Height 269 mm hi-res stock photography and images

Isis, side view, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 269 mm, Width 195 mm, Draftsmanship, Drawing, European Stock Photo

RM2T8F3M8–Isis, side view, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 269 mm, Width 195 mm, Draftsmanship, Drawing, European

Inspired by Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKJ3XD–Inspired by Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Death of Lucretia. Date/Period: 1640. Red chalk, on brownish paper. Rötel, auf bräunlichem Papier. Height: 269 mm (10.59 in); Width: 184 mm (7.24 in). Author: Guercino (Giovanni Francesco Barbieri). Stock Photo

RMPNDH3D–Death of Lucretia. Date/Period: 1640. Red chalk, on brownish paper. Rötel, auf bräunlichem Papier. Height: 269 mm (10.59 in); Width: 184 mm (7.24 in). Author: Guercino (Giovanni Francesco Barbieri).

. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. GORGONIAN OCTOCORALS OF SOUTHERN AFRICA 269. Fig. 62. Trichogorgia flexilis Hickson, 1904. A. An entire colony, 90 mm in height. B. A single polyp 0,7 mm in length. C. Detail of a terminal branch 3,5 mm long. D. Polyp sclerites. Scale bar = 0,1 mm. Description The colonies examined range in length from 70 mm to 90 mm. Colonies are planar, branching is dichotomous, relatively sparse from a single basal stem. Polyps are densely arranged in two rows along each branch and are placed opposite or alternate Stock Photo

RMRMH1PK–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. GORGONIAN OCTOCORALS OF SOUTHERN AFRICA 269. Fig. 62. Trichogorgia flexilis Hickson, 1904. A. An entire colony, 90 mm in height. B. A single polyp 0,7 mm in length. C. Detail of a terminal branch 3,5 mm long. D. Polyp sclerites. Scale bar = 0,1 mm. Description The colonies examined range in length from 70 mm to 90 mm. Colonies are planar, branching is dichotomous, relatively sparse from a single basal stem. Polyps are densely arranged in two rows along each branch and are placed opposite or alternate

Old facade with gate, print maker: Armand Collard, 1888, paper, etching, drypoint, height 269 mm × width 205 mm, print Stock Photo

RM2WR7K6B–Old facade with gate, print maker: Armand Collard, 1888, paper, etching, drypoint, height 269 mm × width 205 mm, print

Art inspired by Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HM1B0A–Art inspired by Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Pyramides de Giseh, Travaux de M. Mariette, Porte de Granit Découverte à Gauche du Sphinx Excavations. Date/Period: December 1853. Print. Salted paper, from a calotype negative. Height: 269 mm (10.59 in); Width: 202 mm (7.95 in). Author: John Beasly Greene. Stock Photo

RMPNED30–Pyramides de Giseh, Travaux de M. Mariette, Porte de Granit Découverte à Gauche du Sphinx Excavations. Date/Period: December 1853. Print. Salted paper, from a calotype negative. Height: 269 mm (10.59 in); Width: 202 mm (7.95 in). Author: John Beasly Greene.

Landscape with river, print maker: Alfred Elsen, (signed by artist), 1860 - 1910, paper, etching, height 269 mm × width 200 mm, print Stock Photo

RM2WR7P9M–Landscape with river, print maker: Alfred Elsen, (signed by artist), 1860 - 1910, paper, etching, height 269 mm × width 200 mm, print

Inspired by Relief with Christ in Gethsemane, Europe, c. 1879 - c. 1900, albumen print, height 269 mm × width 210 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKBYFT–Inspired by Relief with Christ in Gethsemane, Europe, c. 1879 - c. 1900, albumen print, height 269 mm × width 210 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Martin Luther. Date/Period: Before 1626. Painting. Oil on canvas Oil. Height: 340 mm (13.38 in); Width: 269 mm (10.59 in). Author: British School. Stock Photo

RMPNDYMT–Martin Luther. Date/Period: Before 1626. Painting. Oil on canvas Oil. Height: 340 mm (13.38 in); Width: 269 mm (10.59 in). Author: British School.

Landscape with river, print maker: Alfred Elsen, (signed by artist), 1860 - 1910, paper, etching, height 269 mm × width 198 mm, print Stock Photo

RM2WR7P9X–Landscape with river, print maker: Alfred Elsen, (signed by artist), 1860 - 1910, paper, etching, height 269 mm × width 198 mm, print

Inspired by Temple of Venus at Baalbek, Temple Circular, Bonfils, Baalbek, 1850 - 1900, albumen print, height 269 mm × width 357 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD5PY–Inspired by Temple of Venus at Baalbek, Temple Circular, Bonfils, Baalbek, 1850 - 1900, albumen print, height 269 mm × width 357 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Porcupine. Date/Period: 1730s. Paper. Black and white crayon on blue paper. Height: 221 mm (8.70 in); Width: 269 mm (10.59 in). Author: Jean-Baptiste Oudry. Stock Photo

RMPNA135–Porcupine. Date/Period: 1730s. Paper. Black and white crayon on blue paper. Height: 221 mm (8.70 in); Width: 269 mm (10.59 in). Author: Jean-Baptiste Oudry.

