Egg pot of rough-walled earthenware with a slight distortion in the edge. Old bondings, egg pot, earthenware (rough wall), h: 19.2 cm, diam: 22.6 cm, vmeb, Netherlands, Utrecht, Rhenen, Rhenen, grave 308 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egg-pot-of-rough-walled-earthenware-with-a-slight-distortion-in-the-edge-old-bondings-egg-pot-earthenware-rough-wall-h-192-cm-diam-226-cm-vmeb-netherlands-utrecht-rhenen-rhenen-grave-308-image344553305.html
RM2B0FN75–Egg pot of rough-walled earthenware with a slight distortion in the edge. Old bondings, egg pot, earthenware (rough wall), h: 19.2 cm, diam: 22.6 cm, vmeb, Netherlands, Utrecht, Rhenen, Rhenen, grave 308
Halifax, Nova Scotia: The Titanic Grave Site at Fairview Lawn Cemetery. Nameless grave 308, with date of drowning 'Died April 15, 1912' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halifax-nova-scotia-the-titanic-grave-site-at-fairview-lawn-cemetery-nameless-grave-308-with-date-of-drowning-died-april-15-1912-image440703032.html
RM2GGYN60–Halifax, Nova Scotia: The Titanic Grave Site at Fairview Lawn Cemetery. Nameless grave 308, with date of drowning 'Died April 15, 1912'
Grave monument for Jacob van Lennep, 1869, Album van den Nederlandschen Spectator No. 4 (title on object), The grave monument of Jacob van Lennep in the cemetery in Oosterbeek (erected November? 1869), where he died on August 25, 1868., print, print maker: Johan Michaël Schmidt Crans, (mentioned on object), printer: weduwe Elias Spanier & Zn, (mentioned on object), print maker: Netherlands, printer: The Hague, 1869, paper, height, 308 mm × width, 223 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grave-monument-for-jacob-van-lennep-1869-album-van-den-nederlandschen-spectator-no-4-title-on-object-the-grave-monument-of-jacob-van-lennep-in-the-cemetery-in-oosterbeek-erected-november-1869-where-he-died-on-august-25-1868-print-print-maker-johan-michal-schmidt-crans-mentioned-on-object-printer-weduwe-elias-spanier-zn-mentioned-on-object-print-maker-netherlands-printer-the-hague-1869-paper-height-308-mm-width-223-mm-image606621512.html
RM2X6WYX0–Grave monument for Jacob van Lennep, 1869, Album van den Nederlandschen Spectator No. 4 (title on object), The grave monument of Jacob van Lennep in the cemetery in Oosterbeek (erected November? 1869), where he died on August 25, 1868., print, print maker: Johan Michaël Schmidt Crans, (mentioned on object), printer: weduwe Elias Spanier & Zn, (mentioned on object), print maker: Netherlands, printer: The Hague, 1869, paper, height, 308 mm × width, 223 mm
Art inspired by Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), model ca. 1552 (probably a later cast), Bronze (Copper alloy with brown patina, Diam. 9.5 cm, wt. 308.61 g., Medals, Francesco da Sangallo (Italian, 1494–1576), The medals' obverse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-medal-of-paolo-giovio-obverse-giovio-raising-a-man-from-a-grave-reverse-model-ca-1552-probably-a-later-cast-bronze-copper-alloy-with-brown-patina-diam-95-cm-wt-30861-g-medals-francesco-da-sangallo-italian-14941576-the-medals-obverse-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031955.html
RF2HW8WYF–Art inspired by Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), model ca. 1552 (probably a later cast), Bronze (Copper alloy with brown patina, Diam. 9.5 cm, wt. 308.61 g., Medals, Francesco da Sangallo (Italian, 1494–1576), The medals' obverse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse). Artist: Francesco da Sangallo (Italian, 1494-1576). Dimensions: Diam. 9.5 cm, wt. 308.61 g.. Date: model ca. 1552 (probably a later cast). The medals' obverse portrays the writer, historian, and collector Paolo Giovio, known for the group of portraits of famous men that he assembled in his villa near Lake Como as well as his writing on contemporary history, including the lives of