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Gorgoneion Stock Photos and Images
Terracotta painted gorgoneion antefix (roof tile), ca. 540 B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-terracotta-painted-gorgoneion-antefix-roof-tile-ca-540-bc-162431782.htmlRMKC7BB2–Terracotta painted gorgoneion antefix (roof tile), ca. 540 B.C
Vase in shape of a female bust (made in Miletus Turkey) Terracotta ( Group of Gorgoneion Rhodes (Greece) 570-560 BC ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-in-shape-of-a-female-bust-made-in-miletus-turkey-terracotta-group-of-gorgoneion-rhodes-greece-570-560-bc-image264197102.htmlRMW9R62P–Vase in shape of a female bust (made in Miletus Turkey) Terracotta ( Group of Gorgoneion Rhodes (Greece) 570-560 BC )
Terracotta gorgoneion antefix (roof tile), ca. 580–570 B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-terracotta-gorgoneion-antefix-roof-tile-ca-580570-bc-162418257.htmlRMKC6P41–Terracotta gorgoneion antefix (roof tile), ca. 580–570 B.C
A terracotta antefix with a Gorgoneion surrounded by lotus flowers. From Italy. Around 540 BC ( The Greek Medusa resembles Bes because she is sticking out her tongue; she is also often combined with dangerous snakes. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-terracotta-antefix-with-a-gorgoneion-surrounded-by-lotus-flowers-from-italy-around-540-bc-the-greek-medusa-resembles-bes-because-she-is-sticking-out-her-tongue-she-is-also-often-combined-with-dangerous-snakes-image377017621.htmlRM2CWAHR1–A terracotta antefix with a Gorgoneion surrounded by lotus flowers. From Italy. Around 540 BC ( The Greek Medusa resembles Bes because she is sticking out her tongue; she is also often combined with dangerous snakes. )
Terracotta gorgoneion antefix (roof tile), 2nd half of the 5th century B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-terracotta-gorgoneion-antefix-roof-tile-2nd-half-of-the-5th-century-162431781.htmlRMKC7BB1–Terracotta gorgoneion antefix (roof tile), 2nd half of the 5th century B.C
Greece, Athens, Roman Agora, fragment of the statue of the Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greece-athens-roman-agora-fragment-of-the-statue-of-the-gorgoneion-image259649395.htmlRMW2C1CK–Greece, Athens, Roman Agora, fragment of the statue of the Gorgoneion
The head of Medusa or Gorgon, the bronze Gorgoneion (6th cent. B.C.) in National Museum, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-head-of-medusa-or-gorgon-the-bronze-gorgoneion-6th-cent-bc-in-image61044512.htmlRMDF8PW4–The head of Medusa or Gorgon, the bronze Gorgoneion (6th cent. B.C.) in National Museum, Greece
Art inspired by Antefix, Gorgoneion, Archaic, 6th–5th century B.C., Etruscan or South Italian, Terracotta, H. 8 1/4 in. (21 cm), Terracottas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-antefix-gorgoneion-archaic-6th5th-century-bc-etruscan-or-south-italian-terracotta-h-8-14-in-21-cm-terracottas-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462790316.htmlRF2HTWWNG–Art inspired by Antefix, Gorgoneion, Archaic, 6th–5th century B.C., Etruscan or South Italian, Terracotta, H. 8 1/4 in. (21 cm), Terracottas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Greece, Central Greece Region, Athens, Roman Agora, fragment of the statue of the Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-greece-central-greece-region-athens-roman-agora-fragment-of-the-statue-149615449.htmlRMJKBG0W–Greece, Central Greece Region, Athens, Roman Agora, fragment of the statue of the Gorgoneion
Art inspired by Pendant in the form of a Gorgoneion eye charm, Gold, Other: 1/4 x 9/16 x 1/16 in. (0.6 x 1.4 x 0.2 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pendant-in-the-form-of-a-gorgoneion-eye-charm-gold-other-14-x-916-x-116-in-06-x-14-x-02-cm-gold-and-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462782219.htmlRF2HTWFCB–Art inspired by Pendant in the form of a Gorgoneion eye charm, Gold, Other: 1/4 x 9/16 x 1/16 in. (0.6 x 1.4 x 0.2 cm), Gold and Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Roman mosaic of Medusa. Baths of Diocletian in Rome. National Roman Museum. Palace Massimo. Rome. Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-mosaic-of-medusa-baths-of-diocletian-in-rome-national-roman-82543113.htmlRMEP84G9–Roman mosaic of Medusa. Baths of Diocletian in Rome. National Roman Museum. Palace Massimo. Rome. Italy
Art inspired by Terracotta gorgoneion antefix (roof tile), Classical, 2nd half of the 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 7 5/8 in. (19.4 cm.), Terracottas, The style of this gorgoneion antefix is of a transitional type between the archaic, more fierce, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-gorgoneion-antefix-roof-tile-classical-2nd-half-of-the-5th-century-bc-greek-south-italian-tarentine-terracotta-h-7-58-in-194-cm-terracottas-the-style-of-this-gorgoneion-antefix-is-of-a-transitional-type-between-the-archaic-more-fierce-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462931374.htmlRF2HW49KA–Art inspired by Terracotta gorgoneion antefix (roof tile), Classical, 2nd half of the 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 7 5/8 in. (19.4 cm.), Terracottas, The style of this gorgoneion antefix is of a transitional type between the archaic, more fierce, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-in-the-apollo-temple-and-oracle-in-didyma-second-only-to-85145777.htmlRMEXEM8H–Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi.
Art inspired by Terracotta gorgoneion antefix (roof tile), Archaic, ca. 580–570 B.C., Greek, Terracotta, H. 6 3/4 in. (17.1 cm.), Terracottas, The frightening features of this Gorgon head, its petrifying eyes and sharp teeth, correspond to its Archaic date and were likely intended to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-gorgoneion-antefix-roof-tile-archaic-ca-580570-bc-greek-terracotta-h-6-34-in-171-cm-terracottas-the-frightening-features-of-this-gorgon-head-its-petrifying-eyes-and-sharp-teeth-correspond-to-its-archaic-date-and-were-likely-intended-to-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462930015.htmlRF2HW47XR–Art inspired by Terracotta gorgoneion antefix (roof tile), Archaic, ca. 580–570 B.C., Greek, Terracotta, H. 6 3/4 in. (17.1 cm.), Terracottas, The frightening features of this Gorgon head, its petrifying eyes and sharp teeth, correspond to its Archaic date and were likely intended to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Italy: Head of Medusa in white marble, by Gian Lorenzo Bernini (1598-1680), 1630. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-head-of-medusa-in-white-marble-by-gian-lorenzo-bernini-1598-1680-1630-in-greek-mythology-medusa-greek-guardian-protectress-was-a-gorgon-a-chthonic-monster-and-a-daughter-of-phorcys-and-ceto-gazing-directly-upon-her-would-turn-onlookers-to-stone-she-was-beheaded-by-the-hero-perseus-who-thereafter-used-her-head-as-a-weapon-until-he-gave-it-to-the-goddess-athena-to-place-on-her-shield-in-classical-antiquity-the-image-of-the-head-of-medusa-appeared-in-the-evil-averting-device-known-as-the-gorgoneion-image344239635.htmlRM2B01D4K–Italy: Head of Medusa in white marble, by Gian Lorenzo Bernini (1598-1680), 1630. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion.
