruction of the baths of Antoninus at Carthage. Below, a representation of the ruins of the baths. Two figures on the right are looking at the images. On the left, a portrait medallion of Antoninus Pius. Numbered lower left Pag. 2 54 1., print maker: anonymous, after print by: Jan Goeree, Netherlands, 1675 - 1725, paper, etching, engraving, height 334 mm × width 206 mm
RF2HM18R1–Art inspired by Hunters around a shot moose, Moose Hunting. The Death, William Notman, Canada, 1866, paper, cardboard, albumen print, height 99 mm × width 128 mmheight 228 mm × width 334 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WR8D2F–Armchair, chair and table, An armchair, chair and rectangular table., print maker: anonymous, France, 1800 - 1900, paper, height 334 mm × width 262 mm, print
RF2HKWWBE–Art inspired by Album sheet with various representations, Album sheet with 6 cut-out representations from mainly folk prints, of, among others, soldiers firing a cannon, a crowd in the street, a scholar in his study and children playing., print maker: Alexander Cranendoncq, Nijmegen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WR6W3K–Sculpture (bust) of Faustina, Museo Vaticano, Libreria Spithöver, c. 1850 - c. 1870, paper, albumen print, height 334 mm × width 228 mm, photograph
RM2X6XJ96–Sculpture (bust) of Faustina, Museo Vaticano, photograph, Libreria Spithöver, c. 1850 - c. 1870, paper, albumen print, height, 334 mm × width, 228 mm
RF2HK9YHT–Inspired by Album sheet with various representations, Album sheet with 6 cut-out representations from mainly folk prints, of, among others, soldiers firing a cannon, a crowd in the street, a scholar in his study and children playing., print maker: Alexander Cranendoncq, Nijmegen, 1814 - 1869, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2X6Y1ND–Perspective Exercises, Sheet with exercises in the perspective of semicircles. With inscription., drawing, draughtsman: Jan Brandes, Skälsebo, 1787 - 1808, paper, pen, height, 334 mm × width, 411 mm
RM2WR976D–Portrait of Anne Farquharson-MacKintosh, print maker: James McArdell, after painting by: Allan Ramsay, London, c. 1745 - 1765, paper, height 334 mm × width 225 mm, print
RF2HKWW7X–Art inspired by Album page with various representations, Album page with 9 cut-out representations from mainly folk prints, including of a stone cutter, a farmer trying to catch mice, a volcano and a picnicking family., print maker: Alexander Cranendoncq, print maker: unknown, print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WR70DA–View of the Merligenstrasse along Lake Thun, Switzerland, Merligenstrasse (title on object), Giorgio Sommer, Thunersee, 1857 - 1914, cardboard, albumen print, height 334 mm × width 450 mm, photograph
RF2HK9YHN–Inspired by Album page with various representations, Album page with 9 cut-out representations from mainly folk prints, including of a stone cutter, a farmer trying to catch mice, a volcano and a picnicking family., print maker: Alexander Cranendoncq, print maker: unknown, print maker: Nijmegen, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WR82R5–Venice seen from the water, print maker: Carel Nicolaas Storm van 's-Gravesande, (signed by artist), 1851 - 1924, paper, drypoint, height 334 mm × width 491 mm, print
RF2HK9YJ4–Inspired by Album sheet with various representations, Album sheet with 6 cut-out representations from mainly folk prints, of, among others, a group of men around a dead camel, Hugo de Groot climbing into the book chest and a boy giving food to a beggar., print maker: Alexander Cranendoncq, Nijmegen, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WR7N04–Portrait of W. Hoezoo, W. Hoezoo (title on object), print maker: Hendrik Ringeling, after design by: Hendrik Ringeling, Leiden, 1849, paper, height 334 mm × width 254 mm, print
RM2X6Y1RG–Self-portrait of Jan Brandes 1806, Self-portrait of Jan Brandes in 1806. Bust with cap and white collar., drawing, draughtsman: Jan Brandes, Skälsebo, 1806, paper, height, 334 mm × width, 287 mm
