LONG ARMS, two caplock rifles, first half 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-arms-two-caplock-rifles-first-half-19th-century-additional-rights-clearance-info-not-available-image242819901.html
RMT31B79–LONG ARMS, two caplock rifles, first half 19th century, Additional-Rights-Clearance-Info-Not-Available
Christening cap, European, first half 19th century, European Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christening-cap-european-first-half-19th-century-european-image344600223.html
RM2B0HW2R–Christening cap, European, first half 19th century, European
Art inspired by Design for a Fireplace, first half 19th century, Graphite, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-fireplace-first-half-19th-century-graphite-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462982894.html
RF2HW6KBA–Art inspired by Design for a Fireplace, first half 19th century, Graphite, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The drawing shows a market for servants and maids seeking employment. In the foreground is the engagement of a thresher. Job seeking maids identify themselves with a bunch on their left bodice, the farmhands with a bunch on their tools. When they are hired, the bunch is put on the right side or taken off. This is an annual custom that takes place in Normandy in July. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-drawing-shows-a-market-for-servants-and-maids-seeking-employment-in-the-foreground-is-the-engagement-of-a-thresher-job-seeking-maids-identify-themselves-with-a-bunch-on-their-left-bodice-the-farmhands-with-a-bunch-on-their-tools-when-they-are-hired-the-bunch-is-put-on-the-right-side-or-taken-off-this-is-an-annual-custom-that-takes-place-in-normandy-in-july-image345685706.html
RM2B2B9J2–The drawing shows a market for servants and maids seeking employment. In the foreground is the engagement of a thresher. Job seeking maids identify themselves with a bunch on their left bodice, the farmhands with a bunch on their tools. When they are hired, the bunch is put on the right side or taken off. This is an annual custom that takes place in Normandy in July.
. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 391 Mangala (Mars) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-an-astrological-set-of-the-nine-planets-personified-mangala-mars-central-india-circa-first-half-19th-century-opaque-watercolour-with-silver-and-gold-on-wasli-191-x-146cm-the-inscription-reads-bhauma-a-less-common-name-for-mangala-whose-vahana-vehicle-is-usually-a-ram-but-here-a-bull-thanks-to-tarun-pant-for-kindly-translating-the-inscription-and-providing-information-circa-first-half-19th-century-unknown-391-mangala-mars-image188127318.html
RMMX1X8P–. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 391 Mangala (Mars)
Design for a Fireplace. Artist: Anonymous, British, 19th century. Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-fireplace-artist-anonymous-british-19th-century-date-first-half-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212875397.html
RMPA98MN–Design for a Fireplace. Artist: Anonymous, British, 19th century. Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Munnich GIM first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-munnich-gim-first-half-19th-century-133428476.html
RMHN25AM–Munnich GIM first half 19th century
Royal postal service under the reign of King Louis Philippe I in France, first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-postal-service-under-the-reign-of-king-louis-philippe-i-in-france-first-half-19th-century-image332890897.html
RF2A9GDMH–Royal postal service under the reign of King Louis Philippe I in France, first half 19th century
A map of American in the first half of the eighteenth-century. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-map-of-american-in-the-first-half-of-the-eighteenth-century-dated-19th-century-image235209969.html
RMRJJMM1–A map of American in the first half of the eighteenth-century. Dated 19th century
During the first half of the nineteenth century mining was often at the centre of working class discontent in Wales, and a number of uprisings such as the Merthyr Rising in 1831 against employers were a characteristic of the Industrial Revolution in Wales. The Chartist movement and the 1839 Newport Rising showed the growing concerns and awareness of the work force of their value to the nation. Although the Factory Acts of the 1830s and resultant Mines Act of 1842 were meant to prevent women and boys under 10 years of age from working underground, it is believed they were widely ignored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-during-the-first-half-of-the-nineteenth-century-mining-was-often-at-104016256.html
RMG169P8–During the first half of the nineteenth century mining was often at the centre of working class discontent in Wales, and a number of uprisings such as the Merthyr Rising in 1831 against employers were a characteristic of the Industrial Revolution in Wales. The Chartist movement and the 1839 Newport Rising showed the growing concerns and awareness of the work force of their value to the nation. Although the Factory Acts of the 1830s and resultant Mines Act of 1842 were meant to prevent women and boys under 10 years of age from working underground, it is believed they were widely ignored.
Landscape; first half 19th century British 19th Century, Landscape, first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-first-half-19th-century-british-19th-century-landscape-first-half-19th-century-image335769799.html
RM2AE7HPF–Landscape; first half 19th century British 19th Century, Landscape, first half 19th century
Riders and their hounds hunt a fox in this re-creation of a hunting scene from the first half of the 19th century. Painting by Malcolm Greensmith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/riders-and-their-hounds-hunt-a-fox-in-this-re-creation-of-a-hunting-scene-from-the-first-half-of-the-19th-century-painting-by-malcolm-greensmith-image504769561.html
RM2M966M9–Riders and their hounds hunt a fox in this re-creation of a hunting scene from the first half of the 19th century. Painting by Malcolm Greensmith
NETHERLANDS. Costumes worn in Hoorn during 1st half of 19th century 1932 print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/netherlands-costumes-worn-in-hoorn-during-1st-half-of-19th-century-1932-print-image452398915.html
RF2H80FC3–NETHERLANDS. Costumes worn in Hoorn during 1st half of 19th century 1932 print
Manufacture of Campania, pineapple-shaped lamp, first half 19th century, crystal, cast and gilded metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manufacture-of-campania-pineapple-shaped-lamp-first-half-19th-century-crystal-cast-and-gilded-metal-image567599142.html
RM2RYCADX–Manufacture of Campania, pineapple-shaped lamp, first half 19th century, crystal, cast and gilded metal
Infant's Cap, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/infants-cap-first-half-19th-century-image330098400.html
RM2A517TG–Infant's Cap, first half 19th century.
