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!["The Mid-Day Meal" - painted by H. B. Willis - from the Exhibition of the National Institution, 1856. Engraving of a painting. '"The Mid-day Meal" of Mr. Brittan Willis, at the Portland Gallery, is a picture that will make Mr. Sydney Cooper look about him. The scene is an open field on the coast of Sussex, the time (of course) mid-day, the weather fine and healthy, the personages ploughboys, and the cattle such as Sussex mixed with Suffolk breed; the horses are lifelike, and the whole effect is very pleasing'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DJ06/quotthe-mid-day-mealquot-painted-by-h-b-willis-from-the-exhibition-of-the-national-institution-1856-engraving-of-a-painting-quotthe-mid-day-mealquot-of-mr-brittan-willis-at-the-portland-gallery-is-a-picture-that-will-make-mr-sydney-cooper-look-about-him-the-scene-is-an-open-field-on-the-coast-of-sussex-the-time-of-course-mid-day-the-weather-fine-and-healthy-the-personages-ploughboys-and-the-cattle-such-as-sussex-mixed-with-suffolk-breed-the-horses-are-lifelike-and-the-whole-effect-is-very-pleasing-from-quotillustrated-london-newsquot-1856-2R4DJ06.jpg ""The Mid-Day Meal" - painted by H. B. Willis - from the Exhibition of the National Institution, 1856. Engraving of a painting. '"The Mid-day Meal" of Mr. Brittan Willis, at the Portland Gallery, is a picture that will make Mr. Sydney Cooper look about him. The scene is an open field on the coast of Sussex, the time (of course) mid-day, the weather fine and healthy, the personages ploughboys, and the cattle such as Sussex mixed with Suffolk breed; the horses are lifelike, and the whole effect is very pleasing'. From "Illustrated London News", 1856. Stock Photo")
"The Mid-Day Meal" - painted by H. B. Willis - from the Exhibition of the National Institution, 1856. Engraving of a painting. '"The Mid-day Meal" of Mr. Brittan Willis, at the Portland Gallery, is a picture that will make Mr. Sydney Cooper look about him. The scene is an open field on the coast of Sussex, the time (of course) mid-day, the weather fine and healthy, the personages ploughboys, and the cattle such as Sussex mixed with Suffolk breed; the horses are lifelike, and the whole effect is very pleasing'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-mid-day-mealquot-painted-by-h-b-willis-from-the-exhibition-of-the-national-institution-1856-engraving-of-a-painting-quotthe-mid-day-mealquot-of-mr-brittan-willis-at-the-portland-gallery-is-a-picture-that-will-make-mr-sydney-cooper-look-about-him-the-scene-is-an-open-field-on-the-coast-of-sussex-the-time-of-course-mid-day-the-weather-fine-and-healthy-the-personages-ploughboys-and-the-cattle-such-as-sussex-mixed-with-suffolk-breed-the-horses-are-lifelike-and-the-whole-effect-is-very-pleasing-from-quotillustrated-london-newsquot-1856-image553489894.htmlRM2R4DJ06–"The Mid-Day Meal" - painted by H. B. Willis - from the Exhibition of the National Institution, 1856. Engraving of a painting. '"The Mid-day Meal" of Mr. Brittan Willis, at the Portland Gallery, is a picture that will make Mr. Sydney Cooper look about him. The scene is an open field on the coast of Sussex, the time (of course) mid-day, the weather fine and healthy, the personages ploughboys, and the cattle such as Sussex mixed with Suffolk breed; the horses are lifelike, and the whole effect is very pleasing'. From "Illustrated London News", 1856.
Monteiths Directory of San Diego and Vicinity for 1889-90 . Q 13 DC -C co COCL E o O 432 MONTEITH S DIRECTORY OF Randalls ToiP Butter, SQUARE DnHnr S. J. SILL, SOLE AGENT. OBrien M. J., Patton George, Patty Mark Perry Robt. D., ( Perry Wesley, ? Ra)- Thomas W., Russ Fred A., . I ^ Schultz James D., Schussler Andrew j r Schussler John, ? Schwenke Gustav, Z Smith C. E., postmaster , ^ Suavely David H., ! 5 Spence William B., ! Spencer Orrin L., g Stevens Enoch, i s Stevenson Richard W., Stokes E. B., Stout Claude, Tavan Valentine, Thomas Charles P., Trussell Clavin R., Trussell Ray, Tullard C. A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monteiths-directory-of-san-diego-and-vicinity-for-1889-90-q-13-dc-c-co-cocl-e-o-o-432-monteith-s-directory-of-randalls-toip-butter-square-dnhnr-s-j-sill-sole-agent-obrien-m-j-patton-george-patty-mark-perry-robt-d-perry-wesley-ra-thomas-w-russ-fred-a-i-schultz-james-d-schussler-andrew-j-r-schussler-john-schwenke-gustav-z-smith-c-e-postmaster-suavely-david-h-!-5-spence-william-b-!-spencer-orrin-l-g-stevens-enoch-i-s-stevenson-richard-w-stokes-e-b-stout-claude-tavan-valentine-thomas-charles-p-trussell-clavin-r-trussell-ray-tullard-c-a-image343137904.htmlRM2AX77W4–Monteiths Directory of San Diego and Vicinity for 1889-90 . Q 13 DC -C co COCL E o O 432 MONTEITH S DIRECTORY OF Randalls ToiP Butter, SQUARE DnHnr S. J. SILL, SOLE AGENT. OBrien M. J., Patton George, Patty Mark Perry Robt. D., ( Perry Wesley, ? Ra)- Thomas W., Russ Fred A., . I ^ Schultz James D., Schussler Andrew j r Schussler John, ? Schwenke Gustav, Z Smith C. E., postmaster , ^ Suavely David H., ! 5 Spence William B., ! Spencer Orrin L., g Stevens Enoch, i s Stevenson Richard W., Stokes E. B., Stout Claude, Tavan Valentine, Thomas Charles P., Trussell Clavin R., Trussell Ray, Tullard C. A
Swirrel Edge, Mount Helvellyn, 1854. Mountains in the Lake District. '...toward Ulswater, Helvellyn presents a fine precipice, with Red Tarn lying below it; and, on either side of Red Tarn, the two great buttresses of Swirrel Edge and Striding Edge...It is perhaps, not very dangerous to any one with good nerves and sure feet; but certainly it is very steep and rugged, and the path narrow - in one part so narrow, that you look down a precipice of some hundreds of feet on each side of you, and could drop a stone down from each hand at once. When the clouds are rolling over the Edge, the place lo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swirrel-edge-mount-helvellyn-1854-mountains-in-the-lake-district-toward-ulswater-helvellyn-presents-a-fine-precipice-with-red-tarn-lying-below-it-and-on-either-side-of-red-tarn-the-two-great-buttresses-of-swirrel-edge-and-striding-edgeit-is-perhaps-not-very-dangerous-to-any-one-with-good-nerves-and-sure-feet-but-certainly-it-is-very-steep-and-rugged-and-the-path-narrow-in-one-part-so-narrow-that-you-look-down-a-precipice-of-some-hundreds-of-feet-on-each-side-of-you-and-could-drop-a-stone-down-from-each-hand-at-once-when-the-clouds-are-rolling-over-the-edge-the-place-lo-image481978274.htmlRM2K0405P–Swirrel Edge, Mount Helvellyn, 1854. Mountains in the Lake District. '...toward Ulswater, Helvellyn presents a fine precipice, with Red Tarn lying below it; and, on either side of Red Tarn, the two great buttresses of Swirrel Edge and Striding Edge...It is perhaps, not very dangerous to any one with good nerves and sure feet; but certainly it is very steep and rugged, and the path narrow - in one part so narrow, that you look down a precipice of some hundreds of feet on each side of you, and could drop a stone down from each hand at once. When the clouds are rolling over the Edge, the place lo
!["Little Gretchen" - painted by M. Le Jeune, 1856. Engraving of a painting from the '...Exhibition at the British Institution...one of those happy elaborations that will entitle it to be ranked with some of the best cabinet specimens of the Dutch school. Exquisite in point of expression, and marvellous in point of execution, this is a picture which will materially add to Mr. Le Jeune's reputation. It is a cabinet picture, and was, of course, sold before it was sent. Really good things are soon picked up. What cabinet will contain so choice an example of existing English art?'. From &q Stock Photo](https://c8.alamy.com/comp/2R4DJ6D/quotlittle-gretchenquot-painted-by-m-le-jeune-1856-engraving-of-a-painting-from-the-exhibition-at-the-british-institutionone-of-those-happy-elaborations-that-will-entitle-it-to-be-ranked-with-some-of-the-best-cabinet-specimens-of-the-dutch-school-exquisite-in-point-of-expression-and-marvellous-in-point-of-execution-this-is-a-picture-which-will-materially-add-to-mr-le-jeunes-reputation-it-is-a-cabinet-picture-and-was-of-course-sold-before-it-was-sent-really-good-things-are-soon-picked-up-what-cabinet-will-contain-so-choice-an-example-of-existing-english-art-from-q-2R4DJ6D.jpg ""Little Gretchen" - painted by M. Le Jeune, 1856. Engraving of a painting from the '...Exhibition at the British Institution...one of those happy elaborations that will entitle it to be ranked with some of the best cabinet specimens of the Dutch school. Exquisite in point of expression, and marvellous in point of execution, this is a picture which will materially add to Mr. Le Jeune's reputation. It is a cabinet picture, and was, of course, sold before it was sent. Really good things are soon picked up. What cabinet will contain so choice an example of existing English art?'. From &q Stock Photo")
"Little Gretchen" - painted by M. Le Jeune, 1856. Engraving of a painting from the '...Exhibition at the British Institution...one of those happy elaborations that will entitle it to be ranked with some of the best cabinet specimens of the Dutch school. Exquisite in point of expression, and marvellous in point of execution, this is a picture which will materially add to Mr. Le Jeune's reputation. It is a cabinet picture, and was, of course, sold before it was sent. Really good things are soon picked up. What cabinet will contain so choice an example of existing English art?'. From &q Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotlittle-gretchenquot-painted-by-m-le-jeune-1856-engraving-of-a-painting-from-the-exhibition-at-the-british-institutionone-of-those-happy-elaborations-that-will-entitle-it-to-be-ranked-with-some-of-the-best-cabinet-specimens-of-the-dutch-school-exquisite-in-point-of-expression-and-marvellous-in-point-of-execution-this-is-a-picture-which-will-materially-add-to-mr-le-jeunes-reputation-it-is-a-cabinet-picture-and-was-of-course-sold-before-it-was-sent-really-good-things-are-soon-picked-up-what-cabinet-will-contain-so-choice-an-example-of-existing-english-art-from-q-image553490069.htmlRM2R4DJ6D–"Little Gretchen" - painted by M. Le Jeune, 1856. Engraving of a painting from the '...Exhibition at the British Institution...one of those happy elaborations that will entitle it to be ranked with some of the best cabinet specimens of the Dutch school. Exquisite in point of expression, and marvellous in point of execution, this is a picture which will materially add to Mr. Le Jeune's reputation. It is a cabinet picture, and was, of course, sold before it was sent. Really good things are soon picked up. What cabinet will contain so choice an example of existing English art?'. From &q