RF2HKWW7F–Art inspired by Album sheet with various representations, Album sheet with 6 cut-out representations from mainly folk prints, of, among others, a group of men around a dead camel, Hugo de Groot climbing into the book chest and a boy giving food to a beggar., print maker: Alexander, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WRAC3B–Portrait of Georg Ernst von Melvill, print maker: Christian Fritzsch, Karel Frederik (hertog van Schleswig-Holstein-Gottorp), Schiffbeck, 1742 - 1769, paper, engraving, height 334 mm × width 216 mm, print
RM2WR7XE3–Portrait of Moritz Damian Marschall von Bieberstein, print maker: Jakob Wilhelm Heckenauer, after drawing by: Andreas Schlüter, Berlin, 22-Jan-1702 - 1738, paper, engraving, height 334 mm × width 211 mm, print
RF2HKY5NM–Art inspired by Poets' Corner, Westminster Abbey, London, England, Westminster Abbey is a church built primarily in the Gothic style. Poets' Corner is the name of a section in the church where many poets and (stage), writers are buried or commemorated by memorials., Stereoscopic Co., c, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2WR97XM–Portrait of Christopher Walters Stockdale Esqr., print maker: John Smith (prentmaker/ uitgever), after painting by: Gottfried Kneller, publisher: John Smith (prentmaker/ uitgever), 1693 - 1742, paper, height 334 mm × width 247 mm, print
RF2HKCK2N–Inspired by Poets' Corner, Westminster Abbey, London, England, Westminster Abbey is a church built primarily in the Gothic style. Poets' Corner is the name of a section in the church where many poets and (stage), writers are buried or commemorated by memorials., Stereoscopic Co., c. 1875 - c. 1900, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WR7FTN–Portraits of the kings Pepin and Carloman, print maker: Dominique Sornique, (attributed to), publisher: Pierre François Giffart, publisher: Julien-Michel Gandouin, Paris, 1729 - 1733, paper, engraving, etching, height 334 mm × width 190 mm, print
RM2HB7JA8–Portrait of two unknown women, identified as Countess Jermyn and Miss Anson, with border decoration, anonymous, England, 1858, paper, cardboard, albumen print, height 123 mm × width 96 mm, height 334 mm × width 243 mm
RF2HKWW17–Art inspired by Capture of Tournai, 1581, Prise de Tournay, Guerres de Flandres (series title), Siege and capture of Tournai by the army of the Duke of Parma, 29 November 1581. Front right, the Duke of Parma stands miraculously unharmed among the ruins of a building. Bottom center, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2X704KW–Shepherds with flock in a landscape with bridge, Le Matin, print, print maker: Jacques-Philippe Le Bas, after design by: Nicolaes Pietersz Berchem, (mentioned on object), 1741, paper, etching, height, 334 mm × width, 450 mm
RM2WR7N0J–Portrait of N. Graafland, N. Graafland (title on object), print maker: Hendrik Ringeling, after design by: Hendrik Ringeling, Leiden, 1849, paper, height 288 mm × width 212 mm, height 334 mm × width 253 mm, print
RF2HK9YAT–Inspired by Capture of Tournai, 1581, Prise de Tournay, Guerres de Flandres, Siege and capture of Tournai by the army of the Duke of Parma, 29 November 1581. Front right, the Duke of Parma stands miraculously unharmed among the ruins of a building. Bottom center cartouche with the title and legend A-, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2WR8MX3–Hunter on horseback with hunting dogs blows a horn, print maker: Martin Elias Ridinger, after drawing by: Johann Elias Ridinger, publisher: Johann Elias Ridinger, 1740 - 1780, paper, etching, height 334 mm × width 252 mm, print
RM2X6XR0W–Portrait of Catherine of Braganza, Queen of England, print, print maker: Herman Hendrik de Quiter (I), (mentioned on object), after painting by: Peter Lely (Sir), (mentioned on object), 1662 - 1708, paper, height, 334 mm × width, 250 mm