First Anglo-Afghan War. The approach to the fortress of Kwettaih. 1840-1850. Sketches by Jas. Atkinson, esq. Kwettah is in the province of Shaul, situated on a wide plain with interior and outer walls, and appears at a distance like a lofty mound. Lord Keane and Staff are seen occupying the middle ground. Here the state of the Army, for want of a sufficient supply of grain and ollah became alarming, and although at this place abundant supplies had been promised and expected, it became necessary for the chief military authority, Sir Willoughby Cotton, to reduce the daily rations to one-half, wh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-the-approach-to-the-fortress-of-kwettaih-1840-1850-sketches-by-jas-atkinson-esq-kwettah-is-in-the-province-of-shaul-situated-on-a-wide-plain-with-interior-and-outer-walls-and-appears-at-a-distance-like-a-lofty-mound-lord-keane-and-staff-are-seen-occupying-the-middle-ground-here-the-state-of-the-army-for-want-of-a-sufficient-supply-of-grain-and-ollah-became-alarming-and-although-at-this-place-abundant-supplies-had-been-promised-and-expected-it-became-necessary-for-the-chief-military-authority-sir-willoughby-cotton-to-reduce-the-daily-rations-to-one-half-wh-image618362180.html
RM2XX0R7G–First Anglo-Afghan War. The approach to the fortress of Kwettaih. 1840-1850. Sketches by Jas. Atkinson, esq. Kwettah is in the province of Shaul, situated on a wide plain with interior and outer walls, and appears at a distance like a lofty mound. Lord Keane and Staff are seen occupying the middle ground. Here the state of the Army, for want of a sufficient supply of grain and ollah became alarming, and although at this place abundant supplies had been promised and expected, it became necessary for the chief military authority, Sir Willoughby Cotton, to reduce the daily rations to one-half, wh
Cornish engine, first half of the 19th century. Illustration from 'Les Merveilles de la science ou description populaire des inventions modernes' written by Louis Figuier and published in 1867 by Furne, Jouvet et Cie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornish-engine-first-half-of-the-19th-century-illustration-from-les-merveilles-de-la-science-ou-description-populaire-des-inventions-modernes-written-by-louis-figuier-and-published-in-1867-by-furne-jouvet-et-cie-image592010730.html
RM2WB4BMA–Cornish engine, first half of the 19th century. Illustration from 'Les Merveilles de la science ou description populaire des inventions modernes' written by Louis Figuier and published in 1867 by Furne, Jouvet et Cie.
[ 1860s Japan - Map of Japan ] — Dutch map of Japan, ca 1860, based on Stielers Handatlas (after Adolf Stieler, 1775-1836). Formally titled 'Hand-Atlas über alle Theile der Erde und über das Weltgebäude', it was the leading German world atlas of the last three decades of the 19th and the first half of the 20th century. 19th century vintage map. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-map-of-japan-dutch-map-of-japan-ca-1860-based-on-stielers-handatlas-after-adolf-stieler-1775-1836-formally-titled-hand-atlas-ber-alle-theile-der-erde-und-ber-das-weltgebude-it-was-the-leading-german-world-atlas-of-the-last-three-decades-of-the-19th-and-the-first-half-of-the-20th-century-19th-century-vintage-map-image264843971.html
RMWATK57–[ 1860s Japan - Map of Japan ] — Dutch map of Japan, ca 1860, based on Stielers Handatlas (after Adolf Stieler, 1775-1836). Formally titled 'Hand-Atlas über alle Theile der Erde und über das Weltgebäude', it was the leading German world atlas of the last three decades of the 19th and the first half of the 20th century. 19th century vintage map.
Sample French first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-image569496007.html
RM2T2ENY3–Sample French first half 19th century
LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, first half 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-arms-ottoman-empire-miquelet-rifle-first-half-19th-century-additional-rights-clearance-info-not-available-image243023972.html
RMT3AKFG–LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, first half 19th century, Additional-Rights-Clearance-Info-Not-Available
Sample, French, first half 19th century, French, Silk, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-french-silk-textiles-woven-image344619528.html
RM2B0JNM8–Sample, French, first half 19th century, French, Silk, Textiles-Woven
Art inspired by Design for a Doorway, first half 19th century, Graphite, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-doorway-first-half-19th-century-graphite-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462982884.html
RF2HW6KB0–Art inspired by Design for a Doorway, first half 19th century, Graphite, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Citizens in the contemporary costume from the Renchthal. [automated translation] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/citizens-in-the-contemporary-costume-from-the-renchthal-automated-translation-image550693042.html
RM2PYX6GJ–Citizens in the contemporary costume from the Renchthal. [automated translation]
. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 341 Mangala (Mars) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-an-astrological-set-of-the-nine-planets-personified-mangala-mars-central-india-circa-first-half-19th-century-opaque-watercolour-with-silver-and-gold-on-wasli-191-x-146cm-the-inscription-reads-bhauma-a-less-common-name-for-mangala-whose-vahana-vehicle-is-usually-a-ram-but-here-a-bull-thanks-to-tarun-pant-for-kindly-translating-the-inscription-and-providing-information-circa-first-half-19th-century-unknown-341-mangala-mars-image188836563.html
RMMY66XY–. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 341 Mangala (Mars)
Design for a Fireplace. Artist: Anonymous, British, 19th century. Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-fireplace-artist-anonymous-british-19th-century-date-first-half-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213207494.html
RMPATC9A–Design for a Fireplace. Artist: Anonymous, British, 19th century. Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA.
