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Fur lined tabard Stock Photos and Images
Erasmus (1604 / 5-1664 / 5), Standing on a quadrangular plinth, in a forward-standing position with the left foot forward. An open foliant rests on his left hand, of which he holds a few leaves with his right. He wears a beret and over a garment, which is visible at the neck and closed at the wrists with buttons, a fur-lined tabard. It is held together with a band around the waist, has a standing collar and wide sleeves that are folded back at the wrists. A fur-lined scarf hangs over the shoulders, the long ends of which depend on the front. The loose and low pedestal d cover plate and base Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/erasmus-1604-5-1664-5-standing-on-a-quadrangular-plinth-in-a-forward-standing-position-with-the-left-foot-forward-an-open-foliant-rests-on-his-left-hand-of-which-he-holds-a-few-leaves-with-his-right-he-wears-a-beret-and-over-a-garment-which-is-visible-at-the-neck-and-closed-at-the-wrists-with-buttons-a-fur-lined-tabard-it-is-held-together-with-a-band-around-the-waist-has-a-standing-collar-and-wide-sleeves-that-are-folded-back-at-the-wrists-a-fur-lined-scarf-hangs-over-the-shoulders-the-long-ends-of-which-depend-on-the-front-the-loose-and-low-pedestal-d-cover-plate-and-base-image261372891.htmlRMW56FP3–Erasmus (1604 / 5-1664 / 5), Standing on a quadrangular plinth, in a forward-standing position with the left foot forward. An open foliant rests on his left hand, of which he holds a few leaves with his right. He wears a beret and over a garment, which is visible at the neck and closed at the wrists with buttons, a fur-lined tabard. It is held together with a band around the waist, has a standing collar and wide sleeves that are folded back at the wrists. A fur-lined scarf hangs over the shoulders, the long ends of which depend on the front. The loose and low pedestal d cover plate and base
Portrait of the lawyer Willem van Diemen, sitting in an armchair dressed in a fur-lined tabard. A skullcap on his head. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-lawyer-willem-van-diemen-sitting-in-an-armchair-dressed-in-a-fur-lined-tabard-a-skullcap-on-his-head-image488049628.htmlRF2KA0G7T–Portrait of the lawyer Willem van Diemen, sitting in an armchair dressed in a fur-lined tabard. A skullcap on his head.
Portrait of Johannes Wtenbogaert by Rembrandt Harmensz van Rijn (1606-1669), oil on canvas, 1633. The 76 year old Remonstrant minister, once the court chaplain of Prince Maurice, wears a calotte (skullcap) and a 'tabard', a fur-lined cloak - the kind of clothing elderly scholars preferred to be portrayed in. Wtenbgaert's fact is more realistically modelled than his hands, which may have been done by a pupil in Rembrandt's workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-johannes-wtenbogaert-by-rembrandt-harmensz-van-rijn-1606-image68542438.htmlRMDYEAG6–Portrait of Johannes Wtenbogaert by Rembrandt Harmensz van Rijn (1606-1669), oil on canvas, 1633. The 76 year old Remonstrant minister, once the court chaplain of Prince Maurice, wears a calotte (skullcap) and a 'tabard', a fur-lined cloak - the kind of clothing elderly scholars preferred to be portrayed in. Wtenbgaert's fact is more realistically modelled than his hands, which may have been done by a pupil in Rembrandt's workshop.
Italian military costume, 14th century. He wears a round helmet with chainmail neck protector, chainmail suit, gauntlets, greaves, spurs. His cape is scarlet and lined with fur, and the tabard is white. From a figure in the tomb of Mastino II della Scala. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-military-costume-14th-century-he-wears-a-round-helmet-with-chainmail-neck-protector-chainmail-suit-gauntlets-greaves-spurs-his-cape-is-scarlet-and-lined-with-fur-and-the-tabard-is-white-from-a-figure-in-the-tomb-of-mastino-ii-della-scala-handcoloured-illustration-drawn-and-lithographed-by-paul-mercuri-with-text-by-camille-bonnard-from-historical-costumes-from-the-12th-to-15th-centuries-levy-fils-paris-1860-image210564674.htmlRMP6G1AX–Italian military costume, 14th century. He wears a round helmet with chainmail neck protector, chainmail suit, gauntlets, greaves, spurs. His cape is scarlet and lined with fur, and the tabard is white. From a figure in the tomb of Mastino II della Scala. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860.