RM2WR8GXG–Composition with four figures, possibly statues with Minerva, The figures are numbered from Fig. 1 to Fig. 4. The whole is numbered at the top right: TAB. VIII., print maker: anonymous, 1700 - 1799, paper, etching, engraving, height 334 mm × width 210 mm, print
RM2X6XTAH–Portrait of Georg Ernst von Melvill, print, print maker: Christian Fritzsch, (mentioned on object), Karel Frederik (hertog van Schleswig-Holstein-Gottorp), (mentioned on object), Schiffbeck, 1742 - 1769, paper, engraving, height, 334 mm × width, 216 mm
RM2WR7XD9–Portrait of Matthias Sebastian Lang with a cartouche underneath his kidney stone, print maker: Elias Hainzelmann, after painting by: Benjamin von Block, Johann Albert Ursinus, 14-Feb-1691 - 1693, paper, engraving, height 334 mm × width 239 mm, print
RM2WR72M0–Mercurius and Argus, Mercure & Argus (title on object), print maker: Jean Pelletier, after painting by: Adriaen van de Velde, publisher: Pierre Fouquet, Amsterdam, 1746 - 1780, paper, etching, engraving, height 334 mm × width 395 mm, print
RM2X700RF–Ream cover for 'Pro Patria IV super fyn fyn' paper, The ream cover contains 34 sheets with calligraphy and writing samples., print, print maker: anonymous, unknown, Veluwe, 1775 - 1800, paper, letterpress printing, height, 334 mm × width, 420 mm
RM2HB6RA2–El Arco of the church Santa Maria in Burgos, Spain, El Arco of the church Santa Maria in Burgos, Spain., Juan Laurent (mentioned on object), Madrid, c. 1850 - c. 1900, paper, albumen print, height 334 mm × width 249 mm
RM2X6YPF4–Man in an interior sitting by the window, moonlight. Night in Saint-Cloud (original title), The man in the print is probably the Danish poet Emanuel Goldstein., print, print maker: Edvard Munch, 1895, paper, etching, drypoint, height, 334 mm × width, 270 mm
RM2WRA6JR–Portrait of Nicolas-Joseph Dehesselle, S.G.M. The Hesselle, évèque de Namur (title on object), print maker: Adolphe François Pannemaker, after drawing by: Charles Baugniet, 1832 - 1900, paper, wood engraving, height 334 mm × width 255 mm, print
RM2WR7G0N–Overview of a meeting of the Order of the Waxing Moon, with a portrait of Jean Cossa below, print maker: Dominique Sornique, (attributed to), publisher: Pierre François Giffart, publisher: Julien-Michel Gandouin, Paris, 1729 - 1733, paper, engraving, etching, height 334 mm × width 195 mm, print
RM2X6XNR7–Overview of a meeting of the Order of the Waxing Moon, with a portrait of Jean Cossa below, print, print maker: Dominique Sornique, (attributed to), publisher: Pierre François Giffart, publisher: Julien-Michel Gandouin, Paris, 1729 - 1733, paper, engraving, etching, height, 334 mm × width, 195 mm
RM2WR9P7E–Sailor's family waits on the beach, L'attente du returns (title on object), print maker: Émilien Desmaisons, after design by: Jules David (1808-1892), printer: Benard Lemercier & Cie, Paris, 1838 - 1842, paper, height 334 mm × width 260 mm, print
RM2WRB5Y4–Venus protects Amor from the hunt, print maker: Etienne Fessard, print maker: Anne Claude Philippe Caylus, after drawing by: Bouchardon, print maker: France, print maker: France, publisher: Paris, 1724 - 1777, paper, etching, engraving, height 334 mm × width 265 mm, print
RM2WR7TJN–Portrait of Martin von Dunin, Archbishop of Gniezno and Poznan, Martin Dunin. Archevèque de Gnesnen et Posen. Légat du Saint Siège (title on object), print maker: Stephanie Péron, printer: Thierry frères, Paris, 1839, paper, height 334 mm × width 264 mm, print
RM2X6WNRP–Rebus, Sheet with a rebus, with 33 illustrations that replace words or parts of words. The message of the rebus: what good can wealth do to a man, when death comes he must already leave it., print, publisher: J. P. Bronstring, (mentioned on object), Purmerend, 1827 - 1832, paper, height, 334 mm × width, 315 mm