A leaf from a Persian manuscript depicting Fath 'Ali Shah, Persia, Qajar, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-leaf-from-a-persian-manuscript-depicting-fath-ali-shah-persia-qajar-first-half-19th-century-image592946427.html
RM2WCK163–A leaf from a Persian manuscript depicting Fath 'Ali Shah, Persia, Qajar, first half 19th century.
'William James Müller, Tower Overlooking Water, first half 19th century, graphite with brown wash, overall (approximate): 9.5 x 17.4 cm (3 3/4 x 6 7/8 in.), Rosenwald Collection, 1951.16.200' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-james-mller-tower-overlooking-water-first-half-19th-century-graphite-with-brown-wash-overall-approximate-95-x-174-cm-3-34-x-6-78-in-rosenwald-collection-195116200-image560015460.html
RM2RF2WC4–'William James Müller, Tower Overlooking Water, first half 19th century, graphite with brown wash, overall (approximate): 9.5 x 17.4 cm (3 3/4 x 6 7/8 in.), Rosenwald Collection, 1951.16.200'
Eagle on Rock by Waves during first half 19th century painting by Mochizuki Gyokusen. Original public domain image from the Minneapolis Institute of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eagle-on-rock-by-waves-during-first-half-19th-century-painting-by-mochizuki-gyokusen-original-public-domain-image-from-the-minneapolis-institute-of-image593132854.html
RF2WCYF06–Eagle on Rock by Waves during first half 19th century painting by Mochizuki Gyokusen. Original public domain image from the Minneapolis Institute of
Castle of Wuflens. Geneva Lake, Switzerland. Engraving by Rouargue, first half of the 19th century. Later colouration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/castle-of-wuflens-geneva-lake-switzerland-engraving-by-rouargue-first-half-of-the-19th-century-later-colouration-image338064202.html
RM2AJ049E–Castle of Wuflens. Geneva Lake, Switzerland. Engraving by Rouargue, first half of the 19th century. Later colouration.
John Sell Cotman, Landscape with Church, first half 19th century Landscape with Church; first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-sell-cotman-landscape-with-church-first-half-19th-century-landscape-with-church-first-half-19th-century-image335968841.html
RM2AEGKK5–John Sell Cotman, Landscape with Church, first half 19th century Landscape with Church; first half 19th century
Riders and their hounds hunt a fox in this re-creation of a hunting scene from the first half of the 19th century. Painting by Malcolm Greensmith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/riders-and-their-hounds-hunt-a-fox-in-this-re-creation-of-a-hunting-scene-from-the-first-half-of-the-19th-century-painting-by-malcolm-greensmith-image504769533.html
RM2M966K9–Riders and their hounds hunt a fox in this re-creation of a hunting scene from the first half of the 19th century. Painting by Malcolm Greensmith
Bronze clock from the first half of the 19th century. By an unknown artist. Exhibited in the Malaga branch of the State Russian Museum. Colección d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-clock-from-the-first-half-of-the-19th-century-by-an-unknown-artist-exhibited-in-the-malaga-branch-of-the-state-russian-museum-coleccin-d-image331319596.html
RM2A70WEM–Bronze clock from the first half of the 19th century. By an unknown artist. Exhibited in the Malaga branch of the State Russian Museum. Colección d
Manufacture of Campania, pineapple-shaped lamp, first half 19th century, crystal, cast and gilded metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manufacture-of-campania-pineapple-shaped-lamp-first-half-19th-century-crystal-cast-and-gilded-metal-image567599146.html
RM2RYCAE2–Manufacture of Campania, pineapple-shaped lamp, first half 19th century, crystal, cast and gilded metal
Landscape, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-first-half-19th-century-image482104662.html
RM2K09NBJ–Landscape, first half 19th century.
First Anglo-Afghan War. The Wild Pass of Siri-Kajoor. 1840-1850. Sketches by Jas. Atkinson, esq. A den of Beloochees is exhibited in the foreground, which over-hangs the road traversed by the Army. This Pass lies between Abigoom and Siri-Bolln, a distance of nine miles and a half; two-thirds of the way, on the right, is the date-tree from which this Pass takes the name of “Siri-Kajoor.” The road is hemmed in by wild and rugged mountains which afford numerous inaccessible posi¬tions for the predatory and murderous Beloochees, who from these haunts most skilfully use their jezails or rifles, mos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-the-wild-pass-of-siri-kajoor-1840-1850-sketches-by-jas-atkinson-esq-a-den-of-beloochees-is-exhibited-in-the-foreground-which-over-hangs-the-road-traversed-by-the-army-this-pass-lies-between-abigoom-and-siri-bolln-a-distance-of-nine-miles-and-a-half-two-thirds-of-the-way-on-the-right-is-the-date-tree-from-which-this-pass-takes-the-name-of-siri-kajoor-the-road-is-hemmed-in-by-wild-and-rugged-mountains-which-afford-numerous-inaccessible-positions-for-the-predatory-and-murderous-beloochees-who-from-these-haunts-most-skilfully-use-their-jezails-or-rifles-mos-image618361938.html
RF2XX0PXX–First Anglo-Afghan War. The Wild Pass of Siri-Kajoor. 1840-1850. Sketches by Jas. Atkinson, esq. A den of Beloochees is exhibited in the foreground, which over-hangs the road traversed by the Army. This Pass lies between Abigoom and Siri-Bolln, a distance of nine miles and a half; two-thirds of the way, on the right, is the date-tree from which this Pass takes the name of “Siri-Kajoor.” The road is hemmed in by wild and rugged mountains which afford numerous inaccessible posi¬tions for the predatory and murderous Beloochees, who from these haunts most skilfully use their jezails or rifles, mos
Faraday's experiment demonstrating that the electricity produced by a battery pile comes from the chemical action exerted by the acids on the metals of which they are composed, and not from contact between the metals themselves. First half of the 19th century. Illustration from 'Les Merveilles de la science ou description populaire des inventions modernes' written by Louis Figuier and published in 1867 by Furne, Jouvet et Cie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faradays-experiment-demonstrating-that-the-electricity-produced-by-a-battery-pile-comes-from-the-chemical-action-exerted-by-the-acids-on-the-metals-of-which-they-are-composed-and-not-from-contact-between-the-metals-themselves-first-half-of-the-19th-century-illustration-from-les-merveilles-de-la-science-ou-description-populaire-des-inventions-modernes-written-by-louis-figuier-and-published-in-1867-by-furne-jouvet-et-cie-image592010952.html
RM2WB4C08–Faraday's experiment demonstrating that the electricity produced by a battery pile comes from the chemical action exerted by the acids on the metals of which they are composed, and not from contact between the metals themselves. First half of the 19th century. Illustration from 'Les Merveilles de la science ou description populaire des inventions modernes' written by Louis Figuier and published in 1867 by Furne, Jouvet et Cie.
