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Gold on panel Stock Photos and Images
Pietro Lorenzetti, Virgin and Child Enthroned and Donor, Angels Circa 1320, tempera and tooled gold on panel, Philadelphia Museum of Art, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-lorenzetti-virgin-and-child-enthroned-and-donor-angels-circa-1320-tempera-and-tooled-gold-on-panel-philadelphia-museum-of-art-usa-image223803620.htmlRMR033PC–Pietro Lorenzetti, Virgin and Child Enthroned and Donor, Angels Circa 1320, tempera and tooled gold on panel, Philadelphia Museum of Art, USA.
The Archangel Michael, painting in oil and gold on panel by Juan Ximénez, 1500-1503 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-archangel-michael-painting-in-oil-and-gold-on-panel-by-juan-ximnez-1500-1503-image569499138.htmlRM2T2EWXX–The Archangel Michael, painting in oil and gold on panel by Juan Ximénez, 1500-1503
Fra Angelico, Italian, ca. 1400-1455, Madonna and Child with Angels, 1425/1430, tempera and gold on panel, Unframed: 6 3/8 × 3 7/8 inches (16.2 × 9.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fra-angelico-italian-ca-1400-1455-madonna-and-child-with-angels-14251430-tempera-and-gold-on-panel-unframed-6-38-3-78-inches-162-98-cm-image328730026.htmlRM2A2PXE2–Fra Angelico, Italian, ca. 1400-1455, Madonna and Child with Angels, 1425/1430, tempera and gold on panel, Unframed: 6 3/8 × 3 7/8 inches (16.2 × 9.8 cm
The Crucifixion with the Virgin, Saint John and Angels by Ugolino di Nerio (c.1280-1349), tempera and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-with-the-virgin-saint-john-and-angels-by-ugolino-di-nerio-c1280-1349-tempera-and-gold-on-panel-image223448184.htmlRMPYEXC8–The Crucifixion with the Virgin, Saint John and Angels by Ugolino di Nerio (c.1280-1349), tempera and gold on panel
Giovanni di Paolo (Siena, ca. 1399-1482). The Virgin of Humility (ca. 1440). Tempera and gold on panel. 32.5 x 22.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-di-paolo-siena-ca-1399-1482-the-virgin-of-humility-ca-1440-tempera-and-gold-on-panel-325-x-225-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236900343.htmlRMRNBMPF–Giovanni di Paolo (Siena, ca. 1399-1482). The Virgin of Humility (ca. 1440). Tempera and gold on panel. 32.5 x 22.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Foundation of the Church of Santa Maria Maggiore in Rome, 1423-1428. Tempera on gold on panel. Farnese Collection. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-massolino-da-panicale-tommaso-di-cristoforo-fini-called-1383-1440-133984931.htmlRMHNYF43–Massolino da Panicale, Tommaso di Cristoforo Fini, called (1383-1440). Italian painter. Foundation of the Church of Santa Maria Maggiore in Rome, 1423-1428. Tempera on gold on panel. Farnese Collection. National Museum of Capodimonte. Naples. Italy.
Saint Peter by Simone Martini, c. 14th century. Tempera and gold on panel. Thyssen Museum. Madrid. Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-peter-by-simone-martini-c-14th-century-tempera-and-gold-on-panel-thyssen-museum-madrid-spain-image594574651.htmlRM2WF960Y–Saint Peter by Simone Martini, c. 14th century. Tempera and gold on panel. Thyssen Museum. Madrid. Spain
11 'The Raising of Lazarus', tempera and gold on panel by Duccio di Buoninsegna, 1310–11, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/11-the-raising-of-lazarus-tempera-and-gold-on-panel-by-duccio-di-buoninsegna-131011-kimbell-art-museum-image206595138.htmlRMP0365P–11 'The Raising of Lazarus', tempera and gold on panel by Duccio di Buoninsegna, 1310–11, Kimbell Art Museum
Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis, Pietro Lorenzetti, Italy, c. 1320, tempera and gold on panel - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-on-the-cross-with-the-virgin-and-saints-clare-john-the-evangelist-and-francis-pietro-lorenzetti-italy-c-1320-tempera-and-gold-on-panel-image259751257.htmlRMW2GKAH–Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis, Pietro Lorenzetti, Italy, c. 1320, tempera and gold on panel -
Inspired by Christ Blessing, Nardo di Cione, Italian, Florentine, active 1343-1356/1366, Tempera and tooled gold on panel, Italy, mid 14th century, 8 x 9 in., 20.3 x 22.9 cm, Artaud de Montor, beard, benediction, calming, european, frame, moustache, Painting, peace, pinnacle, six-sided, tooling, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-christ-blessing-nardo-di-cione-italian-florentine-active-1343-13561366-tempera-and-tooled-gold-on-panel-italy-mid-14th-century-8-x-9-in-203-x-229-cm-artaud-de-montor-beard-benediction-calming-european-frame-moustache-painting-peace-pinnacle-six-sided-tooling-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248934.htmlRF2HK4GKJ–Inspired by Christ Blessing, Nardo di Cione, Italian, Florentine, active 1343-1356/1366, Tempera and tooled gold on panel, Italy, mid 14th century, 8 x 9 in., 20.3 x 22.9 cm, Artaud de Montor, beard, benediction, calming, european, frame, moustache, Painting, peace, pinnacle, six-sided, tooling, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-and-child-tempera-and-gold-on-panel-painting-by-bartolomeo-132606673.htmlRMHKMN4H–'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475
The Raising of Lazarus tempera and gold on panel by Duccio di Buoninsegna 1310-11 Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-raising-of-lazarus-tempera-and-gold-on-panel-by-duccio-di-buoninsegna-147418854.htmlRMJFRE72–The Raising of Lazarus tempera and gold on panel by Duccio di Buoninsegna 1310-11 Kimbell Art Museum
Pietro Orioli (1458-1496) The Virgin Child with Four Saints. Tempera and gold on panel. Orioli was renowned for his piety as well as for his art. He painted highly refined sacred images. This design recalls earlier traditions in Sienese art. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietro-orioli-1458-1496-the-virgin-child-with-four-saints-tempera-76387681.htmlRMEC7N7D–Pietro Orioli (1458-1496) The Virgin Child with Four Saints. Tempera and gold on panel. Orioli was renowned for his piety as well as for his art. He painted highly refined sacred images. This design recalls earlier traditions in Sienese art.
