Quick filters:
Page 1 of 93
First venice Stock Photos and Images
Nocturne, from Venice, a Series of Twelve Etchings (the First Venice Set), 1879–80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in brown on cream laid paper, 201 x 297 mm (image, trimmed within plate mark), 204 x 297 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nocturne-from-venice-a-series-of-twelve-etchings-the-first-venice-set-187980-james-mcneill-whistler-american-1834-1903-united-states-etching-and-drypoint-in-brown-on-cream-laid-paper-201-x-297-mm-image-trimmed-within-plate-mark-204-x-297-mm-sheet-image328639274.htmlRM2A2JPMX–Nocturne, from Venice, a Series of Twelve Etchings (the First Venice Set), 1879–80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in brown on cream laid paper, 201 x 297 mm (image, trimmed within plate mark), 204 x 297 mm (sheet
The Doorway. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm) Sheet: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Frame: 21 x 16 in. (53.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler's 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-doorway-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-11-12-x-7-78-in-292-x-20-cm-sheet-11-12-7-78-in-292-20-cm-frame-21-x-16-in-533-cm-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-80-richly-ornamented-panels-surround-a-central-void-and-invite-us-into-the-shadowed-interior-of-the-palazzo-gussoni-with-a-sunlit-courtyard-glimpsed-beyond-this-etching-belongs-to-whistlers-first-venice-set-and-the-artist-found-his-subject-on-the-rio-de-la-fava-canal-east-of-the-rialto-image225390543.htmlRMR2KBX7–The Doorway. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm) Sheet: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Frame: 21 x 16 in. (53.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler's 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto.
Vintage Travel Poster Venice Hotel 1940's VENEZIA – HOTEL ITALIA – BAUER GRUNWALD First edition lithographic poster, 1948 ca. Vintage poster for widely known luxury Hotel in Venice; five-star luxe rating Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-travel-poster-venice-hotel-1940s-venezia-hotel-italia-bauer-grunwald-first-edition-lithographic-poster-1948-ca-vintage-poster-for-widely-known-luxury-hotel-in-venice-five-star-luxe-rating-image260989434.htmlRMW4H2K6–Vintage Travel Poster Venice Hotel 1940's VENEZIA – HOTEL ITALIA – BAUER GRUNWALD First edition lithographic poster, 1948 ca. Vintage poster for widely known luxury Hotel in Venice; five-star luxe rating
4067149 Venice Film Festival Posters / Manifesti della Mostra del Cinema di Venezia; (add.info.: Poster of first Venice Film Festival 1932 / Manifesto della prima Mostra del Cinema di Venezia 1932 - Reproduced by Marcello Mencarini); © Marcello Mencarini. All rights reserved 2024. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/4067149-venice-film-festival-posters-manifesti-della-mostra-del-cinema-di-venezia-addinfo-poster-of-first-venice-film-festival-1932-manifesto-della-prima-mostra-del-cinema-di-venezia-1932-reproduced-by-marcello-mencarini-marcello-mencarini-all-rights-reserved-2024-image597477525.htmlRM2WM1CK1–4067149 Venice Film Festival Posters / Manifesti della Mostra del Cinema di Venezia; (add.info.: Poster of first Venice Film Festival 1932 / Manifesto della prima Mostra del Cinema di Venezia 1932 - Reproduced by Marcello Mencarini); © Marcello Mencarini. All rights reserved 2024.
1214 Portfolio cover to the First Venice Set (NYPL Hades-1095167-1605435) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1214-portfolio-cover-to-the-first-venice-set-nypl-hades-1095167-1605435-image213565911.htmlRMPBCNDY–1214 Portfolio cover to the First Venice Set (NYPL Hades-1095167-1605435)
James Abbott McNeill Whistler - The Little Lagoon, from the ‘Twelve Etchings‘, also known as the ‘First Venice Set‘ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-abbott-mcneill-whistler-the-little-lagoon-from-the-twelve-etchings-also-known-as-the-first-venice-set-image367359701.htmlRM2C9JK19–James Abbott McNeill Whistler - The Little Lagoon, from the ‘Twelve Etchings‘, also known as the ‘First Venice Set‘
The cruiser London in the San Marco basin, Venice. Making the first friendly visit to an Italian port by the British Fleet since the beginning of them Mediterranean trouble, the cruisers London and Sussex anchored in San Marco basin of Venice. Crowds of Venetians flock to see them for the visit is looked upon as helping renew friendly relations between the two nations. 2 September 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cruiser-london-in-the-san-marco-basin-venice-making-the-first-friendly-visit-to-an-italian-port-by-the-british-fleet-since-the-beginning-of-them-mediterranean-trouble-the-cruisers-london-and-sussex-anchored-in-san-marco-basin-of-venice-crowds-of-venetians-flock-to-see-them-for-the-visit-is-looked-upon-as-helping-renew-friendly-relations-between-the-two-nations-2-september-1937-image359620175.htmlRM2BW235K–The cruiser London in the San Marco basin, Venice. Making the first friendly visit to an Italian port by the British Fleet since the beginning of them Mediterranean trouble, the cruisers London and Sussex anchored in San Marco basin of Venice. Crowds of Venetians flock to see them for the visit is looked upon as helping renew friendly relations between the two nations. 2 September 1937
Portfolio cover to the First Venice Set (NYPL Hades 1095167 1605435) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portfolio-cover-to-the-first-venice-set-nypl-hades-1095167-1605435-163308846.htmlRMKDKA2P–Portfolio cover to the First Venice Set (NYPL Hades 1095167 1605435)
A Borel Seaplane, of the first flying school, for, seaplanes, based, on the Vergini . Venice, Castello, Arsenale harbour. View of old buildings from dock of Gaggiandre ,Italy ,Italian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-borel-seaplane-of-the-first-flying-school-for-seaplanes-based-on-the-vergini-venice-castello-arsenale-harbour-view-of-old-buildings-from-dock-of-gaggiandre-italy-italian-image211671086.htmlRMP8ACHJ–A Borel Seaplane, of the first flying school, for, seaplanes, based, on the Vergini . Venice, Castello, Arsenale harbour. View of old buildings from dock of Gaggiandre ,Italy ,Italian.
ALCHEMY - VENICE. The Ca' Mocenigo Vecchia (the first four-storey building, to right) is haunted by the ghost of the great alchemist and occultist Giordano Bruno. Bruno was denounced by Mocenigo who had entertained Bruno in this house. Brunbo was burned to death, in Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alchemy-venice-the-ca-mocenigo-vecchia-the-first-four-storey-building-to-right-is-haunted-by-the-ghost-of-the-great-alchemist-and-occultist-giordano-bruno-bruno-was-denounced-by-mocenigo-who-had-entertained-bruno-in-this-house-brunbo-was-burned-to-death-in-rome-image179625611.htmlRMMC6J8B–ALCHEMY - VENICE. The Ca' Mocenigo Vecchia (the first four-storey building, to right) is haunted by the ghost of the great alchemist and occultist Giordano Bruno. Bruno was denounced by Mocenigo who had entertained Bruno in this house. Brunbo was burned to death, in Rome
Six views of Venice by Canaletto, the artist's first commission for Joseph Smith, during a photocall for the forthcoming 'Canaletto and the Art of Venice' exhibition at The Queen's Gallery at Buckingham Palace in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-six-views-of-venice-by-canaletto-the-artists-first-commission-for-141166896.htmlRMJ5JKPT–Six views of Venice by Canaletto, the artist's first commission for Joseph Smith, during a photocall for the forthcoming 'Canaletto and the Art of Venice' exhibition at The Queen's Gallery at Buckingham Palace in London.
