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Galle theodoor Stock Photos and Images
Lipsius, Justus Stecher: Galle, Theodoor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lipsius-justus-stecher-galle-theodoor-image418588971.htmlRM2F90AE3–Lipsius, Justus Stecher: Galle, Theodoor
Raising of Lazarus, Jacques de Bie, Theodoor Galle, 1598 - 1618 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raising-of-lazarus-jacques-de-bie-theodoor-galle-1598-1618-image240637301.htmlRMRYDY99–Raising of Lazarus, Jacques de Bie, Theodoor Galle, 1598 - 1618
Art inspired by Drawings and Prints, Print, Pieter Coecke van Aelst, Artist, Publisher, Jan (Johannes) Wierix, Theodoor Galle, Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-print-pieter-coecke-van-aelst-artist-publisher-jan-johannes-wierix-theodoor-galle-netherlandish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463055491.htmlRF2HWA003–Art inspired by Drawings and Prints, Print, Pieter Coecke van Aelst, Artist, Publisher, Jan (Johannes) Wierix, Theodoor Galle, Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Plancius Taking A Sight', 1592. Artist: Theodoor Galle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plancius-taking-a-sight-1592-artist-theodoor-galle-image262783158.htmlRMW7EPGP–'Plancius Taking A Sight', 1592. Artist: Theodoor Galle.
'Plancius Taking A Sight', 1592. Artist: Theodoor Galle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-plancius-taking-a-sight-1592-artist-theodoor-galle-135270317.htmlRMHT22JN–'Plancius Taking A Sight', 1592. Artist: Theodoor Galle.
. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 156 Death with the Last Judgement Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-death-with-the-last-judgement-after-ambrosius-francken-published-by-theodoor-galle-print-made-by-hieronymus-wierix-before-1619-theodoor-galle-after-ambrosius-francken-156-death-with-the-last-judgement-image187729003.htmlRMMWBP77–. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 156 Death with the Last Judgement
Portrait of Jan van Scorel, Dutch painter, 1495-1562. Joannes Scorelius Batavus Pictor.. Copperplate engraving after a portrait by an unknown artist published by Theodoor Galle in Dominicus Lampsoniuss Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jan-van-scorel-dutch-painter-1495-1562-joannes-scorelius-batavus-pictor-copperplate-engraving-after-a-portrait-by-an-unknown-artist-published-by-theodoor-galle-in-dominicus-lampsoniuss-pictorum-aliquot-celebrium-germaniae-inferioris-effigies-antwerp-1600-image571850754.htmlRM2T6A1D6–Portrait of Jan van Scorel, Dutch painter, 1495-1562. Joannes Scorelius Batavus Pictor.. Copperplate engraving after a portrait by an unknown artist published by Theodoor Galle in Dominicus Lampsoniuss Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600.
Portrait of Jan van Scorel, Dutch painter, 1495-1562. Joannes Scorelius Batavus Pictor.. Copperplate engraving after a portrait by an unknown artist published by Theodoor Galle in Dominicus Lampsonius’s Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jan-van-scorel-dutch-painter-1495-1562-joannes-scorelius-batavus-pictor-copperplate-engraving-after-a-portrait-by-an-unknown-artist-published-by-theodoor-galle-in-dominicus-lampsoniuss-pictorum-aliquot-celebrium-germaniae-inferioris-effigies-antwerp-1600-image359090708.htmlRM2BT5YT4–Portrait of Jan van Scorel, Dutch painter, 1495-1562. Joannes Scorelius Batavus Pictor.. Copperplate engraving after a portrait by an unknown artist published by Theodoor Galle in Dominicus Lampsonius’s Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600.
Impressio Librorum / Book Printing, 16th century engraving by Theodoor Galle after a drawing by Johannes Stradanus, c. 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/impressio-librorum-book-printing-16th-century-engraving-by-theodoor-galle-after-a-drawing-by-johannes-stradanus-c-1550-image239516695.htmlRMRWJWYK–Impressio Librorum / Book Printing, 16th century engraving by Theodoor Galle after a drawing by Johannes Stradanus, c. 1550
Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace. Joannes ab Eyck, Pictor. Copperplate engraving by Johannes Wierix published by Theodoor Galle (third state) in Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jan-van-eyck-netherlandish-painter-of-early-northern-renaissance-art-1390-1441-wearing-a-chaperon-hat-fur-trimmed-robe-and-long-necklace-joannes-ab-eyck-pictor-copperplate-engraving-by-johannes-wierix-published-by-theodoor-galle-third-state-in-pictorum-aliquot-celebrium-germaniae-inferioris-effigies-antwerp-1600-image358037572.htmlRM2BPE0G4–Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace. Joannes ab Eyck, Pictor. Copperplate engraving by Johannes Wierix published by Theodoor Galle (third state) in Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600.
Manuel chrysoloras theodoor galle rijks 17th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-manuel-chrysoloras-theodoor-galle-rijks-17th-142888160.htmlRMJ8D38G–Manuel chrysoloras theodoor galle rijks 17th
Census at Bethlehem, Theodoor Galle (possibly), 1581 - 1633 Mary and Joseph register at the Census at Bethlehem. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/census-at-bethlehem-theodoor-galle-possibly-1581-1633-mary-and-joseph-register-at-the-census-at-bethlehem-image488039854.htmlRF2KA03PP–Census at Bethlehem, Theodoor Galle (possibly), 1581 - 1633 Mary and Joseph register at the Census at Bethlehem.
Theodoor Galle - Opportunity Seized, Opportunity Missed - WGA08445 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-theodoor-galle-opportunity-seized-opportunity-missed-wga08445-134800705.htmlRMHR8KJW–Theodoor Galle - Opportunity Seized, Opportunity Missed - WGA08445
After Sir Anthony van Dyck - Portrait of Theodoor Galle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-sir-anthony-van-dyck-portrait-of-theodoor-galle-image265028024.htmlRMWB51XG–After Sir Anthony van Dyck - Portrait of Theodoor Galle.
