Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-162516453.html
RMKCB7B1–Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church
Scheme for the dining room at the rue Fortunee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scheme-for-the-dining-room-at-the-rue-fortunee-image268798279.html
RMWH8PXF–Scheme for the dining room at the rue Fortunee
Portrait of Madame Hamelin, née Fortunée Lormier-Lagrave (1776-1851), Appiani, Andrea (known as the elder), Painter, In 1798, 18th century, Painting, French Revolution, Painting, Dimensions - Work: Height: 86 cm, Width: 70.5 cm, Depth: 7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-madame-hamelin-ne-fortune-lormier-lagrave-1776-1851-appiani-andrea-known-as-the-elder-painter-in-1798-18th-century-painting-french-revolution-painting-dimensions-work-height-86-cm-width-705-cm-depth-7-cm-image573222326.html
RM2T8GEWX–Portrait of Madame Hamelin, née Fortunée Lormier-Lagrave (1776-1851), Appiani, Andrea (known as the elder), Painter, In 1798, 18th century, Painting, French Revolution, Painting, Dimensions - Work: Height: 86 cm, Width: 70.5 cm, Depth: 7 cm
Art inspired by Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Joseph, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-1781-etching-and-engraving-first-state-of-two-bocher-sheet-11-34-8-916-in-298-218-cm-prints-joseph-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020228.html
RF2HW8B0M–Art inspired by Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Joseph, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marie Lafarge In Prison Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marie-lafarge-in-prison-56755947.html
RMD89CP3–Marie Lafarge In Prison
Pear varieties, Pyrus communis: Beurre Dubuisson, Madame Andre Leroy, Conseiller de la Cour, Fortunee de Printemps, and Jacques Mollet. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1874. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pear-varieties-pyrus-communis-beurre-dubuisson-madame-andre-leroy-conseiller-de-la-cour-fortunee-de-printemps-and-jacques-mollet-handcoloured-lithograph-from-louis-van-houtte-and-charles-lemaires-flowers-of-the-gardens-and-hothouses-of-europe-flore-des-serres-et-des-jardins-de-leurope-ghent-belgium-1874-image211157265.html
RMP7F16W–Pear varieties, Pyrus communis: Beurre Dubuisson, Madame Andre Leroy, Conseiller de la Cour, Fortunee de Printemps, and Jacques Mollet. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1874.
House of the street Fortunée Victor Dargaud (1850-1921). 'Maison de la rue Fortunée'. Huile sur bois, 1899. Paris, maison de Balzac. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/house-of-the-street-fortune-victor-dargaud-1850-1921-maison-de-la-rue-fortune-huile-sur-bois-1899-paris-maison-de-balzac-image349513352.html
RM2B8HKRM–House of the street Fortunée Victor Dargaud (1850-1921). 'Maison de la rue Fortunée'. Huile sur bois, 1899. Paris, maison de Balzac.
Pear varieties, Pyrus communis: Beurre Dubuisson, Madame Andre Leroy, Conseiller de la Cour, Fortunee de Printemps, and Jacques Mollet. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1874. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pear-varieties-pyrus-communis-beurre-dubuisson-madame-andre-leroy-91133762.html
RMF87E16–Pear varieties, Pyrus communis: Beurre Dubuisson, Madame Andre Leroy, Conseiller de la Cour, Fortunee de Printemps, and Jacques Mollet. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1874.
1842 cartoon bust caricature of Sigismond Thalberg (1812 –1871) who was a distinguished composer virtuoso pianist.He was born in Pâquis near Geneva, Switzerland, allegedly the illegitimate son of Prince Moritz Dietrichstein and Baroness Maria Julia Wetzlar von Plankenstern. His birth certificate stated he was the son of Joseph Thalberg and Fortunée Stein who were both from Frankfurt-am-Main Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1842-cartoon-bust-caricature-of-sigismond-thalberg-1812-1871-who-was-a-distinguished-composer-virtuoso-pianisthe-was-born-in-pquis-near-geneva-switzerland-allegedly-the-illegitimate-son-of-prince-moritz-dietrichstein-and-baroness-maria-julia-wetzlar-von-plankenstern-his-birth-certificate-stated-he-was-the-son-of-joseph-thalberg-and-fortune-stein-who-were-both-from-frankfurt-am-main-image384760454.html
RM2D9Y9TP–1842 cartoon bust caricature of Sigismond Thalberg (1812 –1871) who was a distinguished composer virtuoso pianist.He was born in Pâquis near Geneva, Switzerland, allegedly the illegitimate son of Prince Moritz Dietrichstein and Baroness Maria Julia Wetzlar von Plankenstern. His birth certificate stated he was the son of Joseph Thalberg and Fortunée Stein who were both from Frankfurt-am-Main
Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, Augustin de Saint-Aubin, 1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-print-of-a-portrait-medal-of-fortune-marie-dest-princesse-de-conti-162516452.html
RMKCB7B0–Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, Augustin de Saint-Aubin, 1781
Dionysius Lardner by Edith Fortunée Tita De Lisle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dionysius-lardner-by-edith-fortune-tita-de-lisle-170926898.html
RMKX2B02–Dionysius Lardner by Edith Fortunée Tita De Lisle
A. APPIANI - MADAME HAMELIN Andrea Appiani (1757-1817). 'Madame Hamelin née Fortunée Lormier-Lagrave' (1776-1851). Huile sur toile. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-appiani-madame-hamelin-andrea-appiani-1757-1817-madame-hamelin-ne-fortune-lormier-lagrave-1776-1851-huile-sur-toile-paris-muse-carnavalet-image350117966.html
RM2B9H712–A. APPIANI - MADAME HAMELIN Andrea Appiani (1757-1817). 'Madame Hamelin née Fortunée Lormier-Lagrave' (1776-1851). Huile sur toile. Paris, musée Carnavalet.
Lovers embracing under a tree at sundown. Man in pelotari fashion, and woman in dress of organdina, on the isle of Torquate. Les Amants de Torquate. Les amants de Torquate: L’amant est vêtu un peu a la facon d’un pelotari (dame!), l’amante habille d’organdina, qui va bien à la jeunesse et a la saison printaniere regnant continuellement a Torquate, ile fortunee. Plate 34, Vol. 1.5, 1921. Handcoloured pochoir lithograph by Charles Martin from Lucien Vogel’s Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentano’s, Paris, 1922. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-embracing-under-a-tree-at-sundown-man-in-pelotari-fashion-and-woman-in-dress-of-organdina-on-the-isle-of-torquate-les-amants-de-torquate-les-amants-de-torquate-lamant-est-vtu-un-peu-a-la-facon-dun-pelotari-dame!-lamante-habille-dorgandina-qui-va-bien-la-jeunesse-et-a-la-saison-printaniere-regnant-continuellement-a-torquate-ile-fortunee-plate-34-vol-15-1921-handcoloured-pochoir-lithograph-by-charles-martin-from-lucien-vogels-le-bon-genre-100-plates-fromgazettedu-bon-ton-brentanos-paris-1922-image273788466.html
RMWWC3YE–Lovers embracing under a tree at sundown. Man in pelotari fashion, and woman in dress of organdina, on the isle of Torquate. Les Amants de Torquate. Les amants de Torquate: L’amant est vêtu un peu a la facon d’un pelotari (dame!), l’amante habille d’organdina, qui va bien à la jeunesse et a la saison printaniere regnant continuellement a Torquate, ile fortunee. Plate 34, Vol. 1.5, 1921. Handcoloured pochoir lithograph by Charles Martin from Lucien Vogel’s Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentano’s, Paris, 1922.
