DOHA, QATAR - DECEMBER 14: Supporters of Morocco celebrate during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-supporters-of-morocco-celebrate-during-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501233948.html
RM2M3D50C–DOHA, QATAR - DECEMBER 14: Supporters of Morocco celebrate during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. AC - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Scene of the match between France and Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-ac-doha-12142022-2022-world-cup-france-x-morocco-scene-of-the-match-between-france-and-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501125040.html
RM2M3862T–Doha, Brazil. 14th Dec, 2022. AC - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Scene of the match between France and Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reichsmarshal-carl-theodor-count-pappenheim-1771-1853-a-gold-seal-31626897.html
RMBRCMC1–Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif,
The Personification of Hunger, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-hunger-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260961.html
RMW51D0H–The Personification of Hunger, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Rapport au roi sur la situation, au 31 mars, 1829, des canaux et autres ouvrages entrepris en vertu des lois des 20 juin et 5 aout 1821. Author: Ministère de l'intérieur (French). Dimensions: 144 pages. Publisher: L'Imprimerie Royale. Date: 1829. Report of the department of the interior to King Charles X of France on land and river settlements. It includes the progress of different construction projects and their budgets. Contemporary binding; red morocco, gold-tooled with border and corners in a palmette motif and central armorial stamp of Charles X; all edges gilt; blue watered silk endle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rapport-au-roi-sur-la-situation-au-31-mars-1829-des-canaux-et-autres-ouvrages-entrepris-en-vertu-des-lois-des-20-juin-et-5-aout-1821-author-ministre-de-lintrieur-french-dimensions-144-pages-publisher-limprimerie-royale-date-1829-report-of-the-department-of-the-interior-to-king-charles-x-of-france-on-land-and-river-settlements-it-includes-the-progress-of-different-construction-projects-and-their-budgets-contemporary-binding-red-morocco-gold-tooled-with-border-and-corners-in-a-palmette-motif-and-central-armorial-stamp-of-charles-x-all-edges-gilt-blue-watered-silk-endle-image213246483.html
RMPAX61R–Rapport au roi sur la situation, au 31 mars, 1829, des canaux et autres ouvrages entrepris en vertu des lois des 20 juin et 5 aout 1821. Author: Ministère de l'intérieur (French). Dimensions: 144 pages. Publisher: L'Imprimerie Royale. Date: 1829. Report of the department of the interior to King Charles X of France on land and river settlements. It includes the progress of different construction projects and their budgets. Contemporary binding; red morocco, gold-tooled with border and corners in a palmette motif and central armorial stamp of Charles X; all edges gilt; blue watered silk endle
07/31/1912. The former Sultan of Morocco in France Muley Hafid (X) upon his arrival in Marseille accompanied by the prefect of the Interpreter ben Gabrit and the consular agent of France in Tangier. Credit: Album / Archivo ABC / M. Rol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/07311912-the-former-sultan-of-morocco-in-france-muley-hafid-x-upon-his-arrival-in-marseille-accompanied-by-the-prefect-of-the-interpreter-ben-gabrit-and-the-consular-agent-of-france-in-tangier-credit-album-archivo-abc-m-rol-image576343342.html
RM2TDJKPP–07/31/1912. The former Sultan of Morocco in France Muley Hafid (X) upon his arrival in Marseille accompanied by the prefect of the Interpreter ben Gabrit and the consular agent of France in Tangier. Credit: Album / Archivo ABC / M. Rol
Art inspired by Rapport au roi sur la situation, au 31 mars, 1829, des canaux et autres ouvrages entrepris en vertu des lois des 20 juin et 5 aout 1821, 1829, Paris, France, 144 pages, Report of the department of the interior to King Charles X of France on land and river settlements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-rapport-au-roi-sur-la-situation-au-31-mars-1829-des-canaux-et-autres-ouvrages-entrepris-en-vertu-des-lois-des-20-juin-et-5-aout-1821-1829-paris-france-144-pages-report-of-the-department-of-the-interior-to-king-charles-x-of-france-on-land-and-river-settlements-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463044200.html
