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Gladiator combats Stock Photos and Images
Illustration of Roman Gladiatorial Combats in Antique 19th Century Illustrated Family Bible Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-roman-gladiatorial-combats-in-antique-19th-century-illustrated-family-bible-image598263255.htmlRM2WN96TR–Illustration of Roman Gladiatorial Combats in Antique 19th Century Illustrated Family Bible
Tusculum is a ruined Roman city in the Alban Hills, in the Latium region of Italy. Roman amphitheaters are large, circular or oval open-air venues with raised seating built by the Ancient Romans. They were used for events such as gladiator combats, chari Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tusculum-is-a-ruined-roman-city-in-the-alban-hills-in-the-latium-region-104018749.htmlRMG16CY9–Tusculum is a ruined Roman city in the Alban Hills, in the Latium region of Italy. Roman amphitheaters are large, circular or oval open-air venues with raised seating built by the Ancient Romans. They were used for events such as gladiator combats, chari
View of Flavian Amphitheater, called the Colosseum, 1776, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 19 3/8 x 27 5/8 in. (49.21 x 70.17 cm) (plate)21 3/8 x 30 3/8 in. (54.29 x 77.15 cm) (sheet), Etching and engraving, Italy, 18th century, Gladiator combats, wild-animal hunts, executions—all manner of spectacle took place inside the Colosseum, which could hold up to 80,000 people. It was even filled with water to hold mock naval battles. After Rome’s decline, the Colosseum was seen as a ready source of building materials, and people plundered its great façade and interior Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-flavian-amphitheater-called-the-colosseum-1776-giovanni-battista-piranesi-italian-rome-italian-17201778-19-38-x-27-58-in-4921-x-7017-cm-plate21-38-x-30-38-in-5429-x-7715-cm-sheet-etching-and-engraving-italy-18th-century-gladiator-combats-wild-animal-hunts-executionsall-manner-of-spectacle-took-place-inside-the-colosseum-which-could-hold-up-to-80000-people-it-was-even-filled-with-water-to-hold-mock-naval-battles-after-romes-decline-the-colosseum-was-seen-as-a-ready-source-of-building-materials-and-people-plundered-its-great-faade-and-interior-image573513538.htmlRM2T91PAA–View of Flavian Amphitheater, called the Colosseum, 1776, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720–1778, 19 3/8 x 27 5/8 in. (49.21 x 70.17 cm) (plate)21 3/8 x 30 3/8 in. (54.29 x 77.15 cm) (sheet), Etching and engraving, Italy, 18th century, Gladiator combats, wild-animal hunts, executions—all manner of spectacle took place inside the Colosseum, which could hold up to 80,000 people. It was even filled with water to hold mock naval battles. After Rome’s decline, the Colosseum was seen as a ready source of building materials, and people plundered its great façade and interior
Thracian gladiator. 2nd half of the 2nd century AD. Clay. From Cordoba (Andalusia), Spain. National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thracian-gladiator-2nd-half-of-the-2nd-century-ad-clay-from-cordoba-andalusia-spain-national-archaeological-museum-madrid-spain-image245491982.htmlRMT7B3EP–Thracian gladiator. 2nd half of the 2nd century AD. Clay. From Cordoba (Andalusia), Spain. National Archaeological Museum. Madrid. Spain.
Gladiator goaded by whips to join combat. After a mid-19th century illustration by an unidentified artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiator-goaded-by-whips-to-join-combat-after-a-mid-19th-century-illustration-by-an-unidentified-artist-image376959277.htmlRM2CW7YB9–Gladiator goaded by whips to join combat. After a mid-19th century illustration by an unidentified artist.
Roman amphitheatre at Rome, air venues with raised seating, used for events such as gladiator combats, monumental during the imperial era, vintage lin Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-amphitheatre-at-rome-air-venues-with-raised-seating-used-for-events-such-as-gladiator-combats-monumental-during-the-imperial-era-vintage-lin-image348650588.htmlRF2B76BAM–Roman amphitheatre at Rome, air venues with raised seating, used for events such as gladiator combats, monumental during the imperial era, vintage lin
Pozzuoli, Campania, Italy. The Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116679.htmlRMRNNGMR–Pozzuoli, Campania, Italy. The Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
ancient world, Roman Empire, Roman gladiator fight, Collosseum, Rome, lithograph, Germany, circa 1899, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-world-roman-empire-roman-gladiator-fight-collosseum-rome-lithograph-33534676.htmlRMBXFHR0–ancient world, Roman Empire, Roman gladiator fight, Collosseum, Rome, lithograph, Germany, circa 1899, Additional-Rights-Clearences-Not Available
![Infographic about the charioteer combats in the Roman Circus Maximus (the first circus of the city). [Adobe InDesign (.indd); 4960x3188]. Stock Photo](https://c8.alamy.com/comp/2NEBYRT/infographic-about-the-charioteer-combats-in-the-roman-circus-maximus-the-first-circus-of-the-city-adobe-indesign-indd-4960x3188-2NEBYRT.jpg "Infographic about the charioteer combats in the Roman Circus Maximus (the first circus of the city). [Adobe InDesign (.indd); 4960x3188]. Stock Photo")
Infographic about the charioteer combats in the Roman Circus Maximus (the first circus of the city). [Adobe InDesign (.indd); 4960x3188]. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infographic-about-the-charioteer-combats-in-the-roman-circus-maximus-the-first-circus-of-the-city-adobe-indesign-indd-4960x3188-image525179532.htmlRM2NEBYRT–Infographic about the charioteer combats in the Roman Circus Maximus (the first circus of the city). [Adobe InDesign (.indd); 4960x3188].