Militaria from the 19th and the first half of the 20th century exhibited at the 'Antiques Fair' in Osijek, July 1, 2023 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/militaria-from-the-19th-and-the-first-half-of-the-20th-century-exhibited-at-the-antiques-fair-in-osijek-july-1-2023-image557625621.html
RF2RB614N–Militaria from the 19th and the first half of the 20th century exhibited at the 'Antiques Fair' in Osijek, July 1, 2023
Hanging first half 19th century. Hanging 447849 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hanging-first-half-19th-century-hanging-447849-image458568029.html
RM2HJ1G5H–Hanging first half 19th century. Hanging 447849
LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, Albania, first half 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-arms-ottoman-empire-miquelet-rifle-albania-first-half-19th-century-additional-rights-clearance-info-not-available-image246180728.html
RMT8EE0T–LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, Albania, first half 19th century, Additional-Rights-Clearance-Info-Not-Available
Sample, French, first half 19th century, French, Silk, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-french-silk-textiles-woven-image344619536.html
RM2B0JNMG–Sample, French, first half 19th century, French, Silk, Textiles-Woven
Art inspired by Design for a Fireplace, first half 19th century, Ink and wash, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-fireplace-first-half-19th-century-ink-and-wash-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462982879.html
RF2HW6KAR–Art inspired by Design for a Fireplace, first half 19th century, Ink and wash, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-from-the-first-half-of-the-19th-century-shows-the-zeughaus-right-and-the-kronprinzenpalais-crown-princes-palace-left-image385781171.html
RM2DBHRPY–The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left).
. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 390 Mangala (Mars) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-an-astrological-set-of-the-nine-planets-personified-mangala-mars-central-india-circa-first-half-19th-century-opaque-watercolour-with-silver-and-gold-on-wasli-191-x-146cm-the-inscription-reads-bhauma-a-less-common-name-for-mangala-whose-vahana-vehicle-is-usually-a-ram-but-here-a-bull-thanks-to-tarun-pant-for-kindly-translating-the-inscription-and-providing-information-circa-first-half-19th-century-unknown-390-mangala-mars-image187568478.html
RMMW4DE6–. From an astrological set of the nine planets personified: Mangala (Mars). Central India, circa first half 19th century. Opaque watercolour with silver and gold on wasli. 19.1 x 14.6cm The inscription reads 'Bhauma', a less common name for Mangala, whose vahana (vehicle) is usually a ram but here a bull. Thanks to Tarun Pant for kindly translating the inscription and providing information. circa first half 19th century.. Unknown 390 Mangala (Mars)
Carpet. Dimensions: Rug: H. 90 in. (228.6 cm) W. 64 in. (162.6 cm). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-dimensions-rug-h-90-in-2286-cm-w-64-in-1626-cm-date-first-half-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213211651.html
RMPATHHR–Carpet. Dimensions: Rug: H. 90 in. (228.6 cm) W. 64 in. (162.6 cm). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Quincy Market, Freedom Trail, Boston, Massachusetts. Built in early 1800's as one of the largest market complexes in first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quincy-market-freedom-trail-boston-massachusetts-built-in-early-1800s-as-one-of-the-largest-market-complexes-in-first-half-19th-century-image441640799.html
RM2GJED9K–Quincy Market, Freedom Trail, Boston, Massachusetts. Built in early 1800's as one of the largest market complexes in first half 19th century
Stagecoach in the Russian Empire in the first half of the 19th century. Engraving of the 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stagecoach-in-the-russian-empire-in-the-first-half-of-the-19th-century-engraving-of-the-19th-century-image348546355.html
RM2B71JC3–Stagecoach in the Russian Empire in the first half of the 19th century. Engraving of the 19th century.
Daniel O'Connell (1775 – 1847), often referred to as The Liberator, was an Irish political leader in the first half of the 19th century. He campaigned for Catholic emancipation—including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years—and repeal of the Act of Union which combined Great Britain and Ireland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-daniel-oconnell-1775-1847-often-referred-to-as-the-liberator-was-an-113014777.html
RMGFT7E1–Daniel O'Connell (1775 – 1847), often referred to as The Liberator, was an Irish political leader in the first half of the 19th century. He campaigned for Catholic emancipation—including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years—and repeal of the Act of Union which combined Great Britain and Ireland.