!["The Dead Rabbit" - painted by J. Clark - from the Exhibition of the British Institution, 1857. 'The artist has...so successfully rendered the expression of the boys' regret for the fate of their favourite that we can scarcely refrain from testifying our sympathy with their simple grief; especially as their disappointment must be so much increased to find that poor "bunny" will no more be able to nibble any of the fresh green fodder they have provided with such solicitude, and so plentifully . There is a touch of humour, though, in the way in which the bigger boy is holding Stock Photo](https://c8.alamy.com/comp/2R8Y41G/quotthe-dead-rabbitquot-painted-by-j-clark-from-the-exhibition-of-the-british-institution-1857-the-artist-hasso-successfully-rendered-the-expression-of-the-boys-regret-for-the-fate-of-their-favourite-that-we-can-scarcely-refrain-from-testifying-our-sympathy-with-their-simple-grief-especially-as-their-disappointment-must-be-so-much-increased-to-find-that-poor-quotbunnyquot-will-no-more-be-able-to-nibble-any-of-the-fresh-green-fodder-they-have-provided-with-such-solicitude-and-so-plentifully-there-is-a-touch-of-humour-though-in-the-way-in-which-the-bigger-boy-is-holding-2R8Y41G.jpg ""The Dead Rabbit" - painted by J. Clark - from the Exhibition of the British Institution, 1857. 'The artist has...so successfully rendered the expression of the boys' regret for the fate of their favourite that we can scarcely refrain from testifying our sympathy with their simple grief; especially as their disappointment must be so much increased to find that poor "bunny" will no more be able to nibble any of the fresh green fodder they have provided with such solicitude, and so plentifully . There is a touch of humour, though, in the way in which the bigger boy is holding Stock Photo")
"The Dead Rabbit" - painted by J. Clark - from the Exhibition of the British Institution, 1857. 'The artist has...so successfully rendered the expression of the boys' regret for the fate of their favourite that we can scarcely refrain from testifying our sympathy with their simple grief; especially as their disappointment must be so much increased to find that poor "bunny" will no more be able to nibble any of the fresh green fodder they have provided with such solicitude, and so plentifully . There is a touch of humour, though, in the way in which the bigger boy is holding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-dead-rabbitquot-painted-by-j-clark-from-the-exhibition-of-the-british-institution-1857-the-artist-hasso-successfully-rendered-the-expression-of-the-boys-regret-for-the-fate-of-their-favourite-that-we-can-scarcely-refrain-from-testifying-our-sympathy-with-their-simple-grief-especially-as-their-disappointment-must-be-so-much-increased-to-find-that-poor-quotbunnyquot-will-no-more-be-able-to-nibble-any-of-the-fresh-green-fodder-they-have-provided-with-such-solicitude-and-so-plentifully-there-is-a-touch-of-humour-though-in-the-way-in-which-the-bigger-boy-is-holding-image556244908.htmlRM2R8Y41G–"The Dead Rabbit" - painted by J. Clark - from the Exhibition of the British Institution, 1857. 'The artist has...so successfully rendered the expression of the boys' regret for the fate of their favourite that we can scarcely refrain from testifying our sympathy with their simple grief; especially as their disappointment must be so much increased to find that poor "bunny" will no more be able to nibble any of the fresh green fodder they have provided with such solicitude, and so plentifully . There is a touch of humour, though, in the way in which the bigger boy is holding
!["Simon and Iphigenia" - painted by F. Underhill - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting. 'Mr. Underhill has selected a rustic subject, and called it by the quaint and not inappropriate title of "Simon and Iphigenia". The story is simple enough and unmistakable enough. The execution is careful, and the colour throughout rich and in good keeping. It is in every respect a bit of rustic life upon canvas that will find and retain admirers'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DHWN/quotsimon-and-iphigeniaquot-painted-by-f-underhill-from-the-exhibition-of-the-society-of-british-artists-1856-engraving-of-a-painting-mr-underhill-has-selected-a-rustic-subject-and-called-it-by-the-quaint-and-not-inappropriate-title-of-quotsimon-and-iphigeniaquot-the-story-is-simple-enough-and-unmistakable-enough-the-execution-is-careful-and-the-colour-throughout-rich-and-in-good-keeping-it-is-in-every-respect-a-bit-of-rustic-life-upon-canvas-that-will-find-and-retain-admirers-from-quotillustrated-london-newsquot-1856-2R4DHWN.jpg ""Simon and Iphigenia" - painted by F. Underhill - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting. 'Mr. Underhill has selected a rustic subject, and called it by the quaint and not inappropriate title of "Simon and Iphigenia". The story is simple enough and unmistakable enough. The execution is careful, and the colour throughout rich and in good keeping. It is in every respect a bit of rustic life upon canvas that will find and retain admirers'. From "Illustrated London News", 1856. Stock Photo")
"Simon and Iphigenia" - painted by F. Underhill - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting. 'Mr. Underhill has selected a rustic subject, and called it by the quaint and not inappropriate title of "Simon and Iphigenia". The story is simple enough and unmistakable enough. The execution is careful, and the colour throughout rich and in good keeping. It is in every respect a bit of rustic life upon canvas that will find and retain admirers'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotsimon-and-iphigeniaquot-painted-by-f-underhill-from-the-exhibition-of-the-society-of-british-artists-1856-engraving-of-a-painting-mr-underhill-has-selected-a-rustic-subject-and-called-it-by-the-quaint-and-not-inappropriate-title-of-quotsimon-and-iphigeniaquot-the-story-is-simple-enough-and-unmistakable-enough-the-execution-is-careful-and-the-colour-throughout-rich-and-in-good-keeping-it-is-in-every-respect-a-bit-of-rustic-life-upon-canvas-that-will-find-and-retain-admirers-from-quotillustrated-london-newsquot-1856-image553489825.htmlRM2R4DHWN–"Simon and Iphigenia" - painted by F. Underhill - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting. 'Mr. Underhill has selected a rustic subject, and called it by the quaint and not inappropriate title of "Simon and Iphigenia". The story is simple enough and unmistakable enough. The execution is careful, and the colour throughout rich and in good keeping. It is in every respect a bit of rustic life upon canvas that will find and retain admirers'. From "Illustrated London News", 1856.
!["A Scene Suggested by the Death of Pompey" - painted by T. Danby, 1856. Engraving of a painting in the exhibition at the British Institution, '...from the prolific and poetic pencil of Mr. T. Danby. Truly poetic is it in many parts, and very careful in point of execution'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DJ74/quota-scene-suggested-by-the-death-of-pompeyquot-painted-by-t-danby-1856-engraving-of-a-painting-in-the-exhibition-at-the-british-institution-from-the-prolific-and-poetic-pencil-of-mr-t-danby-truly-poetic-is-it-in-many-parts-and-very-careful-in-point-of-execution-from-quotillustrated-london-newsquot-1856-2R4DJ74.jpg ""A Scene Suggested by the Death of Pompey" - painted by T. Danby, 1856. Engraving of a painting in the exhibition at the British Institution, '...from the prolific and poetic pencil of Mr. T. Danby. Truly poetic is it in many parts, and very careful in point of execution'. From "Illustrated London News", 1856. Stock Photo")
"A Scene Suggested by the Death of Pompey" - painted by T. Danby, 1856. Engraving of a painting in the exhibition at the British Institution, '...from the prolific and poetic pencil of Mr. T. Danby. Truly poetic is it in many parts, and very careful in point of execution'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quota-scene-suggested-by-the-death-of-pompeyquot-painted-by-t-danby-1856-engraving-of-a-painting-in-the-exhibition-at-the-british-institution-from-the-prolific-and-poetic-pencil-of-mr-t-danby-truly-poetic-is-it-in-many-parts-and-very-careful-in-point-of-execution-from-quotillustrated-london-newsquot-1856-image553490088.htmlRM2R4DJ74–"A Scene Suggested by the Death of Pompey" - painted by T. Danby, 1856. Engraving of a painting in the exhibition at the British Institution, '...from the prolific and poetic pencil of Mr. T. Danby. Truly poetic is it in many parts, and very careful in point of execution'. From "Illustrated London News", 1856.
!["The Picture of Innocence" - painted by Alfred Corbould - from the Exhibition of the British Institution, 1856. 'We this week continue our Illustrations from this the first Exhibition of the Pictorial Season. Our...Illustration is "The Picture of Innocence," by Mr. Alfred Corbould - a picture that tells its own story, and has a touch, both in conception and execution, of Sir Joshua [Reynolds] about it. "The Picture of Innocence" is Mr. Alfred Corbould's solitary contribution to the Exhibition'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DJ96/quotthe-picture-of-innocencequot-painted-by-alfred-corbould-from-the-exhibition-of-the-british-institution-1856-we-this-week-continue-our-illustrations-from-this-the-first-exhibition-of-the-pictorial-season-ourillustration-is-quotthe-picture-of-innocencequot-by-mr-alfred-corbould-a-picture-that-tells-its-own-story-and-has-a-touch-both-in-conception-and-execution-of-sir-joshua-reynolds-about-it-quotthe-picture-of-innocencequot-is-mr-alfred-corboulds-solitary-contribution-to-the-exhibition-from-quotillustrated-london-newsquot-1856-2R4DJ96.jpg ""The Picture of Innocence" - painted by Alfred Corbould - from the Exhibition of the British Institution, 1856. 'We this week continue our Illustrations from this the first Exhibition of the Pictorial Season. Our...Illustration is "The Picture of Innocence," by Mr. Alfred Corbould - a picture that tells its own story, and has a touch, both in conception and execution, of Sir Joshua [Reynolds] about it. "The Picture of Innocence" is Mr. Alfred Corbould's solitary contribution to the Exhibition'. From "Illustrated London News", 1856. Stock Photo")
"The Picture of Innocence" - painted by Alfred Corbould - from the Exhibition of the British Institution, 1856. 'We this week continue our Illustrations from this the first Exhibition of the Pictorial Season. Our...Illustration is "The Picture of Innocence," by Mr. Alfred Corbould - a picture that tells its own story, and has a touch, both in conception and execution, of Sir Joshua [Reynolds] about it. "The Picture of Innocence" is Mr. Alfred Corbould's solitary contribution to the Exhibition'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-picture-of-innocencequot-painted-by-alfred-corbould-from-the-exhibition-of-the-british-institution-1856-we-this-week-continue-our-illustrations-from-this-the-first-exhibition-of-the-pictorial-season-ourillustration-is-quotthe-picture-of-innocencequot-by-mr-alfred-corbould-a-picture-that-tells-its-own-story-and-has-a-touch-both-in-conception-and-execution-of-sir-joshua-reynolds-about-it-quotthe-picture-of-innocencequot-is-mr-alfred-corboulds-solitary-contribution-to-the-exhibition-from-quotillustrated-london-newsquot-1856-image553490146.htmlRM2R4DJ96–"The Picture of Innocence" - painted by Alfred Corbould - from the Exhibition of the British Institution, 1856. 'We this week continue our Illustrations from this the first Exhibition of the Pictorial Season. Our...Illustration is "The Picture of Innocence," by Mr. Alfred Corbould - a picture that tells its own story, and has a touch, both in conception and execution, of Sir Joshua [Reynolds] about it. "The Picture of Innocence" is Mr. Alfred Corbould's solitary contribution to the Exhibition'. From "Illustrated London News", 1856.