History of the Prophet Moses, Portrait of Moses, 1613, Cornelis Galle, Historic, digitally restored reproduction from 18th or 19th century original Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-the-prophet-moses-portrait-of-moses-1613-cornelis-galle-historic-digitally-restored-reproduction-from-18th-or-19th-century-original-image551733556.htmlRF2R1HHNT–History of the Prophet Moses, Portrait of Moses, 1613, Cornelis Galle, Historic, digitally restored reproduction from 18th or 19th century original
De Blauwe Huyck (The Blue Hood) 1999 by Theodoor Galle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-blauwe-huyck-the-blue-hood-1999-by-theodoor-galle-image591171560.htmlRM2W9P5A0–De Blauwe Huyck (The Blue Hood) 1999 by Theodoor Galle
Inspired by Example of an entrenchment of Breda, 1624-1625, Specimen operis cornuti, Example of an entrenchment, part of the defences around Breda, 1624-1625. In the middle the legend A-M., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, etching, height 154 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-example-of-an-entrenchment-of-breda-1624-1625-specimen-operis-cornuti-example-of-an-entrenchment-part-of-the-defences-around-breda-1624-1625-in-the-middle-the-legend-a-m-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-1626-paper-etching-height-154-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459378150.htmlRF2HKADEE–Inspired by Example of an entrenchment of Breda, 1624-1625, Specimen operis cornuti, Example of an entrenchment, part of the defences around Breda, 1624-1625. In the middle the legend A-M., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, etching, height 154 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Theodoor Galle. The Invention of Oil Painting. 1586–1596. Flanders. Engraving, with plate tone, in black on cream laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodoor-galle-the-invention-of-oil-painting-15861596-flanders-engraving-with-plate-tone-in-black-on-cream-laid-paper-image337952982.htmlRM2AHR2DA–Theodoor Galle. The Invention of Oil Painting. 1586–1596. Flanders. Engraving, with plate tone, in black on cream laid paper
Equestrian Harnesses: pl.9, c. 1580/1590. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equestrian-harnesses-pl9-c-15801590-image491513291.htmlRM2KFJA63–Equestrian Harnesses: pl.9, c. 1580/1590.
Ortelius, Abraham Stecher: Galle, Theodoor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ortelius-abraham-stecher-galle-theodoor-image418723769.htmlRM2F96EC9–Ortelius, Abraham Stecher: Galle, Theodoor
Generosity of the poor widow, Jacques de Bie, Theodoor Galle, 1598 - 1618 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/generosity-of-the-poor-widow-jacques-de-bie-theodoor-galle-1598-1618-image240637302.htmlRMRYDY9A–Generosity of the poor widow, Jacques de Bie, Theodoor Galle, 1598 - 1618
The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, 1600, Hieronymus Wierix, Belgium, Historical, digitally restored reproduction from a 19th century original. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-execution-of-jesus-of-nazareth-christ-good-friday-golgotha-1600-hieronymus-wierix-belgium-historical-digitally-restored-reproduction-from-a-19th-century-original-image551397063.htmlRF2R128G7–The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, 1600, Hieronymus Wierix, Belgium, Historical, digitally restored reproduction from a 19th century original.
Pieta, Karel van Mallery, Theodoor Galle, 1581 - 1612 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pieta-karel-van-mallery-theodoor-galle-1581-1612-77346422.htmlRMEDRC46–Pieta, Karel van Mallery, Theodoor Galle, 1581 - 1612
Hadrian VI, Adriaan Floriszoon (Florenszoon) Boeyens, Adriaan Florisz d'Edel, Adrian of Utrecht (March 2, 1459 to September 14, 1523), was pope from January 9, 1522 until his death, Historical, digitally restored reproduction from a 19th-century original / Hadrian VI., Adriaan Floriszoon (Florenszoon) Boeyens, Adriaan Florisz d’Edel, Adrian von Utrecht (2. März 1459 bis 14. September 1523), war vom 9. Januar 1522 bis zu seinem Tod Papst, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hadrian-vi-adriaan-floriszoon-florenszoon-boeyens-adriaan-florisz-dedel-adrian-of-utrecht-march-2-1459-to-september-14-1523-was-pope-from-january-9-1522-until-his-death-historical-digitally-restored-reproduction-from-a-19th-century-original-hadrian-vi-adriaan-floriszoon-florenszoon-boeyens-adriaan-florisz-dedel-adrian-von-utrecht-2-mrz-1459-bis-14-september-1523-war-vom-9-januar-1522-bis-zu-seinem-tod-papst-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-image551822013.htmlRF2R1NJH1–Hadrian VI, Adriaan Floriszoon (Florenszoon) Boeyens, Adriaan Florisz d'Edel, Adrian of Utrecht (March 2, 1459 to September 14, 1523), was pope from January 9, 1522 until his death, Historical, digitally restored reproduction from a 19th-century original / Hadrian VI., Adriaan Floriszoon (Florenszoon) Boeyens, Adriaan Florisz d’Edel, Adrian von Utrecht (2. März 1459 bis 14. September 1523), war vom 9. Januar 1522 bis zu seinem Tod Papst, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
Theodor Galle, ca 1571-1633, painting, Theodoor Galle, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodor-galle-ca-1571-1633-painting-theodoor-galle-watercolor-and-gouache-on-parchment-height-6-cm-23-inches-width-45-cm-17-inches-image261314492.htmlRMW53W8C–Theodor Galle, ca 1571-1633, painting, Theodoor Galle, watercolor and gouache on parchment, Height, 6 cm (2.3 inches), Width, 4.5 cm (1.7 inches)
. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 135 Death with the Last Judgement Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-death-with-the-last-judgement-after-ambrosius-francken-published-by-theodoor-galle-print-made-by-hieronymus-wierix-before-1619-theodoor-galle-after-ambrosius-francken-135-death-with-the-last-judgement-image188992360.htmlRMMYD9K4–. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 135 Death with the Last Judgement
Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace. Joannes ab Eyck, Pictor. Copperplate engraving by Johannes Wierix published by Theodoor Galle (third state) in Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jan-van-eyck-netherlandish-painter-of-early-northern-renaissance-art-1390-1441-wearing-a-chaperon-hat-fur-trimmed-robe-and-long-necklace-joannes-ab-eyck-pictor-copperplate-engraving-by-johannes-wierix-published-by-theodoor-galle-third-state-in-pictorum-aliquot-celebrium-germaniae-inferioris-effigies-antwerp-1600-image571909802.htmlRM2T6CMP2–Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace. Joannes ab Eyck, Pictor. Copperplate engraving by Johannes Wierix published by Theodoor Galle (third state) in Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600.
Portrait of Joos van Cleve, Flemish painter acgtive in Antwerp, c.1485-1540. Iusto Clivensi Antverpiano Pictori. Copperplate engraving after a self-portrait by van Cleve from Theodoor Galle’s Illustrium Quos Belgium Habuit Pictorum Effigies. Antwerp, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joos-van-cleve-flemish-painter-acgtive-in-antwerp-c1485-1540-iusto-clivensi-antverpiano-pictori-copperplate-engraving-after-a-self-portrait-by-van-cleve-from-theodoor-galles-illustrium-quos-belgium-habuit-pictorum-effigies-antwerp-1600-image358037584.htmlRM2BPE0GG–Portrait of Joos van Cleve, Flemish painter acgtive in Antwerp, c.1485-1540. Iusto Clivensi Antverpiano Pictori. Copperplate engraving after a self-portrait by van Cleve from Theodoor Galle’s Illustrium Quos Belgium Habuit Pictorum Effigies. Antwerp, 1600.