Frank Lloyd Wright (1867-1959), most important American architect of the later 19th and first half of the 20th century. 1954. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frank-lloyd-wright-1867-1959-most-important-american-architect-of-50024736.html
RMCWAR1M–Frank Lloyd Wright (1867-1959), most important American architect of the later 19th and first half of the 20th century. 1954.
A Mountainous Landscape; first half 19th century British 19th Century, A Mountainous Landscape, first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mountainous-landscape-first-half-19th-century-british-19th-century-a-mountainous-landscape-first-half-19th-century-image335769722.html
RM2AE7HKP–A Mountainous Landscape; first half 19th century British 19th Century, A Mountainous Landscape, first half 19th century
Parts of The Treasure of Pietroasa called archaeological find in Romania from the first half of the 19th century, treasure of Athanaric / Teile des Der Schatz von Pietroasa bezeichnet einen archaeologischen Fund in Rumaenien aus der ersten Haelfte des 19. Jahrhunderts, Schatz des Athanarich Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parts-of-the-treasure-of-pietroasa-called-archaeological-find-in-romania-from-the-first-half-of-the-19th-century-treasure-of-athanaric-teile-des-der-schatz-von-pietroasa-bezeichnet-einen-archaeologischen-fund-in-rumaenien-aus-der-ersten-haelfte-des-19-jahrhunderts-schatz-des-athanarich-image364465141.html
RF2C4XR05–Parts of The Treasure of Pietroasa called archaeological find in Romania from the first half of the 19th century, treasure of Athanaric / Teile des Der Schatz von Pietroasa bezeichnet einen archaeologischen Fund in Rumaenien aus der ersten Haelfte des 19. Jahrhunderts, Schatz des Athanarich
Ship types from the first half of the 19th century, (1900).Artist: Willy Stower Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ship-types-from-the-first-half-of-the-19th-century-1900artist-willy-stower-image262745459.html
RMW7D2EB–Ship types from the first half of the 19th century, (1900).Artist: Willy Stower
Wool carpet, first half 19th century, attributed to Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-wool-carpet-first-half-19th-century-attributed-to-turkey-168223501.html
RMKNK6P5–Wool carpet, first half 19th century, attributed to Turkey
The Mill, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mill-first-half-19th-century-image433086101.html
RM2G4GNMN–The Mill, first half 19th century.
First Anglo-Afghan War. Entrance to the Bolan Pass from Dadur. 1840-1850. Sketches by Jas. Atkinson, esq. Leaving the encampment at Dadur for Kundye, a distance of eleven miles and a half, the troops then entered the Bolan Pass, which is represented in this drawing, the road being rough and pebbly, between sand-hills, studded with flint and lime-stones of all sizes, the space in breadth between the mountains varying from three to four hundred yards to about thirty. As the torrent in the Pass runs deviously from one side of the gorge to the other, the Army was compelled to cross it six or seven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-entrance-to-the-bolan-pass-from-dadur-1840-1850-sketches-by-jas-atkinson-esq-leaving-the-encampment-at-dadur-for-kundye-a-distance-of-eleven-miles-and-a-half-the-troops-then-entered-the-bolan-pass-which-is-represented-in-this-drawing-the-road-being-rough-and-pebbly-between-sand-hills-studded-with-flint-and-lime-stones-of-all-sizes-the-space-in-breadth-between-the-mountains-varying-from-three-to-four-hundred-yards-to-about-thirty-as-the-torrent-in-the-pass-runs-deviously-from-one-side-of-the-gorge-to-the-other-the-army-was-compelled-to-cross-it-six-or-seven-image618361933.html
RF2XX0PXN–First Anglo-Afghan War. Entrance to the Bolan Pass from Dadur. 1840-1850. Sketches by Jas. Atkinson, esq. Leaving the encampment at Dadur for Kundye, a distance of eleven miles and a half, the troops then entered the Bolan Pass, which is represented in this drawing, the road being rough and pebbly, between sand-hills, studded with flint and lime-stones of all sizes, the space in breadth between the mountains varying from three to four hundred yards to about thirty. As the torrent in the Pass runs deviously from one side of the gorge to the other, the Army was compelled to cross it six or seven
Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quincy-market-freedom-trail-boston-massachusetts-built-in-early-1800s-as-one-of-the-largest-market-complexes-in-first-half-19th-century-image401772408.html
RF2E9J8PG–Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century
Militaria from the 19th and the first half of the 20th century exhibited at the 'Antiques Fair' in Osijek, July 1, 2023 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/militaria-from-the-19th-and-the-first-half-of-the-20th-century-exhibited-at-the-antiques-fair-in-osijek-july-1-2023-image557625626.html
RF2RB614X–Militaria from the 19th and the first half of the 20th century exhibited at the 'Antiques Fair' in Osijek, July 1, 2023
Carpet first half 19th century. Carpet 452588 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-first-half-19th-century-carpet-452588-image458557323.html
RM2HJ12F7–Carpet first half 19th century. Carpet 452588
LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, Albania, first half 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-arms-ottoman-empire-miquelet-rifle-albania-first-half-19th-century-additional-rights-clearance-info-not-available-image246180725.html
RMT8EE0N–LONG ARMS, OTTOMAN EMPIRE, Miquelet rifle, Albania, first half 19th century, Additional-Rights-Clearance-Info-Not-Available
Sample, French, first half 19th century, French, Silk, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-french-silk-textiles-woven-image344619530.html
RM2B0JNMA–Sample, French, first half 19th century, French, Silk, Textiles-Woven
Art inspired by Design for a Fireplace, first half 19th century, Ink and wash, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-fireplace-first-half-19th-century-ink-and-wash-anonymous-british-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462982870.html
RF2HW6KAE–Art inspired by Design for a Fireplace, first half 19th century, Ink and wash, Anonymous, British, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painting-from-the-first-half-of-the-19th-century-shows-the-zeughaus-right-and-the-kronprinzenpalais-crown-princes-palace-left-image385781097.html
RM2DBHRM9–The painting from the first half of the 19th century shows the Zeughaus (right) and the Kronprinzenpalais (Crown Prince's Palace) (left).