James Abbott McNeill Whistler - The Little Lagoon, from the Twelve Etchings , also known as the First Venice Set - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-james-abbott-mcneill-whistler-the-little-lagoon-from-the-twelve-etchings-137875329.htmlRMJ08NAW–James Abbott McNeill Whistler - The Little Lagoon, from the Twelve Etchings , also known as the First Venice Set -
One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-first-autotype-prints-view-of-venice-historic-photograph-1884-italy-europe-image231871993.htmlRMRD6K2H–One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe
First Aid vessel boat Venice, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-first-aid-vessel-boat-venice-italy-24142046.htmlRMBB7NBX–First Aid vessel boat Venice, Italy
Title page for ‘Della historia vinitiana di M. Pietro Bembo card. volgarmente scritta. Libri XII’ by Pietro Bembo (1470-1547) first published in 1552 by Gualtiro Scotto publishing, Venice. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-title-page-for-della-historia-vinitiana-di-m-pietro-bembo-card-volgarmente-166733962.htmlRMKK7ATA–Title page for ‘Della historia vinitiana di M. Pietro Bembo card. volgarmente scritta. Libri XII’ by Pietro Bembo (1470-1547) first published in 1552 by Gualtiro Scotto publishing, Venice.
James McNeill Whistler. Nocturne, from Venice, a Series of Twelve Etchings (the First Venice Set ). 1879–1880. United States. Etching and drypoint in brown on cream laid paper Whistler pursued the abstraction of conventional subjects like portraiture and landscape across a variety of media, including painting, drawing, etching, and lithography. In his etchings, perhaps especially those from his Venice period, he used the selective wiping of printing plates to create atmospheric effects while often obscuring the compositional elements. In this final state of Nocturne, Whistler depicted a wide s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-mcneill-whistler-nocturne-from-venice-a-series-of-twelve-etchings-the-first-venice-set-18791880-united-states-etching-and-drypoint-in-brown-on-cream-laid-paper-whistler-pursued-the-abstraction-of-conventional-subjects-like-portraiture-and-landscape-across-a-variety-of-media-including-painting-drawing-etching-and-lithography-in-his-etchings-perhaps-especially-those-from-his-venice-period-he-used-the-selective-wiping-of-printing-plates-to-create-atmospheric-effects-while-often-obscuring-the-compositional-elements-in-this-final-state-of-nocturne-whistler-depicted-a-wide-s-image337924380.htmlRM2AHNNYT–James McNeill Whistler. Nocturne, from Venice, a Series of Twelve Etchings (the First Venice Set ). 1879–1880. United States. Etching and drypoint in brown on cream laid paper Whistler pursued the abstraction of conventional subjects like portraiture and landscape across a variety of media, including painting, drawing, etching, and lithography. In his etchings, perhaps especially those from his Venice period, he used the selective wiping of printing plates to create atmospheric effects while often obscuring the compositional elements. In this final state of Nocturne, Whistler depicted a wide s
VENICE, FROM THE PORCH OF MADONNA DELLA SALUTE, by Joseph Turner. British, painting, 1835, oil on canvas. View is east toward boats on the Grand Canal, with the St. Marks Campanile in right distance. This studio painting was based on a pencil drawing from his first trip to Venice in 1819, but was inspired by his mature experience when he returned to Venice in 1833 (BSLOC 2017 9 130) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-venice-from-the-porch-of-madonna-della-salute-by-joseph-turner-british-170559350.htmlRMKWDJ5A–VENICE, FROM THE PORCH OF MADONNA DELLA SALUTE, by Joseph Turner. British, painting, 1835, oil on canvas. View is east toward boats on the Grand Canal, with the St. Marks Campanile in right distance. This studio painting was based on a pencil drawing from his first trip to Venice in 1819, but was inspired by his mature experience when he returned to Venice in 1833 (BSLOC 2017 9 130)
Art inspired by Fragment, first half 18th century, Italian, Venice, Silk, metal thread, Overall: 20 3/4 x 8 1/2 in. (52.7 x 21.6 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-first-half-18th-century-italian-venice-silk-metal-thread-overall-20-34-x-8-12-in-527-x-216-cm-textiles-woven-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778309.htmlRF2HTWACN–Art inspired by Fragment, first half 18th century, Italian, Venice, Silk, metal thread, Overall: 20 3/4 x 8 1/2 in. (52.7 x 21.6 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
British Soldiers enjoying Gondola ride, Venice, Italy circa 1918 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-british-soldiers-enjoying-gondola-ride-venice-italy-circa-1918-147801053.htmlRMJGCWN1–British Soldiers enjoying Gondola ride, Venice, Italy circa 1918
James McNeill Whistler (American, 1834 - 1903). Sketch for the Selection and Arrangement of Whistler's First Venice Set Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-james-mcneill-whistler-american-1834-1903-sketch-for-the-selection-77323679.htmlRMEDPB3Y–James McNeill Whistler (American, 1834 - 1903). Sketch for the Selection and Arrangement of Whistler's First Venice Set
Little Venice (The Little Venice). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 3/16 × 10 5/16 in. (18.3 × 26.2 cm) Sheet: 7 1/4 × 10 3/8 in. (18.4 × 26.3 cm). Publisher: The Fine Art Society, London. Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/little-venice-the-little-venice-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-7-316-10-516-in-183-262-cm-sheet-7-14-10-38-in-184-263-cm-publisher-the-fine-art-society-london-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-80-museum-metropolitan-museum-of-art-new-york-usa-image233752539.htmlRMRG89MY–Little Venice (The Little Venice). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 3/16 × 10 5/16 in. (18.3 × 26.2 cm) Sheet: 7 1/4 × 10 3/8 in. (18.4 × 26.3 cm). Publisher: The Fine Art Society, London. Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.
