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Hans weiditz Stock Photos and Images
RMCWMB8B–Emperor Maximilian Hans Weiditz the Younger German Freiburg im Breisgau 1500 - 1536 Strasbourg Germany After Albrecht Dürer
RMBBNBHE–superstition, devil, woodcut by Hans Weiditz the Younger, circa 15th century, National Museum of Fine Arts, Budapest, hell, pain, torture, hellfire, agonies, punishment, religion, Christianity, fine arts, Middle Ages, historic, historical, monster, demon, medieval, people,
RMMP6NG4–. English: Hans Weiditz: 'The decrepitude of the body': scabies. 16th century. Hans Weiditz (1495–1536) Alternative names Hans Weiditz der Jüngere; Johannes Guidictius; Hans Wydyz; Hans Weidlitz; Hans Widitz; Hans Wyditz; Hans Weyditz Description German engraver Date of birth/death circa 1500 1536 Location of birth/death Straßburg Freiburg im Breisgau Authority control : Q606983 VIAF: 22960722 ISNI: 0000 0004 3506 7555 LCCN: no95051699 GND: 118806491 SELIBR: 205907 WorldCat 1098 Scabies
RMCP1CP4–botany, herb, herbalist, woodcut by Hans Weiditz, 16th century, herb garden, garden, gardens, herbarium, herbariums, gardener, gardner, gardeners, gardners, vegetable, bed, beds, gardening, herb, herbage, culinary herbs, historic, historical, people, Additional-Rights-Clearences-Not Available
RMMX1N9E–. English: Master's graduation. Woodcut by Hans Weiditz. Svenska: Magisterspromotion. Träsnitt av Hans Weiditz. 16th century. Unknown 410 Mediaeval graduation
RFRATMY7–Hans Weiditz, II (German, 1500 or before - c. 1536), Christ on the Mount of Olives, c. 1522, woodcut from 2 blocks on reimagined
RF2HW6P02–Art inspired by Copy of Portrait of Charles V, n.d., Woodcut, Sheet: 12 1/16 x 7 in. (30.6 x 17.8 cm), Prints, After Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca. 1536 Strasbourg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW578M–Art inspired by Herbarum vivae eicones, 1530, Woodcut, Overall: 12 5/16 x 8 7/16 x 1 3/8 in. (31.2 x 21.4 x 3.5 cm), Books, Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca. 1536 Strasbourg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2DCG075–Hans Weiditz, II, (artist), German, 1500 or before - c. 1536, Allegory - Religious Frivolity, woodcut
RF2HW7KDP–Art inspired by Portrait of Emperor Maximilian I, 1519, Woodcut, sheet: 21 13/16 x 14 15/16 in. (55.4 x 38 cm), Prints, Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca. 1536 Strasbourg), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), A celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMEDT8M9–Hans Weiditz, II (German, 1500 or before - c. 1536), Allegory - Religious Frivolity, woodcut
RFJC1PYP–Woman after adultery. From the consolation mirror of Hans Weiditz, digital improved reproduction from a publication of the year 1880
RMG15H8R–Title page by Hans Weiditz for 'Herbarum vivae eicones' (living plant images or living pictures of herbs). Published in Strasbourg in the 1530's it was a landmark compendium in the development of botanical illustration. The text was compiled by Otto Brunf
RMDB057E–botany, pasque flower (pulsatile), woodcut by Hans Weiditz for a herbal book, Germany, 16th century, pasqueflower, wind flower, prairie crocus, Easter Flower, meadow anemone, Ranunculaceae, plant, plants, plant, plants, historic, historical, Additional-Rights-Clearences-Not Available
RMMNXT0D–. English: Theuerdank and Ernhold meeting Unfalo; Theuerdank and Ernhold on horseback at left, arriving at a city gate underneath which Unfalo is standing at right; landscape background. Illustration to Melchior Pfinzing, 'Theuerdank'. Woodcut . between 1511 and 1517. Hans Weiditz 1186 Theuerdank 25
RMG5WK9B–Achilles, Greek mythological hero, from the life of Achilles, woodcut by Hans Weiditz, circa 1530,
RMBHN9YY–fishery, draught, woodcut by Hans Weiditz, 'Trostspiegel' by Francesco Petrarca, Augsburg, 1539,
RMR305KJ–Pietà. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Attributed to Hans Weiditz, II.
RF2C4XJF0–Tragedy of Callistus and Melibea, Hans Weiditz, 1520, La Celestina / Tragoedie von Calixtus und Melibea, La Celestina, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RF2AW5EKM–1518 ca , AUSTRIA : Holy Roman Emperor Maximilian I of Austria ( 1459 – 1519 ). Portrait engraving by Hans Weiditz the Younger ( 1500–ca.- 1536 ), 15
RM2BF4C9J–Portrait of Maximilian I. Portrait of Holy Roman Emperor Maximilian I with an ornamental border by Hans Weiditz.
