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Glass of 1512 Stock Photos and Images
Capture of Christ, Pieter Coecke van Aelst (I), 1512 - 1550, Design for a glass pane., draughtsman: Pieter Coecke van Aelst (I), 1512 - 1550, paper, pen, brush, h 240 mm × w 120 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capture-of-christ-pieter-coecke-van-aelst-i-1512-1550-design-for-a-glass-pane-draughtsman-pieter-coecke-van-aelst-i-1512-1550-paper-pen-brush-h-240-mm-w-120-mm-image472042101.htmlRM2JBYAED–Capture of Christ, Pieter Coecke van Aelst (I), 1512 - 1550, Design for a glass pane., draughtsman: Pieter Coecke van Aelst (I), 1512 - 1550, paper, pen, brush, h 240 mm × w 120 mm
King David of ancient Israel and Judah plays a golden harp in a detail of a colourful stained glass Tree of Jesse, a visual guide to the ancestors of Christ. Other kings, identified by their crowns and sceptres, are among more than 40 biblical characters supported by daisy-like blossoms sprouting from the tree's branches. Stained glass of 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-david-of-ancient-israel-and-judah-plays-a-golden-harp-in-a-detail-of-a-colourful-stained-glass-tree-of-jesse-a-visual-guide-to-the-ancestors-of-christ-other-kings-identified-by-their-crowns-and-sceptres-are-among-more-than-40-biblical-characters-supported-by-daisy-like-blossoms-sprouting-from-the-trees-branches-stained-glass-of-1512-in-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-image464741269.htmlRF2J02P6D–King David of ancient Israel and Judah plays a golden harp in a detail of a colourful stained glass Tree of Jesse, a visual guide to the ancestors of Christ. Other kings, identified by their crowns and sceptres, are among more than 40 biblical characters supported by daisy-like blossoms sprouting from the tree's branches. Stained glass of 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region.
Stained glass windows, Great Hall, Edinburgh Castel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-windows-great-hall-edinburgh-castel-image333634998.htmlRM2AAPARJ–Stained glass windows, Great Hall, Edinburgh Castel
A still with a fractionating column, 1512. A still with a fractionating column, 1512. By Hieronymus Brunschwig (c1450-c1512). From Liber de arte distillandi de compositis, 1512, by Hieronymus Brunschwig (c1450-c1512). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-still-with-a-fractionating-column-1512-a-still-with-a-fractionating-column-1512-by-hieronymus-brunschwig-c1450-c1512-from-liber-de-arte-distillandi-de-compositis-1512-by-hieronymus-brunschwig-c1450-c1512-image233406342.htmlRMRFMG4P–A still with a fractionating column, 1512. A still with a fractionating column, 1512. By Hieronymus Brunschwig (c1450-c1512). From Liber de arte distillandi de compositis, 1512, by Hieronymus Brunschwig (c1450-c1512).
08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/08-december-2023-brandenburg-frstenwalde-michelle-thiede-pastry-chef-makes-small-handmade-cakes-for-the-opening-of-the-le-gateau-rose-cake-factory-on-the-same-day-the-new-production-site-for-sweet-delicacies-opens-in-the-city-on-the-spree-the-glass-bakery-is-visible-from-the-sales-area-this-allows-visitors-to-watch-the-pastry-chefs-at-work-as-they-produce-their-cakes-and-tarts-with-skilled-craftsmanship-the-le-gateau-rose-manufactory-was-named-after-the-pink-cake-from-the-ancient-saxon-family-recipe-by-hieronymus-von-kysewetter-1512-1586-photo-patrick-pleuldpazb-image575177227.htmlRM2TBNGBR–08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB
The lost son at the prostitutes Tavern Interior Where: in a young man (the prodigal son) sitting at a round table with two women. The young woman took him with one hand while with the other hand money from his purse grabs. The old woman brings her right hand a glass to the mouth, in the left she is holding a fruit (?) That is caught by a boy in the doorway. Through the window looks a jester, and speaks the words (in band) waits sail hoet sal. Manufacturer : printmaker: anonymous to print by Lucas van Leyden (listed property) Place manufacture: Netherlands Date: 1512 - 1583 Physical features: c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lost-son-at-the-prostitutes-tavern-interior-where-in-a-young-man-the-prodigal-son-sitting-at-a-round-table-with-two-women-the-young-woman-took-him-with-one-hand-while-with-the-other-hand-money-from-his-purse-grabs-the-old-woman-brings-her-right-hand-a-glass-to-the-mouth-in-the-left-she-is-holding-a-fruit-that-is-caught-by-a-boy-in-the-doorway-through-the-window-looks-a-jester-and-speaks-the-words-in-band-waits-sail-hoet-sal-manufacturer-printmaker-anonymous-to-print-by-lucas-van-leyden-listed-property-place-manufacture-netherlands-date-1512-1583-physical-features-c-image348300719.htmlRM2B6JD3B–The lost son at the prostitutes Tavern Interior Where: in a young man (the prodigal son) sitting at a round table with two women. The young woman took him with one hand while with the other hand money from his purse grabs. The old woman brings her right hand a glass to the mouth, in the left she is holding a fruit (?) That is caught by a boy in the doorway. Through the window looks a jester, and speaks the words (in band) waits sail hoet sal. Manufacturer : printmaker: anonymous to print by Lucas van Leyden (listed property) Place manufacture: Netherlands Date: 1512 - 1583 Physical features: c