One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-first-autotype-photographs-of-st-marks-square-in-venice-56084353.htmlRFD76T4H–One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880
NAPOLEON BONAPARTE (1769-1821) on the Pont d'Arcole leading his troops against the Austrians during he War of the First Coalition in the Republic of Venice in November 1796.Painting by Antoine-Jean Gros Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/napoleon-bonaparte-1769-1821-on-the-pont-darcole-leading-his-troops-against-the-austrians-during-he-war-of-the-first-coalition-in-the-republic-of-venice-in-november-1796painting-by-antoine-jean-gros-image561005400.htmlRM2RGM034–NAPOLEON BONAPARTE (1769-1821) on the Pont d'Arcole leading his troops against the Austrians during he War of the First Coalition in the Republic of Venice in November 1796.Painting by Antoine-Jean Gros
Nocturne, from the series Venice, a Series of Twelve Etchings (the 'First Venice Set') from 1879 until 1880. 693 James McNeill Whistler - Nocturne - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nocturne-from-the-series-venice-a-series-of-twelve-etchings-the-first-venice-set-from-1879-until-1880-693-james-mcneill-whistler-nocturne-google-art-project-image185795210.htmlRMMP7KK6–Nocturne, from the series Venice, a Series of Twelve Etchings (the 'First Venice Set') from 1879 until 1880. 693 James McNeill Whistler - Nocturne - Google Art Project
Page from the first printed edition of Ptolemy Almagest, Venice, 1515, a catalogue of stars. Dated 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-the-first-printed-edition-of-ptolemy-almagest-venice-1515-a-catalogue-of-stars-dated-16th-century-image186387093.htmlRMMR6JHW–Page from the first printed edition of Ptolemy Almagest, Venice, 1515, a catalogue of stars. Dated 16th century
The cruiser Sussex in the San Marco basin, Venice. Making the first friendly visit to an Italian port by the British Fleet since the beginning of them Mediterranean trouble, the cruisers London and Sussex anchored in San Marco basin of Venice. Crowds of Venetians flock to see them for the visit is looked upon as helping renew friendly relations between the two nations. 2 September 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cruiser-sussex-in-the-san-marco-basin-venice-making-the-first-friendly-visit-to-an-italian-port-by-the-british-fleet-since-the-beginning-of-them-mediterranean-trouble-the-cruisers-london-and-sussex-anchored-in-san-marco-basin-of-venice-crowds-of-venetians-flock-to-see-them-for-the-visit-is-looked-upon-as-helping-renew-friendly-relations-between-the-two-nations-2-september-1937-image359619136.htmlRM2BW21TG–The cruiser Sussex in the San Marco basin, Venice. Making the first friendly visit to an Italian port by the British Fleet since the beginning of them Mediterranean trouble, the cruisers London and Sussex anchored in San Marco basin of Venice. Crowds of Venetians flock to see them for the visit is looked upon as helping renew friendly relations between the two nations. 2 September 1937
James Abbott McNeill Whistler The Little Lagoon, from the Twelve Etchings , also known as the First Venice Set Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-james-abbott-mcneill-whistler-the-little-lagoon-from-the-twelve-etchings-163820723.htmlRMKEEK03–James Abbott McNeill Whistler The Little Lagoon, from the Twelve Etchings , also known as the First Venice Set
Venice, Venice Province, Veneto Region, Italy. Plaque outside birthplace of Elena Lucrezia Cornaro Piscopia, 1646 - 1684. She was amongst the first Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-venice-province-veneto-region-italy-plaque-outside-birthplace-of-elena-lucrezia-cornaro-piscopia-1646-1684-she-was-amongst-the-first-image608578624.htmlRM2XA346T–Venice, Venice Province, Veneto Region, Italy. Plaque outside birthplace of Elena Lucrezia Cornaro Piscopia, 1646 - 1684. She was amongst the first
Alchemy - Venice - The Ca' Mocenigo Vecchia (the first four-storey building, to right) is haunted by the ghost of the great alchemist and occultist, Giordano Bruno. Bruno was denounced by Mocenigo who had entertained Bruno in this house. Bruno was burned to death, in Rome. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alchemy-venice-the-ca-mocenigo-vecchia-the-first-four-storey-building-to-right-is-haunted-by-the-ghost-of-the-great-alchemist-and-occultist-giordano-bruno-bruno-was-denounced-by-mocenigo-who-had-entertained-bruno-in-this-house-bruno-was-burned-to-death-in-rome-image179156169.htmlRMMBD7EH–Alchemy - Venice - The Ca' Mocenigo Vecchia (the first four-storey building, to right) is haunted by the ghost of the great alchemist and occultist, Giordano Bruno. Bruno was denounced by Mocenigo who had entertained Bruno in this house. Bruno was burned to death, in Rome.
Actors Woody Allen and Christina Ricci pose for photographers during a photocall to promote their new film 'Anything Else' on the first day of the Venice Film Festival at Mostra Internazionale d'Arte Cinematografica Lido in Venice, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-actors-woody-allen-and-christina-ricci-pose-for-photographers-during-107294913.htmlRMG6FKN5–Actors Woody Allen and Christina Ricci pose for photographers during a photocall to promote their new film 'Anything Else' on the first day of the Venice Film Festival at Mostra Internazionale d'Arte Cinematografica Lido in Venice, Italy.
Entitled: 'Police Department swears in Singer midgets, Louis Vasshek & Dora Vieg.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entitled-police-department-swears-in-singer-midgets-louis-vasshek-dora-vieg-singers-midgets-were-a-popular-vaudeville-group-in-the-first-half-of-the-20th-century-leopold-von-singer-may-3-1877-march-5-1951-formed-singers-midgets-in-1912-13-and-built-the-liliputstadt-a-midget-city-at-the-venice-in-vienna-amusement-park-where-they-performed-image246587283.htmlRMT950GK–Entitled: 'Police Department swears in Singer midgets, Louis Vasshek & Dora Vieg.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed.
Jul. 07, 1960 - Radio controlled doll ''Rainbow'' goes to Venice: Rainbow, the British-made radio doll, left London Airport today by air for Venice for the 1960 International Film Festival, where ''The Artist'', in which he plays the lead, will be one of the three productions chosen to represent British children's films. Miss Honoria Plesch, director and producer of the Rainbow series will accompany him. Rainbow, whose movements can be controlled by portable high frequency transmitter at distances up to 1 1/2 miles, is claimed to be the first full articulated radio doll in the world Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jul-07-1960-radio-controlled-doll-rainbow-goes-to-venice-rainbow-the-image69370233.htmlRME0T2C9–Jul. 07, 1960 - Radio controlled doll ''Rainbow'' goes to Venice: Rainbow, the British-made radio doll, left London Airport today by air for Venice for the 1960 International Film Festival, where ''The Artist'', in which he plays the lead, will be one of the three productions chosen to represent British children's films. Miss Honoria Plesch, director and producer of the Rainbow series will accompany him. Rainbow, whose movements can be controlled by portable high frequency transmitter at distances up to 1 1/2 miles, is claimed to be the first full articulated radio doll in the world
Italy Veneto Venice Lido Airport Nicelli - staircase first floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-veneto-venice-lido-airport-nicelli-staircase-first-floor-130651681.htmlRMHGFKFD–Italy Veneto Venice Lido Airport Nicelli - staircase first floor
This painting by James Whistler, titled Nocturne St. Mark's Venice, was first exhibited in 1886. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-painting-by-james-whistler-titled-nocturne-st-marks-venice-was-58928744.htmlRFDBTC60–This painting by James Whistler, titled Nocturne St. Mark's Venice, was first exhibited in 1886.