!["Faith, Hope and Charity" - sculpted by J. Thomas, 1858. '...three fine works...[which] have been executed for a mausoleum now being erected in the Necropolis, Glasgow, for the family of John Houldsworth, Esq...We consider these sculptures to be amongst the best of Mr. Thomas's productions. The "Hope" is noble in character, firm, and dignified in attitude. The "Charity" is replete with kind and benevolent sentiment. In her arms a child is nestling, upon which her face beams with tender affection. The "Faith" is a finely-conceived figure; the face upturne Stock Photo](https://c8.alamy.com/comp/2RRJ9P1/quotfaith-hope-and-charityquot-sculpted-by-j-thomas-1858-three-fine-works-which-have-been-executed-for-a-mausoleum-now-being-erected-in-the-necropolis-glasgow-for-the-family-of-john-houldsworth-esqwe-consider-these-sculptures-to-be-amongst-the-best-of-mr-thomass-productions-the-quothopequot-is-noble-in-character-firm-and-dignified-in-attitude-the-quotcharityquot-is-replete-with-kind-and-benevolent-sentiment-in-her-arms-a-child-is-nestling-upon-which-her-face-beams-with-tender-affection-the-quotfaithquot-is-a-finely-conceived-figure-the-face-upturne-2RRJ9P1.jpg ""Faith, Hope and Charity" - sculpted by J. Thomas, 1858. '...three fine works...[which] have been executed for a mausoleum now being erected in the Necropolis, Glasgow, for the family of John Houldsworth, Esq...We consider these sculptures to be amongst the best of Mr. Thomas's productions. The "Hope" is noble in character, firm, and dignified in attitude. The "Charity" is replete with kind and benevolent sentiment. In her arms a child is nestling, upon which her face beams with tender affection. The "Faith" is a finely-conceived figure; the face upturne Stock Photo")
"Faith, Hope and Charity" - sculpted by J. Thomas, 1858. '...three fine works...[which] have been executed for a mausoleum now being erected in the Necropolis, Glasgow, for the family of John Houldsworth, Esq...We consider these sculptures to be amongst the best of Mr. Thomas's productions. The "Hope" is noble in character, firm, and dignified in attitude. The "Charity" is replete with kind and benevolent sentiment. In her arms a child is nestling, upon which her face beams with tender affection. The "Faith" is a finely-conceived figure; the face upturne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotfaith-hope-and-charityquot-sculpted-by-j-thomas-1858-three-fine-works-which-have-been-executed-for-a-mausoleum-now-being-erected-in-the-necropolis-glasgow-for-the-family-of-john-houldsworth-esqwe-consider-these-sculptures-to-be-amongst-the-best-of-mr-thomass-productions-the-quothopequot-is-noble-in-character-firm-and-dignified-in-attitude-the-quotcharityquot-is-replete-with-kind-and-benevolent-sentiment-in-her-arms-a-child-is-nestling-upon-which-her-face-beams-with-tender-affection-the-quotfaithquot-is-a-finely-conceived-figure-the-face-upturne-image565271673.htmlRM2RRJ9P1–"Faith, Hope and Charity" - sculpted by J. Thomas, 1858. '...three fine works...[which] have been executed for a mausoleum now being erected in the Necropolis, Glasgow, for the family of John Houldsworth, Esq...We consider these sculptures to be amongst the best of Mr. Thomas's productions. The "Hope" is noble in character, firm, and dignified in attitude. The "Charity" is replete with kind and benevolent sentiment. In her arms a child is nestling, upon which her face beams with tender affection. The "Faith" is a finely-conceived figure; the face upturne
![Statue of the poet Wordsworth, just placed in Westminster Abbey, 1854. 'Shortly after the death of the venerable poet-laureate, Wordsworth, in 1850, a subscription was commenced for the placing of his statue in Westminster Abbey - a fit location for the memorial of one whose poetic vocation lay in "the paths of peace," and in commemorating the simplicity of beautiful nature. The Statue has been ably executed in marble by Mr. Thrupp: it represents the thoughtful poet seated; the only accessories being the simple flowers of which he loved to sing. The Statue stands in the Baptistery of Stock Photo](https://c8.alamy.com/comp/2K040YW/statue-of-the-poet-wordsworth-just-placed-in-westminster-abbey-1854-shortly-after-the-death-of-the-venerable-poet-laureate-wordsworth-in-1850-a-subscription-was-commenced-for-the-placing-of-his-statue-in-westminster-abbey-a-fit-location-for-the-memorial-of-one-whose-poetic-vocation-lay-in-quotthe-paths-of-peacequot-and-in-commemorating-the-simplicity-of-beautiful-nature-the-statue-has-been-ably-executed-in-marble-by-mr-thrupp-it-represents-the-thoughtful-poet-seated-the-only-accessories-being-the-simple-flowers-of-which-he-loved-to-sing-the-statue-stands-in-the-baptistery-of-2K040YW.jpg "Statue of the poet Wordsworth, just placed in Westminster Abbey, 1854. 'Shortly after the death of the venerable poet-laureate, Wordsworth, in 1850, a subscription was commenced for the placing of his statue in Westminster Abbey - a fit location for the memorial of one whose poetic vocation lay in "the paths of peace," and in commemorating the simplicity of beautiful nature. The Statue has been ably executed in marble by Mr. Thrupp: it represents the thoughtful poet seated; the only accessories being the simple flowers of which he loved to sing. The Statue stands in the Baptistery of Stock Photo")
Statue of the poet Wordsworth, just placed in Westminster Abbey, 1854. 'Shortly after the death of the venerable poet-laureate, Wordsworth, in 1850, a subscription was commenced for the placing of his statue in Westminster Abbey - a fit location for the memorial of one whose poetic vocation lay in "the paths of peace," and in commemorating the simplicity of beautiful nature. The Statue has been ably executed in marble by Mr. Thrupp: it represents the thoughtful poet seated; the only accessories being the simple flowers of which he loved to sing. The Statue stands in the Baptistery of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-the-poet-wordsworth-just-placed-in-westminster-abbey-1854-shortly-after-the-death-of-the-venerable-poet-laureate-wordsworth-in-1850-a-subscription-was-commenced-for-the-placing-of-his-statue-in-westminster-abbey-a-fit-location-for-the-memorial-of-one-whose-poetic-vocation-lay-in-quotthe-paths-of-peacequot-and-in-commemorating-the-simplicity-of-beautiful-nature-the-statue-has-been-ably-executed-in-marble-by-mr-thrupp-it-represents-the-thoughtful-poet-seated-the-only-accessories-being-the-simple-flowers-of-which-he-loved-to-sing-the-statue-stands-in-the-baptistery-of-image481978893.htmlRM2K040YW–Statue of the poet Wordsworth, just placed in Westminster Abbey, 1854. 'Shortly after the death of the venerable poet-laureate, Wordsworth, in 1850, a subscription was commenced for the placing of his statue in Westminster Abbey - a fit location for the memorial of one whose poetic vocation lay in "the paths of peace," and in commemorating the simplicity of beautiful nature. The Statue has been ably executed in marble by Mr. Thrupp: it represents the thoughtful poet seated; the only accessories being the simple flowers of which he loved to sing. The Statue stands in the Baptistery of
!["Beg, Sir!" - painted by Cobbett, from the Exhibition of the Society of British Artists, 1857. Engraving of '...Mr. Cobbett's extremely charming picture, "Beg, Sir!". This is precisely one of those pictures the subjects of which genius alone can redeem from being silly and commonplace, but also exactly the kind of work in which that genius can most distinctly assert itself. We will not obtrude any remarks on the perfect naturalness of a picture which our Engraving alone renders quite unnecessary'. From "Illustrated London News", 1857. Stock Photo](https://c8.alamy.com/comp/2R8Y3EY/quotbeg-sir!quot-painted-by-cobbett-from-the-exhibition-of-the-society-of-british-artists-1857-engraving-of-mr-cobbetts-extremely-charming-picture-quotbeg-sir!quot-this-is-precisely-one-of-those-pictures-the-subjects-of-which-genius-alone-can-redeem-from-being-silly-and-commonplace-but-also-exactly-the-kind-of-work-in-which-that-genius-can-most-distinctly-assert-itself-we-will-not-obtrude-any-remarks-on-the-perfect-naturalness-of-a-picture-which-our-engraving-alone-renders-quite-unnecessary-from-quotillustrated-london-newsquot-1857-2R8Y3EY.jpg ""Beg, Sir!" - painted by Cobbett, from the Exhibition of the Society of British Artists, 1857. Engraving of '...Mr. Cobbett's extremely charming picture, "Beg, Sir!". This is precisely one of those pictures the subjects of which genius alone can redeem from being silly and commonplace, but also exactly the kind of work in which that genius can most distinctly assert itself. We will not obtrude any remarks on the perfect naturalness of a picture which our Engraving alone renders quite unnecessary'. From "Illustrated London News", 1857. Stock Photo")
"Beg, Sir!" - painted by Cobbett, from the Exhibition of the Society of British Artists, 1857. Engraving of '...Mr. Cobbett's extremely charming picture, "Beg, Sir!". This is precisely one of those pictures the subjects of which genius alone can redeem from being silly and commonplace, but also exactly the kind of work in which that genius can most distinctly assert itself. We will not obtrude any remarks on the perfect naturalness of a picture which our Engraving alone renders quite unnecessary'. From "Illustrated London News", 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotbeg-sir!quot-painted-by-cobbett-from-the-exhibition-of-the-society-of-british-artists-1857-engraving-of-mr-cobbetts-extremely-charming-picture-quotbeg-sir!quot-this-is-precisely-one-of-those-pictures-the-subjects-of-which-genius-alone-can-redeem-from-being-silly-and-commonplace-but-also-exactly-the-kind-of-work-in-which-that-genius-can-most-distinctly-assert-itself-we-will-not-obtrude-any-remarks-on-the-perfect-naturalness-of-a-picture-which-our-engraving-alone-renders-quite-unnecessary-from-quotillustrated-london-newsquot-1857-image556244499.htmlRM2R8Y3EY–"Beg, Sir!" - painted by Cobbett, from the Exhibition of the Society of British Artists, 1857. Engraving of '...Mr. Cobbett's extremely charming picture, "Beg, Sir!". This is precisely one of those pictures the subjects of which genius alone can redeem from being silly and commonplace, but also exactly the kind of work in which that genius can most distinctly assert itself. We will not obtrude any remarks on the perfect naturalness of a picture which our Engraving alone renders quite unnecessary'. From "Illustrated London News", 1857.
!["A Neapolitan Peasant Boy" - painted by F. Y. Hurlestone [sic] - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting '...by Mr. Hurlestone, the President of the Society...There is a touch of Murillo in this picture - and it is as good an example of Mr. Hurlestone's style as this year's Exhibition will be found to supply'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DH91/quota-neapolitan-peasant-boyquot-painted-by-f-y-hurlestone-sic-from-the-exhibition-of-the-society-of-british-artists-1856-engraving-of-a-painting-by-mr-hurlestone-the-president-of-the-societythere-is-a-touch-of-murillo-in-this-picture-and-it-is-as-good-an-example-of-mr-hurlestones-style-as-this-years-exhibition-will-be-found-to-supply-from-quotillustrated-london-newsquot-1856-2R4DH91.jpg ""A Neapolitan Peasant Boy" - painted by F. Y. Hurlestone [sic] - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting '...by Mr. Hurlestone, the President of the Society...There is a touch of Murillo in this picture - and it is as good an example of Mr. Hurlestone's style as this year's Exhibition will be found to supply'. From "Illustrated London News", 1856. Stock Photo")
"A Neapolitan Peasant Boy" - painted by F. Y. Hurlestone [sic] - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting '...by Mr. Hurlestone, the President of the Society...There is a touch of Murillo in this picture - and it is as good an example of Mr. Hurlestone's style as this year's Exhibition will be found to supply'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quota-neapolitan-peasant-boyquot-painted-by-f-y-hurlestone-sic-from-the-exhibition-of-the-society-of-british-artists-1856-engraving-of-a-painting-by-mr-hurlestone-the-president-of-the-societythere-is-a-touch-of-murillo-in-this-picture-and-it-is-as-good-an-example-of-mr-hurlestones-style-as-this-years-exhibition-will-be-found-to-supply-from-quotillustrated-london-newsquot-1856-image553489357.htmlRM2R4DH91–"A Neapolitan Peasant Boy" - painted by F. Y. Hurlestone [sic] - from the Exhibition of the Society of British Artists, 1856. Engraving of a painting '...by Mr. Hurlestone, the President of the Society...There is a touch of Murillo in this picture - and it is as good an example of Mr. Hurlestone's style as this year's Exhibition will be found to supply'. From "Illustrated London News", 1856.