Art inspired by Terracotta painted gorgoneion antefix (roof tile), Archaic, ca. 540 B.C., Greek, South Italian, Tarentine, Terracotta, paint; mold-made, H. 8 1/4 in. (21 cm.), Terracottas, The clear modeling and the vivid traces of paint make this antefix a fine example of its kind, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-painted-gorgoneion-antefix-roof-tile-archaic-ca-540-bc-greek-south-italian-tarentine-terracotta-paint-mold-made-h-8-14-in-21-cm-terracottas-the-clear-modeling-and-the-vivid-traces-of-paint-make-this-antefix-a-fine-example-of-its-kind-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462932844.htmlRF2HW4BFT–Art inspired by Terracotta painted gorgoneion antefix (roof tile), Archaic, ca. 540 B.C., Greek, South Italian, Tarentine, Terracotta, paint; mold-made, H. 8 1/4 in. (21 cm.), Terracottas, The clear modeling and the vivid traces of paint make this antefix a fine example of its kind, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Italy: Perseus with the head of Medusa, sculpted by Antonio Canova (1757-1822), c. 1800-1801. Photo by Tetraktys (CC BY-SA 3.0 License). In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-perseus-with-the-head-of-medusa-sculpted-by-antonio-canova-1757-1822-c-1800-1801-photo-by-tetraktys-cc-by-sa-30-license-in-greek-mythology-medusa-greek-guardian-protectress-was-a-gorgon-a-chthonic-monster-and-a-daughter-of-phorcys-and-ceto-gazing-directly-upon-her-would-turn-onlookers-to-stone-she-was-beheaded-by-the-hero-perseus-who-thereafter-used-her-head-as-a-weapon-until-he-gave-it-to-the-goddess-athena-to-place-on-her-shield-in-classical-antiquity-the-image-of-the-head-of-medusa-appeared-in-the-evil-averting-device-known-as-the-gorgoneion-image344239638.htmlRM2B01D4P–Italy: Perseus with the head of Medusa, sculpted by Antonio Canova (1757-1822), c. 1800-1801. Photo by Tetraktys (CC BY-SA 3.0 License). In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion.
Gold repousse gorgoneion. The holes at the end perhaps indicate that it was an applique sewn onto a garment. Mid 6th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gold-repousse-gorgoneion-the-holes-at-the-end-perhaps-indicate-that-57435344.htmlRMD9CBA8–Gold repousse gorgoneion. The holes at the end perhaps indicate that it was an applique sewn onto a garment. Mid 6th century
Terracotta tondo from a phiale (libation bowl). Culture: Greek, South Italian, Campanian, Calenian. Dimensions: diameter 2 7/8in. (7.3cm). Date: 3rd century B.C.. The tondo contains a gorgoneion (face of a gorgon). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-tondo-from-a-phiale-libation-bowl-culture-greek-south-italian-campanian-calenian-dimensions-diameter-2-78in-73cm-date-3rd-century-bc-the-tondo-contains-a-gorgoneion-face-of-a-gorgon-museum-metropolitan-museum-of-art-new-york-usa-image212875965.htmlRMPA99D1–Terracotta tondo from a phiale (libation bowl). Culture: Greek, South Italian, Campanian, Calenian. Dimensions: diameter 2 7/8in. (7.3cm). Date: 3rd century B.C.. The tondo contains a gorgoneion (face of a gorgon). Museum: Metropolitan Museum of Art, New York, USA.
Shield in shape of winged Gorgoneion, The Archaeological Museum of Olympia, Ancient Olympia, Elis, West Greece Region, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shield-in-shape-of-winged-gorgoneion-the-archaeological-museum-of-50927184.htmlRMCXRX40–Shield in shape of winged Gorgoneion, The Archaeological Museum of Olympia, Ancient Olympia, Elis, West Greece Region, Greece
Etruscan Gorgoneion featuring the head of Medusa. Isolated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etruscan-gorgoneion-featuring-the-head-of-medusa-isolated-image612013089.htmlRF2XFKGX9–Etruscan Gorgoneion featuring the head of Medusa. Isolated
Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-139988519.htmlRMJ3N0NY–Gorgoneion
A terracotta antefix with a Gorgoneion surrounded by lotus flowers. From Italy. Around 540 BC ( The Greek Medusa resembles Bes because she is sticking out her tongue; she is also often combined with dangerous snakes. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-terracotta-antefix-with-a-gorgoneion-surrounded-by-lotus-flowers-from-italy-around-540-bc-the-greek-medusa-resembles-bes-because-she-is-sticking-out-her-tongue-she-is-also-often-combined-with-dangerous-snakes-image377017630.htmlRM2CWAHRA–A terracotta antefix with a Gorgoneion surrounded by lotus flowers. From Italy. Around 540 BC ( The Greek Medusa resembles Bes because she is sticking out her tongue; she is also often combined with dangerous snakes. )
Lead ornament in the form of a gorgoneion (gorgon's face), 6th–5th century B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lead-ornament-in-the-form-of-a-gorgoneion-gorgons-face-6th5th-century-162411394.htmlRMKC6DAX–Lead ornament in the form of a gorgoneion (gorgon's face), 6th–5th century B.C
Ancient roman sarcophagus with reliefs of the head of Medusa's gorgon, Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-roman-sarcophagus-with-reliefs-of-the-head-of-medusas-gorgon-gorgoneion-image455137185.htmlRF2HCD83D–Ancient roman sarcophagus with reliefs of the head of Medusa's gorgon, Gorgoneion
Coin Depicting a Gorgoneion, 120/63 BC, Greek, Ancient Greece, Bronze, Diam. 2.2 cm, 7.09 g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-a-gorgoneion-12063-bc-greek-ancient-greece-bronze-diam-22-cm-709-g-image328620967.htmlRM2A2HYB3–Coin Depicting a Gorgoneion, 120/63 BC, Greek, Ancient Greece, Bronze, Diam. 2.2 cm, 7.09 g
Gorgoneion. Carving in limestone the head of Medusa Gorgon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-carving-in-limestone-the-head-of-medusa-gorgon-image455137179.htmlRF2HCD837–Gorgoneion. Carving in limestone the head of Medusa Gorgon
Antefix, Gorgoneion, Archaic, 6th–5th century B.C., Etruscan or South Italian, Terracotta, H. 8 1/4 in. (21 cm), Terracottas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-antefix-gorgoneion-archaic-6th5th-century-bc-etruscan-or-south-italian-162410011.htmlRMKC6BHF–Antefix, Gorgoneion, Archaic, 6th–5th century B.C., Etruscan or South Italian, Terracotta, H. 8 1/4 in. (21 cm), Terracottas
Applique gorgoneion Louvre Cp4976 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-applique-gorgoneion-louvre-cp4976-142445428.htmlRMJ7MXGM–Applique gorgoneion Louvre Cp4976
Hemidrachm (Coin) Depicting a Gorgoneion, about 400 BC and later, Greek, minted in Parium, Mysia, Ancient Greece, Silver, Diam. 1.4 cm, 2.28 g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hemidrachm-coin-depicting-a-gorgoneion-about-400-bc-and-later-greek-minted-in-parium-mysia-ancient-greece-silver-diam-14-cm-228-g-image328620940.htmlRM2A2HYA4–Hemidrachm (Coin) Depicting a Gorgoneion, about 400 BC and later, Greek, minted in Parium, Mysia, Ancient Greece, Silver, Diam. 1.4 cm, 2.28 g
Gorgoneion British Museum No. 1582 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-british-museum-no-1582-140470910.htmlRMJ4F026–Gorgoneion British Museum No. 1582
Pendant in the form of a Gorgoneion eye charm, Gold, Other: 1/4 x 9/16 x 1/16 in. (0.6 x 1.4 x 0.2 cm), Gold and Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pendant-in-the-form-of-a-gorgoneion-eye-charm-gold-other-14-x-916-162565715.htmlRMKCDE6B–Pendant in the form of a Gorgoneion eye charm, Gold, Other: 1/4 x 9/16 x 1/16 in. (0.6 x 1.4 x 0.2 cm), Gold and Silver
Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-in-the-apollo-temple-and-oracle-in-didyma-second-only-to-85146190.htmlRMEXEMRA–Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi.
