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Gilt type Stock Photos and Images
Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilt-bronze-belt-buckles-ordos-type-3rd-1st-century-bc-these-buckles-76388806.htmlRMEC7PKJ–Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat.
An Order of Alexander Nevsky, 3rd Type, inset medallion, silver, partially gilt and enamelled. Wearer number '27987', with threaded disc attachment, the gilding hardly faded. Weight 47.4 g, historic, historical, 20th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-order-of-alexander-nevsky-3rd-type-inset-medallion-silver-partially-51658677.htmlRMD0174N–An Order of Alexander Nevsky, 3rd Type, inset medallion, silver, partially gilt and enamelled. Wearer number '27987', with threaded disc attachment, the gilding hardly faded. Weight 47.4 g, historic, historical, 20th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available
Type Einfache small Almandinfibel oder Rosetten., Fibula, almandijnschijffibula, round, metal, silver (gilt), almandine, vmeb 485-555, Netherlands, Utrecht, Rhenen, Rhenen, grave 423 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/type-einfache-small-almandinfibel-oder-rosetten-fibula-almandijnschijffibula-round-metal-silver-gilt-almandine-vmeb-485-555-netherlands-utrecht-rhenen-rhenen-grave-423-image344553649.htmlRM2B0FNKD–Type Einfache small Almandinfibel oder Rosetten., Fibula, almandijnschijffibula, round, metal, silver (gilt), almandine, vmeb 485-555, Netherlands, Utrecht, Rhenen, Rhenen, grave 423
Art inspired by Cassetta-type frame, early 16th century, Veronese, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background., Overall, 95 x 77 cm; sight, 41 x 37 cm; rebate, 45 x 39.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cassetta-type-frame-early-16th-century-veronese-poplar-carved-gilt-deep-brown-orange-bole-coarse-blue-color-in-background-overall-95-x-77-cm-sight-41-x-37-cm-rebate-45-x-397-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826266.htmlRF2HTYFHE–Art inspired by Cassetta-type frame, early 16th century, Veronese, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background., Overall, 95 x 77 cm; sight, 41 x 37 cm; rebate, 45 x 39.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A German kriegsmarine, E-boat badge, first type from World War II period. The Kriegsmarine badge (Schnellboot Kriegsabzeichen) is constructed of gilt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-kriegsmarine-e-boat-badge-first-type-from-world-war-ii-period-the-kriegsmarine-badge-schnellboot-kriegsabzeichen-is-constructed-of-gilt-image396889171.htmlRM2E1KT57–A German kriegsmarine, E-boat badge, first type from World War II period. The Kriegsmarine badge (Schnellboot Kriegsabzeichen) is constructed of gilt
Egyptian woman in face veil with gilt cylinder, Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egyptian-woman-in-face-veil-with-gilt-cylinder-egypt-image235046067.htmlRMRJB7JB–Egyptian woman in face veil with gilt cylinder, Egypt
Silver and gilt amphoriskos (scented oil flask). Culture: Apulian, possibly Tarentine. Dimensions: H. 6 1/16 in. (15.4 cm). Date: early 3rd century B.C.. Several elegant vases of this type have been found in Southern Italy, and it is likely that this one was imported from there. Except for the solid handles and small collar-like mouth, it was raised from a single sheet of silver. A pair of gilded swags (or perhaps necklaces) emphasizes the widest part; gilded acanthus leaves ornament the base. The monogram D:M (R.M. in English) appears on the base, referring to the Etruscan owner. Museum: Met Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-and-gilt-amphoriskos-scented-oil-flask-culture-apulian-possibly-tarentine-dimensions-h-6-116-in-154-cm-date-early-3rd-century-bc-several-elegant-vases-of-this-type-have-been-found-in-southern-italy-and-it-is-likely-that-this-one-was-imported-from-there-except-for-the-solid-handles-and-small-collar-like-mouth-it-was-raised-from-a-single-sheet-of-silver-a-pair-of-gilded-swags-or-perhaps-necklaces-emphasizes-the-widest-part-gilded-acanthus-leaves-ornament-the-base-the-monogram-dm-rm-in-english-appears-on-the-base-referring-to-the-etruscan-owner-museum-met-image213104420.htmlRMPAKMT4–Silver and gilt amphoriskos (scented oil flask). Culture: Apulian, possibly Tarentine. Dimensions: H. 6 1/16 in. (15.4 cm). Date: early 3rd century B.C.. Several elegant vases of this type have been found in Southern Italy, and it is likely that this one was imported from there. Except for the solid handles and small collar-like mouth, it was raised from a single sheet of silver. A pair of gilded swags (or perhaps necklaces) emphasizes the widest part; gilded acanthus leaves ornament the base. The monogram D:M (R.M. in English) appears on the base, referring to the Etruscan owner. Museum: Met
type, model, build, isolated, currency, stock exchange, stock-exchange, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-type-model-build-isolated-currency-stock-exchange-stock-exchange-131757337.htmlRFHJA1R5–type, model, build, isolated, currency, stock exchange, stock-exchange,
Reliquary, Kamakura period, 13th 14th century, cintamani (sacred jewel) in flame type, gilt bronze Tokyo National Museum DSC05173 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reliquary-kamakura-period-13th-14th-century-cintamani-sacred-jewel-143333072.htmlRMJ95AP8–Reliquary, Kamakura period, 13th 14th century, cintamani (sacred jewel) in flame type, gilt bronze Tokyo National Museum DSC05173
![. Gothic Revival' binding. English, early 19th century. Brown calfskin over wooden boards; blind-tooled with floral and geometric design. Doublures gilt-tooled with an elaborate cathedral design, tooled in circles with drawer-handle type tools. An example of the Victorian interest in reviving medieval aesthetics, the use of wooden boards here is a conscious reference to early bindings, while the cathedral design is contemporary fashion. Three bokes of cronicles. 1550. Carion, J. [author] Bodleian Libraries, Three bokes of cronicles Stock Photo](https://c8.alamy.com/comp/MMTEG5/gothic-revival-binding-english-early-19th-century-brown-calfskin-over-wooden-boards-blind-tooled-with-floral-and-geometric-design-doublures-gilt-tooled-with-an-elaborate-cathedral-design-tooled-in-circles-with-drawer-handle-type-tools-an-example-of-the-victorian-interest-in-reviving-medieval-aesthetics-the-use-of-wooden-boards-here-is-a-conscious-reference-to-early-bindings-while-the-cathedral-design-is-contemporary-fashion-three-bokes-of-cronicles-1550-carion-j-author-bodleian-libraries-three-bokes-of-cronicles-MMTEG5.jpg ". Gothic Revival' binding. English, early 19th century. Brown calfskin over wooden boards; blind-tooled with floral and geometric design. Doublures gilt-tooled with an elaborate cathedral design, tooled in circles with drawer-handle type tools. An example of the Victorian interest in reviving medieval aesthetics, the use of wooden boards here is a conscious reference to early bindings, while the cathedral design is contemporary fashion. Three bokes of cronicles. 1550. Carion, J. [author] Bodleian Libraries, Three bokes of cronicles Stock Photo")
. Gothic Revival' binding. English, early 19th century. Brown calfskin over wooden boards; blind-tooled with floral and geometric design. Doublures gilt-tooled with an elaborate cathedral design, tooled in circles with drawer-handle type tools. An example of the Victorian interest in reviving medieval aesthetics, the use of wooden boards here is a conscious reference to early bindings, while the cathedral design is contemporary fashion. Three bokes of cronicles. 1550. Carion, J. [author] Bodleian Libraries, Three bokes of cronicles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gothic-revival-binding-english-early-19th-century-brown-calfskin-over-wooden-boards-blind-tooled-with-floral-and-geometric-design-doublures-gilt-tooled-with-an-elaborate-cathedral-design-tooled-in-circles-with-drawer-handle-type-tools-an-example-of-the-victorian-interest-in-reviving-medieval-aesthetics-the-use-of-wooden-boards-here-is-a-conscious-reference-to-early-bindings-while-the-cathedral-design-is-contemporary-fashion-three-bokes-of-cronicles-1550-carion-j-author-bodleian-libraries-three-bokes-of-cronicles-image184935077.htmlRMMMTEG5–. Gothic Revival' binding. English, early 19th century. Brown calfskin over wooden boards; blind-tooled with floral and geometric design. Doublures gilt-tooled with an elaborate cathedral design, tooled in circles with drawer-handle type tools. An example of the Victorian interest in reviving medieval aesthetics, the use of wooden boards here is a conscious reference to early bindings, while the cathedral design is contemporary fashion. Three bokes of cronicles. 1550. Carion, J. [author] Bodleian Libraries, Three bokes of cronicles
Tara brooch. 8th century AD. Archaeology National Museum of Ireland. Best work of early medieval Irish metalworkers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tara-brooch-8th-century-ad-archaeology-national-museum-of-ireland-best-work-of-early-medieval-irish-metalworkers-image383881661.htmlRM2D8F8Y9–Tara brooch. 8th century AD. Archaeology National Museum of Ireland. Best work of early medieval Irish metalworkers
No Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/no-image311510816.htmlRFS2PF68–No
lantern magic. Vertical hexahedron, with hinged back and triple pagoda-like top (a), projecting cylindrical lens-chamber (b) with cap (c), Fitted with lamp of Argand type (d). Green with striping in gilt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lantern-magic-vertical-hexahedron-with-hinged-back-and-triple-pagoda-like-top-a-projecting-cylindrical-lens-chamber-b-with-cap-c-fitted-with-lamp-of-argand-type-d-green-with-striping-in-gilt-image353528446.htmlRM2BF4H3X–lantern magic. Vertical hexahedron, with hinged back and triple pagoda-like top (a), projecting cylindrical lens-chamber (b) with cap (c), Fitted with lamp of Argand type (d). Green with striping in gilt.