Theodoor Galle The Blue Cloak DP824597 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-theodoor-galle-the-blue-cloak-dp824597-143461804.htmlRMJ9B6YT–Theodoor Galle The Blue Cloak DP824597
Joseph and Mary are refused at the inn, Theodoor Galle (possibly), 1581 - 1633 Joseph and Mary are refused at the inn, vintage engraved. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-and-mary-are-refused-at-the-inn-theodoor-galle-possibly-1581-1633-joseph-and-mary-are-refused-at-the-inn-vintage-engraved-image488045402.htmlRF2KA0ATX–Joseph and Mary are refused at the inn, Theodoor Galle (possibly), 1581 - 1633 Joseph and Mary are refused at the inn, vintage engraved.
After Sir Anthony van Dyck - Theodoor Galle 1571-1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-after-sir-anthony-van-dyck-theodoor-galle-1571-1633-132620474.htmlRMHKNANE–After Sir Anthony van Dyck - Theodoor Galle 1571-1633
Lucas vorsterman-Retrato de Theodoor Galle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-vorsterman-retrato-de-theodoor-galle-image396834699.htmlRM2E1HAKR–Lucas vorsterman-Retrato de Theodoor Galle.
The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary 1951 by Theodoor Galle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vision-of-saint-francis-kneeling-at-right-receiving-the-christ-child-from-the-virgin-mary-1951-by-theodoor-galle-image591171857.htmlRM2W9P5MH–The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary 1951 by Theodoor Galle
Inspired by Three types of bulwarks, 1624-1625, Three types of bulwarks in the army positions of Van Wijngaarden, Baron Balançon and Count Isenburg, in use during the siege of Breda by the Spanish army under Spinola, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-three-types-of-bulwarks-1624-1625-three-types-of-bulwarks-in-the-army-positions-of-van-wijngaarden-baron-balanon-and-count-isenburg-in-use-during-the-siege-of-breda-by-the-spanish-army-under-spinola-1624-1625-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459378144.htmlRF2HKADE8–Inspired by Three types of bulwarks, 1624-1625, Three types of bulwarks in the army positions of Van Wijngaarden, Baron Balançon and Count Isenburg, in use during the siege of Breda by the Spanish army under Spinola, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Theodoor Galle. The Invention of Copper Engraving. 1586–1596. Flanders. Engraving in black on ivory laid paper Joannes Stradanus’s image of an intaglio print shop includes plate engravers, roller-press printers, and fresh impressions drying on ropes in the background. The legend Sculptura in Aes implies that the engraving is being done on copper plates. The print is the nineteenth image in the artist’s New Discoveries series, which also included the European arrival in the Americas and the invention of book printing. The latter print clearly distinguishes the movable type and different press o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodoor-galle-the-invention-of-copper-engraving-15861596-flanders-engraving-in-black-on-ivory-laid-paper-joannes-stradanuss-image-of-an-intaglio-print-shop-includes-plate-engravers-roller-press-printers-and-fresh-impressions-drying-on-ropes-in-the-background-the-legend-sculptura-in-aes-implies-that-the-engraving-is-being-done-on-copper-plates-the-print-is-the-nineteenth-image-in-the-artists-new-discoveries-series-which-also-included-the-european-arrival-in-the-americas-and-the-invention-of-book-printing-the-latter-print-clearly-distinguishes-the-movable-type-and-different-press-o-image337953002.htmlRM2AHR2E2–Theodoor Galle. The Invention of Copper Engraving. 1586–1596. Flanders. Engraving in black on ivory laid paper Joannes Stradanus’s image of an intaglio print shop includes plate engravers, roller-press printers, and fresh impressions drying on ropes in the background. The legend Sculptura in Aes implies that the engraving is being done on copper plates. The print is the nineteenth image in the artist’s New Discoveries series, which also included the European arrival in the Americas and the invention of book printing. The latter print clearly distinguishes the movable type and different press o
Equestrian Harnesses: pl.9, c. 1580/1590. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equestrian-harnesses-pl9-c-15801590-image491460319.htmlRM2KFFXJ7–Equestrian Harnesses: pl.9, c. 1580/1590.
Beke, Joost van der Stecher: Lampsonius, Dominique Verleger: Galle, Theodoor Datierung: 1567/1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beke-joost-van-der-stecher-lampsonius-dominique-verleger-galle-theodoor-datierung-15671600-image418503378.htmlRM2F8TD96–Beke, Joost van der Stecher: Lampsonius, Dominique Verleger: Galle, Theodoor Datierung: 1567/1600
De Blauwe Huyck (The Blue Hood) 1571–1633 Published by Theodoor Galle Netherlandish. De Blauwe Huyck (The Blue Hood) 338085 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-blauwe-huyck-the-blue-hood-15711633-published-by-theodoor-galle-netherlandish-de-blauwe-huyck-the-blue-hood-338085-image458564705.htmlRM2HJ1BXW–De Blauwe Huyck (The Blue Hood) 1571–1633 Published by Theodoor Galle Netherlandish. De Blauwe Huyck (The Blue Hood) 338085
Tekstblad van type occasions in which the advantages of the Galle, 1603 text sheet Tekstblad written by Theodoor Galle. Antwerp paper letterpress printing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tekstblad-van-type-occasions-in-which-the-advantages-of-the-galle-1603-text-sheet-tekstblad-written-by-theodoor-galle-antwerp-paper-letterpress-printing-image595129704.htmlRM2WG6E08–Tekstblad van type occasions in which the advantages of the Galle, 1603 text sheet Tekstblad written by Theodoor Galle. Antwerp paper letterpress printing
The Invention of Oil Painting, c. 1591, Théodoor Galle (Flemish, 1571-1633), after Joannes Stradanus (Flemish, 1523-1605), Flanders, Engraving, with plate tone, in black on cream laid paper, 203 × 270 mm (image/sheet, trimmed within plate mark Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-invention-of-oil-painting-c-1591-thodoor-galle-flemish-1571-1633-after-joannes-stradanus-flemish-1523-1605-flanders-engraving-with-plate-tone-in-black-on-cream-laid-paper-203-270-mm-imagesheet-trimmed-within-plate-mark-image328661737.htmlRM2A2KRB5–The Invention of Oil Painting, c. 1591, Théodoor Galle (Flemish, 1571-1633), after Joannes Stradanus (Flemish, 1523-1605), Flanders, Engraving, with plate tone, in black on cream laid paper, 203 × 270 mm (image/sheet, trimmed within plate mark
. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 156 Death with the Last Judgement Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-death-with-the-last-judgement-after-ambrosius-francken-published-by-theodoor-galle-print-made-by-hieronymus-wierix-before-1619-theodoor-galle-after-ambrosius-francken-156-death-with-the-last-judgement-image188252256.htmlRMMX7HJT–. English: Death with the Last Judgement. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 156 Death with the Last Judgement
The Invention of Oil Painting. Théodoor Galle (Flemish, 1571-1633); after Joannes Stradanus (Flemish, 1523-1605). Date: 1586-1596. Dimensions: 203 × 270 mm (image/sheet, trimmed within plate mark). Engraving, with plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Author: Theodoor Galle. Jan Collaert I. called Stradanus After Jan van der Straet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-invention-of-oil-painting-thodoor-galle-flemish-1571-1633-after-joannes-stradanus-flemish-1523-1605-date-1586-1596-dimensions-203-270-mm-imagesheet-trimmed-within-plate-mark-engraving-with-plate-tone-in-black-on-cream-laid-paper-origin-flanders-museum-the-chicago-art-institute-author-theodoor-galle-jan-collaert-i-called-stradanus-after-jan-van-der-straet-image239836873.htmlRMRX5EAH–The Invention of Oil Painting. Théodoor Galle (Flemish, 1571-1633); after Joannes Stradanus (Flemish, 1523-1605). Date: 1586-1596. Dimensions: 203 × 270 mm (image/sheet, trimmed within plate mark). Engraving, with plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Author: Theodoor Galle. Jan Collaert I. called Stradanus After Jan van der Straet.
