Fourteenth plate from hi-res stock photography and images

PLATE 14. The Invention of Oil Painting. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop. Stock Photo

RMT966J2–PLATE 14. The Invention of Oil Painting. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop.

New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and publis Stock Photo

RMPB64GR–New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600. Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and publis

New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14 ca. 1600 Jan Collaert I Netherlandish Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop. On the left a woman sits for her portrait. In the foreground a young boy paints the female bust in front of him on the table, another boy prepares paint pigments, and a third paints a series of human Stock Photo

RM2HHXTNM–New Inventions of Modern Times [Nova Reperta], The Invention of Oil Painting, plate 14 ca. 1600 Jan Collaert I Netherlandish Fourteenth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of a painter's workshop. On the left a woman sits for her portrait. In the foreground a young boy paints the female bust in front of him on the table, another boy prepares paint pigments, and a third paints a series of human

The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 37 - The fourteenth plate of the Muscles. The figure in this plate lacks particularly the scapulae and arms, already seen in the sequence of dissection. The knees are bent to expose the sole of one foot to the observer. Stock Photo

RMDYETH0–The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 37 - The fourteenth plate of the Muscles. The figure in this plate lacks particularly the scapulae and arms, already seen in the sequence of dissection. The knees are bent to expose the sole of one foot to the observer.

Masquerade of the Leiden Students, 1875 (plate 14), Masquerade held by the members of the Leiden student body on 15 June 1875 to celebrate the 300th anniversary of the Leiden University, depicting the Leiden University in the most famous and remarkable men, who have linked their names to the university from its foundation (series title on object), Historical costume parade of the students of the Leiden University of Applied Sciences held on 15 June 1875 on the occasion of the 300th anniversary of the university. The parade depicts the most famous men connected with the University. Fourteenth Stock Photo

RM2HB62R8–Masquerade of the Leiden Students, 1875 (plate 14), Masquerade held by the members of the Leiden student body on 15 June 1875 to celebrate the 300th anniversary of the Leiden University, depicting the Leiden University in the most famous and remarkable men, who have linked their names to the university from its foundation (series title on object), Historical costume parade of the students of the Leiden University of Applied Sciences held on 15 June 1875 on the occasion of the 300th anniversary of the university. The parade depicts the most famous men connected with the University. Fourteenth

An illustration of an exercise to practise at Quintain in the 14th Century scanned at high resolution from a book printed in 1831. Stock Photo

RMHPW9CW–An illustration of an exercise to practise at Quintain in the 14th Century scanned at high resolution from a book printed in 1831.

Art inspired by Plate, 14th century, Attributed to Syria, Glass; free blown, enameled and gilded; tooled on the pontil, H. 7/8 in. (2.2 cm), Glass, The spectacular enameled objects produced by Egyptian and Syrian glassmakers in the Ayyubid and Mamluk periods, especially from the mid-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY5YM–Art inspired by Plate, 14th century, Attributed to Syria, Glass; free blown, enameled and gilded; tooled on the pontil, H. 7/8 in. (2.2 cm), Glass, The spectacular enameled objects produced by Egyptian and Syrian glassmakers in the Ayyubid and Mamluk periods, especially from the mid-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMP65261–The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 37 - The fourteenth plate of the Muscles. The figure in this plate lacks particularly the scapulae and arms, already seen in the sequence of dissection. The knees are bent to expose the sole of one foot to the observer.

Machine colourised THE BRIDE OF SATAN from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJF7–Machine colourised THE BRIDE OF SATAN from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

Lantaarn Lanterne 14e siecle (titel op object) A brass hand lantern from the fourteenth to the eeuw. Manufacturer : printmaker David van der Kellen (from 1804 to 1879 ) Place manufacture: Netherlands Date: on or before 1865 - 1878 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 264 mm × W 213 mm Subject: lantern Stock Photo

RM2B71RN1–Lantaarn Lanterne 14e siecle (titel op object) A brass hand lantern from the fourteenth to the eeuw. Manufacturer : printmaker David van der Kellen (from 1804 to 1879 ) Place manufacture: Netherlands Date: on or before 1865 - 1878 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 264 mm × W 213 mm Subject: lantern

Ancient Silver Alms-Dish, 1850. 'Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms. It is supposed to have belonged to the Abbey of Bermondsey. In the centre is an engraving of a knight in plate armour, kneeling before a female, who is about to place a helmet on his head at the gate of a castle or fortified tower. From the fashion of the armour and form of the helmet, this curious specimen of art in the olden time has been assigned to the age of Edward the Second.' From "Illustrated London News", 1850. Stock Photo

RM2HT67P6–Ancient Silver Alms-Dish, 1850. 'Among the communion plate of Bermondsey Church [in London] is an ancient Silver Salver, now used for the collection of alms. It is supposed to have belonged to the Abbey of Bermondsey. In the centre is an engraving of a knight in plate armour, kneeling before a female, who is about to place a helmet on his head at the gate of a castle or fortified tower. From the fashion of the armour and form of the helmet, this curious specimen of art in the olden time has been assigned to the age of Edward the Second.' From "Illustrated London News", 1850.

