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STANDALONE PHOTO. Beninese sculptor Romuald Hazoume with his work which forms part of the 'Uncomfortable Truths - the shadow of slave trading on contemporary art and design' exibition at London's V&A Museum. The work, which is made of jerry cans from Africa where many people make a life-threatening and low- paid living delivering petrol in them, represents a rainbow and serpent swallowing its own tail as symbols of regeneration and continuity but also the continuation of exploitative practices. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-standalone-photo-beninese-sculptor-romuald-hazoume-with-his-work-which-109273812.html
RMG9NRT4–STANDALONE PHOTO. Beninese sculptor Romuald Hazoume with his work which forms part of the 'Uncomfortable Truths - the shadow of slave trading on contemporary art and design' exibition at London's V&A Museum. The work, which is made of jerry cans from Africa where many people make a life-threatening and low- paid living delivering petrol in them, represents a rainbow and serpent swallowing its own tail as symbols of regeneration and continuity but also the continuation of exploitative practices.
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