RF2HW9DGT–Art inspired by Rapport au roi sur la situation, au 31 mars, 1829, des canaux et autres ouvrages entrepris en vertu des lois des 20 juin et 5 aout 1821, 1829, Paris, France, 144 pages, Report of the department of the interior to King Charles X of France on land and river settlements, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. Italiano: Marie Dorval e Alfred de Vigny, gouache, 55.9 x 45.2 cm, Collezione privata . 1831. Eugène Delacroix (1798–1863) Alternative names Ferdinand-Victor-Eugène Delacroix Description French painter, draughtsman, aquarellist and photographer Date of birth/death 26 April 1798 13 August 1863 Location of birth/death Charenton-Saint-Maurice Paris Work location Paris, United Kingdom, France, Algeria, Morocco, Netherlands (1839), Belgium Authority control : Q33477 VIAF:7389086 ISNI:0000 0001 2098 8878 ULAN:500115509 LCCN:n79086855 NLA:35034640 WorldCat 432 Delacroix Dorval De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-italiano-marie-dorval-e-alfred-de-vigny-gouache-559-x-452-cm-collezione-privata-1831-eugne-delacroix-17981863-alternative-names-ferdinand-victor-eugne-delacroix-description-french-painter-draughtsman-aquarellist-and-photographer-date-of-birthdeath-26-april-1798-13-august-1863-location-of-birthdeath-charenton-saint-maurice-paris-work-location-paris-united-kingdom-france-algeria-morocco-netherlands-1839-belgium-authority-control-q33477-viaf7389086-isni0000-0001-2098-8878-ulan500115509-lccnn79086855-nla35034640-worldcat-432-delacroix-dorval-de-image210132334.html
RMP5T9X6–N/A. Italiano: Marie Dorval e Alfred de Vigny, gouache, 55.9 x 45.2 cm, Collezione privata . 1831. Eugène Delacroix (1798–1863) Alternative names Ferdinand-Victor-Eugène Delacroix Description French painter, draughtsman, aquarellist and photographer Date of birth/death 26 April 1798 13 August 1863 Location of birth/death Charenton-Saint-Maurice Paris Work location Paris, United Kingdom, France, Algeria, Morocco, Netherlands (1839), Belgium Authority control : Q33477 VIAF:7389086 ISNI:0000 0001 2098 8878 ULAN:500115509 LCCN:n79086855 NLA:35034640 WorldCat 432 Delacroix Dorval De
Art inspired by Briefcase (portefuille), 1763–64, Turkish and French, Red morocco leather embroidered with gold thread and silk, fitted with gold lock, lined with green silk; gold, L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.), Natural Substances-Leatherwork, Made in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-briefcase-portefuille-176364-turkish-and-french-red-morocco-leather-embroidered-with-gold-thread-and-silk-fitted-with-gold-lock-lined-with-green-silk-gold-l-17-1116-x-w-13-18-x-d-2-12-in-45-x-333-x-63-cm-natural-substances-leatherwork-made-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462777063.html
RF2HTW8T7–Art inspired by Briefcase (portefuille), 1763–64, Turkish and French, Red morocco leather embroidered with gold thread and silk, fitted with gold lock, lined with green silk; gold, L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.), Natural Substances-Leatherwork, Made in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
12/31/1925. Paris: the visit of the Sultan of Morocco. Muley Yussef (X) with his Accompaniment, in the act of placing a wreath of Flowers at the tomb of the Unknown Soldier. Credit: Album / Archivo ABC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/12311925-paris-the-visit-of-the-sultan-of-morocco-muley-yussef-x-with-his-accompaniment-in-the-act-of-placing-a-wreath-of-flowers-at-the-tomb-of-the-unknown-soldier-credit-album-archivo-abc-image576202422.html
RM2TDC81X–12/31/1925. Paris: the visit of the Sultan of Morocco. Muley Yussef (X) with his Accompaniment, in the act of placing a wreath of Flowers at the tomb of the Unknown Soldier. Credit: Album / Archivo ABC
Gothic Bible (Vulgate), c. 1275-1300. Southern France, Toulouse or Avignon, 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera, and gold on vellum; 533 leaves; closed: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gothic-bible-vulgate-c-1275-1300-southern-france-toulouse-or-avignon-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-closed-356-x-242-cm-14-x-9-12-in-image448096400.html
RM2H10FET–Gothic Bible (Vulgate), c. 1275-1300. Southern France, Toulouse or Avignon, 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera, and gold on vellum; 533 leaves; closed: 35.6 x 24.2 cm (14 x 9 1/2 in.).
06/30/1926. Paris. The visit of the Sultan of Morocco. Muley Yussef (X) with his Accompaniment, in the act of placing a wreath of Flowers on the tomb of the Unknown soldier. (role photo). Credit: Album / Archivo ABC / M. Rol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/06301926-paris-the-visit-of-the-sultan-of-morocco-muley-yussef-x-with-his-accompaniment-in-the-act-of-placing-a-wreath-of-flowers-on-the-tomb-of-the-unknown-soldier-role-photo-credit-album-archivo-abc-m-rol-image576568288.html
RM2TE0XMG–06/30/1926. Paris. The visit of the Sultan of Morocco. Muley Yussef (X) with his Accompaniment, in the act of placing a wreath of Flowers on the tomb of the Unknown soldier. (role photo). Credit: Album / Archivo ABC / M. Rol
Le soir au portes de Meknes. Peinture de Henri Rousseau (1875-1933), huile sur toile (55 x 75 cm), 1925. Art francais 20e siecle. Musee des Beaux Arts de Mulhouse. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-soir-au-portes-de-meknes-peinture-de-henri-rousseau-1875-1933-huile-sur-toile-55-x-75-cm-1925-art-francais-20e-siecle-musee-des-beaux-arts-de-mulhouse-image559621062.html
RM2RECXAE–Le soir au portes de Meknes. Peinture de Henri Rousseau (1875-1933), huile sur toile (55 x 75 cm), 1925. Art francais 20e siecle. Musee des Beaux Arts de Mulhouse.