ancient world, Roman Empire, gladiators, Venator and duel between a Secutor and a Retarius, relief on an urn, Colchester, England, 1st century AD, drawing, 19th century, game, games, combat, combats, animals, animal, sports, duel, duels, fighting, fight, ancient world, ancient times, gladiator, gladiators, urn, urns, historic, historical, ancient world, men, man, male, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ancient-world-roman-empire-gladiators-venator-and-duel-between-a-secutor-58478517.htmlRMDB3WXD–ancient world, Roman Empire, gladiators, Venator and duel between a Secutor and a Retarius, relief on an urn, Colchester, England, 1st century AD, drawing, 19th century, game, games, combat, combats, animals, animal, sports, duel, duels, fighting, fight, ancient world, ancient times, gladiator, gladiators, urn, urns, historic, historical, ancient world, men, man, male, people, Additional-Rights-Clearences-Not Available
Fotoreproductie van een gezicht op vechtende gladiatoren The combats of Gladiators (titel op object) Photo Reproduction of a face on fighting gladiatorenThe combats of Gladiators (title object) Property Type: photo reproduction page Item number: RP-F 2005-146-41 Manufacturer : Photographer: anonymous, designed by E. Lauro Dating: ca . 1890 - or for 1895 Material: paper Technique: albumen print dimensions: photo: h 120 mm × W 184 mm Subject: gladiator fight or False: Pompeï Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoreproductie-van-een-gezicht-op-vechtende-gladiatoren-the-combats-of-gladiators-titel-op-object-photo-reproduction-of-a-face-on-fighting-gladiatorenthe-combats-of-gladiators-title-object-property-type-photo-reproduction-page-item-number-rp-f-2005-146-41-manufacturer-photographer-anonymous-designed-by-e-lauro-dating-ca-1890-or-for-1895-material-paper-technique-albumen-print-dimensions-photo-h-120-mm-w-184-mm-subject-gladiator-fight-or-false-pompe-image348352849.htmlRM2B6MRH5–Fotoreproductie van een gezicht op vechtende gladiatoren The combats of Gladiators (titel op object) Photo Reproduction of a face on fighting gladiatorenThe combats of Gladiators (title object) Property Type: photo reproduction page Item number: RP-F 2005-146-41 Manufacturer : Photographer: anonymous, designed by E. Lauro Dating: ca . 1890 - or for 1895 Material: paper Technique: albumen print dimensions: photo: h 120 mm × W 184 mm Subject: gladiator fight or False: Pompeï
Ruins of Rome greatest amphitheater, Colosseum, built in 72AD by Vespasian for gladiatorial combats and wild animal fights. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruins-of-rome-greatest-amphitheater-colosseum-built-in-72ad-by-vespasian-71601825.htmlRFE4DMT1–Ruins of Rome greatest amphitheater, Colosseum, built in 72AD by Vespasian for gladiatorial combats and wild animal fights.
In Ephesus this open-air theater was used initially for drama, but during later Roman times gladiatorial combats Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-ephesus-this-open-air-theater-was-used-initially-for-drama-but-during-later-roman-times-gladiatorial-combats-image371473550.htmlRF2CGA28E–In Ephesus this open-air theater was used initially for drama, but during later Roman times gladiatorial combats
Ruins of Rome’s greatest amphitheater, Colosseum, built in 72AD by Vespasian for gladiatorial combats and wild animal fights. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-romes-greatest-amphitheater-colosseum-built-in-72ad-by-vespasian-image69681997.htmlRFE1A82N–Ruins of Rome’s greatest amphitheater, Colosseum, built in 72AD by Vespasian for gladiatorial combats and wild animal fights.