RM2WR78ND–Portrait of a young woman, La jeune femme. (title on object), print maker: Noël François Bertrand, after drawing by: Jules-Antoine Vauthier, publisher: Bance et Aumont, print maker: France, after drawing by: France, publisher: Paris, 1823, paper, height 334 mm × width 253 mm, print
RM2X6WKH9–Portrait of Frederik, Prince of the Netherlands, Portrait of Frederik. He's leaning against a cannon. In the bottom margin are name and titles., print, print maker: Claudio Linati, (mentioned on object), publisher: Frères Fietta, (mentioned on object), Brussels, (possibly), 1815 - c. 1829, paper, height, 334 mm × width, 253 mm
RM2WRAJ8N–View of Genoa, Vedute di Genova (title on object), Text in Italian in the margins. Thirteen performances from well-known locations in and around Genoa., print maker: Caroline Lose, publisher: Fratelli Bettalli, Milaan, 1794 - 1830, paper, engraving, height 334 mm × width 444 mm, print
RM2WR88DY–Dancing couple on dance floor, Amoroso (title on object), Incidents among the people (series title), Scènespopulars (series title on object), print maker: Edme Jean Pigal, printer: Pierre Langlumé, publisher: Gihaut et Martinet, Paris, 1824, paper, height 334 mm × width 240 mm, print
RM2X70031–Detail of the facade of the Rijksmuseum in Amsterdam, Detail Rijksmuseum westel. courtyard (title on object), photomechanical print, maker: anonymous, after design by: Pierre Joseph Hubert Cuypers, (mentioned on object), printer: Gerrit Jan Thieme, (mentioned on object), Arnhem, 1888, paper, photolithography, height, 334 mm × width, 226 mm
RM2X7041M–Portrait of Albrecht Dürer, Text in Latin in the bottom and top margins., print, print maker: Lucas Kilian, (mentioned on object), after drawing by: Hans Rottenhammer (I), (mentioned on object), after painting by: Albrecht Dürer, (mentioned on object), Augsburg, 1608, paper, engraving, height, 334 mm × width, 200 mm
RM2WR7HA2–Fishing boat on river by moonlight, Two fishermen in a rowing boat on a river. A house on the right of the quay., print maker: Jacobus Sörensen, after own design by: Jacobus Sörensen, printer: Meyer & Comp., Amsterdam, 1843 - 1856, paper, height 334 mm × width 452 mm, print
RM2X6XKD5–Mercurius and Argus, Mercure & Argus (title on object), print, print maker: Jean Pelletier, (mentioned on object), after painting by: Adriaen van de Velde, (mentioned on object), publisher: Pierre Fouquet, (mentioned on object), Amsterdam, 1746 - 1780, paper, etching, engraving, height, 334 mm × width, 395 mm
RM2X6YNE8–View of Venice, Vedute di Venezia (title on object), Text in Italian in the margins. Thirteen performances of famous Venetian locations., print, print maker: Caroline Lose, (mentioned on object), publisher: Fratelli Bettalli, (mentioned on object), Milaan, 1794 - 1837, paper, engraving, height, 334 mm × width, 445 mm
RM2WRAG13–Louis Anton of Bourbon on the battlefield of Trocadero, Angoulême (Louis-Antoine d'Artois, duc d') (title on object), print maker: Alphonse François, after painting by: Paul Delaroche, after drawing by: Girardet, print maker: France, publisher: Paris, 1838 - 1841, paper, steel engraving, height 334 mm × width 239 mm, print
RM2WR75HR–View of Thailand, Vuë de Siam avec divers Sortes des Ballons ou Vaisseaux chinoises a rame (title on object), publisher: Kaiserlich Franziskische Akademie, print maker: Franz Xaver Habermann, after drawing by: Johan Neuhof, Augsburg, 1755 - 1779, paper, etching, brush, height 334 mm × width 434 mm, print
RM2X6WHY4–Portrait of William III, Prince of Orange, Portrait of William III. He is standing behind a balustrade with a carpet on top. In his left hand a scepter. In the background a beret with feathers. In the bottom margin are name and title., print, print maker: Jacob Gole, Amsterdam, 1688 - 1724, paper, height, 334 mm × width, 251 mm
RM2X6YNEA–Vedute del Lago di Como, Text in Italian in the margins. Thirteen performances from well-known locations in and around Lake Como, print, print maker: Caroline Lose, (mentioned on object), publisher: Fratelli Bettalli, (mentioned on object), Milaan, 1794 - 1830, paper, engraving, height, 334 mm × width, 445 mm