Appliqué of a Gorgoneion, Unknown, South Italy, 525 - 500 B.C., Gilded Silver, 3.7 × 3 × 1.5 cm (1 7/16 × 1 3/16 × 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appliqu-of-a-gorgoneion-unknown-south-italy-525-500-bc-gilded-silver-37-3-15-cm-1-716-1-316-916-in-image261267328.htmlRMW51N40–Appliqué of a Gorgoneion, Unknown, South Italy, 525 - 500 B.C., Gilded Silver, 3.7 × 3 × 1.5 cm (1 7/16 × 1 3/16 × 9/16 in
Art inspired by Lead ornament in the form of a gorgoneion (gorgon's face), Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 3/4 in. (1.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lead-ornament-in-the-form-of-a-gorgoneion-gorgons-face-archaic-6th5th-century-bc-greek-laconian-lead-height-34-in-19-cm-miscellaneous-lead-small-flat-votive-figurines-of-cast-lead-have-been-found-in-great-quantities-at-the-ancient-sanctuaries-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462931933.htmlRF2HW4AB9–Art inspired by Lead ornament in the form of a gorgoneion (gorgon's face), Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 3/4 in. (1.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Gorgoneion, Medusa Head, Italy, ?, 1st - 2nd century; Amber; 5.8 × 5.8 × 3.2 cm, 2 5,16 × 2 5,16 × 1 1,4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-medusa-head-italy-1st-2nd-century-amber-58-58-32-cm-2-516-2-516-1-14-in-image220575471.htmlRMPPT27B–Gorgoneion, Medusa Head, Italy, ?, 1st - 2nd century; Amber; 5.8 × 5.8 × 3.2 cm, 2 5,16 × 2 5,16 × 1 1,4 in
Italy: Medusa as the shield of Athena. Oil on canvas painting by Michelangelo Merisi da Caravaggio (29 September 1571 - 18 July 1610), c. 1597. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-medusa-as-the-shield-of-athena-oil-on-canvas-painting-by-michelangelo-merisi-da-caravaggio-29-september-1571-18-july-1610-c-1597-in-greek-mythology-medusa-greek-guardian-protectress-was-a-gorgon-a-chthonic-monster-and-a-daughter-of-phorcys-and-ceto-gazing-directly-upon-her-would-turn-onlookers-to-stone-she-was-beheaded-by-the-hero-perseus-who-thereafter-used-her-head-as-a-weapon-until-he-gave-it-to-the-goddess-athena-to-place-on-her-shield-in-classical-antiquity-the-image-of-the-head-of-medusa-appeared-in-the-evil-averting-device-known-as-the-gorgoneion-image344239634.htmlRM2B01D4J–Italy: Medusa as the shield of Athena. Oil on canvas painting by Michelangelo Merisi da Caravaggio (29 September 1571 - 18 July 1610), c. 1597. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion.
Gold pendant in the form of a gorgoneion (Gorgon's face), Greek, Cypriot, Classical, Date ca. 450 B.C., Greek, Cypriot, Gold, Overall: 1 1/8 x 11/16in. (2.9 x 1.8cm), Gold and Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-pendant-in-the-form-of-a-gorgoneion-gorgons-face-greek-cypriot-classical-date-ca-450-bc-greek-cypriot-gold-overall-1-18-x-1116in-29-x-18cm-gold-and-silver-image344664672.htmlRM2B0MR8G–Gold pendant in the form of a gorgoneion (Gorgon's face), Greek, Cypriot, Classical, Date ca. 450 B.C., Greek, Cypriot, Gold, Overall: 1 1/8 x 11/16in. (2.9 x 1.8cm), Gold and Silver
Italy: Medusa as the shield of Athena. Oil on canvas painting by Michelangelo Merisi da Caravaggio (29 September 1571 - 18 July 1610), c. 1597. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-medusa-as-the-shield-of-athena-oil-on-canvas-painting-by-michelangelo-merisi-da-caravaggio-29-september-1571-18-july-1610-c-1597-in-greek-mythology-medusa-greek-guardian-protectress-was-a-gorgon-a-chthonic-monster-and-a-daughter-of-phorcys-and-ceto-gazing-directly-upon-her-would-turn-onlookers-to-stone-she-was-beheaded-by-the-hero-perseus-who-thereafter-used-her-head-as-a-weapon-until-he-gave-it-to-the-goddess-athena-to-place-on-her-shield-in-classical-antiquity-the-image-of-the-head-of-medusa-appeared-in-the-evil-averting-device-known-as-the-gorgoneion-image608565819.htmlRM2XA2FWF–Italy: Medusa as the shield of Athena. Oil on canvas painting by Michelangelo Merisi da Caravaggio (29 September 1571 - 18 July 1610), c. 1597. In Greek mythology Medusa (Greek: Μέδουσα, 'guardian, protectress') was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. Gazing directly upon her would turn onlookers to stone. She was beheaded by the hero Perseus, who thereafter used her head as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity the image of the head of Medusa appeared in the evil-averting device known as the Gorgoneion.