Interior of Roman amphitheatre, Nîmes France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-of-roman-amphitheatre-nmes-france-image440268662.htmlRF2GG7Y4P–Interior of Roman amphitheatre, Nîmes France.
Italica, Santiponce, Andalusia, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italica-santiponce-andalusia-spain-172044432.htmlRFKYW8C0–Italica, Santiponce, Andalusia, Spain
This illustration dates to 1897 and shows the method of raising wild beasts in the amphitheatre in ancient Rome. Excavations in 1874-1875 offer evidence that the arena in the Colosseum had an actual flooring of boards, covered with sand, and movable. There must have been a souterrian or vaults at intervals, at least, if not throughout, beneath the arean as sometimes animals suddenly issued from beneath the ground and machinery of different kinds was raised up from below, and afterwards disappeared in the same manner. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-illustration-dates-to-1897-and-shows-the-method-of-raising-wild-beasts-in-the-amphitheatre-in-ancient-rome-excavations-in-1874-1875-offer-evidence-that-the-arena-in-the-colosseum-had-an-actual-flooring-of-boards-covered-with-sand-and-movable-there-must-have-been-a-souterrian-or-vaults-at-intervals-at-least-if-not-throughout-beneath-the-arean-as-sometimes-animals-suddenly-issued-from-beneath-the-ground-and-machinery-of-different-kinds-was-raised-up-from-below-and-afterwards-disappeared-in-the-same-manner-image327933227.htmlRF2A1EJ4Y–This illustration dates to 1897 and shows the method of raising wild beasts in the amphitheatre in ancient Rome. Excavations in 1874-1875 offer evidence that the arena in the Colosseum had an actual flooring of boards, covered with sand, and movable. There must have been a souterrian or vaults at intervals, at least, if not throughout, beneath the arean as sometimes animals suddenly issued from beneath the ground and machinery of different kinds was raised up from below, and afterwards disappeared in the same manner.
The ruins of Pompeii : a series of eighteen photographic views : with an account of the destruction of the city, and a description of the most interesting remains . i-tate to disgrace the imperial purple by appearing himself numberless times as a gladiator. The bas-reliefson the tomb exhibited a greatvariety of these combats bothon foot and horseback, as well asvenationes, or fights with wildbeasts. We annex two or thi-eecuts which will convey an ideaof these combats. The fiistrepresents an equestrian con-test between apparently a bar-barian combatant named Be-Nobilior appears to have parriedw Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ruins-of-pompeii-a-series-of-eighteen-photographic-views-with-an-account-of-the-destruction-of-the-city-and-a-description-of-the-most-interesting-remains-i-tate-to-disgrace-the-imperial-purple-by-appearing-himself-numberless-times-as-a-gladiator-the-bas-reliefson-the-tomb-exhibited-a-greatvariety-of-these-combats-bothon-foot-and-horseback-as-well-asvenationes-or-fights-with-wildbeasts-we-annex-two-or-thi-eecuts-which-will-convey-an-ideaof-these-combats-the-fiistrepresents-an-equestrian-con-test-between-apparently-a-bar-barian-combatant-named-be-nobilior-appears-to-have-parriedw-image343349754.htmlRM2AXGX36–The ruins of Pompeii : a series of eighteen photographic views : with an account of the destruction of the city, and a description of the most interesting remains . i-tate to disgrace the imperial purple by appearing himself numberless times as a gladiator. The bas-reliefson the tomb exhibited a greatvariety of these combats bothon foot and horseback, as well asvenationes, or fights with wildbeasts. We annex two or thi-eecuts which will convey an ideaof these combats. The fiistrepresents an equestrian con-test between apparently a bar-barian combatant named Be-Nobilior appears to have parriedw