Horatio Worcester's wareroom for the sale of the patent hinged-plate pianoforte, northeast corner of Third Avenue and Fourteenth Street, New York City. October 1862. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper Stock Photo

RF2K92TXD–Horatio Worcester's wareroom for the sale of the patent hinged-plate pianoforte, northeast corner of Third Avenue and Fourteenth Street, New York City. October 1862. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper

Plate 14th century The spectacular enameled objects produced by Egyptian and Syrian glassmakers in the Ayyubid and Mamluk periods, especially from the mid-thirteenth to the late fourteenth century, are unsurpassed. Flat dishes, such as this fourteenth-century example, were rather uncommon. Its geometric decoration unfolds on two levels, the most immediate represented by the combination of the five tangential circles, drawn in a continuous looping line, that dominate the composition. The second and subtler level is found within the four outer circles, where a complex star pattern was created. T Stock Photo

RM2HH8KF4–Plate 14th century The spectacular enameled objects produced by Egyptian and Syrian glassmakers in the Ayyubid and Mamluk periods, especially from the mid-thirteenth to the late fourteenth century, are unsurpassed. Flat dishes, such as this fourteenth-century example, were rather uncommon. Its geometric decoration unfolds on two levels, the most immediate represented by the combination of the five tangential circles, drawn in a continuous looping line, that dominate the composition. The second and subtler level is found within the four outer circles, where a complex star pattern was created. T

Eruption of Mt. Vesuvius, 1779. Campi PhlegrÃ¦i. Observations on the Volcanos of th. Naples, 1776. Fourteenth view: Boats float in the bay before Mt. Vesuvius as it erupts in 1779. Image taken from Campi PhlegrÃ¦i. Observations on the Volcanos of the Two Sicilies to which a map is annexed, with 54 plates illuminated, from drawings taken and colour'd after Nature, under the inspection of the Author, by the Editor P. Fabris, etc. . Originally published/produced in Naples, 1776 . Source: Tab.435.a.15.(1), 3rd plate from end. Author: FABRIS, PETER. Hamilton, Right Hon. Sir William. Stock Photo

RMRCE8EA–Eruption of Mt. Vesuvius, 1779. Campi PhlegrÃ¦i. Observations on the Volcanos of th. Naples, 1776. Fourteenth view: Boats float in the bay before Mt. Vesuvius as it erupts in 1779. Image taken from Campi PhlegrÃ¦i. Observations on the Volcanos of the Two Sicilies to which a map is annexed, with 54 plates illuminated, from drawings taken and colour'd after Nature, under the inspection of the Author, by the Editor P. Fabris, etc. . Originally published/produced in Naples, 1776 . Source: Tab.435.a.15.(1), 3rd plate from end. Author: FABRIS, PETER. Hamilton, Right Hon. Sir William.

Mosquée de Sultan Haçan, Le Kaire, 1849/51, printed 1852. A work made of salted paper print, plate 5 from the album "egypte, nubie, palestine et syrie" (1852). Stock Photo

RM2GGBFN8–Mosquée de Sultan Haçan, Le Kaire, 1849/51, printed 1852. A work made of salted paper print, plate 5 from the album "egypte, nubie, palestine et syrie" (1852).

Decoration in Solna Church, near Stockholm, Sweden, (1928). 'About 1500...Vault painting'. After N. M. Mandelgren. Plate LXXVI, fig 161 from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928] Stock Photo

RM2A41W76–Decoration in Solna Church, near Stockholm, Sweden, (1928). 'About 1500...Vault painting'. After N. M. Mandelgren. Plate LXXVI, fig 161 from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928]

Mounted knights Trapper of Mail, from the Painted Chamber, Westminster, thirteenth century. (Left) Ivory chessman, from Hewitt's Ancient Armour, fourteenth century (Right)from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909 Stock Photo

RF2J4X3RG–Mounted knights Trapper of Mail, from the Painted Chamber, Westminster, thirteenth century. (Left) Ivory chessman, from Hewitt's Ancient Armour, fourteenth century (Right)from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909

Grand ceremonial banquet at the French Court in the 14th century, with 'entremets' (dishes that were served after roasts, vegetables and sweets). Engraving by Huyot from 'Dictionnaire raisonné du mobilier français de l'époque carlovingienne à la Renaissance' by Viollet-le-Duc (1814-1879). 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photo

RM2X0FNEW–Grand ceremonial banquet at the French Court in the 14th century, with 'entremets' (dishes that were served after roasts, vegetables and sweets). Engraving by Huyot from 'Dictionnaire raisonné du mobilier français de l'époque carlovingienne à la Renaissance' by Viollet-le-Duc (1814-1879). 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.