. This terracotta is the model for the life-size marble statue that is the focal point of the tomb of William of Orange in the Nieuwe Kerk in Delft. William was assassinated in 1584. The dead prince is portrayed in a surprisingly informal fashion: he wears a fur-lined tabard and a nightcap, a favourite garb for scholars in their study. He seems to be lying down for just a moment to rest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-terracotta-is-the-model-for-the-life-size-marble-statue-that-is-the-focal-point-of-the-tomb-of-william-of-orange-in-the-nieuwe-kerk-in-delft-william-was-assassinated-in-1584-the-dead-prince-is-portrayed-in-a-surprisingly-informal-fashion-he-wears-a-fur-lined-tabard-and-a-nightcap-a-favourite-garb-for-scholars-in-their-study-he-seems-to-be-lying-down-for-just-a-moment-to-rest-image433040426.htmlRM2G4EKDE–. This terracotta is the model for the life-size marble statue that is the focal point of the tomb of William of Orange in the Nieuwe Kerk in Delft. William was assassinated in 1584. The dead prince is portrayed in a surprisingly informal fashion: he wears a fur-lined tabard and a nightcap, a favourite garb for scholars in their study. He seems to be lying down for just a moment to rest.
Erasmus (1604 / 5-1664 / 5), Standing on a quadrangular plinth, in a forward-standing position with the left foot forward. An open foliant rests on his left hand, of which he holds a few leaves with his right. He wears a beret and over a garment, which is visible at the neck and closed at the wrists with buttons, a fur-lined tabard. It is held together with a band around the waist, has a standing collar and wide sleeves that are folded back at the wrists. A fur-lined scarf hangs over the shoulders, the long ends of which depend on the front. The loose and low pedestal d cover plate and base of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/erasmus-1604-5-1664-5-standing-on-a-quadrangular-plinth-in-a-forward-standing-position-with-the-left-foot-forward-an-open-foliant-rests-on-his-left-hand-of-which-he-holds-a-few-leaves-with-his-right-he-wears-a-beret-and-over-a-garment-which-is-visible-at-the-neck-and-closed-at-the-wrists-with-buttons-a-fur-lined-tabard-it-is-held-together-with-a-band-around-the-waist-has-a-standing-collar-and-wide-sleeves-that-are-folded-back-at-the-wrists-a-fur-lined-scarf-hangs-over-the-shoulders-the-long-ends-of-which-depend-on-the-front-the-loose-and-low-pedestal-d-cover-plate-and-base-of-image349977967.htmlRF2B9ATD3–Erasmus (1604 / 5-1664 / 5), Standing on a quadrangular plinth, in a forward-standing position with the left foot forward. An open foliant rests on his left hand, of which he holds a few leaves with his right. He wears a beret and over a garment, which is visible at the neck and closed at the wrists with buttons, a fur-lined tabard. It is held together with a band around the waist, has a standing collar and wide sleeves that are folded back at the wrists. A fur-lined scarf hangs over the shoulders, the long ends of which depend on the front. The loose and low pedestal d cover plate and base of
Stadtholder Prince Maurice Lying in State. Prince Maurice died on 23 April 1625 at the age of 57. Rumour had it that he was poisoned. However, an autopsy proved that his death was due to an abscess on his liver. Shortly afterwards, he was embalmed and laid in state, dressed in a fur-lined tabard, as seen in this small portrait. The burial took place in Delft on 20 September. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stadtholder-prince-maurice-lying-in-state-prince-maurice-died-on-23-april-1625-at-the-age-of-57-rumour-had-it-that-he-was-poisoned-however-an-autopsy-proved-that-his-death-was-due-to-an-abscess-on-his-liver-shortly-afterwards-he-was-embalmed-and-laid-in-state-dressed-in-a-fur-lined-tabard-as-seen-in-this-small-portrait-the-burial-took-place-in-delft-on-20-september-image430234148.htmlRM2FYXT18–Stadtholder Prince Maurice Lying in State. Prince Maurice died on 23 April 1625 at the age of 57. Rumour had it that he was poisoned. However, an autopsy proved that his death was due to an abscess on his liver. Shortly afterwards, he was embalmed and laid in state, dressed in a fur-lined tabard, as seen in this small portrait. The burial took place in Delft on 20 September.
Italian Dress of circa 1400 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italian-dress-of-circa-1400-56771541.htmlRMD8A4K1–Italian Dress of circa 1400
Portrait of Cornelis Pietersz Hooft (1546-1626), 1622. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cornelis-pietersz-hooft-1546-1626-1622-image556251664.htmlRM2R8YCJT–Portrait of Cornelis Pietersz Hooft (1546-1626), 1622.