War of the First Coalition 1792 - 1797, French soldiers are camping in front of the Doge's Palace in Venice, May 1797, wood engraving by Anderson based on painting by Georges Clairin, 19th century, people, French Revolutionary Wars, republic France, campaigns, army, armies, Army of Italy, armed forces, French, soldiers, soldier, infantry, Italy, Italian campaign, war, wars, 18th century, occupation, seizure, onlooker, by-stander, onlookers, Venetians, curiosity, curiosities, camps, encamp, encamping, encamps, camp, camping, Venetia, Veneto, histo, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/war-of-the-first-coalition-1792-1797-french-soldiers-are-camping-in-front-of-the-doges-palace-in-venice-may-1797-wood-engraving-by-anderson-based-on-painting-by-georges-clairin-19th-century-people-french-revolutionary-wars-republic-france-campaigns-army-armies-army-of-italy-armed-forces-french-soldiers-soldier-infantry-italy-italian-campaign-war-wars-18th-century-occupation-seizure-onlooker-by-stander-onlookers-venetians-curiosity-curiosities-camps-encamp-encamping-encamps-camp-camping-venetia-veneto-histo-additional-rights-clearance-info-not-available-image241587319.htmlRMT1172F–War of the First Coalition 1792 - 1797, French soldiers are camping in front of the Doge's Palace in Venice, May 1797, wood engraving by Anderson based on painting by Georges Clairin, 19th century, people, French Revolutionary Wars, republic France, campaigns, army, armies, Army of Italy, armed forces, French, soldiers, soldier, infantry, Italy, Italian campaign, war, wars, 18th century, occupation, seizure, onlooker, by-stander, onlookers, Venetians, curiosity, curiosities, camps, encamp, encamping, encamps, camp, camping, Venetia, Veneto, histo, Additional-Rights-Clearance-Info-Not-Available
The 15 year old Marco Polo (c1254-1324), on Venice Quay. By Donn Philip Crane (1878-1944). In 1269, Niccolò Polo (c1230-c1294) and Maffeo Polo (c1230-c1309), returned to Venice to meet Marco for the first time. The three of them embarked on an epic journey to Asia, exploring many places along the Silk Road until they reached Cathay (China), where they were received by the royal court of Kublai Khan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-15-year-old-marco-polo-c1254-1324-on-venice-quay-by-donn-philip-crane-1878-1944-in-1269-niccol-polo-c1230-c1294-and-maffeo-polo-c1230-c1309-returned-to-venice-to-meet-marco-for-the-first-time-the-three-of-them-embarked-on-an-epic-journey-to-asia-exploring-many-places-along-the-silk-road-until-they-reachedcathaychina-where-they-were-received-by-the-royal-court-of-kublai-khan-image543235903.htmlRM2PFPEX7–The 15 year old Marco Polo (c1254-1324), on Venice Quay. By Donn Philip Crane (1878-1944). In 1269, Niccolò Polo (c1230-c1294) and Maffeo Polo (c1230-c1309), returned to Venice to meet Marco for the first time. The three of them embarked on an epic journey to Asia, exploring many places along the Silk Road until they reached Cathay (China), where they were received by the royal court of Kublai Khan.
Art inspired by Mortar, 1551–80, (model), (possibly cast in France, first half of the 19th century), Italian, Venice, Copper alloy with a high content of tin, some lead, and no trace of zinc; the usual trace elements of iron, nickel, silver, and antimony are present, confirming that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mortar-155180-model-possibly-cast-in-france-first-half-of-the-19th-century-italian-venice-copper-alloy-with-a-high-content-of-tin-some-lead-and-no-trace-of-zinc-the-usual-trace-elements-of-iron-nickel-silver-and-antimony-are-present-confirming-that-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031625.htmlRF2HW8WFN–Art inspired by Mortar, 1551–80, (model), (possibly cast in France, first half of the 19th century), Italian, Venice, Copper alloy with a high content of tin, some lead, and no trace of zinc; the usual trace elements of iron, nickel, silver, and antimony are present, confirming that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Venice, italy - Piazetta - sculpture of St. Theodore, first patron of Venice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-piazetta-sculpture-of-st-theodore-first-patron-of-venice-image547465645.htmlRM2PPK60D–Venice, italy - Piazetta - sculpture of St. Theodore, first patron of Venice
Bridge of Sighs, Venice (First Plate), Frank Duveneck, 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bridge-of-sighs-venice-first-plate-frank-duveneck-1883-162426226.htmlRMKC748J–Bridge of Sighs, Venice (First Plate), Frank Duveneck, 1883
The Riva, No. 1 (The Riva). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 15/16 × 11 5/8 in. (20.1 × 29.6 cm) Sheet: 8 3/8 × 11 3/4 in. (21.2 × 29.9 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. The artist etched the Riva degli Schiavone from his room in the Casa Jankowitz in Venice. Traditional visual hierarchy is overturned and the foreground filled with a triangular expanse of open plaza. Paving stones are suggested with a few etched lines and the edges enlivened with pedestrians, moored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-riva-no-1-the-riva-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-7-1516-11-58-in-201-296-cm-sheet-8-38-11-34-in-212-299-cm-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-80-the-artist-etched-the-riva-degli-schiavone-from-his-room-in-the-casa-jankowitz-in-venice-traditional-visual-hierarchy-is-overturned-and-the-foreground-filled-with-a-triangular-expanse-of-open-plaza-paving-stones-are-suggested-with-a-few-etched-lines-and-the-edges-enlivened-with-pedestrians-moored-image225408152.htmlRMR2M6B4–The Riva, No. 1 (The Riva). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 15/16 × 11 5/8 in. (20.1 × 29.6 cm) Sheet: 8 3/8 × 11 3/4 in. (21.2 × 29.9 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. The artist etched the Riva degli Schiavone from his room in the Casa Jankowitz in Venice. Traditional visual hierarchy is overturned and the foreground filled with a triangular expanse of open plaza. Paving stones are suggested with a few etched lines and the edges enlivened with pedestrians, moored
One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-first-autotype-prints-view-of-venice-historic-photograph-36189386.htmlRFC2TFX2–One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe
VENICE, ITALY – AUG 29, 2018: Fatemeh Motamed-Arya walks the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-aug-29-2018-fatemeh-motamed-arya-walks-the-red-carpet-ahead-of-the-first-man-screening-ph-mickael-chavet-image232938119.htmlRMREY6XF–VENICE, ITALY – AUG 29, 2018: Fatemeh Motamed-Arya walks the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet)
Italy: Noah releasing the dove. Mosaic in Basilica di San Marco, Venice, 12th-13th century. Noah (or Noe, Noach) was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs. The biblical story of Noah is contained in chapters 6-9 of the book of Genesis, where he saves his family and representatives of all animals from the flood by constructing an ark. He is also mentioned as the 'first husbandman' and in the story of the Curse of Ham. Noah is the subject of much elaboration in later Abrahamic traditions. Noah is also mentioned several times in the Qur'an. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-noah-releasing-the-dove-mosaic-in-basilica-di-san-marco-venice-12th-13th-century-noah-or-noe-noach-was-according-to-the-hebrew-bible-the-tenth-and-last-of-the-antediluvian-patriarchs-the-biblical-story-of-noah-is-contained-in-chapters-6-9-of-the-book-of-genesis-where-he-saves-his-family-and-representatives-of-all-animals-from-the-flood-by-constructing-an-ark-he-is-also-mentioned-as-the-first-husbandman-and-in-the-story-of-the-curse-of-ham-noah-is-the-subject-of-much-elaboration-in-later-abrahamic-traditions-noah-is-also-mentioned-several-times-in-the-quran-image344240212.htmlRM2B01DW8–Italy: Noah releasing the dove. Mosaic in Basilica di San Marco, Venice, 12th-13th century. Noah (or Noe, Noach) was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs. The biblical story of Noah is contained in chapters 6-9 of the book of Genesis, where he saves his family and representatives of all animals from the flood by constructing an ark. He is also mentioned as the 'first husbandman' and in the story of the Curse of Ham. Noah is the subject of much elaboration in later Abrahamic traditions. Noah is also mentioned several times in the Qur'an.