Chinese pottery and porcelain : an account of the potter's art in China from primitive times to the present day . Plate 28.—ase of bronze form with two bands of raised key pattern. Thick creamy glaze, closely crackled and shading off into brown with faint tinges of purple. (?) Kiangnan Ting ware. Fourteenth century. Height 15 inches. Koechlin Collection. Stock Photo

RM2AX846K–Chinese pottery and porcelain : an account of the potter's art in China from primitive times to the present day . Plate 28.—ase of bronze form with two bands of raised key pattern. Thick creamy glaze, closely crackled and shading off into brown with faint tinges of purple. (?) Kiangnan Ting ware. Fourteenth century. Height 15 inches. Koechlin Collection.

Image taken from page 305 of 'The Old Red Sandstone ... Fourteenth edition' Image taken from page 305 of 'The Old R Stock Photo

RMHK6PA7–Image taken from page 305 of 'The Old Red Sandstone ... Fourteenth edition' Image taken from page 305 of 'The Old R

Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide justaucorps tunic, plate armour greaves and cuisses, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834. Stock Photo

RMRC4N7E–Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide justaucorps tunic, plate armour greaves and cuisses, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834.

Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Toned image. Textile background with pink Stock Photo

RF2DTXPFW–Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Toned image. Textile background with pink

The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plates 38 - The fifteenth and sixteenth plates of the Muscles. The two figures of the present plate are preserved in that form in which the right leg, together with the foot is displayed in the more complete representation of the fourteenth plate. The sixteenth plate might have been placed immediately after the third plate of the muscles; but since it contains only a part of the body, it seemed better to place it here. Stock Photo

RMDYETH1–The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plates 38 - The fifteenth and sixteenth plates of the Muscles. The two figures of the present plate are preserved in that form in which the right leg, together with the foot is displayed in the more complete representation of the fourteenth plate. The sixteenth plate might have been placed immediately after the third plate of the muscles; but since it contains only a part of the body, it seemed better to place it here.

Advertizernents. Foot WINO Power Wainer SENECA FALLS MFG. COMPANY. 10 SIZES. HAVE YOU SEEN The New Green River Al Drilling Machine P ARMSTRONG'S PIPE THREADING SMALLEST CAMERA MADE Murray's Pat e n t Rotating Fans are inval uable for Res taurants Ho kets Saloons Lunch Coun ters Groceries. fectioneries the belt. Prices from 96 to $20. Send for circular t CAN MAKING MACHINERY. Matehrnaw Improred Time Detector REPAIR BICYCLES FOR A LIVING. Easy way to make 0000 Living. NICKEL ELECTRO-PLATING THE No MORE DULL SHEARS! DIAMOND CUTLERY CO. 'OTTO' CAS AND GASOLINE ENGINES. 'DIETZ' TUBULAR DRIVING LAM Stock Photo

RM2ABXCP9–Advertizernents. Foot WINO Power Wainer SENECA FALLS MFG. COMPANY. 10 SIZES. HAVE YOU SEEN The New Green River Al Drilling Machine P ARMSTRONG'S PIPE THREADING SMALLEST CAMERA MADE Murray's Pat e n t Rotating Fans are inval uable for Res taurants Ho kets Saloons Lunch Coun ters Groceries. fectioneries the belt. Prices from 96 to $20. Send for circular t CAN MAKING MACHINERY. Matehrnaw Improred Time Detector REPAIR BICYCLES FOR A LIVING. Easy way to make 0000 Living. NICKEL ELECTRO-PLATING THE No MORE DULL SHEARS! DIAMOND CUTLERY CO. 'OTTO' CAS AND GASOLINE ENGINES. 'DIETZ' TUBULAR DRIVING LAM

RMHR6B51–An illustration of an exercise to practise at Quintain in the 14th Century scanned at high resolution from a book printed in 1831.

RMP65262–The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plates 38 - The fifteenth and sixteenth plates of the Muscles. The two figures of the present plate are preserved in that form in which the right leg, together with the foot is displayed in the more complete representation of the fourteenth plate. The sixteenth plate might have been placed immediately after the third plate of the muscles;but since it contains only a part of the body, it seemed better to place it here.