Print of a Portrait Medal of Fortunee-Marie d'Est, Princesse de Conti 1924 by Augustin de Saint-Aubin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-a-portrait-medal-of-fortunee-marie-dest-princesse-de-conti-1924-by-augustin-de-saint-aubin-image575299705.html
RM2TBY4J1–Print of a Portrait Medal of Fortunee-Marie d'Est, Princesse de Conti 1924 by Augustin de Saint-Aubin
Victor Dargaud (1850-1921). 'House on rue Fortunée'. Wood oil, 1899. Paris, Balzac house. 25112-15 Current rue Balzac, French writer, facade, oil on wood, rue Fortunee, Scene rue, VIIIEME VIIIE VIII 8EME 8th 8 arrondissement, house Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victor-dargaud-1850-1921-house-on-rue-fortune-wood-oil-1899-paris-balzac-house-25112-15-current-rue-balzac-french-writer-facade-oil-on-wood-rue-fortunee-scene-rue-viiieme-viiie-viii-8eme-8th-8-arrondissement-house-image596758190.html
RM2WJTK4E–Victor Dargaud (1850-1921). 'House on rue Fortunée'. Wood oil, 1899. Paris, Balzac house. 25112-15 Current rue Balzac, French writer, facade, oil on wood, rue Fortunee, Scene rue, VIIIEME VIIIE VIII 8EME 8th 8 arrondissement, house
Madame de Balzac's salon, rue Fortunee, between 1850 and 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madame-de-balzacs-salon-rue-fortunee-between-1850-and-1880-image482125980.html
RM2K0AMH0–Madame de Balzac's salon, rue Fortunee, between 1850 and 1880.
The interior decorator's designs for alcoves in the rue Fortunee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-interior-decorators-designs-for-alcoves-in-the-rue-fortunee-image268798272.html
RMWH8PX8–The interior decorator's designs for alcoves in the rue Fortunee
Mrs. Hamelin (1776-1851) 17/10/2013 - 19th century Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mrs-hamelin-1776-1851-17102013-19th-century-collection-85766711.html
RMEYF08R–Mrs. Hamelin (1776-1851) 17/10/2013 - 19th century Collection
Art inspired by Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-print-of-a-portrait-medal-of-fortune-marie-dest-princesse-de-conti-1781-etching-and-engraving-first-state-of-two-bocher-sheet-11-34-8-916-in-298-218-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-after-charles-nicolas-cochin-ii-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020224.html
RF2HW8B0G–Art inspired by Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, 1781, Etching and engraving; first state of two (Bocher), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
MARIE LAFARGE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marie-lafarge-56755934.html
RMD89CNJ–MARIE LAFARGE
Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm) Plate: 10 1/4 × 8 1/16 in. (26 × 20.5 cm). Date: 1781. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-a-portrait-medal-of-fortune-marie-dest-princesse-de-conti-artist-after-charles-nicolas-cochin-ii-french-paris-1715-1790-paris-augustin-de-saint-aubin-french-paris-1736-1807-paris-dimensions-sheet-11-34-8-916-in-298-218-cm-plate-10-14-8-116-in-26-205-cm-date-1781-museum-metropolitan-museum-of-art-new-york-usa-image233251697.html
RMRFDEWN–Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm) Plate: 10 1/4 × 8 1/16 in. (26 × 20.5 cm). Date: 1781. Museum: Metropolitan Museum of Art, New York, USA.
. The Gardeners' chronicle : a weekly illustrated journal of horticulture and allied subjects. of the rising sun.515, The Bride, Fortunee de Lisle. A bridein an Alma-Tadema frame carrying whiteflowers of an uncertain natural order. Gallery IX.— This is a room of smallf)icture3 in which are afew floral subjects. br2,The Flutters of Sprintj, James . Jelley. A 048, The Nitieieenih of April, E. T. Sutcliffe.Another useful, long, horizontal strip ofTrimroses, this time with leaves. For someoccult reason a reel of white cotton hasbeen added to the picture. 651, Builtlingthe America at Harland anil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gardeners-chronicle-a-weekly-illustrated-journal-of-horticulture-and-allied-subjects-of-the-rising-sun515-the-bride-fortunee-de-lisle-a-bridein-an-alma-tadema-frame-carrying-whiteflowers-of-an-uncertain-natural-order-gallery-ix-this-is-a-room-of-smallficture3-in-which-are-afew-floral-subjects-br2the-flutters-of-sprintj-james-jelley-a-048-the-nitieieenih-of-april-e-t-sutcliffeanother-useful-long-horizontal-strip-oftrimroses-this-time-with-leaves-for-someoccult-reason-a-reel-of-white-cotton-hasbeen-added-to-the-picture-651-builtlingthe-america-at-harland-anil-image336891226.html
RM2AG2M5E–. The Gardeners' chronicle : a weekly illustrated journal of horticulture and allied subjects. of the rising sun.515, The Bride, Fortunee de Lisle. A bridein an Alma-Tadema frame carrying whiteflowers of an uncertain natural order. Gallery IX.— This is a room of smallf)icture3 in which are afew floral subjects. br2,The Flutters of Sprintj, James . Jelley. A 048, The Nitieieenih of April, E. T. Sutcliffe.Another useful, long, horizontal strip ofTrimroses, this time with leaves. For someoccult reason a reel of white cotton hasbeen added to the picture. 651, Builtlingthe America at Harland anil
Affaire Lafarge : 'Marie Lafarge (1816-1852) au moment de la mort de son epoux qu' elle sera soupconnee d'avoir empoisonne le 14 janvier 1840' (death of Charles Lafarge, his wife Marie will be suspected of having poisoned him 1840) Gravure tiree de 'Causes celebres de tous les peuples' de Fouquier 1858 Collection privee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/affaire-lafarge-marie-lafarge-1816-1852-au-moment-de-la-mort-de-son-epoux-qu-elle-sera-soupconnee-davoir-empoisonne-le-14-janvier-1840-death-of-charles-lafarge-his-wife-marie-will-be-suspected-of-having-poisoned-him-1840-gravure-tiree-de-causes-celebres-de-tous-les-peuples-de-fouquier-1858-collection-privee-image461233560.html
RM2HPB034–Affaire Lafarge : 'Marie Lafarge (1816-1852) au moment de la mort de son epoux qu' elle sera soupconnee d'avoir empoisonne le 14 janvier 1840' (death of Charles Lafarge, his wife Marie will be suspected of having poisoned him 1840) Gravure tiree de 'Causes celebres de tous les peuples' de Fouquier 1858 Collection privee
Africa, Benin, Ouidah. Sign and memorial at the Door of No Return, a major slave port during the trans-Atlantic slave trade. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-africa-benin-ouidah-sign-and-memorial-at-the-door-of-no-return-a-major-73222016.html
RME73FC0–Africa, Benin, Ouidah. Sign and memorial at the Door of No Return, a major slave port during the trans-Atlantic slave trade.
Fortunée d'Este by an unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-by-an-unknown-artist-image185020481.html
Print of the Reverse of the Portrait Medal of Fortunee-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 1924 by Joseph Varin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-the-reverse-of-the-portrait-medal-of-fortunee-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-1924-by-joseph-varin-image591236943.html
RM2W9W4N3–Print of the Reverse of the Portrait Medal of Fortunee-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 1924 by Joseph Varin
Portret van Fortunée Briquet, Charles Etienne Gaucher, after Marie Thérèse Noireterre, 1804 print print maker: Francepublisher: Paris paper engraving / steel engraving historical persons. ornament medallion Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-fortune-briquet-charles-etienne-gaucher-after-marie-thrse-noireterre-1804-print-print-maker-francepublisher-paris-paper-engraving-steel-engraving-historical-persons-ornament-medallion-image593663648.html
RM2WDRM14–Portret van Fortunée Briquet, Charles Etienne Gaucher, after Marie Thérèse Noireterre, 1804 print print maker: Francepublisher: Paris paper engraving / steel engraving historical persons. ornament medallion
Portrait of Madame Hamelin, born Fortunee Lormier-Lagrave (1776-1851), 1798. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-madame-hamelin-born-fortunee-lormier-lagrave-1776-1851-1798-image482114483.html
RM2K0A5XB–Portrait of Madame Hamelin, born Fortunee Lormier-Lagrave (1776-1851), 1798.
Rue Fortunee: scheme for Staircase. Santi watercolour Bibl. Spoelberch de Lovenjoul, Chantilly in Oise. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rue-fortunee-scheme-for-staircase-santi-watercolour-bibl-spoelberch-de-lovenjoul-chantilly-in-oise-image268848140.html
RMWHB2F8–Rue Fortunee: scheme for Staircase. Santi watercolour Bibl. Spoelberch de Lovenjoul, Chantilly in Oise.
Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti 1781 Augustin de Saint-Aubin French. Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti 422926 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-a-portrait-medal-of-fortune-marie-dest-princesse-de-conti-1781-augustin-de-saint-aubin-french-print-of-a-portrait-medal-of-fortune-marie-dest-princesse-de-conti-422926-image458632184.html
RM2HJ4E0T–Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti 1781 Augustin de Saint-Aubin French. Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti 422926
Mrs. Hamelin (1776-1851) 17/10/2013 - 19th century Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mrs-hamelin-1776-1851-17102013-19th-century-collection-85767125.html
RMEYF0RH–Mrs. Hamelin (1776-1851) 17/10/2013 - 19th century Collection
Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris Joseph Varin French Architect Claude Pierre Convers French 1781 The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-joseph-varin-french-architect-claude-pierre-convers-french-1781-the-reverse-of-the-print-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-is-of-the-interior-of-the-church-of-saint-charmont-paris-which-was-designed-by-the-architect-claude-pierre-convers-image569505736.html
RM2T2F6AG–Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris Joseph Varin French Architect Claude Pierre Convers French 1781 The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers.
Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris. Architect: Claude Pierre Convers (French, active ca. 1782). Artist: Joseph Varin (French, Châlons-sur-Marne 1740-1800 Paris). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm) Plate: 10 1/4 × 8 1/16 in. (26 × 20.5 cm). Date: 1781. The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-architect-claude-pierre-convers-french-active-ca-1782-artist-joseph-varin-french-chlons-sur-marne-1740-1800-paris-dimensions-sheet-11-34-8-916-in-298-218-cm-plate-10-14-8-116-in-26-205-cm-date-1781-the-reverse-of-the-print-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-is-of-the-interior-of-the-church-of-saint-charmont-paris-which-was-designed-by-the-architect-claude-pierre-convers-image213327757.html
RMPB1WMD–Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris. Architect: Claude Pierre Convers (French, active ca. 1782). Artist: Joseph Varin (French, Châlons-sur-Marne 1740-1800 Paris). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm) Plate: 10 1/4 × 8 1/16 in. (26 × 20.5 cm). Date: 1781. The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers.
Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 1781 Joseph Varin French The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers.. Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 422927 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-1781-joseph-varin-french-the-reverse-of-the-print-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-is-of-the-interior-of-the-church-of-saint-charmont-paris-which-was-designed-by-the-architect-claude-pierre-convers-print-of-the-reverse-of-the-portrait-medal-of-fortune-marie-dest-princesse-de-conti-with-an-interier-view-of-the-church-of-saint-chaumont-in-paris-422927-image458001183.html
RM2HH3N53–Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 1781 Joseph Varin French The reverse of the Print of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti is of the interior of the Church of Saint-Charmont, Paris, which was designed by the architect, Claude-Pierre Convers.. Print of the Reverse of the Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti with an Interier View of the Church of Saint-Chaumont in Paris 422927
Paradisus sponsi et sponsae in quo messis myrrhae et aromatum ex instrumentis ac mysterijs passionis Christi colligenda, vt ei commoriamur : et, Pancarpium Marianum, septemplici titulorum serie distinctum, vt in B Virginis odorem curramus, et Christus formetur in nobis . paruis a:què ac magnis ex vïufit: &peremtionem fine argento,pretiolam quidem, led gratisvnicuique parabilem e.!Ie mercationem. Merito igi-tur per Prophetam arguimur, quando quae ad gfktiasvita:que aecems acquiTitionem , nobis tam in dotibusanima: & corporis, quàm Fortunée largitus es ; illa inyanitates & rcs quoque nocituras e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paradisus-sponsi-et-sponsae-in-quo-messis-myrrhae-et-aromatum-ex-instrumentis-ac-mysterijs-passionis-christi-colligenda-vt-ei-commoriamur-et-pancarpium-marianum-septemplici-titulorum-serie-distinctum-vt-in-b-virginis-odorem-curramus-et-christus-formetur-in-nobis-paruis-aqu-ac-magnis-ex-vufit-peremtionem-fine-argentopretiolam-quidem-led-gratisvnicuique-parabilem-e!ie-mercationem-merito-igi-tur-per-prophetam-arguimur-quando-quae-ad-gfktiasvitaque-aecems-acquititionem-nobis-tam-in-dotibusanima-corporis-qum-fortune-largitus-es-illa-inyanitates-rcs-quoque-nocituras-e-image338174358.html
RM2AJ54RJ–Paradisus sponsi et sponsae in quo messis myrrhae et aromatum ex instrumentis ac mysterijs passionis Christi colligenda, vt ei commoriamur : et, Pancarpium Marianum, septemplici titulorum serie distinctum, vt in B Virginis odorem curramus, et Christus formetur in nobis . paruis a:què ac magnis ex vïufit: &peremtionem fine argento,pretiolam quidem, led gratisvnicuique parabilem e.!Ie mercationem. Merito igi-tur per Prophetam arguimur, quando quae ad gfktiasvita:que aecems acquiTitionem , nobis tam in dotibusanima: & corporis, quàm Fortunée largitus es ; illa inyanitates & rcs quoque nocituras e
388 Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/388-maison-de-balzac-rue-fortune-image187840418.html
RMMWGTAA–388 Maison de Balzac, rue Fortunée
Fortunée d'Este Princess of Conti by an unknown artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-princess-of-conti-by-an-unknown-artist-image342878339.html
RM2AWRCPY–Fortunée d'Este Princess of Conti by an unknown artist.
Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maison-de-balzac-rue-fortune-137854641.html
RMJ07R01–Maison de Balzac, rue Fortunée
Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maison-de-balzac-rue-fortune-147665958.html
RMJG6NC6–Maison de Balzac, rue Fortunée
Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, 1781. After Charles Nicolas Cochin II Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-of-a-portrait-medal-of-fortunxe9e-marie-dest-princesse-de-conti-1781-after-charles-nicolas-cochin-ii-image348999675.html
RM2B7P8J3–Print of a Portrait Medal of Fortunée-Marie d'Est, Princesse de Conti, 1781. After Charles Nicolas Cochin II
Watercolour by Santi - Balzac's interior designer - of the house in the rue Fortunee: from the street and from the garden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-by-santi-balzacs-interior-designer-of-the-house-in-the-rue-fortunee-from-the-street-and-from-the-garden-image268798331.html
RMWH8R0B–Watercolour by Santi - Balzac's interior designer - of the house in the rue Fortunee: from the street and from the garden
Lovers embracing under a tree at sundown. Man in pelotari fashion, and woman in dress of organdina, on the isle of Torquate. Les Amants de Torquate. Les amants de Torquate: Lamant est vêtu un peu a la facon dun pelotari (dame!), lamante habille dorgandina, qui va bien à la jeunesse et a la saison printaniere regnant continuellement a Torquate, ile fortunee. Plate 34, Vol. 1.5, 1921. Handcoloured pochoir lithograph by Charles Martin from Lucien Vogels Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentanos, Paris, 1922. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-embracing-under-a-tree-at-sundown-man-in-pelotari-fashion-and-woman-in-dress-of-organdina-on-the-isle-of-torquate-les-amants-de-torquate-les-amants-de-torquate-lamant-est-vtu-un-peu-a-la-facon-dun-pelotari-dame!-lamante-habille-dorgandina-qui-va-bien-la-jeunesse-et-a-la-saison-printaniere-regnant-continuellement-a-torquate-ile-fortunee-plate-34-vol-15-1921-handcoloured-pochoir-lithograph-by-charles-martin-from-lucien-vogels-le-bon-genre-100-plates-fromgazettedu-bon-ton-brentanos-paris-1922-image359062943.html
RM2BT4MCF–Lovers embracing under a tree at sundown. Man in pelotari fashion, and woman in dress of organdina, on the isle of Torquate. Les Amants de Torquate. Les amants de Torquate: Lamant est vêtu un peu a la facon dun pelotari (dame!), lamante habille dorgandina, qui va bien à la jeunesse et a la saison printaniere regnant continuellement a Torquate, ile fortunee. Plate 34, Vol. 1.5, 1921. Handcoloured pochoir lithograph by Charles Martin from Lucien Vogels Le Bon Genre: 100 Plates from Gazette du Bon Ton, Brentanos, Paris, 1922.