Relief ornament with a gorgoneion, 200, Sculpture, Relief, Height 7.5 cm, Sculpture, Roman, Imperial Period (27 BC - 476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-ornament-with-a-gorgoneion-200-sculpture-relief-height-75-cm-sculpture-roman-imperial-period-27-bc-476-image573196813.htmlRM2T8FAAN–Relief ornament with a gorgoneion, 200, Sculpture, Relief, Height 7.5 cm, Sculpture, Roman, Imperial Period (27 BC - 476
Terracotta antefix with relief representation of a gorgoneion (Gorgon's head) and traces of the original colouration in yellow and black, late 6th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-terracotta-antefix-with-relief-representation-of-a-gorgoneion-gorgons-57435322.htmlRMD9CB9E–Terracotta antefix with relief representation of a gorgoneion (Gorgon's head) and traces of the original colouration in yellow and black, late 6th century BC
Bronze bust of Jupiter. Culture: Roman. Dimensions: H. 6 3/16 in. (15.7 cm). Date: late 1st century B.C.-1st century A.D.. The bust likely served as an emblema (centerpiece) of a bowl. Jupiter wears an aegis with gorgoneion over his left shoulder. The right nipple is inlaid with copper. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-bust-of-jupiter-culture-roman-dimensions-h-6-316-in-157-cm-date-late-1st-century-bc-1st-century-ad-the-bust-likely-served-as-an-emblema-centerpiece-of-a-bowl-jupiter-wears-an-aegis-with-gorgoneion-over-his-left-shoulder-the-right-nipple-is-inlaid-with-copper-museum-metropolitan-museum-of-art-new-york-usa-image213422147.htmlRMPB663F–Bronze bust of Jupiter. Culture: Roman. Dimensions: H. 6 3/16 in. (15.7 cm). Date: late 1st century B.C.-1st century A.D.. The bust likely served as an emblema (centerpiece) of a bowl. Jupiter wears an aegis with gorgoneion over his left shoulder. The right nipple is inlaid with copper. Museum: Metropolitan Museum of Art, New York, USA.
N/A. English: Gorgoneion, vase applique from Canosa di Puglia. Français : Gorgonéion. Applique de vase en terre cuite provenant de Canosa di Puglia. . between circa 310 and circa 290 BC. N/A 115 Applique gorgoneion Louvre Cp4976 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-gorgoneion-vase-applique-from-canosa-di-puglia-franais-gorgonion-applique-de-vase-en-terre-cuite-provenant-de-canosa-di-puglia-between-circa-310-and-circa-290-bc-na-115-applique-gorgoneion-louvre-cp4976-image210064570.htmlRMP5N7E2–N/A. English: Gorgoneion, vase applique from Canosa di Puglia. Français : Gorgonéion. Applique de vase en terre cuite provenant de Canosa di Puglia. . between circa 310 and circa 290 BC. N/A 115 Applique gorgoneion Louvre Cp4976
Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-image349490771.htmlRM2B8GK17–Gorgoneion.
English: So-called 'Blacas Cameo' . English: Portrait of Emperor Augustus wearing a gorgoneion and a sword-belt. Three-layered sardonyx cameo, Roman artwork, ca. 14-20 AD. The setting is medieval. Français : Portrait de l'empereur Auguste portant le gorgonéion et un baudrier. Camée en sardonyx à trois couches, œuvre romaine, vers 14-20 ap. J.-C. La monture est médiévale. . between circa 14 and circa 20 AD. N/A 264 Cameo August BM Gem3577 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-so-called-blacas-cameo-english-portrait-of-emperor-augustus-wearing-a-gorgoneion-and-a-sword-belt-three-layered-sardonyx-cameo-roman-artwork-ca-14-20-ad-the-setting-is-medieval-franais-portrait-de-lempereur-auguste-portant-le-gorgonion-et-un-baudrier-came-en-sardonyx-trois-couches-uvre-romaine-vers-14-20-ap-j-c-la-monture-est-mdivale-between-circa-14-and-circa-20-ad-na-264-cameo-august-bm-gem3577-image210072358.htmlRMP5NHC6–English: So-called 'Blacas Cameo' . English: Portrait of Emperor Augustus wearing a gorgoneion and a sword-belt. Three-layered sardonyx cameo, Roman artwork, ca. 14-20 AD. The setting is medieval. Français : Portrait de l'empereur Auguste portant le gorgonéion et un baudrier. Camée en sardonyx à trois couches, œuvre romaine, vers 14-20 ap. J.-C. La monture est médiévale. . between circa 14 and circa 20 AD. N/A 264 Cameo August BM Gem3577
Antefix with Gorgoneion, South Italy, 6th century BC, Pushkin State Museum of Fine Arts, Moscow, Russia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-with-gorgoneion-south-italy-6th-century-bc-pushkin-state-museum-of-fine-arts-moscow-russia-image601675081.htmlRM2WXTJKN–Antefix with Gorgoneion, South Italy, 6th century BC, Pushkin State Museum of Fine Arts, Moscow, Russia
Italy Sicily Giardini Naxos - archeological area of Naxos - Museum - Antefix with gorgoneion from dockyards complex bout 510- 500bc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-sicily-giardini-naxos-archeological-area-of-naxos-museum-antefix-112165737.htmlRMGEDGF5–Italy Sicily Giardini Naxos - archeological area of Naxos - Museum - Antefix with gorgoneion from dockyards complex bout 510- 500bc
A Pilos type crested helmet, 4th/3rd century B.C. Characteristically cone-shaped, bronze Pilos helmet with a broad, offset rim. A central Gorgoneion on the brow and four-spoke wheel appliqués on the sides above the pairs of holes for the chinstraps. Three piece helmet crest (fragments preserved) with wave-shaped and serrated decoration. Height 23.4 cm. Reddish brown-green patina. The metal is heavily corroded. Deformation and a large crack in the back. Restorations and improvements over the entire helmet. The inside is reinforced with fiberglass and resin. Axel, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-pilos-type-crested-helmet-4th3rd-century-bc-characteristically-cone-31659717.htmlRMBRE685–A Pilos type crested helmet, 4th/3rd century B.C. Characteristically cone-shaped, bronze Pilos helmet with a broad, offset rim. A central Gorgoneion on the brow and four-spoke wheel appliqués on the sides above the pairs of holes for the chinstraps. Three piece helmet crest (fragments preserved) with wave-shaped and serrated decoration. Height 23.4 cm. Reddish brown-green patina. The metal is heavily corroded. Deformation and a large crack in the back. Restorations and improvements over the entire helmet. The inside is reinforced with fiberglass and resin. Axel,
Equestrian Officer Wearing a Corselet, Parian Marble, Found in Milos, 100 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equestrian-officer-wearing-a-corselet-parian-marble-found-in-milos-100-bc-image212183206.htmlRFP95NRJ–Equestrian Officer Wearing a Corselet, Parian Marble, Found in Milos, 100 BC.
Gorgoneion British Museum No. 1601 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-british-museum-no-1601-140471402.htmlRMJ4F0KP–Gorgoneion British Museum No. 1601
Central Greece, Athens, Roman Agora, fragment of the statue of the Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-central-greece-athens-roman-agora-fragment-of-the-statue-of-the-gorgoneion-88802659.htmlRMF4D8KF–Central Greece, Athens, Roman Agora, fragment of the statue of the Gorgoneion
Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-in-the-apollo-temple-and-oracle-in-didyma-second-only-to-85146182.htmlRMEXEMR2–Gorgoneion in the Apollo temple and oracle in Didyma, second only to Delphi.