Section of Seats and arches of the Colosseum. Labels are from top to bottom: Gods; Plebeians; Patricians; Knights; emperor, senators etc; netting; existing arena; original arena; dens; basement. The diagonal dotted line marks the awning. Located just east of the Roman Forum, the massive stone amphitheater known as the Colosseum was commissioned around A.D. 70-72 by Emperor Vespasian of the Flavian dynasty as a gift to the Roman people. In A.D. 80, Vespasian’s son Titus opened the Colosseum–officially known as the Flavian Amphitheater Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/section-of-seats-and-arches-of-the-colosseum-labels-are-from-top-to-bottom-gods-plebeians-patricians-knights-emperor-senators-etc-netting-existing-arena-original-arena-dens-basement-the-diagonal-dotted-line-marks-the-awning-located-just-east-of-the-roman-forum-the-massive-stone-amphitheater-known-as-the-colosseum-was-commissioned-around-ad-70-72-by-emperor-vespasian-of-the-flavian-dynasty-as-a-gift-to-the-roman-people-in-ad-80-vespasians-son-titus-opened-the-colosseumofficially-known-as-the-flavian-amphitheater-image383857372.htmlRF2D8E5YT–Section of Seats and arches of the Colosseum. Labels are from top to bottom: Gods; Plebeians; Patricians; Knights; emperor, senators etc; netting; existing arena; original arena; dens; basement. The diagonal dotted line marks the awning. Located just east of the Roman Forum, the massive stone amphitheater known as the Colosseum was commissioned around A.D. 70-72 by Emperor Vespasian of the Flavian dynasty as a gift to the Roman people. In A.D. 80, Vespasian’s son Titus opened the Colosseum–officially known as the Flavian Amphitheater
Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Mer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-era-relief-depicting-two-gladiators-in-combat-attitude-with-open-helmet-and-small-circular-shield-1st-century-ad-from-the-amphiteatre-of-mer-image447935846.htmlRM2H0N6MP–Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Mer
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194709.htmlRFM87WJD–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Rows of Roman pillars or columns in the foreground, and the Colosseum amphitheater in the background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rows-of-roman-pillars-or-columns-in-the-foreground-and-the-colosseum-amphitheater-in-the-background-image508296196.htmlRF2MEXTYG–Rows of Roman pillars or columns in the foreground, and the Colosseum amphitheater in the background.
Thracian gladiator. 2nd half of the 2nd century AD. Clay. From Cordoba (Andalusia), Spain. National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thracian-gladiator-2nd-half-of-the-2nd-century-ad-clay-from-cordoba-andalusia-spain-national-archaeological-museum-madrid-spain-image245491996.htmlRMT7B3F8–Thracian gladiator. 2nd half of the 2nd century AD. Clay. From Cordoba (Andalusia), Spain. National Archaeological Museum. Madrid. Spain.
Defeated gladiator appeals to crowd for mercy. After a mid-19th century illustration by an unidentified artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/defeated-gladiator-appeals-to-crowd-for-mercy-after-a-mid-19th-century-illustration-by-an-unidentified-artist-image376959280.htmlRM2CW7YBC–Defeated gladiator appeals to crowd for mercy. After a mid-19th century illustration by an unidentified artist.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116691.htmlRMRNNGN7–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
![Infographic about the Gloster Gladiator, the last biplane hunter used by the British air force and the first one to be armed with four machine guns. [Adobe InDesign (.indd); 5078x3188]. Stock Photo](https://c8.alamy.com/comp/2NEBXCJ/infographic-about-the-gloster-gladiator-the-last-biplane-hunter-used-by-the-british-air-force-and-the-first-one-to-be-armed-with-four-machine-guns-adobe-indesign-indd-5078x3188-2NEBXCJ.jpg "Infographic about the Gloster Gladiator, the last biplane hunter used by the British air force and the first one to be armed with four machine guns. [Adobe InDesign (.indd); 5078x3188]. Stock Photo")
Infographic about the Gloster Gladiator, the last biplane hunter used by the British air force and the first one to be armed with four machine guns. [Adobe InDesign (.indd); 5078x3188]. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infographic-about-the-gloster-gladiator-the-last-biplane-hunter-used-by-the-british-air-force-and-the-first-one-to-be-armed-with-four-machine-guns-adobe-indesign-indd-5078x3188-image525178434.htmlRM2NEBXCJ–Infographic about the Gloster Gladiator, the last biplane hunter used by the British air force and the first one to be armed with four machine guns. [Adobe InDesign (.indd); 5078x3188].