Pygmalion, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pygmalion-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023827.html
RF2B9CXXY–Pygmalion, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967695.html
RM2XME5FY–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
. The science of railways . l t ja oj t4 tl > o c c^ o3 05 ♦J -^ S CO c» X a> 03 5 - • Of Aof Am thelem ^ m O ^S f - -S E 2 S ^ o • t- a ^^ ■§ •§ .i= J2 - a> c c -^5 PRIMITIVE CARRIAGE IN TUNIS AND MOROCCO. Tunis embraces within its territory the site ofancient Carthage, the seat of Carthaginian powerfor six hundred years. It is under the protector-ate of France and lies to the northeast of Algiers, in an angle of the Medi-terranean. The first ac-count of it we have datesback to about B. C. 1100.Afterward, while domi-nated by the Carthagin-ians, it was under a highstate of cultivation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-science-of-railways-l-t-ja-oj-t4-tl-gt-o-c-c-o3-05-j-s-co-c-x-agt-03-5-of-aof-am-thelem-m-o-s-f-s-e-2-s-o-t-a-i=-j2-agt-c-c-5-primitive-carriage-in-tunis-and-morocco-tunis-embraces-within-its-territory-the-site-ofancient-carthage-the-seat-of-carthaginian-powerfor-six-hundred-years-it-is-under-the-protector-ate-of-france-and-lies-to-the-northeast-of-algiers-in-an-angle-of-the-medi-terranean-the-first-ac-count-of-it-we-have-datesback-to-about-b-c-1100afterward-while-domi-nated-by-the-carthagin-ians-it-was-under-a-highstate-of-cultivation-image371902878.html
RM2CH1HWJ–. The science of railways . l t ja oj t4 tl > o c c^ o3 05 ♦J -^ S CO c» X a> 03 5 - • Of Aof Am thelem ^ m O ^S f - -S E 2 S ^ o • t- a ^^ ■§ •§ .i= J2 - a> c c -^5 PRIMITIVE CARRIAGE IN TUNIS AND MOROCCO. Tunis embraces within its territory the site ofancient Carthage, the seat of Carthaginian powerfor six hundred years. It is under the protector-ate of France and lies to the northeast of Algiers, in an angle of the Medi-terranean. The first ac-count of it we have datesback to about B. C. 1100.Afterward, while domi-nated by the Carthagin-ians, it was under a highstate of cultivation
DOHA, QATAR - DECEMBER 14: Player of Morocco Selim Amallah reacts during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-player-of-morocco-selim-amallah-reacts-during-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234276.html
RM2M3D5C4–DOHA, QATAR - DECEMBER 14: Player of Morocco Selim Amallah reacts during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Moroccan fans during a match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-moroccan-fans-during-a-match-against-france-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501116476.html
RM2M37R50–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Moroccan fans during a match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reichsmarshal-carl-theodor-count-pappenheim-1771-1853-a-gold-seal-31627145.html
RMBRCMMW–Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif,
The Antichrist before Scholars and Monks, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-antichrist-before-scholars-and-monks-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260970.html
RMW51D0X–The Antichrist before Scholars and Monks, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Briefcase (portefuille). Culture: Turkish and French. Dimensions: L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.). Lock maker: Probably by Jacques Lourdière (master 1746-after 1768). Date: 1763-64. Made in Turkey for the western market, morocco leather briefcases were fashionable in both England and France during the last quarter of the seventeenth and throughout the eighteenth century. This sumptuous example embellished with embroidery in silk and metal thread can be dated to 1763-64 by one of the marks on the gold lock: the crowned letter Z, the assay mark warranting the standa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/briefcase-portefuille-culture-turkish-and-french-dimensions-l-17-1116-x-w-13-18-x-d-2-12-in-45-x-333-x-63-cm-lock-maker-probably-by-jacques-lourdire-master-1746-after-1768-date-1763-64-made-in-turkey-for-the-western-market-morocco-leather-briefcases-were-fashionable-in-both-england-and-france-during-the-last-quarter-of-the-seventeenth-and-throughout-the-eighteenth-century-this-sumptuous-example-embellished-with-embroidery-in-silk-and-metal-thread-can-be-dated-to-1763-64-by-one-of-the-marks-on-the-gold-lock-the-crowned-letter-z-the-assay-mark-warranting-the-standa-image231241342.html
RMRC5XKA–Briefcase (portefuille). Culture: Turkish and French. Dimensions: L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.). Lock maker: Probably by Jacques Lourdière (master 1746-after 1768). Date: 1763-64. Made in Turkey for the western market, morocco leather briefcases were fashionable in both England and France during the last quarter of the seventeenth and throughout the eighteenth century. This sumptuous example embellished with embroidery in silk and metal thread can be dated to 1763-64 by one of the marks on the gold lock: the crowned letter Z, the assay mark warranting the standa
Fol. 96r, Ruth, Historiated Initial I with Elimilech and Naomi., c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-96r-ruth-historiated-initial-i-with-elimilech-and-naomi-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448112489.html
RM2H1181D–Fol. 96r, Ruth, Historiated Initial I with Elimilech and Naomi., c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Music in the Garden, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/music-in-the-garden-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023695.html
RF2B9CXP7–Music in the Garden, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967711.html
RM2XME5GF–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Supporter of Morocco pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-supporter-of-morocco-pose-for-a-photo-before-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501233905.html
RM2M3D4XW–DOHA, QATAR - DECEMBER 14: Supporter of Morocco pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Moroccan fans during a match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-moroccan-fans-during-a-match-against-france-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501136244.html
RM2M38MB0–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Moroccan fans during a match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reichsmarshal-carl-theodor-count-pappenheim-1771-1853-a-gold-seal-31627141.html