illustrious men. The reverse of Paolo Giovio's medal shows him holding a large book under his left shoulder, while he helps a n Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-medal-of-paolo-giovio-obverse-giovio-raising-a-man-from-a-grave-reverse-artist-francesco-da-sangallo-italian-1494-1576-dimensions-diam-95-cm-wt-30861-g-date-model-ca-1552-probably-a-later-cast-the-medals-obverse-portrays-the-writer-historian-and-collector-paolo-giovio-known-for-the-group-of-portraits-of-famous-men-that-he-assembled-in-his-villa-near-lake-como-as-well-as-his-writing-on-contemporary-history-including-the-lives-of-illustrious-men-the-reverse-of-paolo-giovios-medal-shows-him-holding-a-large-book-under-his-left-shoulder-while-he-helps-a-n-image213300203.html
RMPB0JGB–Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse). Artist: Francesco da Sangallo (Italian, 1494-1576). Dimensions: Diam. 9.5 cm, wt. 308.61 g.. Date: model ca. 1552 (probably a later cast). The medals' obverse portrays the writer, historian, and collector Paolo Giovio, known for the group of portraits of famous men that he assembled in his villa near Lake Como as well as his writing on contemporary history, including the lives of illustrious men. The reverse of Paolo Giovio's medal shows him holding a large book under his left shoulder, while he helps a n
Black African girl lying down Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 308 II, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 205 II, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 299 II, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 205 II, 6728, 1890. Hollstein's Dutch and Flemish e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-african-girl-lying-down-rembrandt-van-rijn-1606-1669-engraving-print-the-new-hollstein-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-rembrandt-7-vols-text-plates-copies-erik-hinterding-308-ii-c-550131-7-2013-the-illustrated-bartsch-50-supplement-rembrandt-harmensz-van-rijn-stephanie-s-dickey-205-ii-c-36238-1993-rembrandts-etchings-an-essay-and-a-catalogue-with-some-notes-on-the-drawings-arthur-m-hind-299-ii-6545-1912-loeuvre-grav-de-rembrandt-avec-un-catalogue-raisonn-dmitri-rovinski-205-ii-6728-1890-hollsteins-dutch-and-flemish-e-image613432350.html
RM2XJ0766–Black African girl lying down Rembrandt van Rijn 1606 - 1669 Engraving, Print The New Hollstein Dutch and Flemish etchings, engravings and woodcuts 1450-1700, Rembrandt (7 vols: text, plates, copies), Erik Hinterding, 308 II, C 55013:1-7, 2013. The Illustrated Bartsch 50, Supplement, Rembrandt Harmensz. van Rijn, Stephanie S. Dickey, 205 II, C 36238, 1993. Rembrandt's etchings: an essay and a catalogue with some notes on the drawings, Arthur M. Hind, 299 II, 6545, 1912. L'oeuvre gravé de Rembrandt: avec un catalogue raisonné, Dmitri Rovinski, 205 II, 6728, 1890. Hollstein's Dutch and Flemish e
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo, model ca. 1552 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-medal-of-paolo-giovio-obverse-giovio-raising-a-man-from-a-162409496.html
RMKC6AY4–Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo, model ca. 1552
I had walled the monster up within the tomb!. From the story The Black Cat. Tales of Mystery and Imagination ... Illustrated by Harry Clarke. G. G. Harrap & Co.: London, 1919. Source: 12703.i.43, opposite 308. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-had-walled-the-monster-up-within-the-tomb!-from-the-story-the-black-cat-tales-of-mystery-and-imagination-illustrated-by-harry-clarke-g-g-harrap-co-london-1919-source-12703i43-opposite-308-language-english-image227048416.html
RMR5AXG0–I had walled the monster up within the tomb!. From the story The Black Cat. Tales of Mystery and Imagination ... Illustrated by Harry Clarke. G. G. Harrap & Co.: London, 1919. Source: 12703.i.43, opposite 308. Language: English.
