Christ as Man of Sorrows between the grieving Virgin Mary and St John the Evangelist, 1455-60 by Sano di Pietro1406-1481 Italian Siena Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-man-of-sorrows-between-the-grieving-virgin-mary-and-st-john-the-evangelist-1455-60-by-sano-di-pietro1406-1481-italian-siena-italy-image486658451.html
RM2K7N5PY–Christ as Man of Sorrows between the grieving Virgin Mary and St John the Evangelist, 1455-60 by Sano di Pietro1406-1481 Italian Siena Italy
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-17th-century-the-grieving-virgin-contemplating-instruments-77436279.html
RMEDYENB–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk
A relief sculpture of the grieving Virgin Mary over her crucified son Jesus Christ - a Pieta - by Lubo Michalko. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-relief-sculpture-of-the-grieving-virgin-mary-over-her-crucified-son-jesus-christ-a-pieta-by-lubo-michalko-image264704269.html
RFWAJ8YW–A relief sculpture of the grieving Virgin Mary over her crucified son Jesus Christ - a Pieta - by Lubo Michalko.
Juan Oliver. Painter. Active in Navarra, Spain, 14th century. Crucifixion, 1330. Grieving Virgin Mary. Fresco. Refectory of Pamplona Cathedral. Gothic. Museum of Navarre, Pamplona, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-oliver-painter-active-in-navarra-spain-14th-century-crucifixion-1330-grieving-virgin-mary-fresco-refectory-of-pamplona-cathedral-gothic-museum-of-navarre-pamplona-spain-image211447721.html
RMP807M9–Juan Oliver. Painter. Active in Navarra, Spain, 14th century. Crucifixion, 1330. Grieving Virgin Mary. Fresco. Refectory of Pamplona Cathedral. Gothic. Museum of Navarre, Pamplona, Spain.
. The epitome of the Rohan Master's art is the 'Lamentation of the Virgin' (f. 135, Pl. 57) from the Hours of the Cross. The grieving Virgin cannot be consoled by John, the Apostle, who looks up in consternation at a saddened God. 1435. The Rohan Master 790 Lamentation of the Virgin Rohan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-epitome-of-the-rohan-masters-art-is-the-lamentation-of-the-virgin-f-135-pl-57-from-the-hours-of-the-cross-the-grieving-virgin-cannot-be-consoled-by-john-the-apostle-who-looks-up-in-consternation-at-a-saddened-god-1435-the-rohan-master-790-lamentation-of-the-virgin-rohan-image185823892.html
RMMP907G–. The epitome of the Rohan Master's art is the 'Lamentation of the Virgin' (f. 135, Pl. 57) from the Hours of the Cross. The grieving Virgin cannot be consoled by John, the Apostle, who looks up in consternation at a saddened God. 1435. The Rohan Master 790 Lamentation of the Virgin Rohan
Pietà, Vincenzo Rustici - Siena,1557-1632 Christian Art, Italy, Italian. Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-vincenzo-rustici-siena1557-1632-christian-art-italy-italian-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image501906039.html
RM2M4FP7K–Pietà, Vincenzo Rustici - Siena,1557-1632 Christian Art, Italy, Italian. Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion,
1585 , ITALY : The entombment . Print chiaroscuro woodcut shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to the grieving Virgin Mary . From a painting by italian artist Raffaellino da Reggio ( 1550 - 1578 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - MADONNA - DEPOSIZIONE DALLA CROCE - TOMBA - tomb stone - lapide - sepolcro - SEPOLTURA - PIETA' - GESU' CRISTO MORTO - IMMAGINE SACRA - POPOLARE - RELIGIONE - VERGINE MARIA - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - GIUSEPPE DI ARIMATEA ---- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1585-italy-the-entombment-print-chiaroscuro-woodcut-shows-jesus-christ-being-supported-by-joseph-of-arimethia-as-mary-magdalene-gives-comfort-to-the-grieving-virgin-mary-from-a-painting-by-italian-artist-raffaellino-da-reggio-1550-1578-engraved-by-andrea-andreani-ca-1560-1623-madonna-deposizione-dalla-croce-tomba-tomb-stone-lapide-sepolcro-sepoltura-pieta-gesu-cristo-morto-immagine-sacra-popolare-religione-vergine-maria-religione-cattolica-catholic-religion-portrait-ritratto-illustrazione-incisione-giuseppe-di-arimatea-image540653356.html
RM2PBGTTC–1585 , ITALY : The entombment . Print chiaroscuro woodcut shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to the grieving Virgin Mary . From a painting by italian artist Raffaellino da Reggio ( 1550 - 1578 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - MADONNA - DEPOSIZIONE DALLA CROCE - TOMBA - tomb stone - lapide - sepolcro - SEPOLTURA - PIETA' - GESU' CRISTO MORTO - IMMAGINE SACRA - POPOLARE - RELIGIONE - VERGINE MARIA - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - GIUSEPPE DI ARIMATEA ----
Master Dolorosa 13th century polychromed wood . . Deeply felt, contained sorrow is expressed by the grieving Virgin, or Mater Dolorosa, a polychromed wood sculpture of ca. 1250. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-dolorosa-13th-century-polychromed-wood-deeply-felt-contained-sorrow-is-expressed-by-the-grieving-virgin-or-mater-dolorosa-a-polychromed-wood-sculpture-of-ca-1250-image268854332.html
RMWHBACC–Master Dolorosa 13th century polychromed wood . . Deeply felt, contained sorrow is expressed by the grieving Virgin, or Mater Dolorosa, a polychromed wood sculpture of ca. 1250.