Theodoor Galle The Blue Cloak DP824597 (cropped) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-theodoor-galle-the-blue-cloak-dp824597-cropped-143461834.htmlRMJ9B70X–Theodoor Galle The Blue Cloak DP824597 (cropped)
An angel's warning to Joseph, Theodoor Galle (possibly), 1581 - 1633 Joseph is warned by an angel: he must flee to Egypt with his family to escape Her Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-angels-warning-to-joseph-theodoor-galle-possibly-1581-1633-joseph-is-warned-by-an-angel-he-must-flee-to-egypt-with-his-family-to-escape-her-image488047856.htmlRF2KA0E0G–An angel's warning to Joseph, Theodoor Galle (possibly), 1581 - 1633 Joseph is warned by an angel: he must flee to Egypt with his family to escape Her
After Sir Anthony van Dyck - Portrait of Theodoor Galle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-after-sir-anthony-van-dyck-portrait-of-theodoor-galle-146528424.htmlRMJEAXE0–After Sir Anthony van Dyck - Portrait of Theodoor Galle
Manuel-chrysoloras-theodoor-galle-rijks-17th. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manuel-chrysoloras-theodoor-galle-rijks-17th-image398211935.htmlRM2E3T3AR–Manuel-chrysoloras-theodoor-galle-rijks-17th.
The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross 1951 by Theodoor Galle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-intercession-of-the-virgin-kneeling-on-a-cloud-at-right-before-christ-standing-at-left-holding-the-cross-1951-by-theodoor-galle-image591171859.htmlRM2W9P5MK–The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross 1951 by Theodoor Galle
Inspired by Map of Breda with all defenses, 1624-1625, Breda novis operibus post Spinolae adventum minita, Map of Breda with the new defenses constructed since the arrival of the besieging Spanish army under Spinola, 1624-1625. Top left legend A-X., print maker:, print maker: Theodoor Galle, Southern, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-map-of-breda-with-all-defenses-1624-1625-breda-novis-operibus-post-spinolae-adventum-minita-map-of-breda-with-the-new-defenses-constructed-since-the-arrival-of-the-besieging-spanish-army-under-spinola-1624-1625-top-left-legend-a-x-print-maker-print-maker-theodoor-galle-southern-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459378155.htmlRF2HKADEK–Inspired by Map of Breda with all defenses, 1624-1625, Breda novis operibus post Spinolae adventum minita, Map of Breda with the new defenses constructed since the arrival of the besieging Spanish army under Spinola, 1624-1625. Top left legend A-X., print maker:, print maker: Theodoor Galle, Southern, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
De profeet Joël met baard en haarband om zijn hoofd, in ovaal met Latijns randschrift. Manufacturer : prentmaker: Cornelis Galle (I)naar tekening van: Jan van der Straetuitgever: Theodoor GallePlaats manufacture: Antwerpen Dating: 1613 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 175 mm × b 135 mm Subject: the book of Joel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-profeet-jol-met-baard-en-haarband-om-zijn-hoofd-in-ovaal-met-latijns-randschrift-manufacturer-prentmaker-cornelis-galle-inaar-tekening-van-jan-van-der-straetuitgever-theodoor-galleplaats-manufacture-antwerpen-dating-1613-physical-kenmerken-gravure-material-papier-techniek-graveren-drukproced-dimensions-blad-h-175-mm-b-135-mm-subject-the-book-of-joel-image348464251.htmlRM2B6WWKR–De profeet Joël met baard en haarband om zijn hoofd, in ovaal met Latijns randschrift. Manufacturer : prentmaker: Cornelis Galle (I)naar tekening van: Jan van der Straetuitgever: Theodoor GallePlaats manufacture: Antwerpen Dating: 1613 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 175 mm × b 135 mm Subject: the book of Joel
The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception, 1595-1633. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-in-glory-standing-on-clouds-and-surrounded-by-angels-holding-the-symbols-of-the-immaculate-conception-1595-1633-image386255338.htmlRM2DCBCHE–The Virgin in Glory, standing on clouds and surrounded by angels holding the symbols of the Immaculate Conception, 1595-1633.
Abuse of the Law, Theodoor Galle, After Hendrick Goltzius, 1581 - 1633 print My and Dijn dispel Caritas, Concordia, Pax and Timor Dei. paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abuse-of-the-law-theodoor-galle-after-hendrick-goltzius-1581-1633-print-my-and-dijn-dispel-caritas-concordia-pax-and-timor-dei-paper-engraving-image595202982.htmlRM2WG9RDA–Abuse of the Law, Theodoor Galle, After Hendrick Goltzius, 1581 - 1633 print My and Dijn dispel Caritas, Concordia, Pax and Timor Dei. paper engraving
Mary hands the Christ Child to Francis, print maker: Michel Lasne, after design by: Peter Paul Rubens, publisher: Theodoor Galle, 1600 - 1633, paper, engraving, height 458 mm × width 299 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-hands-the-christ-child-to-francis-print-maker-michel-lasne-after-design-by-peter-paul-rubens-publisher-theodoor-galle-1600-1633-paper-engraving-height-458-mm-width-299-mm-print-image599536044.htmlRM2WRB69G–Mary hands the Christ Child to Francis, print maker: Michel Lasne, after design by: Peter Paul Rubens, publisher: Theodoor Galle, 1600 - 1633, paper, engraving, height 458 mm × width 299 mm, print
. English: The Four Ages of Man. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 1173 The Four Ages of Man 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-four-ages-of-man-after-ambrosius-francken-published-by-theodoor-galle-print-made-by-hieronymus-wierix-before-1619-theodoor-galle-after-ambrosius-francken-1173-the-four-ages-of-man-2-image185599098.htmlRMMNXNF6–. English: The Four Ages of Man. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 1173 The Four Ages of Man 2
![New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philip Stock Photo](https://c8.alamy.com/comp/R2MED7/new-inventions-of-modern-times-nova-reperta-the-invention-of-clockwork-plate-5-artist-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-first-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philip-R2MED7.jpg "New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philip Stock Photo")
New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philip Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-inventions-of-modern-times-nova-reperta-the-invention-of-clockwork-plate-5-artist-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-first-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philip-image225414483.htmlRMR2MED7–New Inventions of Modern Times [Nova Reperta], The Invention of Clockwork, plate 5. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philip
Nativity, Theodoor Galle (possibly), 1581 - 1633 Mary with the Christ Child in the foreground. Joseph feeds the ox and the donkey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-theodoor-galle-possibly-1581-1633-mary-with-the-christ-child-in-the-foreground-joseph-feeds-the-ox-and-the-donkey-image488027266.htmlRF2K9YFN6–Nativity, Theodoor Galle (possibly), 1581 - 1633 Mary with the Christ Child in the foreground. Joseph feeds the ox and the donkey.