Margrave Frederick of Brandenburg-Ansbach (1460–1536) and his wife Sophia Jagiellon (1464–1512), 149 Artist: Kamberger, Hans (active before 1507) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/margrave-frederick-of-brandenburg-ansbach-14601536-and-his-wife-sophia-image66578703.htmlRMDT8WPR–Margrave Frederick of Brandenburg-Ansbach (1460–1536) and his wife Sophia Jagiellon (1464–1512), 149 Artist: Kamberger, Hans (active before 1507)
St Mary's church Sudeley Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-marys-church-sudeley-castle-73703047.htmlRME7WCYK–St Mary's church Sudeley Castle
Jozef explains the dreams of Pharaoh, Anonymous, After Lucas van Leyden, c. 1512 drawing Design for a stained glass window. paper. ink pen / brush Joseph interpreting Pharaoh's dreams Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jozef-explains-the-dreams-of-pharaoh-anonymous-after-lucas-van-leyden-c-1512-drawing-design-for-a-stained-glass-window-paper-ink-pen-brush-joseph-interpreting-pharaohs-dreams-image595156014.htmlRM2WG7KFX–Jozef explains the dreams of Pharaoh, Anonymous, After Lucas van Leyden, c. 1512 drawing Design for a stained glass window. paper. ink pen / brush Joseph interpreting Pharaoh's dreams
Margrave Frederick of Brandenburg-Ansbach (1460–1536) and his wife Sophia Jagiellon (1464–1512). Museum: Chapel of St. Blood, Langenburg. Author: Kamberger, Hans. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/margrave-frederick-of-brandenburg-ansbach-14601536-and-his-wife-sophia-jagiellon-14641512-museum-chapel-of-st-blood-langenburg-author-kamberger-hans-image231694207.htmlRMRCXG93–Margrave Frederick of Brandenburg-Ansbach (1460–1536) and his wife Sophia Jagiellon (1464–1512). Museum: Chapel of St. Blood, Langenburg. Author: Kamberger, Hans.
Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iljaz-mirahori-mosque-built-by-iljaz-hoxha-1408-1512-15th-century-image60095511.htmlRMDDNGC7–Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246980.htmlRMCPDREC–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.
![Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em Stock Photo](https://c8.alamy.com/comp/2B92YHK/broken-glass-with-two-shielded-angels-1529-feather-in-black-gray-washed-heightened-in-white-small-supplements-with-red-chalk-on-olive-green-primed-paper-sheet-426-x-307-cm-317-cm-inscribed-dated-and-monogrammed-on-the-label-psalmvii-my-shield-is-with-god-helping-the-pious-hertzen-psalm-xviii-the-lord-is-a-shield-to-all-the-in-the-trust-1529-vg-lol-urs-graf-d-j-basel-15121559-emilia-romagna-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-em-2B92YHK.jpg "Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em Stock Photo")
Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/broken-glass-with-two-shielded-angels-1529-feather-in-black-gray-washed-heightened-in-white-small-supplements-with-red-chalk-on-olive-green-primed-paper-sheet-426-x-307-cm-317-cm-inscribed-dated-and-monogrammed-on-the-label-psalmvii-my-shield-is-with-god-helping-the-pious-hertzen-psalm-xviii-the-lord-is-a-shield-to-all-the-in-the-trust-1529-vg-lol-urs-graf-d-j-basel-15121559-emilia-romagna-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-em-image349804831.htmlRF2B92YHK–Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em
Leo X (Giovanni di Medici), 11.12.1475 - 1.12.1521, Pope 11.3.1513 - 1.12.1521, with cardinals Ludovico de Rossi, Giulio de Medici, painting by Raphael, 1519, detail, Uffizi, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leo-x-giovanni-di-medici-11121475-1121521-pope-1131513-1121521-with-image60223195.htmlRMDDYB8B–Leo X (Giovanni di Medici), 11.12.1475 - 1.12.1521, Pope 11.3.1513 - 1.12.1521, with cardinals Ludovico de Rossi, Giulio de Medici, painting by Raphael, 1519, detail, Uffizi, Additional-Rights-Clearences-Not Available
View of a room through a windowpane Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-a-room-through-a-windowpane-image210375159.htmlRMP67BJF–View of a room through a windowpane
Southern Germany, including Wurtemberg and Bavaria: handbook for travellers . very ancient town (pop. 13,850)on the Danube, lies in an extensive and fertile plain, the granaryof Bavaria. The late-Gothic church of *St. James (1429-1512) con-tains paintings attributed to Wohlgemut, a fine altar with statues ofthe year 1500, and good stained glass (1442 and 1503). The Ro-manesque church of St. Peter, in the cemetery on the lofty bank ofthe Danube, passes for the oldest building in the town and is sup-posed to occupy the site of the Roman Serviodurum. The GothicOymnasialkirche (of 1430), formerly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/southern-germany-including-wurtemberg-and-bavaria-handbook-for-travellers-very-ancient-town-pop-13850on-the-danube-lies-in-an-extensive-and-fertile-plain-the-granaryof-bavaria-the-late-gothic-church-of-st-james-1429-1512-con-tains-paintings-attributed-to-wohlgemut-a-fine-altar-with-statues-ofthe-year-1500-and-good-stained-glass-1442-and-1503-the-ro-manesque-church-of-st-peter-in-the-cemetery-on-the-lofty-bank-ofthe-danube-passes-for-the-oldest-building-in-the-town-and-is-sup-posed-to-occupy-the-site-of-the-roman-serviodurum-the-gothicoymnasialkirche-of-1430-formerly-image338914219.htmlRM2AKATF7–Southern Germany, including Wurtemberg and Bavaria: handbook for travellers . very ancient town (pop. 13,850)on the Danube, lies in an extensive and fertile plain, the granaryof Bavaria. The late-Gothic church of *St. James (1429-1512) con-tains paintings attributed to Wohlgemut, a fine altar with statues ofthe year 1500, and good stained glass (1442 and 1503). The Ro-manesque church of St. Peter, in the cemetery on the lofty bank ofthe Danube, passes for the oldest building in the town and is sup-posed to occupy the site of the Roman Serviodurum. The GothicOymnasialkirche (of 1430), formerly