RMH4KNX2–Hans Weiditz, II (German, 1500 or before - c. 1536), Allegory - Religious Frivolity, woodcut
RMKC9YHJ–Portrait of the Emperor Maximilian I in an Architectural Frame (copy), Hans Weiditz the Younger, n.d
RMRY35JY–Man of Sorrows Seated on the Cross, c. 1522. Hans Weiditz (German, c. 1495-c. 1536). Chiaroscuro woodcut
RMMY8TXH–. English: The reverse side of the title of the „Little War-Book of Peace“, Augsburg, 1539. Deutsch: Titelrückseite des Kriegsbüchleins des Friedens, Ausgabe Augsburg 1539. 16th century. Sebastian Franck (text), Hans Weiditz (original drawing) 480 Sebastian Franck, Little War-Book of Peace
RM2DCAYGH–Hans Weiditz, II, (artist), German, 1500 or before - c. 1536, Page from Geschlechter Buch - Ausberg, 1550, woodcut
RMFF9DF7–PHYSICIANS, 1532. /nThe title page of Laurentius Friesen's 'Spiegel der Artzney,' with portraits of ancient and medieval physicians and (bottom) a representation of Venus and Adonis in a garden. Woodcut, Strassburg, 1532, after Hans Weiditz.
RMBHN9YW–fishery, draught, woodcut by Hans Weiditz, 'Trostspiegel' by Francesco Petrarca, Augsburg, 1539,
RMR30JA7–Page from Geschlechter Buch - Ausberg. Dated: 1550. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Weiditz, II.
RMBJGNPY–money / finance, money changer, woodcut by Hans Weiditz (circa 1500 - 1534), people, capitalism, table, coins, exchange, Europe, 16th century, historic, historical,
RF2C4XJDX–The ugliness of the body, from Hans Weiditz Petarkas happiness book, 1532 / Die Haesslichkeit des Leibes, aus Hans Weiditz Petarkas Gluecksbuch, 1532, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RF2HW8ERC–Art inspired by Bathsheba Bathing, from Women's Wile (Weiberlisten), Woodcut; second state of three (Hollstein), Sheet: 8 3/4 × 6 in. (22.3 × 15.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Border by Hans Weiditz the Younger (German, Freiburg im Breisgau before, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2T4CG79–Frau nach Ehebruch. Aus dem Trostspiegel von Hans Weiditz, digital verbesserte Reproduktion aus einer Veröffentlichung des Jahres 1880 / Woman after adultery. From the consolation mirror of Hans Weiditz, digital improved reproduction from a publication of the year 1880
RF2C6688T–Of the drug both happiness from Hans Weiditz Petrarkas happiness book, in 1532, Petrarca Meister / Von der Arznei beider Glück, aus Hans Weiditz Petrarkas Glücksbuch, 1532, Petrarcameister, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
RF2HW6RMX–Art inspired by Portrait of the Emperor Maximilian I in an Architectural Frame (copy), n.d., Woodcut, sheet: 22 7/8 x 16 1/16 in. (58.1 x 40.8 cm), Prints, Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca. 1536 Strasbourg), After Albrecht Dürer (German, Nuremberg, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW65R4–Art inspired by Bolinka and Marcolfus, late 15th–early 16th century, Etching; fourth state of four, sheet: 9 5/8 x 8 3/4 in. (24.4 x 22.2 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg), After Hans Weiditz the Younger (German, Freiburg im Breisgau before 1500–ca, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7KEF–Art inspired by The Three Jewish Heroes (Die Drei Guten Juden), from Heroes and Heroines, 1516, Woodcut; second state of three (Hollstein), Sheet: 12 5/8 × 8 7/16 in. (32 × 21.5 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Border by Hans Weiditz the Younger (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMW5N10–. English: The reverse side of the title of the „Little War-Book of Peace“, Augsburg, 1539. Deutsch: Titelrückseite des Kriegsbüchleins des Friedens, Ausgabe Augsburg 1539. 16th century. Sebastian Franck (text), Hans Weiditz (original drawing) 549 Sebastian Franck, Little War-Book of Peace
RM2DCAYJY–Hans Weiditz, II, (artist), German, 1500 or before - c. 1536, Page from Troianischen Kreig - Ausberg, 1536, woodcut
RF2GMF8JG–Strasbourg, Joh. Schott, 1534. The cut by Hans Baldung Grien (left). - The coin illustrations by Hans Weiditz from Joh. Huttichius Imperatorum Romanor
RMEDT8M6–Hans Weiditz, II (German, 1500 or before - c. 1536), Page from Troianischen Kreig - Ausberg, 1536, woodcut
RMR3AW9M–Page from Troianischen Kreig - Ausberg. Dated: 1536. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Weiditz, II.