Sacrifice of Gideon, print maker: anonymous, Low Countries, 1700 - 1799, paper, etching, engraving, height 269 mm × width 202 mm, print Stock Photo

RM2WR81JP–Sacrifice of Gideon, print maker: anonymous, Low Countries, 1700 - 1799, paper, etching, engraving, height 269 mm × width 202 mm, print

Inspired by Bridge over the Koningshaven in Rotterdam (Feijenoord), Johann Georg Hameter, Dordrecht, 1876, paper, collotype, height 269 mm × width 478 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKHWCW–Inspired by Bridge over the Koningshaven in Rotterdam (Feijenoord), Johann Georg Hameter, Dordrecht, 1876, paper, collotype, height 269 mm × width 478 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Mehmed Emin Aga Fountain. Date/Period: Late 19th century. Photograph. Albumen print on paper. Height: 254 mm (10 in); Width: 269 mm (10.59 in). Author: James Robertson. Stock Photo

RMRFJJ4M–Mehmed Emin Aga Fountain. Date/Period: Late 19th century. Photograph. Albumen print on paper. Height: 254 mm (10 in); Width: 269 mm (10.59 in). Author: James Robertson.

Manhood or Autumn, 1836, Drawing, Paper, Color, Graphite, Drawn, Height 269 mm, Width 251 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo

RM2T8F4PF–Manhood or Autumn, 1836, Drawing, Paper, Color, Graphite, Drawn, Height 269 mm, Width 251 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Inspired by View of the Valley of the Kings near Luxor, Vâlleé des tombeaux, Bonfils, Luxor, 1850 - 1900, albumen print, height 269 mm × width 356 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD5N9–Inspired by View of the Valley of the Kings near Luxor, Vâlleé des tombeaux, Bonfils, Luxor, 1850 - 1900, albumen print, height 269 mm × width 356 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of David Reyher, print maker: Christoph Weigel, Samuel Faber, 1667 - 1725, paper, height 269 mm × width 188 mm, print Stock Photo

RM2WRAED2–Portrait of David Reyher, print maker: Christoph Weigel, Samuel Faber, 1667 - 1725, paper, height 269 mm × width 188 mm, print

Inspired by Gate decorated with a relief showing Christ and Mary, Europe, c. 1875 - c. 1900, albumen print, height 269 mm × width 209 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD24Y–Inspired by Gate decorated with a relief showing Christ and Mary, Europe, c. 1875 - c. 1900, albumen print, height 269 mm × width 209 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm Stock Photo

RM2HB8X1W–Woman seated next to a small table, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, pencil, brush, height 269 mm × width 212 mm

Inspired by Hieroglyphs of the temple of Ramses III at Medinet Habou, Bonfils, Medinet Haboe, 1850 - 1900, albumen print, height 269 mm × width 357 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD5NA–Inspired by Hieroglyphs of the temple of Ramses III at Medinet Habou, Bonfils, Medinet Haboe, 1850 - 1900, albumen print, height 269 mm × width 357 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of Klaus Groth, print maker: August Weger, Leipzig, 1849 - 1892, paper, steel engraving, height 269 mm × width 200 mm, print Stock Photo

RM2WRADTG–Portrait of Klaus Groth, print maker: August Weger, Leipzig, 1849 - 1892, paper, steel engraving, height 269 mm × width 200 mm, print

Inspired by Two columns with relief, Gustave Eugène Chauffourier, Italy, c. 1860 - c. 1880, albumen print, height 269 mm × width 155 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKBRRF–Inspired by Two columns with relief, Gustave Eugène Chauffourier, Italy, c. 1860 - c. 1880, albumen print, height 269 mm × width 155 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of Kurt Christoph von Königsmarck, print maker: Matthäus Merian (II), 1631 - 1687, paper, engraving, height 269 mm, width 186 mm, print Stock Photo

RM2WRAB12–Portrait of Kurt Christoph von Königsmarck, print maker: Matthäus Merian (II), 1631 - 1687, paper, engraving, height 269 mm, width 186 mm, print

Inspired by Candelabrum with ram's heads and sphinxes, Gustave Eugène Chauffourier, Italy, c. 1875 - c. 1900, albumen print, height 269 mm × width 153 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKBRRG–Inspired by Candelabrum with ram's heads and sphinxes, Gustave Eugène Chauffourier, Italy, c. 1875 - c. 1900, albumen print, height 269 mm × width 153 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of Pier Antonio Micheli, print maker: M. Girau, 1800 - 1899, paper, etching, engraving, height 269 mm × width 181 mm, print Stock Photo

RM2WR9TN9–Portrait of Pier Antonio Micheli, print maker: M. Girau, 1800 - 1899, paper, etching, engraving, height 269 mm × width 181 mm, print

Inspired by Interior of a church (presumably) in Rome, Gustave Eugène Chauffourier, Rome, c. 1875 - c. 1900, albumen print, height 269 mm × width 346 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD2EP–Inspired by Interior of a church (presumably) in Rome, Gustave Eugène Chauffourier, Rome, c. 1875 - c. 1900, albumen print, height 269 mm × width 346 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