Théâtre à l'usage des jeunes personnes . :^ 556 LA B O NNE MÈRE, donc la plus fortunée de toutes les mè-res!....) Le Comte de Moncalde t toujoursaux genoux de la Comtesse^ tient une de sesmains quil baise en pleurant y le Comted*Orsan & Emilie s*avancent & soutiennentla Comtesse dans leurs bras ; Ce lie ^ Jgathe^Henriette courent lembrasser , tandis quela Bonne & Lucette saisisent & baissent samain les autres Domestiques restent àquelques pas^ & par différent gestes j ex-priment le tendre intérêt quils prennent àcette scène» Il faut que tous les mouvemensde cette scène muette soient extrême Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thtre-lusage-des-jeunes-personnes-556-la-b-o-nne-mre-donc-la-plus-fortune-de-toutes-les-m-res!-le-comte-de-moncalde-t-toujoursaux-genoux-de-la-comtesse-tient-une-de-sesmains-quil-baise-en-pleurant-y-le-comtedorsan-emilie-savancent-soutiennentla-comtesse-dans-leurs-bras-ce-lie-jgathehenriette-courent-lembrasser-tandis-quela-bonne-lucette-saisisent-baissent-samain-les-autres-domestiques-restent-quelques-pas-par-diffrent-gestes-j-ex-priment-le-tendre-intrt-quils-prennent-cette-scne-il-faut-que-tous-les-mouvemensde-cette-scne-muette-soient-extrme-image338162551.html
RM2AJ4HNY–Théâtre à l'usage des jeunes personnes . :^ 556 LA B O NNE MÈRE, donc la plus fortunée de toutes les mè-res!....) Le Comte de Moncalde t toujoursaux genoux de la Comtesse^ tient une de sesmains quil baise en pleurant y le Comted*Orsan & Emilie s*avancent & soutiennentla Comtesse dans leurs bras ; Ce lie ^ Jgathe^Henriette courent lembrasser , tandis quela Bonne & Lucette saisisent & baissent samain les autres Domestiques restent àquelques pas^ & par différent gestes j ex-priment le tendre intérêt quils prennent àcette scène» Il faut que tous les mouvemensde cette scène muette soient extrême
389 Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/389-maison-de-balzac-rue-fortune-image188362647.html
RMMXCJDB–389 Maison de Balzac, rue Fortunée
Fortunée d'Este (1734-1803) as the Countess of La Marche in 1768 by Carmontelle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-1734-1803-as-the-countess-of-la-marche-in-1768-by-carmontelle-image342878329.html
RM2AWRCPH–Fortunée d'Este (1734-1803) as the Countess of La Marche in 1768 by Carmontelle.
Dionysius Lardner by Edith Fortunée Tita De Lisle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dionysius-lardner-by-edith-fortune-tita-de-lisle-137851872.html
RMJ07KD4–Dionysius Lardner by Edith Fortunée Tita De Lisle
Fortunée d Este Princess of Conti by an unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fortune-d-este-princess-of-conti-by-an-unknown-artist-147513067.html
RMJFYPBR–Fortunée d Este Princess of Conti by an unknown artist
Watercolour by Santi - Balzac's interior designer - of the house in the rue Fortunee: from the street and from the garden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-by-santi-balzacs-interior-designer-of-the-house-in-the-rue-fortunee-from-the-street-and-from-the-garden-image268798332.html
RMWH8R0C–Watercolour by Santi - Balzac's interior designer - of the house in the rue Fortunee: from the street and from the garden
Recueil des oraisons funebres . Elle efl: morte cette grande Reine ,& par la mort elle a laide un regret éternel ,non-feulement à Monfieur & à Madame, quifidèles à tous leurs devoirs , ont eu pour elledes refpeéls fi fournis ,fi finceres , fi perfévé-rans, mais encore à tous ceux qui ont eu lhon-neur de la fervir ou de la connoître. Ne plai-gnons plus fes difgraces qui font maintenantfa félicité. Si elle avoit été plus fortunée., fonhiftoire feroit plus pompeufe: mais fes œuvresferoient moins pleines, & avec des titres fu-perbes , elle auroit peut-être paru vuide de*vant Dieu, Maintenant quell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recueil-des-oraisons-funebres-elle-efl-morte-cette-grande-reine-par-la-mort-elle-a-laide-un-regret-ternel-non-feulement-monfieur-madame-quifidles-tous-leurs-devoirs-ont-eu-pour-elledes-refpels-fi-fournis-fi-finceres-fi-perfv-rans-mais-encore-tous-ceux-qui-ont-eu-lhon-neur-de-la-fervir-ou-de-la-connotre-ne-plai-gnons-plus-fes-difgraces-qui-font-maintenantfa-flicit-si-elle-avoit-t-plus-fortune-fonhiftoire-feroit-plus-pompeufe-mais-fes-uvresferoient-moins-pleines-avec-des-titres-fu-perbes-elle-auroit-peut-tre-paru-vuide-devant-dieu-maintenant-quell-image339025717.html
RM2AKFXN9–Recueil des oraisons funebres . Elle efl: morte cette grande Reine ,& par la mort elle a laide un regret éternel ,non-feulement à Monfieur & à Madame, quifidèles à tous leurs devoirs , ont eu pour elledes refpeéls fi fournis ,fi finceres , fi perfévé-rans, mais encore à tous ceux qui ont eu lhon-neur de la fervir ou de la connoître. Ne plai-gnons plus fes difgraces qui font maintenantfa félicité. Si elle avoit été plus fortunée., fonhiftoire feroit plus pompeufe: mais fes œuvresferoient moins pleines, & avec des titres fu-perbes , elle auroit peut-être paru vuide de*vant Dieu, Maintenant quell
339 Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/339-maison-de-balzac-rue-fortune-image189120110.html
RMMYK4HJ–339 Maison de Balzac, rue Fortunée
Dionysius Lardner by Edith Fortunée Tita De Lisle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dionysius-lardner-by-edith-fortune-tita-de-lisle-image395609515.html
RM2DYHFY7–Dionysius Lardner by Edith Fortunée Tita De Lisle.
Posthumous portrait of Marie Fortunée d'Este (1731-1803), Princess of Conti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-posthumous-portrait-of-marie-fortune-deste-1731-1803-princess-of-conti-137924233.html
RMJ0AYND–Posthumous portrait of Marie Fortunée d'Este (1731-1803), Princess of Conti
Le cabinet des fées : ou, Collection choisie des contes des fées, et autres contes merveilleux . J- .koibiii: SUITE DE PONCE DE LÉON.FORTUNÉE, CONTE. XL étolt une fois un pauvre laboureur^ quife voyant fur le point de mourir , ne voulutlaifTer dans fa fuccefîion aucuns fujets dedifpute à fon iiils &: à fa fille quil aimoit ten-drement. Votre mère mapporta^ leur dit-ihpour dot deux efcabelles &: une paillaiïe. Lesvoilà avec ma poule , un pot d œillets &: unjonc dargent qui me fut donné par une grandedame qui féjourna dans ma pauvre chaumière ;elle me dit en partant : mon bon homme >voilà un Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-cabinet-des-fes-ou-collection-choisie-des-contes-des-fes-et-autres-contes-merveilleux-j-koibiii-suite-de-ponce-de-lonfortune-conte-xl-tolt-une-fois-un-pauvre-laboureur-quife-voyant-fur-le-point-de-mourir-ne-voulutlaifter-dans-fa-fuccefion-aucuns-fujets-dedifpute-fon-iiils-fa-fille-quil-aimoit-ten-drement-votre-mre-mapporta-leur-dit-ihpour-dot-deux-efcabelles-une-paillaie-lesvoil-avec-ma-poule-un-pot-d-illets-unjonc-dargent-qui-me-fut-donn-par-une-grandedame-qui-fjourna-dans-ma-pauvre-chaumire-elle-me-dit-en-partant-mon-bon-homme-gtvoil-un-image338107175.html
RM2AJ2347–Le cabinet des fées : ou, Collection choisie des contes des fées, et autres contes merveilleux . J- .koibiii: SUITE DE PONCE DE LÉON.FORTUNÉE, CONTE. XL étolt une fois un pauvre laboureur^ quife voyant fur le point de mourir , ne voulutlaifTer dans fa fuccefîion aucuns fujets dedifpute à fon iiils &: à fa fille quil aimoit ten-drement. Votre mère mapporta^ leur dit-ihpour dot deux efcabelles &: une paillaiïe. Lesvoilà avec ma poule , un pot d œillets &: unjonc dargent qui me fut donné par une grandedame qui féjourna dans ma pauvre chaumière ;elle me dit en partant : mon bon homme >voilà un
Fortunée d'Este, Princess of Conti by an unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-princess-of-conti-by-an-unknown-artist-image184981776.html
RMMMXJ40–Fortunée d'Este, Princess of Conti by an unknown artist
Maison de Balzac, rue Fortunée. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maison-de-balzac-rue-fortune-image398230508.html
RM2E3TY24–Maison de Balzac, rue Fortunée.
