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Flemish nobility Stock Photos and Images
Spanish presence in Flanders under the reign of Felipe II. Commitment of Breda. Document signed in 1566 by the Flemish nobility to the Spanish authorities at the request of religious freedoms. The refusal of Felipe II brought about the rise of the Netherlands. Engraving by Rafael del Castillo in 'Historia de Espan a Ilustrada', 1871. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-presence-in-flanders-under-the-reign-of-felipe-ii-commitment-of-breda-document-signed-in-1566-by-the-flemish-nobility-to-the-spanish-authorities-at-the-request-of-religious-freedoms-the-refusal-of-felipe-ii-brought-about-the-rise-of-the-netherlands-engraving-by-rafael-del-castillo-in-historia-de-espan-a-ilustrada-1871-colored-image220221090.htmlRMPP7X6X–Spanish presence in Flanders under the reign of Felipe II. Commitment of Breda. Document signed in 1566 by the Flemish nobility to the Spanish authorities at the request of religious freedoms. The refusal of Felipe II brought about the rise of the Netherlands. Engraving by Rafael del Castillo in 'Historia de Espan a Ilustrada', 1871. Colored.
Spanish presence in Flanders under the reign of Philip II. Commitment of Breda. Document signed in 1566 by the Flemish nobility to the Spanish authorities at the request of religious freedoms. The refusal of Felipe II brought about the rise of the Netherlands. Engraving by Rafael del Castillo in 'Historia de España Ilustrada', 1871. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-spanish-presence-in-flanders-under-the-reign-of-philip-ii-commitment-93627365.htmlRMFC92JD–Spanish presence in Flanders under the reign of Philip II. Commitment of Breda. Document signed in 1566 by the Flemish nobility to the Spanish authorities at the request of religious freedoms. The refusal of Felipe II brought about the rise of the Netherlands. Engraving by Rafael del Castillo in 'Historia de España Ilustrada', 1871. Colored.
Anna of Austria (1503-1547), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Anna of Austria, sister of Louis II of Hungary, married Ferdinand I in 1521. Together they had 15 children. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anna-of-austria-1503-1547-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-anna-of-austria-sister-of-louis-ii-of-hungary-married-ferdinand-i-in-1521-together-they-had-15-children-image456378931.htmlRM2HEDRYF–Anna of Austria (1503-1547), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Anna of Austria, sister of Louis II of Hungary, married Ferdinand I in 1521. Together they had 15 children. )
Édouard Colbert, Marquis de Villacerf, Gerard Edelinck, 1640–1707, Flemish, after Pierre Mignard, 1612–1695, French, 1696, Line engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 19 5/8 x 14 3/16 inches (49.8 x 36.1 cm), Plate: 19 7/16 x 14 inches (49.3 x 35.6 cm), and Image: 18 1/2 x 13 11/16 inches (47 x 34.7 cm), Bâtiments du Roi, coat, coat of arms, crest, crown (symbol of sovereignty), curls, heraldic motif, lace, man, nobility, oval, pedestal, plinth, portrait, robe, wig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/douard-colbert-marquis-de-villacerf-gerard-edelinck-16401707-flemish-after-pierre-mignard-16121695-french-1696-line-engraving-and-etching-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-19-58-x-14-316-inches-498-x-361-cm-plate-19-716-x-14-inches-493-x-356-cm-and-image-18-12-x-13-1116-inches-47-x-347-cm-btiments-du-roi-coat-coat-of-arms-crest-crown-symbol-of-sovereignty-curls-heraldic-motif-lace-man-nobility-oval-pedestal-plinth-portrait-robe-wig-image389613598.htmlRM2DHTC3A–Édouard Colbert, Marquis de Villacerf, Gerard Edelinck, 1640–1707, Flemish, after Pierre Mignard, 1612–1695, French, 1696, Line engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 19 5/8 x 14 3/16 inches (49.8 x 36.1 cm), Plate: 19 7/16 x 14 inches (49.3 x 35.6 cm), and Image: 18 1/2 x 13 11/16 inches (47 x 34.7 cm), Bâtiments du Roi, coat, coat of arms, crest, crown (symbol of sovereignty), curls, heraldic motif, lace, man, nobility, oval, pedestal, plinth, portrait, robe, wig
Heinrich of Veldeke, circa 1150 - circa 1200, flemish minstrel, miniature, Codex Manesse), Zurich, 1305 - 1340, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-heinrich-of-veldeke-circa-1150-circa-1200-flemish-minstrel-miniature-19790530.htmlRMB45F0J–Heinrich of Veldeke, circa 1150 - circa 1200, flemish minstrel, miniature, Codex Manesse), Zurich, 1305 - 1340, ,
Isabella Clara Eugenia, Infanta of Spain, Renold Elstrack, 1570–1625(?), British, after Sir Peter Paul Rubens, 1577–1640, Flemish, Published by Compton Holland, active 1616–d.1621, British, between 1616 and 1621, Line engraving on medium, slightly textured, beige laid paper, Sheet: 7 9/16 x 5 1/2 inches (19.2 x 14 cm), Plate: 7 3/16 x 4 5/8 inches (18.3 x 11.8 cm), and Image: 5 11/16 x 4 1/2 inches (14.4 x 11.4 cm), cartouche, coat of arms, crest, crown, curls, embroidery, flowers (plants), hairpiece, jewels, nobility, oval, pendant, portrait, reticella, ruff, shield, woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isabella-clara-eugenia-infanta-of-spain-renold-elstrack-15701625-british-after-sir-peter-paul-rubens-15771640-flemish-published-by-compton-holland-active-1616d1621-british-between-1616-and-1621-line-engraving-on-medium-slightly-textured-beige-laid-paper-sheet-7-916-x-5-12-inches-192-x-14-cm-plate-7-316-x-4-58-inches-183-x-118-cm-and-image-5-1116-x-4-12-inches-144-x-114-cm-cartouche-coat-of-arms-crest-crown-curls-embroidery-flowers-plants-hairpiece-jewels-nobility-oval-pendant-portrait-reticella-ruff-shield-woman-image389732307.htmlRM2DJ1REY–Isabella Clara Eugenia, Infanta of Spain, Renold Elstrack, 1570–1625(?), British, after Sir Peter Paul Rubens, 1577–1640, Flemish, Published by Compton Holland, active 1616–d.1621, British, between 1616 and 1621, Line engraving on medium, slightly textured, beige laid paper, Sheet: 7 9/16 x 5 1/2 inches (19.2 x 14 cm), Plate: 7 3/16 x 4 5/8 inches (18.3 x 11.8 cm), and Image: 5 11/16 x 4 1/2 inches (14.4 x 11.4 cm), cartouche, coat of arms, crest, crown, curls, embroidery, flowers (plants), hairpiece, jewels, nobility, oval, pendant, portrait, reticella, ruff, shield, woman
Heinrich of Veldeke, circa 1150 - circa 1200, flemish minstrel, work, two verses from Weingarten song scripts, Constance 1310 / 1320, page 56, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-heinrich-of-veldeke-circa-1150-circa-1200-flemish-minstrel-work-two-23532679.htmlRMBA804R–Heinrich of Veldeke, circa 1150 - circa 1200, flemish minstrel, work, two verses from Weingarten song scripts, Constance 1310 / 1320, page 56, ,
Portrait of a Lady', by Rogier Van der Weyden, 1460. The costume suggests a date after 1460, perhaps around 1466. It also suggests that the sitter is a gentlewoman, rather than a member of the nobility. On the reverse is a painting of the head of 'Christ Crowned with Thorns' (probably from the workshop of Rogier van der Weyden). It is unusual, but not unparalleled, to find a religious image on the reverse of a portrait. From the collection of the National Gallery, London, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-lady-by-rogier-van-der-weyden-1460-the-costume-suggests-a-date-after-1460-perhaps-around-1466-it-also-suggests-that-the-sitter-is-a-gentlewoman-rather-than-a-member-of-the-nobility-on-the-reverse-is-a-painting-of-the-head-of-christ-crowned-with-thorns-probably-from-the-workshop-of-rogier-van-der-weyden-it-is-unusual-but-not-unparalleled-to-find-a-religious-image-on-the-reverse-of-a-portrait-from-the-collection-of-the-national-gallery-london-united-kingdom-image377038552.htmlRM2CWBGEG–Portrait of a Lady', by Rogier Van der Weyden, 1460. The costume suggests a date after 1460, perhaps around 1466. It also suggests that the sitter is a gentlewoman, rather than a member of the nobility. On the reverse is a painting of the head of 'Christ Crowned with Thorns' (probably from the workshop of Rogier van der Weyden). It is unusual, but not unparalleled, to find a religious image on the reverse of a portrait. From the collection of the National Gallery, London, United Kingdom.