Italica, Santiponce, Andalusia, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italica-santiponce-andalusia-spain-172044451.htmlRFKYW8CK–Italica, Santiponce, Andalusia, Spain
History of Rome, and of the Roman people, from its origin to the invasion of the barbarians . COMMODUS OX HORSEBACK STRIKING A THIRFSS WITH HIS JAVELIN.1 and now Commodus is to be the gladiator. Seven hundred andthirty-five times he fought in the arena: combats ruinous for thetreasury, which paid twenty-five thousand drachmae for each ofthese royal performances,2—combats without peril to the Emperor,for every arrangement was made to secure that his imperial majestyshould have nothing to fear from the swords of the victims orfrom the teeth or claws of the wild beasts, who were often broughtout Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-commodus-ox-horseback-striking-a-thirfss-with-his-javelin1-and-now-commodus-is-to-be-the-gladiator-seven-hundred-andthirty-five-times-he-fought-in-the-arena-combats-ruinous-for-thetreasury-which-paid-twenty-five-thousand-drachmae-for-each-ofthese-royal-performances2combats-without-peril-to-the-emperorfor-every-arrangement-was-made-to-secure-that-his-imperial-majestyshould-have-nothing-to-fear-from-the-swords-of-the-victims-orfrom-the-teeth-or-claws-of-the-wild-beasts-who-were-often-broughtout-image340229800.htmlRM2ANEPG8–History of Rome, and of the Roman people, from its origin to the invasion of the barbarians . COMMODUS OX HORSEBACK STRIKING A THIRFSS WITH HIS JAVELIN.1 and now Commodus is to be the gladiator. Seven hundred andthirty-five times he fought in the arena: combats ruinous for thetreasury, which paid twenty-five thousand drachmae for each ofthese royal performances,2—combats without peril to the Emperor,for every arrangement was made to secure that his imperial majestyshould have nothing to fear from the swords of the victims orfrom the teeth or claws of the wild beasts, who were often broughtout
Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Mer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-era-relief-depicting-two-gladiators-in-combat-attitude-with-open-helmet-and-small-circular-shield-1st-century-ad-from-the-amphiteatre-of-mer-image439551121.htmlRF2GF37X9–Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Mer
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194698.htmlRFM87WJ2–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman lamps. Clay. 1st century AD. From left to right: Gladiator (Urso, Osuna, Sevilla province, Andalusia), Gladiators (Iponuba, Baena, Cordoba province, Andalusia) and Goddess Victoria (El Djem, Tunisia). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-lamps-clay-1st-century-ad-from-left-to-right-gladiator-urso-osuna-sevilla-province-andalusia-gladiators-iponuba-baena-cordoba-province-andalusia-and-goddess-victoria-el-djem-tunisia-national-archaeological-museum-madrid-spain-image245491999.htmlRMT7B3FB–Roman lamps. Clay. 1st century AD. From left to right: Gladiator (Urso, Osuna, Sevilla province, Andalusia), Gladiators (Iponuba, Baena, Cordoba province, Andalusia) and Goddess Victoria (El Djem, Tunisia). National Archaeological Museum. Madrid. Spain.
Gladiators salute the Emperor before beginning to fight. Ave Imperator, morituri te salutant - Hail Caesar, we who are about to die salute you. After a work by French artist Jean Leon Gerome, 1824 - 1904. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiators-salute-the-emperor-before-beginning-to-fight-ave-imperator-morituri-te-salutant-hail-caesar-we-who-are-about-to-die-salute-you-after-a-work-by-french-artist-jean-leon-gerome-1824-1904-image376959287.htmlRM2CW7YBK–Gladiators salute the Emperor before beginning to fight. Ave Imperator, morituri te salutant - Hail Caesar, we who are about to die salute you. After a work by French artist Jean Leon Gerome, 1824 - 1904.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116900.htmlRMRNNH0M–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
![Infographic about gladiators' combats in ancient Rome (3rd century BC). [Adobe InDesign (.indd); 4960x3188]. Stock Photo](https://c8.alamy.com/comp/2NEBGF3/infographic-about-gladiators-combats-in-ancient-rome-3rd-century-bc-adobe-indesign-indd-4960x3188-2NEBGF3.jpg "Infographic about gladiators' combats in ancient Rome (3rd century BC). [Adobe InDesign (.indd); 4960x3188]. Stock Photo")
Infographic about gladiators' combats in ancient Rome (3rd century BC). [Adobe InDesign (.indd); 4960x3188]. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/infographic-about-gladiators-combats-in-ancient-rome-3rd-century-bc-adobe-indesign-indd-4960x3188-image525170663.htmlRM2NEBGF3–Infographic about gladiators' combats in ancient Rome (3rd century BC). [Adobe InDesign (.indd); 4960x3188].