Pietro Orioli (1458-1496) The Virgin Child with Four Saints. Tempera and gold on panel. Orioli was renowned for his piety as well as for his art. He painted highly refined sacred images. This design recalls earlier traditions in Sienese art. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-orioli-1458-1496-the-virgin-child-with-four-saints-tempera-and-gold-on-panel-orioli-was-renowned-for-his-piety-as-well-as-for-his-art-he-painted-highly-refined-sacred-images-this-design-recalls-earlier-traditions-in-sienese-art-image210385708.htmlRMP67W38–Pietro Orioli (1458-1496) The Virgin Child with Four Saints. Tempera and gold on panel. Orioli was renowned for his piety as well as for his art. He painted highly refined sacred images. This design recalls earlier traditions in Sienese art.
Title: Christ and the Samaritan Woman Artist: Duccio di Buoninsegna Date: 1310-1311 Content: A panel painting that depicts Jesus and the Samaritan woman conversing at a well. Jesus is seated on the edge of the well, and the Samaritan woman is standing in front of him. Both are dressed in simple robes. The background of the painting is a landscape with a river and trees. Dimensions: 17.1 x 18.1 inches (43.5 x 46 cm) Medium: Tempera and gold on panel Location: Museo Nacional Thyssen-Bornemisza, Madrid Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-christ-and-the-samaritan-woman-artist-duccio-di-buoninsegna-date-1310-1311-content-a-panel-painting-that-depicts-jesus-and-the-samaritan-woman-conversing-at-a-well-jesus-is-seated-on-the-edge-of-the-well-and-the-samaritan-woman-is-standing-in-front-of-him-both-are-dressed-in-simple-robes-the-background-of-the-painting-is-a-landscape-with-a-river-and-trees-dimensions-171-x-181-inches-435-x-46-cm-medium-tempera-and-gold-on-panel-location-museo-nacional-thyssen-bornemisza-madrid-image571632110.htmlRM2T602GE–Title: Christ and the Samaritan Woman Artist: Duccio di Buoninsegna Date: 1310-1311 Content: A panel painting that depicts Jesus and the Samaritan woman conversing at a well. Jesus is seated on the edge of the well, and the Samaritan woman is standing in front of him. Both are dressed in simple robes. The background of the painting is a landscape with a river and trees. Dimensions: 17.1 x 18.1 inches (43.5 x 46 cm) Medium: Tempera and gold on panel Location: Museo Nacional Thyssen-Bornemisza, Madrid
Panel chair Hilary Patel speaks at a meeting between members of the Grenfell Tower community and representatives of the Gold Command structure at St Clements Church in west London, four weeks on from the Grenfell Tower fire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-panel-chair-hilary-patel-speaks-at-a-meeting-between-members-of-the-148227691.htmlRMJH49X3–Panel chair Hilary Patel speaks at a meeting between members of the Grenfell Tower community and representatives of the Gold Command structure at St Clements Church in west London, four weeks on from the Grenfell Tower fire.
MMN 61189 : Guru Govind Singh embossed on gold panel Sachkhand Sahib Gurudwara ; Nanded ; Maharashtra ; India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mmn-61189-guru-govind-singh-embossed-on-gold-panel-sachkhand-sahib-26892244.htmlRFBFN198–MMN 61189 : Guru Govind Singh embossed on gold panel Sachkhand Sahib Gurudwara ; Nanded ; Maharashtra ; India
Netherlands/Middle East: 'The Adoration of the Magi'. Oil on panel painting by Pieter Aertsen (c. 1508 - 3 June 1575), 1560. According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlandsmiddle-east-the-adoration-of-the-magi-oil-on-panel-painting-by-pieter-aertsen-c-1508-3-june-1575-1560-according-to-christianity-the-three-kings-or-three-wise-men-travelled-from-the-east-to-bethlehem-to-pay-homage-to-the-newly-born-messiah-the-son-of-god-cradled-in-his-mother-the-virgin-marys-hands-the-baby-jesus-holds-up-his-hand-in-a-blessing-before-him-kneels-king-melchior-offering-a-gift-of-gold-joseph-marys-husband-stands-behind-in-red-image344234429.htmlRM2B016EN–Netherlands/Middle East: 'The Adoration of the Magi'. Oil on panel painting by Pieter Aertsen (c. 1508 - 3 June 1575), 1560. According to Christianity, the Three Kings, or Three Wise Men, travelled from the East to Bethlehem to pay homage to the newly born Messiah, the son of God. Cradled in his mother the Virgin Mary’s hands, the baby Jesus holds up his hand in a blessing. Before him kneels King Melchior, offering a gift of gold. Joseph, Mary's husband, stands behind in red.
Raphael Vergos. Saint Lucy. 1492–1505. Spain. Oil and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-vergos-saint-lucy-14921505-spain-oil-and-gold-on-panel-image337965649.htmlRM2AHRJHN–Raphael Vergos. Saint Lucy. 1492–1505. Spain. Oil and gold on panel
Sandro Botticelli, Annunciation 1485 Tempera and gold on panel. Metropolitan Museum of Art, New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sandro-botticelli-annunciation-1485-tempera-and-gold-on-panel-metropolitan-53817803.htmlRMD3FH4B–Sandro Botticelli, Annunciation 1485 Tempera and gold on panel. Metropolitan Museum of Art, New York
Madonna and Child, painting in tempera and gold on panel by Fra Angelico, 1450-1455 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-painting-in-tempera-and-gold-on-panel-by-fra-angelico-1450-1455-image475620378.htmlRM2JHPAJ2–Madonna and Child, painting in tempera and gold on panel by Fra Angelico, 1450-1455
Benvenuto di Giovanni, Italian, 1436–c. 1518, Virgin and Child, c. 1465–70, Tempera and gold on panel, 16 1/16 x 11 3/4 in. (40.8 x 29.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benvenuto-di-giovanni-italian-1436c-1518-virgin-and-child-c-146570-tempera-and-gold-on-panel-16-116-x-11-34-in-408-x-298-cm-image344581316.htmlRM2B0H0YG–Benvenuto di Giovanni, Italian, 1436–c. 1518, Virgin and Child, c. 1465–70, Tempera and gold on panel, 16 1/16 x 11 3/4 in. (40.8 x 29.8 cm
Saint Peter by Simone Martini (c.1284-1344), tempera and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-peter-by-simone-martini-c1284-1344-tempera-and-gold-on-panel-image223448211.htmlRMPYEXD7–Saint Peter by Simone Martini (c.1284-1344), tempera and gold on panel
Master of the Pomposa Chapterhouse (Active in the first quarter of the 14th century). The Crucifixion (ca. 1320). Tempera and gold on panel. 29 x 20.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/master-of-the-pomposa-chapterhouse-active-in-the-first-quarter-of-the-14th-century-the-crucifixion-ca-1320-tempera-and-gold-on-panel-29-x-205-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236901183.htmlRMRNBNTF–Master of the Pomposa Chapterhouse (Active in the first quarter of the 14th century). The Crucifixion (ca. 1320). Tempera and gold on panel. 29 x 20.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
A gold door knocker on a black panel door, of a residential house. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gold-door-knocker-on-a-black-panel-door-of-a-residential-house-98161675.htmlRMFKKJ63–A gold door knocker on a black panel door, of a residential house.