Broken gilt capital letter C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/broken-gilt-capital-letter-c-image412403443.htmlRF2EXXGPB–Broken gilt capital letter C
Luxury golden vintage calligraphic framed labels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-luxury-golden-vintage-calligraphic-framed-labels-96091696.htmlRFFG99X8–Luxury golden vintage calligraphic framed labels
Reliquary, Kamakura period, 13th-14th century, cintamani (sacred jewel) in flame type, gilt bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-kamakura-period-13th-14th-century-cintamani-sacred-jewel-in-flame-type-gilt-bronze-image455414148.htmlRM2HCWWB0–Reliquary, Kamakura period, 13th-14th century, cintamani (sacred jewel) in flame type, gilt bronze
Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals animal animals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pigs-domestic-pig-pigs-hog-hogs-swine-domestic-domesticated-farm-farms-33129888.htmlRMBWW5E8–Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals animal animals
Quedlinburg, Germany. 16th May, 2019. A type of seal (reconstruction of a non-preserved seal as used by between 922 and 936, rock crystal, silver-gilt) shows a bust of Henry I. The exhibit is part of the double exhibition 'Henry I in Quedlinburg' which is divided into chapters '919 - Suddenly King' in the Castle Museum and 'At the Beginning was the Tomb' in the Collegiate Church of St. Servatii. The exhibitions will be shown from 19 May 2019 to 02 February 2020. Credit: Klaus-Dietmar Gabbert/dpa-Zentralbild/ZB/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quedlinburg-germany-16th-may-2019-a-type-of-seal-reconstruction-of-a-non-preserved-seal-as-used-by-between-922-and-936-rock-crystal-silver-gilt-shows-a-bust-of-henry-i-the-exhibit-is-part-of-the-double-exhibition-henry-i-in-quedlinburg-which-is-divided-into-chapters-919-suddenly-king-in-the-castle-museum-and-at-the-beginning-was-the-tomb-in-the-collegiate-church-of-st-servatii-the-exhibitions-will-be-shown-from-19-may-2019-to-02-february-2020-credit-klaus-dietmar-gabbertdpa-zentralbildzbdpaalamy-live-news-image246601451.htmlRMT95JJK–Quedlinburg, Germany. 16th May, 2019. A type of seal (reconstruction of a non-preserved seal as used by between 922 and 936, rock crystal, silver-gilt) shows a bust of Henry I. The exhibit is part of the double exhibition 'Henry I in Quedlinburg' which is divided into chapters '919 - Suddenly King' in the Castle Museum and 'At the Beginning was the Tomb' in the Collegiate Church of St. Servatii. The exhibitions will be shown from 19 May 2019 to 02 February 2020. Credit: Klaus-Dietmar Gabbert/dpa-Zentralbild/ZB/dpa/Alamy Live News
Original charming Victorian Christmas card of a winged cherub, with gilt border. The message is 'A bright and happy Christmas' Circa early 1890's. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-charming-victorian-christmas-card-of-a-winged-cherub-with-gilt-border-the-message-is-a-bright-and-happy-christmas-circa-early-1890s-image486096204.htmlRM2K6RGJM–Original charming Victorian Christmas card of a winged cherub, with gilt border. The message is 'A bright and happy Christmas' Circa early 1890's.
Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilt-bronze-belt-buckles-ordos-type-3rd-1st-century-bc-these-buckles-76388805.htmlRMEC7PKH–Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat.
An Order of Alexander Nevsky, 3rd Type, inset medallion, silver, partially gilt and enamelled. Wearer number '27987', with threaded disc attachment, the gilding hardly faded. Weight 47.4 g, historic, historical, 20th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-order-of-alexander-nevsky-3rd-type-inset-medallion-silver-partially-51658353.htmlRMD016N5–An Order of Alexander Nevsky, 3rd Type, inset medallion, silver, partially gilt and enamelled. Wearer number '27987', with threaded disc attachment, the gilding hardly faded. Weight 47.4 g, historic, historical, 20th century, medal, decoration, medals, decorations, badge of honour, badge of honor, badges of honour, badges of honor, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available
Type of Ehningen., Fibula, Ehningen, metal, silver (gilt), almandine, 1,2 x 8,7 x 5,1 cm, vmeb 485-530, Netherlands, Utrecht, Rhenen, Rhenen, grave 131 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/type-of-ehningen-fibula-ehningen-metal-silver-gilt-almandine-12-x-87-x-51-cm-vmeb-485-530-netherlands-utrecht-rhenen-rhenen-grave-131-image344552815.htmlRM2B0FMHK–Type of Ehningen., Fibula, Ehningen, metal, silver (gilt), almandine, 1,2 x 8,7 x 5,1 cm, vmeb 485-530, Netherlands, Utrecht, Rhenen, Rhenen, grave 131
Art inspired by Shield (Dhàl), early 19th century, North Indian, Hide, gilt bronze, enamel, lacquer, jewels, textile (velvet), Diam. 18 in. (45.7 cm), Shields, Shields of this type were very popular across the Indian subcontinent. They were commonly made from steel or, as seen here, of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-shield-dhl-early-19th-century-north-indian-hide-gilt-bronze-enamel-lacquer-jewels-textile-velvet-diam-18-in-457-cm-shields-shields-of-this-type-were-very-popular-across-the-indian-subcontinent-they-were-commonly-made-from-steel-or-as-seen-here-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462755877.htmlRF2HTT9RH–Art inspired by Shield (Dhàl), early 19th century, North Indian, Hide, gilt bronze, enamel, lacquer, jewels, textile (velvet), Diam. 18 in. (45.7 cm), Shields, Shields of this type were very popular across the Indian subcontinent. They were commonly made from steel or, as seen here, of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Standing panel with the Buddha with his disciples Sariputta and Moggalana, c1880-1900. They stand on altar tables of Chinese type, and the base is set with offerings, vases, and aromatic "Buddhas hand" citrons (Citrus medica var. sarcodactylus). The carved gilt frame and stand, which contains two openwork gilded panels, are also Chinese in style. Stock Photo](https://c8.alamy.com/comp/2T6D2W1/standing-panel-with-the-buddha-with-his-disciples-sariputta-and-moggalana-c1880-1900-they-stand-on-altar-tables-of-chinese-type-and-the-base-is-set-with-offerings-vases-and-aromatic-quotbuddhas-handquot-citrons-citrus-medica-var-sarcodactylus-the-carved-gilt-frame-and-stand-which-contains-two-openwork-gilded-panels-are-also-chinese-in-style-2T6D2W1.jpg "Standing panel with the Buddha with his disciples Sariputta and Moggalana, c1880-1900. They stand on altar tables of Chinese type, and the base is set with offerings, vases, and aromatic "Buddhas hand" citrons (Citrus medica var. sarcodactylus). The carved gilt frame and stand, which contains two openwork gilded panels, are also Chinese in style. Stock Photo")
Standing panel with the Buddha with his disciples Sariputta and Moggalana, c1880-1900. They stand on altar tables of Chinese type, and the base is set with offerings, vases, and aromatic "Buddhas hand" citrons (Citrus medica var. sarcodactylus). The carved gilt frame and stand, which contains two openwork gilded panels, are also Chinese in style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-panel-with-the-buddha-with-his-disciples-sariputta-and-moggalana-c1880-1900-they-stand-on-altar-tables-of-chinese-type-and-the-base-is-set-with-offerings-vases-and-aromatic-quotbuddhas-handquot-citrons-citrus-medica-var-sarcodactylus-the-carved-gilt-frame-and-stand-which-contains-two-openwork-gilded-panels-are-also-chinese-in-style-image571917725.htmlRM2T6D2W1–Standing panel with the Buddha with his disciples Sariputta and Moggalana, c1880-1900. They stand on altar tables of Chinese type, and the base is set with offerings, vases, and aromatic "Buddhas hand" citrons (Citrus medica var. sarcodactylus). The carved gilt frame and stand, which contains two openwork gilded panels, are also Chinese in style.