RMBRCMMN–Reichsmarshal Carl Theodor Count Pappenheim (1771 - 1853), a gold seal Seal in the shape of an equestrian, portraying Emperor Napoleon I of France. Three-dimensional figure, the Emperor on horseback, wearing a coat and pointing ahead with his right hand. 14 ct gold, height 42 mm. Lapis lazuli base set in gilt silver and bearing the carved coat of arms of the Counts of Pappenheim with the motto 'In Deo Spero' (I hope in God), seal surface 16 x 22 mm. With the original case of red Morocco leather with light coloured velvet/silk lining. The seal was probably a gif,
The Personification of Nature Sculpting Creatures, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-nature-sculpting-creatures-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260981.html
RMW51D19–The Personification of Nature Sculpting Creatures, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Joseph Jean Baptiste Lemaire (1782 - 1834) - a briefcase., Red Morocco leather with gold stamped inscription 'Le Cher. Lemaire Chen. Dentiste du Roi'. Brass mounts with remains of silver plating, iron key. Inside green Morocco leather with embossed gold flower trim, six compartments and cylindrical container with a goose quill. Frequently used. 26 x 37.5 cm. Joseph Jean Baptiste Lemaire was a famous French oral surgeon and scientist. After numerous travels and studies abroad and in Paris, he receives a diploma in medicine and oral surgery from the University of, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-jean-baptiste-lemaire-1782-1834-a-briefcase-red-morocco-leather-19907853.html
RMB4ATJN–Joseph Jean Baptiste Lemaire (1782 - 1834) - a briefcase., Red Morocco leather with gold stamped inscription 'Le Cher. Lemaire Chen. Dentiste du Roi'. Brass mounts with remains of silver plating, iron key. Inside green Morocco leather with embossed gold flower trim, six compartments and cylindrical container with a goose quill. Frequently used. 26 x 37.5 cm. Joseph Jean Baptiste Lemaire was a famous French oral surgeon and scientist. After numerous travels and studies abroad and in Paris, he receives a diploma in medicine and oral surgery from the University of,
Study for 'The Sultan of Morocco and His Entourage'. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/8 x 9 15/16 in. (19.4 x 25.2 cm). Date: 1832-33. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-the-sultan-of-morocco-and-his-entourage-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-overall-7-58-x-9-1516-in-194-x-252-cm-date-1832-33-museum-metropolitan-museum-of-art-new-york-usa-image213167850.html
RMPAPHNE–Study for 'The Sultan of Morocco and His Entourage'. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 5/8 x 9 15/16 in. (19.4 x 25.2 cm). Date: 1832-33. Museum: Metropolitan Museum of Art, New York, USA.
Fol. 247v, Ecclesiastes, historiated initial V, Solomon teaching, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-247v-ecclesiastes-historiated-initial-v-solomon-teaching-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448114420.html
RM2H11AEC–Fol. 247v, Ecclesiastes, historiated initial V, Solomon teaching, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
The Wheel of Fortune, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wheel-of-fortune-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023744.html
RF2B9CXT0–The Wheel of Fortune, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-spectators-take-rain-after-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967701.html
RM2XME5G5–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-players-of-france-celebrate-the-victory-after-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234509.html
RM2M3D5MD–DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - France goalkeeper Lloris during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-france-goalkeeper-lloris-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501137655.html
RM2M38P5B–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - France goalkeeper Lloris during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personifications of Abstinence and False Pretence, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personifications-of-abstinence-and-false-pretence-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260969.html
RMW51D0W–The Personifications of Abstinence and False Pretence, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Joseph Jean Baptiste Lemaire (1782 - 1834) - a briefcase., Red Morocco leather with gold stamped inscription 'Le Cher. Lemaire Chen. Dentiste du Roi'. Brass mounts with remains of silver plating, iron key. Inside green Morocco leather with embossed gold flower trim, six compartments and cylindrical container with a goose quill. Frequently used. 26 x 37.5 cm. Joseph Jean Baptiste Lemaire was a famous French oral surgeon and scientist. After numerous travels and studies abroad and in Paris, he receives a diploma in medicine and oral surgery from the University of, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-jean-baptiste-lemaire-1782-1834-a-briefcase-red-morocco-leather-19833407.html
RMB47DKY–Joseph Jean Baptiste Lemaire (1782 - 1834) - a briefcase., Red Morocco leather with gold stamped inscription 'Le Cher. Lemaire Chen. Dentiste du Roi'. Brass mounts with remains of silver plating, iron key. Inside green Morocco leather with embossed gold flower trim, six compartments and cylindrical container with a goose quill. Frequently used. 26 x 37.5 cm. Joseph Jean Baptiste Lemaire was a famous French oral surgeon and scientist. After numerous travels and studies abroad and in Paris, he receives a diploma in medicine and oral surgery from the University of,
Jewish Musician in Mogador Costume, Morocco. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris); Engraved by Andrew, Best, Leloir, Hotelin et Régnier. Dimensions: Overall: 6 7/8 x 5 1/16 in. (17.4 x 12.8 cm). Date: 1842. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jewish-musician-in-mogador-costume-morocco-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-engraved-by-andrew-best-leloir-hotelin-et-rgnier-dimensions-overall-6-78-x-5-116-in-174-x-128-cm-date-1842-museum-metropolitan-museum-of-art-new-york-usa-image213251713.html
RMPAXCMH–Jewish Musician in Mogador Costume, Morocco. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris); Engraved by Andrew, Best, Leloir, Hotelin et Régnier. Dimensions: Overall: 6 7/8 x 5 1/16 in. (17.4 x 12.8 cm). Date: 1842. Museum: Metropolitan Museum of Art, New York, USA.