View of a forest in front of which a dog sits, print maker: Armand Collard, 1848 - 1909, paper, etching, height 269 mm × width 179 mm, print Stock Photo

RM2WR7K6C–View of a forest in front of which a dog sits, print maker: Armand Collard, 1848 - 1909, paper, etching, height 269 mm × width 179 mm, print

Inspired by Window of Palazzo Pitti in Florence, Palazzo Pitti Firenze, Florence, c. 1875 - c. 1900, albumen print, height 269 mm × width 217 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKBW2A–Inspired by Window of Palazzo Pitti in Florence, Palazzo Pitti Firenze, Florence, c. 1875 - c. 1900, albumen print, height 269 mm × width 217 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Kneeling Prelate Praying, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 269 mm, Width 203 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo

RM2T8F1KW–Kneeling Prelate Praying, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 269 mm, Width 203 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Inspired by View of a half-timbered house at Hildesheim, HILDESHEIM. - ROLANDSTIFT., Hildesheim, c. 1875 - c. 1900, paper, collotype, height 269 mm × width 207 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKC1C6–Inspired by View of a half-timbered house at Hildesheim, HILDESHEIM. - ROLANDSTIFT., Hildesheim, c. 1875 - c. 1900, paper, collotype, height 269 mm × width 207 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Boat launch, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 269 mm, Width 397 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo

RM2T8F1KY–Boat launch, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Chalk, Carbonpencil, Drawn, Height 269 mm, Width 397 mm, Draftsmanship, Drawing, European, Modernity (1800 - 1914

Inspired by Hieroglyphs of the Temple of Seti I at Abydos, Temple d'Abydos, facade (Egypt), Bonfils, Egypte, 1850 - 1900, albumen print, height 269 mm × width 256 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKD5N2–Inspired by Hieroglyphs of the Temple of Seti I at Abydos, Temple d'Abydos, facade (Egypt), Bonfils, Egypte, 1850 - 1900, albumen print, height 269 mm × width 256 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Niagara Falls, seen from Prospect Point, photograph, anonymous, Niagara Falls, 1851 - 1900, paper, albumen print, height, 244 mm × width, 194 mm, height, 269 mm × width, 213 mm Stock Photo

RM2X6YE5M–Niagara Falls, seen from Prospect Point, photograph, anonymous, Niagara Falls, 1851 - 1900, paper, albumen print, height, 244 mm × width, 194 mm, height, 269 mm × width, 213 mm

Inspired by Plant ornaments of the cathedral of Nevers, Nevers (Cathédrale), Séraphin-Médéric Mieusement, Nevers, c. 1875 - c. 1900, albumen print, height 269 mm × width 367 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKCFYD–Inspired by Plant ornaments of the cathedral of Nevers, Nevers (Cathédrale), Séraphin-Médéric Mieusement, Nevers, c. 1875 - c. 1900, albumen print, height 269 mm × width 367 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Two children and a woman near a staircase, photograph, Henry Pauw van Wieldrecht, (attributed to), 1896, photographic support, height, 224 mm × width, 169 mm, height, 269 mm × width, 199 mm Stock Photo

RM2X6Y864–Two children and a woman near a staircase, photograph, Henry Pauw van Wieldrecht, (attributed to), 1896, photographic support, height, 224 mm × width, 169 mm, height, 269 mm × width, 199 mm

Inspired by Mask of the head of Medusa, Medusa, publisher: Verlag für Kunst und Wissenschaft, Europe, publisher: München, 1897, paper, collotype, height 269 mm × width 257 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKCXB2–Inspired by Mask of the head of Medusa, Medusa, publisher: Verlag für Kunst und Wissenschaft, Europe, publisher: München, 1897, paper, collotype, height 269 mm × width 257 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of an unknown man, The man wears a hat and has sideburns., print maker: Martinus van Regteren Altena, 1876 - 1908, paper, etching, height 269 mm × width 174 mm Stock Photo

RM2JE04D6–Portrait of an unknown man, The man wears a hat and has sideburns., print maker: Martinus van Regteren Altena, 1876 - 1908, paper, etching, height 269 mm × width 174 mm

Inspired by Boy and a girl with a dog feeding a little bird, draughtsman: Jan Braet von Uberfeldt, 1817 - 1849, paper, ink, pen, brush, height 269 mm × width 218 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKJ6DN–Inspired by Boy and a girl with a dog feeding a little bird, draughtsman: Jan Braet von Uberfeldt, 1817 - 1849, paper, ink, pen, brush, height 269 mm × width 218 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JE1J73–Portrait of an unknown man, The man wears a hat and has sideburns., print maker: Martinus van Regteren Altena, 1876 - 1908, paper, etching, height 269 mm × width 174 mm

Inspired by Reproduction after painting by Willem Witsen of a portrait of a man, Willem Witsen, Netherlands, c. 1860 - c. 1915, paper, gelatin silver print, height 269 mm × width 205 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKJ2N9–Inspired by Reproduction after painting by Willem Witsen of a portrait of a man, Willem Witsen, Netherlands, c. 1860 - c. 1915, paper, gelatin silver print, height 269 mm × width 205 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDXR7N–Portrait of an unknown man, The man wears a hat and has sideburns., print maker: Martinus van Regteren Altena, 1876 - 1908, paper, etching, height 269 mm × width 174 mm