Page from the first printed edition of Ptolemy Almagest, Venice, 1515, with diagrams of (top) eccentric circle and (bottom) epicycle and deferent. Dated 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-the-first-printed-edition-of-ptolemy-almagest-venice-1515-with-diagrams-of-top-eccentric-circle-and-bottom-epicycle-and-deferent-dated-16th-century-image186387091.htmlRMMR6JHR–Page from the first printed edition of Ptolemy Almagest, Venice, 1515, with diagrams of (top) eccentric circle and (bottom) epicycle and deferent. Dated 16th century
Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany ' s return to the League and provides for Austria ' s independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . Fascist guards in Venice . 16 June 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hitler-and-mussolini-meet-at-venice-and-reach-agreement-meeting-at-venice-hitler-of-germany-and-mussolini-of-italy-have-reached-an-agreement-it-prepares-the-way-for-germany-s-return-to-the-league-and-provides-for-austria-s-independence-the-meeting-of-the-two-statesmen-has-focused-the-attention-of-all-the-world-and-is-one-of-the-most-historic-events-of-modern-politics-it-is-the-first-time-that-the-dictators-have-met-face-to-face-fascist-guards-in-venice-16-june-1934-image359647894.htmlRM2BW3AFJ–Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany ' s return to the League and provides for Austria ' s independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . Fascist guards in Venice . 16 June 1934
One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-first-autotype-photographs-of-st-marks-square-in-venice-italy-circa-1880-image231877549.htmlRMRD6X51–One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880
Three year old on her first visit to Italy at St Marks Square in Venice. Wow ! so many Pigeons! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-year-old-on-her-first-visit-to-italy-at-st-marks-square-in-venice-image9550248.htmlRMAX33P9–Three year old on her first visit to Italy at St Marks Square in Venice. Wow ! so many Pigeons!
Venice People Mover Series: View through the windscreen of the Venice People Mover, Venice, Italy showing the elevated track ahead . First person POV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-people-mover-series-view-through-the-windscreen-of-the-venice-people-mover-venice-italy-showing-the-elevated-track-ahead-first-person-pov-image185233632.htmlRMMNA3AT–Venice People Mover Series: View through the windscreen of the Venice People Mover, Venice, Italy showing the elevated track ahead . First person POV
Eugène de Beauharnais. Son of Napoleon's first wife, Joséphine and Alexandre and Vicomte de Beauharnais. Prince of Venice and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eugne-de-beauharnais-son-of-napoleons-first-wife-josphine-and-alexandre-83337055.htmlRMERG97B–Eugène de Beauharnais. Son of Napoleon's first wife, Joséphine and Alexandre and Vicomte de Beauharnais. Prince of Venice and
Entitled: 'Singer's Midgets Bowling at YMCA.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed. The Liliputstadt was a major success, Singer began to tour with his performers throughout Europe and, in the process, recruited new members. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entitled-singers-midgets-bowling-at-ymca-singers-midgets-were-a-popular-vaudeville-group-in-the-first-half-of-the-20th-century-leopold-von-singer-may-3-1877-march-5-1951-formed-singers-midgets-in-1912-13-and-built-the-liliputstadt-a-midget-city-at-the-venice-in-vienna-amusement-park-where-they-performed-the-liliputstadt-was-a-major-success-singer-began-to-tour-with-his-performers-throughout-europe-and-in-the-process-recruited-new-members-image246587280.htmlRMT950GG–Entitled: 'Singer's Midgets Bowling at YMCA.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed. The Liliputstadt was a major success, Singer began to tour with his performers throughout Europe and, in the process, recruited new members.
Nocturne, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nocturne-from-the-first-venice-set-venice-a-series-of-twelveetchings-artist-james-mcneill-whistler-american-18341903-image463087807.htmlRM2HWBD67–Nocturne, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903
Italy Veneto Venice Lido Airport Nicelli - hallway first floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-veneto-venice-lido-airport-nicelli-hallway-first-floor-130651679.htmlRMHGFKFB–Italy Veneto Venice Lido Airport Nicelli - hallway first floor
Aug. 28, 1978 - Mr. Albino Luciani (66), patriarch of Venice, was elected Pope on the first night of conclave at the Vatican. The 263rd successor of Saint-Pierre chose the name of Jean-Paul the First. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aug-28-1978-mr-albino-luciani-66-patriarch-of-venice-was-elected-pope-image69492961.htmlRME11JYD–Aug. 28, 1978 - Mr. Albino Luciani (66), patriarch of Venice, was elected Pope on the first night of conclave at the Vatican. The 263rd successor of Saint-Pierre chose the name of Jean-Paul the First.
Venice - Italy - October 21 2022 - Venice Marathon and first Venice Half Marathon 2022 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-october-21-2022-venice-marathon-and-first-venice-half-marathon-2022-image493940017.htmlRF2KKGWEW–Venice - Italy - October 21 2022 - Venice Marathon and first Venice Half Marathon 2022
Italy, Venice. Third International Geographical Congress and Exhibition, 1881. The courtyard of the Doge's Palace at the arrival of the first shipments. Engraving by Tomás Carlos Capuz (1834-1899). La Ilustracion Española y Americana, 1881. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-venice-third-international-geographical-congress-and-exhibition-1881-the-courtyard-of-the-doges-palace-at-the-arrival-of-the-first-shipments-engraving-by-toms-carlos-capuz-1834-1899-la-ilustracion-espaola-y-americana-1881-image369768948.htmlRM2CDGC1T–Italy, Venice. Third International Geographical Congress and Exhibition, 1881. The courtyard of the Doge's Palace at the arrival of the first shipments. Engraving by Tomás Carlos Capuz (1834-1899). La Ilustracion Española y Americana, 1881.
Art inspired by Bridge of Sighs, Venice (First Plate), 1883, Etching, printed with plate tone, sheet: 16 5/8 x 12 1/16 in. (42.2 x 30.7 cm), Prints, Frank Duveneck (American, Covington, Kentucky 1848–1919 Cincinnati, Ohio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bridge-of-sighs-venice-first-plate-1883-etching-printed-with-plate-tone-sheet-16-58-x-12-116-in-422-x-307-cm-prints-frank-duveneck-american-covington-kentucky-18481919-cincinnati-ohio-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462967830.htmlRF2HW605A–Art inspired by Bridge of Sighs, Venice (First Plate), 1883, Etching, printed with plate tone, sheet: 16 5/8 x 12 1/16 in. (42.2 x 30.7 cm), Prints, Frank Duveneck (American, Covington, Kentucky 1848–1919 Cincinnati, Ohio, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Venice - Madonna with the first Franciscans martyrs by Bernardino Licinio (1489 - 1549) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-venice-madonna-with-the-first-franciscans-martyrs-by-bernardino-licinio-74207120.htmlRFE8MBX8–Venice - Madonna with the first Franciscans martyrs by Bernardino Licinio (1489 - 1549)
Cup, Italian, Venice (Murano), first half 18th century, Italian, Venice (Murano), Glass, Height: 3 in. (7.6 cm), Glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-italian-venice-murano-first-half-18th-century-italian-venice-murano-glass-height-3-in-76-cm-glass-image344587534.htmlRM2B0H8WJ–Cup, Italian, Venice (Murano), first half 18th century, Italian, Venice (Murano), Glass, Height: 3 in. (7.6 cm), Glass
Nocturne, from Venice, a Series of Twelve Etchings (the 'First Venice Set'). James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 201 x 297 mm (image, trimmed within plate mark); 204 x 297 mm (sheet). Etching and drypoint in brown on cream laid paper. Origin: United States. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nocturne-from-venice-a-series-of-twelve-etchings-the-first-venice-set-james-mcneill-whistler-american-1834-1903-date-1879-1880-dimensions-201-x-297-mm-image-trimmed-within-plate-mark-204-x-297-mm-sheet-etching-and-drypoint-in-brown-on-cream-laid-paper-origin-united-states-museum-the-chicago-art-institute-image239910646.htmlRMRX8TDA–Nocturne, from Venice, a Series of Twelve Etchings (the 'First Venice Set'). James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 201 x 297 mm (image, trimmed within plate mark); 204 x 297 mm (sheet). Etching and drypoint in brown on cream laid paper. Origin: United States. Museum: The Chicago Art Institute.