Machine Colourised THE WERE-WOLF from The Lay of the Were-Wolf in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJT0–Machine Colourised THE WERE-WOLF from The Lay of the Were-Wolf in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

Achilles with an arrow in his only weak spot, his heel, hit as he brings an offering at an altar. Several bystanders around the altar. Apollo leads the top right arrow Paris to the right place. Middle: 14. Fourteenth print a series of fourteen scenes from the life of Achilles. Manufacturer : printmaker J. Alexander Janssen to design: Victor Honoré Janssen Place manufacture: Southern Netherlands Date: approx 1700 Physical features: engra and etching material: paper technique: engra (printing process) / etch dimensions: plate edge: h 166 mm × W 130 mm Subject: death of Achilles Stock Photo

RM2B6JY5F–Achilles with an arrow in his only weak spot, his heel, hit as he brings an offering at an altar. Several bystanders around the altar. Apollo leads the top right arrow Paris to the right place. Middle: 14. Fourteenth print a series of fourteen scenes from the life of Achilles. Manufacturer : printmaker J. Alexander Janssen to design: Victor Honoré Janssen Place manufacture: Southern Netherlands Date: approx 1700 Physical features: engra and etching material: paper technique: engra (printing process) / etch dimensions: plate edge: h 166 mm × W 130 mm Subject: death of Achilles

The old Osborne Factory, northeast corner of Third Avenue and Fourteenth Street, New York City, now owned and occupied by Horatio Worcester, patentee and manufacturer of the hinged-plate pianoforte. October 1862. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper Stock Photo

RF2K92TXJ–The old Osborne Factory, northeast corner of Third Avenue and Fourteenth Street, New York City, now owned and occupied by Horatio Worcester, patentee and manufacturer of the hinged-plate pianoforte. October 1862. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper

Cinquedea ca. 1500 Italian By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from head to foot. T Stock Photo

RM2HH7WXD–Cinquedea ca. 1500 Italian By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from head to foot. T

The sultan's plate thrown from the walls. ROMANCES in French verse ... 14th century. Source: Egerton 3028 f.109. Author: Wace, Canon of Bayeux. Stock Photo

RMR52EPP–The sultan's plate thrown from the walls. ROMANCES in French verse ... 14th century. Source: Egerton 3028 f.109. Author: Wace, Canon of Bayeux.

Barbute ca. 1475 Italian, probably Milan By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from h Stock Photo

RM2HJ0773–Barbute ca. 1475 Italian, probably Milan By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from h

Tombeau de Sultans Mamelouks, Le Kaire, 1849/51, printed 1852. A work made of salted paper print, plate 8 from the album "egypte, nubie, palestine et syrie" (1852). Stock Photo

RM2GGBFF6–Tombeau de Sultans Mamelouks, Le Kaire, 1849/51, printed 1852. A work made of salted paper print, plate 8 from the album "egypte, nubie, palestine et syrie" (1852).

Mail Brayette 15th to 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be wor Stock Photo

RM2HH9GGN–Mail Brayette 15th to 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be wor

Decoration in Kumla Church, Sweden, (1928). 'About 1500...Borders on the vault of Kumbla Church'. After N. M. Mandelgren. Plate LXXVI, figs 160 & 162, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928] Stock Photo

RM2A420E2–Decoration in Kumla Church, Sweden, (1928). 'About 1500...Borders on the vault of Kumbla Church'. After N. M. Mandelgren. Plate LXXVI, figs 160 & 162, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928]

Shirt of Mail and Plate 17th century Indian, Deccani, probably Vijayapur Mail shirts reinforced with steel or iron plates appear to have been developed first in Iran or Anatolia in the late fourteenth or early fifteenth century. Variations of mail-and-plate armor were worn subsequently throughout the Middle East by the Persians, Ottomans, and Mamluks. The style probably was introduced into India early in the Mughal period due to Ottoman influence on Mughal military practices.The armor is part of a large group of material that comes from the armory of the maharajas of Bikaner in Rajastan, north Stock Photo

RM2HH7DBH–Shirt of Mail and Plate 17th century Indian, Deccani, probably Vijayapur Mail shirts reinforced with steel or iron plates appear to have been developed first in Iran or Anatolia in the late fourteenth or early fifteenth century. Variations of mail-and-plate armor were worn subsequently throughout the Middle East by the Persians, Ottomans, and Mamluks. The style probably was introduced into India early in the Mughal period due to Ottoman influence on Mughal military practices.The armor is part of a large group of material that comes from the armory of the maharajas of Bikaner in Rajastan, north

'Border of Arches', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 64 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41Y4H–'Border of Arches', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 64 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

Bertrand du Guesclin, Constable of France, 1314-1380. He wears a velvet pelisse over plate armour, holds the constable's sword. On a table is a helm and Guesclin blazon: argent, sable eagle, band gules. From an ancient drawing. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834. Stock Photo

RMP6H05Y–Bertrand du Guesclin, Constable of France, 1314-1380. He wears a velvet pelisse over plate armour, holds the constable's sword. On a table is a helm and Guesclin blazon: argent, sable eagle, band gules. From an ancient drawing. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834.