Inspired by Column in the reception hall at Fatehpur Sikri, Fatehpur Sikri, c. 1895 - c. 1915, paper, height 269 mm × width 212 mmheight 329 mm × width 244 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKC7R4–Inspired by Column in the reception hall at Fatehpur Sikri, Fatehpur Sikri, c. 1895 - c. 1915, paper, height 269 mm × width 212 mmheight 329 mm × width 244 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Scene from the Dacian Wars, Scene from the Dacian Wars after the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 450 mm Stock Photo

RM2JE01K6–Scene from the Dacian Wars, Scene from the Dacian Wars after the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 450 mm

Inspired by Photoreproduction of Laren woman by the cradle by Albert Neuhuys, Henri A. Fuik, after: Albert Neuhuys (1844-1914), The Hague, 1915 - 1950, baryta paper, gelatin silver print, height 269 mm × width 219 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKDJC3–Inspired by Photoreproduction of Laren woman by the cradle by Albert Neuhuys, Henri A. Fuik, after: Albert Neuhuys (1844-1914), The Hague, 1915 - 1950, baryta paper, gelatin silver print, height 269 mm × width 219 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JE1FJM–Scene from the Dacian Wars, Scene from the Dacian Wars after the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 450 mm

Art inspired by Relief with Christ in Gethsemane, Europe, c. 1879 - c. 1900, cardboard, albumen print, height 269 mm × width 210 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXTCT–Art inspired by Relief with Christ in Gethsemane, Europe, c. 1879 - c. 1900, cardboard, albumen print, height 269 mm × width 210 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JDXM0Y–Scene from the Dacian Wars, Scene from the Dacian Wars after the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 450 mm

Art inspired by Temple of Venus at Baalbek, Temple Circular, Bonfils, Baalbek, 1850 - 1900, cardboard, albumen print, height 269 mm × width 357 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYC9J–Art inspired by Temple of Venus at Baalbek, Temple Circular, Bonfils, Baalbek, 1850 - 1900, cardboard, albumen print, height 269 mm × width 357 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Portrait of artist Rosalba Carriera, Portraits of artists (series title), print maker: Giovanni Marco Pitteri, after drawing by: Giovanni Domenico Campiglia, after painting by: Rosalba Carriera, print maker: Italy, after drawing by: Italy, after painting by: Venice, 1752 - 1762, paper, engraving, height 269 mm × width 185 mm Stock Photo

RM2JE0MCP–Portrait of artist Rosalba Carriera, Portraits of artists (series title), print maker: Giovanni Marco Pitteri, after drawing by: Giovanni Domenico Campiglia, after painting by: Rosalba Carriera, print maker: Italy, after drawing by: Italy, after painting by: Venice, 1752 - 1762, paper, engraving, height 269 mm × width 185 mm

Art inspired by Bridge over the Koningshaven in Rotterdam (Feijenoord), Johann Georg Hameter, Dordrecht, 1876, paper, cardboard, collotype, height 269 mm × width 478 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HM1796–Art inspired by Bridge over the Koningshaven in Rotterdam (Feijenoord), Johann Georg Hameter, Dordrecht, 1876, paper, cardboard, collotype, height 269 mm × width 478 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE29RX–Portrait of artist Rosalba Carriera, Portraits of artists (series title), print maker: Giovanni Marco Pitteri, after drawing by: Giovanni Domenico Campiglia, after painting by: Rosalba Carriera, print maker: Italy, after drawing by: Italy, after painting by: Venice, 1752 - 1762, paper, engraving, height 269 mm × width 185 mm

Art inspired by Hieroglyphs of the temple of Ramses III at Medinet Habou, Bonfils, Medinet Haboe, 1850 - 1900, cardboard, albumen print, height 269 mm × width 357 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYC97–Art inspired by Hieroglyphs of the temple of Ramses III at Medinet Habou, Bonfils, Medinet Haboe, 1850 - 1900, cardboard, albumen print, height 269 mm × width 357 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JDY13C–Portrait of artist Rosalba Carriera, Portraits of artists (series title), print maker: Giovanni Marco Pitteri, after drawing by: Giovanni Domenico Campiglia, after painting by: Rosalba Carriera, print maker: Italy, after drawing by: Italy, after painting by: Venice, 1752 - 1762, paper, engraving, height 269 mm × width 185 mm

Art inspired by Two columns with relief, Gustave Eugène Chauffourier (attributed to), Italy, c. 1860 - c. 1880, photographic support, albumen print, height 269 mm × width 155 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXP46–Art inspired by Two columns with relief, Gustave Eugène Chauffourier (attributed to), Italy, c. 1860 - c. 1880, photographic support, albumen print, height 269 mm × width 155 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Scene from the Dacian Wars, Scene from the Dacian Wars with soldiers cutting down trees on the left and soldiers holding up their shields on the right. After the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 453 mm Stock Photo

RM2JE01K4–Scene from the Dacian Wars, Scene from the Dacian Wars with soldiers cutting down trees on the left and soldiers holding up their shields on the right. After the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 453 mm