Field Marshal Hubert Lyautey (1854 - 1934) - a presentation photograph of Benito Mussolini with a personal dedication, A.s.e. il Maresciallo di Francia Lyautey Roma 31 gennaio 1933. XI Mussolini (To His Excellency Marshal of France Lyautey Rome 31 January 1933 XI Mussolini) in ink. Black & white photograph, dimensions 23 x 18 cm, on passpartout 32 x 23 cm. Lyautey, famous French Field Marshal, Resident-General for Morocco, and a well-known personality in colonial history. historic, historical, people, 1930s, 20th century, object, objects, stills, clipping, clip, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-field-marshal-hubert-lyautey-1854-1934-a-presentation-photograph-of-31493877.html
RMBR6JN9–Field Marshal Hubert Lyautey (1854 - 1934) - a presentation photograph of Benito Mussolini with a personal dedication, A.s.e. il Maresciallo di Francia Lyautey Roma 31 gennaio 1933. XI Mussolini (To His Excellency Marshal of France Lyautey Rome 31 January 1933 XI Mussolini) in ink. Black & white photograph, dimensions 23 x 18 cm, on passpartout 32 x 23 cm. Lyautey, famous French Field Marshal, Resident-General for Morocco, and a well-known personality in colonial history. historic, historical, people, 1930s, 20th century, object, objects, stills, clipping, clip,
Fol. 273r, Isaiah, historiated initial V, the martyrdom of Isaiah, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-273r-isaiah-historiated-initial-v-the-martyrdom-of-isaiah-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448112785.html
RM2H118C1–Fol. 273r, Isaiah, historiated initial V, the martyrdom of Isaiah, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personification of Idleness, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personification-of-idleness-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023694.html
RF2B9CXP6–Female Personification of Idleness, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967730.html
RM2XME5H6–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-supporter-of-france-pose-for-a-photo-before-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501233900.html
RM2M3D4XM–DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Tchouameni player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-tchouameni-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501121212.html
RM2M38164–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Tchouameni player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of Friendship Encouraging the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-friendship-encouraging-the-lover-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260950.html
RMW51D06–The Personification of Friendship Encouraging the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Judith. Artist: Benjamin-Constant (Jean-Joseph-Benjamin Constant) (French, Paris 1845-1902 Paris). Dimensions: 47 1/2 x 31 1/2 in. (120.7 x 80 cm). Date: possibly ca. 1886. Painted in glinting red and gold tones, this exotic figure attests to Benjamin-Constant's esteem for Delacroix; following in the older artist's footsteps, he had traveled to Spain and Morocco in the early 1870s, a voyage that yielded inspiration, and props, for many of his pictures. Here, Judith, the Old Testament heroine who saved her besieged city by beheading the general Holofernes, appears as an avenging beauty, proudl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judith-artist-benjamin-constant-jean-joseph-benjamin-constant-french-paris-1845-1902-paris-dimensions-47-12-x-31-12-in-1207-x-80-cm-date-possibly-ca-1886-painted-in-glinting-red-and-gold-tones-this-exotic-figure-attests-to-benjamin-constants-esteem-for-delacroix-following-in-the-older-artists-footsteps-he-had-traveled-to-spain-and-morocco-in-the-early-1870s-a-voyage-that-yielded-inspiration-and-props-for-many-of-his-pictures-here-judith-the-old-testament-heroine-who-saved-her-besieged-city-by-beheading-the-general-holofernes-appears-as-an-avenging-beauty-proudl-image212876012.html
RMPA99EM–Judith. Artist: Benjamin-Constant (Jean-Joseph-Benjamin Constant) (French, Paris 1845-1902 Paris). Dimensions: 47 1/2 x 31 1/2 in. (120.7 x 80 cm). Date: possibly ca. 1886. Painted in glinting red and gold tones, this exotic figure attests to Benjamin-Constant's esteem for Delacroix; following in the older artist's footsteps, he had traveled to Spain and Morocco in the early 1870s, a voyage that yielded inspiration, and props, for many of his pictures. Here, Judith, the Old Testament heroine who saved her besieged city by beheading the general Holofernes, appears as an avenging beauty, proudl
74. Fol. 463r, Acts, historiated initial P, the Ascension, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/74-fol-463r-acts-historiated-initial-p-the-ascension-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448112794.html
RM2H118CA–74. Fol. 463r, Acts, historiated initial P, the Ascension, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personification of Sadness, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personification-of-sadness-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023691.html
RF2B9CXP3–Female Personification of Sadness, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-spectators-take-rain-after-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967687.html
RM2XME5FK–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-players-of-france-celebrate-the-victory-after-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234506.html
RM2M3D5MA–DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-kounde-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501139832.html
RM2M38TY4–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of Reason Instructing the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-reason-instructing-the-lover-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260949.html
RMW51D05–The Personification of Reason Instructing the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Crouching Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 5 3/16 x 7 3/8 in. (13.1 x 18.7 cm). Date: 1839. Delacroix first became attracted to wild cats several years before his 1832 trip to Morocco. Like Géricault, he studied animals in the Jardin des Plantes, Paris, and in 1828 he visited the menageries at Saint-Cloud with the sculptor Antoine-Louis Barye, who evidently introduced him to the practice of drawing the zoo's cadavers. Because the lions and tigers in his sights were generally lethargic (or dead), Delacroix paid close attent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crouching-tiger-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-overall-5-316-x-7-38-in-131-x-187-cm-date-1839-delacroix-first-became-attracted-to-wild-cats-several-years-before-his-1832-trip-to-morocco-like-gricault-he-studied-animals-in-the-jardin-des-plantes-paris-and-in-1828-he-visited-the-menageries-at-saint-cloud-with-the-sculptor-antoine-louis-barye-who-evidently-introduced-him-to-the-practice-of-drawing-the-zoos-cadavers-because-the-lions-and-tigers-in-his-sights-were-generally-lethargic-or-dead-delacroix-paid-close-attent-image212916850.html