!["The Lily" - painted by C. Baxter - from the Exhibition of the Society of British Artists, 1856. 'One of the sweetest pictures in the Suffolk-street Exhibition...is "The Lily"- a half-length of a girl of twenty - from the facile and graceful pencil of Mr. Charles Baxter. It is a something between portraiture and poetry. It is, in a word, Mr. Baxter's ideal of a beautiful woman. We could have wished that Mr. Baxter had found some other title for this representation of female loveliness than the hackneyed title of "The Lily." Our poets and romance-writers would easi Stock Photo](https://c8.alamy.com/comp/2R4DJ1D/quotthe-lilyquot-painted-by-c-baxter-from-the-exhibition-of-the-society-of-british-artists-1856-one-of-the-sweetest-pictures-in-the-suffolk-street-exhibitionis-quotthe-lilyquot-a-half-length-of-a-girl-of-twenty-from-the-facile-and-graceful-pencil-of-mr-charles-baxter-it-is-a-something-between-portraiture-and-poetry-it-is-in-a-word-mr-baxters-ideal-of-a-beautiful-woman-we-could-have-wished-that-mr-baxter-had-found-some-other-title-for-this-representation-of-female-loveliness-than-the-hackneyed-title-of-quotthe-lilyquot-our-poets-and-romance-writers-would-easi-2R4DJ1D.jpg ""The Lily" - painted by C. Baxter - from the Exhibition of the Society of British Artists, 1856. 'One of the sweetest pictures in the Suffolk-street Exhibition...is "The Lily"- a half-length of a girl of twenty - from the facile and graceful pencil of Mr. Charles Baxter. It is a something between portraiture and poetry. It is, in a word, Mr. Baxter's ideal of a beautiful woman. We could have wished that Mr. Baxter had found some other title for this representation of female loveliness than the hackneyed title of "The Lily." Our poets and romance-writers would easi Stock Photo")
"The Lily" - painted by C. Baxter - from the Exhibition of the Society of British Artists, 1856. 'One of the sweetest pictures in the Suffolk-street Exhibition...is "The Lily"- a half-length of a girl of twenty - from the facile and graceful pencil of Mr. Charles Baxter. It is a something between portraiture and poetry. It is, in a word, Mr. Baxter's ideal of a beautiful woman. We could have wished that Mr. Baxter had found some other title for this representation of female loveliness than the hackneyed title of "The Lily." Our poets and romance-writers would easi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-lilyquot-painted-by-c-baxter-from-the-exhibition-of-the-society-of-british-artists-1856-one-of-the-sweetest-pictures-in-the-suffolk-street-exhibitionis-quotthe-lilyquot-a-half-length-of-a-girl-of-twenty-from-the-facile-and-graceful-pencil-of-mr-charles-baxter-it-is-a-something-between-portraiture-and-poetry-it-is-in-a-word-mr-baxters-ideal-of-a-beautiful-woman-we-could-have-wished-that-mr-baxter-had-found-some-other-title-for-this-representation-of-female-loveliness-than-the-hackneyed-title-of-quotthe-lilyquot-our-poets-and-romance-writers-would-easi-image553489929.htmlRM2R4DJ1D–"The Lily" - painted by C. Baxter - from the Exhibition of the Society of British Artists, 1856. 'One of the sweetest pictures in the Suffolk-street Exhibition...is "The Lily"- a half-length of a girl of twenty - from the facile and graceful pencil of Mr. Charles Baxter. It is a something between portraiture and poetry. It is, in a word, Mr. Baxter's ideal of a beautiful woman. We could have wished that Mr. Baxter had found some other title for this representation of female loveliness than the hackneyed title of "The Lily." Our poets and romance-writers would easi
![Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. 'The central figure is Brahma; on the right is Siva; the left is Vishnu. Brahma, the Creator; Vishnu, the Preserver ; Siva, the Destroyer - three in one - sprung, according to Hindoo mythology, from Brahm, the Almighty, the one Supreme Being, who existed before everything. The doctrine of the Trinity pervades all religions. It is found in the three principles of Chaldaic theology, in the Triplasios Mithra of Persia, in the numen triplix of Japan, in the inscription on the medal found in the deserts of Siberia, "to the Triune Go Stock Photo](https://c8.alamy.com/comp/2RRJ9Y4/indian-deities-trimurti-the-hindoo-triad-or-trinity-1858-the-central-figure-is-brahma-on-the-right-is-siva-the-left-is-vishnu-brahma-the-creator-vishnu-the-preserver-siva-the-destroyer-three-in-one-sprung-according-to-hindoo-mythology-from-brahm-the-almighty-the-one-supreme-being-who-existed-before-everything-the-doctrine-of-the-trinity-pervades-all-religions-it-is-found-in-the-three-principles-of-chaldaic-theology-in-the-triplasios-mithra-of-persia-in-the-numen-triplix-of-japan-in-the-inscription-on-the-medal-found-in-the-deserts-of-siberia-quotto-the-triune-go-2RRJ9Y4.jpg "Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. 'The central figure is Brahma; on the right is Siva; the left is Vishnu. Brahma, the Creator; Vishnu, the Preserver ; Siva, the Destroyer - three in one - sprung, according to Hindoo mythology, from Brahm, the Almighty, the one Supreme Being, who existed before everything. The doctrine of the Trinity pervades all religions. It is found in the three principles of Chaldaic theology, in the Triplasios Mithra of Persia, in the numen triplix of Japan, in the inscription on the medal found in the deserts of Siberia, "to the Triune Go Stock Photo")
Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. 'The central figure is Brahma; on the right is Siva; the left is Vishnu. Brahma, the Creator; Vishnu, the Preserver ; Siva, the Destroyer - three in one - sprung, according to Hindoo mythology, from Brahm, the Almighty, the one Supreme Being, who existed before everything. The doctrine of the Trinity pervades all religions. It is found in the three principles of Chaldaic theology, in the Triplasios Mithra of Persia, in the numen triplix of Japan, in the inscription on the medal found in the deserts of Siberia, "to the Triune Go Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indian-deities-trimurti-the-hindoo-triad-or-trinity-1858-the-central-figure-is-brahma-on-the-right-is-siva-the-left-is-vishnu-brahma-the-creator-vishnu-the-preserver-siva-the-destroyer-three-in-one-sprung-according-to-hindoo-mythology-from-brahm-the-almighty-the-one-supreme-being-who-existed-before-everything-the-doctrine-of-the-trinity-pervades-all-religions-it-is-found-in-the-three-principles-of-chaldaic-theology-in-the-triplasios-mithra-of-persia-in-the-numen-triplix-of-japan-in-the-inscription-on-the-medal-found-in-the-deserts-of-siberia-quotto-the-triune-go-image565271816.htmlRM2RRJ9Y4–Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. 'The central figure is Brahma; on the right is Siva; the left is Vishnu. Brahma, the Creator; Vishnu, the Preserver ; Siva, the Destroyer - three in one - sprung, according to Hindoo mythology, from Brahm, the Almighty, the one Supreme Being, who existed before everything. The doctrine of the Trinity pervades all religions. It is found in the three principles of Chaldaic theology, in the Triplasios Mithra of Persia, in the numen triplix of Japan, in the inscription on the medal found in the deserts of Siberia, "to the Triune Go
!["Miss Agnes Gladstone and her Brother Herbert, Children of the Rt. Hon. W. E. Gladstone, M.P., marble group, alto relievo" - by A. Munro - from the Exhibition of the Royal Academy, 1856. Carved portrait of the children of British politician William Ewart Gladstone. 'Among the English sculptors who have risen of late to support the school established by Banks and Flaxman, Mr. Munro is by far the ablest. He draws his inspiration from classic sources, and imbues his conceptions with a poetry and domestic beauty of his own. He has also a fine eye and hand for transferring his conceptions Stock Photo](https://c8.alamy.com/comp/2R4DH4P/quotmiss-agnes-gladstone-and-her-brother-herbert-children-of-the-rt-hon-w-e-gladstone-mp-marble-group-alto-relievoquot-by-a-munro-from-the-exhibition-of-the-royal-academy-1856-carved-portrait-of-the-children-of-british-politician-william-ewart-gladstone-among-the-english-sculptors-who-have-risen-of-late-to-support-the-school-established-by-banks-and-flaxman-mr-munro-is-by-far-the-ablest-he-draws-his-inspiration-from-classic-sources-and-imbues-his-conceptions-with-a-poetry-and-domestic-beauty-of-his-own-he-has-also-a-fine-eye-and-hand-for-transferring-his-conceptions-2R4DH4P.jpg ""Miss Agnes Gladstone and her Brother Herbert, Children of the Rt. Hon. W. E. Gladstone, M.P., marble group, alto relievo" - by A. Munro - from the Exhibition of the Royal Academy, 1856. Carved portrait of the children of British politician William Ewart Gladstone. 'Among the English sculptors who have risen of late to support the school established by Banks and Flaxman, Mr. Munro is by far the ablest. He draws his inspiration from classic sources, and imbues his conceptions with a poetry and domestic beauty of his own. He has also a fine eye and hand for transferring his conceptions Stock Photo")
"Miss Agnes Gladstone and her Brother Herbert, Children of the Rt. Hon. W. E. Gladstone, M.P., marble group, alto relievo" - by A. Munro - from the Exhibition of the Royal Academy, 1856. Carved portrait of the children of British politician William Ewart Gladstone. 'Among the English sculptors who have risen of late to support the school established by Banks and Flaxman, Mr. Munro is by far the ablest. He draws his inspiration from classic sources, and imbues his conceptions with a poetry and domestic beauty of his own. He has also a fine eye and hand for transferring his conceptions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotmiss-agnes-gladstone-and-her-brother-herbert-children-of-the-rt-hon-w-e-gladstone-mp-marble-group-alto-relievoquot-by-a-munro-from-the-exhibition-of-the-royal-academy-1856-carved-portrait-of-the-children-of-british-politician-william-ewart-gladstone-among-the-english-sculptors-who-have-risen-of-late-to-support-the-school-established-by-banks-and-flaxman-mr-munro-is-by-far-the-ablest-he-draws-his-inspiration-from-classic-sources-and-imbues-his-conceptions-with-a-poetry-and-domestic-beauty-of-his-own-he-has-also-a-fine-eye-and-hand-for-transferring-his-conceptions-image553489238.htmlRM2R4DH4P–"Miss Agnes Gladstone and her Brother Herbert, Children of the Rt. Hon. W. E. Gladstone, M.P., marble group, alto relievo" - by A. Munro - from the Exhibition of the Royal Academy, 1856. Carved portrait of the children of British politician William Ewart Gladstone. 'Among the English sculptors who have risen of late to support the school established by Banks and Flaxman, Mr. Munro is by far the ablest. He draws his inspiration from classic sources, and imbues his conceptions with a poetry and domestic beauty of his own. He has also a fine eye and hand for transferring his conceptions
![Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photo](https://c8.alamy.com/comp/2R4DHC8/additions-to-the-assyrian-sculptures-at-the-british-museum-the-king-in-his-chariot-1856-slab-from-the-north-palace-at-kouyunjik-discovered-in-1854-by-mr-hormuzd-rassamwe-have-a-continuous-series-with-but-one-break-of-twenty-three-slabs-depicting-a-royal-lion-huntwe-find-also-in-these-sculptures-good-evidence-that-the-kings-of-assyria-were-not-genuine-huntsmen-they-did-not-seek-the-lion-and-hunt-him-in-his-own-jungle-but-had-him-trapped-and-reserved-for-special-occasions-the-slab-is-most-elaborately-cut-and-full-of-rich-detail-the-king-is-in-his-chariot-with-two-attend-2R4DHC8.jpg "Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photo")
Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/additions-to-the-assyrian-sculptures-at-the-british-museum-the-king-in-his-chariot-1856-slab-from-the-north-palace-at-kouyunjik-discovered-in-1854-by-mr-hormuzd-rassamwe-have-a-continuous-series-with-but-one-break-of-twenty-three-slabs-depicting-a-royal-lion-huntwe-find-also-in-these-sculptures-good-evidence-that-the-kings-of-assyria-were-not-genuine-huntsmen-they-did-not-seek-the-lion-and-hunt-him-in-his-own-jungle-but-had-him-trapped-and-reserved-for-special-occasions-the-slab-is-most-elaborately-cut-and-full-of-rich-detail-the-king-is-in-his-chariot-with-two-attend-image553489448.htmlRM2R4DHC8–Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend
The late Louis-Philippe, Ex-King of the French, 1850. Portrait of former French king Louis Philippe I, surrounded by vignettes of incidents from his life. He died at Claremont, a royal residence in Surrey. 'Dr. Chomel, the eminent physician of Paris, was summoned to Claremont, but his skill proved of no avail, and on him devolved the melancholy duty of communicating to the ex-Monarch his approaching dissolution. He received the sad information with calmness, on Sunday morning last, in the presence of the ex-Queen, and then prepared for the final arrangements which he wished to make. He then ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-late-louis-philippe-ex-king-of-the-french-1850-portrait-of-former-french-king-louis-philippe-i-surrounded-by-vignettes-of-incidents-from-his-life-he-died-at-claremont-a-royal-residence-in-surrey-dr-chomel-the-eminent-physician-of-paris-was-summoned-to-claremont-but-his-skill-proved-of-no-avail-and-on-him-devolved-the-melancholy-duty-of-communicating-to-the-ex-monarch-his-approaching-dissolution-he-received-the-sad-information-with-calmness-on-sunday-morning-last-in-the-presence-of-the-ex-queen-and-then-prepared-for-the-final-arrangements-which-he-wished-to-make-he-then-ca-image462359250.htmlRM2HT67XA–The late Louis-Philippe, Ex-King of the French, 1850. Portrait of former French king Louis Philippe I, surrounded by vignettes of incidents from his life. He died at Claremont, a royal residence in Surrey. 'Dr. Chomel, the eminent physician of Paris, was summoned to Claremont, but his skill proved of no avail, and on him devolved the melancholy duty of communicating to the ex-Monarch his approaching dissolution. He received the sad information with calmness, on Sunday morning last, in the presence of the ex-Queen, and then prepared for the final arrangements which he wished to make. He then ca