The Crucifixion. ca. 1320. Master of the Pomposa Chapterhouse. Tempera and gold on panel. Thyssen Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-ca-1320-master-of-the-pomposa-chapterhouse-tempera-and-gold-on-panel-thyssen-museum-madrid-spain-image594574654.htmlRM2WF9612–The Crucifixion. ca. 1320. Master of the Pomposa Chapterhouse. Tempera and gold on panel. Thyssen Museum. Madrid. Spain.
English: Madonna and Child . circa 1475. 'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-madonna-and-child-circa-1475-madonna-and-child-tempera-and-gold-on-panel-painting-by-bartolomeo-vivarini-ca-1475-image184864414.htmlRMMMN8CE–English: Madonna and Child . circa 1475. 'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475
'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-tempera-and-gold-on-panel-painting-by-bartolomeo-vivarini-ca-1475-image207104541.htmlRMP0XBXN–'Madonna and Child', tempera and gold on panel painting by Bartolomeo Vivarini, ca. 1475.
Inspired by Madonna of Humility, Lorenzo Monaco, Italian, School of Florence, ca. 1370/71-1424, Tempera and tooled gold on panel with engaged frame, Italy, ca. 1415-1420, 33 1/4 x 18 7/8 in., 84.5 x 47.9 cm, attenuated, Babbott, Christ Child, Christianity, coat of arms, cushion, devotion, european, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-madonna-of-humility-lorenzo-monaco-italian-school-of-florence-ca-137071-1424-tempera-and-tooled-gold-on-panel-with-engaged-frame-italy-ca-1415-1420-33-14-x-18-78-in-845-x-479-cm-attenuated-babbott-christ-child-christianity-coat-of-arms-cushion-devotion-european-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252796.htmlRF2HK4NHG–Inspired by Madonna of Humility, Lorenzo Monaco, Italian, School of Florence, ca. 1370/71-1424, Tempera and tooled gold on panel with engaged frame, Italy, ca. 1415-1420, 33 1/4 x 18 7/8 in., 84.5 x 47.9 cm, attenuated, Babbott, Christ Child, Christianity, coat of arms, cushion, devotion, european, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-two-apostles-tempera-and-gold-on-panel-by-carlo-crivelli-1470-5-honolulu-132589268.htmlRMHKKXY0–'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts
The Crucifixion, Ambrogio Lorenzetti, Italy, c 1345, tempera and gold on panel Fogg Art Museum, Harvard University DSC01080 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-ambrogio-lorenzetti-italy-c-1345-tempera-and-gold-image153147276.htmlRMJW4CWG–The Crucifixion, Ambrogio Lorenzetti, Italy, c 1345, tempera and gold on panel Fogg Art Museum, Harvard University DSC01080
Gold embroidered wall panel with decorative chandelier above incense burner on wooden table in Hauteville House Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gold-embroidered-wall-panel-with-decorative-chandelier-above-incense-burner-on-wooden-table-in-hauteville-house-image221817198.htmlRMPTTJ2P–Gold embroidered wall panel with decorative chandelier above incense burner on wooden table in Hauteville House
Russian Boyar wedding depicted on a wood panel 1934. Papier-mache, tempera, gold, lacquer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-boyar-wedding-depicted-on-a-wood-panel-1934-papier-mache-tempera-gold-lacquer-image186323941.htmlRMMR3P2D–Russian Boyar wedding depicted on a wood panel 1934. Papier-mache, tempera, gold, lacquer
ArtistAndrea Mantegna Descent into Limbo Year1492 Mediumtempera and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artistandrea-mantegna-descent-into-limbo-year1492-mediumtempera-and-gold-on-panel-image598034496.htmlRF2WMXR2T–ArtistAndrea Mantegna Descent into Limbo Year1492 Mediumtempera and gold on panel
Maestro della Maddalena - Mary Magdalene with Eight Scenes from her Life - tempera and gold on panel painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maestro-della-maddalena-mary-magdalene-with-eight-scenes-from-her-life-tempera-and-gold-on-panel-painting-image482644476.htmlRF2K169XM–Maestro della Maddalena - Mary Magdalene with Eight Scenes from her Life - tempera and gold on panel painting
Benvenuto di Giovanni, Virgin and Child, c. 1465–70, tempera and gold on panel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benvenuto-di-giovanni-virgin-and-child-c-146570-tempera-and-gold-on-panel-image537425930.htmlRM2P69T76–Benvenuto di Giovanni, Virgin and Child, c. 1465–70, tempera and gold on panel.
Cimabue, Maestà or Santa Trinita Madonna and Child Enthroned with Angels and Prophets, 1280-90, tempera on panel, 385 x 223 cm (Galleria degli Uffizi, Florence) Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cimabue-maest-or-santa-trinita-madonna-and-child-enthroned-with-angels-and-prophets-1280-90-tempera-on-panel-385-x-223-cm-galleria-degli-uffizi-florence-italy-image485863616.htmlRM2K6D000–Cimabue, Maestà or Santa Trinita Madonna and Child Enthroned with Angels and Prophets, 1280-90, tempera on panel, 385 x 223 cm (Galleria degli Uffizi, Florence) Italy
Raphael Vergos. Saint Agatha. 1492–1505. Spain. Oil and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-vergos-saint-agatha-14921505-spain-oil-and-gold-on-panel-image337965665.htmlRM2AHRJJ9–Raphael Vergos. Saint Agatha. 1492–1505. Spain. Oil and gold on panel
Masolino, Saints Paul and Peter, Circa 1427-1428, Tempera and tooled gold on panel with vertical grain, Philadelphia Museum of Art, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/masolino-saints-paul-and-peter-circa-1427-1428-tempera-and-tooled-gold-on-panel-with-vertical-grain-philadelphia-museum-of-art-usa-image490832222.htmlRM2KEF9E6–Masolino, Saints Paul and Peter, Circa 1427-1428, Tempera and tooled gold on panel with vertical grain, Philadelphia Museum of Art, USA
Christ Crowned with Thorns, painting in tempera and gold on panel by Fra Angelico, 1450-1459 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-crowned-with-thorns-painting-in-tempera-and-gold-on-panel-by-fra-angelico-1450-1459-image475620371.htmlRM2JHPAHR–Christ Crowned with Thorns, painting in tempera and gold on panel by Fra Angelico, 1450-1459
Matteo di Giovanni, Italian c. 1430–1495, Virgin and Child with Two Angels, c. 1480, Tempera and gold on panel, 23 13/16 x 17 13/16 in. (60.5 x 45.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matteo-di-giovanni-italian-c-14301495-virgin-and-child-with-two-angels-c-1480-tempera-and-gold-on-panel-23-1316-x-17-1316-in-605-x-453-cm-image344581318.htmlRM2B0H0YJ–Matteo di Giovanni, Italian c. 1430–1495, Virgin and Child with Two Angels, c. 1480, Tempera and gold on panel, 23 13/16 x 17 13/16 in. (60.5 x 45.3 cm
David with the Head of Goliath by Jacopo Sellaio, tempera and gold on panel, mid-1470s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-with-the-head-of-goliath-by-jacopo-sellaio-tempera-and-gold-133412691.htmlRMHN1D6Y–David with the Head of Goliath by Jacopo Sellaio, tempera and gold on panel, mid-1470s
Luca di Tommè (Documented in Siena between 1356 and 1389). The Adoration of the Magi (ca. 1360 - 1365). Tempera and gold on panel. 41 x 42 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-di-tomm-documented-in-siena-between-1356-and-1389-the-adoration-of-the-magi-ca-1360-1365-tempera-and-gold-on-panel-41-x-42-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236901324.htmlRMRNBP1G–Luca di Tommè (Documented in Siena between 1356 and 1389). The Adoration of the Magi (ca. 1360 - 1365). Tempera and gold on panel. 41 x 42 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
A gold door knocker on a brown panel door, of a residential house. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gold-door-knocker-on-a-brown-panel-door-of-a-residential-house-98161464.htmlRMFKKHXG–A gold door knocker on a brown panel door, of a residential house.