. English: Lot 266 – A Shadda Blanket, South Caucasus, first half 19th century. Weft face structure with extra weft wrapped patterning, two joined panels, stitched onto a material backing, overall very good condition. 9ft.4in. x 5ft.11in. (285cm. x 180 cm.) £20,000-25,000 . first half 19th century. Unknown Caucasian weavers. Photo by auctoneer? 1113 Shadda Blanket, South Caucasus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lot-266-a-shadda-blanket-south-caucasus-first-half-19th-century-weft-face-structure-with-extra-weft-wrapped-patterning-two-joined-panels-stitched-onto-a-material-backing-overall-very-good-condition-9ft4in-x-5ft11in-285cm-x-180-cm-20000-25000-first-half-19th-century-unknown-caucasian-weavers-photo-by-auctoneer-1113-shadda-blanket-south-caucasus-image185588534.html
RMMNX81X–. English: Lot 266 – A Shadda Blanket, South Caucasus, first half 19th century. Weft face structure with extra weft wrapped patterning, two joined panels, stitched onto a material backing, overall very good condition. 9ft.4in. x 5ft.11in. (285cm. x 180 cm.) £20,000-25,000 . first half 19th century. Unknown Caucasian weavers. Photo by auctoneer? 1113 Shadda Blanket, South Caucasus
Carpet. Dimensions: 110 in. high 65.00 in. wide (279.4 cm high 165.1 cm wide). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-dimensions-110-in-high-6500-in-wide-2794-cm-high-1651-cm-wide-date-first-half-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213168020.html
RMPAPHYG–Carpet. Dimensions: 110 in. high 65.00 in. wide (279.4 cm high 165.1 cm wide). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Quincy Market, Freedom Trail, Boston, Massachusetts. Built in early 1800's as one of the largest market complexes in first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quincy-market-freedom-trail-boston-massachusetts-built-in-early-1800s-as-one-of-the-largest-market-complexes-in-first-half-19th-century-image459234047.html
RM2HK3WKY–Quincy Market, Freedom Trail, Boston, Massachusetts. Built in early 1800's as one of the largest market complexes in first half 19th century
The city of Trier (Germany) in which Karl Marx was born. Engraving of the first half of the 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-city-of-trier-germany-in-which-karl-marx-was-born-engraving-of-the-first-half-of-the-19th-century-image346654399.html
RM2B3YD67–The city of Trier (Germany) in which Karl Marx was born. Engraving of the first half of the 19th century.
A late 19th Century view of the sheltered bay of Gourock, a town on the East shore of the upper Firth of Clyde in the Inverclyde council area in the West of Scotland. Like many Scottish seaside towns, Gourock's tourist heyday was in the latter half of the nineteenth century and the first half of the twentieth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-view-of-the-sheltered-bay-of-gourock-a-town-on-the-east-shore-of-the-upper-firth-of-clyde-in-the-inverclyde-council-area-in-the-west-of-scotland-like-many-scottish-seaside-towns-gourocks-tourist-heyday-was-in-the-latter-half-of-the-nineteenth-century-and-the-first-half-of-the-twentieth-image245493841.html
RMT7B5W5–A late 19th Century view of the sheltered bay of Gourock, a town on the East shore of the upper Firth of Clyde in the Inverclyde council area in the West of Scotland. Like many Scottish seaside towns, Gourock's tourist heyday was in the latter half of the nineteenth century and the first half of the twentieth.
First Anglo-Afghan War 1838-1842: Alexander Burnes Scottish diplomat murdered by Afghans, 2 november 1841 Half tone illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-1838-1842-alexander-burnes-scottish-diplomat-murdered-by-afghans-2-november-1841-half-tone-illustration-image257296223.html
RMTXGRXR–First Anglo-Afghan War 1838-1842: Alexander Burnes Scottish diplomat murdered by Afghans, 2 november 1841 Half tone illustration.