Art inspired by View of the Valley of the Kings near Luxor, Vâlleé des tombeaux, Bonfils, Luxor, 1850 - 1900, cardboard, albumen print, height 269 mm × width 356 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYC8Y–Art inspired by View of the Valley of the Kings near Luxor, Vâlleé des tombeaux, Bonfils, Luxor, 1850 - 1900, cardboard, albumen print, height 269 mm × width 356 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE1FJC–Scene from the Dacian Wars, Scene from the Dacian Wars with soldiers cutting down trees on the left and soldiers holding up their shields on the right. After the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 453 mm

Art inspired by Gate decorated with a relief showing Christ and Mary, Europe, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 209 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYADW–Art inspired by Gate decorated with a relief showing Christ and Mary, Europe, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 209 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JDXM10–Scene from the Dacian Wars, Scene from the Dacian Wars with soldiers cutting down trees on the left and soldiers holding up their shields on the right. After the bas-relief on the Column of Trajan at Rome., print maker: Antonio Fantuzzi, (circle of), Fontainebleau, 1537 - 1550, paper, etching, height 269 mm × width 453 mm

Art inspired by Candelabrum with ram's heads and sphinxes, Gustave Eugène Chauffourier (attributed to), Italy, c. 1875 - c. 1900, photographic support, albumen print, height 269 mm × width 153 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXP4R–Art inspired by Candelabrum with ram's heads and sphinxes, Gustave Eugène Chauffourier (attributed to), Italy, c. 1875 - c. 1900, photographic support, albumen print, height 269 mm × width 153 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Portrait of Nicolaas Godfried van Kampen, N.G. van Kampen (title on object), Portrait bust of Nicolaas Godfried van Kampen, professor of history at Amsterdam. Under the portrait his signature., print maker: Johannes Philippus Lange, (mentioned on object), after painting by: Christiaan Julius Lodewijk Portman, (mentioned on object), 1820 - 1849, Material, steel engraving, height 269 mm × width 188 mm Stock Photo

RM2JDYCPB–Portrait of Nicolaas Godfried van Kampen, N.G. van Kampen (title on object), Portrait bust of Nicolaas Godfried van Kampen, professor of history at Amsterdam. Under the portrait his signature., print maker: Johannes Philippus Lange, (mentioned on object), after painting by: Christiaan Julius Lodewijk Portman, (mentioned on object), 1820 - 1849, Material, steel engraving, height 269 mm × width 188 mm

Art inspired by Window of Palazzo Pitti in Florence, Palazzo Pitti Firenze, Florence, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 217 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXPW6–Art inspired by Window of Palazzo Pitti in Florence, Palazzo Pitti Firenze, Florence, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 217 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE2YMH–Portrait of Nicolaas Godfried van Kampen, N.G. van Kampen (title on object), Portrait bust of Nicolaas Godfried van Kampen, professor of history at Amsterdam. Under the portrait his signature., print maker: Johannes Philippus Lange, (mentioned on object), after painting by: Christiaan Julius Lodewijk Portman, (mentioned on object), 1820 - 1849, Material, steel engraving, height 269 mm × width 188 mm

Art inspired by View of a half-timbered house at Hildesheim, HILDESHEIM. - ROLANDSTIFT., Hildesheim, c. 1875 - c. 1900, cardboard, paper, collotype, height 269 mm × width 207 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXX0R–Art inspired by View of a half-timbered house at Hildesheim, HILDESHEIM. - ROLANDSTIFT., Hildesheim, c. 1875 - c. 1900, cardboard, paper, collotype, height 269 mm × width 207 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Trompe-l'oeil ceiling with mythological representation, Ceilings (series title), Ceiling with rectangular centerpiece with a mythological representation supported by terms. The long sides supported by two arches. The corners show consoles with a mask and a vase., print maker: Daniël Marot (I), (mentioned on object), after design by: Daniël Marot (I), (mentioned on object), publisher: Daniël Marot (I), Amsterdam, 1712, paper, etching, height 269 mm × width 194 mm Stock Photo

RM2JDYKM6–Trompe-l'oeil ceiling with mythological representation, Ceilings (series title), Ceiling with rectangular centerpiece with a mythological representation supported by terms. The long sides supported by two arches. The corners show consoles with a mask and a vase., print maker: Daniël Marot (I), (mentioned on object), after design by: Daniël Marot (I), (mentioned on object), publisher: Daniël Marot (I), Amsterdam, 1712, paper, etching, height 269 mm × width 194 mm

Art inspired by Hieroglyphs of the Temple of Seti I at Abydos, Temple d'Abydos, facade (Egypt), Bonfils, Egypte, 1850 - 1900, cardboard, albumen print, height 269 mm × width 256 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYC8T–Art inspired by Hieroglyphs of the Temple of Seti I at Abydos, Temple d'Abydos, facade (Egypt), Bonfils, Egypte, 1850 - 1900, cardboard, albumen print, height 269 mm × width 256 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE3E1E–Trompe-l'oeil ceiling with mythological representation, Ceilings (series title), Ceiling with rectangular centerpiece with a mythological representation supported by terms. The long sides supported by two arches. The corners show consoles with a mask and a vase., print maker: Daniël Marot (I), (mentioned on object), after design by: Daniël Marot (I), (mentioned on object), publisher: Daniël Marot (I), Amsterdam, 1712, paper, etching, height 269 mm × width 194 mm

