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Fugaku sanjurokkei Stock Photos and Images
RMKC6HHG–冨嶽三十六景 武州玉川, Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei
RM2PDYP6G–Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPB4NAY–Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 10 in. (25.4 cm); W. 15 1/4 in. (38.7 cm). Date: ca. 1830-32. The speed and urgency of the galloping horsemen stand in contrast to the solitary and static image of Fuji capping the horizon like an omniscient observer and marking that which is eternal. The raised road that winds into the depths of the print directs our gaze to the mountain, as do the trees tha
RMKC6HKK–Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 諸人登山
RM2AHW6NP–Katsushika Hokusai. The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RF2HW3MN5–Art inspired by 冨嶽三十六景 武州玉川, Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW3GW3–Art inspired by 冨嶽三十六景 本所立川, Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/8 in. (24.8 x 35.9cm), Prints, Katsushika, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, 1830/33. Stock Photo](https://c8.alamy.com/comp/2J3N7FE/under-the-wave-off-kanagawa-kanagawa-oki-nami-ura-also-known-as-the-great-wave-from-the-series-quotthirty-six-views-of-mount-fuji-fugaku-sanjurokkeiquot-japan-183033-2J3N7FE.jpg "Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, 1830/33. Stock Photo")
RM2J3N7FE–Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, 1830/33.
RM2HH3JJW–Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese. Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56373
RM2PDYGPH–Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPAC0HK–Hodogaya on the Tokaido (Tokaido Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 3/4 in. (24.8 cm); W. 14 9/16 in. (37 cm). Date: ca. 1830-32. Mount Fuji is enclosed by old pine trees that were planted along the highway as shade and shelter for the travelers. The location of this scene is probably the Gondazaka and Shinanozaka, hills that border the Musashi and Sagami provinces. Palanquin bearers at the left are resting after having crossed the hill. The t
RMKC6HN6–The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 隠田の水車
RM2AHW728–Katsushika Hokusai. A Mild Breeze on a Fine Day (Gaifu kaisei), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RM2HJ1WWY–Fuji Seen in the Distance from Senju Pleasure Quarter (Senju kagai yori chōbō no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese. Fuji Seen in the Distance from Senju Pleasure Quarter (Senju kagai yori chōbō no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56391
RF2HTTYW5–Art inspired by Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 常州牛掘, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 14 7/8 in. (26 x 37.8 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![The Mitsui Shop in Surugacho in Edo (Koto Surugacho Mitsui mise ryakuzu), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo](https://c8.alamy.com/comp/2J3N78N/the-mitsui-shop-in-surugacho-in-edo-koto-surugacho-mitsui-mise-ryakuzu-from-the-series-quotthirty-six-views-of-mount-fuji-fugaku-sanjurokkeiquot-japan-c-183033-2J3N78N.jpg "The Mitsui Shop in Surugacho in Edo (Koto Surugacho Mitsui mise ryakuzu), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo")
RM2J3N78N–The Mitsui Shop in Surugacho in Edo (Koto Surugacho Mitsui mise ryakuzu), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33.