Modern Brittany from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYX48–Modern Brittany from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

Curly-top, a disease of the sugar beet . SV^ Fig. 2— Field of Sugar Beets Seriously Affected with Curly-Top, ShowingHere and There an Apparently Healthy Beet. Jul. 1 22, Bureau of Plant Industry, U. S. Dept. of Agriculture. Plate X.. Fig. 1.—The Fourteenth Consecutive Crop of Sugar Beets in a Field EntirelyFree from Curly-Top. Stock Photo

RM2AJH874–Curly-top, a disease of the sugar beet . SV^ Fig. 2— Field of Sugar Beets Seriously Affected with Curly-Top, ShowingHere and There an Apparently Healthy Beet. Jul. 1 22, Bureau of Plant Industry, U. S. Dept. of Agriculture. Plate X.. Fig. 1.—The Fourteenth Consecutive Crop of Sugar Beets in a Field EntirelyFree from Curly-Top.

Happy Valentine celebration Trendy flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey linen background with pink fur and Stock Photo

RF2DWN412–Happy Valentine celebration Trendy flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey linen background with pink fur and

An illustration of Hawking in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9BN–An illustration of Hawking in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

An engraving of the Remains of the Chapter House at Hereford scanned at high resolution from a book printed in 1812. Believed copyright free. Stock Photo

RM2H1YHMD–An engraving of the Remains of the Chapter House at Hereford scanned at high resolution from a book printed in 1812. Believed copyright free.

Machine colorized THE SEIGNEUR OF NANN AND THE KORRIGAN from The Seigneur of Nann in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJ84–Machine colorized THE SEIGNEUR OF NANN AND THE KORRIGAN from The Seigneur of Nann in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of Club Ball in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9CG–An illustration of Club Ball in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

The abbess and the Death Danse Macabre (serietitel) Death pulls an abbess to her habit from the monastery. Fourteenth picture from a range of 30 deaths dans prints; a frame with Father Time and Eeuwigheid. Manufacturer : printmaker: Wenceslaus Hollar (listed building), designed by Abraham van Diepenbeeck (listed property) designed by Hans Holbein (II) Place manufacture: Antwerp Date: 1651 Physical features: etching material : paper Technique: etching dimensions: plate edge: h 115 mm (picture frame) 95 mm × b (picture frame) 77 mm × h × W 55 mm Subject: dance of Death; Death together with one o Stock Photo

RM2B6HTC1–The abbess and the Death Danse Macabre (serietitel) Death pulls an abbess to her habit from the monastery. Fourteenth picture from a range of 30 deaths dans prints; a frame with Father Time and Eeuwigheid. Manufacturer : printmaker: Wenceslaus Hollar (listed building), designed by Abraham van Diepenbeeck (listed property) designed by Hans Holbein (II) Place manufacture: Antwerp Date: 1651 Physical features: etching material : paper Technique: etching dimensions: plate edge: h 115 mm (picture frame) 95 mm × b (picture frame) 77 mm × h × W 55 mm Subject: dance of Death; Death together with one o

An illustration showing dead cavalry with their horses. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate IX. Stock Photo

RMR5EPRR–An illustration showing dead cavalry with their horses. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate IX.

Sixth Ave. up from Fourteenth St., New York, c1900. Stock Photo

RM2R8YRJW–Sixth Ave. up from Fourteenth St., New York, c1900.

Brayette and Buttock Defense 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to Stock Photo

RM2HH4WNW–Brayette and Buttock Defense 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to

'Ornaments, Hall of the Ambassadors', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 8 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41XX0–'Ornaments, Hall of the Ambassadors', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 8 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

Vettore Pisani, Venetian admiral, 1324-1380. He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, cuisses, greaves, gauntlets, and shoes, edged with gold. His arms include two-handed sword and dagger. From the statue in Venice arsenal. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860. Stock Photo

RMP6G473–Vettore Pisani, Venetian admiral, 1324-1380. He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, cuisses, greaves, gauntlets, and shoes, edged with gold. His arms include two-handed sword and dagger. From the statue in Venice arsenal. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860.

Sleeve of Mail 16th century German, Saxony From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be wo Stock Photo

RM2HGYRTW–Sleeve of Mail 16th century German, Saxony From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be wo

THE BRIDE OF SATAN from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYRN4–THE BRIDE OF SATAN from the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

Curly-top, a disease of the sugar beet . Fig. 1.—The Fourteenth Consecutive Crop of Sugar Beets in a Field EntirelyFree from Curly-Top.. Fig. 2.—Sugar Beet Plants Three Months Old in Pots, Showing the Effect ofVarious Methods of Watering. (About one-eighth natural size.) Bui. 122, Bureau of Plant Industry, U. S. Dept. of Agriculture. Plate XI. Stock Photo

RM2AJH7EW–Curly-top, a disease of the sugar beet . Fig. 1.—The Fourteenth Consecutive Crop of Sugar Beets in a Field EntirelyFree from Curly-Top.. Fig. 2.—Sugar Beet Plants Three Months Old in Pots, Showing the Effect ofVarious Methods of Watering. (About one-eighth natural size.) Bui. 122, Bureau of Plant Industry, U. S. Dept. of Agriculture. Plate XI.