!["Time of the Persecution of the Christian Reformers in Paris, in 1559" - painted by J.C. Hook, A.R.A. - from the Exhibition of the Royal Academy, 1854. 'We are not sure...that religious animosities are altogether fitting subjects for the pencil of the painter...Mr. Hook, in his well-told story, has represented the Roman Catholics of France in 1559 triumphant in the streets, singing canticles before images, inviting all who passed by to join in their devotion, and insulting and beating those whose belief led them to a contrary worship. Observe the insult that is offered to the Christi Stock Photo](https://c8.alamy.com/comp/2K03XNX/quottime-of-the-persecution-of-the-christian-reformers-in-paris-in-1559quot-painted-by-jc-hook-ara-from-the-exhibition-of-the-royal-academy-1854-we-are-not-surethat-religious-animosities-are-altogether-fitting-subjects-for-the-pencil-of-the-paintermr-hook-in-his-well-told-story-has-represented-the-roman-catholics-of-france-in-1559-triumphant-in-the-streets-singing-canticles-before-images-inviting-all-who-passed-by-to-join-in-their-devotion-and-insulting-and-beating-those-whose-belief-led-them-to-a-contrary-worship-observe-the-insult-that-is-offered-to-the-christi-2K03XNX.jpg ""Time of the Persecution of the Christian Reformers in Paris, in 1559" - painted by J.C. Hook, A.R.A. - from the Exhibition of the Royal Academy, 1854. 'We are not sure...that religious animosities are altogether fitting subjects for the pencil of the painter...Mr. Hook, in his well-told story, has represented the Roman Catholics of France in 1559 triumphant in the streets, singing canticles before images, inviting all who passed by to join in their devotion, and insulting and beating those whose belief led them to a contrary worship. Observe the insult that is offered to the Christi Stock Photo")
"Time of the Persecution of the Christian Reformers in Paris, in 1559" - painted by J.C. Hook, A.R.A. - from the Exhibition of the Royal Academy, 1854. 'We are not sure...that religious animosities are altogether fitting subjects for the pencil of the painter...Mr. Hook, in his well-told story, has represented the Roman Catholics of France in 1559 triumphant in the streets, singing canticles before images, inviting all who passed by to join in their devotion, and insulting and beating those whose belief led them to a contrary worship. Observe the insult that is offered to the Christi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quottime-of-the-persecution-of-the-christian-reformers-in-paris-in-1559quot-painted-by-jc-hook-ara-from-the-exhibition-of-the-royal-academy-1854-we-are-not-surethat-religious-animosities-are-altogether-fitting-subjects-for-the-pencil-of-the-paintermr-hook-in-his-well-told-story-has-represented-the-roman-catholics-of-france-in-1559-triumphant-in-the-streets-singing-canticles-before-images-inviting-all-who-passed-by-to-join-in-their-devotion-and-insulting-and-beating-those-whose-belief-led-them-to-a-contrary-worship-observe-the-insult-that-is-offered-to-the-christi-image481977158.htmlRM2K03XNX–"Time of the Persecution of the Christian Reformers in Paris, in 1559" - painted by J.C. Hook, A.R.A. - from the Exhibition of the Royal Academy, 1854. 'We are not sure...that religious animosities are altogether fitting subjects for the pencil of the painter...Mr. Hook, in his well-told story, has represented the Roman Catholics of France in 1559 triumphant in the streets, singing canticles before images, inviting all who passed by to join in their devotion, and insulting and beating those whose belief led them to a contrary worship. Observe the insult that is offered to the Christi
!["Christmas Time" - painted by W. Hemsley, 1857. 'He volunteered, no doubt, with boyish bravado, to face the weather and steal - for nearly all the holly used at Christmas is stolen - the basketful of holly on his arm; and with his "comforter" over his mouth, and his trousers turned up to trudge through the snow...his spirits flag, and, instead of quickening his pace, we find him at last reduced to a halt, with the ruefully droll expression which Mr. Hemsley has so successfully caught. His naturally audacity is confessedly subdued in his pitifully knit brows, and he puffs, a Stock Photo](https://c8.alamy.com/comp/2R8Y38W/quotchristmas-timequot-painted-by-w-hemsley-1857-he-volunteered-no-doubt-with-boyish-bravado-to-face-the-weather-and-steal-for-nearly-all-the-holly-used-at-christmas-is-stolen-the-basketful-of-holly-on-his-arm-and-with-his-quotcomforterquot-over-his-mouth-and-his-trousers-turned-up-to-trudge-through-the-snowhis-spirits-flag-and-instead-of-quickening-his-pace-we-find-him-at-last-reduced-to-a-halt-with-the-ruefully-droll-expression-which-mr-hemsley-has-so-successfully-caught-his-naturally-audacity-is-confessedly-subdued-in-his-pitifully-knit-brows-and-he-puffs-a-2R8Y38W.jpg ""Christmas Time" - painted by W. Hemsley, 1857. 'He volunteered, no doubt, with boyish bravado, to face the weather and steal - for nearly all the holly used at Christmas is stolen - the basketful of holly on his arm; and with his "comforter" over his mouth, and his trousers turned up to trudge through the snow...his spirits flag, and, instead of quickening his pace, we find him at last reduced to a halt, with the ruefully droll expression which Mr. Hemsley has so successfully caught. His naturally audacity is confessedly subdued in his pitifully knit brows, and he puffs, a Stock Photo")
"Christmas Time" - painted by W. Hemsley, 1857. 'He volunteered, no doubt, with boyish bravado, to face the weather and steal - for nearly all the holly used at Christmas is stolen - the basketful of holly on his arm; and with his "comforter" over his mouth, and his trousers turned up to trudge through the snow...his spirits flag, and, instead of quickening his pace, we find him at last reduced to a halt, with the ruefully droll expression which Mr. Hemsley has so successfully caught. His naturally audacity is confessedly subdued in his pitifully knit brows, and he puffs, a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotchristmas-timequot-painted-by-w-hemsley-1857-he-volunteered-no-doubt-with-boyish-bravado-to-face-the-weather-and-steal-for-nearly-all-the-holly-used-at-christmas-is-stolen-the-basketful-of-holly-on-his-arm-and-with-his-quotcomforterquot-over-his-mouth-and-his-trousers-turned-up-to-trudge-through-the-snowhis-spirits-flag-and-instead-of-quickening-his-pace-we-find-him-at-last-reduced-to-a-halt-with-the-ruefully-droll-expression-which-mr-hemsley-has-so-successfully-caught-his-naturally-audacity-is-confessedly-subdued-in-his-pitifully-knit-brows-and-he-puffs-a-image556244329.htmlRM2R8Y38W–"Christmas Time" - painted by W. Hemsley, 1857. 'He volunteered, no doubt, with boyish bravado, to face the weather and steal - for nearly all the holly used at Christmas is stolen - the basketful of holly on his arm; and with his "comforter" over his mouth, and his trousers turned up to trudge through the snow...his spirits flag, and, instead of quickening his pace, we find him at last reduced to a halt, with the ruefully droll expression which Mr. Hemsley has so successfully caught. His naturally audacity is confessedly subdued in his pitifully knit brows, and he puffs, a
![The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Fort, 8 Guns; Nimrod; Fort, 10 Guns; Avalanche (French)...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...[the British and French] presented a communication to the effect that, peaceably or otherwise, we intended to occupy the forts, and giving the Chinese an hour to Stock Photo](https://c8.alamy.com/comp/2RRJ9CT/the-attack-on-the-peiho-forts-by-the-english-and-french-fleets-1858-fort-8-guns-nimrod-fort-10-guns-avalanche-frenchthe-chinese-sent-off-a-message-to-the-russian-plenipotentiarys-ship-to-say-that-we-british-and-french-had-better-clear-out-of-the-river-that-if-we-were-afraid-they-were-not-and-that-they-really-should-have-to-fire-at-us-if-we-would-not-go-away-no-answer-of-course-was-given-on-the-following-morning-the-british-and-french-presented-a-communication-to-the-effect-that-peaceably-or-otherwise-we-intended-to-occupy-the-forts-and-giving-the-chinese-an-hour-to-2RRJ9CT.jpg "The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Fort, 8 Guns; Nimrod; Fort, 10 Guns; Avalanche (French)...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...[the British and French] presented a communication to the effect that, peaceably or otherwise, we intended to occupy the forts, and giving the Chinese an hour to Stock Photo")
The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Fort, 8 Guns; Nimrod; Fort, 10 Guns; Avalanche (French)...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...[the British and French] presented a communication to the effect that, peaceably or otherwise, we intended to occupy the forts, and giving the Chinese an hour to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-attack-on-the-peiho-forts-by-the-english-and-french-fleets-1858-fort-8-guns-nimrod-fort-10-guns-avalanche-frenchthe-chinese-sent-off-a-message-to-the-russian-plenipotentiarys-ship-to-say-that-we-british-and-french-had-better-clear-out-of-the-river-that-if-we-were-afraid-they-were-not-and-that-they-really-should-have-to-fire-at-us-if-we-would-not-go-away-no-answer-of-course-was-given-on-the-following-morning-the-british-and-french-presented-a-communication-to-the-effect-that-peaceably-or-otherwise-we-intended-to-occupy-the-forts-and-giving-the-chinese-an-hour-to-image565271416.htmlRM2RRJ9CT–The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Fort, 8 Guns; Nimrod; Fort, 10 Guns; Avalanche (French)...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...[the British and French] presented a communication to the effect that, peaceably or otherwise, we intended to occupy the forts, and giving the Chinese an hour to
!["Gerfalcons Striking a Kite" - painted by J. Wolf - from the Exhibition of the Royal Academy, 1856. 'This is an extremely spirited production, which will justly add to the reputation of the talented artist. The character of the various birds is well preserved - their eyes full of fire, and their plumage executed with a mastery of detail rarely surpassed'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DHGH/quotgerfalcons-striking-a-kitequot-painted-by-j-wolf-from-the-exhibition-of-the-royal-academy-1856-this-is-an-extremely-spirited-production-which-will-justly-add-to-the-reputation-of-the-talented-artist-the-character-of-the-various-birds-is-well-preserved-their-eyes-full-of-fire-and-their-plumage-executed-with-a-mastery-of-detail-rarely-surpassed-from-quotillustrated-london-newsquot-1856-2R4DHGH.jpg ""Gerfalcons Striking a Kite" - painted by J. Wolf - from the Exhibition of the Royal Academy, 1856. 'This is an extremely spirited production, which will justly add to the reputation of the talented artist. The character of the various birds is well preserved - their eyes full of fire, and their plumage executed with a mastery of detail rarely surpassed'. From "Illustrated London News", 1856. Stock Photo")
"Gerfalcons Striking a Kite" - painted by J. Wolf - from the Exhibition of the Royal Academy, 1856. 'This is an extremely spirited production, which will justly add to the reputation of the talented artist. The character of the various birds is well preserved - their eyes full of fire, and their plumage executed with a mastery of detail rarely surpassed'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotgerfalcons-striking-a-kitequot-painted-by-j-wolf-from-the-exhibition-of-the-royal-academy-1856-this-is-an-extremely-spirited-production-which-will-justly-add-to-the-reputation-of-the-talented-artist-the-character-of-the-various-birds-is-well-preserved-their-eyes-full-of-fire-and-their-plumage-executed-with-a-mastery-of-detail-rarely-surpassed-from-quotillustrated-london-newsquot-1856-image553489569.htmlRM2R4DHGH–"Gerfalcons Striking a Kite" - painted by J. Wolf - from the Exhibition of the Royal Academy, 1856. 'This is an extremely spirited production, which will justly add to the reputation of the talented artist. The character of the various birds is well preserved - their eyes full of fire, and their plumage executed with a mastery of detail rarely surpassed'. From "Illustrated London News", 1856.