RM2PDYRJG–Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPAAJ98–Tama River in Musashi Province (Bushu Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm). Date: ca. 1830-32. On the clear waters of the Tama River sails a small ferryboat carrying branches and twigs. Its movement into the depths of the print guides the viewer's eye toward the sacred mountain rising in the distance. Fuji's deep blue coloration matches that of the trees on the near coast, creating a formal link between background
RMKC6HRG–The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 隠田の水車
RM2AHW9H4–Katsushika Hokusai. A Mild Breeze on a Fine Day (Gaifu kaisei), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1837. Japan. Color woodblock print; oban
RM2HHA8PR–Viewing the Sunset over Ryōgoku Bridge from the Onmayagashi Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese. Viewing the Sunset over Ryōgoku Bridge from the Onmayagashi Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 53845
RM2HH948G–View of Mount Fuji from Seven-ri Beach, Province of Sagami (Sōshū: Shichi-ri ga hama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) dated 4th month, Horse year 1858 Utagawa Hiroshige Japanese. View of Mount Fuji from Seven-ri Beach, Province of Sagami (Sōshū: Shichi-ri ga hama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 36538
RM2HHB7BX–Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Men and women gather shellfish under torii, entrance gates to shrines, which mark the transition from secular to religious spaces. Hokusai has cleverly used the torii to frame Fuji, suggesting, in turn, the mountain's sacred, iconic nature.. Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56216
RM2HH8BB9–Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese This simple frontal view of the Mannen Bridge admirably expresses the grand monumental character of the bridge. Indeed, as though it were the subject of a portrait, the bridge commands our attention with an impressive sense of dignity.. Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 55289
RM2HHEG6T–Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Views of the central district of old Edo such as this are frequently characterized by three motifs: the arc of Nihonbashi (literally, 'Bridge of Japan') together with the tiered roofs of Edo Castle and the distant Mt. Fuji. In addition to being the first stage of the Tōkaidō, Nihonbashi's distinctive form and prominent location earned it the importance of a symbol of the capital city.In this composition, Hokusai's radical cropping of the foreground bri
RF2HTTYXF–Art inspired by Senju in Musashi Province (Bushū Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 武州千住, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 15 in. (24.4 x 38.1 cm), Prints, Katsushika, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Mount Fuji Seen from the Senju Pleasure Quarter (Senju kagai yori chobo no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo](https://c8.alamy.com/comp/2J3N7WG/mount-fuji-seen-from-the-senju-pleasure-quarter-senju-kagai-yori-chobo-no-fuji-from-the-series-quotthirty-six-views-of-mount-fuji-fugaku-sanjurokkeiquot-japan-c-183033-2J3N7WG.jpg "Mount Fuji Seen from the Senju Pleasure Quarter (Senju kagai yori chobo no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo")
RM2J3N7WG–Mount Fuji Seen from the Senju Pleasure Quarter (Senju kagai yori chobo no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33.
RM2PDYFAR–Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPB1MKW–Ushibori in Hitachi Province (Joshu Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 9 13/16 in. (24.9 cm); W. 13 7/8 in. (35.2 cm). Date: ca. 1830-32. Mount Fuji appears in all kinds of scenes in the thirty-six prints of the series. In a sense, Hokusai offers a world view in which the sacred mountain is omnipresent. Here we find the bleak life of people who make their living on the water. Ushibori in the province of Hitachi (present-day Ibaragi Prefecture)
RMKC6HRF–In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景
RM2AHTR23–Katsushika Hokusai. A Mild Breeze on a Fine Day (Gaifu kaisei), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1837. Japan. Color woodblock print; oban
RMKC6HMA–Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 甲州石班沢
RMKC6HNW–Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景
RM2HJ3BB0–“Umezawa Manor in Sagami Province,” from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei, Sōshū Umezawa zai) ca. 1830–32 Katsushika Hokusai Japanese The aizuri technique combines undulating hills, soft clouds, and blue waters to create an image of great tranquillity. Entire devoid of human references, this print reveals the timeless quality of the Japanese landscape surrounding Fuji.. “Umezawa Manor in Sagami Province,” from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei, Sōshū Umezawa zai) 36501
RF2HTW0FB–Art inspired by Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州江の島, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 3/4 in. (25.7 x 37.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo](https://c8.alamy.com/comp/2J3N6NM/viewing-sunset-over-the-ryogoku-bridge-from-the-onmaya-embankment-onmayagashi-yori-ryogokubashi-sekiyo-o-miru-from-the-series-quotthirty-six-views-of-mount-fuji-fugaku-sanjurokkeiquot-japan-c-183033-2J3N6NM.jpg "Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33. Stock Photo")
RM2J3N6NM–Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Japan, c. 1830/33.