Happy Valentine day Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey textile background with pink fur mat and Stock Photo

RF2DTNX8P–Happy Valentine day Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey textile background with pink fur mat and

GUGEMAR'S ASSAULT ON THE CASTLE OF MERIADUS from The Lay of Gugemar in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJYA–GUGEMAR'S ASSAULT ON THE CASTLE OF MERIADUS from The Lay of Gugemar in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of Ladies Hawking in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9BP–An illustration of Ladies Hawking in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

Dante's Divine Comedy, Inferno by Gustave DorÃ©. Plate 1: Dante in the dusky woods. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20. Stock Photo

RMRCY1FD–Dante's Divine Comedy, Inferno by Gustave DorÃ©. Plate 1: Dante in the dusky woods. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20.

Flemish Rebellion, plate 7 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch, 1515-17, printed c. 1520. Stock Photo

RM2HT8MC2–Flemish Rebellion, plate 7 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch, 1515-17, printed c. 1520.

'Ornaments in panels, Court of the Mosque', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 9 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41XXP–'Ornaments in panels, Court of the Mosque', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 9 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

Jean le Bon, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de lys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834. Stock Photo

RMP6H60J–Jean le Bon, John II, King of France, battle armour, 1319-1364. He wears a bizarre spherical helmet topped with a fleur de lys, short tunic with coat of arms, and suit of armour in steel plate. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834.

RM2HGT1NE–Brayette and Buttock Defense 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to

14th century illustration from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909 Stock Photo

RF2J4X38X–14th century illustration from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909

Needlework as art . tly English, as well asthe embroidery, which is, however, much restored(plate 80). This is one of the whole suite of vestmentsand copes of cloth of gold tissue wrought with ourbadges of red roses and portcullises, the which we oflate caused to be made at Florence in Italv. . whichour king, Henry VII., in his will bequeathed to Godand St. Peter, and to the Abbot and Prior of ourMonastery at Westminster, which were designed forhim by Torregiano. From the portraits of the fourteenth and fifteenthcenturies we can judge of the prevailing taste in dressembroideries of that period Stock Photo

RM2AM1HTK–Needlework as art . tly English, as well asthe embroidery, which is, however, much restored(plate 80). This is one of the whole suite of vestmentsand copes of cloth of gold tissue wrought with ourbadges of red roses and portcullises, the which we oflate caused to be made at Florence in Italv. . whichour king, Henry VII., in his will bequeathed to Godand St. Peter, and to the Abbot and Prior of ourMonastery at Westminster, which were designed forhim by Torregiano. From the portraits of the fourteenth and fifteenthcenturies we can judge of the prevailing taste in dressembroideries of that period

Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey textile background with pink fur mat Stock Photo

RF2DT2CKE–Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Grey textile background with pink fur mat

Machine Colourised HÉLOÏSE AS SORCERESS from Abélard and Héloïse / Abelard and Heloise in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJMB–Machine Colourised HÉLOÏSE AS SORCERESS from Abélard and Héloïse / Abelard and Heloise in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of The Pel Quintain in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9CM–An illustration of The Pel Quintain in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

Thieves being punished by being bound by snakes. An illustration from Dante's Inferno. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate III. Stock Photo

RMR5E42R–Thieves being punished by being bound by snakes. An illustration from Dante's Inferno. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate III.

Fragment from the Base of a Bowl, 13th-14th century. Stock Photo

RM2J8963H–Fragment from the Base of a Bowl, 13th-14th century.

'Ornaments on the walls, House of Sanchez', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 108 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41Y59–'Ornaments on the walls, House of Sanchez', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 108 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

Jean le Bon, John II, King of France, military costume, 1319-1364. He wears a helmet with crown and plume, suit of plate armour, pelisse in gold wool lined with red velvet, and holds a dagger (misericorde). From a miniature in the first volume of Froissart's 'Chronicles,' manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834. Stock Photo

RMP6FR89–Jean le Bon, John II, King of France, military costume, 1319-1364. He wears a helmet with crown and plume, suit of plate armour, pelisse in gold wool lined with red velvet, and holds a dagger (misericorde). From a miniature in the first volume of Froissart's 'Chronicles,' manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from 'French Costumes from King Clovis to Our Days,' Massard, Mifliez, Paris, 1834.