One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-first-autotype-photographs-of-st-marks-square-in-venice-79356057.htmlRFEH2YCW–One of the first autotype photographs of St. Mark's Square in Venice, Italy, circa 1880
VENICE, ITALY – AUG 29, 2018: Francesco Motta and Carolina Crescentini walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-aug-29-2018-francesco-motta-and-carolina-crescentini-walk-the-red-carpet-ahead-of-the-first-man-screening-ph-mickael-chavet-image232938191.htmlRMREY713–VENICE, ITALY – AUG 29, 2018: Francesco Motta and Carolina Crescentini walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet)
Italy/China: Engraving of an elderly Marco Polo (15 September 1254 - 8 January 1324), c. 1600. Born in Venice, Marco Polo was raised by his aunt and uncle after his mother died. His father, Niccolo, was a Venetian merchant who left before Marco was born to trade in the Middle East. In 1269, Niccolo and his brother Maffeo returned to Venice, meeting Marco for the first time. In 1271, Marco Polo, aged 17, set off for Asia with his father and his uncle, travelling through Constantinople, Baghdad, Persia, Kashgar, China and Burma. They returned to Venice 24 years later with many riches. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italychina-engraving-of-an-elderly-marco-polo-15-september-1254-8-january-1324-c-1600-born-in-venice-marco-polo-was-raised-by-his-aunt-and-uncle-after-his-mother-died-his-father-niccolo-was-a-venetian-merchant-who-left-before-marco-was-born-to-trade-in-the-middle-east-in-1269-niccolo-and-his-brother-maffeo-returned-to-venice-meeting-marco-for-the-first-time-in-1271-marco-polo-aged-17-set-off-for-asia-with-his-father-and-his-uncle-travelling-through-constantinople-baghdad-persia-kashgar-china-and-burma-they-returned-to-venice-24-years-later-with-many-riches-image344233146.htmlRM2B014TX–Italy/China: Engraving of an elderly Marco Polo (15 September 1254 - 8 January 1324), c. 1600. Born in Venice, Marco Polo was raised by his aunt and uncle after his mother died. His father, Niccolo, was a Venetian merchant who left before Marco was born to trade in the Middle East. In 1269, Niccolo and his brother Maffeo returned to Venice, meeting Marco for the first time. In 1271, Marco Polo, aged 17, set off for Asia with his father and his uncle, travelling through Constantinople, Baghdad, Persia, Kashgar, China and Burma. They returned to Venice 24 years later with many riches.
Page from the first printed edition of Ptolemy Almagest, Venice, 1515, with diagrams of (top) eccentric circle and (bottom) epicycle and deferent. Dated 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-the-first-printed-edition-of-ptolemy-almagest-venice-1515-with-diagrams-of-top-eccentric-circle-and-bottom-epicycle-and-deferent-dated-16th-century-image186387095.htmlRMMR6JHY–Page from the first printed edition of Ptolemy Almagest, Venice, 1515, with diagrams of (top) eccentric circle and (bottom) epicycle and deferent. Dated 16th century
Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany 's return to the League and provides for Austria 's independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . View of the Grand Canal , with many torpedo boats in the Canal for the occasion . 16 June 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hitler-and-mussolini-meet-at-venice-and-reach-agreement-meeting-at-venice-hitler-of-germany-and-mussolini-of-italy-have-reached-an-agreement-it-prepares-the-way-for-germany-s-return-to-the-league-and-provides-for-austria-s-independence-the-meeting-of-the-two-statesmen-has-focused-the-attention-of-all-the-world-and-is-one-of-the-most-historic-events-of-modern-politics-it-is-the-first-time-that-the-dictators-have-met-face-to-face-view-of-the-grand-canal-with-many-torpedo-boats-in-the-canal-for-the-occasion-16-june-1934-image359647925.htmlRM2BW3AGN–Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany 's return to the League and provides for Austria 's independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . View of the Grand Canal , with many torpedo boats in the Canal for the occasion . 16 June 1934
Marco Polo leaving Venice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marco-polo-leaving-venice-105254001.htmlRMG36MFD–Marco Polo leaving Venice
A beautiful woodcut from 1493 of the town of Venice in Italy. This illustration comes from the Nuremberg Chronicle, which is an enyclodpedia of world events, mythology and christian history. This extra-ordinary work was one of the earliest books ever printed and the first to successfully integrate text and images. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-beautiful-woodcut-from-1493-of-the-town-of-venice-in-italy-this-illustration-comes-from-the-nuremberg-chronicle-which-is-an-enyclodpedia-of-world-events-mythology-and-christian-history-this-extra-ordinary-work-was-one-of-the-earliest-books-ever-printed-and-the-first-to-successfully-integrate-text-and-images-image598932111.htmlRM2WPBM0F–A beautiful woodcut from 1493 of the town of Venice in Italy. This illustration comes from the Nuremberg Chronicle, which is an enyclodpedia of world events, mythology and christian history. This extra-ordinary work was one of the earliest books ever printed and the first to successfully integrate text and images.
Venice People Mover Series: View through the windscreen of the Venice People Mover, Venice, Italy showing the elevated track ahead . First person POV Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-people-mover-series-view-through-the-windscreen-of-the-venice-people-mover-venice-italy-showing-the-elevated-track-ahead-first-person-pov-image185233649.htmlRMMNA3BD–Venice People Mover Series: View through the windscreen of the Venice People Mover, Venice, Italy showing the elevated track ahead . First person POV
Babylonian Talmud page. Taken from first complete edition printed in Venice 1520-23 by Daniel Bomberg. In addition to the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-babylonian-talmud-page-taken-from-first-complete-edition-printed-in-83344757.htmlRMERGK2D–Babylonian Talmud page. Taken from first complete edition printed in Venice 1520-23 by Daniel Bomberg. In addition to the
Entitled: 'Singer's Midgets Bowling at YMCA.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed. The Liliputstadt was a major success, Singer began to tour with his performers throughout Europe and, in the process, recruited new members. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entitled-singers-midgets-bowling-at-ymca-singers-midgets-were-a-popular-vaudeville-group-in-the-first-half-of-the-20th-century-leopold-von-singer-may-3-1877-march-5-1951-formed-singers-midgets-in-1912-13-and-built-the-liliputstadt-a-midget-city-at-the-venice-in-vienna-amusement-park-where-they-performed-the-liliputstadt-was-a-major-success-singer-began-to-tour-with-his-performers-throughout-europe-and-in-the-process-recruited-new-members-image246587278.htmlRMT950GE–Entitled: 'Singer's Midgets Bowling at YMCA.' Singer's Midgets were a popular vaudeville group in the first half of the 20th century. Leopold von Singer (May 3, 1877 - March 5, 1951) formed Singer's Midgets in 1912-13, and built the Liliputstadt, a 'midget city' at the 'Venice in Vienna' amusement park, where they performed. The Liliputstadt was a major success, Singer began to tour with his performers throughout Europe and, in the process, recruited new members.