Gorgoneion, kylix Type B, in the manner of the Lysippides Painter, Greek Attic, c. 430 BC, red figure terracotta Blanton Museum of Art Austin, Texas DSC07633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorgoneion-kylix-type-b-in-the-manner-of-the-lysippides-painter-greek-142954774.htmlRMJ8G47J–Gorgoneion, kylix Type B, in the manner of the Lysippides Painter, Greek Attic, c. 430 BC, red figure terracotta Blanton Museum of Art Austin, Texas DSC07633
Art inspired by Terracotta tondo from a phiale (libation bowl), Hellenistic, 3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, diameter 2 7/8in. (7.3cm), Vases, The tondo contains a gorgoneion (face of a gorgon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-tondo-from-a-phiale-libation-bowl-hellenistic-3rd-century-bc-greek-south-italian-campanian-calenian-terracotta-black-glaze-diameter-2-78in-73cm-vases-the-tondo-contains-a-gorgoneion-face-of-a-gorgon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462929487.htmlRF2HW477Y–Art inspired by Terracotta tondo from a phiale (libation bowl), Hellenistic, 3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, diameter 2 7/8in. (7.3cm), Vases, The tondo contains a gorgoneion (face of a gorgon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antefix, Gorgoneion MET DP105496 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-gorgoneion-met-dp105496-image155583407.htmlRMK13C67–Antefix, Gorgoneion MET DP105496
Art inspired by Terracotta alabastron (perfume vase), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 3 9/16 in. (9.1 cm), Vases, On the bottom, gorgoneion (head of Medusa). The alabastron is unusual in both its shape and decoration. The body is sack-like, widening, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-alabastron-perfume-vase-archaic-ca-520-bc-greek-attic-terracotta-black-figure-h-3-916-in-91-cm-vases-on-the-bottom-gorgoneion-head-of-medusa-the-alabastron-is-unusual-in-both-its-shape-and-decoration-the-body-is-sack-like-widening-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789420.htmlRF2HTWTHG–Art inspired by Terracotta alabastron (perfume vase), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 3 9/16 in. (9.1 cm), Vases, On the bottom, gorgoneion (head of Medusa). The alabastron is unusual in both its shape and decoration. The body is sack-like, widening, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Coin Depicting a Gorgoneion, 120-63 BCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-depicting-a-gorgoneion-120-63-bce-image451400292.htmlRM2H6B1K0–Coin Depicting a Gorgoneion, 120-63 BCE.
Art inspired by Terracotta reilef roundel with head of Medusa, Hellenistic, 2nd century B.C., Greek, Terracotta; mold-made, H. 3 1/16 in. (7.8 cm.), Terracottas, The central decoration on this roundel is a gorgoneion, the head of Medusa. She is depicted as a beautiful female with wavy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-reilef-roundel-with-head-of-medusa-hellenistic-2nd-century-bc-greek-terracotta-mold-made-h-3-116-in-78-cm-terracottas-the-central-decoration-on-this-roundel-is-a-gorgoneion-the-head-of-medusa-she-is-depicted-as-a-beautiful-female-with-wavy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462928990.htmlRF2HW46J6–Art inspired by Terracotta reilef roundel with head of Medusa, Hellenistic, 2nd century B.C., Greek, Terracotta; mold-made, H. 3 1/16 in. (7.8 cm.), Terracottas, The central decoration on this roundel is a gorgoneion, the head of Medusa. She is depicted as a beautiful female with wavy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antefix with gorgoneion, 50 BC - 100, Architecture, Roof Tile, Antefix, Fired, Modelled, Height 15.3 cm, Architecture, Roman, Imperial Period (27 BC - 476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-with-gorgoneion-50-bc-100-architecture-roof-tile-antefix-fired-modelled-height-153-cm-architecture-roman-imperial-period-27-bc-476-image573196558.htmlRM2T8FA1J–Antefix with gorgoneion, 50 BC - 100, Architecture, Roof Tile, Antefix, Fired, Modelled, Height 15.3 cm, Architecture, Roman, Imperial Period (27 BC - 476
A horseman gallops towards the right. He is dressed as an hoplite with an anatomical cuirass with flaps made of leather, lion-shaped shoulder-straps and a gorgoneion at the sternum. Behind him is a youth wearing a cape. He is facing in the opposite direction and bends down to fasten the sandal on his left foot, which he rests on a rock. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-horseman-gallops-towards-the-right-he-is-dressed-as-an-hoplite-with-57433236.htmlRMD9C8K0–A horseman gallops towards the right. He is dressed as an hoplite with an anatomical cuirass with flaps made of leather, lion-shaped shoulder-straps and a gorgoneion at the sternum. Behind him is a youth wearing a cape. He is facing in the opposite direction and bends down to fasten the sandal on his left foot, which he rests on a rock.
Terracotta gorgoneion antefix (roof tile). Culture: Greek. Dimensions: H. 6 3/4 in. (17.1 cm.) W. 9 5/8 in. (24.4 cm.). Date: ca. 580-570 B.C.. The frightening features of this Gorgon head, its petrifying eyes and sharp teeth, correspond to its Archaic date and were likely intended to ward off evil. Throughout the following century, the Gorgon tended to lose its more terrifying characteristics, and by the Late Classical period, its features were sweetened. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-gorgoneion-antefix-roof-tile-culture-greek-dimensions-h-6-34-in-171-cm-w-9-58-in-244-cm-date-ca-580-570-bc-the-frightening-features-of-this-gorgon-head-its-petrifying-eyes-and-sharp-teeth-correspond-to-its-archaic-date-and-were-likely-intended-to-ward-off-evil-throughout-the-following-century-the-gorgon-tended-to-lose-its-more-terrifying-characteristics-and-by-the-late-classical-period-its-features-were-sweetened-museum-metropolitan-museum-of-art-new-york-usa-image212935699.htmlRMPAC1JB–Terracotta gorgoneion antefix (roof tile). Culture: Greek. Dimensions: H. 6 3/4 in. (17.1 cm.) W. 9 5/8 in. (24.4 cm.). Date: ca. 580-570 B.C.. The frightening features of this Gorgon head, its petrifying eyes and sharp teeth, correspond to its Archaic date and were likely intended to ward off evil. Throughout the following century, the Gorgon tended to lose its more terrifying characteristics, and by the Late Classical period, its features were sweetened. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Bronze bust of Jupiter, Early Imperial, late 1st century B.C.–1st century A.D., Roman, Bronze, copper, H. 6 3/16 in. (15.7 cm), Bronzes, The bust likely served as an emblema (centerpiece) of a bowl. Jupiter wears an aegis with gorgoneion over his left shoulder. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bronze-bust-of-jupiter-early-imperial-late-1st-century-bc1st-century-ad-roman-bronze-copper-h-6-316-in-157-cm-bronzes-the-bust-likely-served-as-an-emblema-centerpiece-of-a-bowl-jupiter-wears-an-aegis-with-gorgoneion-over-his-left-shoulder-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462931098.htmlRF2HW499E–Art inspired by Bronze bust of Jupiter, Early Imperial, late 1st century B.C.–1st century A.D., Roman, Bronze, copper, H. 6 3/16 in. (15.7 cm), Bronzes, The bust likely served as an emblema (centerpiece) of a bowl. Jupiter wears an aegis with gorgoneion over his left shoulder. The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-image349490759.htmlRM2B8GK0R–Gorgoneion