The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Dragonne (French); Fort, 15 Guns; Slaney; Firm; Opossum; Severn; Staunch; Fusee (French); Cormorant; Bustard; Fort, 15 Guns...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...Captain Reynaud...and Captain Hall...landed abreast of the middle fort, on the left hand, and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-attack-on-the-peiho-forts-by-the-english-and-french-fleets-1858-dragonne-french-fort-15-guns-slaney-firm-opossum-severn-staunch-fusee-french-cormorant-bustard-fort-15-gunsthe-chinese-sent-off-a-message-to-the-russian-plenipotentiarys-ship-to-say-that-we-british-and-french-had-better-clear-out-of-the-river-that-if-we-were-afraid-they-were-not-and-that-they-really-should-have-to-fire-at-us-if-we-would-not-go-away-no-answer-of-course-was-given-on-the-following-morningcaptain-reynaudand-captain-halllanded-abreast-of-the-middle-fort-on-the-left-hand-and-image565271464.htmlRM2RRJ9EG–The Attack on the Peiho Forts by the English and French Fleets, 1858. 'Dragonne (French); Fort, 15 Guns; Slaney; Firm; Opossum; Severn; Staunch; Fusee (French); Cormorant; Bustard; Fort, 15 Guns...The Chinese sent off a message to the Russian Plenipotentiary's ship to say that we (British and French) had better clear out of the river, that if we were afraid they were not, and that they really should have to fire at us if we would not go away. No answer, of course, was given. On the following morning...Captain Reynaud...and Captain Hall...landed abreast of the middle fort, on the left hand, and
!["The Sea-Scape" - painted by A. Clint - from the Exhibition of the National Institution, 1856. Engraving of a painting, '...entitled by its artist "Storm - Fishing Boats Running into Harbour". Mr. Clint has been setting his easel during the past year in the north of Devon, in North Wales, and the south of Ireland...The price of "The Storm" is £80'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DHKF/quotthe-sea-scapequot-painted-by-a-clint-from-the-exhibition-of-the-national-institution-1856-engraving-of-a-painting-entitled-by-its-artist-quotstorm-fishing-boats-running-into-harbourquot-mr-clint-has-been-setting-his-easel-during-the-past-year-in-the-north-of-devon-in-north-wales-and-the-south-of-irelandthe-price-of-quotthe-stormquot-is-xa380-from-quotillustrated-london-newsquot-1856-2R4DHKF.jpg ""The Sea-Scape" - painted by A. Clint - from the Exhibition of the National Institution, 1856. Engraving of a painting, '...entitled by its artist "Storm - Fishing Boats Running into Harbour". Mr. Clint has been setting his easel during the past year in the north of Devon, in North Wales, and the south of Ireland...The price of "The Storm" is £80'. From "Illustrated London News", 1856. Stock Photo")
"The Sea-Scape" - painted by A. Clint - from the Exhibition of the National Institution, 1856. Engraving of a painting, '...entitled by its artist "Storm - Fishing Boats Running into Harbour". Mr. Clint has been setting his easel during the past year in the north of Devon, in North Wales, and the south of Ireland...The price of "The Storm" is £80'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-sea-scapequot-painted-by-a-clint-from-the-exhibition-of-the-national-institution-1856-engraving-of-a-painting-entitled-by-its-artist-quotstorm-fishing-boats-running-into-harbourquot-mr-clint-has-been-setting-his-easel-during-the-past-year-in-the-north-of-devon-in-north-wales-and-the-south-of-irelandthe-price-of-quotthe-stormquot-is-xa380-from-quotillustrated-london-newsquot-1856-image553489651.htmlRM2R4DHKF–"The Sea-Scape" - painted by A. Clint - from the Exhibition of the National Institution, 1856. Engraving of a painting, '...entitled by its artist "Storm - Fishing Boats Running into Harbour". Mr. Clint has been setting his easel during the past year in the north of Devon, in North Wales, and the south of Ireland...The price of "The Storm" is £80'. From "Illustrated London News", 1856.
![Southend and Pier, 1856. '...the concluding part [of the London, Tilbury, and Southend Railway], to the terminus at Southend, was opened on Saturday last, March 1st. The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler. The fares being extremely reasonable, it is expected that Southend - the nearest sea bathing place to the metropolis - will in consequence become a more popular resort...[View showing] a portion of the pier, which is a mile and a quarter in length, and has Stock Photo](https://c8.alamy.com/comp/2R4DJ9E/southend-and-pier-1856-the-concluding-part-of-the-london-tilbury-and-southend-railway-to-the-terminus-at-southend-was-opened-on-saturday-last-march-1st-the-length-of-the-railway-is-forty-two-milesthe-construction-has-been-carried-on-under-the-joint-superintendence-of-the-well-known-engineers-mr-bidder-and-mr-john-fowler-the-fares-being-extremely-reasonable-it-is-expected-that-southend-the-nearest-sea-bathing-place-to-the-metropolis-will-in-consequence-become-a-more-popular-resort-view-showing-a-portion-of-the-pier-which-is-a-mile-and-a-quarter-in-length-and-has-2R4DJ9E.jpg "Southend and Pier, 1856. '...the concluding part [of the London, Tilbury, and Southend Railway], to the terminus at Southend, was opened on Saturday last, March 1st. The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler. The fares being extremely reasonable, it is expected that Southend - the nearest sea bathing place to the metropolis - will in consequence become a more popular resort...[View showing] a portion of the pier, which is a mile and a quarter in length, and has Stock Photo")
Southend and Pier, 1856. '...the concluding part [of the London, Tilbury, and Southend Railway], to the terminus at Southend, was opened on Saturday last, March 1st. The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler. The fares being extremely reasonable, it is expected that Southend - the nearest sea bathing place to the metropolis - will in consequence become a more popular resort...[View showing] a portion of the pier, which is a mile and a quarter in length, and has Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/southend-and-pier-1856-the-concluding-part-of-the-london-tilbury-and-southend-railway-to-the-terminus-at-southend-was-opened-on-saturday-last-march-1st-the-length-of-the-railway-is-forty-two-milesthe-construction-has-been-carried-on-under-the-joint-superintendence-of-the-well-known-engineers-mr-bidder-and-mr-john-fowler-the-fares-being-extremely-reasonable-it-is-expected-that-southend-the-nearest-sea-bathing-place-to-the-metropolis-will-in-consequence-become-a-more-popular-resort-view-showing-a-portion-of-the-pier-which-is-a-mile-and-a-quarter-in-length-and-has-image553490154.htmlRM2R4DJ9E–Southend and Pier, 1856. '...the concluding part [of the London, Tilbury, and Southend Railway], to the terminus at Southend, was opened on Saturday last, March 1st. The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler. The fares being extremely reasonable, it is expected that Southend - the nearest sea bathing place to the metropolis - will in consequence become a more popular resort...[View showing] a portion of the pier, which is a mile and a quarter in length, and has
!["The Little Scarecrow" - painted by T. Dicksee - from the Exhibition of the British Institution, 1857. Engraving of a painting. 'Mr. Dicksee must have been in the humour of Sterne when he conceived the subject of his picture...It is as oddly misleading and mystifying in title, as it is delightfully simple and unaffected in treatment. Such a charming little gem of rusticity might have been set in an idyl of Theocritus, a description by Thomson, or a stanza by Wordsworth. Lest our readers are somewhat incredulous, however, we will at once inform them that the "Scarecrow" is n Stock Photo](https://c8.alamy.com/comp/2R8Y48C/quotthe-little-scarecrowquot-painted-by-t-dicksee-from-the-exhibition-of-the-british-institution-1857-engraving-of-a-painting-mr-dicksee-must-have-been-in-the-humour-of-sterne-when-he-conceived-the-subject-of-his-pictureit-is-as-oddly-misleading-and-mystifying-in-title-as-it-is-delightfully-simple-and-unaffected-in-treatment-such-a-charming-little-gem-of-rusticity-might-have-been-set-in-an-idyl-of-theocritus-a-description-by-thomson-or-a-stanza-by-wordsworth-lest-our-readers-are-somewhat-incredulous-however-we-will-at-once-inform-them-that-the-quotscarecrowquot-is-n-2R8Y48C.jpg ""The Little Scarecrow" - painted by T. Dicksee - from the Exhibition of the British Institution, 1857. Engraving of a painting. 'Mr. Dicksee must have been in the humour of Sterne when he conceived the subject of his picture...It is as oddly misleading and mystifying in title, as it is delightfully simple and unaffected in treatment. Such a charming little gem of rusticity might have been set in an idyl of Theocritus, a description by Thomson, or a stanza by Wordsworth. Lest our readers are somewhat incredulous, however, we will at once inform them that the "Scarecrow" is n Stock Photo")
"The Little Scarecrow" - painted by T. Dicksee - from the Exhibition of the British Institution, 1857. Engraving of a painting. 'Mr. Dicksee must have been in the humour of Sterne when he conceived the subject of his picture...It is as oddly misleading and mystifying in title, as it is delightfully simple and unaffected in treatment. Such a charming little gem of rusticity might have been set in an idyl of Theocritus, a description by Thomson, or a stanza by Wordsworth. Lest our readers are somewhat incredulous, however, we will at once inform them that the "Scarecrow" is n Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-little-scarecrowquot-painted-by-t-dicksee-from-the-exhibition-of-the-british-institution-1857-engraving-of-a-painting-mr-dicksee-must-have-been-in-the-humour-of-sterne-when-he-conceived-the-subject-of-his-pictureit-is-as-oddly-misleading-and-mystifying-in-title-as-it-is-delightfully-simple-and-unaffected-in-treatment-such-a-charming-little-gem-of-rusticity-might-have-been-set-in-an-idyl-of-theocritus-a-description-by-thomson-or-a-stanza-by-wordsworth-lest-our-readers-are-somewhat-incredulous-however-we-will-at-once-inform-them-that-the-quotscarecrowquot-is-n-image556245100.htmlRM2R8Y48C–"The Little Scarecrow" - painted by T. Dicksee - from the Exhibition of the British Institution, 1857. Engraving of a painting. 'Mr. Dicksee must have been in the humour of Sterne when he conceived the subject of his picture...It is as oddly misleading and mystifying in title, as it is delightfully simple and unaffected in treatment. Such a charming little gem of rusticity might have been set in an idyl of Theocritus, a description by Thomson, or a stanza by Wordsworth. Lest our readers are somewhat incredulous, however, we will at once inform them that the "Scarecrow" is n
The International Exhibition: concert grand pianoforte, by Joseph Kirkman and Son, in the Indian Department, 1862. '...a 7-octave concert grand...The designs and working drawing of this instrument were sent from England...and the carving was executed at Madras, East Indies, by the native workmen...the whole work was executed in the most correct and perfect manner, without any error or mistake of any kind. The case of the instrument is of solid East Indian rosewood; the carving is all grounded out, not laid on, and, considering this, it is done with surprising truth and accuracy...the skill wit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-international-exhibition-concert-grand-pianoforte-by-joseph-kirkman-and-son-in-the-indian-department-1862-a-7-octave-concert-grandthe-designs-and-working-drawing-of-this-instrument-were-sent-from-englandand-the-carving-was-executed-at-madras-east-indies-by-the-native-workmenthe-whole-work-was-executed-in-the-most-correct-and-perfect-manner-without-any-error-or-mistake-of-any-kind-the-case-of-the-instrument-is-of-solid-east-indian-rosewood-the-carving-is-all-grounded-out-not-laid-on-and-considering-this-it-is-done-with-surprising-truth-and-accuracythe-skill-wit-image595001318.htmlRM2WG0J72–The International Exhibition: concert grand pianoforte, by Joseph Kirkman and Son, in the Indian Department, 1862. '...a 7-octave concert grand...The designs and working drawing of this instrument were sent from England...and the carving was executed at Madras, East Indies, by the native workmen...the whole work was executed in the most correct and perfect manner, without any error or mistake of any kind. The case of the instrument is of solid East Indian rosewood; the carving is all grounded out, not laid on, and, considering this, it is done with surprising truth and accuracy...the skill wit