The Grieving Virgin Contemplating Instruments of the Passion; 1640s date French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-date-french-17th-century-the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-image335725676.html
RM2AE5HEM–The Grieving Virgin Contemplating Instruments of the Passion; 1640s date French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s
Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antigua-guatemala-29th-mar-2024-a-massive-processional-float-of-the-grieving-virgin-mary-is-carried-from-the-escuela-de-cristo-church-at-the-start-of-the-good-friday-procession-during-semana-santa-march-29-2024-in-antigua-guatemala-the-opulent-procession-is-one-of-the-largest-in-the-world-requiring-over-100-people-to-carry-the-float-which-takes-12-hours-to-complete-the-procession-credit-richard-ellisrichard-ellisalamy-live-news-image601454009.html
RM2WXEGM9–Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News
Miniature of the Crucifixion, with a grieving Virgin Mary falling into the arms of a woman on the left, Longinus (without his spear) kneeling in the foreground, with two men throwing dice at the foot of the crucifix, with eight niches, four on each side, occupied by male figures, with an historiated initial 'A'(d), with a pope, king, bishop and two others kneeling before an altar. A bas-de-page scene of Christina cast into the sea and rescued by angels. Psalter ('The Queen Mary Psalter'). England (London/Westminster or East Anglia?); between 1310 and 1320. Source: Royal 2 B. VII, f.256v. Langu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-of-the-crucifixion-with-a-grieving-virgin-mary-falling-into-the-arms-of-a-woman-on-the-left-longinus-without-his-spear-kneeling-in-the-foreground-with-two-men-throwing-dice-at-the-foot-of-the-crucifix-with-eight-niches-four-on-each-side-occupied-by-male-figures-with-an-historiated-initial-ad-with-a-pope-king-bishop-and-two-others-kneeling-before-an-altar-a-bas-de-page-scene-of-christina-cast-into-the-sea-and-rescued-by-angels-psalter-the-queen-mary-psalter-england-londonwestminster-or-east-anglia-between-1310-and-1320-source-royal-2-b-vii-f256v-langu-image226959911.html
RMR56WK3–Miniature of the Crucifixion, with a grieving Virgin Mary falling into the arms of a woman on the left, Longinus (without his spear) kneeling in the foreground, with two men throwing dice at the foot of the crucifix, with eight niches, four on each side, occupied by male figures, with an historiated initial 'A'(d), with a pope, king, bishop and two others kneeling before an altar. A bas-de-page scene of Christina cast into the sea and rescued by angels. Psalter ('The Queen Mary Psalter'). England (London/Westminster or East Anglia?); between 1310 and 1320. Source: Royal 2 B. VII, f.256v. Langu
The Grieving Virgin Contemplating Instruments of the Passion, 1640s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-image482105463.html
RM2K09PC7–The Grieving Virgin Contemplating Instruments of the Passion, 1640s.
Subsema in the form of grave monument, Jean Lepautre, c. 1656 - c. 1657 print The monument has been awarded a tomb on which Christ lies with next to him the grieving Virgin. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/subsema-in-the-form-of-grave-monument-jean-lepautre-c-1656-c-1657-print-the-monument-has-been-awarded-a-tomb-on-which-christ-lies-with-next-to-him-the-grieving-virgin-print-maker-france-possiblyafter-own-design-by-france-possiblypublisher-paris-paper-etching-image594043518.html
RM2WED0FX–Subsema in the form of grave monument, Jean Lepautre, c. 1656 - c. 1657 print The monument has been awarded a tomb on which Christ lies with next to him the grieving Virgin. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching
Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-romanian-actress-portrays-grieving-virgin-mary-during-the-stations-133884209.html
RFHNPXJW–Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania.
A medieval sculpture of Virgin Mary with grief in her face, the grieving Madonna Thirsted, Denmark, April 17, 2019 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-medieval-sculpture-of-virgin-mary-with-grief-in-her-face-the-grieving-madonna-thirsted-denmark-april-17-2019-image244580722.html
RFT5WH5P–A medieval sculpture of Virgin Mary with grief in her face, the grieving Madonna Thirsted, Denmark, April 17, 2019
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-17th-century-the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-black-chalk-with-stumping-reimagined-image230450631.html
RFRAWX3K–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined
House Altar,De Witte Ster,1691-circa 1705,Representation of a Chapel on Golgotha,the hill outside Jerusalem on which Jesus was crucified.Left and right are the Virgin Maria and St.John the apostle.The front depicts six apostles with Mary grieving in the centre.Blue white Delftware ceramic.Delft potteries.Netherlands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/house-altarde-witte-ster1691-circa-1705representation-of-a-chapel-on-golgothathe-hill-outside-jerusalem-on-which-jesus-was-crucifiedleft-and-right-are-the-virgin-maria-and-stjohn-the-apostlethe-front-depicts-six-apostles-with-mary-grieving-in-the-centreblue-white-delftware-ceramicdelft-potteriesnetherlands-image466484443.html
RM2J2X5JK–House Altar,De Witte Ster,1691-circa 1705,Representation of a Chapel on Golgotha,the hill outside Jerusalem on which Jesus was crucified.Left and right are the Virgin Maria and St.John the apostle.The front depicts six apostles with Mary grieving in the centre.Blue white Delftware ceramic.Delft potteries.Netherlands.
Social Democratic Labour Party (SDLP) member John Dallat (front) and Ulster Unionist Party member Trevor Ringland (far right) next to a statue depicting the Virgin Mary grieving over the body of dead son during a visit to St Mungo Museum of Religious Life and Art in Glasgow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-social-democratic-labour-party-sdlp-member-john-dallat-front-and-ulster-109196166.html
RMG9J8R2–Social Democratic Labour Party (SDLP) member John Dallat (front) and Ulster Unionist Party member Trevor Ringland (far right) next to a statue depicting the Virgin Mary grieving over the body of dead son during a visit to St Mungo Museum of Religious Life and Art in Glasgow.
Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bolognese-school-13th-century-crucifixion-with-the-virgin-saint-john-the-evangelist-and-two-grieving-angels-tempera-on-panel-gold-ground-goes-o-image501400601.html
RM2M3MNG9–Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o
'Golgotha' ('Calvary'), 16th century. Artist: Maerten van Heemskerck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golgotha-calvary-16th-century-artist-maerten-van-heemskerck-image262742793.html
RMW7CY35–'Golgotha' ('Calvary'), 16th century. Artist: Maerten van Heemskerck
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-17th-century-the-grieving-virgin-contemplating-instruments-123382390.html
RMH4MFDX–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk
A relief sculpture of the grieving Virgin Mary over her crucified son Jesus Christ - a Pieta - by Lubo Michalko. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-relief-sculpture-of-the-grieving-virgin-mary-over-her-crucified-son-jesus-christ-a-pieta-by-lubo-michalko-image265028366.html
RFWB52AP–A relief sculpture of the grieving Virgin Mary over her crucified son Jesus Christ - a Pieta - by Lubo Michalko.
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-17th-century-the-grieving-virgin-contemplating-instruments-123367091.html
RMH4KRYF–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping
The Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava, Slovakia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pieta-the-grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-st-martins-cathedral-bratislava-slovakia-image339572452.html
RF2AMCT3G–The Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava, Slovakia.