Fragment of Mail 17th–18th century probably European From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailore Stock Photo

RM2HGPTJN–Fragment of Mail 17th–18th century probably European From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailore

front cover from the book ' Hero tales & legends of the Rhine ' by Lewis Spence, published London : G.G. Harrap 1915 Stock Photo

RF2HF0052–front cover from the book ' Hero tales & legends of the Rhine ' by Lewis Spence, published London : G.G. Harrap 1915

Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . which the Sonof Man is illustrated on Plate V. This tapestry was woven in thelatter part of the fourteenth century, for the French kings brother,the Duke of Anjou. The designs were copied from an illuminatedmanuscript of the Apocalypse, which the Duke of Anjou borrowedfrom his royal kinsman, but never took the trouble Stock Photo

RM2AJ8MKJ–Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . which the Sonof Man is illustrated on Plate V. This tapestry was woven in thelatter part of the fourteenth century, for the French kings brother,the Duke of Anjou. The designs were copied from an illuminatedmanuscript of the Apocalypse, which the Duke of Anjou borrowedfrom his royal kinsman, but never took the trouble

Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry on textile background with pink fur mat and Stock Photo

RF2DRMGJK–Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry on textile background with pink fur mat and

Machine Colourised MORVAN RETURNS TO HIS RUINED HOME from The Return of Morvan in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJKG–Machine Colourised MORVAN RETURNS TO HIS RUINED HOME from The Return of Morvan in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of Hippas Wrestling in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9CF–An illustration of Hippas Wrestling in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

Canto 32. Dante and Virgil walk across the frozen lake Caina within the first Ring of the Ninth Circle of Hell, where those punished for the betrayal of family are frozen up to their necks in ice. An image from Dante's 'Inferno'. I. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate IV. Stock Photo

RMR5J79A–Canto 32. Dante and Virgil walk across the frozen lake Caina within the first Ring of the Ninth Circle of Hell, where those punished for the betrayal of family are frozen up to their necks in ice. An image from Dante's 'Inferno'. I. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate IV.

RM2J895RX–Fragment from the Base of a Bowl, 13th-14th century.

'Panels on walls, Tower of the Captive', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 101 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41Y58–'Panels on walls, Tower of the Captive', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 101 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

French infantry soldier or halberdier known as White Riding Hood, 14th century. In capelline helmet, white hood, pink jaque or leather justaucorps over a chainmail hauberk, plate armour gauntlets, blue hose and boots. Armed with halberd and sword. Soldat, surnomme le Chaperon Blanc, XIVe siecle. Handcoloured copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834. Stock Photo

RM2T6CK4C–French infantry soldier or halberdier known as White Riding Hood, 14th century. In capelline helmet, white hood, pink jaque or leather justaucorps over a chainmail hauberk, plate armour gauntlets, blue hose and boots. Armed with halberd and sword. Soldat, surnomme le Chaperon Blanc, XIVe siecle. Handcoloured copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834.

Gauntlets of Mail 17th century Hungarian From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn Stock Photo

RM2HGNGR6–Gauntlets of Mail 17th century Hungarian From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn

13th and 14th century armour from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909 Stock Photo

RF2J4X3B7–13th and 14th century armour from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909

RM2HHWK18–Brayette and Buttock Defense 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to

Needlework as art . Iall of the Vintners Company (sixteenth century). Pagt 373-. > English Embroidery. 379 specimen of the later fourteenth century work than thefamous pall of the FishmongersCompany, which shows tin-impress of the Flemish taste, which was at its perfectionin the fifteenth. The style reminds us of that of the finetapestries from the St. Marys Hall, Coventry, of whichthe subject is King Henry VI. and Cardinal Beaufortpraying. The Vintners Companys pall is also very fine(plate 79). Of the time of Henry VII. we have the celebratedcope of Stoneyhurst, woven in Florence, of a gol Stock Photo

RM2AM1JC7–Needlework as art . Iall of the Vintners Company (sixteenth century). Pagt 373-. > English Embroidery. 379 specimen of the later fourteenth century work than thefamous pall of the FishmongersCompany, which shows tin-impress of the Flemish taste, which was at its perfectionin the fifteenth. The style reminds us of that of the finetapestries from the St. Marys Hall, Coventry, of whichthe subject is King Henry VI. and Cardinal Beaufortpraying. The Vintners Companys pall is also very fine(plate 79). Of the time of Henry VII. we have the celebratedcope of Stoneyhurst, woven in Florence, of a gol

Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Linen textile background with pink fur mat Stock Photo

RF2DR8CJ1–Happy Valentine celebration Creative flat lay with assortment of yummy eclairs or brewing cakes and cherry. Linen textile background with pink fur mat

Machine Colourised GUGEMAR COMES UPON THE MAGIC SHIP from The Lay of Gugemar in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYJTP–Machine Colourised GUGEMAR COMES UPON THE MAGIC SHIP from The Lay of Gugemar in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of Boat Tilting in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHPW9D4–An illustration of Boat Tilting in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

Dante and Virgil are rowed in the ferry across the River Styx, in the fifth Circle of Hell, which contains the which the Wrathful who spend eternity struggling with one another; the Sullen lie bound beneath the Styxâ€™s waters, choking on the mud. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate ii. Stock Photo

RMR54NC0–Dante and Virgil are rowed in the ferry across the River Styx, in the fifth Circle of Hell, which contains the which the Wrathful who spend eternity struggling with one another; the Sullen lie bound beneath the Styxâ€™s waters, choking on the mud. A dozen specimens of Gustave DoreÌ from his Inferno of Dante, Fairy Tales of Perrault, and Captain Castagnette of Manuel. London, [1866]. Source: 1871.e.20 plate ii.