Woman tourist travelling on a vaporetto, Grand Canal, Venice, Veneto, Italy photographing Ca' Foscari University on a smartphone, First person point Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-tourist-travelling-on-a-vaporetto-grand-canal-venice-veneto-italy-photographing-ca-foscari-university-on-a-smartphone-first-person-point-image216504951.htmlRMPG6J7K–Woman tourist travelling on a vaporetto, Grand Canal, Venice, Veneto, Italy photographing Ca' Foscari University on a smartphone, First person point
Italy Veneto Venice Lido Airport Nicelli - hallway first floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-veneto-venice-lido-airport-nicelli-hallway-first-floor-130651678.htmlRMHGFKFA–Italy Veneto Venice Lido Airport Nicelli - hallway first floor
Travelling by overcrowded vaporetto waterbus in Venice, Veneto, Italy with crowds of people boarding a boat at the San Marco stop in a first person P Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/travelling-by-overcrowded-vaporetto-waterbus-in-venice-veneto-italy-with-crowds-of-people-boarding-a-boat-at-the-san-marco-stop-in-a-first-person-p-image207636664.htmlRMP1PJK4–Travelling by overcrowded vaporetto waterbus in Venice, Veneto, Italy with crowds of people boarding a boat at the San Marco stop in a first person P
The Piazzetta, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-piazzetta-from-the-first-venice-set-venice-a-series-of-twelveetchings-artist-james-mcneill-whistler-american-18341903-image463257245.htmlRM2HWK59H–The Piazzetta, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903
Sep. 09, 1963 - Albert Finney Best Actor In Venice: England's Albert Finney won the first Prize of interpretation 1963 at the film Festival of Venice with his interpretation in Tom Jones under the direction of Tony Richardson.Photo Shows Close-up of Albert Finaney. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sep-09-1963-albert-finney-best-actor-in-venice-englands-albert-finney-image69406479.htmlRME0WMJR–Sep. 09, 1963 - Albert Finney Best Actor In Venice: England's Albert Finney won the first Prize of interpretation 1963 at the film Festival of Venice with his interpretation in Tom Jones under the direction of Tony Richardson.Photo Shows Close-up of Albert Finaney.
Art inspired by Candelabra Supported by Putti, first half 17th century or later, Italian, Venice, Copper alloy, with a black lacquer or wax patina., H. 57.5 cm (excluding prickets)., Metalwork, Workshop of Niccolò Roccatagliata (Italian, born Genoa, active 1593–1636), (son of Nicolo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-candelabra-supported-by-putti-first-half-17th-century-or-later-italian-venice-copper-alloy-with-a-black-lacquer-or-wax-patina-h-575-cm-excluding-prickets-metalwork-workshop-of-niccol-roccatagliata-italian-born-genoa-active-15931636-son-of-nicolo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031615.htmlRF2HW8WFB–Art inspired by Candelabra Supported by Putti, first half 17th century or later, Italian, Venice, Copper alloy, with a black lacquer or wax patina., H. 57.5 cm (excluding prickets)., Metalwork, Workshop of Niccolò Roccatagliata (Italian, born Genoa, active 1593–1636), (son of Nicolo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Venice - Italy - October 21 2022 - Venice Marathon and first Venice Half Marathon 2022 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-october-21-2022-venice-marathon-and-first-venice-half-marathon-2022-image493940326.htmlRF2KKGWWX–Venice - Italy - October 21 2022 - Venice Marathon and first Venice Half Marathon 2022
Fragment, Italian, Venice, first half 18th century, Italian, Venice, Silk, metal thread, Overall: 7 x 11 in. (17.8 x 27.9 cm), Textiles-Woven Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-italian-venice-first-half-18th-century-italian-venice-silk-metal-thread-overall-7-x-11-in-178-x-279-cm-textiles-woven-image344611089.htmlRM2B0JAXW–Fragment, Italian, Venice, first half 18th century, Italian, Venice, Silk, metal thread, Overall: 7 x 11 in. (17.8 x 27.9 cm), Textiles-Woven
The Little Lagoon. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 × 6 in. (22.9 × 15.3 cm) Sheet: 9 × 6 in. (22.9 × 15.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-little-lagoon-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-9-6-in-229-153-cm-sheet-9-6-in-229-153-cm-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-80-museum-metropolitan-museum-of-art-new-york-usa-image233766782.htmlRMRG8YWJ–The Little Lagoon. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 × 6 in. (22.9 × 15.3 cm) Sheet: 9 × 6 in. (22.9 × 15.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.
One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-one-of-the-first-autotype-prints-view-of-venice-historic-photograph-79358468.htmlRFEH32F0–One of the first autotype prints, view of Venice, historic photograph, 1884, Italy, Europe
VENICE, ITALY – AUG 29, 2018: Francesco Motta and Carolina Crescentini walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-aug-29-2018-francesco-motta-and-carolina-crescentini-walk-the-red-carpet-ahead-of-the-first-man-screening-ph-mickael-chavet-image232938129.htmlRMREY6XW–VENICE, ITALY – AUG 29, 2018: Francesco Motta and Carolina Crescentini walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet)
Venice - Madonna with the first Franciscans martyrs by Bernardino Licinioin church Basilica di Santa Maria Gloriosa dei Frari Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-madonna-with-the-first-franciscans-martyrs-by-bernardino-licinioin-image68570181.htmlRFDYFHY1–Venice - Madonna with the first Franciscans martyrs by Bernardino Licinioin church Basilica di Santa Maria Gloriosa dei Frari
Baroque interior of the Ospedale della Pietà, Church convent, orphanage, and music school in Venice. Like other Venetian Ospedale, the Pietà was first established as a hospice for the needy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baroque-interior-of-the-ospedale-della-piet-church-convent-orphanage-and-music-school-in-venice-like-other-venetian-ospedale-the-piet-was-first-established-as-a-hospice-for-the-needy-image186345558.htmlRMMR4NJE–Baroque interior of the Ospedale della Pietà, Church convent, orphanage, and music school in Venice. Like other Venetian Ospedale, the Pietà was first established as a hospice for the needy.
Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany ' s return to the League and provides for Austria ' s independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . Fascist guards specially detailed to protect the two statesmen marching in Venice . 16 June 1934 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hitler-and-mussolini-meet-at-venice-and-reach-agreement-meeting-at-venice-hitler-of-germany-and-mussolini-of-italy-have-reached-an-agreement-it-prepares-the-way-for-germany-s-return-to-the-league-and-provides-for-austria-s-independence-the-meeting-of-the-two-statesmen-has-focused-the-attention-of-all-the-world-and-is-one-of-the-most-historic-events-of-modern-politics-it-is-the-first-time-that-the-dictators-have-met-face-to-face-fascist-guards-specially-detailed-to-protect-the-two-statesmen-marching-in-venice-16-june-1934-image359647915.htmlRM2BW3AGB–Hitler and Mussolini meet at Venice and reach agreement . Meeting at Venice , Hitler of Germany and Mussolini of Italy have reached an agreement . It prepares the way for Germany ' s return to the League and provides for Austria ' s independence . The meeting of the two statesmen has focused the attention of all the world and is one of the most historic events of modern politics . It is the first time that the dictators have met face to face . Fascist guards specially detailed to protect the two statesmen marching in Venice . 16 June 1934
Church of San Geremia, Venice, Italy. The first church was erected on this site in the 11th century. The current building dates from 1753 and was de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-san-geremia-venice-italy-the-first-church-was-erected-on-this-site-in-the-11th-century-the-current-building-dates-from-1753-and-was-de-image557678332.htmlRM2RB8CB8–Church of San Geremia, Venice, Italy. The first church was erected on this site in the 11th century. The current building dates from 1753 and was de
A beautiful woodcut from 1493 of the town of Venice in Italy. This illustration comes from the Nuremberg Chronicle, which is an enyclodpedia of world events, mythology and christian history. This extra-ordinary work was one of the earliest books ever printed and the first to successfully integrate text and images. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-beautiful-woodcut-from-1493-of-the-town-of-venice-in-italy-this-illustration-comes-from-the-nuremberg-chronicle-which-is-an-enyclodpedia-of-world-events-mythology-and-christian-history-this-extra-ordinary-work-was-one-of-the-earliest-books-ever-printed-and-the-first-to-successfully-integrate-text-and-images-image598932349.htmlRM2WPBM91–A beautiful woodcut from 1493 of the town of Venice in Italy. This illustration comes from the Nuremberg Chronicle, which is an enyclodpedia of world events, mythology and christian history. This extra-ordinary work was one of the earliest books ever printed and the first to successfully integrate text and images.