RMPAB5H6–Crouching Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 5 3/16 x 7 3/8 in. (13.1 x 18.7 cm). Date: 1839. Delacroix first became attracted to wild cats several years before his 1832 trip to Morocco. Like Géricault, he studied animals in the Jardin des Plantes, Paris, and in 1828 he visited the menageries at Saint-Cloud with the sculptor Antoine-Louis Barye, who evidently introduced him to the practice of drawing the zoo's cadavers. Because the lions and tigers in his sights were generally lethargic (or dead), Delacroix paid close attent
Fol. 292v, Jeremiah, historiated initial V, the stoning of Jeremiah, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-292v-jeremiah-historiated-initial-v-the-stoning-of-jeremiah-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448113682.html
RM2H119G2–Fol. 292v, Jeremiah, historiated initial V, the stoning of Jeremiah, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Three Misers at a Table, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-misers-at-a-table-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023705.html
RF2B9CXPH–Three Misers at a Table, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-spectators-take-rain-after-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967729.html
RM2XME5H5–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Spectators take rain after the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Player of Morocco Hakim Ziyech reacts during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-player-of-morocco-hakim-ziyech-reacts-during-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234061.html
RM2M3D54D–DOHA, QATAR - DECEMBER 14: Player of Morocco Hakim Ziyech reacts during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-kounde-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501124513.html
RM2M385C1–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of Nature Kneeling before Genius, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-nature-kneeling-before-genius-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260982.html
RMW51D1A–The Personification of Nature Kneeling before Genius, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Studies of Arab Heads and Figures. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 10 3/8 x 14 3/16 in. (26.4 x 36.1 cm). Date: after 1832. During the five months Delacroix spent in Morocco in 1832, he assiduously recorded the people and places he visited in drawings and journal entries. On this large sheet he sketched an array of local people, capturing their facial features and clothing. Such drawings often served as inspiration for finished compositions, which he completed much later. As the artist wrote in his journal in 1853: 'I did not begi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studies-of-arab-heads-and-figures-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-sheet-10-38-x-14-316-in-264-x-361-cm-date-after-1832-during-the-five-months-delacroix-spent-in-morocco-in-1832-he-assiduously-recorded-the-people-and-places-he-visited-in-drawings-and-journal-entries-on-this-large-sheet-he-sketched-an-array-of-local-people-capturing-their-facial-features-and-clothing-such-drawings-often-served-as-inspiration-for-finished-compositions-which-he-completed-much-later-as-the-artist-wrote-in-his-journal-in-1853-i-did-not-begi-image213112897.html
RMPAM3JW–Studies of Arab Heads and Figures. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 10 3/8 x 14 3/16 in. (26.4 x 36.1 cm). Date: after 1832. During the five months Delacroix spent in Morocco in 1832, he assiduously recorded the people and places he visited in drawings and journal entries. On this large sheet he sketched an array of local people, capturing their facial features and clothing. Such drawings often served as inspiration for finished compositions, which he completed much later. As the artist wrote in his journal in 1853: 'I did not begi
Fol. 341r, Daniel, historiated initial A, Daniel in the lions’ den, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-341r-daniel-historiated-initial-a-daniel-in-the-lions-den-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448114089.html
RM2H11A2H–Fol. 341r, Daniel, historiated initial A, Daniel in the lions’ den, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Narcissus Gazing at his Reflection, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/narcissus-gazing-at-his-reflection-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023698.html
RF2B9CXPA–Narcissus Gazing at his Reflection, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967718.html
RM2XME5GP–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-supporter-of-france-pose-for-a-photo-before-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501233884.html
RM2M3D4X4–DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-kounde-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501121701.html
RM2M381RH–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of False Pretence with Gold Pieces, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-false-pretence-with-gold-pieces-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260968.html
RMW51D0T–The Personification of False Pretence with Gold Pieces, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Royal Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 18 5/16 x 12 7/8 in. (46.5 x 32.7 cm) Sheet: 23 1/4 x 18 3/8 in. (59 x 46.6 cm). Date: 1829-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-tiger-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-image-18-516-x-12-78-in-465-x-327-cm-sheet-23-14-x-18-38-in-59-x-466-cm-date-1829-30-museum-metropolitan-museum-of-art-new-york-usa-image213324198.html
RMPB1N5A–Royal Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 18 5/16 x 12 7/8 in. (46.5 x 32.7 cm) Sheet: 23 1/4 x 18 3/8 in. (59 x 46.6 cm). Date: 1829-30. Museum: Metropolitan Museum of Art, New York, USA.