Sir Peter Paul Rubens Portrait Flemish Baroque painter artist period costume art scholar Regal Noble Nobility Upper class angel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-peter-paul-rubens-portrait-flemish-baroque-painter-artist-period-77583840.htmlRMEE66YC–Sir Peter Paul Rubens Portrait Flemish Baroque painter artist period costume art scholar Regal Noble Nobility Upper class angel
Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogier-van-der-weyden-1399-or-1400-18-june-1464-was-an-early-dutch-flemish-painter-his-surviving-works-consist-mainly-of-religious-triptychs-altarpieces-and-commissioned-single-and-diptych-portraits-although-his-life-was-generally-uneventful-he-was-highly-successful-and-internationally-famous-in-his-lifetime-his-paintings-were-exported-or-taken-to-italy-and-spain-and-he-received-commissions-from-amongst-others-philip-the-good-netherlandish-nobility-and-various-foreign-princes-by-the-latter-half-of-the-15th-century-he-had-eclipsed-jan-van-eyck-in-popularity-however-his-fa-image344273854.htmlRM2B030PP–Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa
Elizabeth of France, painted here by Rubens, married Philip IV of Spain and became queen of Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elizabeth-of-france-painted-here-by-rubens-married-philip-iv-of-spain-50852511.htmlRFCXMEW3–Elizabeth of France, painted here by Rubens, married Philip IV of Spain and became queen of Spain.
'Honours'. 'The Nobility', tapestry no. 8, represents the most explicit references to the consec… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/honours-the-nobility-tapestry-no-8-represents-the-most-explicit-references-to-the-consec-image212470584.htmlRMP9JTB4–'Honours'. 'The Nobility', tapestry no. 8, represents the most explicit references to the consec…
Grimani Breviary (Breivario Grimani) - January (Gennaio). Scene entitled Il Convito (The Banquet). Flemish illuminated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grimani-breviary-breivario-grimani-january-gennaio-scene-entitled-83340886.htmlRMERGE46–Grimani Breviary (Breivario Grimani) - January (Gennaio). Scene entitled Il Convito (The Banquet). Flemish illuminated
Jan Mijtens. Portrait of a Man. 1650–1675. Holland. Oil on canvas The Hague, the ancient seat of the counts of Holland, was dominated by the Dutch nobility and provided a ready clientele for Jan Mijtens’s elegant portraits. The artist practiced an international style of portraiture that had been developed by Dutch and Flemish painters working for foreign courts, among them Jan’s uncle and probable teacher, Daniel Mijtens, a court painter to Charles I of England. In this work, Mijtens gave the sitter a confident bearing, depicting him against a poetic twilight background that is indebted to the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-mijtens-portrait-of-a-man-16501675-holland-oil-on-canvas-the-hague-the-ancient-seat-of-the-counts-of-holland-was-dominated-by-the-dutch-nobility-and-provided-a-ready-clientele-for-jan-mijtenss-elegant-portraits-the-artist-practiced-an-international-style-of-portraiture-that-had-been-developed-by-dutch-and-flemish-painters-working-for-foreign-courts-among-them-jans-uncle-and-probable-teacher-daniel-mijtens-a-court-painter-to-charles-i-of-england-in-this-work-mijtens-gave-the-sitter-a-confident-bearing-depicting-him-against-a-poetic-twilight-background-that-is-indebted-to-the-image337983771.htmlRM2AHTDMY–Jan Mijtens. Portrait of a Man. 1650–1675. Holland. Oil on canvas The Hague, the ancient seat of the counts of Holland, was dominated by the Dutch nobility and provided a ready clientele for Jan Mijtens’s elegant portraits. The artist practiced an international style of portraiture that had been developed by Dutch and Flemish painters working for foreign courts, among them Jan’s uncle and probable teacher, Daniel Mijtens, a court painter to Charles I of England. In this work, Mijtens gave the sitter a confident bearing, depicting him against a poetic twilight background that is indebted to the
'Conquest of Tunis'. Emperor Charles V expedition in June 1535 to recover Tunisia from the Ottoman admiral Barbarossa. Engraving after a fragment of a tapestry from the series entitled 'History of the Conquest of Tunisia' (Flemish school), located in the Royal Palace of Madrid, Spain. Charles V arrived in Barcelona on April 3, 1535. Depiction of the review of troops in Barcelona on May 14, formed by gentle knights. Emperor Charles V reviewing the troops before they embark on the Portuguese caravels, the Genoese galleys and the Castilian ships. Actually this event took place in La Laguna, just Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conquest-of-tunis-emperor-charles-v-expedition-in-june-1535-to-recover-tunisia-from-the-ottoman-admiral-barbarossa-engraving-after-a-fragment-of-a-tapestry-from-the-series-entitled-history-of-the-conquest-of-tunisia-flemish-school-located-in-the-royal-palace-of-madrid-spain-charles-v-arrived-in-barcelona-on-april-3-1535-depiction-of-the-review-of-troops-in-barcelona-on-may-14-formed-by-gentle-knights-emperor-charles-v-reviewing-the-troops-before-they-embark-on-the-portuguese-caravels-the-genoese-galleys-and-the-castilian-ships-actually-this-event-took-place-in-la-laguna-just-image264679746.htmlRMWAH5M2–'Conquest of Tunis'. Emperor Charles V expedition in June 1535 to recover Tunisia from the Ottoman admiral Barbarossa. Engraving after a fragment of a tapestry from the series entitled 'History of the Conquest of Tunisia' (Flemish school), located in the Royal Palace of Madrid, Spain. Charles V arrived in Barcelona on April 3, 1535. Depiction of the review of troops in Barcelona on May 14, formed by gentle knights. Emperor Charles V reviewing the troops before they embark on the Portuguese caravels, the Genoese galleys and the Castilian ships. Actually this event took place in La Laguna, just
Gerard Edelinck, 1640–1707, Flemish, Édouard Colbert, Marquis de Villacerf, 1696. Line engraving and etching on moderately thick, moderately textured, cream laid paper. Bâtiments du Roi , coat , coat of arms , crest , crown (symbol of sovereignty) , curls , heraldic motif , lace , man , nobility , oval , pedestal , plinth , portrait , robe , wig. Colbert, Édouard (1629–1699), Marquis de Villacerf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerard-edelinck-16401707-flemish-douard-colbert-marquis-de-villacerf-1696-line-engraving-and-etching-on-moderately-thick-moderately-textured-cream-laid-paper-btiments-du-roi-coat-coat-of-arms-crest-crown-symbol-of-sovereignty-curls-heraldic-motif-lace-man-nobility-oval-pedestal-plinth-portrait-robe-wig-colbert-douard-16291699-marquis-de-villacerf-image398370329.htmlRM2E439BN–Gerard Edelinck, 1640–1707, Flemish, Édouard Colbert, Marquis de Villacerf, 1696. Line engraving and etching on moderately thick, moderately textured, cream laid paper. Bâtiments du Roi , coat , coat of arms , crest , crown (symbol of sovereignty) , curls , heraldic motif , lace , man , nobility , oval , pedestal , plinth , portrait , robe , wig. Colbert, Édouard (1629–1699), Marquis de Villacerf
The Somerset House Conference, 1604. Painiting by an unknow artist. Oil on canvas, 1604. This portrait commemorate the peace treaty between England and Spain. Between 20 May and 16 July 1604, eighteen conference sessions were held at Somerset House, signing the treaty on August 18. The sitters: on the left are the members of the Hispano-Flemish delegation (from the window: Juan de Velasco (Duke of Frias, Constable of Castile), Juan de Tassis (Count of Villa Mediana), Alessandro Robida (Senator of Milan), Charles de Ligne (Count of Aremberg), Jean Rechardot (President of the Council of State) a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-somerset-house-conference-1604-painiting-by-an-unknow-artist-oil-on-canvas-1604-this-portrait-commemorate-the-peace-treaty-between-england-and-spain-between-20-may-and-16-july-1604-eighteen-conference-sessions-were-held-at-somerset-house-signing-the-treaty-on-august-18-the-sitters-on-the-left-are-the-members-of-the-hispano-flemish-delegation-from-the-window-juan-de-velasco-duke-of-frias-constable-of-castile-juan-de-tassis-count-of-villa-mediana-alessandro-robida-senator-of-milan-charles-de-ligne-count-of-aremberg-jean-rechardot-president-of-the-council-of-state-a-image384562401.htmlRM2D9J97D–The Somerset House Conference, 1604. Painiting by an unknow artist. Oil on canvas, 1604. This portrait commemorate the peace treaty between England and Spain. Between 20 May and 16 July 1604, eighteen conference sessions were held at Somerset House, signing the treaty on August 18. The sitters: on the left are the members of the Hispano-Flemish delegation (from the window: Juan de Velasco (Duke of Frias, Constable of Castile), Juan de Tassis (Count of Villa Mediana), Alessandro Robida (Senator of Milan), Charles de Ligne (Count of Aremberg), Jean Rechardot (President of the Council of State) a