Art inspired by Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 3 3/4 in. (9.5 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse and reverse, between eyes, warrior. This is one of a few Attic cups with a so-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-kylix-eye-cup-drinking-cup-archaic-ca-520-bc-greek-attic-terracotta-black-figure-h-3-34-in-95-cm-vases-interior-gorgoneion-gorgons-face-exterior-obverse-and-reverse-between-eyes-warrior-this-is-one-of-a-few-attic-cups-with-a-so-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462933522.htmlRF2HW4CC2–Art inspired by Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 3 3/4 in. (9.5 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse and reverse, between eyes, warrior. This is one of a few Attic cups with a so-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antefix with Gorgoneion, South Italy, 6th century BC, Pushkin State Museum of Fine Arts, Moscow, Russia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-with-gorgoneion-south-italy-6th-century-bc-pushkin-state-museum-of-fine-arts-moscow-russia-image601675077.htmlRM2WXTJKH–Antefix with Gorgoneion, South Italy, 6th century BC, Pushkin State Museum of Fine Arts, Moscow, Russia
Art inspired by Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 6 1/4 in. (15.9 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse, between eyes, Dionysos, the god of wine, with satyrs and maenads; reverse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-kylix-eye-cup-drinking-cup-archaic-ca-530-bc-greek-attic-terracotta-black-figure-h-6-14-in-159-cm-vases-interior-gorgoneion-gorgons-face-exterior-obverse-between-eyes-dionysos-the-god-of-wine-with-satyrs-and-maenads-reverse-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462930423.htmlRF2HW48DB–Art inspired by Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 6 1/4 in. (15.9 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse, between eyes, Dionysos, the god of wine, with satyrs and maenads; reverse, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Chalcidian helmet with a griffin crest, 4th century B.C. Tall, extended bronze skull, similar to that on Phrygian helmets, surmounted by a crest with wave-shaped spikes and droplike decoration. Broad, set-off brow field, with a fragment of a central Gorgoneion surrounded by hissing snakes. Short neck guard. Embossed volutes above the ear cutouts and a richly decorated wing riveted on the left side (the other is missing). Two unusual heart-shaped cheekpieces with chinstrap loops riveted to the inside. A scroll and the segment of a bow above each of the formerl, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-chalcidian-helmet-with-a-griffin-crest-4th-century-bc-tall-extended-31658250.htmlRMBRE4BP–A Chalcidian helmet with a griffin crest, 4th century B.C. Tall, extended bronze skull, similar to that on Phrygian helmets, surmounted by a crest with wave-shaped spikes and droplike decoration. Broad, set-off brow field, with a fragment of a central Gorgoneion surrounded by hissing snakes. Short neck guard. Embossed volutes above the ear cutouts and a richly decorated wing riveted on the left side (the other is missing). Two unusual heart-shaped cheekpieces with chinstrap loops riveted to the inside. A scroll and the segment of a bow above each of the formerl,
Terracotta painted gorgoneion antefix (roof tile) - Ancient greek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-painted-gorgoneion-antefix-roof-tile-ancient-greek-image554172766.htmlRF2R5GN0E–Terracotta painted gorgoneion antefix (roof tile) - Ancient greek
Gorgoneion (Medusa Head). Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-medusa-head-unknown-image416491517.htmlRM2F5GR51–Gorgoneion (Medusa Head). Unknown
Ancient Greek. Hemidrachm (Coin) Depicting a Gorgoneion. 400 BC. Ancient Greece. Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-greek-hemidrachm-coin-depicting-a-gorgoneion-400-bc-ancient-greece-silver-image337940966.htmlRM2AHPF46–Ancient Greek. Hemidrachm (Coin) Depicting a Gorgoneion. 400 BC. Ancient Greece. Silver
Gold pendant in the form of a gorgoneion (Gorgon's face), Greek 450 BC, The Metropolitan Museum of Art (The Met), Upper Manhattan, New York City, New Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gold-pendant-in-the-form-of-a-gorgoneion-gorgons-face-greek-450-bc-172446807.htmlRMM0FHJF–Gold pendant in the form of a gorgoneion (Gorgon's face), Greek 450 BC, The Metropolitan Museum of Art (The Met), Upper Manhattan, New York City, New
Terracotta antefix (decorated end of a roof tile) with a Gorgoneion Made in Sicily about 490 BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-terracotta-antefix-decorated-end-of-a-roof-tile-with-a-gorgoneion-164097373.htmlRMKEY7TD–Terracotta antefix (decorated end of a roof tile) with a Gorgoneion Made in Sicily about 490 BC
Cult statue of Athena with the face of the type of Carpegna Athena. Pink alabaster (draping, aegis), basalt (hair, gorgoneion), Luna marble (gorgoneion, right foot) and plaster (face), late 1st century BC–early 1st century CE. From the Piazza dell' Emporio (Rome), 1923. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cult-statue-of-athena-with-the-face-of-the-type-of-carpegna-athena-pink-alabaster-draping-aegis-basalt-hair-gorgoneion-luna-marble-gorgoneion-right-foot-and-plaster-face-late-1st-century-bcearly-1st-century-ce-from-the-piazza-dell-emporio-rome-1923-image612755941.htmlRM2XGWCCN–Cult statue of Athena with the face of the type of Carpegna Athena. Pink alabaster (draping, aegis), basalt (hair, gorgoneion), Luna marble (gorgoneion, right foot) and plaster (face), late 1st century BC–early 1st century CE. From the Piazza dell' Emporio (Rome), 1923.
Slab depicting a Gorgoneion from the Necropolis of Poggio Gallinaro (6th cent. BC) - Tarquinia National Archaeological Museum, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/slab-depicting-a-gorgoneion-from-the-necropolis-of-poggio-gallinaro-6th-cent-bc-tarquinia-national-archaeological-museum-italy-image437537910.htmlRM2GBRG1X–Slab depicting a Gorgoneion from the Necropolis of Poggio Gallinaro (6th cent. BC) - Tarquinia National Archaeological Museum, Italy.