Costume of a young French man, 14th century. He wears a green tabard with squirrel-fur lined hanging sleeves, and pink stockings and cracows (pointed shoes). From a manuscript in the Biblioteca Angelica, Rome. (According to Massard, this is Guillaume de Lorris, French poet and author of 'Roman de la Rose.') Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-young-french-man-14th-century-he-wears-a-green-tabard-with-squirrel-fur-lined-hanging-sleeves-and-pink-stockings-and-cracows-pointed-shoes-from-a-manuscript-in-the-biblioteca-angelica-rome-according-to-massard-this-is-guillaume-de-lorris-french-poet-and-author-of-roman-de-la-rose-handcoloured-illustration-drawn-and-lithographed-by-paul-mercuri-with-text-by-camille-bonnard-from-historical-costumes-from-the-12th-to-15th-centuries-levy-fils-paris-1861-image210541126.htmlRMP6EY9X–Costume of a young French man, 14th century. He wears a green tabard with squirrel-fur lined hanging sleeves, and pink stockings and cracows (pointed shoes). From a manuscript in the Biblioteca Angelica, Rome. (According to Massard, this is Guillaume de Lorris, French poet and author of 'Roman de la Rose.') Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1861.
Portrait of Johannes Wtenbogaert. The 76-year-old Remonstrant minister, once the court chaplain of Prince Maurice, wears a calotte (skullcap)and a ‘tabard’, a fur-lined cloak – the kind of clothing elderly scholars preferred to be portrayed in. Wtenbogaert’s face is more realistically modelled than his hands, which may have been done by a pupil in Rembrandt’s workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-johannes-wtenbogaert-the-76-year-old-remonstrant-minister-once-the-court-chaplain-of-prince-maurice-wears-a-calotte-skullcapand-a-tabard-a-fur-lined-cloak-the-kind-of-clothing-elderly-scholars-preferred-to-be-portrayed-in-wtenbogaerts-face-is-more-realistically-modelled-than-his-hands-which-may-have-been-done-by-a-pupil-in-rembrandts-workshop-image430241843.htmlRM2FYY5T3–Portrait of Johannes Wtenbogaert. The 76-year-old Remonstrant minister, once the court chaplain of Prince Maurice, wears a calotte (skullcap)and a ‘tabard’, a fur-lined cloak – the kind of clothing elderly scholars preferred to be portrayed in. Wtenbogaert’s face is more realistically modelled than his hands, which may have been done by a pupil in Rembrandt’s workshop.
FLORENTINE COSTUME C15TH Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-florentine-costume-c15th-56771300.htmlRMD8A4AC–FLORENTINE COSTUME C15TH
German - Italian Dress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-italian-dress-105361893.htmlRMG3BJ4N–German - Italian Dress
Cansignorio della Scala, lord of Verona, 1340–1375. He wears a scarlet hood and hanging-sleeved tabard lined with ermine, stockings, gauntlets, belt and holds a two-handed sword. From the tomb of the Scaligers in Verona. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cansignorio-della-scala-lord-of-verona-13401375-he-wears-a-scarlet-hood-and-hanging-sleeved-tabard-lined-with-ermine-stockings-gauntlets-belt-and-holds-a-two-handed-sword-from-the-tomb-of-the-scaligers-in-verona-handcoloured-illustration-drawn-and-lithographed-by-paul-mercuri-with-text-by-camille-bonnard-from-historical-costumes-from-the-12th-to-15th-centuries-levy-fils-paris-1860-image210552441.htmlRMP6FDP1–Cansignorio della Scala, lord of Verona, 1340–1375. He wears a scarlet hood and hanging-sleeved tabard lined with ermine, stockings, gauntlets, belt and holds a two-handed sword. From the tomb of the Scaligers in Verona. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860.
Portrait of Johannes Wtenbogaert. Date/Period: 1633. Painting. Oil on canvas. Height: 130 cm (51.1 in); Width: 103 cm (40.5 in). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-johannes-wtenbogaert-dateperiod-1633-painting-oil-on-canvas-height-130-cm-511-in-width-103-cm-405-in-image219714648.htmlRMPNCT7M–Portrait of Johannes Wtenbogaert. Date/Period: 1633. Painting. Oil on canvas. Height: 130 cm (51.1 in); Width: 103 cm (40.5 in).