RM2PDYREF–Senju in Musashi Province (Bushū Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPAXB6E–Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 9 1/2 x 14 5/8 in. (24.1 x 37.1 cm). Date: ca. 1830-32. Unlike the other prints from the series, which portray Mount Fuji from a distance, this image depicts the very top of the sacred mountain, with pilgrims arriving at Fuji's breathtaking summit after an exhausting climb and making their way toward the mountain's grottoes for worship. Artwork also known as: 36 ANSICHTEN DES FUJI.
RM2AHW71H–Katsushika Hokusai. Rice Paddies at Ono in Suruga Province (Sunshu Ono shinden), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HK0–冨嶽三十六景 本所立川, Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika
RM2HJ3CYR–Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese The repetition and rhyme of shapes and colors in the foreground and background make this one of the most unified, handsome designs in the series. The triangular shape formed by the fishing lines, the fisherman's arched back, and the promontory from which he fishes echoes that of Fuji on the horizon. The visual relationship between man in the foreground and nature in the background is enhanced by the deep Berlin blue coloration Hokusai gave t
RF2HTW01F–Art inspired by Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 江戸日本橋, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm), Prints, Katsushika, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2E2JCYM–Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2PDYMA0–Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPB66R9–In the Mountains of Totomi Province (Totomi sanchu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 9 3/5 x 14 29/32 in. (24.4 x 37.9 cm). Date: ca. 1830-32. A massive inclined piece of lumber dominates the pictorial space of the print, and a small image of Mount Fuji is encapsulated in the frame of the raised support. Completely absorbed in cutting the trunk into planks, the lumbermen are unaffected by the magnificent vista beyond. Artwork also known as: 36 ANSICHTEN DE
RM2AHRBGG–Katsushika Hokusai. The Surface of the Water at Misaka in Koshu Province (Koshu Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HK4–冨嶽三十六景 東都駿台, Surugadai in Edo (Tōto Sundai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika
RM2HHA26Y–In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese A massive inclined piece of lumber dominates the pictorial space of the print, and a small image of Mount Fuji is encapsulated in the frame of the raised support. Completely absorbed in cutting the trunk into planks, the lumbermen are unaffected by the magnificent vista beyond.. In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 36506
RF2HTTXX4–Art inspired by Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州仲原, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 14 3/4 in. (37.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2CNKDPY–Toto, Ryogoku, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), 4th month, Horse year 1858.
RM2PDYJ75–Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPA98EE–Yoshida on the Tokaido (Tokaido Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: H. 10 1/8 in. (25.7 cm); W. 15 1/4 in. (38.7 cm). Date: ca. 1830-32. Because of its scenic location, the teahouse is called Fujimi chaya (literally, teahouse with a view of Mount Fuji), a name that is written on the large horizontal panel at the center. The two women at the window enjoy the panoramic vista of Fuji. The triangular arrangement of the figures in the foreground echoes th
RM2AHRBDW–Katsushika Hokusai. Dawn at Isawa in Kai Province (Koshu Isawa no akatsuki), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HPD–Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 常州牛掘
RMKC6HHK–冨嶽三十六景 駿州江尻, Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei
RMKC6HNC–冨嶽三十六景 駿州江尻, Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei
RM2HJ2B2H–Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese By framing Fuji and the cooper in the interior of the large barrel, Hokusai effects an intimate dialogue between the iconic mountain and the sinewy man. The juxtaposition of Fuji and the cooper lends a religious overtone to the man's honest labor and existence.. Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 36500
RM2HH7YAY–Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Mount Fuji is enclosed by old pine trees that were planted along the highway as shade and shelter for the travelers. The location of this scene is probably the Gondazaka and Shinanozaka, hills that border the Musashi and Sagami provinces. Palanquin bearers at the left are resting after having crossed the hill. The trappings of the horse carry the trademark of the publisher and the character ju from the publisher's name of Eijudo.. Hodogaya on t