Standing figure with gorgoneion and lyre undefined Relief Stående skikkelse med Gorgoneion og lyre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-figure-with-gorgoneion-and-lyre-undefined-relief-stende-skikkelse-med-gorgoneion-og-lyre-image613391204.htmlRM2XHXAMM–Standing figure with gorgoneion and lyre undefined Relief Stående skikkelse med Gorgoneion og lyre
Murmillo gladiator's bronze helmet with gorgoneion and Mars, griffons and erotes on the crest - Gladiatorial barracks, Pompeii second half of the 1st century AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/murmillo-gladiators-bronze-helmet-with-gorgoneion-and-mars-griffons-and-erotes-on-the-crest-gladiatorial-barracks-pompeii-second-half-of-the-1st-century-ad-image439797467.htmlRM2GFEE4B–Murmillo gladiator's bronze helmet with gorgoneion and Mars, griffons and erotes on the crest - Gladiatorial barracks, Pompeii second half of the 1st century AD
Gorgoneion (Medusa Head), Italy (?), 1st - 2nd century, Amber, 5.8 × 5.8 × 3.2 cm (2 5,16 × 2 5,16 × 1 1,4 in reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-medusa-head-italy-1st-2nd-century-amber-58-58-32-cm-2-516-2-516-1-14-in-reimagined-image230196150.htmlRFRAE9F2–Gorgoneion (Medusa Head), Italy (?), 1st - 2nd century, Amber, 5.8 × 5.8 × 3.2 cm (2 5,16 × 2 5,16 × 1 1,4 in reimagined
Campana relief with gorgoneion, 50 BC - 50, Sculpture, Relief, Campana Relief, Fired, Modelled, Height 10.2 cm, Width 9.9 cm, Sculpture, Roman (753 BC - 476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campana-relief-with-gorgoneion-50-bc-50-sculpture-relief-campana-relief-fired-modelled-height-102-cm-width-99-cm-sculpture-roman-753-bc-476-image573196602.htmlRM2T8FA36–Campana relief with gorgoneion, 50 BC - 50, Sculpture, Relief, Campana Relief, Fired, Modelled, Height 10.2 cm, Width 9.9 cm, Sculpture, Roman (753 BC - 476
A horseman gallops towards the right. He is dressed as an hoplite with an anatomical cuirass with flaps made of leather, lion-shaped shoulder-straps and a gorgoneion at the sternum. Behind him is a youth wearing a cape. He is facing in the opposite direction and bends down to fasten the sandal on his left foot, which he rests on a rock. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-horseman-gallops-towards-the-right-he-is-dressed-as-an-hoplite-with-57433255.htmlRMD9C8KK–A horseman gallops towards the right. He is dressed as an hoplite with an anatomical cuirass with flaps made of leather, lion-shaped shoulder-straps and a gorgoneion at the sternum. Behind him is a youth wearing a cape. He is facing in the opposite direction and bends down to fasten the sandal on his left foot, which he rests on a rock.
Terracotta aryballos in the form of a helmeted head. Culture: East Greek. Dimensions: H. 7.01 cm.. Date: ca. 600-575 B.C.. A helmeted warrior's head makes up the body of this small mold-made terracotta aryballos, likely used to hold perfumed oil. The painted and incised surface is very well preserved, including a prominent gorgoneion on the metopon of the Ionian helmet. The warrior's wide eyes and dark beard are visible through the gaps in the helmet. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-aryballos-in-the-form-of-a-helmeted-head-culture-east-greek-dimensions-h-701-cm-date-ca-600-575-bc-a-helmeted-warriors-head-makes-up-the-body-of-this-small-mold-made-terracotta-aryballos-likely-used-to-hold-perfumed-oil-the-painted-and-incised-surface-is-very-well-preserved-including-a-prominent-gorgoneion-on-the-metopon-of-the-ionian-helmet-the-warriors-wide-eyes-and-dark-beard-are-visible-through-the-gaps-in-the-helmet-museum-metropolitan-museum-of-art-new-york-usa-image213244943.htmlRMPAX42R–Terracotta aryballos in the form of a helmeted head. Culture: East Greek. Dimensions: H. 7.01 cm.. Date: ca. 600-575 B.C.. A helmeted warrior's head makes up the body of this small mold-made terracotta aryballos, likely used to hold perfumed oil. The painted and incised surface is very well preserved, including a prominent gorgoneion on the metopon of the Ionian helmet. The warrior's wide eyes and dark beard are visible through the gaps in the helmet. Museum: Metropolitan Museum of Art, New York, USA.
Acroterion made of poros stone and formed in the shape of a gorgoneion, head of Medusa Gorgo. It belongs to a Temple at the Agora of Dreros. Dreros, Archaic period, 6th cent. BC. Archaeological Museum of Heraklion - Crete, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-acroterion-made-of-poros-stone-and-formed-in-the-shape-of-a-gorgoneion-58963840.htmlRMDBX0YC–Acroterion made of poros stone and formed in the shape of a gorgoneion, head of Medusa Gorgo. It belongs to a Temple at the Agora of Dreros. Dreros, Archaic period, 6th cent. BC. Archaeological Museum of Heraklion - Crete, Greece
Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-image349490784.htmlRM2B8GK1M–Gorgoneion
Hemidrachma: Gorgoneion (obverse), c. 400 BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hemidrachma-gorgoneion-obverse-c-400-bc-image330094987.htmlRM2A513EK–Hemidrachma: Gorgoneion (obverse), c. 400 BC.
Gorgoneion, kylix Type B, in the manner of the Lysippides Painter, Greek-Attic, c. 430 BC, red-figure terracotta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gorgoneion-kylix-type-b-in-the-manner-of-the-lysippides-painter-greek-attic-c-430-bc-red-figure-terracotta-image349490787.htmlRM2B8GK1R–Gorgoneion, kylix Type B, in the manner of the Lysippides Painter, Greek-Attic, c. 430 BC, red-figure terracotta
Antefix, frontal tile of a building, head of a gorgoneion, reclining, 6th century BC, Archaeological Museum, Corfu Town, Corfu Island, Ionian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-frontal-tile-of-a-building-head-of-a-gorgoneion-reclining-6th-century-bc-archaeological-museum-corfu-town-corfu-island-ionian-image501774343.htmlRM2M49P87–Antefix, frontal tile of a building, head of a gorgoneion, reclining, 6th century BC, Archaeological Museum, Corfu Town, Corfu Island, Ionian
Applique gorgoneion Louvre Cp4976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/applique-gorgoneion-louvre-cp4976-image215000823.htmlRMPDP3MR–Applique gorgoneion Louvre Cp4976.
A Pilos type crested helmet, 4th/3rd century B.C. Characteristically cone-shaped, bronze Pilos helmet with a broad, offset rim. A central Gorgoneion on the brow and four-spoke wheel appliqués on the sides above the pairs of holes for the chinstraps. Three piece helmet crest (fragments preserved) with wave-shaped and serrated decoration. Height 23.4 cm. Reddish brown-green patina. The metal is heavily corroded. Deformation and a large crack in the back. Restorations and improvements over the entire helmet. The inside is reinforced with fiberglass and resin. Axel, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-pilos-type-crested-helmet-4th3rd-century-bc-characteristically-cone-31659822.htmlRMBRE6BX–A Pilos type crested helmet, 4th/3rd century B.C. Characteristically cone-shaped, bronze Pilos helmet with a broad, offset rim. A central Gorgoneion on the brow and four-spoke wheel appliqués on the sides above the pairs of holes for the chinstraps. Three piece helmet crest (fragments preserved) with wave-shaped and serrated decoration. Height 23.4 cm. Reddish brown-green patina. The metal is heavily corroded. Deformation and a large crack in the back. Restorations and improvements over the entire helmet. The inside is reinforced with fiberglass and resin. Axel,
Antefix, Gorgoneion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antefix-gorgoneion-image231931359.htmlRMRD9APR–Antefix, Gorgoneion
Appliqué of a Gorgoneion. Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appliqu-of-a-gorgoneion-unknown-image416554480.htmlRM2F5KKDM–Appliqué of a Gorgoneion. Unknown
Ancient Greek. Coin Depicting a Gorgoneion. 120 BC–63 BC. Ancient Greece. Bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-greek-coin-depicting-a-gorgoneion-120-bc63-bc-ancient-greece-bronze-image337941073.htmlRM2AHPF81–Ancient Greek. Coin Depicting a Gorgoneion. 120 BC–63 BC. Ancient Greece. Bronze
Terracotta relief medallion with Gorgoneion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-relief-medallion-with-gorgoneion-image595612227.htmlRM2WH0DD7–Terracotta relief medallion with Gorgoneion.