RMBHN8FY–medicine, narcosis, narcotic, blood-letting and anesthesia, woodcut by Hans Weiditz, 16th century, historic, historical, contemporary, anaesthesia, bleeding, narcoses, be general anaesthetic, anaesthetization, anesthetization, treatment, attendance, medical attendance, patient, patients, people,
RMFGR88W–agriculture, farm labour, harvest, mowers, woodcut by Hans Weiditz (circa 1500 - 1536), from: Franceso Petrarca (1304 - 1374), 'Trostspiegel in Glück und Unglück', Augsburg, 1532, wood engraving, 19th century, Additional-Rights-Clearences-Not Available
RFRA8587–Hans Weiditz, II (German, 1500 or before - c. 1536), Allegory - Religious Frivolity, woodcut. Reimagined
RM2T6CY13–Title page to a sermon by Martin Luther, 1523. Border illustration by Hans Weiditz with Christ preaching to the crowd. (German text: XXVII. Predig D. Martin Luthers newlich uszgangen Anno XXIII. Durchsichtiget / und in ordnung gestellt der bessten form. Sampt eim Register. Rerumb.).
RM2DEEB81–Die vergebliche Narrheit des Odysseus, anonymous Master of Petrarch, Von der Artzney bayder Glück, Petrarca, Augsburg, 1532
RMMX1DWA–. English: The reverse side of the title of the „Little War-Book of Peace“, Augsburg, 1539. Deutsch: Titelrückseite des Kriegsbüchleins des Friedens, Ausgabe Augsburg 1539. 16th century. Sebastian Franck (text), Hans Weiditz (original drawing) 550 Sebastian Franck, Little War-Book of Peace
![. Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. vn] Hans Weiditz 171 independently at what was perhaps its high-water mark of ex- cellence, but it is in Brunfels' great work that we find it, for the first time, applied to the illustration of a botanical book.. Text-fig. 83. ''â YMc'atrisea^W''= Anemone Pulsatilla L., Pasque-flower [Brunfels, Herbarum viva eicones, Vol. I. 1530]. Reduced. The illustrations in Brunfels' herbal were engraved, and probably drawn also, by Hans Weiditz, or Guiditius, some of whose work has been ascribed Stock Photo](https://c8.alamy.com/comp/RDNJGX/herbals-their-origin-and-evolution-a-chapter-in-the-history-of-botany-1470-1670-botany-botany-herbals-vn-hans-weiditz-171-independently-at-what-was-perhaps-its-high-water-mark-of-ex-cellence-but-it-is-in-brunfels-great-work-that-we-find-it-for-the-first-time-applied-to-the-illustration-of-a-botanical-book-text-fig-83-ymcatriseaw=-anemone-pulsatilla-l-pasque-flower-brunfels-herbarum-viva-eicones-vol-i-1530-reduced-the-illustrations-in-brunfels-herbal-were-engraved-and-probably-drawn-also-by-hans-weiditz-or-guiditius-some-of-whose-work-has-been-ascribed-RDNJGX.jpg ". Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. vn] Hans Weiditz 171 independently at what was perhaps its high-water mark of ex- cellence, but it is in Brunfels' great work that we find it, for the first time, applied to the illustration of a botanical book.. Text-fig. 83. ''â YMc'atrisea^W''= Anemone Pulsatilla L., Pasque-flower [Brunfels, Herbarum viva eicones, Vol. I. 1530]. Reduced. The illustrations in Brunfels' herbal were engraved, and probably drawn also, by Hans Weiditz, or Guiditius, some of whose work has been ascribed Stock Photo")
RMRDNJGX–. Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. vn] Hans Weiditz 171 independently at what was perhaps its high-water mark of ex- cellence, but it is in Brunfels' great work that we find it, for the first time, applied to the illustration of a botanical book.. Text-fig. 83. ''â YMc'atrisea^W''= Anemone Pulsatilla L., Pasque-flower [Brunfels, Herbarum viva eicones, Vol. I. 1530]. Reduced. The illustrations in Brunfels' herbal were engraved, and probably drawn also, by Hans Weiditz, or Guiditius, some of whose work has been ascribed
RMH4KNX9–Hans Weiditz, II (German, 1500 or before - c. 1536), Page from Troianischen Kreig - Ausberg, 1536, woodcut
RMH4ME36–Hans Weiditz, II (German, 1500 or before - c. 1536), Christ on the Mount of Olives, c. 1522, woodcut from 2 blocks on laid paper
RMR2PFT3–Allegory - Religious Frivolity. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Weiditz, II. PETRARCA MASTER.
RMFGR88R–agriculture, farm labour, ploughing and harrowing, woodcut by Hans Weiditz (circa 1500 - 1536), from: Franceso Petrarca (1304 - 1374), 'Trostspiegel in Glück und Unglück', Augsburg, 1532, wood engraving, 19th century, Additional-Rights-Clearences-Not Available
RMBD6EFR–medicine, treatment, bloodletting / venesection, woodcut, by Hans Weiditz (um 1500 - 1536), from 'Ein nutzlich Regiment der Gesundtheit', by Luis Lobera de Avila, Augsburg, Germany, 1531,
RFRATX68–Hans Weiditz, II (German, 1500 or before - c. 1536), Allegory - Religious Frivolity, woodcut. Reimagined
RMBHN9R1–superstition, devil, woodcut by Hans Weiditz son, circa 15th century, National Museum of fine arts, Budapest, Hungary, coloured,
RMBA81XD–medicine, hygienics, dirt, man is dashed with dirty water, woodcut by Hans Weiditz, Germany, 1520,
Search Results for Hans weiditz Stock Photos and Images (703)
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