A dictionary of Greek and Roman antiquities.. . all the other gladiators represented on the frieze,they wear the subligaculum or short apron fixedabove the hips. The one on the left appears to bea mirmillo, and the one on the right, with an ob-long shield (scutum), a Samnite. The third pairconsists of a Thracian and a mirmillo, the latter of. Borghese collection, now in the Museum of theLouvre, and the dying gladiator, as it is called, inthe Capitoline Museum. Gladiatorial combats arerepresented in the bas-reliefs on the tomb of Scau-rus at Pompeii, and illustrate in many particularsthe brief Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-all-the-other-gladiators-represented-on-the-friezethey-wear-the-subligaculum-or-short-apron-fixedabove-the-hips-the-one-on-the-left-appears-to-bea-mirmillo-and-the-one-on-the-right-with-an-ob-long-shield-scutum-a-samnite-the-third-pairconsists-of-a-thracian-and-a-mirmillo-the-latter-of-borghese-collection-now-in-the-museum-of-thelouvre-and-the-dying-gladiator-as-it-is-called-inthe-capitoline-museum-gladiatorial-combats-arerepresented-in-the-bas-reliefs-on-the-tomb-of-scau-rus-at-pompeii-and-illustrate-in-many-particularsthe-brief-image342677515.htmlRM2AWE8JK–A dictionary of Greek and Roman antiquities.. . all the other gladiators represented on the frieze,they wear the subligaculum or short apron fixedabove the hips. The one on the left appears to bea mirmillo, and the one on the right, with an ob-long shield (scutum), a Samnite. The third pairconsists of a Thracian and a mirmillo, the latter of. Borghese collection, now in the Museum of theLouvre, and the dying gladiator, as it is called, inthe Capitoline Museum. Gladiatorial combats arerepresented in the bas-reliefs on the tomb of Scau-rus at Pompeii, and illustrate in many particularsthe brief
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194703.htmlRFM87WJ7–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Detail of the lower mosaic scene. 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-mosaic-limestones-secutor-versus-retiarius-depiction-of-the-mortal-combat-between-the-secutor-astyanax-and-the-retiarius-kalendio-the-lanista-gladiator-trainer-encourages-the-combat-detail-of-the-lower-mosaic-scene-3rd-century-ad-from-rome-italy-national-archaeological-museum-madrid-spain-image245491977.htmlRMT7B3EH–Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Detail of the lower mosaic scene. 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain.
Gladiatorial combat between a Retiarius, or net man, on the left and a Samnite. After a mid-19th century illustration by an unidentified artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiatorial-combat-between-a-retiarius-or-net-man-on-the-left-and-a-samnite-after-a-mid-19th-century-illustration-by-an-unidentified-artist-image376959284.htmlRM2CW7YBG–Gladiatorial combat between a Retiarius, or net man, on the left and a Samnite. After a mid-19th century illustration by an unidentified artist.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116885.htmlRMRNNH05–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
. Pompeii : its life and art . ordsof the results of the combats are usually lacking. Terms ofendearment are lavished upon two, Celadus, Threx, and Cres-cens, net fighter; Celadus is suspirium puellarum, maidenssigh, and puellarum decus, glory of girls; while Crescens ispuparum dominus, lord o lassies, and pupa rum medicus, thedarlings doctor. Another graffito informs us that at one time — before the year63 — a gladiator lived in this house: Samus I 0 I nt[urmilIo,idem eq[ues, hie 1iabJtat,—-Samus, who has fought once,and once conquered (0 is for corona, crown ), Myrmillo, andat the same Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pompeii-its-life-and-art-ordsof-the-results-of-the-combats-are-usually-lacking-terms-ofendearment-are-lavished-upon-two-celadus-threx-and-cres-cens-net-fighter-celadus-is-suspirium-puellarum-maidenssigh-and-puellarum-decus-glory-of-girls-while-crescens-ispuparum-dominus-lord-o-lassies-and-pupa-rum-medicus-thedarlings-doctor-another-graffito-informs-us-that-at-one-time-before-the-year63-a-gladiator-lived-in-this-house-samus-i-0-i-nt-urmilioidem-eq-ues-hie-1iabjtat-samus-who-has-fought-onceand-once-conquered-0-is-for-corona-crown-myrmillo-andat-the-same-image369665735.htmlRM2CDBMBK–. Pompeii : its life and art . ordsof the results of the combats are usually lacking. Terms ofendearment are lavished upon two, Celadus, Threx, and Cres-cens, net fighter; Celadus is suspirium puellarum, maidenssigh, and puellarum decus, glory of girls; while Crescens ispuparum dominus, lord o lassies, and pupa rum medicus, thedarlings doctor. Another graffito informs us that at one time — before the year63 — a gladiator lived in this house: Samus I 0 I nt[urmilIo,idem eq[ues, hie 1iabJtat,—-Samus, who has fought once,and once conquered (0 is for corona, crown ), Myrmillo, andat the same