The home of the mutineers . on, Captain Hall; John Buffett came onshore, as school-master, and John Evansalso came on shore. 1825, December 5.—Arrived, H. M. S.Blossom, Captain F. W. Beechey. 1826, December 19.—Jane Quintal left 308 HOME OP THE MUTINEERS. the island in the Lovely^ of London, Cap-tain Blythe. 1828, Novemher 15.—George Nobbscame on shore to reside. 1829, March 5.— John Adams died, aged 65. 1830, March 15.—Arrived, H. M. S.Seringapatam, Captain Hon. W. Walde-grave, with a present of clothes and agri-cultural implements and tools from theBritish government. 1831, February 28.—Arri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-home-of-the-mutineers-on-captain-hall-john-buffett-came-onshore-as-school-master-and-john-evansalso-came-on-shore-1825-december-5arrived-h-m-sblossom-captain-f-w-beechey-1826-december-19jane-quintal-left-308-home-op-the-mutineers-the-island-in-the-lovely-of-london-cap-tain-blythe-1828-novemher-15george-nobbscame-on-shore-to-reside-1829-march-5-john-adams-died-aged-65-1830-march-15arrived-h-m-sseringapatam-captain-hon-w-walde-grave-with-a-present-of-clothes-and-agri-cultural-implements-and-tools-from-thebritish-government-1831-february-28arri-image338269147.html
RM2AJ9DMY–The home of the mutineers . on, Captain Hall; John Buffett came onshore, as school-master, and John Evansalso came on shore. 1825, December 5.—Arrived, H. M. S.Blossom, Captain F. W. Beechey. 1826, December 19.—Jane Quintal left 308 HOME OP THE MUTINEERS. the island in the Lovely^ of London, Cap-tain Blythe. 1828, Novemher 15.—George Nobbscame on shore to reside. 1829, March 5.— John Adams died, aged 65. 1830, March 15.—Arrived, H. M. S.Seringapatam, Captain Hon. W. Walde-grave, with a present of clothes and agri-cultural implements and tools from theBritish government. 1831, February 28.—Arri
308 Che Guevara's motto ''Hasta la victoria siempre -Until Victory always'' at the foot of his bronze statue atop his mausoleum. Santa Clara-Cuba. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/308-che-guevaras-motto-hasta-la-victoria-siempre-until-victory-always-at-the-foot-of-his-bronze-statue-atop-his-mausoleum-santa-clara-cuba-image607471134.html
RF2X88KHJ–308 Che Guevara's motto ''Hasta la victoria siempre -Until Victory always'' at the foot of his bronze statue atop his mausoleum. Santa Clara-Cuba.
Murmansk, Russia - September, 2017: Exposition of the dead soldiers during the Great Patriotic War Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/murmansk-russia-september-2017-exposition-of-the-dead-soldiers-during-the-great-patriotic-war-image181592383.html
RFMFC6X7–Murmansk, Russia - September, 2017: Exposition of the dead soldiers during the Great Patriotic War
Halifax, Nova Scotia: The Titanic Grave Site at Fairview Lawn Cemetery. Nameless grave 308, with date of drowning 'Died April 15, 1912' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halifax-nova-scotia-the-titanic-grave-site-at-fairview-lawn-cemetery-nameless-grave-308-with-date-of-drowning-died-april-15-1912-image444185524.html
RF2GPJB4M–Halifax, Nova Scotia: The Titanic Grave Site at Fairview Lawn Cemetery. Nameless grave 308, with date of drowning 'Died April 15, 1912'