Pietà con le Marie e San Giovanni - Pietà with Mary and St. John Girolamo di Benvenuto, Christian Art, Italy, Italian. National Art Gallery of Siena. Girolamo di Benvenuto, Pieta. ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-con-le-marie-e-san-giovanni-piet-with-mary-and-st-john-girolamo-di-benvenuto-christian-art-italy-italian-national-art-gallery-of-siena-girolamo-di-benvenuto-pieta-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image501318532.html
RM2M3H0W8–Pietà con le Marie e San Giovanni - Pietà with Mary and St. John Girolamo di Benvenuto, Christian Art, Italy, Italian. National Art Gallery of Siena. Girolamo di Benvenuto, Pieta. ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, )
1585 , ITALY : The entombment . Print chiaroscuro woodcut shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to the grieving Virgin Mary . From a painting by italian artist Raffaellino da Reggio ( 1550 - 1578 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - MADONNA - DEPOSIZIONE DALLA CROCE - TOMBA - tomb stone - lapide - sepolcro - SEPOLTURA - PIETA' - GESU' CRISTO MORTO - IMMAGINE SACRA - POPOLARE - RELIGIONE - VERGINE MARIA - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - GIUSEPPE DI ARIMATEA - MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1585-italy-the-entombment-print-chiaroscuro-woodcut-shows-jesus-christ-being-supported-by-joseph-of-arimethia-as-mary-magdalene-gives-comfort-to-the-grieving-virgin-mary-from-a-painting-by-italian-artist-raffaellino-da-reggio-1550-1578-engraved-by-andrea-andreani-ca-1560-1623-madonna-deposizione-dalla-croce-tomba-tomb-stone-lapide-sepolcro-sepoltura-pieta-gesu-cristo-morto-immagine-sacra-popolare-religione-vergine-maria-religione-cattolica-catholic-religion-portrait-ritratto-illustrazione-incisione-giuseppe-di-arimatea-ma-image540653440.html
RM2PBGTYC–1585 , ITALY : The entombment . Print chiaroscuro woodcut shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to the grieving Virgin Mary . From a painting by italian artist Raffaellino da Reggio ( 1550 - 1578 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - MADONNA - DEPOSIZIONE DALLA CROCE - TOMBA - tomb stone - lapide - sepolcro - SEPOLTURA - PIETA' - GESU' CRISTO MORTO - IMMAGINE SACRA - POPOLARE - RELIGIONE - VERGINE MARIA - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - GIUSEPPE DI ARIMATEA - MA
Pietà 19th Century North Russia Russian or Ukraine Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-piet-19th-century-north-russia-russian-or-ukraine-pieta-virgin-mary-95735447.html
RMFFN3F3–Pietà 19th Century North Russia Russian or Ukraine Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion,
Sorrowing Mary (Dolorosa). Polychrome wooden statue by Spanish Baroque sculptor Pedro de Mena (ca. 1673) on display in the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sorrowing-mary-dolorosa-polychrome-wooden-statue-by-spanish-baroque-170231667.html
RMKTXM6B–Sorrowing Mary (Dolorosa). Polychrome wooden statue by Spanish Baroque sculptor Pedro de Mena (ca. 1673) on display in the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Madrid, Spain.
Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antigua-guatemala-29th-mar-2024-a-massive-processional-float-of-the-grieving-virgin-mary-is-carried-from-the-escuela-de-cristo-church-at-the-start-of-the-good-friday-procession-during-semana-santa-march-29-2024-in-antigua-guatemala-the-opulent-procession-is-one-of-the-largest-in-the-world-requiring-over-100-people-to-carry-the-float-which-takes-12-hours-to-complete-the-procession-credit-richard-ellisrichard-ellisalamy-live-news-image601453914.html
RM2WXEGGX–Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News
Vintage illustration of Vierge Consolatricem after William Adolphe Bouguereau, Virgin Mary consoling a grieving mother Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustration-of-vierge-consolatricem-after-william-adolphe-bouguereau-virgin-mary-consoling-a-grieving-mother-image459018621.html
RM2HJP2X5–Vintage illustration of Vierge Consolatricem after William Adolphe Bouguereau, Virgin Mary consoling a grieving mother
'The Crucifixion with the Virgin and John the Baptist', c1540. Artist: Sodoma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-and-john-the-baptist-c1540-artist-image60415630.html
RMDE84N2–'The Crucifixion with the Virgin and John the Baptist', c1540. Artist: Sodoma
Rosaries cover the Virgin Mary's face in a graveyard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rosaries-cover-the-virgin-marys-face-in-a-graveyard-image66400099.html
RFDT0P03–Rosaries cover the Virgin Mary's face in a graveyard
Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-romanian-actress-portrays-grieving-virgin-mary-during-the-stations-133884229.html
RFHNPXKH–Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania.
Statue of Virgin Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-virgin-mary-127493645.html
RMHBBRCD–Statue of Virgin Mary
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-17th-century-the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-black-chalk-with-stumping-reimagined-image230051157.html
RFRA7MGN–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined
The crucifixion of Jesus of Nazareth. By Donn Philip Crane (1878-1944). Collectively referred to as the Passion, Jesus's suffering and redemptive death by crucifixion are the central aspects of Christian theology concerning the doctrines of salvation and atonement. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-of-jesus-of-nazareth-by-donn-philip-crane-1878-1944-collectively-referred-to-as-the-passion-jesuss-suffering-and-redemptive-death-by-crucifixion-are-the-central-aspects-of-christian-theology-concerning-the-doctrines-of-salvation-and-atonement-image597484772.html
RM2WM1NWT–The crucifixion of Jesus of Nazareth. By Donn Philip Crane (1878-1944). Collectively referred to as the Passion, Jesus's suffering and redemptive death by crucifixion are the central aspects of Christian theology concerning the doctrines of salvation and atonement.
Virgin Mary and Christ child in a stone niche, Northern Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-virgin-mary-and-christ-child-in-a-stone-niche-northern-spain-14868843.html
RFAK335G–Virgin Mary and Christ child in a stone niche, Northern Spain
Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bolognese-school-13th-century-crucifixion-with-the-virgin-saint-john-the-evangelist-and-two-grieving-angels-tempera-on-panel-gold-ground-goes-o-image501400602.html
RM2M3MNGA–Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o
'Calvary', late 15th/early 16th century. Artist: Cornelius Engebrechtsz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calvary-late-15thearly-16th-century-artist-cornelius-engebrechtsz-image262742803.html
RMW7CY3F–'Calvary', late 15th/early 16th century. Artist: Cornelius Engebrechtsz
The Entombment print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to Virgin Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entombment-print-shows-jesus-christ-being-supported-by-joseph-35734857.html
RMC23T4W–The Entombment print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to Virgin Mary
Pietà (The Sorrowing Virgin with the Dead Christ in Her Lap). Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piet-the-sorrowing-virgin-with-the-dead-christ-in-her-lap-dated-1596-medium-engraving-museum-national-gallery-of-art-washington-dc-author-hendrik-goltzius-image225770968.html
RMR38N4T–Pietà (The Sorrowing Virgin with the Dead Christ in Her Lap). Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-17th-century-the-grieving-virgin-contemplating-instruments-77439117.html
RMEDYJAN–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping
The Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava, Slovakia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pieta-the-grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-st-martins-cathedral-bratislava-slovakia-image339572484.html
RF2AMCT4M–The Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava, Slovakia.