Cavalry guard of honor-terracotta funerary figurine-Han Yang Ling Mausoleum. Xianyang-Shaanxi-China-1512 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cavalry-guard-of-honor-terracotta-funerary-figurine-han-yang-ling-mausoleum-xianyang-shaanxi-china-1512-image435344149.htmlRF2G87HW9–Cavalry guard of honor-terracotta funerary figurine-Han Yang Ling Mausoleum. Xianyang-Shaanxi-China-1512
Sacred works; unterlinden museum; Colmar; Alsace; France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sacred-works-unterlinden-museum-colmar-alsace-france-148597843.htmlRMJHN61R–Sacred works; unterlinden museum; Colmar; Alsace; France
Joseph explains Pharaoh's dreams, Lucas van Leyden, c. 1512, Design for a stained glass window., Lucas van Leyden, draughtsman: anonymous, c. 1512, paper, pen, brush, h 195 mm × w 192 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-explains-pharaohs-dreams-lucas-van-leyden-c-1512-design-for-a-stained-glass-window-lucas-van-leyden-draughtsman-anonymous-c-1512-paper-pen-brush-h-195-mm-w-192-mm-image472058478.htmlRM2JC03BA–Joseph explains Pharaoh's dreams, Lucas van Leyden, c. 1512, Design for a stained glass window., Lucas van Leyden, draughtsman: anonymous, c. 1512, paper, pen, brush, h 195 mm × w 192 mm
This Tree of Jesse, showing the genealogical descent of Christ from the father of King David, was installed in 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of France. The window is a fine example of the Troyenne style of painted glass perfected at Troyes, the historic regional capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-tree-of-jesse-showing-the-genealogical-descent-of-christ-from-the-father-of-king-david-was-installed-in-1512-in-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-of-france-the-window-is-a-fine-example-of-the-troyenne-style-of-painted-glass-perfected-at-troyes-the-historic-regional-capital-image463845832.htmlRF2HXJ02G–This Tree of Jesse, showing the genealogical descent of Christ from the father of King David, was installed in 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of France. The window is a fine example of the Troyenne style of painted glass perfected at Troyes, the historic regional capital.
08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/08-december-2023-brandenburg-frstenwalde-michelle-thiede-pastry-chef-makes-small-handmade-cakes-for-the-opening-of-the-le-gateau-rose-cake-factory-on-the-same-day-the-new-production-site-for-sweet-delicacies-opens-in-the-city-on-the-spree-the-glass-bakery-is-visible-from-the-sales-area-this-allows-visitors-to-watch-the-pastry-chefs-at-work-as-they-produce-their-cakes-and-tarts-with-skilled-craftsmanship-the-le-gateau-rose-manufactory-was-named-after-the-pink-cake-from-the-ancient-saxon-family-recipe-by-hieronymus-von-kysewetter-1512-1586-photo-patrick-pleuldpazb-image575177240.htmlRM2TBNGC8–08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB
St Mary's church Sudeley Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-marys-church-sudeley-castle-73703055.htmlRME7WCYY–St Mary's church Sudeley Castle
Collection of Christ, Pieter Coecke van Aelst (I), 1512 - 1550 drawing Design for a glass window. paper. ink pen / brush the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collection-of-christ-pieter-coecke-van-aelst-i-1512-1550-drawing-design-for-a-glass-window-paper-ink-pen-brush-the-kiss-of-judas-accompanied-by-soldiers-with-torches-and-lanterns-he-kisses-christ-peter-draws-his-sword-and-cuts-off-malchus-ear-image595187810.htmlRM2WG943E–Collection of Christ, Pieter Coecke van Aelst (I), 1512 - 1550 drawing Design for a glass window. paper. ink pen / brush the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear
Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iljaz-mirahori-mosque-built-by-iljaz-hoxha-1408-1512-15th-century-exterior-korce-republic-of-albania-image209680282.htmlRMP53N9E–Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania.
Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iljaz-mirahori-mosque-built-by-iljaz-hoxha-1408-1512-15th-century-image60095563.htmlRMDDNGE3–Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246943.htmlRMCPDRD3–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.
. The Street railway journal . FORGE SHOP The forge shop is a separate building, 60 ft. x 210 ft. in size,and is located at right angles to the truck and carpenter shops.Ample light is furnished by 1512 sq. ft. of glass. A ventilatoron the ridge of the roof permits the escape of the gases andsmoke. The equipment cbnsists of nine forges of special design—. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-street-railway-journal-forge-shop-the-forge-shop-is-a-separate-building-60-ft-x-210-ft-in-sizeand-is-located-at-right-angles-to-the-truck-and-carpenter-shopsample-light-is-furnished-by-1512-sq-ft-of-glass-a-ventilatoron-the-ridge-of-the-roof-permits-the-escape-of-the-gases-andsmoke-the-equipment-cbnsists-of-nine-forges-of-special-design-image375827502.htmlRM2CRCBPP–. The Street railway journal . FORGE SHOP The forge shop is a separate building, 60 ft. x 210 ft. in size,and is located at right angles to the truck and carpenter shops.Ample light is furnished by 1512 sq. ft. of glass. A ventilatoron the ridge of the roof permits the escape of the gases andsmoke. The equipment cbnsists of nine forges of special design—.
![Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna Stock Photo](https://c8.alamy.com/comp/2A2NYPC/broken-glass-with-two-shielded-angels-1529-feather-in-black-gray-washed-heightened-in-white-small-supplements-with-red-chalk-on-olive-green-primed-paper-sheet-426-x-307-cm-317-cm-inscribed-dated-and-monogrammed-on-the-label-psalmvii-my-shield-is-with-god-helping-the-pious-hertzen-psalm-xviii-the-lord-is-a-shield-to-all-the-in-the-trust-1529-vg-lol-urs-graf-d-j-basel-15121559-emilia-romagna-2A2NYPC.jpg "Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna Stock Photo")
Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/broken-glass-with-two-shielded-angels-1529-feather-in-black-gray-washed-heightened-in-white-small-supplements-with-red-chalk-on-olive-green-primed-paper-sheet-426-x-307-cm-317-cm-inscribed-dated-and-monogrammed-on-the-label-psalmvii-my-shield-is-with-god-helping-the-pious-hertzen-psalm-xviii-the-lord-is-a-shield-to-all-the-in-the-trust-1529-vg-lol-urs-graf-d-j-basel-15121559-emilia-romagna-image328709092.htmlRM2A2NYPC–Broken glass with two shielded angels, 1529, feather in black, gray washed, heightened in white, small, Supplements with red chalk, on olive green primed paper, sheet: 42.6 x 30.7 cm /31.7 cm, Inscribed, dated and monogrammed on the label: PSALM.VII., My shield is with God helping the, Pious Hertzen., PSALM XVIII, The Lord is a shield to all the, In the trust, 1529, VG [lol.], Urs Graf d. J., Basel 1512–1559 Emilia-Romagna
Kings of ancient Israel and Judah, identified by their crowns and sceptres, are among more than 40 biblical characters supported by daisy-like blossoms sprouting from the branches of a colourful stained glass Tree of Jesse, a visual guide to the ancestors of Christ, installed in 1512 in a window of the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kings-of-ancient-israel-and-judah-identified-by-their-crowns-and-sceptres-are-among-more-than-40-biblical-characters-supported-by-daisy-like-blossoms-sprouting-from-the-branches-of-a-colourful-stained-glass-tree-of-jesse-a-visual-guide-to-the-ancestors-of-christ-installed-in-1512-in-a-window-of-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-of-northeast-france-image464741238.htmlRF2J02P5A–Kings of ancient Israel and Judah, identified by their crowns and sceptres, are among more than 40 biblical characters supported by daisy-like blossoms sprouting from the branches of a colourful stained glass Tree of Jesse, a visual guide to the ancestors of Christ, installed in 1512 in a window of the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France.
08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/08-december-2023-brandenburg-frstenwalde-michelle-thiede-pastry-chef-makes-small-handmade-cakes-for-the-opening-of-the-le-gateau-rose-cake-factory-on-the-same-day-the-new-production-site-for-sweet-delicacies-opens-in-the-city-on-the-spree-the-glass-bakery-is-visible-from-the-sales-area-this-allows-visitors-to-watch-the-pastry-chefs-at-work-as-they-produce-their-cakes-and-tarts-with-skilled-craftsmanship-the-le-gateau-rose-manufactory-was-named-after-the-pink-cake-from-the-ancient-saxon-family-recipe-by-hieronymus-von-kysewetter-1512-1586-photo-patrick-pleuldpazb-image575178407.htmlRM2TBNHWY–08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, makes small handmade cakes for the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB
St Mary's church Sudeley Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-marys-church-sudeley-castle-73703060.htmlRME7WD04–St Mary's church Sudeley Castle
Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iljaz-mirahori-mosque-built-by-iljaz-hoxha-1408-1512-15th-century-exterior-korce-republic-of-albania-image209680283.htmlRMP53N9F–Iljaz Mirahori Mosque. Built by Iljaz Hoxha (1408-1512). 15th century. Exterior. Korce. Republic of Albania.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246956.htmlRMCPDRDG–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.
. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 1505 1510 1512 1515 1500 Bottles—Balsam. Having wide mouth, with loose glass rod and glass cap; capacity, 60 cc Each .25 1505 Bottle—Balsam. With glass, balsam dropper fitting loosely in neck of bottle, and with glass cap ground on; capacity, 45 cc Each .35 1510 Bottle—Cedar Oil Immersion, Bausch & Lomb. With metal cap Each 1.25 1512 Bottle—Cedar Oil Immersion. With loose fitting, glass cap, having glass dropping rod fused to same Each .60 1515 Bottle—Cedar Oil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacteriological-apparatus-pathological-biochemical-scientific-apparatus-and-instruments-bacteriology-chemical-industry-1505-1510-1512-1515-1500-bottlesbalsam-having-wide-mouth-with-loose-glass-rod-and-glass-cap-capacity-60-cc-each-25-1505-bottlebalsam-with-glass-balsam-dropper-fitting-loosely-in-neck-of-bottle-and-with-glass-cap-ground-on-capacity-45-cc-each-35-1510-bottlecedar-oil-immersion-bausch-amp-lomb-with-metal-cap-each-125-1512-bottlecedar-oil-immersion-with-loose-fitting-glass-cap-having-glass-dropping-rod-fused-to-same-each-60-1515-bottlecedar-oil-image235263556.htmlRMRJN51T–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 1505 1510 1512 1515 1500 Bottles—Balsam. Having wide mouth, with loose glass rod and glass cap; capacity, 60 cc Each .25 1505 Bottle—Balsam. With glass, balsam dropper fitting loosely in neck of bottle, and with glass cap ground on; capacity, 45 cc Each .35 1510 Bottle—Cedar Oil Immersion, Bausch & Lomb. With metal cap Each 1.25 1512 Bottle—Cedar Oil Immersion. With loose fitting, glass cap, having glass dropping rod fused to same Each .60 1515 Bottle—Cedar Oil.