. The American fruit culturist, containing directions for the propagation and culture of all fruits adapted to the United States. Fruit-culture. Fig. 636. Fig. 637. 0, Trunk of Dwarf Pear-Tree ; i, h, Pear-Stocks Inserted Into it for New Bot- tom ; c. Cut for Receiving the Pear Stock; </, Pear Stock, Cut Sloping before Insertion. ripens several weeks earlier in winter; that the Easter is ren- dered more productive and matures its fruit, while on the pear it is a bad bearer, and does not ripen; that the Fortunee is a " perfect crab" upon the pear, but on the quince is melting and j Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-fruit-culturist-containing-directions-for-the-propagation-and-culture-of-all-fruits-adapted-to-the-united-states-fruit-culture-fig-636-fig-637-0-trunk-of-dwarf-pear-tree-i-h-pear-stocks-inserted-into-it-for-new-bot-tom-c-cut-for-receiving-the-pear-stock-lt-pear-stock-cut-sloping-before-insertion-ripens-several-weeks-earlier-in-winter-that-the-easter-is-ren-dered-more-productive-and-matures-its-fruit-while-on-the-pear-it-is-a-bad-bearer-and-does-not-ripen-that-the-fortunee-is-a-quot-perfect-crabquot-upon-the-pear-but-on-the-quince-is-melting-and-j-image216366348.html
RMPG09DG–. The American fruit culturist, containing directions for the propagation and culture of all fruits adapted to the United States. Fruit-culture. Fig. 636. Fig. 637. 0, Trunk of Dwarf Pear-Tree ; i, h, Pear-Stocks Inserted Into it for New Bot- tom ; c. Cut for Receiving the Pear Stock; </, Pear Stock, Cut Sloping before Insertion. ripens several weeks earlier in winter; that the Easter is ren- dered more productive and matures its fruit, while on the pear it is a bad bearer, and does not ripen; that the Fortunee is a " perfect crab" upon the pear, but on the quince is melting and j
Andrea Appiani - Portrait de Madame Hamelin, née Fortunée Lormier-Lagrave (1776-1851) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andrea-appiani-portrait-de-madame-hamelin-ne-fortune-lormier-lagrave-1776-1851-image594365063.html
Le cabinet des fs, ou collection choisie des contes des fs, et autres contes merveilleux, orn de figures. . h^.. FORTUNEE,c o K r E. J.L écoic une fois un pauvre laboureur , qui fevoyant fur le point de mourir, ne voulut lailferdans fa fucceiîion aucuns fujets de difpute à foiifils & à fa tille quil aimoit tendrement. Votremère mapporta, leur dit-il, pour dot, deuxefcabelles & une paillaflTe. Les voilà avec mapoule , un pot dcsilletTs , & un jonc dargent quime fut donné par une grande dame qui féjour.iadans ma pauvre chaumière j elle me dit enpartant : mon bon homme , voilà un don queje vous f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-cabinet-des-fs-ou-collection-choisie-des-contes-des-fs-et-autres-contes-merveilleux-orn-de-figures-h-fortuneec-o-k-r-e-jl-coic-une-fois-un-pauvre-laboureur-qui-fevoyant-fur-le-point-de-mourir-ne-voulut-lailferdans-fa-fucceiion-aucuns-fujets-de-difpute-foiifils-fa-tille-quil-aimoit-tendrement-votremre-mapporta-leur-dit-il-pour-dot-deuxefcabelles-une-paillaflte-les-voil-avec-mapoule-un-pot-dcsilletts-un-jonc-dargent-quime-fut-donn-par-une-grande-dame-qui-fjouriadans-ma-pauvre-chaumire-j-elle-me-dit-enpartant-mon-bon-homme-voil-un-don-queje-vous-f-image340245977.html
RM2ANFF61–Le cabinet des fs, ou collection choisie des contes des fs, et autres contes merveilleux, orn de figures. . h^.. FORTUNEE,c o K r E. J.L écoic une fois un pauvre laboureur , qui fevoyant fur le point de mourir, ne voulut lailferdans fa fucceiîion aucuns fujets de difpute à foiifils & à fa tille quil aimoit tendrement. Votremère mapporta, leur dit-il, pour dot, deuxefcabelles & une paillaflTe. Les voilà avec mapoule , un pot dcsilletTs , & un jonc dargent quime fut donné par une grande dame qui féjour.iadans ma pauvre chaumière j elle me dit enpartant : mon bon homme , voilà un don queje vous f
388 Maison de Balzac, rue Fortunée Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/388-maison-de-balzac-rue-fortune-image213946536.html
RMPC22YM–388 Maison de Balzac, rue Fortunée
. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps.. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dernier sujet lui convient moins que l'autre ; sa vigueur est satisfaisante, quoique son développement Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-for-fortune-pri-189-feuilles-abondantes-habituellement-ovales-allonges-on-elliptiques-faiblement-releves-en-gouttire-et-contournes-ayant-les-bords-assez-profondment-dents-le-ptiole-fort-et-peu-long-poire-fortune-de-printemps-fertilit-extrme-culture-on-le-greffe-sur-franc-et-sur-cognassier-mais-ce-dernier-sujet-lui-convient-moins-que-lautre-sa-vigueur-est-satisfaisante-quoique-son-dveloppement-image215989981.html
RMPFB5BW–. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps.. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dernier sujet lui convient moins que l'autre ; sa vigueur est satisfaisante, quoique son développement
Archive image from page 198 of Dictionnaire de pomologie, contenant l'histoire,. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gnralement connus et cultivs . dictionnairedepo02lero Year: 1867 FOR [fortunée PRil 189 Poire Fortunée de Printemps. Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-198-of-dictionnaire-de-pomologie-contenant-lhistoire-dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-dictionnairedepo02lero-year-1867-for-fortune-pril-189-poire-fortune-de-printemps-feuilles-abondantes-habituellement-ovales-allonges-on-elliptiques-faiblement-releves-en-gouttire-et-contournes-ayant-les-bords-assez-profondment-dents-le-ptiole-fort-et-peu-long-fertilit-extrme-culture-on-le-greffe-sur-franc-et-sur-cognassier-mais-image258902505.html
RMW160P1–Archive image from page 198 of Dictionnaire de pomologie, contenant l'histoire,. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus gnralement connus et cultivs . dictionnairedepo02lero Year: 1867 FOR [fortunée PRil 189 Poire Fortunée de Printemps. Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . e vie. Mais aufli V.M. qui recoit tant de fà-veurs du Ciel, 6c qui fait iìir la terre le bonheur defes Peuples; eft trop bonne & trop jufte, pour oubl ierce quelle a veu de les primieres anneés de (à vie & defon Regne r Ceqve ie fbuhaite le plus ardammant en ceteVille fàinte,óulaprouidancemaconduit,aveclajpermiffion de V.M. par lesordres exprés de S. E.defante,céfl: que des commancemans fi merveilkus;conime font ceus de V. M. nous voions naitre deplus en pluSjVne fuite fortunée de cesadmi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pompa-funebre-nellesequie-celebrate-in-roma-al-cardinal-mazarini-nella-chiesa-de-ssvincenzo-anastasio-e-vie-mais-aufli-vm-qui-recoit-tant-de-f-veurs-du-ciel-6c-qui-fait-iir-la-terre-le-bonheur-defes-peuples-eft-trop-bonne-trop-jufte-pour-oubl-ierce-quelle-a-veu-de-les-primieres-annes-de-vie-defon-regne-r-ceqve-ie-fbuhaite-le-plus-ardammant-en-ceteville-finteulaprouidancemaconduitaveclajpermiffion-de-vm-par-lesordres-exprs-de-s-edefantecfl-que-des-commancemans-fi-merveilkusconime-font-ceus-de-v-m-nous-voions-naitre-deplus-en-plusjvne-fuite-fortune-de-cesadmi-image339304769.html