The monument is crowned with a tomb on which Christ lies with beside him the grieving Virgin, Atrium in the form of a tomb Cheminées a la Romaine (series title), print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, publisher: Pierre Mariette (II), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, c. 1656 - c. 1657, paper, etching, h 210 mm × w 145 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-monument-is-crowned-with-a-tomb-on-which-christ-lies-with-beside-him-the-grieving-virgin-atrium-in-the-form-of-a-tomb-chemines-a-la-romaine-series-title-print-maker-jean-lepautre-mentioned-on-object-jean-lepautre-publisher-pierre-mariette-ii-mentioned-on-object-print-maker-france-possibly-france-possibly-publisher-paris-c-1656-c-1657-paper-etching-h-210-mm-w-145-mm-image473399197.html
RM2JE55E5–The monument is crowned with a tomb on which Christ lies with beside him the grieving Virgin, Atrium in the form of a tomb Cheminées a la Romaine (series title), print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, publisher: Pierre Mariette (II), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, c. 1656 - c. 1657, paper, etching, h 210 mm × w 145 mm
Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. Currently displayed in the Museum of fine arts in Valenciennes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-currently-displayed-in-the-museum-of-fine-arts-in-valenciennes-image259926514.html
RFW2TJWP–Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. Currently displayed in the Museum of fine arts in Valenciennes.
Pietà 19th Century North Russia Russian or Ukraine Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-piet-19th-century-north-russia-russian-or-ukraine-pieta-virgin-mary-95735456.html
RMFFN3FC–Pietà 19th Century North Russia Russian or Ukraine Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion,
A fresco of the grieving Virgin Mary with crucified Jesus in the 'Santa Maria del Carmine' church (Holy Mary of Carmel) in Pavia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-fresco-of-the-grieving-virgin-mary-with-crucified-jesus-in-the-santa-maria-del-carmine-church-holy-mary-of-carmel-in-pavia-image262375007.html
RFW6T5YY–A fresco of the grieving Virgin Mary with crucified Jesus in the 'Santa Maria del Carmine' church (Holy Mary of Carmel) in Pavia.
Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antigua-guatemala-29th-mar-2024-a-massive-processional-float-of-the-grieving-virgin-mary-is-carried-from-the-escuela-de-cristo-church-at-the-start-of-the-good-friday-procession-during-semana-santa-march-29-2024-in-antigua-guatemala-the-opulent-procession-is-one-of-the-largest-in-the-world-requiring-over-100-people-to-carry-the-float-which-takes-12-hours-to-complete-the-procession-credit-richard-ellisrichard-ellisalamy-live-news-image601453913.html
RM2WXEGGW–Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News
The painting 'Pieta con angeli dolenti' - Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. XIV century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-pieta-con-angeli-dolenti-grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-xiv-century-image248456836.html
RFTC656C–The painting 'Pieta con angeli dolenti' - Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. XIV century.
Pieta 1622 by Theodoor - Thedore van Loon 1581-1649 Flemish Belgian Belgium The Netherlands Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieta-1622-by-theodoor-thedore-van-loon-1581-1649-flemish-belgian-belgium-the-netherlands-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image492960617.html
RM2KJ0889–Pieta 1622 by Theodoor - Thedore van Loon 1581-1649 Flemish Belgian Belgium The Netherlands Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion,
Mater Dolorosa (Sorrowing Virgin), 1480/1500. Detail from a larger artwork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mater-dolorosa-sorrowing-virgin-14801500-detail-from-a-larger-artwork-image451401616.html
RM2H6B3A8–Mater Dolorosa (Sorrowing Virgin), 1480/1500. Detail from a larger artwork.
Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-romanian-actress-portrays-grieving-virgin-mary-during-the-stations-133884231.html
RFHNPXKK–Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania.
Chauncey Bradley Ives. Jephtha's Daughter. 1874. United States. Marble This sculpture by Chauncey Bradley Ives presents a character from the Old Testament book of Judges. An Israelite leader engaged in war against the Ammonites, Jephtha made a promise to God that if his army was victorious, he would sacrifice whoever met him upon his return home from battle. Jephtha’s army prevailed, but when he arrived at his house, he was met by his only child, a virgin daughter. Here we see the young woman grieving over her imminent death, her tambourine stilled and her head and shoulders drooping with the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chauncey-bradley-ives-jephthas-daughter-1874-united-states-marble-this-sculpture-by-chauncey-bradley-ives-presents-a-character-from-the-old-testament-book-of-judges-an-israelite-leader-engaged-in-war-against-the-ammonites-jephtha-made-a-promise-to-god-that-if-his-army-was-victorious-he-would-sacrifice-whoever-met-him-upon-his-return-home-from-battle-jephthas-army-prevailed-but-when-he-arrived-at-his-house-he-was-met-by-his-only-child-a-virgin-daughter-here-we-see-the-young-woman-grieving-over-her-imminent-death-her-tambourine-stilled-and-her-head-and-shoulders-drooping-with-the-image337947774.html
RM2AHPRRA–Chauncey Bradley Ives. Jephtha's Daughter. 1874. United States. Marble This sculpture by Chauncey Bradley Ives presents a character from the Old Testament book of Judges. An Israelite leader engaged in war against the Ammonites, Jephtha made a promise to God that if his army was victorious, he would sacrifice whoever met him upon his return home from battle. Jephtha’s army prevailed, but when he arrived at his house, he was met by his only child, a virgin daughter. Here we see the young woman grieving over her imminent death, her tambourine stilled and her head and shoulders drooping with the
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-17th-century-the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-black-chalk-with-stumping-reimagined-image230443573.html
RFRAWH3H–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined
The grieving Madonna Easter Passion Silves Cathedral Algarve Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-grieving-madonna-easter-passion-silves-cathedral-algarve-portugal-11295461.html
RMA5F83J–The grieving Madonna Easter Passion Silves Cathedral Algarve Portugal
. The Amsterdam city mourns the grave of Hendrik Hooft Daniëlsz. On the stone sarcophagus is a portrait bust of the civilmaster. An angel supports the grieving virgin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-amsterdam-city-mourns-the-grave-of-hendrik-hooft-danilsz-on-the-stone-sarcophagus-is-a-portrait-bust-of-the-civilmaster-an-angel-supports-the-grieving-virgin-image433034834.html
RM2G4EC9P–. The Amsterdam city mourns the grave of Hendrik Hooft Daniëlsz. On the stone sarcophagus is a portrait bust of the civilmaster. An angel supports the grieving virgin.
Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bolognese-school-13th-century-crucifixion-with-the-virgin-saint-john-the-evangelist-and-two-grieving-angels-tempera-on-panel-gold-ground-goes-o-image501400580.html
RM2M3MNFG–Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, tempera on panel, gold ground, goes o
The Crucifixion, (part of a diptych), early 14th century. Artist: Pacino di Bonaguida Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-part-of-a-diptych-early-14th-century-artist-pacino-di-bonaguida-image262741372.html
RMW7CW8C–The Crucifixion, (part of a diptych), early 14th century. Artist: Pacino di Bonaguida
The entombment Print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to grieving Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entombment-print-shows-jesus-christ-being-supported-by-joseph-35734930.html
RMC23T7E–The entombment Print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to grieving Mary
'Christ on the Cross', 1516 (1906). Artist: Albrecht Durer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-1516-1906-artist-albrecht-durer-image262781535.html
RMW7EMER–'Christ on the Cross', 1516 (1906). Artist: Albrecht Durer.
The Crucifixion, with the Virgin and Saint John the Evangelist Mourning. Date/Period: Ca. 1460. Painting. Oil on panel oil on panel. Height: 1,804.67 mm (71.05 in); Width: 1,865.12 mm (73.42 in). Author: ROGIER VAN DER WEYDEN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-and-saint-john-the-evangelist-mourning-dateperiod-ca-1460-painting-oil-on-panel-oil-on-panel-height-180467-mm-7105-in-width-186512-mm-7342-in-author-rogier-van-der-weyden-image233209039.html
RMRFBGE7–The Crucifixion, with the Virgin and Saint John the Evangelist Mourning. Date/Period: Ca. 1460. Painting. Oil on panel oil on panel. Height: 1,804.67 mm (71.05 in); Width: 1,865.12 mm (73.42 in). Author: ROGIER VAN DER WEYDEN.
'Christ on the Cross between the two Thieves', 17th century. Artist: Frans Francken II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-between-the-two-thieves-17th-century-artist-frans-image8381397.html
RMAJ9KW6–'Christ on the Cross between the two Thieves', 17th century. Artist: Frans Francken II
Grave monument for Hendrik Hooft Daniëlsz., Hy lives! (title on object), The Amsterdam city virgin mourns at the grave of Hendrik Hooft Daniëlsz. There is a portrait bust of the mayor on the stone sarcophagus. An angel supports the grieving virgin., print, print maker: Lambertus Antonius Claessens, (mentioned on object), after drawing by: Jacques Kuyper, (mentioned on object), publisher: Cornelis Sebille Roos (uitgever), (mentioned on object), Amsterdam, 1794, paper, etching, engraving, height, 540 mm × width, 410 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grave-monument-for-hendrik-hooft-danilsz-hy-lives!-title-on-object-the-amsterdam-city-virgin-mourns-at-the-grave-of-hendrik-hooft-danilsz-there-is-a-portrait-bust-of-the-mayor-on-the-stone-sarcophagus-an-angel-supports-the-grieving-virgin-print-print-maker-lambertus-antonius-claessens-mentioned-on-object-after-drawing-by-jacques-kuyper-mentioned-on-object-publisher-cornelis-sebille-roos-uitgever-mentioned-on-object-amsterdam-1794-paper-etching-engraving-height-540-mm-width-410-mm-image606660181.html
RM2X6YN71–Grave monument for Hendrik Hooft Daniëlsz., Hy lives! (title on object), The Amsterdam city virgin mourns at the grave of Hendrik Hooft Daniëlsz. There is a portrait bust of the mayor on the stone sarcophagus. An angel supports the grieving virgin., print, print maker: Lambertus Antonius Claessens, (mentioned on object), after drawing by: Jacques Kuyper, (mentioned on object), publisher: Cornelis Sebille Roos (uitgever), (mentioned on object), Amsterdam, 1794, paper, etching, engraving, height, 540 mm × width, 410 mm
'Le Coup de Lance', 1620. Artist: Peter Paul Rubens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-coup-de-lance-1620-artist-peter-paul-rubens-image8381241.html
RMAJ9JYA–'Le Coup de Lance', 1620. Artist: Peter Paul Rubens
The Entombment, Date Created 1585, Chiaroscuro Woodcut, 7 X 6 , Jesus Christ Being Supported by Joseph of Arimethia As Mary Magdalene Gives Comfort to the Grieving Virgin Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-entombment-date-created-1585-chiaroscuro-woodcut-7-x-6-jesus-christ-being-supported-by-joseph-of-arimethia-as-mary-magdalene-gives-comfort-to-the-grieving-virgin-mary-image240644381.html
RMRYE8A5–The Entombment, Date Created 1585, Chiaroscuro Woodcut, 7 X 6 , Jesus Christ Being Supported by Joseph of Arimethia As Mary Magdalene Gives Comfort to the Grieving Virgin Mary
'The Death of the Virgin', 1510 (1906). Artist: Albrecht Durer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-the-virgin-1510-1906-artist-albrecht-durer-image262781500.html
RMW7EMDG–'The Death of the Virgin', 1510 (1906). Artist: Albrecht Durer.
Lorenzo Gramiccia, The Virgin Mourning at the Tomb, Maria grieving at the grave, painting, 1764, Oil on board, Height, 29 cm (11.4 inches), Width, 20.5 cm (8 inches), Signed, 1764 Lo Gramiccia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzo-gramiccia-the-virgin-mourning-at-the-tomb-maria-grieving-at-the-grave-painting-1764-oil-on-board-height-29-cm-114-inches-width-205-cm-8-inches-signed-1764-lo-gramiccia-image261313105.html
RMW53REW–Lorenzo Gramiccia, The Virgin Mourning at the Tomb, Maria grieving at the grave, painting, 1764, Oil on board, Height, 29 cm (11.4 inches), Width, 20.5 cm (8 inches), Signed, 1764 Lo Gramiccia
The painting 'Pieta con angeli dolenti' - Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. XIV century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-pieta-con-angeli-dolenti-grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-xiv-century-image248456823.html
RFTC655Y–The painting 'Pieta con angeli dolenti' - Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. XIV century.
Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antigua-guatemala-29th-mar-2024-a-massive-processional-float-of-the-grieving-virgin-mary-is-carried-from-the-escuela-de-cristo-church-at-the-start-of-the-good-friday-procession-during-semana-santa-march-29-2024-in-antigua-guatemala-the-opulent-procession-is-one-of-the-largest-in-the-world-requiring-over-100-people-to-carry-the-float-which-takes-12-hours-to-complete-the-procession-credit-richard-ellisrichard-ellisalamy-live-news-image601453805.html
RM2WXEGD1–Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News
Stained-glass window depicting the Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-window-depicting-the-pieta-the-grieving-virgin-mary-holding-her-dead-son-jesus-christ-in-her-arms-st-martins-cathedral-bratislava-image339572481.html
RF2AMCT4H–Stained-glass window depicting the Pieta – the Grieving Virgin Mary holding her dead Son Jesus Christ in her arms. St Martin's Cathedral, Bratislava.
Pieta 1622 by Theodoor - Thedore van Loon 1581-1649 Flemish Belgian Belgium The Netherlands Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieta-1622-by-theodoor-thedore-van-loon-1581-1649-flemish-belgian-belgium-the-netherlands-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image492960732.html
RM2KJ08CC–Pieta 1622 by Theodoor - Thedore van Loon 1581-1649 Flemish Belgian Belgium The Netherlands Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion,
Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-romanian-actress-portrays-grieving-virgin-mary-during-the-stations-133884088.html
RFHNPXEG–Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania.
IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1315-1373 Allegretto Nuzi, 1315-1373 ,Fabiano, Italian, Italy ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imago-pietatis-the-image-of-piety-pieta-1315-1373-allegretto-nuzi-1315-1373-fabiano-italian-italy-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image503965444.html
RM2M7WH1T–IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1315-1373 Allegretto Nuzi, 1315-1373 ,Fabiano, Italian, Italy ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, )
French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-17th-century-the-grieving-virgin-contemplating-instruments-of-the-passion-1640s-black-chalk-with-stumping-reimagined-image230055623.html
RFRA7X87–French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping reimagined
Pieta middle of the 15th Century This Cretan Icon follows the Western iconographic type depicting the Lament of the Virgin. Museum Athens Greece. ( Pieta, Virgin Mary, holding and mourning, the dead body of Jesus, Mary the mother grieving, body of Jesus, after the Crucifixion) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieta-middle-of-the-15th-century-this-cretan-icon-follows-the-western-iconographic-type-depicting-the-lament-of-the-virgin-museum-athens-greece-pieta-virgin-mary-holding-and-mourning-the-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image594019352.html
RM2WEBWMT–Pieta middle of the 15th Century This Cretan Icon follows the Western iconographic type depicting the Lament of the Virgin. Museum Athens Greece. ( Pieta, Virgin Mary, holding and mourning, the dead body of Jesus, Mary the mother grieving, body of Jesus, after the Crucifixion)
The Pietà – the Virgin Mary cradling the dead body of Jesus after it was removed from the cross. The Church of Saints Cosmas & Damian in Clervaux. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-piet-the-virgin-mary-cradling-the-dead-body-of-jesus-after-it-was-removed-from-the-cross-the-church-of-saints-cosmas-damian-in-clervaux-image482248115.html
RF2K0G8AY–The Pietà – the Virgin Mary cradling the dead body of Jesus after it was removed from the cross. The Church of Saints Cosmas & Damian in Clervaux.
IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1480-1490 Author Alesso di Benozzo Mantegna Florence 1473-1528 Italy Italian ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imago-pietatis-the-image-of-piety-pieta-1480-1490-author-alesso-di-benozzo-mantegna-florence-1473-1528-italy-italian-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image503965512.html
RM2M7WH48–IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1480-1490 Author Alesso di Benozzo Mantegna Florence 1473-1528 Italy Italian ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, )
Esquisse pour l'église de Bagnolet : Mater dolorosa, 1878. Virgin Mary grieving at the foot of the cross. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/esquisse-pour-lxe9glise-de-bagnolet-mater-dolorosa-1878-virgin-mary-grieving-at-the-foot-of-the-cross-image485270712.html
RM2K5DYMT–Esquisse pour l'église de Bagnolet : Mater dolorosa, 1878. Virgin Mary grieving at the foot of the cross.
The grieving holy family Easter Passion group Silves Cathedral Algarve Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-grieving-holy-family-easter-passion-group-silves-cathedral-algarve-11295559.html
RMA5F8BM–The grieving holy family Easter Passion group Silves Cathedral Algarve Portugal
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Descent from the Cross, 1634. Detail of the Virgin Mary. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rembrandt-harmenszoon-van-rijn-1606-1669-dutch-painter-descent-from-the-cross-1634-detail-of-the-virgin-mary-the-state-hermitage-museum-saint-petersburg-russia-image211197099.html
RMP7GT1F–Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Descent from the Cross, 1634. Detail of the Virgin Mary. The State Hermitage Museum. Saint Petersburg. Russia.
'The Death of the Virgin', 1510 (1906). Artist: Albrecht Durer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-death-of-the-virgin-1510-1906-artist-albrecht-durer-135244073.html
RMHT0W5D–'The Death of the Virgin', 1510 (1906). Artist: Albrecht Durer.
Glass display of a La Pieta-Virgin Mary grieving over Jesus's dead body, Amalfi Cathedral, Amalfi, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-glass-display-of-a-la-pieta-virgin-mary-grieving-over-jesuss-dead-172815937.html
RMM14CDN–Glass display of a La Pieta-Virgin Mary grieving over Jesus's dead body, Amalfi Cathedral, Amalfi, Italy.
. A city square with the grieving virgin Mary and Mary Magdalene in the foreground. In the background left, Pontius Pilatus shows the branched Christ to the Jewish people. The people shed and tortoise. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-city-square-with-the-grieving-virgin-mary-and-mary-magdalene-in-the-foreground-in-the-background-left-pontius-pilatus-shows-the-branched-christ-to-the-jewish-people-the-people-shed-and-tortoise-image433050971.html
RM2G4F4X3–. A city square with the grieving virgin Mary and Mary Magdalene in the foreground. In the background left, Pontius Pilatus shows the branched Christ to the Jewish people. The people shed and tortoise.