Venice, Italy. Former first lady and US Secretary of State Hillary Clinton is sitting on the artistic installation of American artist Kenneth Goldsmith Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-former-first-lady-and-us-secretary-of-state-hillary-clinton-is-sitting-on-the-artistic-installation-of-american-artist-kenneth-goldsmith-image273237873.htmlRMWTF1KD–Venice, Italy. Former first lady and US Secretary of State Hillary Clinton is sitting on the artistic installation of American artist Kenneth Goldsmith
Veneto, Venice, the Bridge of Sighs. The first light of evening Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-veneto-venice-the-bridge-of-sighs-the-first-light-of-evening-164353540.htmlRFKFAXH8–Veneto, Venice, the Bridge of Sighs. The first light of evening
Woman in straw hat emerges from the Santa Lucia train station in Venice and sees the Grand Canal and San Simeon Piccolo church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-in-straw-hat-emerges-from-the-santa-lucia-train-station-in-venice-58361639.htmlRMDAXGT7–Woman in straw hat emerges from the Santa Lucia train station in Venice and sees the Grand Canal and San Simeon Piccolo church
First published 1915 St Mark's Venice Lunette architecture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-first-published-1915-st-marks-venice-lunette-architecture-47512627.htmlRMCN8ARF–First published 1915 St Mark's Venice Lunette architecture
Italy Veneto Venice Lido Airport Nicelli -staircase leading to the first floor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-veneto-venice-lido-airport-nicelli-staircase-leading-to-the-130651669.htmlRMHGFKF1–Italy Veneto Venice Lido Airport Nicelli -staircase leading to the first floor
Harvesting castraure artichokes, Sant'Erasmo Island, Venice, Veneto, Italy, the first flower on the violet artichoke plant considered a local delicacy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harvesting-castraure-artichokes-santerasmo-island-venice-veneto-italy-the-first-flower-on-the-violet-artichoke-plant-considered-a-local-delicacy-image214805023.htmlRMPDD5YY–Harvesting castraure artichokes, Sant'Erasmo Island, Venice, Veneto, Italy, the first flower on the violet artichoke plant considered a local delicacy
The Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palaces-from-the-first-venice-set-venice-a-series-of-twelveetchings-artist-james-mcneill-whistler-american-18341903-image463088770.htmlRM2HWBECJ–The Palaces, from the First Venice Set (Venice, A Series of Twelve Etchings). Artist: James McNeill Whistler, American, 1834–1903
Aug. 08, 1955 - Opening of Venice film festival : The Venice film Festival opened on Thursday at the Lido, and several celebrated actresses and actors arrived to see the first film. There was general confusion when they arrived at the cinema. Photo shows The scene when Sophia Loren, arrived in a ficrew with some difficulty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aug-08-1955-opening-of-venice-film-festival-the-venice-film-festival-image69294496.htmlRME0MHRC–Aug. 08, 1955 - Opening of Venice film festival : The Venice film Festival opened on Thursday at the Lido, and several celebrated actresses and actors arrived to see the first film. There was general confusion when they arrived at the cinema. Photo shows The scene when Sophia Loren, arrived in a ficrew with some difficulty.
Art inspired by La vera perfettione del disegno di varie sorti di recami, 1557, Woodcut, Overall: 5 11/16 x 7 1/2 in. (14.5 x 19 cm), Published by Giovanni Ostaus, Venice. First edition. Title page missing, starts with 2 sonnets, 4 pages of designs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-la-vera-perfettione-del-disegno-di-varie-sorti-di-recami-1557-woodcut-overall-5-1116-x-7-12-in-145-x-19-cm-published-by-giovanni-ostaus-venice-first-edition-title-page-missing-starts-with-2-sonnets-4-pages-of-designs-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960633.htmlRF2HW5K09–Art inspired by La vera perfettione del disegno di varie sorti di recami, 1557, Woodcut, Overall: 5 11/16 x 7 1/2 in. (14.5 x 19 cm), Published by Giovanni Ostaus, Venice. First edition. Title page missing, starts with 2 sonnets, 4 pages of designs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
1920's evocative vintage travel poster for Venice Lido Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1920s-evocative-vintage-travel-poster-for-venice-lido-italy-image69948673.htmlRME1PC6W–1920's evocative vintage travel poster for Venice Lido Italy
Edging, Italian, Venice, first half 16th century, Italian, Venice, Bobbin lace, L. 9 x W. 4 inches (22.9 x 10.2 cm), Textiles-Laces Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edging-italian-venice-first-half-16th-century-italian-venice-bobbin-lace-l-9-x-w-4-inches-229-x-102-cm-textiles-laces-image344621152.htmlRM2B0JRP8–Edging, Italian, Venice, first half 16th century, Italian, Venice, Bobbin lace, L. 9 x W. 4 inches (22.9 x 10.2 cm), Textiles-Laces
The Palaces. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 13/16 × 14 3/16 in. (25 × 36 cm) Sheet: 10 1/16 × 14 5/16 in. (25.5 × 36.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-palaces-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-9-1316-14-316-in-25-36-cm-sheet-10-116-14-516-in-255-363-cm-seriesportfolio-first-venice-set-venice-twelve-etchings-1880-date-1879-museum-metropolitan-museum-of-art-new-york-usa-image233751046.htmlRMRG87RJ–The Palaces. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 13/16 × 14 3/16 in. (25 × 36 cm) Sheet: 10 1/16 × 14 5/16 in. (25.5 × 36.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.
February 4, 2023. First Venice Carnival day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/february-4-2023-first-venice-carnival-day-image515799221.htmlRM2MY4K4N–February 4, 2023. First Venice Carnival day.
VENICE, ITALY – AUG 29, 2018: Frank Gallucci and Giulia Gaudino walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-italy-aug-29-2018-frank-gallucci-and-giulia-gaudino-walk-the-red-carpet-ahead-of-the-first-man-screening-ph-mickael-chavet-image232938235.htmlRMREY72K–VENICE, ITALY – AUG 29, 2018: Frank Gallucci and Giulia Gaudino walk the red carpet ahead of the 'First Man' screening (Ph: Mickael Chavet)
First light of sunrise against the Santa Maria della Salute Church, Venice Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-light-of-sunrise-against-the-santa-maria-della-salute-church-image63873707.htmlRMDKWKFR–First light of sunrise against the Santa Maria della Salute Church, Venice Italy
Search Results for First venice Stock Photos and Images (9,208)
Page 1 of 93