Fol. 214v, Psalm 1, historiated initial 8, David harping, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-214v-psalm-1-historiated-initial-8-david-harping-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448114476.html
RM2H11AGC–Fol. 214v, Psalm 1, historiated initial 8, David harping, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personification of Old Age, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personification-of-old-age-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023692.html
RF2B9CXP4–Female Personification of Old Age, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967690.html
RM2XME5FP–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-supporter-of-france-pose-for-a-photo-before-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501233894.html
RM2M3D4XE–DOHA, QATAR - DECEMBER 14: Supporter of France pose for a photo before the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. AC - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Players from Morocco are seen kneeling at the end of the match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-ac-doha-12142022-2022-world-cup-france-x-morocco-players-from-morocco-are-seen-kneeling-at-the-end-of-the-match-against-france-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501141373.html
RM2M38XX5–Doha, Brazil. 14th Dec, 2022. AC - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Players from Morocco are seen kneeling at the end of the match against France at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of Bad Mouth Accusing the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-bad-mouth-accusing-the-lover-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260953.html
RMW51D09–The Personification of Bad Mouth Accusing the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set). Culture: French, Paris. Dimensions: H. 52-3/8 x W. 34 x D. 16-1/2 in. (133.0 x 86.0 x 41.9 cm). Maker: Adam Weisweiler (French, 1744-1820). Date: ca. 1790. On October 7, 1790, many European royals and aristocrats were gathered in Frankfurt to attend the coronation of Leopold II as Holy Roman Emperor. Ferdinand IV (1751-1825), king of Naples, was among those present for this solemn event. Married to the new emperor's sister, Maria Carolina, Ferdinand was the brother-rin-law of both Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drop-front-secretary-on-stand-secrtaire-abattant-or-secrtaire-en-cabinet-one-of-a-pair-part-of-a-set-culture-french-paris-dimensions-h-52-38-x-w-34-x-d-16-12-in-1330-x-860-x-419-cm-maker-adam-weisweiler-french-1744-1820-date-ca-1790-on-october-7-1790-many-european-royals-and-aristocrats-were-gathered-in-frankfurt-to-attend-the-coronation-of-leopold-ii-as-holy-roman-emperor-ferdinand-iv-1751-1825-king-of-naples-was-among-those-present-for-this-solemn-event-married-to-the-new-emperors-sister-maria-carolina-ferdinand-was-the-brother-rin-law-of-both-image213294430.html
RMPB0B66–Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set). Culture: French, Paris. Dimensions: H. 52-3/8 x W. 34 x D. 16-1/2 in. (133.0 x 86.0 x 41.9 cm). Maker: Adam Weisweiler (French, 1744-1820). Date: ca. 1790. On October 7, 1790, many European royals and aristocrats were gathered in Frankfurt to attend the coronation of Leopold II as Holy Roman Emperor. Ferdinand IV (1751-1825), king of Naples, was among those present for this solemn event. Married to the new emperor's sister, Maria Carolina, Ferdinand was the brother-rin-law of both
Fol. 458v, Titus, historiated initial P, Paul seated with a sword, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-458v-titus-historiated-initial-p-paul-seated-with-a-sword-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448114075.html
RM2H11A23–Fol. 458v, Titus, historiated initial P, Paul seated with a sword, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Abelard Embracing Heloise, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abelard-embracing-heloise-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023810.html
RF2B9CXXA–Abelard Embracing Heloise, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-eiffel-tower-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967715.html
RM2XME5GK–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Eiffel Tower during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Players of Morocco greet the supporters after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-players-of-morocco-greet-the-supporters-after-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234541.html
RM2M3D5NH–DOHA, QATAR - DECEMBER 14: Players of Morocco greet the supporters after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Players of France celebrate during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-players-of-france-celebrate-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501139306.html
RM2M38T8A–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Players of France celebrate during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personifications of Franchise and Pity Attacking Resistance, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personifications-of-franchise-and-pity-attacking-resistance-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260976.html
RMW51D14–The Personifications of Franchise and Pity Attacking Resistance, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Fol. 365r, Zachariah, historiated initial I, Zachariah standing with a scroll, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-365r-zachariah-historiated-initial-i-zachariah-standing-with-a-scroll-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448113189.html
RM2H118XD–Fol. 365r, Zachariah, historiated initial I, Zachariah standing with a scroll, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personifications of Avarice and Boredom, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personifications-of-avarice-and-boredom-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023690.html
RF2B9CXP2–Female Personifications of Avarice and Boredom, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Olympic hoops during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-view-of-the-olympic-hoops-during-the-match-between-brazil-and-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614967272.html
RM2XME50T–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - View of the Olympic hoops during the match between Brazil and Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-players-of-france-celebrate-the-victory-after-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234504.html
RM2M3D5M8–DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - France goalkeeper Lloris during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-france-goalkeeper-lloris-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501137661.html