John Sell Cotman, A Dry Dock, first half 19th century A Dry Dock; first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-sell-cotman-a-dry-dock-first-half-19th-century-a-dry-dock-first-half-19th-century-image335968831.html
RM2AEGKJR–John Sell Cotman, A Dry Dock, first half 19th century A Dry Dock; first half 19th century
Johann Joseph Wenzel Anton Franz Karl Count Radetzky von Radetz, 2 November 1766 - 5 January 1858, was a field marshal, Bohemian nobleman and probably the most important army commander of Austria in the first half of the 19th century, digital improved reproduction of an original from the year 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-johann-joseph-wenzel-anton-franz-karl-count-radetzky-von-radetz-2-172336595.html
RFM0AH2B–Johann Joseph Wenzel Anton Franz Karl Count Radetzky von Radetz, 2 November 1766 - 5 January 1858, was a field marshal, Bohemian nobleman and probably the most important army commander of Austria in the first half of the 19th century, digital improved reproduction of an original from the year 1880
Agony in the Garden. Our Lord Jesus prays in Getsemani on the Mount of Olives. Matthew book, New Testament Sacred biblical history, painting by Paul Delaroche. Hippolyte Delaroche (1797-1859) was a romantic French painter of the first half of the 19th century. Painter of portraits and history paintings. Old 19th century engraved illustration from La Ilustración Artística 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agony-in-the-garden-our-lord-jesus-prays-in-getsemani-on-the-mount-of-olives-matthew-book-new-testament-sacred-biblical-history-painting-by-paul-delaroche-hippolyte-delaroche-1797-1859-was-a-romantic-french-painter-of-the-first-half-of-the-19th-century-painter-of-portraits-and-history-paintings-old-19th-century-engraved-illustration-from-la-ilustracin-artstica-1882-image442908233.html
RM2GMG5Y5–Agony in the Garden. Our Lord Jesus prays in Getsemani on the Mount of Olives. Matthew book, New Testament Sacred biblical history, painting by Paul Delaroche. Hippolyte Delaroche (1797-1859) was a romantic French painter of the first half of the 19th century. Painter of portraits and history paintings. Old 19th century engraved illustration from La Ilustración Artística 1882
Wool carpet, first half 19th century, attributed to Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-wool-carpet-first-half-19th-century-attributed-to-turkey-168223552.html
RMKNK6T0–Wool carpet, first half 19th century, attributed to Turkey
Landscape with Church, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-church-first-half-19th-century-image482104971.html
RM2K09NPK–Landscape with Church, first half 19th century.
First Anglo-Afghan War. The valley of Maidan. 1840-1850. Sketches by Jas. Atkinson, esq. At the top of the strong ghaut or pass is a round tower, or watch- house, called Buzrak, and from this eminence the Valley of Maidan is distinctly seen, although but a small portion of it is represented in this view. The beauty of this valley is highly extolled by the Afghans. The valley is semi-circular, about a mile and a half wide, and four miles long, hemmed in by the most sterile hills, with a charming silver line of river flowing through its centre, and the trees, meadow, and plantations, always appe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-the-valley-of-maidan-1840-1850-sketches-by-jas-atkinson-esq-at-the-top-of-the-strong-ghaut-or-pass-is-a-round-tower-or-watch-house-called-buzrak-and-from-this-eminence-the-valley-of-maidan-is-distinctly-seen-although-but-a-small-portion-of-it-is-represented-in-this-view-the-beauty-of-this-valley-is-highly-extolled-by-the-afghans-the-valley-is-semi-circular-about-a-mile-and-a-half-wide-and-four-miles-long-hemmed-in-by-the-most-sterile-hills-with-a-charming-silver-line-of-river-flowing-through-its-centre-and-the-trees-meadow-and-plantations-always-appe-image618362203.html
RM2XX0R8B–First Anglo-Afghan War. The valley of Maidan. 1840-1850. Sketches by Jas. Atkinson, esq. At the top of the strong ghaut or pass is a round tower, or watch- house, called Buzrak, and from this eminence the Valley of Maidan is distinctly seen, although but a small portion of it is represented in this view. The beauty of this valley is highly extolled by the Afghans. The valley is semi-circular, about a mile and a half wide, and four miles long, hemmed in by the most sterile hills, with a charming silver line of river flowing through its centre, and the trees, meadow, and plantations, always appe
Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quincy-market-freedom-trail-boston-massachusetts-built-in-early-1800s-as-one-of-the-largest-market-complexes-in-first-half-19th-century-image401772439.html
RF2E9J8RK–Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century
James Felix Bridger (March 17, 1804 – July 17, 1881) was an American mountain man, trapper, Army scout, and wilderness guide who explored and trapped in the Western United States in the first half of the 19th century. He was known as Old Gabe in his later years.[1] He was from the Bridger family of Virginia, English immigrants who had been in North America since the early colonial period Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-felix-bridger-march-17-1804-july-17-1881-was-an-american-mountain-man-trapper-army-scout-and-wilderness-guide-who-explored-and-trapped-in-the-western-united-states-in-the-first-half-of-the-19th-century-he-was-known-as-old-gabe-in-his-later-years-1-he-was-from-the-bridger-family-of-virginia-english-immigrants-who-had-been-in-north-america-since-the-early-colonial-period-image462989071.html
RF2HW6Y7Y–James Felix Bridger (March 17, 1804 – July 17, 1881) was an American mountain man, trapper, Army scout, and wilderness guide who explored and trapped in the Western United States in the first half of the 19th century. He was known as Old Gabe in his later years.[1] He was from the Bridger family of Virginia, English immigrants who had been in North America since the early colonial period
Carpet first half 19th century. Carpet 451669 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-first-half-19th-century-carpet-451669-image458096676.html
RM2HH82YG–Carpet first half 19th century. Carpet 451669
geography / travel, Germany, Würzburg, view, first half 19th century, city, city view, cityscape, city views, cityscapes, townscape, townscapes, river, rivers, on the Main, Lower Franconia, Bavaria, Central Europe, people, view, views, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geography-travel-germany-wrzburg-view-first-half-19th-century-city-city-view-cityscape-city-views-cityscapes-townscape-townscapes-river-rivers-on-the-main-lower-franconia-bavaria-central-europe-people-view-views-historic-historical-additional-rights-clearance-info-not-available-image241393751.html
RMT0MC5B–geography / travel, Germany, Würzburg, view, first half 19th century, city, city view, cityscape, city views, cityscapes, townscape, townscapes, river, rivers, on the Main, Lower Franconia, Bavaria, Central Europe, people, view, views, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Sample, French, first half 19th century, French, Silk, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-french-silk-textiles-woven-image344619538.html
RM2B0JNMJ–Sample, French, first half 19th century, French, Silk, Textiles-Woven
Art inspired by Head Ornament, first half 19th century, Made in present-day Uzbekistan, Samarqand, Gold and silver, Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-ornament-first-half-19th-century-made-in-present-day-uzbekistan-samarqand-gold-and-silver-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462818673.html
RF2HTY5X9–Art inspired by Head Ornament, first half 19th century, Made in present-day Uzbekistan, Samarqand, Gold and silver, Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The illustration shows women working on the mechanical looms and a factory supervisor. The drawing is from the first half of the 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-illustration-shows-women-working-on-the-mechanical-looms-and-a-factory-supervisor-the-drawing-is-from-the-first-half-of-the-19th-century-image360302305.html
RM2BX557D–The illustration shows women working on the mechanical looms and a factory supervisor. The drawing is from the first half of the 19th century.