Different types of fish for sale at a market Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-types-of-fish-for-sale-at-a-market-image556408080.htmlRF2R96G54–Different types of fish for sale at a market
Helmet. Culture: Turkish. Dimensions: H. 8 3/4 in. (22.2 cm); Diam. 8 in. (20.3 cm); Wt. 2 lb. 8 oz. (1134 g). Date: early 17th century. There appeared in the sixteenth century a new type of armor worn by the Ottoman warrior that was unlike any seen elsewhere in the Islamic world: helmets, shields and shaffrons (horse's head defenses) made entirely of gilt copper, <i>tombak</i> in Turkish. The medium was employed purely for its colorful effect and ostentation, so that the armor can have been intended only for ceremonial use, possibly for the sultan's bodyguard. Until recently, the Metropolit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/helmet-culture-turkish-dimensions-h-8-34-in-222-cm-diam-8-in-203-cm-wt-2-lb-8-oz-1134-g-date-early-17th-century-there-appeared-in-the-sixteenth-century-a-new-type-of-armor-worn-by-the-ottoman-warrior-that-was-unlike-any-seen-elsewhere-in-the-islamic-world-helmets-shields-and-shaffrons-horses-head-defenses-made-entirely-of-gilt-copper-itombaki-in-turkish-the-medium-was-employed-purely-for-its-colorful-effect-and-ostentation-so-that-the-armor-can-have-been-intended-only-for-ceremonial-use-possibly-for-the-sultans-bodyguard-until-recently-the-metropolit-image212864415.htmlRMPA8PMF–Helmet. Culture: Turkish. Dimensions: H. 8 3/4 in. (22.2 cm); Diam. 8 in. (20.3 cm); Wt. 2 lb. 8 oz. (1134 g). Date: early 17th century. There appeared in the sixteenth century a new type of armor worn by the Ottoman warrior that was unlike any seen elsewhere in the Islamic world: helmets, shields and shaffrons (horse's head defenses) made entirely of gilt copper, <i>tombak</i> in Turkish. The medium was employed purely for its colorful effect and ostentation, so that the armor can have been intended only for ceremonial use, possibly for the sultan's bodyguard. Until recently, the Metropolit
type, model, build, isolated, currency, blank, european, caucasian, stock Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-type-model-build-isolated-currency-blank-european-caucasian-stock-131757332.htmlRFHJA1R0–type, model, build, isolated, currency, blank, european, caucasian, stock
Luxury golden vintage calligraphic framed labels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luxury-golden-vintage-calligraphic-framed-labels-image61001839.htmlRFDF6TD3–Luxury golden vintage calligraphic framed labels
Ono no Tōfū as a Frog. Japan, second half of 19th century. Costumes; Accessories. Silver, bronze, and gilt disk, ivory bowl; kagamibuta type Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ono-no-tf-as-a-frog-japan-second-half-of-19th-century-costumes-accessories-silver-bronze-and-gilt-disk-ivory-bowl-kagamibuta-type-image464777550.htmlRM2J04CE6–Ono no Tōfū as a Frog. Japan, second half of 19th century. Costumes; Accessories. Silver, bronze, and gilt disk, ivory bowl; kagamibuta type
New Helmet for Firemen. A fireman wearing the old type helmet adjusts the strap of a new model. The seining brass helmet of the London fire Brigade, introduced over sevent years ago by Sir Eyre Massey Shaw, the first chief officer of the Brigade, replaced the old-time leather helmet is, in its turn, being superceded. The new helmet of cork and rubber is glossy black with gilt comb and rosettes, silver in the case of principal officers. Although the brass helmet gave a high measure of protection, it failed in these modern times through its high conductivity of electricity. November 21, 1936. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-helmet-for-firemen-a-fireman-wearing-the-old-type-helmet-adjusts-the-strap-of-a-new-model-the-seining-brass-helmet-of-the-london-fire-brigade-introduced-over-sevent-years-ago-by-sir-eyre-massey-shaw-the-first-chief-officer-of-the-brigade-replaced-the-old-time-leather-helmet-is-in-its-turn-being-superceded-the-new-helmet-of-cork-and-rubber-is-glossy-black-with-gilt-comb-and-rosettes-silver-in-the-case-of-principal-officers-although-the-brass-helmet-gave-a-high-measure-of-protection-it-failed-in-these-modern-times-through-its-high-conductivity-of-electricity-november-21-1936-image463580356.htmlRM2HX5WD8–New Helmet for Firemen. A fireman wearing the old type helmet adjusts the strap of a new model. The seining brass helmet of the London fire Brigade, introduced over sevent years ago by Sir Eyre Massey Shaw, the first chief officer of the Brigade, replaced the old-time leather helmet is, in its turn, being superceded. The new helmet of cork and rubber is glossy black with gilt comb and rosettes, silver in the case of principal officers. Although the brass helmet gave a high measure of protection, it failed in these modern times through its high conductivity of electricity. November 21, 1936.