Luca di Tommè (c. 1330-1389). Italian painter. 'The Adoration of the Magi'. C. 1360-1365. Tempera and gold on panel. Thyssen. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-di-tomm-c-1330-1389-italian-painter-the-adoration-of-the-magi-c-1360-1365-tempera-and-gold-on-panel-thyssen-madrid-spain-image594574646.htmlRM2WF960P–Luca di Tommè (c. 1330-1389). Italian painter. 'The Adoration of the Magi'. C. 1360-1365. Tempera and gold on panel. Thyssen. Madrid. Spain.
Two Apostles. between 1470 and 1475. 'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-apostles-between-1470-and-1475-two-apostles-tempera-and-gold-on-panel-by-carlo-crivelli-1470-5-honolulu-academy-of-arts-image184864867.htmlRMMMN90K–Two Apostles. between 1470 and 1475. 'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts
'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-apostles-tempera-and-gold-on-panel-by-carlo-crivelli-1470-5-honolulu-academy-of-arts-image207662735.htmlRMP1RRX7–'Two Apostles', tempera and gold on panel by Carlo Crivelli, 1470-5, Honolulu Academy of Arts
Inspired by Double-Sided Processional Cross, Master of Monte del Lago, Italian, School of Umbria, second quarter 14th century, Tempera and gold on panel, Umbria, Italy, 2nd quarter of the 14th century, 39 1/16 x 16 9/16 x 4 5/8 in., 99.2 x 42.1 x 11.7 cm, Babbott, cross, crucifix, crucifixion, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-double-sided-processional-cross-master-of-monte-del-lago-italian-school-of-umbria-second-quarter-14th-century-tempera-and-gold-on-panel-umbria-italy-2nd-quarter-of-the-14th-century-39-116-x-16-916-x-4-58-in-992-x-421-x-117-cm-babbott-cross-crucifix-crucifixion-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252794.htmlRF2HK4NHE–Inspired by Double-Sided Processional Cross, Master of Monte del Lago, Italian, School of Umbria, second quarter 14th century, Tempera and gold on panel, Umbria, Italy, 2nd quarter of the 14th century, 39 1/16 x 16 9/16 x 4 5/8 in., 99.2 x 42.1 x 11.7 cm, Babbott, cross, crucifix, crucifixion, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'The Raising of Lazarus', tempera and gold on panel by Duccio di Buoninsegna, 1310E2809311, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-raising-of-lazarus-tempera-and-gold-on-panel-by-duccio-di-buoninsegna-137850521.htmlRMJ07HMW–'The Raising of Lazarus', tempera and gold on panel by Duccio di Buoninsegna, 1310E2809311, Kimbell Art Museum
The Crucifixion, Ambrogio Lorenzetti, Italy, c 1345, tempera and gold on panel Fogg Art Museum, Harvard University DSC01080 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-ambrogio-lorenzetti-italy-c-1345-tempera-and-gold-image153770652.htmlRMJX4T10–The Crucifixion, Ambrogio Lorenzetti, Italy, c 1345, tempera and gold on panel Fogg Art Museum, Harvard University DSC01080
'Christ Pantokrator', a 13th century, Greek Tempera and gold on canvas over wooden panel on display in the National Museum of History, Sofia, Bulgaria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-pantokrator-a-13th-century-greek-tempera-and-gold-on-canvas-over-wooden-panel-on-display-in-the-national-museum-of-history-sofia-bulgaria-image218852851.htmlRMPM1H17–'Christ Pantokrator', a 13th century, Greek Tempera and gold on canvas over wooden panel on display in the National Museum of History, Sofia, Bulgaria
Duccio di Buoninsegna. Christ and the Samaritan Woman. 1310 - 1311. Tempera and gold on panel. 43.5 x 46 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/duccio-di-buoninsegna-christ-and-the-samaritan-woman-1310-1311-tempera-and-gold-on-panel-435-x-46-cm-image460649735.htmlRM2HNCBC7–Duccio di Buoninsegna. Christ and the Samaritan Woman. 1310 - 1311. Tempera and gold on panel. 43.5 x 46 cm
The Crucifixion Tempera and gold on panel Artist: Lorenzo Monaco (Florence, active by 1388–ca. 1424/25) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-tempera-and-gold-on-panel-artist-lorenzo-monaco-florence-active-by-1388ca-142425-image597582437.htmlRF2WM66DW–The Crucifixion Tempera and gold on panel Artist: Lorenzo Monaco (Florence, active by 1388–ca. 1424/25)
Petroglyphs on the Kohta Circus petroglyph panel, Gold Butte, Nevada, United States of America, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-petroglyphs-on-the-kohta-circus-petroglyph-panel-gold-butte-nevada-73218537.htmlRFE73AYN–Petroglyphs on the Kohta Circus petroglyph panel, Gold Butte, Nevada, United States of America, North America
Domenico Ghirlandaio, Portrait of a Lady, c. 1490, tempera, oil, and gold on panel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-ghirlandaio-portrait-of-a-lady-c-1490-tempera-oil-and-gold-on-panel-image537425931.htmlRM2P69T77–Domenico Ghirlandaio, Portrait of a Lady, c. 1490, tempera, oil, and gold on panel.