Old statue of Virgin Mary with clasped hands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-statue-of-virgin-mary-with-clasped-hands-105592281.html
RFG3P40W–Old statue of Virgin Mary with clasped hands
London, UK. 2nd Dec, 2022. Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, circa 1280, est £1.4-1.8 million - Preview of the Old Masters Evening sale at Sotheby's. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-2nd-dec-2022-bolognese-school-13th-century-crucifixion-with-the-virgin-saint-john-the-evangelist-and-two-grieving-angels-circa-1280-est-14-18-million-preview-of-the-old-masters-evening-sale-at-sothebys-credit-guy-bellalamy-live-news-image499030588.html
RM2KYTPH0–London, UK. 2nd Dec, 2022. Bolognese School, 13th Century, Crucifixion with the Virgin, Saint John the Evangelist, and two grieving angels, circa 1280, est £1.4-1.8 million - Preview of the Old Masters Evening sale at Sotheby's. Credit: Guy Bell/Alamy Live News
The Virgin as Mater Dolorosa (Our Lady of Sorrows) The Virgin as Mater Dolorosa (Our Lady of Sorrows) The Virgin as Mater Dolorosa (Our Lady of Sorrows) Maria as Mater Dolorosa, Polychromed terracotta bust of Maria, with grieving facial expression, she is wearing a blue cloak that is wrapped around her head and shoulders and wrapped around her arms at the bottom. A white head and child cover under the cloak. All kinds of details are indicated in the face, such as eyebrows, eyelids, teeth in the slightly opened mouth. Closed at the back except for a gate-shaped opening at the bottom, 'Mater Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-as-mater-dolorosa-our-lady-of-sorrows-the-virgin-as-mater-dolorosa-our-lady-of-sorrows-the-virgin-as-mater-dolorosa-our-lady-of-sorrows-maria-as-mater-dolorosa-polychromed-terracotta-bust-of-maria-with-grieving-facial-expression-she-is-wearing-a-blue-cloak-that-is-wrapped-around-her-head-and-shoulders-and-wrapped-around-her-arms-at-the-bottom-a-white-head-and-child-cover-under-the-cloak-all-kinds-of-details-are-indicated-in-the-face-such-as-eyebrows-eyelids-teeth-in-the-slightly-opened-mouth-closed-at-the-back-except-for-a-gate-shaped-opening-at-the-bottom-mater-image261351279.html
RMW55G67–The Virgin as Mater Dolorosa (Our Lady of Sorrows) The Virgin as Mater Dolorosa (Our Lady of Sorrows) The Virgin as Mater Dolorosa (Our Lady of Sorrows) Maria as Mater Dolorosa, Polychromed terracotta bust of Maria, with grieving facial expression, she is wearing a blue cloak that is wrapped around her head and shoulders and wrapped around her arms at the bottom. A white head and child cover under the cloak. All kinds of details are indicated in the face, such as eyebrows, eyelids, teeth in the slightly opened mouth. Closed at the back except for a gate-shaped opening at the bottom, 'Mater
Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antigua-guatemala-29th-mar-2024-a-massive-processional-float-of-the-grieving-virgin-mary-is-carried-from-the-escuela-de-cristo-church-at-the-start-of-the-good-friday-procession-during-semana-santa-march-29-2024-in-antigua-guatemala-the-opulent-procession-is-one-of-the-largest-in-the-world-requiring-over-100-people-to-carry-the-float-which-takes-12-hours-to-complete-the-procession-credit-richard-ellisrichard-ellisalamy-live-news-image601453992.html
RM2WXEGKM–Antigua, Guatemala. 29th Mar, 2024. A massive processional float of the grieving Virgin Mary is carried from the Escuela de Cristo church at the start of the Good Friday procession during Semana Santa, March 29, 2024 in Antigua, Guatemala. The opulent procession is one of the largest in the world requiring over 100 people to carry the float which takes 12-hours to complete the procession. Credit: Richard Ellis/Richard Ellis/Alamy Live News
The Mystic Marriage of St. Catherine by Mannozzi, Giovanni (da San Giovanni) (1592-1636); Palazzo Pitti, Florence, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mystic-marriage-of-st-catherine-by-mannozzi-giovanni-da-san-giovanni-1592-1636-palazzo-pitti-florence-italy-italian-out-of-copyright-image469980191.html
RM2J8HCER–The Mystic Marriage of St. Catherine by Mannozzi, Giovanni (da San Giovanni) (1592-1636); Palazzo Pitti, Florence, Italy; Italian, out of copyright.
The entombment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entombment-105337811.html
RMG3AFCK–The entombment
Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-romanian-actress-portrays-grieving-virgin-mary-during-the-stations-133884240.html
RFHNPXM0–Romanian actress portrays grieving Virgin Mary during the Stations of the Cross reenactment on April 15, 2014 in Bucharest, Romania.
Bolognese School, 'Crucifixion with The Virgin, Saint John the Evangelist, and two grieving angels' at Sotheby's in London, which is estimated to sell for £1.4 million to £1.8 million in their forthcoming Old Master Evening Sale. Works on show include Venus and Adonis by Titian, estimated to fetch £8 million to £12 million. Picture date: Friday December 2, 2022. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bolognese-school-crucifixion-with-the-virgin-saint-john-the-evangelist-and-two-grieving-angels-at-sothebys-in-london-which-is-estimated-to-sell-for-14-million-to-18-million-in-their-forthcoming-old-master-evening-sale-works-on-show-include-venus-and-adonis-by-titian-estimated-to-fetch-8-million-to-12-million-picture-date-friday-december-2-2022-image499030134.html
RM2KYTP0P–Bolognese School, 'Crucifixion with The Virgin, Saint John the Evangelist, and two grieving angels' at Sotheby's in London, which is estimated to sell for £1.4 million to £1.8 million in their forthcoming Old Master Evening Sale. Works on show include Venus and Adonis by Titian, estimated to fetch £8 million to £12 million. Picture date: Friday December 2, 2022.