Lucas Vorsterman, 1595–1675, Flemish, Serenissima D. Isabella Clara Eugenia, Hispaniarum Infans etc, ca.1635. Stipple engraving, line engraving and etching on medium, slightly textured, beige, laid paper. archduchess , belt , cloth , habit , nobility , nun , portrait , religious and mythological subject , tunic , veil , woman. Isabella Clara Eugenia of Austria (1566–1633), sovereign of the Spanish Netherlands in the Low Countries and the north of modern France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-vorsterman-15951675-flemish-serenissima-d-isabella-clara-eugenia-hispaniarum-infans-etc-ca1635-stipple-engraving-line-engraving-and-etching-on-medium-slightly-textured-beige-laid-paper-archduchess-belt-cloth-habit-nobility-nun-portrait-religious-and-mythological-subject-tunic-veil-woman-isabella-clara-eugenia-of-austria-15661633-sovereign-of-the-spanish-netherlands-in-the-low-countries-and-the-north-of-modern-france-image398357461.htmlRM2E42N05–Lucas Vorsterman, 1595–1675, Flemish, Serenissima D. Isabella Clara Eugenia, Hispaniarum Infans etc, ca.1635. Stipple engraving, line engraving and etching on medium, slightly textured, beige, laid paper. archduchess , belt , cloth , habit , nobility , nun , portrait , religious and mythological subject , tunic , veil , woman. Isabella Clara Eugenia of Austria (1566–1633), sovereign of the Spanish Netherlands in the Low Countries and the north of modern France
The Château de Steen with Hunter Sir Peter Paul Rubens Flemish Baroque painter Baroque style colour sensuality Counter Residence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-chteau-de-steen-with-hunter-sir-peter-paul-rubens-flemish-baroque-38867418.htmlRFC76FP2–The Château de Steen with Hunter Sir Peter Paul Rubens Flemish Baroque painter Baroque style colour sensuality Counter Residence
Procession of Spanish and Flemish noblemen during the burial of Charles V. Brussels, Albert I Royal Library. Author: DOETECUM JEAN Y LUCAS. Location: BIBLIOTECA REAL ALBERTO I. Brüssel. Belgien. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procession-of-spanish-and-flemish-noblemen-during-the-burial-of-charles-v-brussels-albert-i-royal-library-author-doetecum-jean-y-lucas-location-biblioteca-real-alberto-i-brssel-belgien-image219844330.htmlRMPNJNK6–Procession of Spanish and Flemish noblemen during the burial of Charles V. Brussels, Albert I Royal Library. Author: DOETECUM JEAN Y LUCAS. Location: BIBLIOTECA REAL ALBERTO I. Brüssel. Belgien.
Portrait of Countess Teresa Dudley di Carpegna, 1654. Theresa Dudley (1624-98) was the daughter of Sir Robert Dudley, an English aristocrat who was in the service of Grand Duke Cosimo II de' Medici in Florence. In 1649, she married Count Mario di Carpegna, high steward to Cardinal Carlo de' Medici. The companion portrait of her husband remains in the family's possession. Many Italian artists thought that portraits made from life were not challenging, and, therefore, several Flemish portraitists were able to make prosperous careers serving the aristocracy of Italy, in Sustermans's case, the Med Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-countess-teresa-dudley-di-carpegna-1654-theresa-dudley-1624-98-was-the-daughter-of-sir-robert-dudley-an-english-aristocrat-who-was-in-the-service-of-grand-duke-cosimo-ii-de-medici-in-florence-in-1649-she-married-count-mario-di-carpegna-high-steward-to-cardinal-carlo-de-medici-the-companion-portrait-of-her-husband-remains-in-the-familys-possession-many-italian-artists-thought-that-portraits-made-from-life-were-not-challenging-and-therefore-several-flemish-portraitists-were-able-to-make-prosperous-careers-serving-the-aristocracy-of-italy-in-sustermanss-case-the-med-image575142095.htmlRM2TBKYH3–Portrait of Countess Teresa Dudley di Carpegna, 1654. Theresa Dudley (1624-98) was the daughter of Sir Robert Dudley, an English aristocrat who was in the service of Grand Duke Cosimo II de' Medici in Florence. In 1649, she married Count Mario di Carpegna, high steward to Cardinal Carlo de' Medici. The companion portrait of her husband remains in the family's possession. Many Italian artists thought that portraits made from life were not challenging, and, therefore, several Flemish portraitists were able to make prosperous careers serving the aristocracy of Italy, in Sustermans's case, the Med
Portrait of Beetke van Rasquert anonymous painter Belgium, Flemish, The, Netherlands, Dutch, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-beetke-van-rasquert-anonymous-painter-belgium-flemish-the-netherlands-dutch-image456043540.htmlRM2HDXG58–Portrait of Beetke van Rasquert anonymous painter Belgium, Flemish, The, Netherlands, Dutch,
Exterior view of a 14th century medieval castle in the Flemish region of Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-a-14th-century-medieval-castle-in-the-flemish-region-of-belgium-image474497485.htmlRF2JFY6AN–Exterior view of a 14th century medieval castle in the Flemish region of Belgium
Portrait of Dame by Jacob Ferdinand Voet or Jakob Ferdinand Voet 1639 – 1700 France, French Belgian, Belgium, Flemish, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-dame-by-jacob-ferdinand-voet-or-jakob-ferdinand-voet-1639-1700-france-french-belgian-belgium-flemish-image454707029.htmlRM2HBNKCN–Portrait of Dame by Jacob Ferdinand Voet or Jakob Ferdinand Voet 1639 – 1700 France, French Belgian, Belgium, Flemish,
Serenissima D. Isabella Clara Eugenia, Hispaniarum Infans etc., Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured, beige, laid paper, Sheet: 16 7/16 × 12 3/4 inches (41.8 × 32.4 cm), Plate: 9 13/16 × 6 1/4 inches (24.9 × 15.9 cm), and Image: 8 15/16 × 6 1/8 inches (22.7 × 15.6 cm), archduchess, belt, cloth, habit, nobility, nun, portrait, religious and mythological subject, tunic, veil, woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/serenissima-d-isabella-clara-eugenia-hispaniarum-infans-etc-lucas-vorsterman-15951675-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-stipple-engraving-line-engraving-and-etching-on-medium-slightly-textured-beige-laid-paper-sheet-16-716-12-34-inches-418-324-cm-plate-9-1316-6-14-inches-249-159-cm-and-image-8-1516-6-18-inches-227-156-cm-archduchess-belt-cloth-habit-nobility-nun-portrait-religious-and-mythological-subject-tunic-veil-woman-image389665100.htmlRM2DHXNPM–Serenissima D. Isabella Clara Eugenia, Hispaniarum Infans etc., Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured, beige, laid paper, Sheet: 16 7/16 × 12 3/4 inches (41.8 × 32.4 cm), Plate: 9 13/16 × 6 1/4 inches (24.9 × 15.9 cm), and Image: 8 15/16 × 6 1/8 inches (22.7 × 15.6 cm), archduchess, belt, cloth, habit, nobility, nun, portrait, religious and mythological subject, tunic, veil, woman
King Henry II of France 1519 – 1559, 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-henry-ii-of-france-1519-1559-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-image456379055.htmlRM2HEDT3Y–King Henry II of France 1519 – 1559, 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands,
Sir Peter Paul Rubens portrait 28 June 1577 30 May 1640 Flemish Baroque painter Baroque Counter-Reformation artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-peter-paul-rubens-portrait-28-june-1577-30-may-1640-flemish-baroque-77584975.htmlRMEE68BY–Sir Peter Paul Rubens portrait 28 June 1577 30 May 1640 Flemish Baroque painter Baroque Counter-Reformation artist
Anthony van Dyck's 'The Marchesa Grimaldi' (circa 1621): In the National Gallery of Art, Washington D.C., this portrait shows Geronima Grimaldi of the distinguished Genoese Grimaldi family. Van Dyck captures her status and style, reflecting the era's aristocratic culture. The work offers insight into 17th-century Genoese elite, underlining van Dyck's ability to detail nobility with precision. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthony-van-dycks-the-marchesa-grimaldi-circa-1621-in-the-national-gallery-of-art-washington-dc-this-portrait-shows-geronima-grimaldi-of-the-distinguished-genoese-grimaldi-family-van-dyck-captures-her-status-and-style-reflecting-the-eras-aristocratic-culture-the-work-offers-insight-into-17th-century-genoese-elite-underlining-van-dycks-ability-to-detail-nobility-with-precision-image600862179.htmlRM2WWFHRF–Anthony van Dyck's 'The Marchesa Grimaldi' (circa 1621): In the National Gallery of Art, Washington D.C., this portrait shows Geronima Grimaldi of the distinguished Genoese Grimaldi family. Van Dyck captures her status and style, reflecting the era's aristocratic culture. The work offers insight into 17th-century Genoese elite, underlining van Dyck's ability to detail nobility with precision.
Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogier-van-der-weyden-1399-or-1400-18-june-1464-was-an-early-dutch-flemish-painter-his-surviving-works-consist-mainly-of-religious-triptychs-altarpieces-and-commissioned-single-and-diptych-portraits-although-his-life-was-generally-uneventful-he-was-highly-successful-and-internationally-famous-in-his-lifetime-his-paintings-were-exported-or-taken-to-italy-and-spain-and-he-received-commissions-from-amongst-others-philip-the-good-netherlandish-nobility-and-various-foreign-princes-by-the-latter-half-of-the-15th-century-he-had-eclipsed-jan-van-eyck-in-popularity-however-his-fa-image344273853.htmlRM2B030PN–Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa
![Map of Great Britain and Ireland. Nowell-Burghley Atlas. circa 1564. [Whole map] Map of England and Ireland, extending from Arbroath in Scotland to the Franco-Flemish coast. From a geographical commonplace book of William Cecil, Lord Burghley, with his annotations. In lower corners; a reclining figure [Nowell?] with dog, and Cecil seated on an hour glass Image taken from Nowell-Burghley Atlas. Originally published/produced in circa 1564. . Source: Add. 62540, ff.3v-4. Language: English. Author: Nowell, Laurence. Stock Photo](https://c8.alamy.com/comp/RC5YPY/map-of-great-britain-and-ireland-nowell-burghley-atlas-circa-1564-whole-map-map-of-england-and-ireland-extending-from-arbroath-in-scotland-to-the-franco-flemish-coast-from-a-geographical-commonplace-book-of-william-cecil-lord-burghley-with-his-annotations-in-lower-corners-a-reclining-figure-nowell-with-dog-and-cecil-seated-on-an-hour-glass-image-taken-from-nowell-burghley-atlas-originally-publishedproduced-in-circa-1564-source-add-62540-ff3v-4-language-english-author-nowell-laurence-RC5YPY.jpg "Map of Great Britain and Ireland. Nowell-Burghley Atlas. circa 1564. [Whole map] Map of England and Ireland, extending from Arbroath in Scotland to the Franco-Flemish coast. From a geographical commonplace book of William Cecil, Lord Burghley, with his annotations. In lower corners; a reclining figure [Nowell?] with dog, and Cecil seated on an hour glass Image taken from Nowell-Burghley Atlas. Originally published/produced in circa 1564. . Source: Add. 62540, ff.3v-4. Language: English. Author: Nowell, Laurence. Stock Photo")
Map of Great Britain and Ireland. Nowell-Burghley Atlas. circa 1564. [Whole map] Map of England and Ireland, extending from Arbroath in Scotland to the Franco-Flemish coast. From a geographical commonplace book of William Cecil, Lord Burghley, with his annotations. In lower corners; a reclining figure [Nowell?] with dog, and Cecil seated on an hour glass Image taken from Nowell-Burghley Atlas. Originally published/produced in circa 1564. . Source: Add. 62540, ff.3v-4. Language: English. Author: Nowell, Laurence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-great-britain-and-ireland-nowell-burghley-atlas-circa-1564-whole-map-map-of-england-and-ireland-extending-from-arbroath-in-scotland-to-the-franco-flemish-coast-from-a-geographical-commonplace-book-of-william-cecil-lord-burghley-with-his-annotations-in-lower-corners-a-reclining-figure-nowell-with-dog-and-cecil-seated-on-an-hour-glass-image-taken-from-nowell-burghley-atlas-originally-publishedproduced-in-circa-1564-source-add-62540-ff3v-4-language-english-author-nowell-laurence-image231242227.htmlRMRC5YPY–Map of Great Britain and Ireland. Nowell-Burghley Atlas. circa 1564. [Whole map] Map of England and Ireland, extending from Arbroath in Scotland to the Franco-Flemish coast. From a geographical commonplace book of William Cecil, Lord Burghley, with his annotations. In lower corners; a reclining figure [Nowell?] with dog, and Cecil seated on an hour glass Image taken from Nowell-Burghley Atlas. Originally published/produced in circa 1564. . Source: Add. 62540, ff.3v-4. Language: English. Author: Nowell, Laurence.
Portrait of Philip the Handsome, 1478-1506. Archduke of Austria, Duke of Burgundy and King of Castile as Philip I. After an original painting by an anonymous artist in the Rijksmuseum, Amsterdam, Netherlands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philip-the-handsome-1478-1506-archduke-of-austria-duke-of-burgundy-and-king-of-castile-as-philip-i-after-an-original-painting-by-an-anonymous-artist-in-the-rijksmuseum-amsterdam-netherlands-image264770999.htmlRMWANA33–Portrait of Philip the Handsome, 1478-1506. Archduke of Austria, Duke of Burgundy and King of Castile as Philip I. After an original painting by an anonymous artist in the Rijksmuseum, Amsterdam, Netherlands.
Grimani Breviary (Breivario Grimani) - May (Maggio). Scene entitled Festa dell' Albero (Tree Festival). Flemish illuminated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grimani-breviary-breivario-grimani-may-maggio-scene-entitled-festa-83340891.htmlRMERGE4B–Grimani Breviary (Breivario Grimani) - May (Maggio). Scene entitled Festa dell' Albero (Tree Festival). Flemish illuminated
Jacob Binck. King Christian II of Denmark. 1524–1535. Germany. Engraving in black on ivory laid paper King Christian II of Denmark gained his title through being elected by the nobility, instead of inheriting it. When he returned to Denmark from a visit to the Netherlands full of reforming ideas, his popularity plummeted, and in 1523 he was deposed and exiled. Jacob Binck produced several prints depicting this controversial figure, using drawings by the Flemish artist Jan Gossaert. This one was likely produced after Christian left Denmark. Though he, and later his children, tried to reclaim th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-binck-king-christian-ii-of-denmark-15241535-germany-engraving-in-black-on-ivory-laid-paper-king-christian-ii-of-denmark-gained-his-title-through-being-elected-by-the-nobility-instead-of-inheriting-it-when-he-returned-to-denmark-from-a-visit-to-the-netherlands-full-of-reforming-ideas-his-popularity-plummeted-and-in-1523-he-was-deposed-and-exiled-jacob-binck-produced-several-prints-depicting-this-controversial-figure-using-drawings-by-the-flemish-artist-jan-gossaert-this-one-was-likely-produced-after-christian-left-denmark-though-he-and-later-his-children-tried-to-reclaim-th-image337953288.htmlRM2AHR2T8–Jacob Binck. King Christian II of Denmark. 1524–1535. Germany. Engraving in black on ivory laid paper King Christian II of Denmark gained his title through being elected by the nobility, instead of inheriting it. When he returned to Denmark from a visit to the Netherlands full of reforming ideas, his popularity plummeted, and in 1523 he was deposed and exiled. Jacob Binck produced several prints depicting this controversial figure, using drawings by the Flemish artist Jan Gossaert. This one was likely produced after Christian left Denmark. Though he, and later his children, tried to reclaim th
'fine arts, Petrus Christus (circa 1415 - circa 1473), 'Portrait of a young girl', painting, circa 1450, oil on wood, 28x21 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-petrus-christus-circa-1415-circa-1473-portrait-of-a-young-11641721.htmlRMA6T2JJ–'fine arts, Petrus Christus (circa 1415 - circa 1473), 'Portrait of a young girl', painting, circa 1450, oil on wood, 28x21 cm
Guillaume (Willem ou William) d'Orange (1533-1584). Guillaume de Nassau, Prince d'Orange, dit Guillaume le taciturne, fondateur de la maison Orange Nassau, decrit devant la ville de Delft (Pays Bas). Au 17e siecle, un oranger, symbole de la croissance de la famille a ete ajoute a la composition. Peinture attribuee a Daniel Van den Queborn (1552-1602), 1599. Musee historique de la Haye (Pays Bas). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-willem-ou-william-dorange-1533-1584-guillaume-de-nassau-prince-dorange-dit-guillaume-le-taciturne-fondateur-de-la-maison-orange-nassau-decrit-devant-la-ville-de-delft-pays-bas-au-17e-siecle-un-oranger-symbole-de-la-croissance-de-la-famille-a-ete-ajoute-a-la-composition-peinture-attribuee-a-daniel-van-den-queborn-1552-1602-1599-musee-historique-de-la-haye-pays-bas-image559621056.htmlRM2RECXA8–Guillaume (Willem ou William) d'Orange (1533-1584). Guillaume de Nassau, Prince d'Orange, dit Guillaume le taciturne, fondateur de la maison Orange Nassau, decrit devant la ville de Delft (Pays Bas). Au 17e siecle, un oranger, symbole de la croissance de la famille a ete ajoute a la composition. Peinture attribuee a Daniel Van den Queborn (1552-1602), 1599. Musee historique de la Haye (Pays Bas).