gold paint on wooden panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gold-paint-on-wooden-panel-image361977044.htmlRF2C0WDBG–gold paint on wooden panel
Retable and Frontal of the Life of Christ and the Virgin Made for Pedro López de Ayala. 1396. Spain. Tempera and gold on panel This remarkable ensemble is made up of a retable, which was set up behind the altar table, and a frontal, which decorated the front of the table itself. The work is literally a testament to the piety of Pedro López de Ayala, a major figure in the political and cultural life of late medieval Spain. He was a courtier, soldier, and diplomat in the service of the kings of Castile, eventually serving as chancellor; he also wrote poetry, a treatise on hunting, and important Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/retable-and-frontal-of-the-life-of-christ-and-the-virgin-made-for-pedro-lpez-de-ayala-1396-spain-tempera-and-gold-on-panel-this-remarkable-ensemble-is-made-up-of-a-retable-which-was-set-up-behind-the-altar-table-and-a-frontal-which-decorated-the-front-of-the-table-itself-the-work-is-literally-a-testament-to-the-piety-of-pedro-lpez-de-ayala-a-major-figure-in-the-political-and-cultural-life-of-late-medieval-spain-he-was-a-courtier-soldier-and-diplomat-in-the-service-of-the-kings-of-castile-eventually-serving-as-chancellor-he-also-wrote-poetry-a-treatise-on-hunting-and-important-image338001707.htmlRM2AHW8HF–Retable and Frontal of the Life of Christ and the Virgin Made for Pedro López de Ayala. 1396. Spain. Tempera and gold on panel This remarkable ensemble is made up of a retable, which was set up behind the altar table, and a frontal, which decorated the front of the table itself. The work is literally a testament to the piety of Pedro López de Ayala, a major figure in the political and cultural life of late medieval Spain. He was a courtier, soldier, and diplomat in the service of the kings of Castile, eventually serving as chancellor; he also wrote poetry, a treatise on hunting, and important
Maso di Banco; Madonna with Saints and Scenes of the Life of Christ, Portable Altarpiece; Circa 1336; Tempera and Gold on Panel; Brooklyn Museum, New Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maso-di-banco-madonna-with-saints-and-scenes-of-the-life-of-christ-portable-altarpiece-circa-1336-tempera-and-gold-on-panel-brooklyn-museum-new-image490829719.htmlRM2KEF68R–Maso di Banco; Madonna with Saints and Scenes of the Life of Christ, Portable Altarpiece; Circa 1336; Tempera and Gold on Panel; Brooklyn Museum, New
Paolo Uccello, The Hunt in the Forest, painting in tempera, oil, and gold on panel, 1470-1479 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paolo-uccello-the-hunt-in-the-forest-painting-in-tempera-oil-and-gold-on-panel-1470-1479-image473975701.htmlRM2JF3CRH–Paolo Uccello, The Hunt in the Forest, painting in tempera, oil, and gold on panel, 1470-1479
Artist: Ludovico Brea, Italian, ca. 1450–1522/25, The Visitation, ca. 1500, Tempera and gold on panel, 25.7 × 42.5 cm (10 1/8 × 16 3/4 in.), Italian, 15th century, Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-ludovico-brea-italian-ca-1450152225-thevisitation-ca1500-tempera-and-gold-on-panel-257-425-cm-10-18-16-34in-italian-15thcentury-paintings-image393243465.htmlRM2DRNP1D–Artist: Ludovico Brea, Italian, ca. 1450–1522/25, The Visitation, ca. 1500, Tempera and gold on panel, 25.7 × 42.5 cm (10 1/8 × 16 3/4 in.), Italian, 15th century, Paintings
St Francis of Assisi by Bartolomeo Vivarini, tempera and gold on panel, c.1470-75 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-francis-of-assisi-by-bartolomeo-vivarini-tempera-and-gold-on-panel-133412679.htmlRMHN1D6F–St Francis of Assisi by Bartolomeo Vivarini, tempera and gold on panel, c.1470-75
Niccolò di Tommaso (Active ca. 1346-76). The Virgin and Child between Angels and six Saints (ca. 1362 - 1367). Tempera and gold on panel. 87 x 39 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niccol-di-tommaso-active-ca-1346-76-the-virgin-and-child-between-angels-and-six-saints-ca-1362-1367-tempera-and-gold-on-panel-87-x-39-cm-museum-museu-nacional-dart-de-catalunya-mnac-image236900831.htmlRMRNBNBY–Niccolò di Tommaso (Active ca. 1346-76). The Virgin and Child between Angels and six Saints (ca. 1362 - 1367). Tempera and gold on panel. 87 x 39 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC).
Alessandro Filipepi, Called Sandro Botticelli (Florence 1444/5-1510) Madonna of the Magnificat tempera, oil and gold on panel, tondo Diameter: 24¾ in. (62.9 cm.) on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alessandro-filipepi-called-sandro-botticelli-florence-14445-1510-madonna-of-the-magnificat-tempera-oil-and-gold-on-panel-tondo-diameter-24-in-629-cm-on-the-wall-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-to-philanthropy-photo-image490427119.htmlRM2KDTTP7–Alessandro Filipepi, Called Sandro Botticelli (Florence 1444/5-1510) Madonna of the Magnificat tempera, oil and gold on panel, tondo Diameter: 24¾ in. (62.9 cm.) on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo
The Crucifizion, c. 1390 by Angolo Gaddi. Tempera and gold on panel. Thyssen Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifizion-c-1390-by-angolo-gaddi-tempera-and-gold-on-panel-thyssen-museum-madrid-spain-image594574659.htmlRM2WF9617–The Crucifizion, c. 1390 by Angolo Gaddi. Tempera and gold on panel. Thyssen Museum. Madrid. Spain.