After Sir Anthony van Dyck - Portrait of Theodoor Galle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-sir-anthony-van-dyck-portrait-of-theodoor-galle-image214116249.htmlRMPC9RCW–After Sir Anthony van Dyck - Portrait of Theodoor Galle.
Inspired by Map of the country around Breda, 1624-1625, Map of the country around Breda between Mechelen, Steenbergen and Den Bosch, showing the main roads and waterways, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, engraving, height 161 mm × width, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-map-of-the-country-around-breda-1624-1625-map-of-the-country-around-breda-between-mechelen-steenbergen-and-den-bosch-showing-the-main-roads-and-waterways-1624-1625-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-1626-paper-engraving-height-161-mm-width-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459378154.htmlRF2HKADEJ–Inspired by Map of the country around Breda, 1624-1625, Map of the country around Breda between Mechelen, Steenbergen and Den Bosch, showing the main roads and waterways, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, engraving, height 161 mm × width, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Jona Icones Prophetarum Veteris Testamenti (serietitel) De profeet Jona , in ovaal met Latijns randschrift. Manufacturer : prentmaker: Cornelis Galle (I)naar tekening van: Jan van der Straetuitgever: Theodoor GallePlaats manufacture: Antwerpen Dating: 1613 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 175 mm × b 135 mm Subject: het boek van Jonas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jona-icones-prophetarum-veteris-testamenti-serietitel-de-profeet-jona-in-ovaal-met-latijns-randschrift-manufacturer-prentmaker-cornelis-galle-inaar-tekening-van-jan-van-der-straetuitgever-theodoor-galleplaats-manufacture-antwerpen-dating-1613-physical-kenmerken-gravure-material-papier-techniek-graveren-drukproced-dimensions-blad-h-175-mm-b-135-mm-subject-het-boek-van-jonas-image348464327.htmlRM2B6WWPF–Jona Icones Prophetarum Veteris Testamenti (serietitel) De profeet Jona , in ovaal met Latijns randschrift. Manufacturer : prentmaker: Cornelis Galle (I)naar tekening van: Jan van der Straetuitgever: Theodoor GallePlaats manufacture: Antwerpen Dating: 1613 Physical kenmerken: gravure Material: papier Techniek: graveren (drukprocedé) Dimensions: blad: h 175 mm × b 135 mm Subject: het boek van Jonas
![Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photo](https://c8.alamy.com/comp/2KFFXRF/title-page-for-quotregiones-et-villae-rusticaequot-published-in-or-before-1633-2KFFXRF.jpg "Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photo")
Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-for-quotregiones-et-villae-rusticaequot-published-in-or-before-1633-image491460467.htmlRM2KFFXRF–Title Page for "Regiones et Villae Rusticae", published in or before 1633.
Portrait of Theodoor Galle, 1645 - 1646 print Portrait of the print maker and publisher Theodoor Galle. This print is part of an album. paper engraving portrait, self-portrait of graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-theodoor-galle-1645-1646-print-portrait-of-the-print-maker-and-publisher-theodoor-galle-this-print-is-part-of-an-album-paper-engraving-portrait-self-portrait-of-graphic-artist-image594164134.htmlRM2WEJEBJ–Portrait of Theodoor Galle, 1645 - 1646 print Portrait of the print maker and publisher Theodoor Galle. This print is part of an album. paper engraving portrait, self-portrait of graphic artist
The prophet Ezekiel, in oval with Latin edge lettering, Ezekiel Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 176 mm × w 133 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prophet-ezekiel-in-oval-with-latin-edge-lettering-ezekiel-icones-prophetarum-veteris-testamenti-print-maker-cornelis-galle-i-intermediary-draughtsman-jan-van-der-straet-publisher-theodoor-galle-antwerp-1613-paper-engraving-h-176-mm-w-133-mm-image472244122.htmlRM2JC8G5E–The prophet Ezekiel, in oval with Latin edge lettering, Ezekiel Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 176 mm × w 133 mm
. English: The Four Ages of Man. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 1173 The Four Ages of Man 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-four-ages-of-man-after-ambrosius-francken-published-by-theodoor-galle-print-made-by-hieronymus-wierix-before-1619-theodoor-galle-after-ambrosius-francken-1173-the-four-ages-of-man-1-image185599097.htmlRMMNXNF5–. English: The Four Ages of Man. After: Ambrosius Francken. Published by: Theodoor Galle. Print made by: Hieronymus Wierix . before 1619. Theodoor Galle after Ambrosius Francken 1173 The Four Ages of Man 1
![New Inventions of Modern Times [Nova Reperta], The Discovery of America, plate 1. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Stock Photo](https://c8.alamy.com/comp/R2MDX3/new-inventions-of-modern-times-nova-reperta-the-discovery-of-america-plate-1-artist-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-first-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-R2MDX3.jpg "New Inventions of Modern Times [Nova Reperta], The Discovery of America, plate 1. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Stock Photo")
New Inventions of Modern Times [Nova Reperta], The Discovery of America, plate 1. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-inventions-of-modern-times-nova-reperta-the-discovery-of-america-plate-1-artist-after-jan-van-der-straet-called-stradanus-netherlandish-bruges-1523-1605-florence-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-dimensions-sheet-10-58-x-7-78-in-27-x-20-cm-publisher-philips-galle-netherlandish-haarlem-1537-1612-antwerp-date-ca-1600-first-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-image225414059.htmlRMR2MDX3–New Inventions of Modern Times [Nova Reperta], The Discovery of America, plate 1. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. First plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips
Christ prays before dinner, Theodoor Galle (possibly), 1581 - 1633 The Holy Family at the Table. Christ prays for the food. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-prays-before-dinner-theodoor-galle-possibly-1581-1633-the-holy-family-at-the-table-christ-prays-for-the-food-image488031700.htmlRF2K9YNBG–Christ prays before dinner, Theodoor Galle (possibly), 1581 - 1633 The Holy Family at the Table. Christ prays for the food.