RM2AM0JKD–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . e vie. Mais aufli V.M. qui recoit tant de fà-veurs du Ciel, 6c qui fait iìir la terre le bonheur defes Peuples; eft trop bonne & trop jufte, pour oubl ierce quelle a veu de les primieres anneés de (à vie & defon Regne r Ceqve ie fbuhaite le plus ardammant en ceteVille fàinte,óulaprouidancemaconduit,aveclajpermiffion de V.M. par lesordres exprés de S. E.defante,céfl: que des commancemans fi merveilkus;conime font ceus de V. M. nous voions naitre deplus en pluSjVne fuite fortunée de cesadmi
42 Dionysius Lardner by Edith Fortunée Tita De Lisle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/42-dionysius-lardner-by-edith-fortune-tita-de-lisle-image210991710.html
RMP77E26–42 Dionysius Lardner by Edith Fortunée Tita De Lisle
Archive image from page 196 of Dictionnaire de pomologie contenant. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés . dictionnairedepo002lero Year: 1867 FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-196-of-dictionnaire-de-pomologie-contenant-dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-dictionnairedepo002lero-year-1867-for-fortune-pri-189-feuilles-abondantes-habituellement-ovales-allonges-on-elliptiques-faiblement-releves-en-gouttire-et-contournes-ayant-les-bords-assez-profondment-dents-le-ptiole-fort-et-peu-long-poire-fortune-de-printemps-fertilit-extrme-culture-on-le-greffe-sur-franc-et-sur-cognassier-mais-ce-dern-image258902185.html
RMW160AH–Archive image from page 196 of Dictionnaire de pomologie contenant. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés . dictionnairedepo002lero Year: 1867 FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dern
. Le theatre des bons engins : auquel sont contenuz cent emblemes moraulx . LU. r Grand regret.O piteux defconforty V Aigle fepUin^.corne mal fortunée^Qmnd dyncflefche on Va frappée d mort^Laquelle fut de fa plume empennée.Laperfonne eft hien de malheure nêe^Qui defon maldonne Voccafion^Et c^ui caufe ejl de fa deftruBion:I Car dfeul coup^douhle douleur reçoit. Auoirfault donccÇ cefle difcretion^Dofler de nous cela^c^ui nous déçoit, Hij. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-theatre-des-bons-engins-auquel-sont-contenuz-cent-emblemes-moraulx-lu-r-grand-regreto-piteux-defconforty-v-aigle-fepuincorne-mal-fortuneqmnd-dyncflefche-on-va-frappe-d-mortlaquelle-fut-de-fa-plume-empennelaperfonne-eft-hien-de-malheure-nequi-defon-maldonne-voccafionet-cui-caufe-ejl-de-fa-deftrubioni-car-dfeul-coupdouhle-douleur-reoit-auoirfault-doncc-cefle-difcretiondofler-de-nous-celacui-nous-doit-hij-image376178586.html
RM2CT0BHE–. Le theatre des bons engins : auquel sont contenuz cent emblemes moraulx . LU. r Grand regret.O piteux defconforty V Aigle fepUin^.corne mal fortunée^Qmnd dyncflefche on Va frappée d mort^Laquelle fut de fa plume empennée.Laperfonne eft hien de malheure nêe^Qui defon maldonne Voccafion^Et c^ui caufe ejl de fa deftruBion:I Car dfeul coup^douhle douleur reçoit. Auoirfault donccÇ cefle difcretion^Dofler de nous cela^c^ui nous déçoit, Hij.
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RMP017TD–4 Dionysius Lardner by Edith Fortunée Tita De Lisle
. The American fruit culturist. Fig. 636. Fig. 637. <z, Trunk of Dwarf Pear-Tree ; 3, 5, Pear-Stocks Inserted into it for New Bot-tom ; Ct Cut for Receiving the Pear Stock; d. Pear Stock, Cut Slopingbefore Insertion. ripens several weeks earlier in winter; that the Easter is ren-dered more productive and matures its fruit, while on the pearit is a bad bearer, and does not ripen; that the .Fortunee is a perfect crab upon the pear, but on the quince is melting andjuicy; that the Glout Morceau is imperfect and ripens badlyon the pear, but is always fair and attains a high and matureflavor on t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-fruit-culturist-fig-636-fig-637-ltz-trunk-of-dwarf-pear-tree-3-5-pear-stocks-inserted-into-it-for-new-bot-tom-ct-cut-for-receiving-the-pear-stock-d-pear-stock-cut-slopingbefore-insertion-ripens-several-weeks-earlier-in-winter-that-the-easter-is-ren-dered-more-productive-and-matures-its-fruit-while-on-the-pearit-is-a-bad-bearer-and-does-not-ripen-that-the-fortunee-is-a-perfect-crab-upon-the-pear-but-on-the-quince-is-melting-andjuicy-that-the-glout-morceau-is-imperfect-and-ripens-badlyon-the-pear-but-is-always-fair-and-attains-a-high-and-matureflavor-on-t-image370307989.html
RM2CECYH9–. The American fruit culturist. Fig. 636. Fig. 637. <z, Trunk of Dwarf Pear-Tree ; 3, 5, Pear-Stocks Inserted into it for New Bot-tom ; Ct Cut for Receiving the Pear Stock; d. Pear Stock, Cut Slopingbefore Insertion. ripens several weeks earlier in winter; that the Easter is ren-dered more productive and matures its fruit, while on the pearit is a bad bearer, and does not ripen; that the .Fortunee is a perfect crab upon the pear, but on the quince is melting andjuicy; that the Glout Morceau is imperfect and ripens badlyon the pear, but is always fair and attains a high and matureflavor on t
Fortunée d'Este, Countess of La Marche, Princess of Conti, by an unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-countess-of-la-marche-princess-of-conti-by-an-unknown-artist-image184938064.html
RMMMTJAT–Fortunée d'Este, Countess of La Marche, Princess of Conti, by an unknown artist
. Enamels . LS LITTLE BOOKS ON ARTDemy 16010. zs. 6d. net. SUBJECTS BOOKPLATES. Edward Almack CHRIST IN ART. iAIrs. H. Jenner CHRISTIAN SYMBOLISM. Mrs. H. Jenner ENAMELS. Mrs. Nelson Dawson ENGLISH FURNITURE. Egan Mew ENGLISH WATER-COLOUR PAINTERS. C. E. Hughes GREEK ART. H. B. Walters ILLUMINATED MSS. J. W. Bradley JEWELLERY. Cyril Davenport MINIATURES. Cyril Davenport OUR LADY IN ART. Mrs. H. Jenner THE ARTS OF JAPAN. Edward Dillon ARTISTS BOTTICELLI. Mary L. Bonnor BURNE-JONES. Fortunee De Lisle CELLINI. R. H. CusT CLAUDE. Edward Dillon CONSTABLE. Herbert W. Tompkins COROT. Ethel Birnstingl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/enamels-ls-little-books-on-artdemy-16010-zs-6d-net-subjects-bookplates-edward-almack-christ-in-art-iairs-h-jenner-christian-symbolism-mrs-h-jenner-enamels-mrs-nelson-dawson-english-furniture-egan-mew-english-water-colour-painters-c-e-hughes-greek-art-h-b-walters-illuminated-mss-j-w-bradley-jewellery-cyril-davenport-miniatures-cyril-davenport-our-lady-in-art-mrs-h-jenner-the-arts-of-japan-edward-dillon-artists-botticelli-mary-l-bonnor-burne-jones-fortunee-de-lisle-cellini-r-h-cust-claude-edward-dillon-constable-herbert-w-tompkins-corot-ethel-birnstingl-image369841057.html