7 'The Barnabas Altarpiece', southwestern French or northern Spanish, c. 1275–1350, tempera, oil, and gold on panel, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/7-the-barnabas-altarpiece-southwestern-french-or-northern-spanish-c-12751350-tempera-oil-and-gold-on-panel-kimbell-art-museum-image206576093.htmlRMP029WH–7 'The Barnabas Altarpiece', southwestern French or northern Spanish, c. 1275–1350, tempera, oil, and gold on panel, Kimbell Art Museum
The Raising of Lazarus2C tempera and gold on panel by Duccio di Buoninsegna2C 1310E28093112C Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-raising-of-lazarus2c-tempera-and-gold-on-panel-by-duccio-di-buoninsegna2c-1310e28093112c-kimbell-art-museum-image207550401.htmlRMP1JMJ9–The Raising of Lazarus2C tempera and gold on panel by Duccio di Buoninsegna2C 1310E28093112C Kimbell Art Museum
Art inspired by Christ Blessing, Nardo di Cione, Italian, Florentine, active 1343-1356/1366, Tempera and tooled gold on panel, Italy, mid 14th century, 8 x 9 in., 20.3 x 22.9 cm, Artaud de Montor, beard, benediction, calming, european, frame, moustache, Painting, peace, pinnacle, six-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-blessing-nardo-di-cione-italian-florentine-active-1343-13561366-tempera-and-tooled-gold-on-panel-italy-mid-14th-century-8-x-9-in-203-x-229-cm-artaud-de-montor-beard-benediction-calming-european-frame-moustache-painting-peace-pinnacle-six-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566294.htmlRF2HKK1DX–Art inspired by Christ Blessing, Nardo di Cione, Italian, Florentine, active 1343-1356/1366, Tempera and tooled gold on panel, Italy, mid 14th century, 8 x 9 in., 20.3 x 22.9 cm, Artaud de Montor, beard, benediction, calming, european, frame, moustache, Painting, peace, pinnacle, six-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Christ Blessing', tempera, oil, and gold on panel by Giovanni Bellini, c. 1500, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-blessing-tempera-oil-and-gold-on-panel-by-giovanni-bellini-137384609.htmlRMHYEBD5–'Christ Blessing', tempera, oil, and gold on panel by Giovanni Bellini, c. 1500, Kimbell Art Museum
The Virgin Mary at Prayer, Valencian Master, c. 1460, oil, tempera, and gold on panel Krannert Art Museum, UIUC DSC06383 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-virgin-mary-at-prayer-valencian-master-c-1460-oil-tempera-and-143455730.htmlRMJ9AY6X–The Virgin Mary at Prayer, Valencian Master, c. 1460, oil, tempera, and gold on panel Krannert Art Museum, UIUC DSC06383
A gold- and silver-inlaid German rapier, circa 1600 Double-edged (unassociated) blade for a small-sword with central ridge on both sides dating from circa 1700 with traces of etching at the root. On both sides a brass panel with the inscription 'ME FECIT SOLINGEN' within the ricasso. The iron swept hilt with silver inlaid ornaments, gold damascened flowers and conical pommel. Spirally wound (added) brass wire grip with Turk's heads. Length 111 cm. historic, historical, sword, swords, weapons, arms, weapon, arm, fighting device, military, militari, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-gold-and-silver-inlaid-german-rapier-circa-1600-double-edged-unassociated-blade-for-a-small-sword-with-central-ridge-on-both-sides-dating-from-circa-1700-with-traces-of-etching-at-the-root-on-both-sides-a-brass-panel-with-the-inscription-me-fecit-solingen-within-the-ricasso-the-iron-swept-hilt-with-silver-inlaid-ornaments-gold-damascened-flowers-and-conical-pommel-spirally-wound-added-brass-wire-grip-with-turks-heads-length-111-cm-historic-historical-sword-swords-weapons-arms-weapon-arm-fighting-device-military-militari-additional-rights-clearance-info-not-available-image246341551.htmlRMT8NR4F–A gold- and silver-inlaid German rapier, circa 1600 Double-edged (unassociated) blade for a small-sword with central ridge on both sides dating from circa 1700 with traces of etching at the root. On both sides a brass panel with the inscription 'ME FECIT SOLINGEN' within the ricasso. The iron swept hilt with silver inlaid ornaments, gold damascened flowers and conical pommel. Spirally wound (added) brass wire grip with Turk's heads. Length 111 cm. historic, historical, sword, swords, weapons, arms, weapon, arm, fighting device, military, militari, Additional-Rights-Clearance-Info-Not-Available
Lincolnshire Police insignia on side of white panel van, 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lincolnshire-police-insignia-on-side-of-white-panel-van-2023-image551620632.htmlRM2R1CDMT–Lincolnshire Police insignia on side of white panel van, 2023
Saint Nicholas of Tolentino Saving a Shipwreck (1457) tempera and gold on panel (20.5 × 16.5 in,) Philadelphia Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-nicholas-of-tolentino-saving-a-shipwreck-1457-tempera-and-gold-on-panel-205-165-in-philadelphia-museum-of-art-image604391285.htmlRM2X38B71–Saint Nicholas of Tolentino Saving a Shipwreck (1457) tempera and gold on panel (20.5 × 16.5 in,) Philadelphia Museum of Art
Saint Francis Receiving the Stigmata,1325-1330 by Taddeo Gaddi.Fogg Museum.Harvard University.Cambridge.Massachusetts.USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-francis-receiving-the-stigmata1325-1330-by-taddeo-gaddifogg-museumharvard-universitycambridgemassachusettsusa-image417669230.htmlRM2F7EDA6–Saint Francis Receiving the Stigmata,1325-1330 by Taddeo Gaddi.Fogg Museum.Harvard University.Cambridge.Massachusetts.USA
Matteo di Giovanni, Virgin and Child with Two Angels, c. 1480, tempera and gold on panel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matteo-di-giovanni-virgin-and-child-with-two-angels-c-1480-tempera-and-gold-on-panel-image537425927.htmlRM2P69T73–Matteo di Giovanni, Virgin and Child with Two Angels, c. 1480, tempera and gold on panel.