RF2HTTYTR–Art inspired by Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州江の島, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHPTCN–Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Unlike the other prints from the series, which portray Mount Fuji from a distance, this image depicts the very top of the sacred mountain, with pilgrims arriving at Fuji's breathtaking summit after an exhausting climb and making their way toward the mountain's grottoes for worship. Groups of Mountain Climbers (Shojin tozan), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56235
RM2E2JD3X–Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2PDYHXM–Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPAA90N–Fujimigahara in Owari Province (Bishu Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/16 x 14 7/8 in. (25.6 x 37.8 cm). Date: ca. 1830-32. By framing Fuji and the cooper in the interior of the barrel and by casting the cooper's body in the same triangular form as that of Fuji beyond, Hokusai effects an intimate dialogue between the haggard man and the iconic mountain. This one-to-one relationship makes not only for a strong visual analogy between mount
RM2AHRBFT–Katsushika Hokusai. Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HK2–冨嶽三十六景 下目黒, Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai
RMKC6HRD–Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 常州牛掘
RF2HW3GD4–Art inspired by 富士三十六景 相州三浦の海上, Fuji from Miura, Sagami (Soshu Miura no Kaijo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), 1858, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 9 7/16 in. (24 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HHPTDJ–Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Expressing their exuberance and triumph at having reached the site of the ancient cryptomeria tree, three travelers embrace its enormous trunk. The contrast of the small human figures with the enormous natural forms reveals Hokusai's empathy with the pilgrims.. Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56786
RM2E2JD01–Yoshida on the Tokaido (Tokaido Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2HHE9CD–Yoshida on the Tōkaidō (Tōkaidō Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Because of its scenic location, the teahouse is called Fujimi chaya (literally, teahouse with a view of Mount Fuji), a name that is written on the large horizontal panel at the center. The two women at the window enjoy the panoramic vista of Fuji. The triangular arrangement of the figures in the foreground echoes the shape of Fuji.. Yoshida on the Tōkaidō (Tōkaidō Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 5528
RM2PDYJCP–Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPB50DX–Tatekawa in Honjo (Honjo Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/16 x 15 in. (25.6 x 38.1 cm). Date: ca. 1830-32. Honjo was a district for lumberyards. Mount Fuji peeks through the planks stacked up in such a yard next to the Tate canal. The figures in the print are completely absorbed in their work, unaffected by the handsome vista of Fuji. At the lower right, some planks of wood stand within a frame bearing various markings and inscriptions: 'the
RM2AHP904–Katsushika Hokusai. Tago Bay near Ejiri on the Tokaido (Tokaido Ejiri Tagonoura ryakuzu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HKM–Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景
RF2HTW019–Art inspired by Surugadai in Edo (Tōto Sundai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 東都駿台, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 3/4 in. (24.8 x 37.5 cm), Prints, Katsushika, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2E2JD42–Surugadai in Edo (Toto Sundai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2HHFC5A–Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese The thatched roof of the Japanese shrine echoes the twin-peaked shape of Fuji's summit. This analogizing of form, a common technique in Hokusai's visual vocabulary, serves to set up a visual and symbolic dialogue between the sacred mountain and the religious shrine.. Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) 56240
RM2PDYP75–Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMRFF7GJ–South Wind, Clear Sky (Gaifu kaisei), also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 10 x 14 7/8 in. (25.4 x 37.8 cm). Date: ca. 1830-32. Mount Fuji is said to have a reddish hue at dawn in early autumn. Known as 'Red Fuji,' this print presents Hokusai's uncompromising vision of Mount Fuji without a human presence. The majestic snow-capped Mount Fuji embodies an iconic spirituality that approaches the religious. Trees are reduced to tiny tria
RM2AHW6YD–Katsushika Hokusai. The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HNR–Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州江の島