![The London, Tilbury, and Southend Railway - the Purfleet Station, 1856. 'The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler...The hamlet of Purfleet is on rising ground, and near the mouth of the Marditch stream, which here forms a little harbour...In the View is shown a portion of the railway, passing very near the river'. From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DJ9C/the-london-tilbury-and-southend-railway-the-purfleet-station-1856-the-length-of-the-railway-is-forty-two-milesthe-construction-has-been-carried-on-under-the-joint-superintendence-of-the-well-known-engineers-mr-bidder-and-mr-john-fowlerthe-hamlet-of-purfleet-is-on-rising-ground-and-near-the-mouth-of-the-marditch-stream-which-here-forms-a-little-harbourin-the-view-is-shown-a-portion-of-the-railway-passing-very-near-the-river-from-quotillustrated-london-newsquot-1856-2R4DJ9C.jpg "The London, Tilbury, and Southend Railway - the Purfleet Station, 1856. 'The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler...The hamlet of Purfleet is on rising ground, and near the mouth of the Marditch stream, which here forms a little harbour...In the View is shown a portion of the railway, passing very near the river'. From "Illustrated London News", 1856. Stock Photo")
The London, Tilbury, and Southend Railway - the Purfleet Station, 1856. 'The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler...The hamlet of Purfleet is on rising ground, and near the mouth of the Marditch stream, which here forms a little harbour...In the View is shown a portion of the railway, passing very near the river'. From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-london-tilbury-and-southend-railway-the-purfleet-station-1856-the-length-of-the-railway-is-forty-two-milesthe-construction-has-been-carried-on-under-the-joint-superintendence-of-the-well-known-engineers-mr-bidder-and-mr-john-fowlerthe-hamlet-of-purfleet-is-on-rising-ground-and-near-the-mouth-of-the-marditch-stream-which-here-forms-a-little-harbourin-the-view-is-shown-a-portion-of-the-railway-passing-very-near-the-river-from-quotillustrated-london-newsquot-1856-image553490152.htmlRM2R4DJ9C–The London, Tilbury, and Southend Railway - the Purfleet Station, 1856. 'The length of the railway is forty-two miles...The construction has been carried on under the joint superintendence of the well-known engineers, Mr. Bidder and Mr. John Fowler...The hamlet of Purfleet is on rising ground, and near the mouth of the Marditch stream, which here forms a little harbour...In the View is shown a portion of the railway, passing very near the river'. From "Illustrated London News", 1856.
!["Peace" and "War" - John Bell, sculptor - from the Exhibition of the Royal Academy, 1856. 'The two "colossal statues of "Peace" and " War" which we engrave as appropriate to the doings of the week are copied from two of the contributions made by Mr Bell to the Sculpture Room of the Royal Academy. They will form, when in marble, appropriate parts of the monument to the Duke of Wellington, on which Mr. Bell has been for some time engaged for the Guildhall of the city of London. Peace hath her victories, the poet tells us, no less renowned than War. He Stock Photo](https://c8.alamy.com/comp/2R4DHDW/quotpeacequot-and-quotwarquot-john-bell-sculptor-from-the-exhibition-of-the-royal-academy-1856-the-two-quotcolossal-statues-of-quotpeacequot-and-quot-warquot-which-we-engrave-as-appropriate-to-the-doings-of-the-week-are-copied-from-two-of-the-contributions-made-by-mr-bell-to-the-sculpture-room-of-the-royal-academy-they-will-form-when-in-marble-appropriate-parts-of-the-monument-to-the-duke-of-wellington-on-which-mr-bell-has-been-for-some-time-engaged-for-the-guildhall-of-the-city-of-london-peace-hath-her-victories-the-poet-tells-us-no-less-renowned-than-war-he-2R4DHDW.jpg ""Peace" and "War" - John Bell, sculptor - from the Exhibition of the Royal Academy, 1856. 'The two "colossal statues of "Peace" and " War" which we engrave as appropriate to the doings of the week are copied from two of the contributions made by Mr Bell to the Sculpture Room of the Royal Academy. They will form, when in marble, appropriate parts of the monument to the Duke of Wellington, on which Mr. Bell has been for some time engaged for the Guildhall of the city of London. Peace hath her victories, the poet tells us, no less renowned than War. He Stock Photo")
"Peace" and "War" - John Bell, sculptor - from the Exhibition of the Royal Academy, 1856. 'The two "colossal statues of "Peace" and " War" which we engrave as appropriate to the doings of the week are copied from two of the contributions made by Mr Bell to the Sculpture Room of the Royal Academy. They will form, when in marble, appropriate parts of the monument to the Duke of Wellington, on which Mr. Bell has been for some time engaged for the Guildhall of the city of London. Peace hath her victories, the poet tells us, no less renowned than War. He Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotpeacequot-and-quotwarquot-john-bell-sculptor-from-the-exhibition-of-the-royal-academy-1856-the-two-quotcolossal-statues-of-quotpeacequot-and-quot-warquot-which-we-engrave-as-appropriate-to-the-doings-of-the-week-are-copied-from-two-of-the-contributions-made-by-mr-bell-to-the-sculpture-room-of-the-royal-academy-they-will-form-when-in-marble-appropriate-parts-of-the-monument-to-the-duke-of-wellington-on-which-mr-bell-has-been-for-some-time-engaged-for-the-guildhall-of-the-city-of-london-peace-hath-her-victories-the-poet-tells-us-no-less-renowned-than-war-he-image553489493.htmlRM2R4DHDW–"Peace" and "War" - John Bell, sculptor - from the Exhibition of the Royal Academy, 1856. 'The two "colossal statues of "Peace" and " War" which we engrave as appropriate to the doings of the week are copied from two of the contributions made by Mr Bell to the Sculpture Room of the Royal Academy. They will form, when in marble, appropriate parts of the monument to the Duke of Wellington, on which Mr. Bell has been for some time engaged for the Guildhall of the city of London. Peace hath her victories, the poet tells us, no less renowned than War. He
!["The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, '...designed for the ladies, and is called "The Bride", one of Mr. Solomon's well-composed and well-painted pictures. The Bride in the picture is very lovely, and the contrast between the expressions on the face of the mother and the lady's maid very touching and very appropriate to the occasion. The dress of the Bride, we can assure the ladies, would please the most fastidious reporter of the "Morning Post".' From "Illustrated London News", 185 Stock Photo](https://c8.alamy.com/comp/2R4DHG5/quotthe-bridequot-painted-by-a-solomon-from-the-exhibition-of-the-royal-academy-1856-engraving-of-a-painting-designed-for-the-ladies-and-is-called-quotthe-bridequot-one-of-mr-solomons-well-composed-and-well-painted-pictures-the-bride-in-the-picture-is-very-lovely-and-the-contrast-between-the-expressions-on-the-face-of-the-mother-and-the-ladys-maid-very-touching-and-very-appropriate-to-the-occasion-the-dress-of-the-bride-we-can-assure-the-ladies-would-please-the-most-fastidious-reporter-of-the-quotmorning-postquot-from-quotillustrated-london-newsquot-185-2R4DHG5.jpg ""The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, '...designed for the ladies, and is called "The Bride", one of Mr. Solomon's well-composed and well-painted pictures. The Bride in the picture is very lovely, and the contrast between the expressions on the face of the mother and the lady's maid very touching and very appropriate to the occasion. The dress of the Bride, we can assure the ladies, would please the most fastidious reporter of the "Morning Post".' From "Illustrated London News", 185 Stock Photo")
"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, '...designed for the ladies, and is called "The Bride", one of Mr. Solomon's well-composed and well-painted pictures. The Bride in the picture is very lovely, and the contrast between the expressions on the face of the mother and the lady's maid very touching and very appropriate to the occasion. The dress of the Bride, we can assure the ladies, would please the most fastidious reporter of the "Morning Post".' From "Illustrated London News", 185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-bridequot-painted-by-a-solomon-from-the-exhibition-of-the-royal-academy-1856-engraving-of-a-painting-designed-for-the-ladies-and-is-called-quotthe-bridequot-one-of-mr-solomons-well-composed-and-well-painted-pictures-the-bride-in-the-picture-is-very-lovely-and-the-contrast-between-the-expressions-on-the-face-of-the-mother-and-the-ladys-maid-very-touching-and-very-appropriate-to-the-occasion-the-dress-of-the-bride-we-can-assure-the-ladies-would-please-the-most-fastidious-reporter-of-the-quotmorning-postquot-from-quotillustrated-london-newsquot-185-image553489557.htmlRM2R4DHG5–"The Bride" - painted by A. Solomon - from the Exhibition of the Royal Academy, 1856. Engraving of a painting, '...designed for the ladies, and is called "The Bride", one of Mr. Solomon's well-composed and well-painted pictures. The Bride in the picture is very lovely, and the contrast between the expressions on the face of the mother and the lady's maid very touching and very appropriate to the occasion. The dress of the Bride, we can assure the ladies, would please the most fastidious reporter of the "Morning Post".' From "Illustrated London News", 185
!["The Cradle" - painted by D. W. Deane - from the Exhibition at the British Museum, 1856. '...a favourable specimen in oil colours of those features in Irish peasant life...by which Mr. Deane is so deservedly known...Mr. Deane has a fine eye for colour and great dexterity of touch...'.From "Illustrated London News", 1856. Stock Photo](https://c8.alamy.com/comp/2R4DJDW/quotthe-cradlequot-painted-by-d-w-deane-from-the-exhibition-at-the-british-museum-1856-a-favourable-specimen-in-oil-colours-of-those-features-in-irish-peasant-lifeby-which-mr-deane-is-so-deservedly-knownmr-deane-has-a-fine-eye-for-colour-and-great-dexterity-of-touchfrom-quotillustrated-london-newsquot-1856-2R4DJDW.jpg ""The Cradle" - painted by D. W. Deane - from the Exhibition at the British Museum, 1856. '...a favourable specimen in oil colours of those features in Irish peasant life...by which Mr. Deane is so deservedly known...Mr. Deane has a fine eye for colour and great dexterity of touch...'.From "Illustrated London News", 1856. Stock Photo")
"The Cradle" - painted by D. W. Deane - from the Exhibition at the British Museum, 1856. '...a favourable specimen in oil colours of those features in Irish peasant life...by which Mr. Deane is so deservedly known...Mr. Deane has a fine eye for colour and great dexterity of touch...'.From "Illustrated London News", 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-cradlequot-painted-by-d-w-deane-from-the-exhibition-at-the-british-museum-1856-a-favourable-specimen-in-oil-colours-of-those-features-in-irish-peasant-lifeby-which-mr-deane-is-so-deservedly-knownmr-deane-has-a-fine-eye-for-colour-and-great-dexterity-of-touchfrom-quotillustrated-london-newsquot-1856-image553490277.htmlRM2R4DJDW–"The Cradle" - painted by D. W. Deane - from the Exhibition at the British Museum, 1856. '...a favourable specimen in oil colours of those features in Irish peasant life...by which Mr. Deane is so deservedly known...Mr. Deane has a fine eye for colour and great dexterity of touch...'.From "Illustrated London News", 1856.