AJ17580, Ghent, Gent, Belgium, Oost-Vlaanderen, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aj17580-ghent-gent-belgium-oost-vlaanderen-europe-image1075830.htmlRMAG6A77–AJ17580, Ghent, Gent, Belgium, Oost-Vlaanderen, Europe
Pieter de Jode, ca. 1606–1674, Flemish, Serenissimus Princeps Ferdinandus Austriacus S.R.E. Cardinalis Belgarum Bourgundorumq Gubernator etc, ca.1635. Line engraving and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper. cardinal , collar , curtain , governor , jacket , man , mustache , nobility , portico , portrait , religious and mythological subject , robe , royalty , sash , scepter. Fernando, Infante of Spain (1609-1641), Spanish noble and patron Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-de-jode-ca-16061674-flemish-serenissimus-princeps-ferdinandus-austriacus-sre-cardinalis-belgarum-bourgundorumq-gubernator-etc-ca1635-line-engraving-and-stipple-engraving-on-medium-slightly-textured-browned-white-laid-paper-mounted-on-moderately-thick-slightly-textured-cream-laid-paper-cardinal-collar-curtain-governor-jacket-man-mustache-nobility-portico-portrait-religious-and-mythological-subject-robe-royalty-sash-scepter-fernando-infante-of-spain-1609-1641-spanish-noble-and-patron-image398357475.htmlRM2E42N0K–Pieter de Jode, ca. 1606–1674, Flemish, Serenissimus Princeps Ferdinandus Austriacus S.R.E. Cardinalis Belgarum Bourgundorumq Gubernator etc, ca.1635. Line engraving and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper. cardinal , collar , curtain , governor , jacket , man , mustache , nobility , portico , portrait , religious and mythological subject , robe , royalty , sash , scepter. Fernando, Infante of Spain (1609-1641), Spanish noble and patron
Statues of human figures added in the 1800s to the Flamboyant Gothic facade of the Stadhuis or Town Hall in the Grote Markt or Market Square at Leuven in Flemish Brabant, Flanders, Belgium. The Stadhuis was built between 1439 and 1469 and the elaborate carved canopies and bases of the niches in which the statues stand are part of the Stadhuis’s original 1400s design. The statues represent eminent citizens, artists, savants, royalty, nobility, religious personalities and municipal institutions. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statues-of-human-figures-added-in-the-1800s-to-the-flamboyant-gothic-facade-of-the-stadhuis-or-town-hall-in-the-grote-markt-or-market-square-at-leuven-in-flemish-brabant-flanders-belgium-the-stadhuis-was-built-between-1439-and-1469-and-the-elaborate-carved-canopies-and-bases-of-the-niches-in-which-the-statues-stand-are-part-of-the-stadhuiss-original-1400s-design-the-statues-represent-eminent-citizens-artists-savants-royalty-nobility-religious-personalities-and-municipal-institutions-image611135334.htmlRF2XE7H9X–Statues of human figures added in the 1800s to the Flamboyant Gothic facade of the Stadhuis or Town Hall in the Grote Markt or Market Square at Leuven in Flemish Brabant, Flanders, Belgium. The Stadhuis was built between 1439 and 1469 and the elaborate carved canopies and bases of the niches in which the statues stand are part of the Stadhuis’s original 1400s design. The statues represent eminent citizens, artists, savants, royalty, nobility, religious personalities and municipal institutions.
Spain. Toledo. Monastery of Saint John of the Kings. 15th - 16th centuries. Gothic-spanish-flemish style. Decoration. Detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-toledo-monastery-of-saint-john-of-the-kings-15th-16th-centuries-gothic-spanish-flemish-style-decoration-detail-image219844751.htmlRMPNJP67–Spain. Toledo. Monastery of Saint John of the Kings. 15th - 16th centuries. Gothic-spanish-flemish style. Decoration. Detail.
Flemish Mayor (Baron Pfuel?), 1836. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flemish-mayor-baron-pfuel-1836-image575137135.htmlRM2TBKN7Y–Flemish Mayor (Baron Pfuel?), 1836.
Statue at the Basilica of the Holy Blood in Bruges, Belgium, depicting Count of Flanders Philip of Alsace, a famous Crusader of the 12th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-at-the-basilica-of-the-holy-blood-in-bruges-belgium-depicting-count-of-flanders-philip-of-alsace-a-famous-crusader-of-the-12th-century-image216740654.htmlRFPGHAWJ–Statue at the Basilica of the Holy Blood in Bruges, Belgium, depicting Count of Flanders Philip of Alsace, a famous Crusader of the 12th Century
Exterior view of a 14th century medieval castle in the Flemish region of Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-a-14th-century-medieval-castle-in-the-flemish-region-of-belgium-image474497487.htmlRF2JFY6AR–Exterior view of a 14th century medieval castle in the Flemish region of Belgium
Castle of the Counts, Gravensteen, city of Ghent, Ghent, East Flanders, East Flanders Province, Belgium, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/castle-of-the-counts-gravensteen-city-of-ghent-ghent-east-flanders-image8428686.htmlRMAJJEGF–Castle of the Counts, Gravensteen, city of Ghent, Ghent, East Flanders, East Flanders Province, Belgium, Europe
Serenissimus Princeps Ferdinandus Austriacus S.R.E. Cardinalis Belgarum Bourgundorumq Gubernator etc., Pieter de Jode, ca. 1606–1674, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 14 7/16 × 11 inches (36.7 × 27.9 cm), Sheet: 9 13/16 × 7 15/16 inches (24.9 × 20.2 cm), and Image: 9 × 7 3/4 inches (22.9 × 19.7 cm), cardinal, collar, curtain, governor, jacket, man Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/serenissimus-princeps-ferdinandus-austriacus-sre-cardinalis-belgarum-bourgundorumq-gubernator-etc-pieter-de-jode-ca-16061674-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-line-engraving-and-stipple-engraving-on-medium-slightly-textured-browned-white-laid-paper-mounted-on-moderately-thick-slightly-textured-cream-laid-paper-mount-14-716-11-inches-367-279-cm-sheet-9-1316-7-1516-inches-249-202-cm-and-image-9-7-34-inches-229-197-cm-cardinal-collar-curtain-governor-jacket-man-image389665371.htmlRM2DHXP4B–Serenissimus Princeps Ferdinandus Austriacus S.R.E. Cardinalis Belgarum Bourgundorumq Gubernator etc., Pieter de Jode, ca. 1606–1674, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 14 7/16 × 11 inches (36.7 × 27.9 cm), Sheet: 9 13/16 × 7 15/16 inches (24.9 × 20.2 cm), and Image: 9 × 7 3/4 inches (22.9 × 19.7 cm), cardinal, collar, curtain, governor, jacket, man
Portrait of William of Orange (1533-1584) as a boy on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-william-of-orange-1533-1584-as-a-boy-on-horseback-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-image456379129.htmlRM2HEDT6H–Portrait of William of Orange (1533-1584) as a boy on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands,
Gruuthuse Museum, Bruges, Belgium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gruuthuse-museum-bruges-belgium-37293887.htmlRMC4JTMF–Gruuthuse Museum, Bruges, Belgium.