Wilhelm Weimar, Element of the Nuremberg Oven by Andreas Leupold (1662), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1512, work of applied art (ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wilhelm-weimar-element-of-the-nuremberg-oven-by-andreas-leupold-1662-glass-negative-black-and-white-negative-process-total-height-238-cm-width-178-cm-numbered-top-left-in-black-ink-1512-work-of-applied-art-ceramics-image392046585.htmlRM2DNR7BN–Wilhelm Weimar, Element of the Nuremberg Oven by Andreas Leupold (1662), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1512, work of applied art (ceramics
Jesse, father of King David of Israel and Judah, wears 16th century Renaissance dress as he sleeps on a carved throne with a tree trunk growing out of his body: detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesse-father-of-king-david-of-israel-and-judah-wears-16th-century-renaissance-dress-as-he-sleeps-on-a-carved-throne-with-a-tree-trunk-growing-out-of-his-body-detail-of-tree-of-jesse-window-by-the-stained-glass-masters-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845890.htmlRF2HXJ04J–Jesse, father of King David of Israel and Judah, wears 16th century Renaissance dress as he sleeps on a carved throne with a tree trunk growing out of his body: detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, places small handmade cakes on a tray at the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/08-december-2023-brandenburg-frstenwalde-michelle-thiede-pastry-chef-places-small-handmade-cakes-on-a-tray-at-the-opening-of-the-le-gateau-rose-cake-factory-on-the-same-day-the-new-production-site-for-sweet-delicacies-opens-in-the-city-on-the-spree-the-glass-bakery-is-visible-from-the-sales-area-this-allows-visitors-to-watch-the-pastry-chefs-at-work-as-they-produce-their-cakes-and-tarts-with-skilled-craftsmanship-the-le-gateau-rose-manufactory-was-named-after-the-pink-cake-from-the-ancient-saxon-family-recipe-by-hieronymus-von-kysewetter-1512-1586-photo-patrick-pleuldpazb-image575177249.htmlRM2TBNGCH–08 December 2023, Brandenburg, Fürstenwalde: Michelle Thiede, pastry chef, places small handmade cakes on a tray at the opening of the Le Gateau rose cake factory. On the same day, the new production site for sweet delicacies opens in the city on the Spree. The glass bakery is visible from the sales area. This allows visitors to watch the pastry chefs at work as they produce their cakes and tarts with skilled craftsmanship. The Le Gateau rose manufactory was named after the pink cake from the ancient Saxon family recipe by Hieronymus von Kysewetter (1512-1586). Photo: Patrick Pleul/dpa/ZB
St Mary's church Sudeley Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-marys-church-sudeley-castle-73703064.htmlRME7WD08–St Mary's church Sudeley Castle
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246919.htmlRMCPDRC7–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.
. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 1505 1510 1512 1515 1500 Bottles—Balsam. Having wide mouth, with loose glass rod and glass cap; capacity, 60 cc Each .25 1505 Bottle—Balsam. With glass, balsam dropper fitting loosely in neck of bottle, and with glass cap ground on; capacity, 45 cc Each .35 1510 Bottle—Cedar Oil Immersion, Bausch & Lomb. With metal cap Each 1.25 1512 Bottle—Cedar Oil Immersion. With loose fitting, glass cap, having glass dropping rod fused to same Each .60 1515 Bottle—Cedar Oil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacteriological-apparatus-pathological-biochemical-scientific-apparatus-and-instruments-bacteriology-chemical-industry-1505-1510-1512-1515-1500-bottlesbalsam-having-wide-mouth-with-loose-glass-rod-and-glass-cap-capacity-60-cc-each-25-1505-bottlebalsam-with-glass-balsam-dropper-fitting-loosely-in-neck-of-bottle-and-with-glass-cap-ground-on-capacity-45-cc-each-35-1510-bottlecedar-oil-immersion-bausch-amp-lomb-with-metal-cap-each-125-1512-bottlecedar-oil-immersion-with-loose-fitting-glass-cap-having-glass-dropping-rod-fused-to-same-each-60-1515-bottlecedar-oil-image235263568.htmlRMRJN528–. Bacteriological apparatus : pathological, biochemical. Scientific apparatus and instruments; Bacteriology; Chemical industry. 1505 1510 1512 1515 1500 Bottles—Balsam. Having wide mouth, with loose glass rod and glass cap; capacity, 60 cc Each .25 1505 Bottle—Balsam. With glass, balsam dropper fitting loosely in neck of bottle, and with glass cap ground on; capacity, 45 cc Each .35 1510 Bottle—Cedar Oil Immersion, Bausch & Lomb. With metal cap Each 1.25 1512 Bottle—Cedar Oil Immersion. With loose fitting, glass cap, having glass dropping rod fused to same Each .60 1515 Bottle—Cedar Oil.
Jesse, father of King David of Israel and Judah, wears 16th century Renaissance dress as he sleeps on a carved throne with a tree trunk growing out of his body: square detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesse-father-of-king-david-of-israel-and-judah-wears-16th-century-renaissance-dress-as-he-sleeps-on-a-carved-throne-with-a-tree-trunk-growing-out-of-his-body-square-detail-of-tree-of-jesse-window-by-the-stained-glass-masters-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845889.htmlRF2HXJ04H–Jesse, father of King David of Israel and Judah, wears 16th century Renaissance dress as he sleeps on a carved throne with a tree trunk growing out of his body: square detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246932.htmlRMCPDRCM–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.