After Sir Anthony van Dyck - Theodoor Galle 1571-1633. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-sir-anthony-van-dyck-theodoor-galle-1571-1633-image214116250.htmlRMPC9RCX–After Sir Anthony van Dyck - Theodoor Galle 1571-1633.
Inspired by Map of Breda, 1624-1625, Breda ut a Mauritio Nassauio recens operibus munita ante obsionem, Map of Breda with the fortifications around the city constructed by Prince Maurits, 1624-1625. Bottom left legend A-I., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-map-of-breda-1624-1625-breda-ut-a-mauritio-nassauio-recens-operibus-munita-ante-obsionem-map-of-breda-with-the-fortifications-around-the-city-constructed-by-prince-maurits-1624-1625-bottom-left-legend-a-i-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-1626-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459378133.htmlRF2HKADDW–Inspired by Map of Breda, 1624-1625, Breda ut a Mauritio Nassauio recens operibus munita ante obsionem, Map of Breda with the fortifications around the city constructed by Prince Maurits, 1624-1625. Bottom left legend A-I., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Christ on the cross Christ on the cross. Beneath the cross the kneeling Mary Magdalene. The print has a Latin onderschrift. Manufacturer : printmaker: Theodoor Galle (possible) publisher: Theodoor Galle (listed property) Place manufacture: Antwerp Date: 1581 - 1633 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge b 50 mm × h 72 mm Subject: crucified Christ with Mary Magdalene, who Usually weeps and embraces the cross Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-christ-on-the-cross-beneath-the-cross-the-kneeling-mary-magdalene-the-print-has-a-latin-onderschrift-manufacturer-printmaker-theodoor-galle-possible-publisher-theodoor-galle-listed-property-place-manufacture-antwerp-date-1581-1633-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plate-edge-b-50-mm-h-72-mm-subject-crucified-christ-with-mary-magdalene-who-usually-weeps-and-embraces-the-cross-image348256067.htmlRM2B6GC4K–Christ on the cross Christ on the cross. Beneath the cross the kneeling Mary Magdalene. The print has a Latin onderschrift. Manufacturer : printmaker: Theodoor Galle (possible) publisher: Theodoor Galle (listed property) Place manufacture: Antwerp Date: 1581 - 1633 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge b 50 mm × h 72 mm Subject: crucified Christ with Mary Magdalene, who Usually weeps and embraces the cross
Distillation: pl.7, c. 1580/1590. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distillation-pl7-c-15801590-image491460306.htmlRM2KFFXHP–Distillation: pl.7, c. 1580/1590.
Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1646 - 1675 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-theodoor-galle-lucas-vorsterman-i-after-anthony-van-dyck-1646-1675-print-portrait-of-the-print-maker-and-publisher-theodoor-galle-antwerp-paper-engraving-image593712707.htmlRM2WDWXH7–Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1646 - 1675 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving
King David, with crown and harp, in oval with Latin edge lettering. David Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 165 mm × w 132 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-david-with-crown-and-harp-in-oval-with-latin-edge-lettering-david-icones-prophetarum-veteris-testamenti-print-maker-cornelis-galle-i-intermediary-draughtsman-jan-van-der-straet-publisher-theodoor-galle-antwerp-1613-paper-engraving-h-165-mm-w-132-mm-image472244124.htmlRM2JC8G5G–King David, with crown and harp, in oval with Latin edge lettering. David Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 165 mm × w 132 mm
English: Opportunity Seized, Opportunity Missed 1605. 1184 Theodoor Galle - Opportunity Seized, Opportunity Missed - WGA08445 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-opportunity-seized-opportunity-missed-1605-1184-theodoor-galle-opportunity-seized-opportunity-missed-wga08445-image185600594.htmlRMMNXRCJ–English: Opportunity Seized, Opportunity Missed 1605. 1184 Theodoor Galle - Opportunity Seized, Opportunity Missed - WGA08445
De Blauwe Huyck (The Blue Hood). Artist: Anonymous, Netherlandish, 16th century. Dimensions: sheet: 14 5/8 x 20 5/8 in. (37.1 x 52.4 cm). Publisher: Published by Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: 1571-1633. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-blauwe-huyck-the-blue-hood-artist-anonymous-netherlandish-16th-century-dimensions-sheet-14-58-x-20-58-in-371-x-524-cm-publisher-published-by-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-date-1571-1633-museum-metropolitan-museum-of-art-new-york-usa-image213111006.htmlRMPAM17A–De Blauwe Huyck (The Blue Hood). Artist: Anonymous, Netherlandish, 16th century. Dimensions: sheet: 14 5/8 x 20 5/8 in. (37.1 x 52.4 cm). Publisher: Published by Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: 1571-1633. Museum: Metropolitan Museum of Art, New York, USA.
Joseph and Christ in the Workshop, Theodoor Galle (possibly), 1581 - 1633 Joseph and the teenage Christ are working together in the workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-and-christ-in-the-workshop-theodoor-galle-possibly-1581-1633-joseph-and-the-teenage-christ-are-working-together-in-the-workshop-image488038260.htmlRF2KA01NT–Joseph and Christ in the Workshop, Theodoor Galle (possibly), 1581 - 1633 Joseph and the teenage Christ are working together in the workshop.