RM2CDKM15–. Enamels . LS LITTLE BOOKS ON ARTDemy 16010. zs. 6d. net. SUBJECTS BOOKPLATES. Edward Almack CHRIST IN ART. iAIrs. H. Jenner CHRISTIAN SYMBOLISM. Mrs. H. Jenner ENAMELS. Mrs. Nelson Dawson ENGLISH FURNITURE. Egan Mew ENGLISH WATER-COLOUR PAINTERS. C. E. Hughes GREEK ART. H. B. Walters ILLUMINATED MSS. J. W. Bradley JEWELLERY. Cyril Davenport MINIATURES. Cyril Davenport OUR LADY IN ART. Mrs. H. Jenner THE ARTS OF JAPAN. Edward Dillon ARTISTS BOTTICELLI. Mary L. Bonnor BURNE-JONES. Fortunee De Lisle CELLINI. R. H. CusT CLAUDE. Edward Dillon CONSTABLE. Herbert W. Tompkins COROT. Ethel Birnstingl
792 Dionysius Lardner by Edith Fortunée Tita De Lisle cleaned Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/792-dionysius-lardner-by-edith-fortune-tita-de-lisle-cleaned-image185824270.html
RMMP90N2–792 Dionysius Lardner by Edith Fortunée Tita De Lisle cleaned
. [Paraphrase des pseavmes de David, : en vers françois, . „4 PàRAPHRÀSI Autant que pour les bons il fe montre propice,Autant pour les médians il paroift rigoureux,! îl rompt tous leurs deflèins, il confond leur malice,i Et leurs pièges mortels ne le font que pour eux. i . Merueiîlcufe Sion, ncs-tujpas fortunée,| De viure fous les loix dvn aaorabïe Roy,Dont la gloire neft point dans les ilecles bornée,Et qui de tant de biens recompenfe ta foyî ************** *************** V P S E A V M E IVR LE PSEAVMB €XLV. ÇôÇ P S E A V M E CXLVI. Laudate Dominum, quontam bonus efh A KGV M E N r. Ce Tpaume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paraphrase-des-pseavmes-de-david-en-vers-franois-4-praphrsi-autant-que-pour-les-bons-il-fe-montre-propiceautant-pour-les-mdians-il-paroift-rigoureux!-l-rompt-tous-leurs-deflins-il-confond-leur-malicei-et-leurs-piges-mortels-ne-le-font-que-pour-eux-i-merueilcufe-sion-ncs-tujpas-fortune-de-viure-fous-les-loix-dvn-aaorabe-roydont-la-gloire-neft-point-dans-les-ilecles-borneet-qui-de-tant-de-biens-recompenfe-ta-foy-v-p-s-e-a-v-m-e-ivr-le-pseavmb-xlv-p-s-e-a-v-m-e-cxlvi-laudate-dominum-quontam-bonus-efh-a-kgv-m-e-n-r-ce-tpaume-image370021144.html
RM2CDYWMT–. [Paraphrase des pseavmes de David, : en vers françois, . „4 PàRAPHRÀSI Autant que pour les bons il fe montre propice,Autant pour les médians il paroift rigoureux,! îl rompt tous leurs deflèins, il confond leur malice,i Et leurs pièges mortels ne le font que pour eux. i . Merueiîlcufe Sion, ncs-tujpas fortunée,| De viure fous les loix dvn aaorabïe Roy,Dont la gloire neft point dans les ilecles bornée,Et qui de tant de biens recompenfe ta foyî ************** *************** V P S E A V M E IVR LE PSEAVMB €XLV. ÇôÇ P S E A V M E CXLVI. Laudate Dominum, quontam bonus efh A KGV M E N r. Ce Tpaume
Fortunée d'Este (1734-1803) as the Countess of La Marche in 1768 by Carmontelle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fortune-deste-1734-1803-as-the-countess-of-la-marche-in-1768-by-carmontelle-image184981775.html
RMMMXJ3Y–Fortunée d'Este (1734-1803) as the Countess of La Marche in 1768 by Carmontelle
. L'ame amante de son Dieu, representée dans les emblémes de Hermannus Hugo sur ses pieux desirs: & dans ceux d'Othon Vaenius sur l'amour divin . QJcl??ze?itz<f^ytwic?*J—/Jet .. e^J wft&ès m&rr&r amp7&crir?ia if?i > O. V A N I U Si 63 V I I. U Amour fe voit comblé de grande recompenfe JE te lavois bien 4it, Amante fortunée,Quel feroit un jour ton bonheur:Quelle admirable deftinée]Dieu fe donne à celui qui lui donne fon cœur:Tu lui donnes le lien, il fe donne lui-même;Il eft ton Créateur, & fon Amour extrêmeLe rend ton débiteur. O ladmirable récompense !Si lon eft trop paie dun jour de fa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lame-amante-de-son-dieu-represente-dans-les-emblmes-de-hermannus-hugo-sur-ses-pieux-desirs-dans-ceux-dothon-vaenius-sur-lamour-divin-qjclzeitzltfytwicjjet-ej-wfts-mrrr-amp7criria-ifi-gt-o-v-a-n-i-u-si-63-v-i-i-u-amour-fe-voit-combl-de-grande-recompenfe-je-te-lavois-bien-4it-amante-fortunequel-feroit-un-jour-ton-bonheurquelle-admirable-deftine-dieu-fe-donne-celui-qui-lui-donne-fon-curtu-lui-donnes-le-lien-il-fe-donne-lui-mmeil-eft-ton-crateur-fon-amour-extrmele-rend-ton-dbiteur-o-ladmirable-rcompense-!si-lon-eft-trop-paie-dun-jour-de-fa-image374892506.html
RM2CNWR62–. L'ame amante de son Dieu, representée dans les emblémes de Hermannus Hugo sur ses pieux desirs: & dans ceux d'Othon Vaenius sur l'amour divin . QJcl??ze?itz<f^ytwic?*J—/Jet .. e^J wft&ès m&rr&r amp7&crir?ia if?i > O. V A N I U Si 63 V I I. U Amour fe voit comblé de grande recompenfe JE te lavois bien 4it, Amante fortunée,Quel feroit un jour ton bonheur:Quelle admirable deftinée]Dieu fe donne à celui qui lui donne fon cœur:Tu lui donnes le lien, il fe donne lui-même;Il eft ton Créateur, & fon Amour extrêmeLe rend ton débiteur. O ladmirable récompense !Si lon eft trop paie dun jour de fa
. Posthumous portrait Français : Marie-Fortunée d'Este, princesse de Conti (1731-1803) . 1836, commissioned by Louis Philippe I in 1835. Haudebourt-Lescot - Posthumous portrait of Maria Fortunata d'Este Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/posthumous-portrait-franais-marie-fortune-deste-princesse-de-conti-1731-1803-1836-commissioned-by-louis-philippe-i-in-1835-haudebourt-lescot-posthumous-portrait-of-maria-fortunata-deste-image185011110.html
RMMMYYFJ–. Posthumous portrait Français : Marie-Fortunée d'Este, princesse de Conti (1731-1803) . 1836, commissioned by Louis Philippe I in 1835. Haudebourt-Lescot - Posthumous portrait of Maria Fortunata d'Este
. Bulletin of the Department of Agriculture, Trinidad and Tobago. Plants -- Trinidad and Tobago; Agriculture -- Trinidad and Tobago. 1922.] TRINIDAD BIRDS. 143 35. Arundinicola leucocephala. Linn. The White-Headed Widow. Leotaud No. 108. This conspicuous black bird with a white head is almost as common as the preceding species and frequents similar localities. The nest is very similar to that of the Washerwoman and I can give no distinguishing characteristics. Nesting was observed as follows. (1) On July 14, 1918 at La Fortunee sugar estate at the end of a long branch of a fiddle wood tree ove Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-department-of-agriculture-trinidad-and-tobago-plants-trinidad-and-tobago-agriculture-trinidad-and-tobago-1922-trinidad-birds-143-35-arundinicola-leucocephala-linn-the-white-headed-widow-leotaud-no-108-this-conspicuous-black-bird-with-a-white-head-is-almost-as-common-as-the-preceding-species-and-frequents-similar-localities-the-nest-is-very-similar-to-that-of-the-washerwoman-and-i-can-give-no-distinguishing-characteristics-nesting-was-observed-as-follows-1-on-july-14-1918-at-la-fortunee-sugar-estate-at-the-end-of-a-long-branch-of-a-fiddle-wood-tree-ove-image233912571.html