Square detail of a colourful French Tree of Jesse, a visual guide to the ancestors of Christ, featuring kings of ancient Israel and Judah, identified by their crowns and sceptres, among more than 40 biblical characters supported by daisy-like blossoms sprouting from its branches. Stained glass installed in 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/square-detail-of-a-colourful-french-tree-of-jesse-a-visual-guide-to-the-ancestors-of-christ-featuring-kings-of-ancient-israel-and-judah-identified-by-their-crowns-and-sceptres-among-more-than-40-biblical-characters-supported-by-daisy-like-blossoms-sprouting-from-its-branches-stained-glass-installed-in-1512-in-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-of-northeast-france-image464741250.htmlRF2J02P5P–Square detail of a colourful French Tree of Jesse, a visual guide to the ancestors of Christ, featuring kings of ancient Israel and Judah, identified by their crowns and sceptres, among more than 40 biblical characters supported by daisy-like blossoms sprouting from its branches. Stained glass installed in 1512 in the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246913.htmlRMCPDRC1–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire.UK
Kings of Ancient Israel and of Judah are amongst more than 40 biblical characters depicted in the panels of a magnificent Tree of Jesse, created in 1512 as a visual guide to the ancestors of Christ, which fills a window of the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France. The window is a fine example of the Troyenne style of painted glass perfected at Troyes, the historic regional capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kings-of-ancient-israel-and-of-judah-are-amongst-more-than-40-biblical-characters-depicted-in-the-panels-of-a-magnificent-tree-of-jesse-created-in-1512-as-a-visual-guide-to-the-ancestors-of-christ-which-fills-a-window-of-the-glise-saint-rmi-at-ceffonds-a-village-in-the-champagne-region-of-northeast-france-the-window-is-a-fine-example-of-the-troyenne-style-of-painted-glass-perfected-at-troyes-the-historic-regional-capital-image463845833.htmlRF2HXJ02H–Kings of Ancient Israel and of Judah are amongst more than 40 biblical characters depicted in the panels of a magnificent Tree of Jesse, created in 1512 as a visual guide to the ancestors of Christ, which fills a window of the Église Saint-Rémi at Ceffonds, a village in the Champagne region of northeast France. The window is a fine example of the Troyenne style of painted glass perfected at Troyes, the historic regional capital.
Sudeley Castle Chapel near Cotswold town of Winchcombe, Gloucestershire. Tomb of Katherine Parr (1512 - 1548) is in the chancel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sudeley-castle-chapel-near-cotswold-town-of-winchcombe-gloucestershire-48246988.htmlRMCPDREM–Sudeley Castle Chapel near Cotswold town of Winchcombe, Gloucestershire. Tomb of Katherine Parr (1512 - 1548) is in the chancel.
A tree trunk sprouts from Jesse, father of King David of Israel, as he sits in a lower panel of an early 1500s stained glass window in the village church at Ceffonds, in France's Champagne region. The Tree of Jesse, a visual guide to Christ's ancestors, features other kings, patriarchs and biblical figures emerging from blossoms as its branches spread up and across the window. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-tree-trunk-sprouts-from-jesse-father-of-king-david-of-israel-as-he-sits-in-a-lower-panel-of-an-early-1500s-stained-glass-window-in-the-village-church-at-ceffonds-in-frances-champagne-region-the-tree-of-jesse-a-visual-guide-to-christs-ancestors-features-other-kings-patriarchs-and-biblical-figures-emerging-from-blossoms-as-its-branches-spread-up-and-across-the-window-image463845870.htmlRF2HXJ03X–A tree trunk sprouts from Jesse, father of King David of Israel, as he sits in a lower panel of an early 1500s stained glass window in the village church at Ceffonds, in France's Champagne region. The Tree of Jesse, a visual guide to Christ's ancestors, features other kings, patriarchs and biblical figures emerging from blossoms as its branches spread up and across the window.
The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tomb-of-katherine-parr-1512-1548-in-sudeley-castle-chapel-near-48246923.htmlRMCPDRCB–The tomb of Katherine Parr (1512 - 1548) in Sudeley Castle Chapel near the Cotswold town of Winchcombe, Gloucestershire. UK
Kneeling in prayer: male and female donors of a vivid 16th century Renaissance stained glass window of scenes from Christ's Resurrection, installed in 1512 in the church of St Remy at Ceffonds in France's Champagne region. It was made by the master glassmakers of Troyes, the historic regional capital, renowned for producing glass in intense blues, striking reds, vibrant greens and bold yellows. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kneeling-in-prayer-male-and-female-donors-of-a-vivid-16th-century-renaissance-stained-glass-window-of-scenes-from-christs-resurrection-installed-in-1512-in-the-church-of-st-remy-at-ceffonds-in-frances-champagne-region-it-was-made-by-the-master-glassmakers-of-troyes-the-historic-regional-capital-renowned-for-producing-glass-in-intense-blues-striking-reds-vibrant-greens-and-bold-yellows-image467620240.htmlRF2J4NXAT–Kneeling in prayer: male and female donors of a vivid 16th century Renaissance stained glass window of scenes from Christ's Resurrection, installed in 1512 in the church of St Remy at Ceffonds in France's Champagne region. It was made by the master glassmakers of Troyes, the historic regional capital, renowned for producing glass in intense blues, striking reds, vibrant greens and bold yellows.