. Art in France. he austere piety of their lives. The robust method he had acquired in his native school was not used by him to play with the beauty of appear-ances, but to elevate painting to the nobility of Christian and philosophical meditation. His Dead Christs and his portraits combine a profound sense of reality with an intensity of moral life veryunusual in Flemish art. Cham-paigne and Poussin had so manysimilar preoccupations, that wemust suppose the Fleming often tohave waived his naturalistic ten-dencies under the influence of apsvchological idealist. He mustbe classed with those inn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-in-france-he-austere-piety-of-their-lives-the-robust-method-he-had-acquired-in-his-native-school-was-not-used-by-him-to-play-with-the-beauty-of-appear-ances-but-to-elevate-painting-to-the-nobility-of-christian-and-philosophical-meditation-his-dead-christs-and-his-portraits-combine-a-profound-sense-of-reality-with-an-intensity-of-moral-life-veryunusual-in-flemish-art-cham-paigne-and-poussin-had-so-manysimilar-preoccupations-that-wemust-suppose-the-fleming-often-tohave-waived-his-naturalistic-ten-dencies-under-the-influence-of-apsvchological-idealist-he-mustbe-classed-with-those-inn-image370490705.htmlRM2CEN8JW–. Art in France. he austere piety of their lives. The robust method he had acquired in his native school was not used by him to play with the beauty of appear-ances, but to elevate painting to the nobility of Christian and philosophical meditation. His Dead Christs and his portraits combine a profound sense of reality with an intensity of moral life veryunusual in Flemish art. Cham-paigne and Poussin had so manysimilar preoccupations, that wemust suppose the Fleming often tohave waived his naturalistic ten-dencies under the influence of apsvchological idealist. He mustbe classed with those inn
Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogier-van-der-weyden-1399-or-1400-18-june-1464-was-an-early-dutch-flemish-painter-his-surviving-works-consist-mainly-of-religious-triptychs-altarpieces-and-commissioned-single-and-diptych-portraits-although-his-life-was-generally-uneventful-he-was-highly-successful-and-internationally-famous-in-his-lifetime-his-paintings-were-exported-or-taken-to-italy-and-spain-and-he-received-commissions-from-amongst-others-philip-the-good-netherlandish-nobility-and-various-foreign-princes-by-the-latter-half-of-the-15th-century-he-had-eclipsed-jan-van-eyck-in-popularity-however-his-fa-image344273850.htmlRM2B030PJ–Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fa
ANTWERP, BELGIUM - April 2018: The Cathedral of Our Lady is a Roman Catholic cathedral in Antwerp, a famous landmark in Anvers in Belgium on a blue s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antwerp-belgium-april-2018-the-cathedral-of-our-lady-is-a-roman-catholic-cathedral-in-antwerp-a-famous-landmark-in-anvers-in-belgium-on-a-blue-s-image396228635.htmlRF2E0HNJK–ANTWERP, BELGIUM - April 2018: The Cathedral of Our Lady is a Roman Catholic cathedral in Antwerp, a famous landmark in Anvers in Belgium on a blue s
Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-peter-paul-rubens-28-june-1577-30-may-1640-was-a-flemish-baroque-painter-a-proponent-of-an-extravagant-baroque-style-that-emphasized-movement-colour-and-sensuality-rubens-is-well-known-for-his-counter-reformation-altarpieces-portraits-landscapes-and-history-paintings-of-mythological-and-allegorical-subjects-in-addition-to-running-a-large-studio-in-antwerp-that-produced-paintings-popular-with-nobility-and-art-collectors-throughout-europe-rubens-was-a-classically-educated-humanist-scholar-and-diplomat-who-was-knighted-by-both-philip-iv-of-spain-and-charles-i-of-england-rubens-image344276832.htmlRM2B034H4–Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens
Grimani Breviary (Breivario Grimani) - August (Agosto). Scene entitled Partenza per la caccia (Departure for the hunt). Flemish Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-grimani-breviary-breivario-grimani-august-agosto-scene-entitled-partenza-83340894.htmlRMERGE4E–Grimani Breviary (Breivario Grimani) - August (Agosto). Scene entitled Partenza per la caccia (Departure for the hunt). Flemish
Detail of a house door with a terracotta bust. Bruges, West Flanders, Belgium, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-a-house-door-with-a-terracotta-bust-bruges-west-flanders-belgium-europe-image546218160.htmlRM2PMJARC–Detail of a house door with a terracotta bust. Bruges, West Flanders, Belgium, Europe
King Philippe & Queen Mathilde of Belgium & Cardinal Godfried Danneels during the Cavalcade in Mechelen, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-philippe-queen-mathilde-of-belgium-cardinal-godfried-danneels-85542568.htmlRMEY4PBM–King Philippe & Queen Mathilde of Belgium & Cardinal Godfried Danneels during the Cavalcade in Mechelen, Belgium
Gruuthusemuseum in Bruges, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gruuthusemuseum-in-bruges-belgium-image346218568.htmlRM2B37H8T–Gruuthusemuseum in Bruges, Belgium
Don Quixote and Sancho Panza sculpture, Brussels, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-don-quixote-and-sancho-panza-sculpture-brussels-belgium-112024902.htmlRMGE74WA–Don Quixote and Sancho Panza sculpture, Brussels, Belgium
Conquest of Tunis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conquest-of-tunis-image352829233.htmlRM2BE0N81–Conquest of Tunis.
Statues of human figures added in the 1800s to octagonal turrets on the Stadhuis or Town Hall in Leuven, Belgium. The Stadhuis, built between 1439 and 1469, is a masterpiece of Brabantine, Late or Flamboyant Gothic architecture and the elaborate carved canopies and bases (corbels) of the niches in which the statues stand are part of the Stadhuis’s original 1400s design. Similar niches, long empty, and statues added in the 1800s, feature on the Stadhuis’s facade. The 1800s statues represent eminent citizens, artists, savants, royalty, nobility and religious personalities. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statues-of-human-figures-added-in-the-1800s-to-octagonal-turrets-on-the-stadhuis-or-town-hall-in-leuven-belgium-the-stadhuis-built-between-1439-and-1469-is-a-masterpiece-of-brabantine-late-or-flamboyant-gothic-architecture-and-the-elaborate-carved-canopies-and-bases-corbels-of-the-niches-in-which-the-statues-stand-are-part-of-the-stadhuiss-original-1400s-design-similar-niches-long-empty-and-statues-added-in-the-1800s-feature-on-the-stadhuiss-facade-the-1800s-statues-represent-eminent-citizens-artists-savants-royalty-nobility-and-religious-personalities-image611135327.htmlRF2XE7H9K–Statues of human figures added in the 1800s to octagonal turrets on the Stadhuis or Town Hall in Leuven, Belgium. The Stadhuis, built between 1439 and 1469, is a masterpiece of Brabantine, Late or Flamboyant Gothic architecture and the elaborate carved canopies and bases (corbels) of the niches in which the statues stand are part of the Stadhuis’s original 1400s design. Similar niches, long empty, and statues added in the 1800s, feature on the Stadhuis’s facade. The 1800s statues represent eminent citizens, artists, savants, royalty, nobility and religious personalities.
Flemish tapestry of Tournai. 16th century. Detail of a Portuguese nobleman and a native of Indies. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flemish-tapestry-of-tournai-16th-century-detail-of-a-portuguese-nobleman-and-a-native-of-indies-image219992476.htmlRMPNWEJ4–Flemish tapestry of Tournai. 16th century. Detail of a Portuguese nobleman and a native of Indies.
Portrait of Count Hendrik van den Bergh, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-count-hendrik-van-den-bergh-17th-century-image535967287.htmlRM2P3YBMR–Portrait of Count Hendrik van den Bergh, 17th century.
Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-in-the-basilica-of-the-holy-blood-in-bruges-belgium-depicting-an-angel-holding-a-coat-of-arms-image217239487.htmlRFPHC353–Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms
Exterior view of a 14th century medieval castle in the Flemish region of Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-a-14th-century-medieval-castle-in-the-flemish-region-of-belgium-image474497489.htmlRF2JFY6AW–Exterior view of a 14th century medieval castle in the Flemish region of Belgium
Castle of the Counts, Gravensteen, 12th century castle, city of Ghent, Ghent, East Flanders, East Flanders Province, Belgium, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/castle-of-the-counts-gravensteen-12th-century-castle-city-of-ghent-image8428668.htmlRMAJJDYD–Castle of the Counts, Gravensteen, 12th century castle, city of Ghent, Ghent, East Flanders, East Flanders Province, Belgium, Europe
Portrait of Philip van Lalaing on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, Philip de Lalaing, 2nd count of Hoogstraten after 1555 was stadtholder of Jülich 1543 and Guelders 1544 - 1555. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-philip-van-lalaing-on-horseback-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-philip-de-lalaing-2nd-count-of-hoogstraten-after-1555-was-stadtholder-of-jlich-1543-and-guelders-1544-1555-image456379033.htmlRM2HEDT35–Portrait of Philip van Lalaing on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, Philip de Lalaing, 2nd count of Hoogstraten after 1555 was stadtholder of Jülich 1543 and Guelders 1544 - 1555.