RM2J89630–Fragment from the Base of a Bowl, 13th-14th century.

'Mosaics in the Baths', 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 57 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41XYE–'Mosaics in the Baths', 1907. Intricate geometric patterns on tiles, palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 57 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

French knight on horseback for a tournament, 14th century. He wears a steel helmet, blue cuirass or breastplate, shield with steel plate decorated with fleurons, suit of plate armour and carries a lance. The horse is caparisoned in gold. From a miniature in a Bible held by the Barberini library, Rome. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1861. Stock Photo

RMP6FFW2–French knight on horseback for a tournament, 14th century. He wears a steel helmet, blue cuirass or breastplate, shield with steel plate decorated with fleurons, suit of plate armour and carries a lance. The horse is caparisoned in gold. From a miniature in a Bible held by the Barberini library, Rome. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1861.

14th century Camail and Bib from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909 Stock Photo

RF2J4X3BG–14th century Camail and Bib from the book ' Armour & weapons ' by Charles John Ffoulkes, Publisher Oxford Clarendon press 1909

Sleeve of Mail 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under Stock Photo

RM2HHWK1J–Sleeve of Mail 16th century German From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under

Archaeologia cantiana . PAVING TILES , FRITTENDEN CHURCH, KENT ( 203 ) PAVING TILES FROM FRITTENDEN CHURCH. The tiles represented in the annexed plate are, withone exception, still preserved in the vestry ofFrittenden Church. They bear, for the most part,designs of the Decorated Period, and may he con-sidered to have been made in the fourteenth ceutmy.When Frittenden Church was rebuilt, Mr. H. C.Hussey carefully preserved these and other interestingfragments of the old church; which relics may nowbe seen in the vestry of the sacred edifice. ( 204 ) Stock Photo

RM2AKP4N1–Archaeologia cantiana . PAVING TILES , FRITTENDEN CHURCH, KENT ( 203 ) PAVING TILES FROM FRITTENDEN CHURCH. The tiles represented in the annexed plate are, withone exception, still preserved in the vestry ofFrittenden Church. They bear, for the most part,designs of the Decorated Period, and may he con-sidered to have been made in the fourteenth ceutmy.When Frittenden Church was rebuilt, Mr. H. C.Hussey carefully preserved these and other interestingfragments of the old church; which relics may nowbe seen in the vestry of the sacred edifice. ( 204 )

Machine colorized ELIDUC CARRIES GUILLARDUN TO THE FOREST CHAPEL from The Lay of Eliduc in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917 Stock Photo

RF2HEYK2M–Machine colorized ELIDUC CARRIES GUILLARDUN TO THE FOREST CHAPEL from The Lay of Eliduc in the book ' Legends and romances of Brittany ' by Lewis Spence, Publisher New York, Frederick A. Stokes 1917

An illustration of Bandy Ball in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free. Stock Photo

RMHR6B4T–An illustration of Bandy Ball in the 14th Century scanned at high resolution from a book printed in 1831. Believed copyright free.

Fragment from the Base of a Bowl with "K" Monogram, 13th-14th century. Stock Photo

RM2J895XF–Fragment from the Base of a Bowl with "K" Monogram, 13th-14th century.

'Bands, side of arches, Court of the Lions', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 69 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907] Stock Photo

RM2A41Y4G–'Bands, side of arches, Court of the Lions', 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century. Colour plate 69 from "The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration" by Albert F. Calvert. [John Lane, London & New York, 1907]

Knights in combat, 14th century. King Henry V in battle on horseback in jupon or cote-d'armes with arms of England and France, bascinet with panache feathers 1, and duel between English and French knights in jupon, plate and chainmail armour, helmet with crest, and buckler 2. From the Roman du Roy Meliadus, British Museum manuscript Add. 12228. Handcoloured copperplate engraving from Thomas Anthony Day and J.H. Dines' Illustrations of Mediaeval Costume in England collected from manuscripts in the British Museum, Bibliotheque Nationale de Paris, Bosworth, London, 1853. Stock Photo

RM2BT4MTW–Knights in combat, 14th century. King Henry V in battle on horseback in jupon or cote-d'armes with arms of England and France, bascinet with panache feathers 1, and duel between English and French knights in jupon, plate and chainmail armour, helmet with crest, and buckler 2. From the Roman du Roy Meliadus, British Museum manuscript Add. 12228. Handcoloured copperplate engraving from Thomas Anthony Day and J.H. Dines' Illustrations of Mediaeval Costume in England collected from manuscripts in the British Museum, Bibliotheque Nationale de Paris, Bosworth, London, 1853.

Fourteenth plate from Stock Photos and Images

Fourteenth plate from Stock Photos and Images

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