BackWerk ist die erste deutsche SB-Bäckerei und gilt als Erfinder dieses Betriebstyps. Die Marke Back Werk wird neben den Marken Ditsch und Back-Factory als Franchisesystem von der Valora Food Service Deutschland GmbH - früher BackWerk Management GmbH - in Essen geführt. BackWerk hat Verkaufsstellen in Deutschland, Österreich, der Schweiz und den Niederlanden. Foto: BackWerk SB Bäckerei in Ingolstadt *** BackWerk is the first German self-service bakery and is considered the inventor of this type of business The Back Werk brand is managed as a franchise system alongside the Ditsch and Back Fact Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/backwerk-ist-die-erste-deutsche-sb-bckerei-und-gilt-als-erfinder-dieses-betriebstyps-die-marke-back-werk-wird-neben-den-marken-ditsch-und-back-factory-als-franchisesystem-von-der-valora-food-service-deutschland-gmbh-frher-backwerk-management-gmbh-in-essen-gefhrt-backwerk-hat-verkaufsstellen-in-deutschland-sterreich-der-schweiz-und-den-niederlanden-foto-backwerk-sb-bckerei-in-ingolstadt-backwerk-is-the-first-german-self-service-bakery-and-is-considered-the-inventor-of-this-type-of-business-the-back-werk-brand-is-managed-as-a-franchise-system-alongside-the-ditsch-and-back-fact-image605822717.htmlRM2X5HH1H–BackWerk ist die erste deutsche SB-Bäckerei und gilt als Erfinder dieses Betriebstyps. Die Marke Back Werk wird neben den Marken Ditsch und Back-Factory als Franchisesystem von der Valora Food Service Deutschland GmbH - früher BackWerk Management GmbH - in Essen geführt. BackWerk hat Verkaufsstellen in Deutschland, Österreich, der Schweiz und den Niederlanden. Foto: BackWerk SB Bäckerei in Ingolstadt *** BackWerk is the first German self-service bakery and is considered the inventor of this type of business The Back Werk brand is managed as a franchise system alongside the Ditsch and Back Fact
Birdcage with fishbowl. Square wooden box-type cage (a) cut on each side with fan-shaped opening inset with metal wires; quarter columns at corners; bun feet; gallery along top, decorated with circular cutouts and ball finials at corners; stamped gilt-metal decorations at fan-shapes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birdcage-with-fishbowl-square-wooden-box-type-cage-a-cut-on-each-side-with-fan-shaped-opening-inset-with-metal-wires-quarter-columns-at-corners-bun-feet-gallery-along-top-decorated-with-circular-cutouts-and-ball-finials-at-corners-stamped-gilt-metal-decorations-at-fan-shapes-image353510597.htmlRM2BF3PAD–Birdcage with fishbowl. Square wooden box-type cage (a) cut on each side with fan-shaped opening inset with metal wires; quarter columns at corners; bun feet; gallery along top, decorated with circular cutouts and ball finials at corners; stamped gilt-metal decorations at fan-shapes
Weathered gilt capital letter C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weathered-gilt-capital-letter-c-image414407358.htmlRF2F25TPP–Weathered gilt capital letter C
Durza's (Robert Carlyle) Hero sword from the film Eragon, 2006 and Oakeshott type Writhen Hilted Sword from 1480 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durzas-robert-carlyle-hero-sword-from-the-film-eragon-2006-and-oakeshott-type-writhen-hilted-sword-from-1480-image587683854.htmlRM2W438N2–Durza's (Robert Carlyle) Hero sword from the film Eragon, 2006 and Oakeshott type Writhen Hilted Sword from 1480
An empty distressed gilded plaster frame hanging on a grey wall which has elements of the orange paint underneath showing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-empty-distressed-gilded-plaster-frame-hanging-on-a-grey-wall-which-73476405.htmlRFE7F3W9–An empty distressed gilded plaster frame hanging on a grey wall which has elements of the orange paint underneath showing.
Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals animal animals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pigs-domestic-pig-pigs-hog-hogs-swine-domestic-domesticated-farm-farms-33129876.htmlRMBWW5DT–Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals animal animals
Late Roman ridge helmet. Early 4th century AD. Colosseum, Rome, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-roman-ridge-helmet-early-4th-century-ad-colosseum-rome-italy-image613301282.htmlRF2XHP816–Late Roman ridge helmet. Early 4th century AD. Colosseum, Rome, Italy.
Swiss Holbein dagger. Short Swiss sword with a distinctive crescent-shaped pommel and crossguard (type of baselard dagger). XVI век. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swiss-holbein-dagger-short-swiss-sword-with-a-distinctive-crescent-shaped-pommel-and-crossguard-type-of-baselard-dagger-xvi-image329362065.htmlRM2A3RMJW–Swiss Holbein dagger. Short Swiss sword with a distinctive crescent-shaped pommel and crossguard (type of baselard dagger). XVI век.
Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilt-bronze-belt-buckles-ordos-type-3rd-1st-century-bc-these-buckles-76388807.htmlRMEC7PKK–Gilt Bronze belt buckles. Ordos type, 3rd-1st century BC. These buckles show pairs of animals in combat.
Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-soviet-union-order-of-the-patriotic-war1st-class1st-type3rd-variation-51534326.htmlRMCYRGFJ–Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available
Type of Ehningen., Fibula, clamp fibula, metal, silver (gilt), almandine, 1,1 x 8,7 x 5,1 cm, 14 gram, vmeb 485-530, Netherlands, Utrecht, Rhenen, Rhenen, grave 131 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/type-of-ehningen-fibula-clamp-fibula-metal-silver-gilt-almandine-11-x-87-x-51-cm-14-gram-vmeb-485-530-netherlands-utrecht-rhenen-rhenen-grave-131-image344552817.htmlRM2B0FMHN–Type of Ehningen., Fibula, clamp fibula, metal, silver (gilt), almandine, 1,1 x 8,7 x 5,1 cm, 14 gram, vmeb 485-530, Netherlands, Utrecht, Rhenen, Rhenen, grave 131
Art inspired by Silver and gilt amphoriskos (scented oil flask), Hellenistic, early 3rd century B.C., Apulian, possibly Tarentine, Silver, gold, H. 6 1/16 in. (15.4 cm), Gold and Silver, Several elegant vases of this type have been found in Southern Italy, and it is likely that this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-silver-and-gilt-amphoriskos-scented-oil-flask-hellenistic-early-3rd-century-bc-apulian-possibly-tarentine-silver-gold-h-6-116-in-154-cm-gold-and-silver-several-elegant-vases-of-this-type-have-been-found-in-southern-italy-and-it-is-likely-that-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462929163.htmlRF2HW46TB–Art inspired by Silver and gilt amphoriskos (scented oil flask), Hellenistic, early 3rd century B.C., Apulian, possibly Tarentine, Silver, gold, H. 6 1/16 in. (15.4 cm), Gold and Silver, Several elegant vases of this type have been found in Southern Italy, and it is likely that this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Breastplate from Hussar's Cuirass, c. 1580. This style of breastplate, with its numerous articulating lames, was probably used by a Hungarian hussar, a type of light cavalryman. The steel plates were originally blued-now turned russet-and etched and gilded with strapwork bands. The rows of vertical holes once provided gilt-brass settings for stones or glasspaste jewels. The effect would have suggested the semi-oriental costume and armor of the Near East favored by Polish and Hungarian armies of the late Renaissance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/breastplate-from-hussars-cuirass-c-1580-this-style-of-breastplate-with-its-numerous-articulating-lames-was-probably-used-by-a-hungarian-hussar-a-type-of-light-cavalryman-the-steel-plates-were-originally-blued-now-turned-russet-and-etched-and-gilded-with-strapwork-bands-the-rows-of-vertical-holes-once-provided-gilt-brass-settings-for-stones-or-glasspaste-jewels-the-effect-would-have-suggested-the-semi-oriental-costume-and-armor-of-the-near-east-favored-by-polish-and-hungarian-armies-of-the-late-renaissance-image330079749.htmlRM2A50C2D–Breastplate from Hussar's Cuirass, c. 1580. This style of breastplate, with its numerous articulating lames, was probably used by a Hungarian hussar, a type of light cavalryman. The steel plates were originally blued-now turned russet-and etched and gilded with strapwork bands. The rows of vertical holes once provided gilt-brass settings for stones or glasspaste jewels. The effect would have suggested the semi-oriental costume and armor of the Near East favored by Polish and Hungarian armies of the late Renaissance.