Art inspired by Plant ornaments of the cathedral of Nevers, Nevers (Cathédrale), Séraphin-Médéric Mieusement, Nevers, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 367 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKY40R–Art inspired by Plant ornaments of the cathedral of Nevers, Nevers (Cathédrale), Séraphin-Médéric Mieusement, Nevers, c. 1875 - c. 1900, cardboard, albumen print, height 269 mm × width 367 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Print seller, Street sellers in Bologna (series title), Le Arti di Bologna (series title), View of a square showing a print seller wearing a cloak and hat. In both hands he holds bundles of prints, around his neck a print depicting Mary with child., print maker: Simon Guillain (II), (mentioned on object), after design by: Annibale Carracci, (mentioned on object), 1646, paper, etching, height 269 mm × width 163 mm Stock Photo

RM2JDYF1X–Print seller, Street sellers in Bologna (series title), Le Arti di Bologna (series title), View of a square showing a print seller wearing a cloak and hat. In both hands he holds bundles of prints, around his neck a print depicting Mary with child., print maker: Simon Guillain (II), (mentioned on object), after design by: Annibale Carracci, (mentioned on object), 1646, paper, etching, height 269 mm × width 163 mm

Art inspired by Mask of the head of Medusa, Medusa, publisher: Verlag für Kunst und Wissenschaft, Europe, publisher: München, 1897, cardboard, paper, collotype, height 269 mm × width 257 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKY957–Art inspired by Mask of the head of Medusa, Medusa, publisher: Verlag für Kunst und Wissenschaft, Europe, publisher: München, 1897, cardboard, paper, collotype, height 269 mm × width 257 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE34MN–Print seller, Street sellers in Bologna (series title), Le Arti di Bologna (series title), View of a square showing a print seller wearing a cloak and hat. In both hands he holds bundles of prints, around his neck a print depicting Mary with child., print maker: Simon Guillain (II), (mentioned on object), after design by: Annibale Carracci, (mentioned on object), 1646, paper, etching, height 269 mm × width 163 mm

Inspired by Très Parisien, 1923, No. 1: Tissus de JERSIRIS..., Two dresses of jersey. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Jersiris, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4DK–Inspired by Très Parisien, 1923, No. 1: Tissus de JERSIRIS..., Two dresses of jersey. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Jersiris, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Ariadne sitting on a panther; front view, Views of Heinrich von Dannecker's sculpture of Ariadne on the panther (series title), print maker: Johann August Nahl (II), (mentioned on object), after drawing by: F. Müller, (mentioned on object), after sculpture by: Johann Heinrich von Dannecker, print maker: Germany, after drawing by: Germany, after sculpture by: Stuttgart, 1814, paper, engraving, height 269 mm × width 223 mm, height 254 mm × width 179 mm Stock Photo

RM2JDY558–Ariadne sitting on a panther; front view, Views of Heinrich von Dannecker's sculpture of Ariadne on the panther (series title), print maker: Johann August Nahl (II), (mentioned on object), after drawing by: F. Müller, (mentioned on object), after sculpture by: Johann Heinrich von Dannecker, print maker: Germany, after drawing by: Germany, after sculpture by: Stuttgart, 1814, paper, engraving, height 269 mm × width 223 mm, height 254 mm × width 179 mm

Art inspired by Interior of a church (presumably) in Rome, Gustave Eugène Chauffourier (attributed to), Rome, c. 1875 - c. 1900, photographic support, albumen print, height 269 mm × width 346 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYAG2–Art inspired by Interior of a church (presumably) in Rome, Gustave Eugène Chauffourier (attributed to), Rome, c. 1875 - c. 1900, photographic support, albumen print, height 269 mm × width 346 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE2GTF–Ariadne sitting on a panther; front view, Views of Heinrich von Dannecker's sculpture of Ariadne on the panther (series title), print maker: Johann August Nahl (II), (mentioned on object), after drawing by: F. Müller, (mentioned on object), after sculpture by: Johann Heinrich von Dannecker, print maker: Germany, after drawing by: Germany, after sculpture by: Stuttgart, 1814, paper, engraving, height 269 mm × width 223 mm, height 254 mm × width 179 mm

Art inspired by Boy and a girl with a dog feeding a little bird, draughtsman: Jan Braet von Uberfeldt, 1817 - 1849, paper, ink, pen, brush, height 269 mm × width 218 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HM1C30–Art inspired by Boy and a girl with a dog feeding a little bird, draughtsman: Jan Braet von Uberfeldt, 1817 - 1849, paper, ink, pen, brush, height 269 mm × width 218 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Greek groom, L'Epoux à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man with an ornamented square lower body, garlands and arms in the shape of horns of plenty. On his head an ornament with volutes and a pine cone as headgear., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm Stock Photo