External view of the Painted tomb Del Gorgoneion which dates from around 400 BC, Etruscan Necropolis Tarquinia Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/external-view-of-the-painted-tomb-del-gorgoneion-which-dates-from-image66191711.htmlRMDRK85K–External view of the Painted tomb Del Gorgoneion which dates from around 400 BC, Etruscan Necropolis Tarquinia Italy.
Bronze head of Medusa by Benvenuto Cellini (1500-1671) an Italian goldsmith, sculptor, draftsman, soldier, musician, and artist. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bronze-head-of-medusa-by-benvenuto-cellini-1500-1671-an-italian-goldsmith-122882427.htmlRMH3WNP3–Bronze head of Medusa by Benvenuto Cellini (1500-1671) an Italian goldsmith, sculptor, draftsman, soldier, musician, and artist. Dated 16th Century
Antefix, Gorgoneion MET DP105496 256032 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-antefix-gorgoneion-met-dp105496-256032-168300880.htmlRMKNPNDM–Antefix, Gorgoneion MET DP105496 256032
Athens. Greece. Varvakeion Athena, copy from AD 200-250 of the original from 438 BC. National Archaeological Museum of Athens. This Roman copy is the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/athens-greece-varvakeion-athena-copy-from-ad-200-250-of-the-original-from-438-bc-national-archaeological-museum-of-athens-this-roman-copy-is-the-image224486289.htmlRMR166FD–Athens. Greece. Varvakeion Athena, copy from AD 200-250 of the original from 438 BC. National Archaeological Museum of Athens. This Roman copy is the
Appliqué of a Gorgoneion, Unknown, South Italy, 525 - 500 B.C., Gilded Silver, 3.7 × 3 × 1.5 cm (1 7/16 × 1 3/16 × 9/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appliqu-of-a-gorgoneion-unknown-south-italy-525-500-bc-gilded-silver-37-3-15-cm-1-716-1-316-916-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349900064.htmlRF2B9792T–Appliqué of a Gorgoneion, Unknown, South Italy, 525 - 500 B.C., Gilded Silver, 3.7 × 3 × 1.5 cm (1 7/16 × 1 3/16 × 9/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Campana relief with gorgoneion, 50 BC - 100, Sculpture, Relief, Campana Relief, Painted, Fired, Modelled, Height 10.5 cm, Width 6.5 cm, Sculpture, Roman (753 BC - 476 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campana-relief-with-gorgoneion-50-bc-100-sculpture-relief-campana-relief-painted-fired-modelled-height-105-cm-width-65-cm-sculpture-roman-753-bc-476-image573196601.htmlRM2T8FA35–Campana relief with gorgoneion, 50 BC - 100, Sculpture, Relief, Campana Relief, Painted, Fired, Modelled, Height 10.5 cm, Width 6.5 cm, Sculpture, Roman (753 BC - 476
Goddess Athena. Roman bust. 1st century BC. Marble. Rectangular peristyle. Villa of the Papyri, Herculaneum. National Archaeological Museum. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-goddess-athena-roman-bust-1st-century-bc-marble-rectangular-peristyle-166844648.htmlRMKKCC1C–Goddess Athena. Roman bust. 1st century BC. Marble. Rectangular peristyle. Villa of the Papyri, Herculaneum. National Archaeological Museum. Naples. Italy.
Designs for three ornaments, Designs for friezes and horizontal panels (series title), Troisieme livre contenant des frises ou panneaux en longueur (series title), The upper design with a gorgoneion and fasces; underneath an urn with two fire-breathing heads above a thyrsus. The lower ornament with putti with banners with crossed weapons. This print is part of an album., print maker: Gabriel Huquier, designer: Gilles Marie Oppenort, publisher: Gabriel Huquier, Paris, c. 1725 - c. 1750, paper, etching, height 324 mm × width 242 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-three-ornaments-designs-for-friezes-and-horizontal-panels-series-title-troisieme-livre-contenant-des-frises-ou-panneaux-en-longueur-series-title-the-upper-design-with-a-gorgoneion-and-fasces-underneath-an-urn-with-two-fire-breathing-heads-above-a-thyrsus-the-lower-ornament-with-putti-with-banners-with-crossed-weapons-this-print-is-part-of-an-album-print-maker-gabriel-huquier-designer-gilles-marie-oppenort-publisher-gabriel-huquier-paris-c-1725-c-1750-paper-etching-height-324-mm-width-242-mm-print-image599471317.htmlRM2WR87NW–Designs for three ornaments, Designs for friezes and horizontal panels (series title), Troisieme livre contenant des frises ou panneaux en longueur (series title), The upper design with a gorgoneion and fasces; underneath an urn with two fire-breathing heads above a thyrsus. The lower ornament with putti with banners with crossed weapons. This print is part of an album., print maker: Gabriel Huquier, designer: Gilles Marie Oppenort, publisher: Gabriel Huquier, Paris, c. 1725 - c. 1750, paper, etching, height 324 mm × width 242 mm, print
Terracotta reilef roundel with head of Medusa. Culture: Greek. Dimensions: H. 3 1/16 in. (7.8 cm.). Date: 2nd century B.C.. The central decoration on this roundel is a gorgoneion, the head of Medusa. She is depicted as a beautiful female with wavy locks of thick hair, a sharp change from the monstrous Gorgon of earlier periods. The small wings above her forehead identify her as the Gorgon sister. Traces of pink and blue paint are preserved. Medusa remained a popular ornamental element through the Greek and Roman periods; this roundel may have decorated a piece of furniture or a wall. Museum: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-reilef-roundel-with-head-of-medusa-culture-greek-dimensions-h-3-116-in-78-cm-date-2nd-century-bc-the-central-decoration-on-this-roundel-is-a-gorgoneion-the-head-of-medusa-she-is-depicted-as-a-beautiful-female-with-wavy-locks-of-thick-hair-a-sharp-change-from-the-monstrous-gorgon-of-earlier-periods-the-small-wings-above-her-forehead-identify-her-as-the-gorgon-sister-traces-of-pink-and-blue-paint-are-preserved-medusa-remained-a-popular-ornamental-element-through-the-greek-and-roman-periods-this-roundel-may-have-decorated-a-piece-of-furniture-or-a-wall-museum-image213248413.htmlRMPAX8EN–Terracotta reilef roundel with head of Medusa. Culture: Greek. Dimensions: H. 3 1/16 in. (7.8 cm.). Date: 2nd century B.C.. The central decoration on this roundel is a gorgoneion, the head of Medusa. She is depicted as a beautiful female with wavy locks of thick hair, a sharp change from the monstrous Gorgon of earlier periods. The small wings above her forehead identify her as the Gorgon sister. Traces of pink and blue paint are preserved. Medusa remained a popular ornamental element through the Greek and Roman periods; this roundel may have decorated a piece of furniture or a wall. Museum:
Search Results for Gorgoneion Stock Photos and Images (275)
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