Theodoor Galle - The Blue Cloak - DP824597 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodoor-galle-the-blue-cloak-dp824597-image478781305.htmlRM2JPXAC9–Theodoor Galle - The Blue Cloak - DP824597
Art inspired by Example of an entrenchment of Breda, 1624-1625, Specimen operis cornuti, Example of an entrenchment, part of the defences around Breda, 1624-1625. In the middle the legend A-M., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, etching, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-example-of-an-entrenchment-of-breda-1624-1625-specimen-operis-cornuti-example-of-an-entrenchment-part-of-the-defences-around-breda-1624-1625-in-the-middle-the-legend-a-m-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-1626-paper-etching-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459724005.htmlRF2HKX6JD–Art inspired by Example of an entrenchment of Breda, 1624-1625, Specimen operis cornuti, Example of an entrenchment, part of the defences around Breda, 1624-1625. In the middle the legend A-M., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, etching, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Three flower vases and the arms of the Medici Florilegium (title object) Florilegium (series title) Title Journal of 21 numbered pages from a series of 24. Manufacturer : printmaker: Adriaen Collaert (listed property) designed by: Adriaen Collaertuitgever: Philips Gall Publisher: Theodoor Galle (listed object ) Place manufacture: Netherlands (possible) Dated: 1570 - 1618 Material: paper Technique: engra (printing process) Dimensions: plate edge: h 181 mm × W 128 mmToelichtingW.33 Subject: vase ornament Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-flower-vases-and-the-arms-of-the-medici-florilegium-title-object-florilegium-series-title-title-journal-of-21-numbered-pages-from-a-series-of-24-manufacturer-printmaker-adriaen-collaert-listed-property-designed-by-adriaen-collaertuitgever-philips-gall-publisher-theodoor-galle-listed-object-place-manufacture-netherlands-possible-dated-1570-1618-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-181-mm-w-128-mmtoelichtingw33-subject-vase-ornament-image348316511.htmlRM2B6K57B–Three flower vases and the arms of the Medici Florilegium (title object) Florilegium (series title) Title Journal of 21 numbered pages from a series of 24. Manufacturer : printmaker: Adriaen Collaert (listed property) designed by: Adriaen Collaertuitgever: Philips Gall Publisher: Theodoor Galle (listed object ) Place manufacture: Netherlands (possible) Dated: 1570 - 1618 Material: paper Technique: engra (printing process) Dimensions: plate edge: h 181 mm × W 128 mmToelichtingW.33 Subject: vase ornament
![Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photo](https://c8.alamy.com/comp/2KFJA7E/title-page-for-quotregiones-et-villae-rusticaequot-published-in-or-before-1633-2KFJA7E.jpg "Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photo")
Title Page for "Regiones et Villae Rusticae", published in or before 1633. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-for-quotregiones-et-villae-rusticaequot-published-in-or-before-1633-image491513330.htmlRM2KFJA7E–Title Page for "Regiones et Villae Rusticae", published in or before 1633.
Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1630 - 1646 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-theodoor-galle-lucas-vorsterman-i-after-anthony-van-dyck-1630-1646-print-portrait-of-the-print-maker-and-publisher-theodoor-galle-antwerp-paper-engraving-image594841852.htmlRM2WFNART–Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1630 - 1646 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving
The prophet Natan, he makes with his hand a speaking gene, in oval with Latin edge lettering. Natan Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 172 mm × w 130 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prophet-natan-he-makes-with-his-hand-a-speaking-gene-in-oval-with-latin-edge-lettering-natan-icones-prophetarum-veteris-testamenti-print-maker-cornelis-galle-i-intermediary-draughtsman-jan-van-der-straet-publisher-theodoor-galle-antwerp-1613-paper-engraving-h-172-mm-w-130-mm-image472244118.htmlRM2JC8G5A–The prophet Natan, he makes with his hand a speaking gene, in oval with Latin edge lettering. Natan Icones Prophetarum Veteris Testamenti , print maker: Cornelis Galle (I), intermediary draughtsman: Jan van der Straet, publisher: Theodoor Galle, Antwerp, 1613, paper, engraving, h 172 mm × w 130 mm
. English: Theodoor Galle 1571-1633 (after Sir Anthony van Dyck) . 17th century. After Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (162 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-theodoor-galle-1571-1633-after-sir-anthony-van-dyck-17th-century-after-anthony-van-dyck-15991641-alternative-names-anthony-van-dyck-anthonie-van-dyck-anton-van-dijck-antonis-van-deik-antoon-van-dijk-anthonis-van-dyck-antoine-van-dyck-description-flemish-painter-draughtsman-and-printmaker-date-of-birthdeath-22-march-1599-9-december-1641-location-of-birthdeath-antwerp-blackfriars-london-work-location-antwerp-16091610-16151620-london-1620-march-1621-zaventem-1621-genoa-october-1621-february-1622-rome-february-1622-july-1622-florence-162-image184811462.htmlRMMMJTWA–. English: Theodoor Galle 1571-1633 (after Sir Anthony van Dyck) . 17th century. After Anthony van Dyck (1599–1641) Alternative names Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck Description Flemish painter, draughtsman and printmaker Date of birth/death 22 March 1599 9 December 1641 Location of birth/death Antwerp Blackfriars, London Work location Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (162
H Lucia, Cornelis Galle (I), Theodoor Galle, 1596 - 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-h-lucia-cornelis-galle-i-theodoor-galle-1596-1633-104892963.htmlRMG2J817–H Lucia, Cornelis Galle (I), Theodoor Galle, 1596 - 1633
The Eight Beatitudes, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eight-beatitudes-from-christian-and-profane-allegories-artist-hendrick-goltzius-netherlandish-mhlbracht-1558-1617-haarlem-dimensions-sheet-10-116-x-7-516-in-255-x-186-cm-publisher-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-museum-metropolitan-museum-of-art-new-york-usa-image233227001.htmlRMRFCBBN–The Eight Beatitudes, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 10 1/16 x 7 5/16 in. (25.5 x 18.6 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Museum: Metropolitan Museum of Art, New York, USA.
Saint Catherine, Theodoor Galle, 1581 - 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-catherine-theodoor-galle-1581-1633-image240589984.htmlRMRYBPYC–Saint Catherine, Theodoor Galle, 1581 - 1633
Residence in Egypt, Theodoor Galle (possibly), 1581 - 1633 The Heilgie family in Egypt. They are helped in the household by two angels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/residence-in-egypt-theodoor-galle-possibly-1581-1633-the-heilgie-family-in-egypt-they-are-helped-in-the-household-by-two-angels-image488054680.htmlRF2KA0PM8–Residence in Egypt, Theodoor Galle (possibly), 1581 - 1633 The Heilgie family in Egypt. They are helped in the household by two angels.
Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581 - 1633 A mirror with garlands at the bottom and the personifications Faith, Hope a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-print-for-speculum-illustratum-virginum-theodoor-galle-1581-1633-a-mirror-with-garlands-at-the-bottom-and-the-personifications-faith-hope-a-image488048413.htmlRF2KA0EMD–Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581 - 1633 A mirror with garlands at the bottom and the personifications Faith, Hope a
Theodoor Galle - Opportunity Seized, Opportunity Missed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodoor-galle-opportunity-seized-opportunity-missed-image478781228.htmlRM2JPXA9G–Theodoor Galle - Opportunity Seized, Opportunity Missed
Appearance of Christ and Mary to Saint Francis, Theodoor Galle (attributed to), after Raphael Sadeler (II), after Johann Mathias Kager, after B. Remig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appearance-of-christ-and-mary-to-saint-francis-theodoor-galle-attributed-to-after-raphael-sadeler-ii-after-johann-mathias-kager-after-b-remig-image488054995.htmlRF2KA0R3F–Appearance of Christ and Mary to Saint Francis, Theodoor Galle (attributed to), after Raphael Sadeler (II), after Johann Mathias Kager, after B. Remig
Art inspired by Map of the country around Breda, 1624-1625, Map of the country around Breda between Mechelen, Steenbergen and Den Bosch, showing the main roads and waterways, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, engraving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-map-of-the-country-around-breda-1624-1625-map-of-the-country-around-breda-between-mechelen-steenbergen-and-den-bosch-showing-the-main-roads-and-waterways-1624-1625-print-maker-print-maker-theodoor-galle-southern-netherlands-1625-1626-paper-engraving-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459723972.htmlRF2HKX6H8–Art inspired by Map of the country around Breda, 1624-1625, Map of the country around Breda between Mechelen, Steenbergen and Den Bosch, showing the main roads and waterways, 1624-1625., print maker:, print maker: Theodoor Galle, Southern Netherlands, 1625 - 1626, paper, engraving, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Honden Vierpotige dieren (serietitel) Animalivm Qvaddrvpedvm (serietitel) In the foreground three dogs. In the background, a landscape with a river. The print is part of a series featuring animals Onderwerp. Manufacturer : printmaker: Adriaen Collaert (listed property) designed by: Adriaen Collaertuitgever: Theodoor Galle (listed property) Place manufacture: Antwerp Date: 1595 - 1633 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 125 mm × W 186 mm Subjectdogriver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/honden-vierpotige-dieren-serietitel-animalivm-qvaddrvpedvm-serietitel-in-the-foreground-three-dogs-in-the-background-a-landscape-with-a-river-the-print-is-part-of-a-series-featuring-animals-onderwerp-manufacturer-printmaker-adriaen-collaert-listed-property-designed-by-adriaen-collaertuitgever-theodoor-galle-listed-property-place-manufacture-antwerp-date-1595-1633-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-125-mm-w-186-mm-subjectdogriver-image348442941.htmlRM2B6TXEN–Honden Vierpotige dieren (serietitel) Animalivm Qvaddrvpedvm (serietitel) In the foreground three dogs. In the background, a landscape with a river. The print is part of a series featuring animals Onderwerp. Manufacturer : printmaker: Adriaen Collaert (listed property) designed by: Adriaen Collaertuitgever: Theodoor Galle (listed property) Place manufacture: Antwerp Date: 1595 - 1633 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 125 mm × W 186 mm Subjectdogriver
Clockmaking: pl.5, c. 1580/1590. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clockmaking-pl5-c-15801590-image491460333.htmlRM2KFFXJN–Clockmaking: pl.5, c. 1580/1590.
Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1645 - 1646 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-theodoor-galle-lucas-vorsterman-i-after-anthony-van-dyck-1645-1646-print-portrait-of-the-print-maker-and-publisher-theodoor-galle-antwerp-paper-engraving-image594842993.htmlRM2WFNC8H–Portrait of Theodoor Galle, Lucas Vorsterman (I), After Anthony Van Dyck, 1645 - 1646 print Portrait of the print maker and publisher Theodoor Galle. Antwerp paper engraving
The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Egbert Van Panderen (Flemish, Haarlem 1590-1637 Antwerp). Dimensions: Sheet (Trimmed): 17 7/16 × 11 15/16 in. (44.3 × 30.4 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: ca. 1610-37. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-intercession-of-the-virgin-kneeling-on-a-cloud-at-right-before-christ-standing-at-left-holding-the-cross-artist-after-peter-paul-rubens-flemish-siegen-1577-1640-antwerp-egbert-van-panderen-flemish-haarlem-1590-1637-antwerp-dimensions-sheet-trimmed-17-716-11-1516-in-443-304-cm-publisher-theodoor-galle-netherlandish-antwerp-1571-1633-antwerp-date-ca-1610-37-museum-metropolitan-museum-of-art-new-york-usa-image213171396.htmlRMPAPP84–The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Egbert Van Panderen (Flemish, Haarlem 1590-1637 Antwerp). Dimensions: Sheet (Trimmed): 17 7/16 × 11 15/16 in. (44.3 × 30.4 cm). Publisher: Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: ca. 1610-37. Museum: Metropolitan Museum of Art, New York, USA.
Saint Ursula, Theodoor Galle, 1581 - 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-ursula-theodoor-galle-1581-1633-image240589987.htmlRMRYBPYF–Saint Ursula, Theodoor Galle, 1581 - 1633
Saint Barbara, Theodoor Galle, 1581 - 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-barbara-theodoor-galle-1581-1633-image240589986.htmlRMRYBPYE–Saint Barbara, Theodoor Galle, 1581 - 1633
Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581-1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-print-for-speculum-illustratum-virginum-theodoor-galle-1581-1633-image240589989.htmlRMRYBPYH–Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581-1633
Theodoor Galle - The Blue Cloak - DP824597 (cropped) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodoor-galle-the-blue-cloak-dp824597-cropped-image478781218.htmlRM2JPXA96–Theodoor Galle - The Blue Cloak - DP824597 (cropped)
Christ helps Joseph, Theodoor Galle (possibly), 1581 - 1633 The Christ child helps Joseph with carpentry. Mary in the background cleaning the house. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-helps-joseph-theodoor-galle-possibly-1581-1633-the-christ-child-helps-joseph-with-carpentry-mary-in-the-background-cleaning-the-house-image488054854.htmlRF2KA0PXE–Christ helps Joseph, Theodoor Galle (possibly), 1581 - 1633 The Christ child helps Joseph with carpentry. Mary in the background cleaning the house.
Summer, Egbert van Panderen, Theodoor Galle, 1591 - 1637 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-summer-egbert-van-panderen-theodoor-galle-1591-1637-77348175.htmlRMEDREAR–Summer, Egbert van Panderen, Theodoor Galle, 1591 - 1637
Art inspired by Map of Breda, 1624-1625, Breda ut a Mauritio Nassauio recens operibus munita ante obsionem, Map of Breda with the fortifications around the city constructed by Prince Maurits, 1624-1625. Bottom left legend A-I., print maker:, print maker: Theodoor Galle, Southern, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-map-of-breda-1624-1625-breda-ut-a-mauritio-nassauio-recens-operibus-munita-ante-obsionem-map-of-breda-with-the-fortifications-around-the-city-constructed-by-prince-maurits-1624-1625-bottom-left-legend-a-i-print-maker-print-maker-theodoor-galle-southern-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459723967.htmlRF2HKX6H3–Art inspired by Map of Breda, 1624-1625, Breda ut a Mauritio Nassauio recens operibus munita ante obsionem, Map of Breda with the fortifications around the city constructed by Prince Maurits, 1624-1625. Bottom left legend A-I., print maker:, print maker: Theodoor Galle, Southern, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581-1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-title-print-for-speculum-illustratum-virginum-theodoor-galle-1581-104892967.htmlRMG2J81B–Title print for Speculum Illustratum Virginum, Theodoor Galle, 1581-1633
Search Results for Galle theodoor Stock Photos and Images (809)
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