. The Scots peerage; founded on Wood's edition of Sir Robert Douglas's peerage of Scotland; containing an historical and genealogical account of the nobility of that kingdom . andundoubted founder ofthe family was a certain Bertolf or Bartholo-mew, round whose namevarious traditions haveformed, which need not be dwelt upon here, the ratherthat they are to be found in a work entirely devoted to thefamily.^ So far as record goes, however, his name isknown only from charters in which his son Malcolm isreferred to, but he was probably of Flemish origin. He issaid to have flourished at the court of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-scots-peerage-founded-on-woods-edition-of-sir-robert-douglass-peerage-of-scotland-containing-an-historical-and-genealogical-account-of-the-nobility-of-that-kingdom-andundoubted-founder-ofthe-family-was-a-certain-bertolf-or-bartholo-mew-round-whose-namevarious-traditions-haveformed-which-need-not-be-dwelt-upon-here-the-ratherthat-they-are-to-be-found-in-a-work-entirely-devoted-to-thefamily-so-far-as-record-goes-however-his-name-isknown-only-from-charters-in-which-his-son-malcolm-isreferred-to-but-he-was-probably-of-flemish-origin-he-issaid-to-have-flourished-at-the-court-of-image372348985.htmlRM2CHNXX1–. The Scots peerage; founded on Wood's edition of Sir Robert Douglas's peerage of Scotland; containing an historical and genealogical account of the nobility of that kingdom . andundoubted founder ofthe family was a certain Bertolf or Bartholo-mew, round whose namevarious traditions haveformed, which need not be dwelt upon here, the ratherthat they are to be found in a work entirely devoted to thefamily.^ So far as record goes, however, his name isknown only from charters in which his son Malcolm isreferred to, but he was probably of Flemish origin. He issaid to have flourished at the court of
King Philippe & Queen Mathilde of Belgium & mayor Bart Somers during the Cavalcade in Mechelen, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-philippe-queen-mathilde-of-belgium-mayor-bart-somers-during-the-85542566.htmlRMEY4PBJ–King Philippe & Queen Mathilde of Belgium & mayor Bart Somers during the Cavalcade in Mechelen, Belgium
A nobleman on a white horse during the Procession of the Holy Blood in Bruges, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-nobleman-on-a-white-horse-during-the-procession-of-the-holy-blood-143055004.htmlRMJ8MM38–A nobleman on a white horse during the Procession of the Holy Blood in Bruges, Belgium
Frans Pourbus the Younger (1569-1622). Flemish painter. Portrait of Margaret of Savoy, Duchess of Mantua. 1608. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frans-pourbus-the-younger-1569-1622-flemish-painter-portrait-of-margaret-of-savoy-duchess-of-mantua-1608-oil-on-canvas-the-state-hermitage-museum-saint-petersburg-russia-image211196524.htmlRMP7GR90–Frans Pourbus the Younger (1569-1622). Flemish painter. Portrait of Margaret of Savoy, Duchess of Mantua. 1608. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.
Dance society. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dance-society-image186174085.htmlRMMPTXXD–Dance society.
Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-in-the-basilica-of-the-holy-blood-in-bruges-belgium-depicting-an-angel-holding-a-coat-of-arms-image217239468.htmlRFPHC34C–Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms
Exterior view of a 14th century medieval castle in the Flemish region of Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-a-14th-century-medieval-castle-in-the-flemish-region-of-belgium-image474497491.htmlRF2JFY6AY–Exterior view of a 14th century medieval castle in the Flemish region of Belgium
People tourists Castle of the Counts Gravensteen city of Ghent East Flanders Province Belgium Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-people-tourists-castle-of-the-counts-gravensteen-city-of-ghent-east-30574063.htmlRMBNMNER–People tourists Castle of the Counts Gravensteen city of Ghent East Flanders Province Belgium Europe
King Francis I of France (1495-1547), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Top right the crowned French coat of arms with the Order of St. Michel. Francis I was king of France since 1511. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-francis-i-of-france-1495-1547-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-top-right-the-crowned-french-coat-of-arms-with-the-order-of-st-michel-francis-i-was-king-of-france-since-1511-image456379015.htmlRM2HEDT2F–King Francis I of France (1495-1547), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Top right the crowned French coat of arms with the Order of St. Michel. Francis I was king of France since 1511. )
. Art in France. tude. His somewhat frigid culture is more naturallydisplayed in portraiture. The nobility of Comtat and Provence didnot lack painters to fill its galleries with family portraits. Theprovince continued to capture artists on their way to and from Rome.This did not suffice to constitute an original school; but it made theregion fertile in painters. In spite of much restoration and demolition, Flemish works arestill very numerous in the Parisian churches of the seventeenthcentury. They consist of small, facile panels, gaily coloured with afat impasto, or large altar-pieces in whic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-in-france-tude-his-somewhat-frigid-culture-is-more-naturallydisplayed-in-portraiture-the-nobility-of-comtat-and-provence-didnot-lack-painters-to-fill-its-galleries-with-family-portraits-theprovince-continued-to-capture-artists-on-their-way-to-and-from-romethis-did-not-suffice-to-constitute-an-original-school-but-it-made-theregion-fertile-in-painters-in-spite-of-much-restoration-and-demolition-flemish-works-arestill-very-numerous-in-the-parisian-churches-of-the-seventeenthcentury-they-consist-of-small-facile-panels-gaily-coloured-with-afat-impasto-or-large-altar-pieces-in-whic-image370490757.htmlRM2CEN8MN–. Art in France. tude. His somewhat frigid culture is more naturallydisplayed in portraiture. The nobility of Comtat and Provence didnot lack painters to fill its galleries with family portraits. Theprovince continued to capture artists on their way to and from Rome.This did not suffice to constitute an original school; but it made theregion fertile in painters. In spite of much restoration and demolition, Flemish works arestill very numerous in the Parisian churches of the seventeenthcentury. They consist of small, facile panels, gaily coloured with afat impasto, or large altar-pieces in whic
A nobleman on a white horse during the Procession of the Holy Blood in Bruges, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-nobleman-on-a-white-horse-during-the-procession-of-the-holy-blood-143054999.htmlRMJ8MM33–A nobleman on a white horse during the Procession of the Holy Blood in Bruges, Belgium
Statue of Philips of Marnix, Lord of Saint-Aldegonde (1540-1598) in Antwerp, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-philips-of-marnix-lord-of-saint-aldegonde-1540-1598-in-antwerp-82672434.htmlRMEPE1EX–Statue of Philips of Marnix, Lord of Saint-Aldegonde (1540-1598) in Antwerp, Belgium
Flemish tapestry. 15th-16th century. The Hebrew Esther, queen of Persia. 5th century BC. Probably made in Brussels. Capitular Museum of Lleida. Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flemish-tapestry-15th-16th-century-the-hebrew-esther-queen-of-persia-5th-century-bc-probably-made-in-brussels-capitular-museum-of-lleida-catalonia-spain-image220232203.htmlRMPP8CBR–Flemish tapestry. 15th-16th century. The Hebrew Esther, queen of Persia. 5th century BC. Probably made in Brussels. Capitular Museum of Lleida. Catalonia, Spain.
Portrait of Grand Duke of Tuscany Cosimo II de' Medici (1590-1621). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-grand-duke-of-tuscany-cosimo-ii-de-medici-1590-1621-image186173954.htmlRMMPTXNP–Portrait of Grand Duke of Tuscany Cosimo II de' Medici (1590-1621).
Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-in-the-basilica-of-the-holy-blood-in-bruges-belgium-depicting-an-angel-holding-a-coat-of-arms-image217239483.htmlRFPHC34Y–Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms
Coat of arms of the French naval commander and privateer Jean Bart (1650-1702) at Place Jean Bart in Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-place-jean-bart-in-dunkirk-nord-france-image555813011.htmlRM2R87D4K–Coat of arms of the French naval commander and privateer Jean Bart (1650-1702) at Place Jean Bart in Dunkirk (Nord), France
A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-massive-stained-glass-window-depicting-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-the-town-hall-of-dunkirk-nord-france-image554540926.htmlRM2R65EH2–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
King Johannes III van Portugal (1502-1557) 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( ohn III of Portugal (1502-1557), son and successor of Manuel the Great who was married to Eleanor of Austria. Married Catherine, the youngest sister of Emperor Charles V. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-johannes-iii-van-portugal-1502-1557-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-ohn-iii-of-portugal-1502-1557-son-and-successor-of-manuel-the-great-who-was-married-to-eleanor-of-austria-married-catherine-the-youngest-sister-of-emperor-charles-v-image456378926.htmlRM2HEDRYA–King Johannes III van Portugal (1502-1557) 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( ohn III of Portugal (1502-1557), son and successor of Manuel the Great who was married to Eleanor of Austria. Married Catherine, the youngest sister of Emperor Charles V. )
Sebastiaen Vrancx (1573-1647). Flemish painter. Outdoor banquet. Museum of Fine Arts. Budapest. Hungary. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sebastiaen-vrancx-1573-1647-flemish-painter-outdoor-banquet-museum-of-fine-arts-budapest-hungary-image220009467.htmlRMPNX88Y–Sebastiaen Vrancx (1573-1647). Flemish painter. Outdoor banquet. Museum of Fine Arts. Budapest. Hungary.
Portrait of Mattia de' Medici (1613-1667). Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mattia-de-medici-1613-1667-private-collection-image415224449.htmlRM2F3F30H–Portrait of Mattia de' Medici (1613-1667). Private Collection.
Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stained-glass-in-the-basilica-of-the-holy-blood-in-bruges-belgium-depicting-an-angel-holding-a-coat-of-arms-image217239469.htmlRFPHC34D–Stained Glass in the Basilica of the Holy Blood in Bruges, Belgium, depicting an Angel holding a Coat of Arms
A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-massive-stained-glass-window-depicting-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-the-town-hall-of-dunkirk-nord-france-image554540479.htmlRM2R65E13–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
Henry VIII was King of England (and Lord/King of Ireland) from 1509 to his death in 1547. 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Henry VIII, King of England, dressed in tabard, standing full-length. A pair of gloves in hand. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-viii-was-king-of-england-and-lordking-of-ireland-from-1509-to-his-death-in-1547-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-henry-viii-king-of-england-dressed-in-tabard-standing-full-length-a-pair-of-gloves-in-hand-image456379025.htmlRM2HEDT2W–Henry VIII was King of England (and Lord/King of Ireland) from 1509 to his death in 1547. 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Henry VIII, King of England, dressed in tabard, standing full-length. A pair of gloves in hand. )
'Sir Endymion Porter and Anton van Dyck', ca. 1635, Flemish Baroque, Oil on canvas, 119 cm x 144 cm, P01489. Author: Anthony van Dyck (1599-1641). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-endymion-porter-and-anton-van-dyck-ca-1635-flemish-baroque-oil-on-canvas-119-cm-x-144-cm-p01489-author-anthony-van-dyck-1599-1641-location-museo-del-prado-pintura-madrid-spain-image208932166.htmlRMP3WK32–'Sir Endymion Porter and Anton van Dyck', ca. 1635, Flemish Baroque, Oil on canvas, 119 cm x 144 cm, P01489. Author: Anthony van Dyck (1599-1641). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
Portrait of Francesco de' Medici (1614-1634), ca 1634. Found in the collection of the Muzeum Narodowe, Krakow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-francesco-de-medici-1614-1634-ca-1634-found-in-the-collection-of-the-muzeum-narodowe-krakow-image481979232.htmlRM2K041C0–Portrait of Francesco de' Medici (1614-1634), ca 1634. Found in the collection of the Muzeum Narodowe, Krakow.
A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-massive-stained-glass-window-depicting-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-the-town-hall-of-dunkirk-nord-france-image554540751.htmlRM2R65EAR–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
Portrait of Eleanor of Austria on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Eleanor of Austria 1498 – 1558 Eleanor of Castile, was born an Archduchess of Austria and Infanta of Castile from the House of Habsburg, and subsequently became Queen consort of Portugal (1518–1521) and of France (1530–1547 ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-eleanor-of-austria-on-horseback-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-eleanor-of-austria-1498-1558-eleanor-of-castile-was-born-an-archduchess-of-austria-and-infanta-of-castile-from-the-house-of-habsburg-and-subsequently-became-queen-consort-of-portugal-15181521-and-of-france-15301547-image456378993.htmlRM2HEDT1N–Portrait of Eleanor of Austria on horseback 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Eleanor of Austria 1498 – 1558 Eleanor of Castile, was born an Archduchess of Austria and Infanta of Castile from the House of Habsburg, and subsequently became Queen consort of Portugal (1518–1521) and of France (1530–1547 )
Philippe Le Roy. Anthony van Dyck; Flemish, 1599-1641. Date: 1630-1640. Dimensions: 241 × 155 mm (image/plate); 256 × 169 mm (sheet). Etching, with stippling, in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philippe-le-roy-anthony-van-dyck-flemish-1599-1641-date-1630-1640-dimensions-241-155-mm-imageplate-256-169-mm-sheet-etching-with-stippling-in-black-on-ivory-laid-paper-origin-flanders-museum-the-chicago-art-institute-image239743232.htmlRMRX16X8–Philippe Le Roy. Anthony van Dyck; Flemish, 1599-1641. Date: 1630-1640. Dimensions: 241 × 155 mm (image/plate); 256 × 169 mm (sheet). Etching, with stippling, in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute.
Philip, 1630-1703, Palatine Count of Sulzbach, mid-late 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philip-1630-1703-palatine-count-of-sulzbach-mid-late-17th-century-image565262020.htmlRM2RRHWD8–Philip, 1630-1703, Palatine Count of Sulzbach, mid-late 17th century.
A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-massive-stained-glass-window-depicting-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-the-town-hall-of-dunkirk-nord-france-image554540629.htmlRM2R65E6D–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
Francis I (1494-1547), King of France, on horseback. 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Francis I (1494-1547), King of France, on horseback. Rider and horse in armor. The king has the battle ax in his right hand, a symbol of authority. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-i-1494-1547-king-of-france-on-horseback-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-francis-i-1494-1547-king-of-france-on-horseback-rider-and-horse-in-armor-the-king-has-the-battle-ax-in-his-right-hand-a-symbol-of-authority-image456378920.htmlRM2HEDRY4–Francis I (1494-1547), King of France, on horseback. 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Francis I (1494-1547), King of France, on horseback. Rider and horse in armor. The king has the battle ax in his right hand, a symbol of authority. )
'Portrait of a Family in a Garden', 1679, Flemish School, Oil on canvas, 127 cm x 167 cm, P02525. Author: Jan van Kessel the Younger (1654-1708). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-family-in-a-garden-1679-flemish-school-oil-on-canvas-127-cm-x-167-cm-p02525-author-jan-van-kessel-the-younger-1654-1708-location-museo-del-prado-pintura-madrid-spain-image208224025.htmlRMP2NBT9–'Portrait of a Family in a Garden', 1679, Flemish School, Oil on canvas, 127 cm x 167 cm, P02525. Author: Jan van Kessel the Younger (1654-1708). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.
Portrait of Jacob de Witte, Lord of Haamstede, 1660. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jacob-de-witte-lord-of-haamstede-1660-image556257409.htmlRM2R8YM01–Portrait of Jacob de Witte, Lord of Haamstede, 1660.
A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-massive-stained-glass-window-depicting-the-french-naval-commander-and-privateer-jean-bart-1650-1702-at-the-town-hall-of-dunkirk-nord-france-image554540832.htmlRM2R65EDM–A massive stained glass window depicting the French naval commander and privateer Jean Bart (1650-1702) at the town hall of Dunkirk (Nord), France
Charles of Orleans (1522-1545), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Charles of Orléans, (1522-1545), third and youngest son of Francis I, was given the, title of 'Duke of Orléans' , 1536, 1539 ,he married Maria, the eldest daughter of King Charles V, ) Top right the coat of arms with the ducal crown, broken by the bar stem. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-of-orleans-1522-1545-1543-woodcut-hand-colour-printmaker-cornelis-anthonisz-publisher-hans-liefrinck-antwerp-belgian-belgium-flemish-the-netherlands-charles-of-orlans-1522-1545-third-and-youngest-son-of-francis-i-was-given-the-title-of-duke-of-orlans-1536-1539-he-married-maria-the-eldest-daughter-of-king-charles-v-top-right-the-coat-of-arms-with-the-ducal-crown-broken-by-the-bar-stem-image456379136.htmlRM2HEDT6T–Charles of Orleans (1522-1545), 1543 ,woodcut / hand-colour printmaker, Cornelis Anthonisz. publisher Hans Liefrinck, Antwerp , Belgian, Belgium, Flemish, The Netherlands, ( Charles of Orléans, (1522-1545), third and youngest son of Francis I, was given the, title of 'Duke of Orléans' , 1536, 1539 ,he married Maria, the eldest daughter of King Charles V, ) Top right the coat of arms with the ducal crown, broken by the bar stem.
Flemish painter Anthony van Dyck (1599-1641) and english politician Lord John Digby (1580-1653), 1st Earl of Bristol. Engraving after a painting by Van Dyck. The Spanish and American Illustration, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flemish-painter-anthony-van-dyck-1599-1641-and-english-politician-lord-john-digby-1580-1653-1st-earl-of-bristol-engraving-after-a-painting-by-van-dyck-the-spanish-and-american-illustration-1884-image220009798.htmlRMPNX8MP–Flemish painter Anthony van Dyck (1599-1641) and english politician Lord John Digby (1580-1653), 1st Earl of Bristol. Engraving after a painting by Van Dyck. The Spanish and American Illustration, 1884.
Floris van Egmond (1469-1539), Count of Buren en Leerdam, c.1519. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/floris-van-egmond-1469-1539-count-of-buren-en-leerdam-c1519-image556257805.htmlRM2R8YME5–Floris van Egmond (1469-1539), Count of Buren en Leerdam, c.1519.
Search Results for Flemish nobility Stock Photos and Images (262)
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