Statue of dead Jesus Christ down from the cross, being embraced by the Virgin Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-dead-jesus-christ-down-from-the-cross-being-embraced-by-165289352.html
RFKGWG74–Statue of dead Jesus Christ down from the cross, being embraced by the Virgin Mary
Face of statue of grieving woman isolated on white background. Plaster antique sculpture of young woman. Gypsum copy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/face-of-statue-of-grieving-woman-isolated-on-white-background-plaster-antique-sculpture-of-young-woman-gypsum-copy-image465037161.html
RF2J0G7J1–Face of statue of grieving woman isolated on white background. Plaster antique sculpture of young woman. Gypsum copy
The Pietà – the Virgin Mary cradling the dead body of Jesus after it was removed from the cross. The Church of Saints Cosmas & Damian in Clervaux. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-piet-the-virgin-mary-cradling-the-dead-body-of-jesus-after-it-was-removed-from-the-cross-the-church-of-saints-cosmas-damian-in-clervaux-image482248112.html
RF2K0G8AT–The Pietà – the Virgin Mary cradling the dead body of Jesus after it was removed from the cross. The Church of Saints Cosmas & Damian in Clervaux.
IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1480-1490 Author Alesso di Benozzo Mantegna Florence 1473-1528 Italy Italian ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/imago-pietatis-the-image-of-piety-pieta-1480-1490-author-alesso-di-benozzo-mantegna-florence-1473-1528-italy-italian-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image503965505.html
RM2M7WH41–IMAGO PIETATIS - THE IMAGE OF PIETY - Pieta, 1480-1490 Author Alesso di Benozzo Mantegna Florence 1473-1528 Italy Italian ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, )
Jose de Ribera ('el Españoleto') (1591-1652). The Pietà. 1633. Oil on canvas. 157 x 210 cm. José de Ribera was a Spanish Baroque successful painter, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-de-ribera-el-espaoleto-1591-1652-the-piet-1633-oil-on-canvas-157-x-210-cm-jos-de-ribera-was-a-spanish-baroque-successful-painter-image460649818.html
RM2HNCBF6–Jose de Ribera ('el Españoleto') (1591-1652). The Pietà. 1633. Oil on canvas. 157 x 210 cm. José de Ribera was a Spanish Baroque successful painter,
Mary as Mater Dolorosa (Mother of Sorrows), Pietro Torrigiani (attributed to), 1507 - 1510 terracotta with old, partly original polychromy (oil paint), 43.7cm × 37.5cm × 25cm Italy, Italian, ( This penetrating bust of Mary, grieving for her dead son Jesus, was probably made by Pietro Torrigiani, an Italian living in Bruges in the service of Archduchess Margaret of Austria. For Margaret, herself a grieving widow, the theme of Mary's mourning had great significance. The lifelike character of the statue made it easy to empathize with Mary's grief. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-as-mater-dolorosa-mother-of-sorrows-pietro-torrigiani-attributed-to-1507-1510-terracotta-with-old-partly-original-polychromy-oil-paint-437cm-375cm-25cm-italy-italian-this-penetrating-bust-of-mary-grieving-for-her-dead-son-jesus-was-probably-made-by-pietro-torrigiani-an-italian-living-in-bruges-in-the-service-of-archduchess-margaret-of-austria-for-margaret-herself-a-grieving-widow-the-theme-of-marys-mourning-had-great-significance-the-lifelike-character-of-the-statue-made-it-easy-to-empathize-with-marys-grief-image439933403.html
RM2GFMKF7–Mary as Mater Dolorosa (Mother of Sorrows), Pietro Torrigiani (attributed to), 1507 - 1510 terracotta with old, partly original polychromy (oil paint), 43.7cm × 37.5cm × 25cm Italy, Italian, ( This penetrating bust of Mary, grieving for her dead son Jesus, was probably made by Pietro Torrigiani, an Italian living in Bruges in the service of Archduchess Margaret of Austria. For Margaret, herself a grieving widow, the theme of Mary's mourning had great significance. The lifelike character of the statue made it easy to empathize with Mary's grief. )
The Order of Our Lady of Sorrows was founded in 1230 by Pierre Nolasque, governor of Aragon, and Raymond de Pegnafort, Canon of Barcelona, to free Christians languishing in servitude to the Moors. Nolasque was the first grand master, and the vows included allowing 'themselves to be taken hostage by the Moors' to liberate Christians. Under Nolasque, the knights freed thousands of Christians, but later became a purely religious order.. . The Order of the Glorious Virgin Mary was founded in 1233 by Bartholome, Bishop of Vicence, but was not approved by the Pope until 1268. They vowed to put down Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-order-of-our-lady-of-sorrows-was-founded-in-1230-by-pierre-nolasque-governor-of-aragon-and-raymond-de-pegnafort-canon-of-barcelona-to-free-christians-languishing-in-servitude-to-the-moors-nolasque-was-the-first-grand-master-and-the-vows-included-allowing-themselves-to-be-taken-hostage-by-the-moors-to-liberate-christians-under-nolasque-the-knights-freed-thousands-of-christians-but-later-became-a-purely-religious-order-the-order-of-the-glorious-virgin-mary-was-founded-in-1233-by-bartholome-bishop-of-vicence-but-was-not-approved-by-the-pope-until-1268-they-vowed-to-put-down-image209712237.html
RMP5562N–The Order of Our Lady of Sorrows was founded in 1230 by Pierre Nolasque, governor of Aragon, and Raymond de Pegnafort, Canon of Barcelona, to free Christians languishing in servitude to the Moors. Nolasque was the first grand master, and the vows included allowing 'themselves to be taken hostage by the Moors' to liberate Christians. Under Nolasque, the knights freed thousands of Christians, but later became a purely religious order.. . The Order of the Glorious Virgin Mary was founded in 1233 by Bartholome, Bishop of Vicence, but was not approved by the Pope until 1268. They vowed to put down
Gesu in Pieta sorretto da due Angeli - Jesus in Pieta supported by two Angels by Girolamo di Benvenuto 1470-1524 Christian Art, Italy, Italian. ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gesu-in-pieta-sorretto-da-due-angeli-jesus-in-pieta-supported-by-two-angels-by-girolamo-di-benvenuto-1470-1524-christian-art-italy-italian-pieta-virgin-mary-holding-and-mourning-dead-body-of-jesus-mary-the-mother-grieving-body-of-jesus-after-the-crucifixion-image501318539.html
RM2M3H0WF–Gesu in Pieta sorretto da due Angeli - Jesus in Pieta supported by two Angels by Girolamo di Benvenuto 1470-1524 Christian Art, Italy, Italian. ( Pieta, Virgin Mary, holding and mourning, dead body of Jesus, Mary the mother grieving , body of Jesus, after the Crucifixion, )
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