Different types of fresh fish on a market stall in Lisbon, Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-types-of-fresh-fish-on-a-market-stall-in-lisbon-portugal-image556409694.htmlRF2R96J6P–Different types of fresh fish on a market stall in Lisbon, Portugal
Eight-light chandelier. Culture: French, Paris. Dimensions: Height: 32 3/8 in. (82.2 cm); Diameter: 34 in. (86.4 cm). Maker: Possibly by André Charles Boulle (French, Paris 1642-1732 Paris). Date: ca. 1710. Richly ornamented with satyr masks and female busts, this type of early eighteenth-century chandelier has often been associated with the work of André-Charles Boulle. Granted the title of cabinetmaker and sculptor to Louis XIV in 1672, Boulle not only produced case furniture decorated with tortoiseshell and brass, examples of which are shown in this gallery, but also worked in gilt bronz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eight-light-chandelier-culture-french-paris-dimensions-height-32-38-in-822-cm-diameter-34-in-864-cm-maker-possibly-by-andr-charles-boulle-french-paris-1642-1732-paris-date-ca-1710-richly-ornamented-with-satyr-masks-and-female-busts-this-type-of-early-eighteenth-century-chandelier-has-often-been-associated-with-the-work-of-andr-charles-boulle-granted-the-title-of-cabinetmaker-and-sculptor-to-louis-xiv-in-1672-boulle-not-only-produced-case-furniture-decorated-with-tortoiseshell-and-brass-examples-of-which-are-shown-in-this-gallery-but-also-worked-in-gilt-bronz-image212913295.htmlRMPAB127–Eight-light chandelier. Culture: French, Paris. Dimensions: Height: 32 3/8 in. (82.2 cm); Diameter: 34 in. (86.4 cm). Maker: Possibly by André Charles Boulle (French, Paris 1642-1732 Paris). Date: ca. 1710. Richly ornamented with satyr masks and female busts, this type of early eighteenth-century chandelier has often been associated with the work of André-Charles Boulle. Granted the title of cabinetmaker and sculptor to Louis XIV in 1672, Boulle not only produced case furniture decorated with tortoiseshell and brass, examples of which are shown in this gallery, but also worked in gilt bronz
type, model, build, isolated, currency, blank, european, caucasian, euro, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-type-model-build-isolated-currency-blank-european-caucasian-euro-131757292.htmlRFHJA1NG–type, model, build, isolated, currency, blank, european, caucasian, euro,
Fresh Opelu type of fish in a store Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fresh-opelu-type-of-fish-in-a-store-image256730707.htmlRFTWK2HR–Fresh Opelu type of fish in a store
Cassetta-type frame early 16th century Veronese. Cassetta-type frame. Veronese. early 16th century. Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background.. Frames Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cassetta-type-frame-early-16th-century-veronese-cassetta-type-frame-veronese-early-16th-century-poplar-carved-gilt-deep-brown-orange-bole-coarse-blue-color-in-background-frames-image458465713.htmlRM2HHTWKD–Cassetta-type frame early 16th century Veronese. Cassetta-type frame. Veronese. early 16th century. Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background.. Frames
Closeup of the cover of a 200 year old Bible. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-the-cover-of-a-200-year-old-bible-138566301.htmlRMJ1C6MD–Closeup of the cover of a 200 year old Bible.
Norway, Oslo. Historical Museum of Oslo, The Viking Collection, ornate Viking Birka type metal brooch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-norway-oslo-historical-museum-of-oslo-the-viking-collection-ornate-139233241.htmlRMJ2EHBN–Norway, Oslo. Historical Museum of Oslo, The Viking Collection, ornate Viking Birka type metal brooch.
Corpus and Superscription Plaque. 1540–1560. Italian. Gilt bronze This figure of the dead Christ and the accompanying plaque were once attached to a cross and would have formed the focal point of an altar in a private chapel, similar to the crucifix visible in the Art Institute’s Jacopo da Empoli’s portrait of a woman. This image of Christ is of a type often seen in Florentine sculpture around the middle of the 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corpus-and-superscription-plaque-15401560-italian-gilt-bronze-this-figure-of-the-dead-christ-and-the-accompanying-plaque-were-once-attached-to-a-cross-and-would-have-formed-the-focal-point-of-an-altar-in-a-private-chapel-similar-to-the-crucifix-visible-in-the-art-institutes-jacopo-da-empolis-portrait-of-a-woman-this-image-of-christ-is-of-a-type-often-seen-in-florentine-sculpture-around-the-middle-of-the-16th-century-image337957261.htmlRM2AHR7X5–Corpus and Superscription Plaque. 1540–1560. Italian. Gilt bronze This figure of the dead Christ and the accompanying plaque were once attached to a cross and would have formed the focal point of an altar in a private chapel, similar to the crucifix visible in the Art Institute’s Jacopo da Empoli’s portrait of a woman. This image of Christ is of a type often seen in Florentine sculpture around the middle of the 16th century.
Weathered gilt capital letter T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weathered-gilt-capital-letter-t-image431812408.htmlRF2G2EN3M–Weathered gilt capital letter T
Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wrought-iron-railings-of-pommery-winery-estate-house-of-champagne-28206607.htmlRMBHTWPR–Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe,
Different type of budha's isolated over white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-different-type-of-budhas-isolated-over-white-52001467.htmlRFD0GTB7–Different type of budha's isolated over white
Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mangalitsa-pigs-domestic-pig-pigs-hog-hogs-swine-domestic-domesticated-33129749.htmlRMBWW599–Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals
Transport - British Rail Uniforms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-transport-british-rail-uniforms-108422451.htmlRMG8B1XB–Transport - British Rail Uniforms
France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Polish-type bed in gilded wood by Jean-Baptiste Tilliard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-ile-de-france-region-paris-3rd-arrondissement-rohan-hotel-decors-from-the-orlans-chancellery-dismantled-by-the-banque-de-france-in-1923-the-bedroom-polish-type-bed-in-gilded-wood-by-jean-baptiste-tilliard-image601306897.htmlRM2WX7W29–France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Polish-type bed in gilded wood by Jean-Baptiste Tilliard.
Bronze gilt shield boss from Herpály, Hungary. The shield was for ceremonal purpose only and not for use in battle. The type is Germanic, but the ornament is Sarmatian. Dated 3rd Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-gilt-shield-boss-from-herply-hungary-the-shield-was-for-ceremonal-image69820215.htmlRME1GGB3–Bronze gilt shield boss from Herpály, Hungary. The shield was for ceremonal purpose only and not for use in battle. The type is Germanic, but the ornament is Sarmatian. Dated 3rd Century
Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-soviet-union-order-of-the-patriotic-war1st-class1st-type3rd-variation-51534327.htmlRMCYRGFK–Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available
Plate, Japan, Edo period (1615–1868), Date early 18th century, Japan, Porcelain painted in overglaze polychrome enamels and gilt (Arita ware, Kakiemon type), H. 2 3/4 in. (7.0 cm); W. 13 7/8 in. (35.2 cm), Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-japan-edo-period-16151868-date-early-18th-century-japan-porcelain-painted-in-overglaze-polychrome-enamels-and-gilt-arita-ware-kakiemon-type-h-2-34-in-70-cm-w-13-78-in-352-cm-ceramics-image344608092.htmlRM2B0J73T–Plate, Japan, Edo period (1615–1868), Date early 18th century, Japan, Porcelain painted in overglaze polychrome enamels and gilt (Arita ware, Kakiemon type), H. 2 3/4 in. (7.0 cm); W. 13 7/8 in. (35.2 cm), Ceramics
Art inspired by Genealogical Scroll, 17th century, Country of Origin Turkey, Inks and gilt on paper, silk, H. 320 1/4 in. (813.4 cm), Codices, This type of genealogy is based on Persian prototypes first translated into Turkish in the sixteenth century. Starting from the time of Adam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-genealogical-scroll-17th-century-country-of-origin-turkey-inks-and-gilt-on-paper-silk-h-320-14-in-8134-cm-codices-this-type-of-genealogy-is-based-on-persian-prototypes-first-translated-into-turkish-in-the-sixteenth-century-starting-from-the-time-of-adam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462822235.htmlRF2HTYADF–Art inspired by Genealogical Scroll, 17th century, Country of Origin Turkey, Inks and gilt on paper, silk, H. 320 1/4 in. (813.4 cm), Codices, This type of genealogy is based on Persian prototypes first translated into Turkish in the sixteenth century. Starting from the time of Adam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Covered Jar (Albarello), Iran, second half 13th-14th century. Rare glaze type referred to as lajvardina Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-jar-albarello-iran-second-half-13th-14th-century-rare-glaze-type-referred-to-as-lajvardina-image415179751.htmlRM2F3D207–Covered Jar (Albarello), Iran, second half 13th-14th century. Rare glaze type referred to as lajvardina