RM2M38P5H–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - France goalkeeper Lloris during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personifications of False Pretence and Abstinence before Resistance, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personifications-of-false-pretence-and-abstinence-before-resistance-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260974.html
RMW51D12–The Personifications of False Pretence and Abstinence before Resistance, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Fol. 174v, Ezra, historiated initial I, Cyrus directing the building of the Temple, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-174v-ezra-historiated-initial-i-cyrus-directing-the-building-of-the-temple-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448113178.html
RM2H118X2–Fol. 174v, Ezra, historiated initial I, Cyrus directing the building of the Temple, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personifications of Hypocrisy and Poverty, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personifications-of-hypocrisy-and-poverty-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023693.html
RF2B9CXP5–Female Personifications of Hypocrisy and Poverty, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - George Souto Maior Wanderley player from Brazil during a match against Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/ Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-george-souto-maior-wanderley-player-from-brazil-during-a-match-against-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhrer-credit-agifalamy-live-news-image614967919.html
RM2XME5RY–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - George Souto Maior Wanderley player from Brazil during a match against Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/ Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Player of Morocco Yahya Attiyat-Allah during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-player-of-morocco-yahya-attiyat-allah-during-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234277.html
RM2M3D5C5–DOHA, QATAR - DECEMBER 14: Player of Morocco Yahya Attiyat-Allah during the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-kounde-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501123947.html
RM2M384KR–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of Nature Making Birds, Animals, and People, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-nature-making-birds-animals-and-people-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260985.html
RMW51D1D–The Personification of Nature Making Birds, Animals, and People, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Fol. 350r, Hosea, historiated initial V, Hosea preaching to three men. , c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-350r-hosea-historiated-initial-v-hosea-preaching-to-three-men-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448114133.html
RM2H11A45–Fol. 350r, Hosea, historiated initial V, Hosea preaching to three men. , c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Female Personifications of Poverty and Franchise, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-personifications-of-poverty-and-franchise-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023696.html
RF2B9CXP8–Female Personifications of Poverty and Franchise, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Andre Loyola Stein Brazilian player during a match against Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-brazil-27th-july-2024-france-paris-07272024-paris-2024-olympic-games-mens-beach-volleyball-brazil-x-morocco-andre-loyola-stein-brazilian-player-during-a-match-against-morocco-at-the-eiffel-tower-stadium-at-the-paris-2024-olympic-games-photo-rodolfo-buhreragif-credit-agifalamy-live-news-image614968190.html
RM2XME65J–Paris, Brazil. 27th July, 2024. FRANCE - PARIS - 07/27/2024 - PARIS 2024 OLYMPIC GAMES, MEN'S BEACH VOLLEYBALL BRAZIL x MOROCCO - Andre Loyola Stein Brazilian player during a match against Morocco at the Eiffel Tower Stadium at the Paris 2024 Olympic Games. Photo: Rodolfo Buhrer/AGIF Credit: AGIF/Alamy Live News
DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-qatar-december-14-players-of-france-celebrate-the-victory-after-the-fifa-world-cup-qatar-2022-semi-finals-match-between-france-and-morocco-at-al-bayt-stadium-on-december-14-2022-in-al-khor-qatar-photo-by-florencia-tan-junpximages-credit-px-imagesalamy-live-news-image501234492.html
RM2M3D5KT–DOHA, QATAR - DECEMBER 14: Players of France celebrate the victory after the FIFA World Cup Qatar 2022 Semi-finals match between France and Morocco at Al Bayt Stadium on December 14, 2022 in Al Khor, Qatar. (Photo by Florencia Tan Jun/PxImages) Credit: Px Images/Alamy Live News
Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doha-brazil-14th-dec-2022-qatar-doha-12142022-2022-world-cup-france-x-morocco-kounde-player-of-france-during-a-match-against-morocco-at-the-lusail-stadium-for-the-2022-world-cup-championship-photo-pedro-martinsagifsipa-usa-credit-sipa-usaalamy-live-news-image501124540.html
RM2M385D0–Doha, Brazil. 14th Dec, 2022. Qatar - Doha - 12/14/2022 - 2022 WORLD CUP, FRANCE X MOROCCO - Kounde player of France during a match against Morocco at the Lusail stadium for the 2022 World Cup championship. Photo: Pedro Martins/AGIF/Sipa USA Credit: Sipa USA/Alamy Live News
The Personification of False Pretence Speaking with the God of Love, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-personification-of-false-pretence-speaking-with-the-god-of-love-unknown-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-image261260967.html
RMW51D0R–The Personification of False Pretence Speaking with the God of Love, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x 10 1/4 in
Fol. 249v, Song of Songs, historiated initial O, theVirgin and Child, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-249v-song-of-songs-historiated-initial-o-thevirgin-and-child-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448113693.html
RM2H119GD–Fol. 249v, Song of Songs, historiated initial O, theVirgin and Child, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Empedokles Burning in the Crater of Aetna, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/empedokles-burning-in-the-crater-of-aetna-paris-france-about-1405-tempera-colors-gold-leaf-and-ink-on-parchment-bound-between-pasteboard-covered-with-dark-red-morocco-leaf-367-x-26-cm-14-716-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350023820.html
RF2B9CXXM–Empedokles Burning in the Crater of Aetna, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7,16 x 10 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
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