gold paint on wood panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gold-paint-on-wood-panel-115048943.htmlRFGK4X2R–gold paint on wood panel
Gold metallic star on a metallic background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gold-metallic-star-on-a-metallic-background-55944575.htmlRFD70DTF–Gold metallic star on a metallic background
Robert Campin, the Master of Flémalle - Christ and the Virgin. 1430-35 Oil gold on panel Philadelphia Museum of Art Pennsylvania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-campin-the-master-of-flmalle-christ-and-the-virgin-1430-35-image64909831.htmlRMDNGW47–Robert Campin, the Master of Flémalle - Christ and the Virgin. 1430-35 Oil gold on panel Philadelphia Museum of Art Pennsylvania
Ercole de Roberti, Portia and Brutus, painting in tempera, oil and gold on panel, 1486-1490 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ercole-de-roberti-portia-and-brutus-painting-in-tempera-oil-and-gold-on-panel-1486-1490-image572321062.htmlRM2T73D9X–Ercole de Roberti, Portia and Brutus, painting in tempera, oil and gold on panel, 1486-1490
Virgin of the Rosary with Patrons and Angels, Unknown, about 1480, oil and gold on panel, 38-1/4 x 23-3/8 in. 43-3/8 x 28-1/2 in. (framed), German, European Painting and Sculpture Before 1800 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-of-the-rosary-with-patrons-and-angels-unknown-about-1480-oil-and-gold-on-panel-38-14-x-23-38-in-43-38-x-28-12-in-framed-german-european-painting-and-sculpture-before-1800-image328776847.htmlRM2A2W267–Virgin of the Rosary with Patrons and Angels, Unknown, about 1480, oil and gold on panel, 38-1/4 x 23-3/8 in. 43-3/8 x 28-1/2 in. (framed), German, European Painting and Sculpture Before 1800
Christ and the Virgin by Robert Campin (c. 1375- 1444), oil and gold on panel, c. 1430-35 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-virgin-by-robert-campin-c-1375-1444-oil-and-gold-on-panel-c-1430-35-image543803000.htmlRM2PGMA7M–Christ and the Virgin by Robert Campin (c. 1375- 1444), oil and gold on panel, c. 1430-35
Pietro da Rimini (Active ca. 1315-35). The Nativity and other Episodes from the Childhood of Christ (ca. 1330). Tempera and gold on panel. 17.2 x 19.7 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-da-rimini-active-ca-1315-35-the-nativity-and-other-episodes-from-the-childhood-of-christ-ca-1330-tempera-and-gold-on-panel-172-x-197-cm-museum-museu-nacional-dart-de-catalunya-mnac-image236900997.htmlRMRNBNHW–Pietro da Rimini (Active ca. 1315-35). The Nativity and other Episodes from the Childhood of Christ (ca. 1330). Tempera and gold on panel. 17.2 x 19.7 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC).
Alessandro Filipepi, Called Sandro Botticelli (Florence 1444/5-1510) Madonna of the Magnificat tempera, oil and gold on panel, tondo Diameter: 24¾ in. (62.9 cm.) on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alessandro-filipepi-called-sandro-botticelli-florence-14445-1510-madonna-of-the-magnificat-tempera-oil-and-gold-on-panel-tondo-diameter-24-in-629-cm-on-the-wall-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-150-masterpieces-spanning-500-years-of-art-history-all-proceeds-will-go-to-philanthropy-photo-image490427113.htmlRM2KDTTP1–Alessandro Filipepi, Called Sandro Botticelli (Florence 1444/5-1510) Madonna of the Magnificat tempera, oil and gold on panel, tondo Diameter: 24¾ in. (62.9 cm.) on the wall at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. (Photo
The Virgin and Child by Master of the Magdalen. Detail of St Dominic. ca. 1290. Tempera and gold on panel. Thyssen Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-and-child-by-master-of-the-magdalen-detail-of-st-dominic-ca-1290-tempera-and-gold-on-panel-thyssen-museum-madrid-spain-image594574657.htmlRM2WF9615–The Virgin and Child by Master of the Magdalen. Detail of St Dominic. ca. 1290. Tempera and gold on panel. Thyssen Museum. Madrid. Spain.
N/A. N/A 370 The Crucifixion, Ambrogio Lorenzetti, Italy, c. 1345, tempera and gold on panel - Fogg Art Museum, Harvard University - DSC01080 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-na-370-the-crucifixion-ambrogio-lorenzetti-italy-c-1345-tempera-and-gold-on-panel-fogg-art-museum-harvard-university-dsc01080-image211324890.htmlRMP7PK1E–N/A. N/A 370 The Crucifixion, Ambrogio Lorenzetti, Italy, c. 1345, tempera and gold on panel - Fogg Art Museum, Harvard University - DSC01080
'Christ Blessing', tempera, oil, and gold on panel by Giovanni Bellini, c. 1500, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-blessing-tempera-oil-and-gold-on-panel-by-giovanni-bellini-c-1500-kimbell-art-museum-image206953227.htmlRMP0KEXK–'Christ Blessing', tempera, oil, and gold on panel by Giovanni Bellini, c. 1500, Kimbell Art Museum
Art inspired by Madonna of Humility, Lorenzo Monaco, Italian, School of Florence, ca. 1370/71-1424, Tempera and tooled gold on panel with engaged frame, Italy, ca. 1415-1420, 33 1/4 x 18 7/8 in., 84.5 x 47.9 cm, attenuated, Babbott, Christ Child, Christianity, coat of arms, cushion, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-madonna-of-humility-lorenzo-monaco-italian-school-of-florence-ca-137071-1424-tempera-and-tooled-gold-on-panel-with-engaged-frame-italy-ca-1415-1420-33-14-x-18-78-in-845-x-479-cm-attenuated-babbott-christ-child-christianity-coat-of-arms-cushion-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568034.htmlRF2HKK3M2–Art inspired by Madonna of Humility, Lorenzo Monaco, Italian, School of Florence, ca. 1370/71-1424, Tempera and tooled gold on panel with engaged frame, Italy, ca. 1415-1420, 33 1/4 x 18 7/8 in., 84.5 x 47.9 cm, attenuated, Babbott, Christ Child, Christianity, coat of arms, cushion, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'The Barnabas Altarpiece', southwestern French or northern Spanish, c. 1275E280931350, tempera, oil, and gold on panel, Kimbell Art Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-barnabas-altarpiece-southwestern-french-or-northern-spanish-c-137889526.htmlRMJ09BDX–'The Barnabas Altarpiece', southwestern French or northern Spanish, c. 1275E280931350, tempera, oil, and gold on panel, Kimbell Art Museum
The Man of Sorrows, Roberto Oderisi, Italy, c 1354, tempera and gold on panel Fogg Art Museum, Harvard University DSC01089 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-man-of-sorrows-roberto-oderisi-italy-c-1354-tempera-and-gold-on-image153770654.htmlRMJX4T12–The Man of Sorrows, Roberto Oderisi, Italy, c 1354, tempera and gold on panel Fogg Art Museum, Harvard University DSC01089