RM2WRB3N7–Actress gets dressed for her performance, Alfred ma p'tite Minette, dépêche-toi! (...) (title on object), Les coulisses (series title), Behind the scenes (series title on object), print maker: Paul Gavarni, printer: Aubert & Cie., publisher: Aubert & Cie., Paris, 1838, paper, height 334 mm × width 239 mm, print
RM2X6Y1P6–The craton at Djocja (Mataram), The craton at Yogjakarta. Large area surrounded by a fence, for guards in sarong and with kris and lance and top hat. Center behind ceremony and stilt buildings., drawing, draughtsman: Jan Brandes, after drawing by: A. de Nelly, draughtsman: Batavia, after drawing by: Jogjakarta, 1779 - 1785, paper, brush, height, 334 mm × width, 508 mm
RM2WR88E3–Couple in wedding clothes, Le jour des nôces (title on object), Incidents from society (series title), Scènes de société (series title on object), print maker: Edme Jean Pigal, printer: Pierre Langlumé, publisher: Gihaut et Martinet, Paris, 1823, paper, height 334 mm × width 242 mm, print
RM2WR88DP–Couple is elegantly dressed for a visit, Le jour des visites (title on object), Incidents from society (series title), Scènes de société (series title on object), print maker: Edme Jean Pigal, printer: Pierre Langlumé, publisher: Gihaut et Martinet, Paris, 1823, paper, height 334 mm × width 241 mm, print
RM2WR8P79–Reproduction of a design for the expansion of the Roman Catholic Church. Almshouse in Roermond with a hospital wing, Extension of the Roman Catholic Almshouse in Roermond (title on object), Top left: Specification No. 199 sheet no. 8., maker: Joseph Theodorus Johannes Cuypers, 1911, paper, photolithography, height 334 mm × width 500 mm, photomechanical print
RM2WR75HW–View of a canal in Venice, Vuë de Venise quand on vient de la Cote de Mestre (title on object), publisher: Kaiserlich Franziskische Akademie, print maker: Franz Xaver Habermann, Jozef II (German Emperor), Augsburg, 1755 - 1779, paper, etching, brush, height 334 mm × width 435 mm, print
RM2X704N1–Three men with a dog in front of a knife grinder's house, La Conversation (title on object), print, print maker: Andrew Lawrence, (mentioned on object), after painting by: David Teniers (II), (mentioned on object), publisher: Pierre Rémy, (mentioned on object), Paris, 1742, paper, etching, engraving, height, 334 mm × width, 453 mm
RM2X70017–Doors of the theater in Amsterdam, The doors (title on object), Images of the theater in Amsterdam (series title), print, print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Harmanus Vinkeles, (mentioned on object), after design by: Jacob Eduard de Witte, (mentioned on object), Amsterdam, 1774, paper, etching, height, 334 mm × width, 510 mm
RM2X6XMCT–Portrait of a young woman, La jeune femme. (title on object), print, print maker: Noël François Bertrand, (mentioned on object), after drawing by: Jules-Antoine Vauthier, (mentioned on object), publisher: Bance et Aumont, (mentioned on object), print maker: France, after drawing by: France, publisher: Paris, 1823, paper, height, 334 mm × width, 253 mm
RM2X70015–Framework of the facade of the Amsterdam theater, Framework of the facade (title on object), Images of the Theater in Amsterdam (series title), print, print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Harmanus Vinkeles, (mentioned on object), after design by: Jacob Eduard de Witte, (mentioned on object), Amsterdam, 1774, paper, etching, height, 334 mm × width, 512 mm
RM2X6WJXP–Portrait of Henry Casimir II, Count of Nassau-Dietz, Portrait of Henry Casimir II in an oval. In the bottom margin are name and titles., print, print maker: Pieter Schenk (I), (mentioned on object), after painting by: Michiel van Musscher, publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1675 - 1711, paper, height, 334 mm × width, 247 mm
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