Moses and the Burning Bush and Gideon and the Fleece: two Hebrew Bible and Old Testament stories illustrated in glowing Troyenne stained glass in a Tree of Jesse window of 1512 in the village church at Ceffonds, in the Champagne region of northwest France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moses-and-the-burning-bush-and-gideon-and-the-fleece-two-hebrew-bible-and-old-testament-stories-illustrated-in-glowing-troyenne-stained-glass-in-a-tree-of-jesse-window-of-1512-in-the-village-church-at-ceffonds-in-the-champagne-region-of-northwest-france-image463845873.htmlRF2HXJ041–Moses and the Burning Bush and Gideon and the Fleece: two Hebrew Bible and Old Testament stories illustrated in glowing Troyenne stained glass in a Tree of Jesse window of 1512 in the village church at Ceffonds, in the Champagne region of northwest France.
Angelic messenger from God appears to armoured Israelite leader Gideon in a panel of the Tree of Jesse stained glass window by the master glassmakers of Troyes installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelic-messenger-from-god-appears-to-armoured-israelite-leader-gideon-in-a-panel-of-the-tree-of-jesse-stained-glass-window-by-the-master-glassmakers-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845880.htmlRF2HXJ048–Angelic messenger from God appears to armoured Israelite leader Gideon in a panel of the Tree of Jesse stained glass window by the master glassmakers of Troyes installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
An angelic messenger with golden hair and green wings assures the armoured Israelite leader Gideon of God's support in his armed struggle against the Midianites: panel of Tree of Jesse window by the stained glass masters of Troyes installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-angelic-messenger-with-golden-hair-and-green-wings-assures-the-armoured-israelite-leader-gideon-of-gods-support-in-his-armed-struggle-against-the-midianites-panel-of-tree-of-jesse-window-by-the-stained-glass-masters-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845876.htmlRF2HXJ044–An angelic messenger with golden hair and green wings assures the armoured Israelite leader Gideon of God's support in his armed struggle against the Midianites: panel of Tree of Jesse window by the stained glass masters of Troyes installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
The prophet Moses listens as God, appearing in the Burning Bush, instructs him to lead the Israelites out of Egypt and into Canaan, the land of 'milk and honey': square detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prophet-moses-listens-as-god-appearing-in-the-burning-bush-instructs-him-to-lead-the-israelites-out-of-egypt-and-into-canaan-the-land-of-milk-and-honey-square-detail-of-tree-of-jesse-window-by-the-stained-glass-masters-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845883.htmlRF2HXJ04B–The prophet Moses listens as God, appearing in the Burning Bush, instructs him to lead the Israelites out of Egypt and into Canaan, the land of 'milk and honey': square detail of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
The patriarch Moses barefoot on holy ground as God, appearing in the Burning Bush, instructs him to lead the Israelites out of Egypt and into Canaan, the land of 'milk and honey': panel of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-patriarch-moses-barefoot-on-holy-ground-as-god-appearing-in-the-burning-bush-instructs-him-to-lead-the-israelites-out-of-egypt-and-into-canaan-the-land-of-milk-and-honey-panel-of-tree-of-jesse-window-by-the-stained-glass-masters-of-troyes-installed-in-1512-in-the-glise-saint-rmi-the-parish-church-at-ceffonds-haute-marne-grand-est-france-image463845886.htmlRF2HXJ04E–The patriarch Moses barefoot on holy ground as God, appearing in the Burning Bush, instructs him to lead the Israelites out of Egypt and into Canaan, the land of 'milk and honey': panel of Tree of Jesse window, by the stained glass masters of Troyes, installed in 1512 in the Église Saint-Rémi, the parish church at Ceffonds, Haute-Marne, Grand Est, France.
Chandeliers combine with ancient stained glass windows to light the lofty interior of the église Saint-Jacques-et-Saint-Philippe at Lentilles, in the Pays du Der area of the Aube in Grand Est, France. The church, founded around 1512, is typical of the timber-framed or half-timbered parish churches of the Champagne region. It has massive oak pillars and beams supporting its nave, side-aisles and choir and numerous stained glass windows, including some circular openings or oculi above the bays in the choir. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chandeliers-combine-with-ancient-stained-glass-windows-to-light-the-lofty-interior-of-the-glise-saint-jacques-et-saint-philippe-at-lentilles-in-the-pays-du-der-area-of-the-aube-in-grand-est-france-the-church-founded-around-1512-is-typical-of-the-timber-framed-or-half-timbered-parish-churches-of-the-champagne-region-it-has-massive-oak-pillars-and-beams-supporting-its-nave-side-aisles-and-choir-and-numerous-stained-glass-windows-including-some-circular-openings-or-oculi-above-the-bays-in-the-choir-image475934423.htmlRF2JJ8K5Y–Chandeliers combine with ancient stained glass windows to light the lofty interior of the église Saint-Jacques-et-Saint-Philippe at Lentilles, in the Pays du Der area of the Aube in Grand Est, France. The church, founded around 1512, is typical of the timber-framed or half-timbered parish churches of the Champagne region. It has massive oak pillars and beams supporting its nave, side-aisles and choir and numerous stained glass windows, including some circular openings or oculi above the bays in the choir.
Before his Ascension, Jesus appears to his mother, the Virgin Mary, and to his female disciple, Mary Magdalene: details of a colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, telling the story of the Resurrection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/before-his-ascension-jesus-appears-to-his-mother-the-virgin-mary-and-to-his-female-disciple-mary-magdalene-details-of-a-colourful-16th-century-renaissance-stained-glass-window-in-the-village-church-at-ceffonds-in-the-champagne-region-of-northeast-france-telling-the-story-of-the-resurrection-image465693340.htmlRF2J1J4H0–Before his Ascension, Jesus appears to his mother, the Virgin Mary, and to his female disciple, Mary Magdalene: details of a colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, telling the story of the Resurrection.