Modern plumbing illustrated; a comprehensive and thoroughly practical work on the modern and most approved methods of plumbing construction .. . ding the lavatory, a very small amount of marblenow being used for lavatory work, as compared with its use a fewyears ago. The porcelain-lined bath so generally used in bath roomswell appointed, but not of the most expensive type, is generallypainted some dull color, leaving it to be finished and decorated inthe prevailing style of the room. For the bath room, nothing neater can be devised than purewhite, and, if decoration is desired, a narrow gilt b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modern-plumbing-illustrated-a-comprehensive-and-thoroughly-practical-work-on-the-modern-and-most-approved-methods-of-plumbing-construction-ding-the-lavatory-a-very-small-amount-of-marblenow-being-used-for-lavatory-work-as-compared-with-its-use-a-fewyears-ago-the-porcelain-lined-bath-so-generally-used-in-bath-roomswell-appointed-but-not-of-the-most-expensive-type-is-generallypainted-some-dull-color-leaving-it-to-be-finished-and-decorated-inthe-prevailing-style-of-the-room-for-the-bath-room-nothing-neater-can-be-devised-than-purewhite-and-if-decoration-is-desired-a-narrow-gilt-b-image342849160.htmlRM2AWP3GT–Modern plumbing illustrated; a comprehensive and thoroughly practical work on the modern and most approved methods of plumbing construction .. . ding the lavatory, a very small amount of marblenow being used for lavatory work, as compared with its use a fewyears ago. The porcelain-lined bath so generally used in bath roomswell appointed, but not of the most expensive type, is generallypainted some dull color, leaving it to be finished and decorated inthe prevailing style of the room. For the bath room, nothing neater can be devised than purewhite, and, if decoration is desired, a narrow gilt b
Restello. Culture: Italian, Venice. Dimensions: Overall, 78.8 x 72.3 cm; sight, 25.8 x 25.5 cm; rebate, 28 x 27.5 cm.. Date: early 16th century. Essentially a tabernacle with decorative relief panels, this carved and gilt mirror frame is structurally similar to a type of tabernacle frame made for private devotional images in Venice and the Veneto during the first third of the sixteenth century. The present mirror is a modern replacement. Holes in the base molding, now plugged, evidently held hooks for hanging combs and brushes. Mirror frames of this type must have been common at one time, tho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/restello-culture-italian-venice-dimensions-overall-788-x-723-cm-sight-258-x-255-cm-rebate-28-x-275-cm-date-early-16th-century-essentially-a-tabernacle-with-decorative-relief-panels-this-carved-and-gilt-mirror-frame-is-structurally-similar-to-a-type-of-tabernacle-frame-made-for-private-devotional-images-in-venice-and-the-veneto-during-the-first-third-of-the-sixteenth-century-the-present-mirror-is-a-modern-replacement-holes-in-the-base-molding-now-plugged-evidently-held-hooks-for-hanging-combs-and-brushes-mirror-frames-of-this-type-must-have-been-common-at-one-time-tho-image212848338.htmlRMPA826A–Restello. Culture: Italian, Venice. Dimensions: Overall, 78.8 x 72.3 cm; sight, 25.8 x 25.5 cm; rebate, 28 x 27.5 cm.. Date: early 16th century. Essentially a tabernacle with decorative relief panels, this carved and gilt mirror frame is structurally similar to a type of tabernacle frame made for private devotional images in Venice and the Veneto during the first third of the sixteenth century. The present mirror is a modern replacement. Holes in the base molding, now plugged, evidently held hooks for hanging combs and brushes. Mirror frames of this type must have been common at one time, tho
type, model, build, isolated, currency, stock exchange, stock-exchange, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-type-model-build-isolated-currency-stock-exchange-stock-exchange-131757518.htmlRFHJA21J–type, model, build, isolated, currency, stock exchange, stock-exchange,
Woman in face veil with child on her shoulder, Cairo, Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-in-face-veil-with-child-on-her-shoulder-cairo-egypt-image235046109.htmlRMRJB7KW–Woman in face veil with child on her shoulder, Cairo, Egypt
Jug 1577–78 Possibly William Cocknidge Stoneware jugs of this type were frequently imported from Germany and the mounts added in England.. Jug. British, London. 1577–78. Stoneware, silver gilt. Metalwork-Silver In Combination Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-157778-possibly-william-cocknidge-stoneware-jugs-of-this-type-were-frequently-imported-from-germany-and-the-mounts-added-in-england-jug-british-london-157778-stoneware-silver-gilt-metalwork-silver-in-combination-image458452638.htmlRM2HHT90E–Jug 1577–78 Possibly William Cocknidge Stoneware jugs of this type were frequently imported from Germany and the mounts added in England.. Jug. British, London. 1577–78. Stoneware, silver gilt. Metalwork-Silver In Combination
Closeup of the cover of a 200 year old Bible. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-the-cover-of-a-200-year-old-bible-138566282.htmlRMJ1C6KP–Closeup of the cover of a 200 year old Bible.
Unusual Victorian Christmas card c. 1890, featuring an embossed illustration of a bicycle decorated with flowers and a ribbon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unusual-victorian-christmas-card-c-1890-featuring-an-embossed-illustration-35604740.htmlRMC1WX5T–Unusual Victorian Christmas card c. 1890, featuring an embossed illustration of a bicycle decorated with flowers and a ribbon
Wine Warmer (Zun). 206 BC–9 AD. China. Gilt bronze This type of cylindrical vessel has been identified as a wine warmer (zun) through a similar inscribed example excavated in northern China. The vessel may have been used for a variety of foods or wines, but its short legs indicate that it was probably not designed to be placed over a fire. This metal shape was modeled after early boxes of lacquered wood that served as cosmetic containers (lian). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wine-warmer-zun-206-bc9-ad-china-gilt-bronze-this-type-of-cylindrical-vessel-has-been-identified-as-a-wine-warmer-zun-through-a-similar-inscribed-example-excavated-in-northern-china-the-vessel-may-have-been-used-for-a-variety-of-foods-or-wines-but-its-short-legs-indicate-that-it-was-probably-not-designed-to-be-placed-over-a-fire-this-metal-shape-was-modeled-after-early-boxes-of-lacquered-wood-that-served-as-cosmetic-containers-lian-image337978374.htmlRM2AHT6T6–Wine Warmer (Zun). 206 BC–9 AD. China. Gilt bronze This type of cylindrical vessel has been identified as a wine warmer (zun) through a similar inscribed example excavated in northern China. The vessel may have been used for a variety of foods or wines, but its short legs indicate that it was probably not designed to be placed over a fire. This metal shape was modeled after early boxes of lacquered wood that served as cosmetic containers (lian).
Weathered gilt capital letter S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weathered-gilt-capital-letter-s-image428825359.htmlRF2FWJK3B–Weathered gilt capital letter S
Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wrought-iron-railings-of-pommery-winery-estate-house-of-champagne-28206569.htmlRMBHTWND–Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe,
Detail of a handwritten alchemical symbols. Uncial latin script. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-a-handwritten-alchemical-symbols-uncial-latin-script-138595144.htmlRFJ1DFEG–Detail of a handwritten alchemical symbols. Uncial latin script.
Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mangalitsa-pigs-domestic-pig-pigs-hog-hogs-swine-domestic-domesticated-33129732.htmlRMBWW58M–Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals
Merry Christmas gold glitter lettering design. Christmas greeting card, poster, banner. Vector illustration EPS10 Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/merry-christmas-gold-glitter-lettering-design-christmas-greeting-card-poster-banner-vector-illustration-eps10-image272804490.htmlRFWRR8WE–Merry Christmas gold glitter lettering design. Christmas greeting card, poster, banner. Vector illustration EPS10
France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Gilded wood top of the Polish-type bed by Jean-Baptiste Tilliard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-ile-de-france-region-paris-3rd-arrondissement-rohan-hotel-decors-from-the-orlans-chancellery-dismantled-by-the-banque-de-france-in-1923-the-bedroom-gilded-wood-top-of-the-polish-type-bed-by-jean-baptiste-tilliard-image601306900.htmlRM2WX7W2C–France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Gilded wood top of the Polish-type bed by Jean-Baptiste Tilliard.
Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-paris-c-1755-1760-vase-china-c-1725-1740-hard-paste-porcelain-image68542469.htmlRMDYEAH9–Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century.
Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-soviet-union-order-of-the-patriotic-war1st-class1st-type3rd-variation-51534314.htmlRMCYRGF6–Soviet Union - Order of the Patriotic War,1st Class,1st Type,3rd Variation Gilt silver,gold,enamel. Engraved award number '7931' on the reverse at the 7-8 o'clock position. On a rectangular clasp with nickeled non-ferrous metal screw plate with regional designation. Included is the award booklet with entry for the award with this number as well as entries for the Order of the Red Star and the Medal for Combat Merit,issued 1946,historic,historical,1930s,20th century,medal,decoration,medals,decorations,badge of honour,badge of honor,badges of hon,Additional-Rights-Clearences-Not Available
Gilt silver outdoor helmet of the Berkosovo type. The helmet bulb consists of 2 halves of 3 segments each, held together by a central comb that runs into the nose guard. Loose neck plate and cheek valves. The right cheek valve is a modern addition. The parts have been attached with silver tacks at the edges that have been hatched with Andreas-curved flower figures. Centrally on the segments a ship anchor, accented with silver tacks., On the neck plate is the maker name incised (M.Titus Lunamis) and the silver weight (LIBR I - L) of the helmet. On the edge of the helmet bulb the inscription of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilt-silver-outdoor-helmet-of-the-berkosovo-type-the-helmet-bulb-consists-of-2-halves-of-3-segments-each-held-together-by-a-central-comb-that-runs-into-the-nose-guard-loose-neck-plate-and-cheek-valves-the-right-cheek-valve-is-a-modern-addition-the-parts-have-been-attached-with-silver-tacks-at-the-edges-that-have-been-hatched-with-andreas-curved-flower-figures-centrally-on-the-segments-a-ship-anchor-accented-with-silver-tacks-on-the-neck-plate-is-the-maker-name-incised-mtitus-lunamis-and-the-silver-weight-libr-i-l-of-the-helmet-on-the-edge-of-the-helmet-bulb-the-inscription-of-image344540360.htmlRM2B0F4MT–Gilt silver outdoor helmet of the Berkosovo type. The helmet bulb consists of 2 halves of 3 segments each, held together by a central comb that runs into the nose guard. Loose neck plate and cheek valves. The right cheek valve is a modern addition. The parts have been attached with silver tacks at the edges that have been hatched with Andreas-curved flower figures. Centrally on the segments a ship anchor, accented with silver tacks., On the neck plate is the maker name incised (M.Titus Lunamis) and the silver weight (LIBR I - L) of the helmet. On the edge of the helmet bulb the inscription of
Art inspired by Eight-light chandelier, ca. 1710, French, Paris, Chased bronze and gilt, iron, Height: 32 3/8 in. (82.2 cm);, Metalwork-Bronze, Richly ornamented with satyr masks and female busts, this type of early eighteenth-century chandelier has often been associated with the work, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eight-light-chandelier-ca-1710-french-paris-chased-bronze-and-gilt-iron-height-32-38-in-822-cm-metalwork-bronze-richly-ornamented-with-satyr-masks-and-female-busts-this-type-of-early-eighteenth-century-chandelier-has-often-been-associated-with-the-work-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462779862.htmlRF2HTWCC6–Art inspired by Eight-light chandelier, ca. 1710, French, Paris, Chased bronze and gilt, iron, Height: 32 3/8 in. (82.2 cm);, Metalwork-Bronze, Richly ornamented with satyr masks and female busts, this type of early eighteenth-century chandelier has often been associated with the work, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![The New-born Buddha, 400s. This image of the newborn Buddha is rare and unusual. The common type represents him taking seven steps while proclaiming "I am supreme in the Universe." Here, he is represented as being bathed by the nine Nagas, with both hands down. Stock Photo](https://c8.alamy.com/comp/2A52K5E/the-new-born-buddha-400s-this-image-of-the-newborn-buddha-is-rare-and-unusual-the-common-type-represents-him-taking-seven-steps-while-proclaiming-quoti-am-supreme-in-the-universequot-here-he-is-represented-as-being-bathed-by-the-nine-nagas-with-both-hands-down-2A52K5E.jpg "The New-born Buddha, 400s. This image of the newborn Buddha is rare and unusual. The common type represents him taking seven steps while proclaiming "I am supreme in the Universe." Here, he is represented as being bathed by the nine Nagas, with both hands down. Stock Photo")
The New-born Buddha, 400s. This image of the newborn Buddha is rare and unusual. The common type represents him taking seven steps while proclaiming "I am supreme in the Universe." Here, he is represented as being bathed by the nine Nagas, with both hands down. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-new-born-buddha-400s-this-image-of-the-newborn-buddha-is-rare-and-unusual-the-common-type-represents-him-taking-seven-steps-while-proclaiming-quoti-am-supreme-in-the-universequot-here-he-is-represented-as-being-bathed-by-the-nine-nagas-with-both-hands-down-image330129226.htmlRM2A52K5E–The New-born Buddha, 400s. This image of the newborn Buddha is rare and unusual. The common type represents him taking seven steps while proclaiming "I am supreme in the Universe." Here, he is represented as being bathed by the nine Nagas, with both hands down.
An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Candelabrum. goats heads, other sphinxes headsof a more Egyptian type, andflowers realistically treated. Thisis by Gouthiere, and of the styleand period of Louis Seize. Thecandelabrum stands on a triangularLouis Seize gueridon of mahoganyand gilt bronze, cast and chased,in the style of Martin Carlin.The candelabrum is by De laFosse, of LouisXVL period. 353 Louis XVI. PIERRE-GABRIEL Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-historical-guide-to-french-interiors-furniture-decoration-woodwork-allied-arts-during-the-last-half-of-the-seventeenth-century-the-whole-of-the-eighteenth-century-and-the-earlier-part-of-the-nineteenth-candelabrum-goats-heads-other-sphinxes-headsof-a-more-egyptian-type-andflowers-realistically-treated-thisis-by-gouthiere-and-of-the-styleand-period-of-louis-seize-thecandelabrum-stands-on-a-triangularlouis-seize-gueridon-of-mahoganyand-gilt-bronze-cast-and-chasedin-the-style-of-martin-carlinthe-candelabrum-is-by-de-lafosse-of-louisxvl-period-353-louis-xvi-pierre-gabriel-image339343259.htmlRM2AM2BP3–An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Candelabrum. goats heads, other sphinxes headsof a more Egyptian type, andflowers realistically treated. Thisis by Gouthiere, and of the styleand period of Louis Seize. Thecandelabrum stands on a triangularLouis Seize gueridon of mahoganyand gilt bronze, cast and chased,in the style of Martin Carlin.The candelabrum is by De laFosse, of LouisXVL period. 353 Louis XVI. PIERRE-GABRIEL
Sword. Dimensions: 1 3/8 x 28 1/8 in. (3.5 x 71.5 cm). Date: 9th century. This sword has an iron blade and was adorned with gilt-bronze elements on the cross guard and quillon. Parts of its wooden scabbard remain fused to the blade, which also was decorated with gilt-bronze mounts at the center and tip. The form of this sword, with its straight, double-edged blade, seems to be a Central Asian type. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sword-dimensions-1-38-x-28-18-in-35-x-715-cm-date-9th-century-this-sword-has-an-iron-blade-and-was-adorned-with-gilt-bronze-elements-on-the-cross-guard-and-quillon-parts-of-its-wooden-scabbard-remain-fused-to-the-blade-which-also-was-decorated-with-gilt-bronze-mounts-at-the-center-and-tip-the-form-of-this-sword-with-its-straight-double-edged-blade-seems-to-be-a-central-asian-type-museum-metropolitan-museum-of-art-new-york-usa-image212897626.htmlRMPAA92J–Sword. Dimensions: 1 3/8 x 28 1/8 in. (3.5 x 71.5 cm). Date: 9th century. This sword has an iron blade and was adorned with gilt-bronze elements on the cross guard and quillon. Parts of its wooden scabbard remain fused to the blade, which also was decorated with gilt-bronze mounts at the center and tip. The form of this sword, with its straight, double-edged blade, seems to be a Central Asian type. Museum: Metropolitan Museum of Art, New York, USA.