RF2HTTYW0–Art inspired by In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 遠江山中, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 15 1/4 in. (26.4 x 38.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2E2JD39–Yoshida on the Tokaido (Tokaido Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2HHBFP6–Fuji Seen from Kanaya on the Tōkaidō (Tōkaidō Kanaya no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese The vibrant, stylized design of this print, particularly the turbulent play of color and line used to compose the river and the travelers crossing it, threatens the integrity of the monochrome mountain beyond. The rhyming and analogizing of form and color that figure so prominently in Hokusai's style are virtually absent from this image of explosive color and line.. Fuji Seen from Kanaya on the Tōkaidō (Tōkaidō Kanaya no Fuji
RM2PDYJ25–Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPANJDW–Mitsui Shop at Surugacho in Edo (Edo Surugacho Mitsui mise ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 10 x 15 in. (25.4 x 38.1 cm). Date: ca. 1830-32. The celebrated kimono shop of the Mitsui family, Echigoya, was located on Edo's busiest street, Surugacho. Mount Fuji is glimpsed from a high vantage point above the street between Echigoya's two buildings. The triangular profile of the roof is echoed in the shape of the mountain. Museum: Metropolitan M
RM2AHRBF9–Katsushika Hokusai. The Mitsui Shop in Surugacho in Edo (Koto Surugacho Mitsui mise ryakuzu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HKR–Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 相州仲原
RF2HTTXTM–Art inspired by Senju in Musashi Province (Bushū Senju), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 武州千住, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, H. 9 11/16 in. (24.6 cm); W. 14 3/8 in. (36.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2E2JD30–The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2HHHA35–Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese Hodogaya, one of the well-known fifty-three stations of the Tōkaidō road, is located between Musashi, the province in which Edo was located, and Sagami Province to the west. At this point, westbound travelers were said to have finally felt the sensation of having put the metropolis of Edo behind them, for at Hodogaya the road stretches into a beautiful avenue lined with pine trees on both sides. When one travels on foot along a course near a bi
RM2PDYHM9–Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPAAMY2–Fuji Seen from Kanaya on the Tokaido (Tokaido Kanaya no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei. Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: 10 1/4 x 15 1/4 in. (26 x 38.7 cm). Date: ca. 1830-32. Travelers cross the Oi River at Kanaya on the Tokaido highway. Palanquins and individuals are rhythmically arranged in the swift waves. The turbulent play of colors and lines challenges the static monochromatic Fuji. Artwork also known as: 36 ANSICHTEN DES FUJI. Museum: Metropolitan Museum of Art, New York, US
RM2AHRBGD–Katsushika Hokusai. Mount Fuji Seen from the Senju Pleasure Quarter (Senju kagai yori chobo no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). 1825–1838. Japan. Color woodblock print; oban
RMKC6HX0–Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 江戸日本橋, Edo
RF2HTTYY0–Art inspired by Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 下目黒, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 15 1/4 in. (26 x 38.7 cm), Prints, Katsushika Hokusai (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2E2JD38–Tatekawa in Honjo (Honjo Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32.
RM2HJ1BD6–Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 Katsushika Hokusai Japanese The speed and urgency of the galloping horsemen stand in contrast to the solitary and static image of Fuji capping the horizon like an omniscient observer and marking that which is eternal. The raised road that winds into the depths of the print directs our gaze to the mountain, as do the trees that function as a framing device.. Sekiya Village on the Sumida River (Sumidagawa Sekiya no sato), from the series Thirty-six Views
RM2PDYH6X–Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) ca. 1830–32 by Katsushika Hokusai
RMPA926B–Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaido), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 10 1/4 x 15 1/4 in. (26 x 38.7 cm). Date: ca. 1830-32. The Sazaido (literally, Turban-shell Tower, owing to its spiral staircase) is a three-story tower that was built in 1741 as a temple dedicated to the five hundred Rakan, or arhats, legendary disciples of Buddha. Men and women admire the view of Mount Fuji across the marshes from the templ
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