Risen from the dead ... following his Resurrection, Jesus appears to his mother, the Virgin Mary: detail of colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, made by master glassmakers in nearby Troyes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/risen-from-the-dead-following-his-resurrection-jesus-appears-to-his-mother-the-virgin-mary-detail-of-colourful-16th-century-renaissance-stained-glass-window-in-the-village-church-at-ceffonds-in-the-champagne-region-of-northeast-france-made-by-master-glassmakers-in-nearby-troyes-image465693342.htmlRF2J1J4H2–Risen from the dead ... following his Resurrection, Jesus appears to his mother, the Virgin Mary: detail of colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, made by master glassmakers in nearby Troyes.
Risen from the dead ... following his Resurrection, Jesus appears to his female disciple, Mary Magdalene - but warns her not to touch him: detail of colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, made by master glassmakers in nearby Troyes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/risen-from-the-dead-following-his-resurrection-jesus-appears-to-his-female-disciple-mary-magdalene-but-warns-her-not-to-touch-him-detail-of-colourful-16th-century-renaissance-stained-glass-window-in-the-village-church-at-ceffonds-in-the-champagne-region-of-northeast-france-made-by-master-glassmakers-in-nearby-troyes-image465693343.htmlRF2J1J4H3–Risen from the dead ... following his Resurrection, Jesus appears to his female disciple, Mary Magdalene - but warns her not to touch him: detail of colourful 16th century Renaissance stained glass window in the village church at Ceffonds, in the Champagne region of northeast France, made by master glassmakers in nearby Troyes.
Roman guards reel in shock and disbelief as Jesus steps out of his tomb on the third day after his crucifixion: two panels of colourful Renaissance stained glass in 16th century Resurrection window in the Église Saint-Rémi at Ceffonds, in the Haute-Marne of the Champagne region of northeast France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-guards-reel-in-shock-and-disbelief-as-jesus-steps-out-of-his-tomb-on-the-third-day-after-his-crucifixion-two-panels-of-colourful-renaissance-stained-glass-in-16th-century-resurrection-window-in-the-glise-saint-rmi-at-ceffonds-in-the-haute-marne-of-the-champagne-region-of-northeast-france-image465693308.htmlRF2J1J4FT–Roman guards reel in shock and disbelief as Jesus steps out of his tomb on the third day after his crucifixion: two panels of colourful Renaissance stained glass in 16th century Resurrection window in the Église Saint-Rémi at Ceffonds, in the Haute-Marne of the Champagne region of northeast France.
Two panels of vivid 16th century Renaissance stained glass, made by the master glass artists of the city of Troyes in France's Champagne region, depicting Jesus Christ appearing to the Apostles after he was crucified and rose from the dead. The scene is part of the Resurrection window in the church of St Remy in the village of Ceffonds. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-panels-of-vivid-16th-century-renaissance-stained-glass-made-by-the-master-glass-artists-of-the-city-of-troyes-in-frances-champagne-region-depicting-jesus-christ-appearing-to-the-apostles-after-he-was-crucified-and-rose-from-the-dead-the-scene-is-part-of-the-resurrection-window-in-the-church-of-st-remy-in-the-village-of-ceffonds-image467620223.htmlRF2J4NXA7–Two panels of vivid 16th century Renaissance stained glass, made by the master glass artists of the city of Troyes in France's Champagne region, depicting Jesus Christ appearing to the Apostles after he was crucified and rose from the dead. The scene is part of the Resurrection window in the church of St Remy in the village of Ceffonds.
Two panels of vivid 16th century Renaissance stained glass, made by the master glass artists of the city of Troyes in France's Champagne region, depicting Jesus Christ appearing to the Apostles after he was crucified and rose from the dead. The scene is part of the Resurrection window in the church of St Remy in the village of Ceffonds. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-panels-of-vivid-16th-century-renaissance-stained-glass-made-by-the-master-glass-artists-of-the-city-of-troyes-in-frances-champagne-region-depicting-jesus-christ-appearing-to-the-apostles-after-he-was-crucified-and-rose-from-the-dead-the-scene-is-part-of-the-resurrection-window-in-the-church-of-st-remy-in-the-village-of-ceffonds-image467620239.htmlRF2J4NXAR–Two panels of vivid 16th century Renaissance stained glass, made by the master glass artists of the city of Troyes in France's Champagne region, depicting Jesus Christ appearing to the Apostles after he was crucified and rose from the dead. The scene is part of the Resurrection window in the church of St Remy in the village of Ceffonds.
The église Saint-Jacques-et-Saint-Philippe at Lentilles, in the Pays du Der area of the Aube in Grand Est, France, is a typical example of the historic half-timbered churches of the Champagne region. It dates from about 1512 and was built with a framework of massive oaks supporting its red-tiled roofs. Wooden shingles clad the west porch, west gable and octagonal belfry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-glise-saint-jacques-et-saint-philippe-at-lentilles-in-the-pays-du-der-area-of-the-aube-in-grand-est-france-is-a-typical-example-of-the-historic-half-timbered-churches-of-the-champagne-region-it-dates-from-about-1512-and-was-built-with-a-framework-of-massive-oaks-supporting-its-red-tiled-roofs-wooden-shingles-clad-the-west-porch-west-gable-and-octagonal-belfry-image475934414.htmlRF2JJ8K5J–The église Saint-Jacques-et-Saint-Philippe at Lentilles, in the Pays du Der area of the Aube in Grand Est, France, is a typical example of the historic half-timbered churches of the Champagne region. It dates from about 1512 and was built with a framework of massive oaks supporting its red-tiled roofs. Wooden shingles clad the west porch, west gable and octagonal belfry.
Search Results for Glass of 1512 Stock Photos and Images (62)
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