dollar, dollars, type, model, build, isolated, american, currency, usa, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dollar-dollars-type-model-build-isolated-american-currency-usa-131757285.htmlRFHJA1N9–dollar, dollars, type, model, build, isolated, american, currency, usa,
Self portrait 3 3rd eye ceramic pottery slab mirror England UK United Kingdom GB Great Britain EU European Union Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-3-3rd-eye-ceramic-pottery-slab-mirror-england-uk-united-image7708750.htmlRMADTGMF–Self portrait 3 3rd eye ceramic pottery slab mirror England UK United Kingdom GB Great Britain EU European Union Europe
Cup and Cover 18th century Japan. Cup and Cover. Japan. 18th century. White porcelain decorated with blue under the glaze, polychrome enamels; mounted in silver gilt (Arita ware, Imari type). Edo period (1615–1868). Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cup-and-cover-18th-century-japan-cup-and-cover-japan-18th-century-white-porcelain-decorated-with-blue-under-the-glaze-polychrome-enamels-mounted-in-silver-gilt-arita-ware-imari-type-edo-period-16151868-ceramics-image458440547.htmlRM2HHRNGK–Cup and Cover 18th century Japan. Cup and Cover. Japan. 18th century. White porcelain decorated with blue under the glaze, polychrome enamels; mounted in silver gilt (Arita ware, Imari type). Edo period (1615–1868). Ceramics
Closeup of the cover of a 200 year old Bible. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-the-cover-of-a-200-year-old-bible-138566355.htmlRMJ1C6PB–Closeup of the cover of a 200 year old Bible.
Old lead letters forming the word 'Flughafen', German for airport Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-lead-letters-forming-the-word-flughafen-german-for-airport-50988717.htmlRFCXXMHH–Old lead letters forming the word 'Flughafen', German for airport
Kesa. 1615–1699. Japan. Silk and gilt-paper strip; twill and satin weaves with secondary binding warps and supplementary patterning wefts The Chinese method for making gold thread out of paper coated with lacquer, finished with a layer of gold leaf, and cut into very fine strips was admired greatly by the Japanese but wasn’t adopted in Japan until the late 16th century. Until then, and even after, Chinese textiles utilizing this kinran thread were imported into Japan. The term kinran is also applied to a specific type of textile made in Japan, usually at Nishijin, in Kyoto, that typically disp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kesa-16151699-japan-silk-and-gilt-paper-strip-twill-and-satin-weaves-with-secondary-binding-warps-and-supplementary-patterning-wefts-the-chinese-method-for-making-gold-thread-out-of-paper-coated-with-lacquer-finished-with-a-layer-of-gold-leaf-and-cut-into-very-fine-strips-was-admired-greatly-by-the-japanese-but-wasnt-adopted-in-japan-until-the-late-16th-century-until-then-and-even-after-chinese-textiles-utilizing-this-kinran-thread-were-imported-into-japan-the-term-kinran-is-also-applied-to-a-specific-type-of-textile-made-in-japan-usually-at-nishijin-in-kyoto-that-typically-disp-image337949650.htmlRM2AHPX6A–Kesa. 1615–1699. Japan. Silk and gilt-paper strip; twill and satin weaves with secondary binding warps and supplementary patterning wefts The Chinese method for making gold thread out of paper coated with lacquer, finished with a layer of gold leaf, and cut into very fine strips was admired greatly by the Japanese but wasn’t adopted in Japan until the late 16th century. Until then, and even after, Chinese textiles utilizing this kinran thread were imported into Japan. The term kinran is also applied to a specific type of textile made in Japan, usually at Nishijin, in Kyoto, that typically disp
Weathered gilt capital letter S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weathered-gilt-capital-letter-s-image428825452.htmlRF2FWJK6M–Weathered gilt capital letter S
Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wrought-iron-railings-of-pommery-winery-estate-house-of-champagne-28206541.htmlRMBHTWMD–Wrought iron railings of Pommery winery estate, house of Champagne, Reims, Marne, Champagne, Grand Est, France, Europe,
Detail of a illuminated astrological chart with astrological and alchemical symbols Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-a-illuminated-astrological-chart-with-astrological-and-alchemical-138595116.htmlRFJ1DFDG–Detail of a illuminated astrological chart with astrological and alchemical symbols
Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mangalitsa-pigs-domestic-pig-pigs-hog-hogs-swine-domestic-domesticated-33129800.htmlRMBWW5B4–Mangalitsa Pigs domestic pig pigs hog hogs swine domestic domesticated farm farms farming omnivore omnivores mammal mammals
Merry Christmas gold glitter lettering design. Christmas greeting card, poster, banner. Golden glittering snow, snowflakes, white dots on black background. Vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/merry-christmas-gold-glitter-lettering-design-christmas-greeting-card-poster-banner-golden-glittering-snow-snowflakes-white-dots-on-black-background-vector-illustration-image220988477.htmlRFPREW1H–Merry Christmas gold glitter lettering design. Christmas greeting card, poster, banner. Golden glittering snow, snowflakes, white dots on black background. Vector illustration
France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Polish-type bed in gilded wood by Jean-Baptiste Tilliard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-ile-de-france-region-paris-3rd-arrondissement-rohan-hotel-decors-from-the-orlans-chancellery-dismantled-by-the-banque-de-france-in-1923-the-bedroom-polish-type-bed-in-gilded-wood-by-jean-baptiste-tilliard-image601306885.htmlRM2WX7W1W–France, Ile de France region, Paris 3rd arrondissement, Rohan Hotel, decors from the Orléans Chancellery dismantled by the Banque de France in 1923. The bedroom. Polish-type bed in gilded wood by Jean-Baptiste Tilliard.
Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-paris-c-1755-1760-vase-china-c-1725-1740-hard-paste-porcelain-image68542468.htmlRMDYEAH8–Ewer, Paris, c 1755-1760. Vase, China, c. 1725-1740, hard paste porcelain, gilt bronze. A Paris craftsman transformed this Chinese vase into an ewer. It is an example of European chinoiserie, in which an oriental object acquires a new character through the addition of Western elements. The grey-glazed porcelain gives the impression of having tiny cracks all over it. This type of porcelain - called craze or 'crackle glazed' - was greatly admired in Paris in the mid-18th century.
A Russian double-headed eagle shield for a Kaskett-type helmet Mid-18th century. Gilt brass, embossed, engraved, chased. Size 14.1 x 11.2 cm. Rare. historic, historical, 18th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-russian-double-headed-eagle-shield-for-a-kaskett-type-helmet-mid-18th-century-gilt-brass-embossed-engraved-chased-size-141-x-112-cm-rare-historic-historical-18th-century-additional-rights-clearance-info-not-available-image245868298.htmlRMT807EJ–A Russian double-headed eagle shield for a Kaskett-type helmet Mid-18th century. Gilt brass, embossed, engraved, chased. Size 14.1 x 11.2 cm. Rare. historic, historical, 18th century, Additional-Rights-Clearance-Info-Not-Available
Cassetta-type frame, early 16th century, Veronese, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cassetta-type-frame-early-16th-century-veronese-poplar-carved-gilt-162569934.htmlRMKCDKH2–Cassetta-type frame, early 16th century, Veronese, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background
Art inspired by Bowl, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th century, China, Porcelain painted with underglaze blue; gilt silver mounts, probably German, early 17th century, Diam. 6 in. (15.2 cm), Ceramics, This type of bowl, with a thin body and a highly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bowl-ming-dynasty-13681644-wanli-period-15731620-late-16th-century-china-porcelain-painted-with-underglaze-blue-gilt-silver-mounts-probably-german-early-17th-century-diam-6-in-152-cm-ceramics-this-type-of-bowl-with-a-thin-body-and-a-highly-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462759432.htmlRF2HTTEAG–Art inspired by Bowl, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th century, China, Porcelain painted with underglaze blue; gilt silver mounts, probably German, early 17th century, Diam. 6 in. (15.2 cm), Ceramics, This type of bowl, with a thin body and a highly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for Gilt type Stock Photos and Images (1,085)
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