. Ur excavations. U. 10005 Scale c. i PG/7SS. GRAVE OF MES-KALAM-DUG a. SPEARS AND A HARPOON: THE SPEAR U. IOO23 HAVING A GOLD MOUNT JOINTED INIMITATION OF BAMBOOb. DAGGER WITH GOLD HANDLE, GOLD PIN WITH LAPIS-LAZULI HEAD, AND GOLD HAIR-RINGS V. pp. 155, 308 PLATE 155. U. 10015 U. 10014 Scale c. J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ur-excavations-u-10005-scale-c-i-pg7ss-grave-of-mes-kalam-dug-a-spears-and-a-harpoon-the-spear-u-ioo23-having-a-gold-mount-jointed-inimitation-of-bamboob-dagger-with-gold-handle-gold-pin-with-lapis-lazuli-head-and-gold-hair-rings-v-pp-155-308-plate-155-u-10015-u-10014-scale-c-j-image370609436.html
RM2CEXM38–. Ur excavations. U. 10005 Scale c. i PG/7SS. GRAVE OF MES-KALAM-DUG a. SPEARS AND A HARPOON: THE SPEAR U. IOO23 HAVING A GOLD MOUNT JOINTED INIMITATION OF BAMBOOb. DAGGER WITH GOLD HANDLE, GOLD PIN WITH LAPIS-LAZULI HEAD, AND GOLD HAIR-RINGS V. pp. 155, 308 PLATE 155. U. 10015 U. 10014 Scale c. J
. Ur excavations. U.10047 U. 10023 U. 10044 Scale c. U. looig. U. 10005 Scale c. i PG/7SS. GRAVE OF MES-KALAM-DUG a. SPEARS AND A HARPOON: THE SPEAR U. IOO23 HAVING A GOLD MOUNT JOINTED INIMITATION OF BAMBOOb. DAGGER WITH GOLD HANDLE, GOLD PIN WITH LAPIS-LAZULI HEAD, AND GOLD HAIR-RINGS V. pp. 155, 308 PLATE 155 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ur-excavations-u10047-u-10023-u-10044-scale-c-u-looig-u-10005-scale-c-i-pg7ss-grave-of-mes-kalam-dug-a-spears-and-a-harpoon-the-spear-u-ioo23-having-a-gold-mount-jointed-inimitation-of-bamboob-dagger-with-gold-handle-gold-pin-with-lapis-lazuli-head-and-gold-hair-rings-v-pp-155-308-plate-155-image370609376.html
RM2CEXM14–. Ur excavations. U.10047 U. 10023 U. 10044 Scale c. U. looig. U. 10005 Scale c. i PG/7SS. GRAVE OF MES-KALAM-DUG a. SPEARS AND A HARPOON: THE SPEAR U. IOO23 HAVING A GOLD MOUNT JOINTED INIMITATION OF BAMBOOb. DAGGER WITH GOLD HANDLE, GOLD PIN WITH LAPIS-LAZULI HEAD, AND GOLD HAIR-RINGS V. pp. 155, 308 PLATE 155
. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . Fig. 308. SacralKnot of Ivory. S.E.House, (f). for whom they were executed with Dr. Staespermission. Dr. Karo offers the suggestionthat they were connected with the faiencedraught-board found in this Grave (see below,p. 482), and the fact that the loop of whichthe back is shown in Fig. 347, p. 484 below. M. M. III. WEST PALACE REGION ; DOUBLE AXE CULT 431 nexion with Minoan ritual usage is illustrated by a series of examples onsignets and seal i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-palace-of-minos-a-comparative-account-of-the-successive-stages-of-the-early-cretan-civilization-as-illustrated-by-the-discoveries-at-knossos-fig-308-sacralknot-of-ivory-sehouse-f-for-whom-they-were-executed-with-dr-staespermission-dr-karo-offers-the-suggestionthat-they-were-connected-with-the-faiencedraught-board-found-in-this-grave-see-belowp-482-and-the-fact-that-the-loop-of-whichthe-back-is-shown-in-fig-347-p-484-below-m-m-iii-west-palace-region-double-axe-cult-431-nexion-with-minoan-ritual-usage-is-illustrated-by-a-series-of-examples-onsignets-and-seal-i-image369782930.html
RM2CDH1W6–. The palace of Minos : a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos . Fig. 308. SacralKnot of Ivory. S.E.House, (f). for whom they were executed with Dr. Staespermission. Dr. Karo offers the suggestionthat they were connected with the faiencedraught-board found in this Grave (see below,p. 482), and the fact that the loop of whichthe back is shown in Fig. 347, p. 484 below. M. M. III. WEST PALACE REGION ; DOUBLE AXE CULT 431 nexion with Minoan ritual usage is illustrated by a series of examples onsignets and seal i
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