!["The Martyrdom of Ridley and Latimer", painted by Sir George Hayter, M.A.S.L. - from the Exhibition of the British Institution, 1856. 'This scene took place on the 16th of October, 1555...in front of Balliol College, Oxford; when the Martyrs, Nicholas Ridley, Bishop of London, and Hugh Latimer, Bishop of Worcester, were taken from their prison, the Bocardo, to the place of suffering...Ridley...earnestly looking towards heaven, and upon seeing Latimer near him ran to him, embraced, and kindly kissed him...Ridley saying, "Be of good cheer, brother, for God will assuage the fury of Stock Photo](https://c8.alamy.com/comp/2R4DJ55/quotthe-martyrdom-of-ridley-and-latimerquot-painted-by-sir-george-hayter-masl-from-the-exhibition-of-the-british-institution-1856-this-scene-took-place-on-the-16th-of-october-1555in-front-of-balliol-college-oxford-when-the-martyrs-nicholas-ridley-bishop-of-london-and-hugh-latimer-bishop-of-worcester-were-taken-from-their-prison-the-bocardo-to-the-place-of-sufferingridleyearnestly-looking-towards-heaven-and-upon-seeing-latimer-near-him-ran-to-him-embraced-and-kindly-kissed-himridley-saying-quotbe-of-good-cheer-brother-for-god-will-assuage-the-fury-of-2R4DJ55.jpg ""The Martyrdom of Ridley and Latimer", painted by Sir George Hayter, M.A.S.L. - from the Exhibition of the British Institution, 1856. 'This scene took place on the 16th of October, 1555...in front of Balliol College, Oxford; when the Martyrs, Nicholas Ridley, Bishop of London, and Hugh Latimer, Bishop of Worcester, were taken from their prison, the Bocardo, to the place of suffering...Ridley...earnestly looking towards heaven, and upon seeing Latimer near him ran to him, embraced, and kindly kissed him...Ridley saying, "Be of good cheer, brother, for God will assuage the fury of Stock Photo")
"The Martyrdom of Ridley and Latimer", painted by Sir George Hayter, M.A.S.L. - from the Exhibition of the British Institution, 1856. 'This scene took place on the 16th of October, 1555...in front of Balliol College, Oxford; when the Martyrs, Nicholas Ridley, Bishop of London, and Hugh Latimer, Bishop of Worcester, were taken from their prison, the Bocardo, to the place of suffering...Ridley...earnestly looking towards heaven, and upon seeing Latimer near him ran to him, embraced, and kindly kissed him...Ridley saying, "Be of good cheer, brother, for God will assuage the fury of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-martyrdom-of-ridley-and-latimerquot-painted-by-sir-george-hayter-masl-from-the-exhibition-of-the-british-institution-1856-this-scene-took-place-on-the-16th-of-october-1555in-front-of-balliol-college-oxford-when-the-martyrs-nicholas-ridley-bishop-of-london-and-hugh-latimer-bishop-of-worcester-were-taken-from-their-prison-the-bocardo-to-the-place-of-sufferingridleyearnestly-looking-towards-heaven-and-upon-seeing-latimer-near-him-ran-to-him-embraced-and-kindly-kissed-himridley-saying-quotbe-of-good-cheer-brother-for-god-will-assuage-the-fury-of-image553490033.htmlRM2R4DJ55–"The Martyrdom of Ridley and Latimer", painted by Sir George Hayter, M.A.S.L. - from the Exhibition of the British Institution, 1856. 'This scene took place on the 16th of October, 1555...in front of Balliol College, Oxford; when the Martyrs, Nicholas Ridley, Bishop of London, and Hugh Latimer, Bishop of Worcester, were taken from their prison, the Bocardo, to the place of suffering...Ridley...earnestly looking towards heaven, and upon seeing Latimer near him ran to him, embraced, and kindly kissed him...Ridley saying, "Be of good cheer, brother, for God will assuage the fury of
!["From Our Own Correspondent" - painted by W. Hemsley, 1856. Engraving of a painting in the Exhibition at the British Institution, '...suggested by the Crimean news, and by the far-famed "Chelsea Pensioners" of Wilkie, now at Apsley House. An old Peninsular veteran is seen eagerly listening (in spite of his deafness) to the thrilling news which is read to him of the battles of Inkerman and Balaclava. It is by Mr. W . Hemsley, and exhibits in very happy union the contrasts of age and youth. The veteran is evidently thinking, at the same time, of other battles in which he had Stock Photo](https://c8.alamy.com/comp/2R4DJ6X/quotfrom-our-own-correspondentquot-painted-by-w-hemsley-1856-engraving-of-a-painting-in-the-exhibition-at-the-british-institution-suggested-by-the-crimean-news-and-by-the-far-famed-quotchelsea-pensionersquot-of-wilkie-now-at-apsley-house-an-old-peninsular-veteran-is-seen-eagerly-listening-in-spite-of-his-deafness-to-the-thrilling-news-which-is-read-to-him-of-the-battles-of-inkerman-and-balaclava-it-is-by-mr-w-hemsley-and-exhibits-in-very-happy-union-the-contrasts-of-age-and-youth-the-veteran-is-evidently-thinking-at-the-same-time-of-other-battles-in-which-he-had-2R4DJ6X.jpg ""From Our Own Correspondent" - painted by W. Hemsley, 1856. Engraving of a painting in the Exhibition at the British Institution, '...suggested by the Crimean news, and by the far-famed "Chelsea Pensioners" of Wilkie, now at Apsley House. An old Peninsular veteran is seen eagerly listening (in spite of his deafness) to the thrilling news which is read to him of the battles of Inkerman and Balaclava. It is by Mr. W . Hemsley, and exhibits in very happy union the contrasts of age and youth. The veteran is evidently thinking, at the same time, of other battles in which he had Stock Photo")
"From Our Own Correspondent" - painted by W. Hemsley, 1856. Engraving of a painting in the Exhibition at the British Institution, '...suggested by the Crimean news, and by the far-famed "Chelsea Pensioners" of Wilkie, now at Apsley House. An old Peninsular veteran is seen eagerly listening (in spite of his deafness) to the thrilling news which is read to him of the battles of Inkerman and Balaclava. It is by Mr. W . Hemsley, and exhibits in very happy union the contrasts of age and youth. The veteran is evidently thinking, at the same time, of other battles in which he had Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotfrom-our-own-correspondentquot-painted-by-w-hemsley-1856-engraving-of-a-painting-in-the-exhibition-at-the-british-institution-suggested-by-the-crimean-news-and-by-the-far-famed-quotchelsea-pensionersquot-of-wilkie-now-at-apsley-house-an-old-peninsular-veteran-is-seen-eagerly-listening-in-spite-of-his-deafness-to-the-thrilling-news-which-is-read-to-him-of-the-battles-of-inkerman-and-balaclava-it-is-by-mr-w-hemsley-and-exhibits-in-very-happy-union-the-contrasts-of-age-and-youth-the-veteran-is-evidently-thinking-at-the-same-time-of-other-battles-in-which-he-had-image553490082.htmlRM2R4DJ6X–"From Our Own Correspondent" - painted by W. Hemsley, 1856. Engraving of a painting in the Exhibition at the British Institution, '...suggested by the Crimean news, and by the far-famed "Chelsea Pensioners" of Wilkie, now at Apsley House. An old Peninsular veteran is seen eagerly listening (in spite of his deafness) to the thrilling news which is read to him of the battles of Inkerman and Balaclava. It is by Mr. W . Hemsley, and exhibits in very happy union the contrasts of age and youth. The veteran is evidently thinking, at the same time, of other battles in which he had
!["Home" - painted by T. Faed - from the Flatou Collection, 1858. Engraving after a painting. '...a little glimpse of "Home," such a home as is only to be seen in Old England, where every man may get a fair day's wage for a fair day's work, and, returning from his labour, may seat him down in his humble cottage, which is his "castle'' - the lord of all he surveys. Look at our friend's jolly smile as he proudly holds up his eldest boy on his knee: it is evident he has no misgivings about tax-gatherers, or passports, or secret police. His thoughts are as free as his labour Stock Photo](https://c8.alamy.com/comp/2RRJ859/quothomequot-painted-by-t-faed-from-the-flatou-collection-1858-engraving-after-a-painting-a-little-glimpse-of-quothomequot-such-a-home-as-is-only-to-be-seen-in-old-england-where-every-man-may-get-a-fair-days-wage-for-a-fair-days-work-and-returning-from-his-labour-may-seat-him-down-in-his-humble-cottage-which-is-his-quotcastle-the-lord-of-all-he-surveys-look-at-our-friends-jolly-smile-as-he-proudly-holds-up-his-eldest-boy-on-his-knee-it-is-evident-he-has-no-misgivings-about-tax-gatherers-or-passports-or-secret-police-his-thoughts-are-as-free-as-his-labour-2RRJ859.jpg ""Home" - painted by T. Faed - from the Flatou Collection, 1858. Engraving after a painting. '...a little glimpse of "Home," such a home as is only to be seen in Old England, where every man may get a fair day's wage for a fair day's work, and, returning from his labour, may seat him down in his humble cottage, which is his "castle'' - the lord of all he surveys. Look at our friend's jolly smile as he proudly holds up his eldest boy on his knee: it is evident he has no misgivings about tax-gatherers, or passports, or secret police. His thoughts are as free as his labour Stock Photo")
"Home" - painted by T. Faed - from the Flatou Collection, 1858. Engraving after a painting. '...a little glimpse of "Home," such a home as is only to be seen in Old England, where every man may get a fair day's wage for a fair day's work, and, returning from his labour, may seat him down in his humble cottage, which is his "castle'' - the lord of all he surveys. Look at our friend's jolly smile as he proudly holds up his eldest boy on his knee: it is evident he has no misgivings about tax-gatherers, or passports, or secret police. His thoughts are as free as his labour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quothomequot-painted-by-t-faed-from-the-flatou-collection-1858-engraving-after-a-painting-a-little-glimpse-of-quothomequot-such-a-home-as-is-only-to-be-seen-in-old-england-where-every-man-may-get-a-fair-days-wage-for-a-fair-days-work-and-returning-from-his-labour-may-seat-him-down-in-his-humble-cottage-which-is-his-quotcastle-the-lord-of-all-he-surveys-look-at-our-friends-jolly-smile-as-he-proudly-holds-up-his-eldest-boy-on-his-knee-it-is-evident-he-has-no-misgivings-about-tax-gatherers-or-passports-or-secret-police-his-thoughts-are-as-free-as-his-labour-image565270421.htmlRM2RRJ859–"Home" - painted by T. Faed - from the Flatou Collection, 1858. Engraving after a painting. '...a little glimpse of "Home," such a home as is only to be seen in Old England, where every man may get a fair day's wage for a fair day's work, and, returning from his labour, may seat him down in his humble cottage, which is his "castle'' - the lord of all he surveys. Look at our friend's jolly smile as he proudly holds up his eldest boy on his knee: it is evident he has no misgivings about tax-gatherers, or passports, or secret police. His thoughts are as free as his labour