RMRGFHTB–. Bulletin of the Department of Agriculture, Trinidad and Tobago. Plants -- Trinidad and Tobago; Agriculture -- Trinidad and Tobago. 1922.] TRINIDAD BIRDS. 143 35. Arundinicola leucocephala. Linn. The White-Headed Widow. Leotaud No. 108. This conspicuous black bird with a white head is almost as common as the preceding species and frequents similar localities. The nest is very similar to that of the Washerwoman and I can give no distinguishing characteristics. Nesting was observed as follows. (1) On July 14, 1918 at La Fortunee sugar estate at the end of a long branch of a fiddle wood tree ove
. English: Title page from the first edition of Fortunée Briquet's 'Dictionnaire historique, littéraire et bibliographique des Françaises et des étrangères naturalisées en France, connues par leurs écrits ou par la protection qu'elles ont accordée aux Gens de Lettres, depuis l'établissement de la Monarchie jusqu'à nos jours'. Français : Page de titre de l'édition originale. . 1804. Fortunée Briquet (1782–1815) Alternative names Fortunee Briquet Description French writer, biographer, poet and polygraph Date of birth/death 26 June 1782 14 May 1815 Location of birth/death Niort Niort Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-title-page-from-the-first-edition-of-fortune-briquets-dictionnaire-historique-littraire-et-bibliographique-des-franaises-et-des-trangres-naturalises-en-france-connues-par-leurs-crits-ou-par-la-protection-quelles-ont-accorde-aux-gens-de-lettres-depuis-ltablissement-de-la-monarchie-jusqu-nos-jours-franais-page-de-titre-de-ldition-originale-1804-fortune-briquet-17821815-alternative-names-fortunee-briquet-description-french-writer-biographer-poet-and-polygraph-date-of-birthdeath-26-june-1782-14-may-1815-location-of-birthdeath-niort-niort-image184875829.html
RMMMNR05–. English: Title page from the first edition of Fortunée Briquet's 'Dictionnaire historique, littéraire et bibliographique des Françaises et des étrangères naturalisées en France, connues par leurs écrits ou par la protection qu'elles ont accordée aux Gens de Lettres, depuis l'établissement de la Monarchie jusqu'à nos jours'. Français : Page de titre de l'édition originale. . 1804. Fortunée Briquet (1782–1815) Alternative names Fortunee Briquet Description French writer, biographer, poet and polygraph Date of birth/death 26 June 1782 14 May 1815 Location of birth/death Niort Niort
. The American fruit culturist, containing directions for the propagation and culture of all fruits adapted to the United States. Fruit-culture. Fig. 636. Fig. 637. 0, Trunk of Dwarf Pear-Tree ; i, h, Pear-Stocks Inserted Into it for New Bot- tom ; c. Cut for Receiving the Pear Stock; </, Pear Stock, Cut Sloping before Insertion. ripens several weeks earlier in winter; that the Easter is ren- dered more productive and matures its fruit, while on the pear it is a bad bearer, and does not ripen; that the Fortunee is a " perfect crab" upon the pear, but on the quince is melting and j Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-fruit-culturist-containing-directions-for-the-propagation-and-culture-of-all-fruits-adapted-to-the-united-states-fruit-culture-fig-636-fig-637-0-trunk-of-dwarf-pear-tree-i-h-pear-stocks-inserted-into-it-for-new-bot-tom-c-cut-for-receiving-the-pear-stock-lt-pear-stock-cut-sloping-before-insertion-ripens-several-weeks-earlier-in-winter-that-the-easter-is-ren-dered-more-productive-and-matures-its-fruit-while-on-the-pear-it-is-a-bad-bearer-and-does-not-ripen-that-the-fortunee-is-a-quot-perfect-crabquot-upon-the-pear-but-on-the-quince-is-melting-and-j-image232035784.html
RMRDE408–. The American fruit culturist, containing directions for the propagation and culture of all fruits adapted to the United States. Fruit-culture. Fig. 636. Fig. 637. 0, Trunk of Dwarf Pear-Tree ; i, h, Pear-Stocks Inserted Into it for New Bot- tom ; c. Cut for Receiving the Pear Stock; </, Pear Stock, Cut Sloping before Insertion. ripens several weeks earlier in winter; that the Easter is ren- dered more productive and matures its fruit, while on the pear it is a bad bearer, and does not ripen; that the Fortunee is a " perfect crab" upon the pear, but on the quince is melting and j
. Bulletin of the Department of Agriculture, Trinidad and Tobago. Plants -- Trinidad and Tobago; Agriculture -- Trinidad and Tobago. 1922.] TRINIDAD BIRDS. 173. The nest Is a loose structure made of twigs, sometimes without. any definite lining and very variable in size—apparentl accordmg to the number of birds taking part in the construction.. Fig. 5,—The Tick-Bird (Crotophaga ani). About two-fiiths natural size. I have found the follov^ring nests :— (1) On August 8, 1918 at La Fortunee sugar estate on the edge of the Oropuche Lagoon about ten feet from ground in a clump of " Black Rosea Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-department-of-agriculture-trinidad-and-tobago-plants-trinidad-and-tobago-agriculture-trinidad-and-tobago-1922-trinidad-birds-173-the-nest-is-a-loose-structure-made-of-twigs-sometimes-without-any-definite-lining-and-very-variable-in-sizeapparentl-accordmg-to-the-number-of-birds-taking-part-in-the-construction-fig-5the-tick-bird-crotophaga-ani-about-two-fiiths-natural-size-i-have-found-the-follovring-nests-1-on-august-8-1918-at-la-fortunee-sugar-estate-on-the-edge-of-the-oropuche-lagoon-about-ten-feet-from-ground-in-a-clump-of-quot-black-rosea-image233912498.html
RMRGFHNP–. Bulletin of the Department of Agriculture, Trinidad and Tobago. Plants -- Trinidad and Tobago; Agriculture -- Trinidad and Tobago. 1922.] TRINIDAD BIRDS. 173. The nest Is a loose structure made of twigs, sometimes without. any definite lining and very variable in size—apparentl accordmg to the number of birds taking part in the construction.. Fig. 5,—The Tick-Bird (Crotophaga ani). About two-fiiths natural size. I have found the follov^ring nests :— (1) On August 8, 1918 at La Fortunee sugar estate on the edge of the Oropuche Lagoon about ten feet from ground in a clump of " Black Rosea
. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps.. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dernier sujet lui convient moins que l'autre ; sa vigueur est satisfaisante, quoique son développement Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-for-fortune-pri-189-feuilles-abondantes-habituellement-ovales-allonges-on-elliptiques-faiblement-releves-en-gouttire-et-contournes-ayant-les-bords-assez-profondment-dents-le-ptiole-fort-et-peu-long-poire-fortune-de-printemps-fertilit-extrme-culture-on-le-greffe-sur-franc-et-sur-cognassier-mais-ce-dernier-sujet-lui-convient-moins-que-lautre-sa-vigueur-est-satisfaisante-quoique-son-dveloppement-image231622889.html
RMRCR9A1–. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. FOR [fortunée pri' 189 Feuilles : abondantes, habituellement ovales-allongées on elliptiques, faiblement relevées en gouttière et contournées, ayant les bords assez profondément dentés, le pétiole fort et peu long. Poire Fortunée de Printemps.. Fertilité. — Extrême. Culture. — On le greffe sur franc et sur cognassier, mais ce dernier sujet lui convient moins que l'autre ; sa vigueur est satisfaisante, quoique son développement