RM2JDXBD8–Greek groom, L'Epoux à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man with an ornamented square lower body, garlands and arms in the shape of horns of plenty. On his head an ornament with volutes and a pine cone as headgear., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Art inspired by Column in the reception hall at Fatehpur Sikri, Fatehpur Sikri, c. 1895 - c. 1915, paper, cardboard, height 269 mm × width 212 mmheight 329 mm × width 244 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKY150–Art inspired by Column in the reception hall at Fatehpur Sikri, Fatehpur Sikri, c. 1895 - c. 1915, paper, cardboard, height 269 mm × width 212 mmheight 329 mm × width 244 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2JE171C–Greek groom, L'Epoux à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man with an ornamented square lower body, garlands and arms in the shape of horns of plenty. On his head an ornament with volutes and a pine cone as headgear., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Inspired by Très Parisien, 1923, No 1: Tissus de RODIER..., 'Charming ensemble' of black velvet with voluminous turtleneck by Rodier. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Rodier, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4DR–Inspired by Très Parisien, 1923, No 1: Tissus de RODIER..., 'Charming ensemble' of black velvet with voluminous turtleneck by Rodier. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Rodier, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDYWCT–Greek groom, L'Epoux à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man with an ornamented square lower body, garlands and arms in the shape of horns of plenty. On his head an ornament with volutes and a pine cone as headgear., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Inspired by Ruined watermill on the Norfolk Broads, A Ruined Water-Mill, Peter Henry Emerson, publisher: Marston, Searle, & Rivington Sampson Low, Norfolk, publisher: Great Britain, 1885 - 1886, height 269 mm × width 223 mmheight 412 mm × width 288 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKHYR9–Inspired by Ruined watermill on the Norfolk Broads, A Ruined Water-Mill, Peter Henry Emerson, publisher: Marston, Searle, & Rivington Sampson Low, Norfolk, publisher: Great Britain, 1885 - 1886, height 269 mm × width 223 mmheight 412 mm × width 288 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Return from the Flight into Egypt, The return of the Holy Family from Egypt. Mary and Joseph are walking along a road with the Christ child between them. They are walking under a palm tree where cherubs hover among the leaves. On the left, the kneeling young John the Baptist. In the foreground on the right are three children who died during the Infanticide at Bethlehem., print maker: Francesco Leoncini, (mentioned on object), after design by: Francesco Vanni, (mentioned on object), Italy, 1623 - 1666, paper, etching, height 269 mm × width 198 mm Stock Photo

RM2JE176C–Return from the Flight into Egypt, The return of the Holy Family from Egypt. Mary and Joseph are walking along a road with the Christ child between them. They are walking under a palm tree where cherubs hover among the leaves. On the left, the kneeling young John the Baptist. In the foreground on the right are three children who died during the Infanticide at Bethlehem., print maker: Francesco Leoncini, (mentioned on object), after design by: Francesco Vanni, (mentioned on object), Italy, 1623 - 1666, paper, etching, height 269 mm × width 198 mm

Inspired by Willem Witsen and Marie Witsen at gala evening (San Francisco), Cardinell-Vincent Co, San Francisco, c. 1860 - c. 1915, paper, height 269 mm × width 345 mmheight 340 mm × width 430 mm × height 683 mm × width 430 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKJ1KY–Inspired by Willem Witsen and Marie Witsen at gala evening (San Francisco), Cardinell-Vincent Co, San Francisco, c. 1860 - c. 1915, paper, height 269 mm × width 345 mmheight 340 mm × width 430 mm × height 683 mm × width 430 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDYWGJ–Return from the Flight into Egypt, The return of the Holy Family from Egypt. Mary and Joseph are walking along a road with the Christ child between them. They are walking under a palm tree where cherubs hover among the leaves. On the left, the kneeling young John the Baptist. In the foreground on the right are three children who died during the Infanticide at Bethlehem., print maker: Francesco Leoncini, (mentioned on object), after design by: Francesco Vanni, (mentioned on object), Italy, 1623 - 1666, paper, etching, height 269 mm × width 198 mm

Inspired by Très Parisien, 1923, No. 1: Creation ALICE BERNARD..., Two emerald green gowns by Alice Bernard, with embroidery. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Alice Bernard, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4F2–Inspired by Très Parisien, 1923, No. 1: Creation ALICE BERNARD..., Two emerald green gowns by Alice Bernard, with embroidery. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Alice Bernard, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDXBF1–Return from the Flight into Egypt, The return of the Holy Family from Egypt. Mary and Joseph are walking along a road with the Christ child between them. They are walking under a palm tree where cherubs hover among the leaves. On the left, the kneeling young John the Baptist. In the foreground on the right are three children who died during the Infanticide at Bethlehem., print maker: Francesco Leoncini, (mentioned on object), after design by: Francesco Vanni, (mentioned on object), Italy, 1623 - 1666, paper, etching, height 269 mm × width 198 mm

Inspired by Très Parisien 1923 No 1: Tissus de Diederichs - Soieries, Two evening gowns of crepe Colette. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Diederichs-Soieries, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4DN–Inspired by Très Parisien 1923 No 1: Tissus de Diederichs - Soieries, Two evening gowns of crepe Colette. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Diederichs-Soieries, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Greek shepherd, Berger à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man wearing a coat to the knees, calf pants and triangular elements ending in volutes as arms. On his head an ornament in the form of a stitch hat., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm Stock Photo