A gold- and silver-inlaid German rapier, circa 1600 Double-edged (unassociated) blade for a small-sword with central ridge on both sides dating from circa 1700 with traces of etching at the root. On both sides a brass panel with the inscription 'ME FECIT SOLINGEN' within the ricasso. The iron swept hilt with silver inlaid ornaments, gold damascened flowers and conical pommel. Spirally wound (added) brass wire grip with Turk's heads. Length 111 cm. historic, historical, sword, swords, weapons, arms, weapon, arm, fighting device, military, militari, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-gold-and-silver-inlaid-german-rapier-circa-1600-double-edged-unassociated-blade-for-a-small-sword-with-central-ridge-on-both-sides-dating-from-circa-1700-with-traces-of-etching-at-the-root-on-both-sides-a-brass-panel-with-the-inscription-me-fecit-solingen-within-the-ricasso-the-iron-swept-hilt-with-silver-inlaid-ornaments-gold-damascened-flowers-and-conical-pommel-spirally-wound-added-brass-wire-grip-with-turks-heads-length-111-cm-historic-historical-sword-swords-weapons-arms-weapon-arm-fighting-device-military-militari-additional-rights-clearance-info-not-available-image246341548.htmlRMT8NR4C–A gold- and silver-inlaid German rapier, circa 1600 Double-edged (unassociated) blade for a small-sword with central ridge on both sides dating from circa 1700 with traces of etching at the root. On both sides a brass panel with the inscription 'ME FECIT SOLINGEN' within the ricasso. The iron swept hilt with silver inlaid ornaments, gold damascened flowers and conical pommel. Spirally wound (added) brass wire grip with Turk's heads. Length 111 cm. historic, historical, sword, swords, weapons, arms, weapon, arm, fighting device, military, militari, Additional-Rights-Clearance-Info-Not-Available
Panel with figures on a fenced terrace near a pavilion China. 1770 - 775 Qing dynasty (1644-1912) / Qianlong period (1736-1795) Chinese porcelainglazegold (metal) frame: wood (plant material) length 41 cm × width 34 cm depiction shows a farewell scene of a woman and a man on a fenced terrace for a pavilion Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-with-figures-on-a-fenced-terrace-near-a-pavilion-china-1770-775-qing-dynasty-1644-1912-qianlong-period-1736-1795-chinese-porcelainglazegold-metal-frame-wood-plant-material-length-41-cm-width-34-cm-depiction-shows-a-farewell-scene-of-a-woman-and-a-man-on-a-fenced-terrace-for-a-pavilion-image562519460.htmlRM2RK4Y8M–Panel with figures on a fenced terrace near a pavilion China. 1770 - 775 Qing dynasty (1644-1912) / Qianlong period (1736-1795) Chinese porcelainglazegold (metal) frame: wood (plant material) length 41 cm × width 34 cm depiction shows a farewell scene of a woman and a man on a fenced terrace for a pavilion
ArtistAndrea Mantegna Death of the Virgin Year1462–1464 TypeTempera and gold on panel Dimensions54 cm × 42 cm (21 in × 17 in) LocationMuseo del Prado, Madrid Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artistandrea-mantegna-death-of-the-virgin-year14621464-typetempera-and-gold-on-panel-dimensions54-cm-42-cm-21-in-17-in-locationmuseo-del-prado-madrid-image598034457.htmlRF2WMXR1D–ArtistAndrea Mantegna Death of the Virgin Year1462–1464 TypeTempera and gold on panel Dimensions54 cm × 42 cm (21 in × 17 in) LocationMuseo del Prado, Madrid
Saint Francis Receiving the Stigmata,1325-1330 by Taddeo Gaddi.Fogg Museum.Harvard University.Cambridge.Massachusetts.USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-francis-receiving-the-stigmata1325-1330-by-taddeo-gaddifogg-museumharvard-universitycambridgemassachusettsusa-image417669259.htmlRM2F7EDB7–Saint Francis Receiving the Stigmata,1325-1330 by Taddeo Gaddi.Fogg Museum.Harvard University.Cambridge.Massachusetts.USA
Luca Signorelli, The Martyrdom of Saint Catherine of Alexandria, c. 1490, oil, tempera, and gold on panel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-signorelli-the-martyrdom-of-saint-catherine-of-alexandria-c-1490-oil-tempera-and-gold-on-panel-image537426483.htmlRM2P69TXY–Luca Signorelli, The Martyrdom of Saint Catherine of Alexandria, c. 1490, oil, tempera, and gold on panel.
A gold door knocker, on a white door of a residential house. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-gold-door-knocker-on-a-white-door-of-a-residential-house-98161696.htmlRMFKKJ6T–A gold door knocker, on a white door of a residential house.
Blue altar with gold and Jesus statue Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-altar-with-gold-and-jesus-statue-image567494183.htmlRM2RY7GHB–Blue altar with gold and Jesus statue
Giovanni Bellini, Christ Blessing. Circa 1500. Tempera, oil, and gold on panel. Kimbell Art Museum, Fort Worth, Texas, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-giovanni-bellini-christ-blessing-circa-1500-tempera-oil-and-gold-on-76914347.htmlRMED3N0Y–Giovanni Bellini, Christ Blessing. Circa 1500. Tempera, oil, and gold on panel. Kimbell Art Museum, Fort Worth, Texas, USA.
Masolino da Panicale, Saints Paul and Peter, painting in tempera and gold on panel, 1427-1428 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/masolino-da-panicale-saints-paul-and-peter-painting-in-tempera-and-gold-on-panel-1427-1428-image569498830.htmlRM2T2EWFX–Masolino da Panicale, Saints Paul and Peter, painting in tempera and gold on panel, 1427-1428
Saint Agatha, About 1500, Vergós workshop, Spanish, documented 1439–1503, Spain, Oil and gold on panel, Panel: 175.8 × 93.3 cm (69 1/4 × 36 3/4 in.), Painted Surface: 167 × 84.5 cm (65 3/4 × 33 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-agatha-about-1500-vergs-workshop-spanish-documented-14391503-spain-oil-and-gold-on-panel-panel-1758-933-cm-69-14-36-34-in-painted-surface-167-845-cm-65-34-33-14-in-image328645951.htmlRM2A2K37B–Saint Agatha, About 1500, Vergós workshop, Spanish, documented 1439–1503, Spain, Oil and gold on panel, Panel: 175.8 × 93.3 cm (69 1/4 × 36 3/4 in.), Painted Surface: 167 × 84.5 cm (65 3/4 × 33 1/4 in
St Francis of Assisi by Rossello di Jacopo Franchi (c. 1376/77 – c. 1456), tempera and gold on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-st-francis-of-assisi-by-rossello-di-jacopo-franchi-c-137677-c-1456-163553850.htmlRMKE2EGX–St Francis of Assisi by Rossello di Jacopo Franchi (c. 1376/77 – c. 1456), tempera and gold on panel
Giovanni di Paolo (Siena, ca. 1399-1482). St. Catherine before the Pope at Avignon (ca. 1460 - 1463). Tempera and gold on panel. 29 x 29 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-di-paolo-siena-ca-1399-1482-st-catherine-before-the-pope-at-avignon-ca-1460-1463-tempera-and-gold-on-panel-29-x-29-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236900633.htmlRMRNBN4W–Giovanni di Paolo (Siena, ca. 1399-1482). St. Catherine before the Pope at Avignon (ca. 1460 - 1463). Tempera and gold on panel. 29 x 29 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Search Results for Gold on panel Stock Photos and Images (10,498)
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