Hans Burgkmair, the elder. Savages. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-savages-14931531-germany-woodcut-on-paper-image337963380.html
RM2AHRFMM–Hans Burgkmair, the elder. Savages. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974618.html
RM2AHT222–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974636.html
RM2AHT22M–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974620.html
RM2AHT224–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974610.html
RM2AHT21P–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974668.html
RM2AHT23T–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974622.html
RM2AHT226–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-on-paper-image337974619.html
RM2AHT223–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. The Virgin and Child. 1493–1531. Germany. Woodcut on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-the-virgin-and-child-14931531-germany-woodcut-on-paper-image337963363.html
RM2AHRFM3–Hans Burgkmair, the elder. The Virgin and Child. 1493–1531. Germany. Woodcut on paper
Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut in black on ivory laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-triumph-of-maximilian-14931531-germany-woodcut-in-black-on-ivory-laid-paper-image337974633.html
RM2AHT22H–Hans Burgkmair, the elder. Triumph of Maximilian. 1493–1531. Germany. Woodcut in black on ivory laid paper
Hans Burgkmair, the elder. Halberdiers, from the Triumphal Procession of Maximilian. 1493–1531. Germany. Woodcut in black on tan laid paper Burgkmair produced most of the designs for Holy Roman Emperor Maximilian I’s Triumphal Procession, an enormous frieze of over 130 woodcuts meant to decorate the state rooms of his nobles. The print expresses the emperor’s military strength, with group after group of foot soldiers and cavalry following him in an ongoing procession. Here Landsknechte in resplendent garb hoist halberds as they join the parade. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-halberdiers-from-the-triumphal-procession-of-maximilian-14931531-germany-woodcut-in-black-on-tan-laid-paper-burgkmair-produced-most-of-the-designs-for-holy-roman-emperor-maximilian-is-triumphal-procession-an-enormous-frieze-of-over-130-woodcuts-meant-to-decorate-the-state-rooms-of-his-nobles-the-print-expresses-the-emperors-military-strength-with-group-after-group-of-foot-soldiers-and-cavalry-following-him-in-an-ongoing-procession-here-landsknechte-in-resplendent-garb-hoist-halberds-as-they-join-the-parade-image337974630.html
RM2AHT22E–Hans Burgkmair, the elder. Halberdiers, from the Triumphal Procession of Maximilian. 1493–1531. Germany. Woodcut in black on tan laid paper Burgkmair produced most of the designs for Holy Roman Emperor Maximilian I’s Triumphal Procession, an enormous frieze of over 130 woodcuts meant to decorate the state rooms of his nobles. The print expresses the emperor’s military strength, with group after group of foot soldiers and cavalry following him in an ongoing procession. Here Landsknechte in resplendent garb hoist halberds as they join the parade.
Hans Burgkmair, the elder. Equestrian Portrait of the Emperor Maximilian I. 1508. Germany. Woodcut from two blocks in black and gold on vellum This unique woodcut is printed in black and powdered gold inks on vellum. It may be the most opulent result of the Emperor Maximilian’s competition with Elector Frederick the Wise of Saxony and his court artist, Lucas Cranach. That contest produced an early form of chiaroscuro printing, a technique using black line blocks and colored tone or blocks for lighting effects. Indeed, as the only known impression of the Equestrian Portrait printed in black and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-equestrian-portrait-of-the-emperor-maximilian-i-1508-germany-woodcut-from-two-blocks-in-black-and-gold-on-vellum-this-unique-woodcut-is-printed-in-black-and-powdered-gold-inks-on-vellum-it-may-be-the-most-opulent-result-of-the-emperor-maximilians-competition-with-elector-frederick-the-wise-of-saxony-and-his-court-artist-lucas-cranach-that-contest-produced-an-early-form-of-chiaroscuro-printing-a-technique-using-black-line-blocks-and-colored-tone-or-blocks-for-lighting-effects-indeed-as-the-only-known-impression-of-the-equestrian-portrait-printed-in-black-and-image337934228.html
RM2AHP6FG–Hans Burgkmair, the elder. Equestrian Portrait of the Emperor Maximilian I. 1508. Germany. Woodcut from two blocks in black and gold on vellum This unique woodcut is printed in black and powdered gold inks on vellum. It may be the most opulent result of the Emperor Maximilian’s competition with Elector Frederick the Wise of Saxony and his court artist, Lucas Cranach. That contest produced an early form of chiaroscuro printing, a technique using black line blocks and colored tone or blocks for lighting effects. Indeed, as the only known impression of the Equestrian Portrait printed in black and
Hans Burgkmair, the elder. Lovers Surprised by Death. 1510. Germany. Chiaroscuro woodcut in 3 shades of brown on ivory laid paper Themes derived from the Dance of Death, a medieval allegory in which Death overcomes people of all ages and levels of society, pervaded German art in the late medieval and Renaissance periods. As the first true chiaroscuro woodcut, Hans Burgkmair’s compelling depiction of lovers torn apart by death is a work of pivotal importance. It represents a major cognitive leap on the part of the artist, who was the first to compose an organic three-dimensional composition by Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-burgkmair-the-elder-lovers-surprised-by-death-1510-germany-chiaroscuro-woodcut-in-3-shades-of-brown-on-ivory-laid-paper-themes-derived-from-the-dance-of-death-a-medieval-allegory-in-which-death-overcomes-people-of-all-ages-and-levels-of-society-pervaded-german-art-in-the-late-medieval-and-renaissance-periods-as-the-first-true-chiaroscuro-woodcut-hans-burgkmairs-compelling-depiction-of-lovers-torn-apart-by-death-is-a-work-of-pivotal-importance-it-represents-a-major-cognitive-leap-on-the-part-of-the-artist-who-was-the-first-to-compose-an-organic-three-dimensional-composition-by-image337942934.html
RM2AHPHJE–Hans Burgkmair, the elder. Lovers Surprised by Death. 1510. Germany. Chiaroscuro woodcut in 3 shades of brown on ivory laid paper Themes derived from the Dance of Death, a medieval allegory in which Death overcomes people of all ages and levels of society, pervaded German art in the late medieval and Renaissance periods. As the first true chiaroscuro woodcut, Hans Burgkmair’s compelling depiction of lovers torn apart by death is a work of pivotal importance. It represents a major cognitive leap on the part of the artist, who was the first to compose an organic three-dimensional composition by
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