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194695.htmlRFM87WHY–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Astyanax was the winner (the inscription VICIT appears beside Astyanax). 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-mosaic-limestones-secutor-versus-retiarius-depiction-of-the-mortal-combat-between-the-secutor-astyanax-and-the-retiarius-kalendio-the-lanista-gladiator-trainer-encourages-the-combat-astyanax-was-the-winner-the-inscription-vicit-appears-beside-astyanax-3rd-century-ad-from-rome-italy-national-archaeological-museum-madrid-spain-image245491975.htmlRMT7B3EF–Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Astyanax was the winner (the inscription VICIT appears beside Astyanax). 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116908.htmlRMRNNH10–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194713.htmlRFM87WJH–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman mosaic depicting a Gladiator fight. In the lower part, the murmillones Symmanchus and Maternus are fighting in the arena cheered by the lanistae. At the top, Maternus lies slain by Symmachus. 3rd century AD. Limestone and vitreous paste. From Rome (Italy). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-mosaic-depicting-a-gladiator-fight-in-the-lower-part-the-murmillones-symmanchus-and-maternus-are-fighting-in-the-arena-cheered-by-the-lanistae-at-the-top-maternus-lies-slain-by-symmachus-3rd-century-ad-limestone-and-vitreous-paste-from-rome-italy-national-archaeological-museum-madrid-spain-image245310856.htmlRMT72TE0–Roman mosaic depicting a Gladiator fight. In the lower part, the murmillones Symmanchus and Maternus are fighting in the arena cheered by the lanistae. At the top, Maternus lies slain by Symmachus. 3rd century AD. Limestone and vitreous paste. From Rome (Italy). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116904.htmlRMRNNH0T–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194696.htmlRFM87WJ0–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman mosaic depicting a Gladiator fight. In the lower part, the murmillones Symmanchus and Maternus are fighting in the arena cheered by the lanistae. At the top, Maternus lies slain by Symmachus. Detail. 3rd century AD. Limestone and vitreous paste. From Rome (Italy). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-mosaic-depicting-a-gladiator-fight-in-the-lower-part-the-murmillones-symmanchus-and-maternus-are-fighting-in-the-arena-cheered-by-the-lanistae-at-the-top-maternus-lies-slain-by-symmachus-detail-3rd-century-ad-limestone-and-vitreous-paste-from-rome-italy-national-archaeological-museum-madrid-spain-image245310858.htmlRMT72TE2–Roman mosaic depicting a Gladiator fight. In the lower part, the murmillones Symmanchus and Maternus are fighting in the arena cheered by the lanistae. At the top, Maternus lies slain by Symmachus. Detail. 3rd century AD. Limestone and vitreous paste. From Rome (Italy). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116912.htmlRMRNNH14–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194688.htmlRFM87WHM–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Astyanax was the winner (the inscription VICIT appears beside Astyanax). Detail of the scene from the upper half of the mosaic. 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-mosaic-limestones-secutor-versus-retiarius-depiction-of-the-mortal-combat-between-the-secutor-astyanax-and-the-retiarius-kalendio-the-lanista-gladiator-trainer-encourages-the-combat-astyanax-was-the-winner-the-inscription-vicit-appears-beside-astyanax-detail-of-the-scene-from-the-upper-half-of-the-mosaic-3rd-century-ad-from-rome-italy-national-archaeological-museum-madrid-spain-image245491979.htmlRMT7B3EK–Roman mosaic. Limestones. Secutor versus retiarius. Depiction of the mortal combat between the secutor Astyanax and the retiarius Kalendio. The lanista (gladiator trainer) encourages the combat. Astyanax was the winner (the inscription VICIT appears beside Astyanax). Detail of the scene from the upper half of the mosaic. 3rd century AD. From Rome (Italy). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116710.htmlRMRNNGNX–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194702.htmlRFM87WJ6–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Roman lamp depicting a Gladiators fight. Late 1st century AD. Clay. National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-lamp-depicting-a-gladiators-fight-late-1st-century-ad-clay-national-archaeological-museum-madrid-spain-image245310868.htmlRMT72TEC–Roman lamp depicting a Gladiators fight. Late 1st century AD. Clay. National Archaeological Museum. Madrid. Spain.
Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Merida. National Museum of Roman Art. Merida, Badajoz province, Extremadura, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-era-relief-depicting-two-gladiators-in-combat-attitude-with-open-helmet-and-small-circular-shield-1st-century-ad-from-the-amphiteatre-of-merida-national-museum-of-roman-art-merida-badajoz-province-extremadura-spain-image382543168.htmlRM2D6A9M0–Roman Era. Relief depicting two gladiators in combat attitude, with open helmet and small circular shield. 1st century AD. From the amphiteatre of Merida. National Museum of Roman Art. Merida, Badajoz province, Extremadura, Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116756.htmlRMRNNGRG–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. Detail. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiatorial-table-2nd-century-ad-inscription-of-a-speech-by-marcus-aurelius-before-the-senate-in-which-recommends-lowering-the-prices-of-gladiatorial-games-and-laments-the-benefits-of-entrepreneurs-and-what-they-owe-in-taxes-bronze-detail-from-italica-santiponce-seville-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245310861.htmlRMT72TE5–Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. Detail. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-annual-medieval-tournament-of-the-chevaliers-du-nord-in-st-augustin-177194708.htmlRFM87WJC–Annual medieval tournament of the Chevaliers du Nord in St-Augustin, Quebec, Canada
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116890.htmlRMRNNH0A–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. Detail. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiatorial-table-2nd-century-ad-inscription-of-a-speech-by-marcus-aurelius-before-the-senate-in-which-recommends-lowering-the-prices-of-gladiatorial-games-and-laments-the-benefits-of-entrepreneurs-and-what-they-owe-in-taxes-bronze-detail-from-italica-santiponce-seville-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245310866.htmlRMT72TEA–Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. Detail. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116724.htmlRMRNNGPC–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gladiatorial-table-2nd-century-ad-inscription-of-a-speech-by-marcus-aurelius-before-the-senate-in-which-recommends-lowering-the-prices-of-gladiatorial-games-and-laments-the-benefits-of-entrepreneurs-and-what-they-owe-in-taxes-bronze-from-italica-santiponce-seville-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245310860.htmlRMT72TE4–Gladiatorial table. 2nd century AD. Inscription of a speech by Marcus Aurelius before the Senate in which recommends lowering the prices of gladiatorial games and laments the benefits of entrepreneurs and what they owe in taxes. Bronze. From Italica (Santiponce, Seville province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116744.htmlRMRNNGR4–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Tessera of Boreas. Celer of Guinzo de Limia, organized gladiatorial games in 64 and gave this tessera to the gladiator Boreas commemorating the event. 64 AD. Bronze. From Ilipula (Niebla, Huelva province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tessera-of-boreas-celer-of-guinzo-de-limia-organized-gladiatorial-games-in-64-and-gave-this-tessera-to-the-gladiator-boreas-commemorating-the-event-64-ad-bronze-from-ilipula-niebla-huelva-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245317424.htmlRMT734TG–Tessera of Boreas. Celer of Guinzo de Limia, organized gladiatorial games in 64 and gave this tessera to the gladiator Boreas commemorating the event. 64 AD. Bronze. From Ilipula (Niebla, Huelva province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116881.htmlRMRNNH01–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-vault-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116896.htmlRMRNNH0G–Pozzuoli, Campania, Italy. The vault of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-cavea-and-the-arena-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116934.htmlRMRNNH1X–Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-cavea-and-the-arena-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116917.htmlRMRNNH19–Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-cavea-and-the-arena-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116923.htmlRMRNNH1F–Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-cavea-and-the-arena-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116928.htmlRMRNNH1M–Pozzuoli, Campania, Italy. The cavea and the arena of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The marble banisters of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-marble-banisters-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116963.htmlRMRNNH2Y–Pozzuoli, Campania, Italy. The marble banisters of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. One of four entrances of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-one-of-four-entrances-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116942.htmlRMRNNH26–Pozzuoli, Campania, Italy. One of four entrances of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The trunk of a marble horse recovered in the area of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-trunk-of-a-marble-horse-recovered-in-the-area-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116948.htmlRMRNNH2C–Pozzuoli, Campania, Italy. The trunk of a marble horse recovered in the area of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. The foot of a marble statue recovered in the area of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-the-foot-of-a-marble-statue-recovered-in-the-area-of-the-pozzuoli-flavian-amphitheater-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116971.htmlRMRNNH37–Pozzuoli, Campania, Italy. The foot of a marble statue recovered in the area of the Pozzuoli Flavian Amphitheater. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Pozzuoli, Campania, Italy. Three dolia recovered in the area of the Pozzuoli Flavian Amphitheater. the dolium is a large earthenware vase or vessel used in ancient Roman times for storage or transportation of goods. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pozzuoli-campania-italy-three-dolia-recovered-in-the-area-of-the-pozzuoli-flavian-amphitheater-the-dolium-is-a-large-earthenware-vase-or-vessel-used-in-ancient-roman-times-for-storage-or-transportation-of-goods-the-amphitheater-is-the-third-largest-after-the-colosseum-and-the-amphitheater-of-santa-maria-capuavetere-it-were-used-for-events-such-as-gladiator-combats-venationes-animal-hunts-and-executions-image237116954.htmlRMRNNH2J–Pozzuoli, Campania, Italy. Three dolia recovered in the area of the Pozzuoli Flavian Amphitheater. the dolium is a large earthenware vase or vessel used in ancient Roman times for storage or transportation of goods. The amphitheater is the third largest after the Colosseum and the amphitheater of Santa Maria Capuavetere. It were used for events such as gladiator combats, venationes (animal hunts) and executions.
Search Results for Gladiator combats Stock Photos and Images (75)
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