RM2JE1718–Greek shepherd, Berger à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man wearing a coat to the knees, calf pants and triangular elements ending in volutes as arms. On his head an ornament in the form of a stitch hat., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Inspired by Très Parisien, 1923, No 1: Création JEANNE LANVIN..., Slim suit (tailleur) of black duvetine, trimmed with ermine. Hat of ermine. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Jeanne Lanvin, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4DJ–Inspired by Très Parisien, 1923, No 1: Création JEANNE LANVIN..., Slim suit (tailleur) of black duvetine, trimmed with ermine. Hat of ermine. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Jeanne Lanvin, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDYWCK–Greek shepherd, Berger à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man wearing a coat to the knees, calf pants and triangular elements ending in volutes as arms. On his head an ornament in the form of a stitch hat., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Inspired by Très Parisien, 1923, No 1: CHATAIGNE. - Manteau de velours..., Cloak of brown velvet, trimmed with beaver fur. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, G-P. Joumard, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4E0–Inspired by Très Parisien, 1923, No 1: CHATAIGNE. - Manteau de velours..., Cloak of brown velvet, trimmed with beaver fur. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, G-P. Joumard, Paris, 1923, paper, letterpress printing, height 269 mm × width 180 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JDXBDM–Greek shepherd, Berger à la Grecque (title on object), Mascarade A La Grecque (series title), A standing man wearing a coat to the knees, calf pants and triangular elements ending in volutes as arms. On his head an ornament in the form of a stitch hat., print maker: Benigno Bossi, (mentioned on object), after design by: Ennemond Alexandre Petitot, (mentioned on object), Guillaume du Tillot (Marquis de Felino), 1771, paper, etching, height 269 mm × width 183 mm

Inspired by Très Parisien, 1923, No. 4: 14. - MAY-FLOWER. Rien n'est plus..., Casaque of 'Ruisseda soutaché', one of Rodier's designs. Fabrics of Rodier. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Rodier, Paris, 1923, paper, letterpress printing, height 269 mm × width, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4T9–Inspired by Très Parisien, 1923, No. 4: 14. - MAY-FLOWER. Rien n'est plus..., Casaque of 'Ruisseda soutaché', one of Rodier's designs. Fabrics of Rodier. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, Rodier, Paris, 1923, paper, letterpress printing, height 269 mm × width, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Street Sweeper, Florentine Street Vendors (series title), A street sweeper sweeps dirt with his broom on a shovel in the Piazza del Duomo in Florence. In the square a donkey with two baskets. Italian text in lower margin., print maker: Carlo Lasinio, (mentioned on object), after design by: Monogrammist JO, (mentioned on object), publisher: La Società Calcografica, (mentioned on object), print maker: Italy, after design by: Italy, publisher: Florence, 1769 - 1838, paper, etching, height 269 mm × width 180 mm Stock Photo

RM2JE1DHW–Street Sweeper, Florentine Street Vendors (series title), A street sweeper sweeps dirt with his broom on a shovel in the Piazza del Duomo in Florence. In the square a donkey with two baskets. Italian text in lower margin., print maker: Carlo Lasinio, (mentioned on object), after design by: Monogrammist JO, (mentioned on object), publisher: La Società Calcografica, (mentioned on object), print maker: Italy, after design by: Italy, publisher: Florence, 1769 - 1838, paper, etching, height 269 mm × width 180 mm

Inspired by Très Parisien, 1923, No 1: Creations LA TUNIQUE RADIAH, Two evening gowns by 'La Tunique Radiah', garnished with embroidery and pearls. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, draughtsman: J. Dory, Paris, 1923, paper, letterpress printing, height 269 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA4G3–Inspired by Très Parisien, 1923, No 1: Creations LA TUNIQUE RADIAH, Two evening gowns by 'La Tunique Radiah', garnished with embroidery and pearls. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, draughtsman: J. Dory, Paris, 1923, paper, letterpress printing, height 269 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RM2JE007E–Street Sweeper, Florentine Street Vendors (series title), A street sweeper sweeps dirt with his broom on a shovel in the Piazza del Duomo in Florence. In the square a donkey with two baskets. Italian text in lower margin., print maker: Carlo Lasinio, (mentioned on object), after design by: Monogrammist JO, (mentioned on object), publisher: La Società Calcografica, (mentioned on object), print maker: Italy, after design by: Italy, publisher: Florence, 1769 - 1838, paper, etching, height 269 mm × width 180 mm

Art inspired by Photoreproduction of Laren woman by the cradle by Albert Neuhuys, Henri A. Fuik, after: Albert Neuhuys (1844-1914), The Hague, 1915 - 1950, baryta paper, cardboard, gelatin silver print, height 269 mm × width 219 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYR7H–Art inspired by Photoreproduction of Laren woman by the cradle by Albert Neuhuys, Henri A. Fuik, after: Albert Neuhuys (1844-1914), The Hague, 1915 - 1950, baryta paper, cardboard, gelatin silver print, height 269 mm × width 219 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Height 269 mm Stock Photos and Images

Height 269 mm Stock Photos and Images

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