RM2TCYEGR–Courtier of Philip the Good, 15th century. In fur-lined doublet, hose and shoes. From a miniature in Chroniques du Hainaut by Jacques de Guise in the Bibliotheque royale de Bruxelles. Seigneur de la cour de Philippe le Bon, XVe siecle. Handcoloured woodcut engraving by SB from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2TB043C–Mary of Avesnes, Mary of Hainaut, daughter of John II, Count of Holland and Philippa of Luxembourg, 1280-1354. In crown over gold net headdress, robe with bejeweled ermine bodice, armorial robe with coats of arms of Holland and Flanders, poulaines. After Leopold Massard's copy of a portrait in the Armorial Revel manuscript. Marie de Hainaut, XIVe Siecle. Handcoloured woodcut engraving from Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2TCEGM2–Philippa of Hainault, Queen of England, wife and political adviser of King Edward III, c.1310-1369. In diadem, headdress of gold net and veil, ermine cloak over a brocade robe, holding a sceptre. After an illustration by Charles Hamilton Smith from her effigy in Westminster Abbey. Philippine de Hainaut, XIVe siecle. Handcoloured woodcut engraving by Evrard Duverger and Degroux from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2TCYE0A–Jean III de Werchin, the Good (le Bon), knight errant and poet from the County of Hainaut, 1374-1415. In ermine-lined manteline with hanging sleeves, blue tunic, holding a cane. From an illustrated manuscript Oeuvres historiques de Georges Chastelain. Jean de Werchin, Chevalier, Senechal de Hainaut, XVe siecle. Handcoloured woodcut engraving by At. Pannemaker and H. Estaquier from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2TCYE2R–Philip III, Duke of Burgundy, known as Philip the Good, 1396-1467. In collar of the Order of the Golden Fleece, holding a mallet, symbol of the Order of Saint Anthony of Brabant. In chaperon, fur-lined doublet, hose and wooden-soled shoes, patins or galoches. After a portrait in the illuminated manuscript Chroniques de Hainaut by Jacques de Guise. Philippe le Bon, XVe siecle. Handcoloured woodcut engraving by At. Pannemaker from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
RM2WB0W2D–Mary of Hainaut, wife of Louis I, Duke of Bourbon, in ermine armorial surcoat, 1280-1354, with a chamberlain in embroidered doublet and hose, 14th century. Flanked by Joanna of Bourbon, Queen of France, King Charles V, fool, cardinal, peer. Chambrier de Roi, Judith (sic), Duchesse de Bourbonnais, la Reine Jeanne de Bourbon, le fou de Roi, Euc et Pair, Charles V, Cardinal. Sous Jean et Charles V. Handcoloured lithograph by Godard after an illustration by Charles Auguste Herbé from his own Costumes Francais, Civils, Militaires et Religieux, French Costumes, Civil, Military and Religious, Maison
RME612AD–Marie de Hainaut, Mary of Avesnes, 1280-1354.
RM2D2WNX4–Coat of arms of the Count of Hainaut, Low Countries, black and red lions on gold field, and the Count of Holland, Low Countries, with red lion on gold field. Comtez: Henaut, Hollande. Handcoloured woodblock engraving from Hierosme de Bara’s Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628
RM2R1MX63–Jan Gossaert, Dutch draftsman, engraver, etcher, designer for woodcuts, glass paintings, and sculptures in metal, stone and wood. Also known as Jan Mabuse (from Maubeuge) or Jennyn van Hennegouwe (Hainaut), 1478-1532. Iohannes de Mabuse Hannoniensis. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
RMJHWD18–Marie of Hainaut, wife of Louis I, Duke of Bourbon, 1280-1354. She wears a crown with ear pieces, a rich armorial robe with ermine bodice and sleeves, coat of arms skirt (her husband's fleurs de lys blazon with the red lion of Holland and the black lion of Flandres), over a petticoat, crakows or poulaines. From an ancient armorial of Auvergne. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
RMDKP2WC–Count d'Ostrevant setting out to recapture Friesland, 1396.
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