Portrait of General-Feld-Marchall Burchard Christoph Graf von Münnich (1683-1757). Portrait of General-Feld-Marchall Burchard Christoph Graf von Münnich. First quarter of 19th century. Copy after original at middle/end of 18th century. first quarter of 19th century (this copy), 18th century (original). 912 Munnich GIM first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-general-feld-marchall-burchard-christoph-graf-von-mnnich-1683-1757-portrait-of-general-feld-marchall-burchard-christoph-graf-von-mnnich-first-quarter-of-19th-century-copy-after-original-at-middleend-of-18th-century-first-quarter-of-19th-century-this-copy-18th-century-original-912-munnich-gim-first-half-19th-century-image185867652.html
RMMPB02C–Portrait of General-Feld-Marchall Burchard Christoph Graf von Münnich (1683-1757). Portrait of General-Feld-Marchall Burchard Christoph Graf von Münnich. First quarter of 19th century. Copy after original at middle/end of 18th century. first quarter of 19th century (this copy), 18th century (original). 912 Munnich GIM first half 19th century
Fragment of a Storage Bag. Dimensions: H. 32 1/2 in. (82.5 cm) W. 49 3/16 in. (125 cm). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-storage-bag-dimensions-h-32-12-in-825-cm-w-49-316-in-125-cm-date-first-half-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212916244.html
RMPAB4RG–Fragment of a Storage Bag. Dimensions: H. 32 1/2 in. (82.5 cm) W. 49 3/16 in. (125 cm). Date: first half 19th century. Museum: Metropolitan Museum of Art, New York, USA.
'La Ilustración Española y Americana'. Weekly publication founded by Abelardo de Carlos in 1869. Edited in Madrid (Spain) from 1869 to 1921. Frontispiece of the first volume that compiled the magazines of the first half of 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-ilustracin-espaola-y-americana-weekly-publication-founded-by-abelardo-de-carlos-in-1869-edited-in-madrid-spain-from-1869-to-1921-frontispiece-of-the-first-volume-that-compiled-the-magazines-of-the-first-half-of-1898-image467347625.html
RM2J49EJH–'La Ilustración Española y Americana'. Weekly publication founded by Abelardo de Carlos in 1869. Edited in Madrid (Spain) from 1869 to 1921. Frontispiece of the first volume that compiled the magazines of the first half of 1898.
Judah P. Benjamin (1811-1884), was the first professing Jew elected to the U.S. Senate. He represented Louisiana and held three Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-judah-p-benjamin-1811-1884-was-the-first-professing-jew-elected-to-50048466.html
RMCWBW96–Judah P. Benjamin (1811-1884), was the first professing Jew elected to the U.S. Senate. He represented Louisiana and held three
Christie’s, London, UK. 28 March 2022. Art of the Islamic and Indian Worlds sale takes place on 31st March. Highlights include: Still Life with Fruit and a Palace Garden, Qajar, Iran, First Half of the 19th Century. Estimate £8,000-12,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-28-march-2022-art-of-the-islamic-and-indian-worlds-sale-takes-place-on-31st-march-highlights-include-still-life-with-fruit-and-a-palace-garden-qajar-iran-first-half-of-the-19th-century-estimate-8000-12000-credit-malcolm-parkalamy-live-news-image465857655.html
RM2J1WJ5B–Christie’s, London, UK. 28 March 2022. Art of the Islamic and Indian Worlds sale takes place on 31st March. Highlights include: Still Life with Fruit and a Palace Garden, Qajar, Iran, First Half of the 19th Century. Estimate £8,000-12,000. Credit: Malcolm Park/Alamy Live News.
Postillion wi two unharnessed post horses. Percherons such as these made up the majority of French post horses in the first half of the 19th century. Engraving, 1825. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-postillion-wi-two-unharnessed-post-horses-percherons-such-as-these-57449804.html
RMD9D1PM–Postillion wi two unharnessed post horses. Percherons such as these made up the majority of French post horses in the first half of the 19th century. Engraving, 1825.
William James Müller, Tower Overlooking Water, first half 19th century, Tower Overlooking Water; first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-james-muller-tower-overlooking-water-first-half-19th-century-tower-overlooking-water-first-half-19th-century-image336093108.html
RM2AEPA58–William James Müller, Tower Overlooking Water, first half 19th century, Tower Overlooking Water; first half 19th century
Clothing, fashion in France in the first half of the 15th century, French society, noble youth in falconry, digital improved reproduction of an original print from the 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-clothing-fashion-in-france-in-the-first-half-of-the-15th-century-french-173290575.html
RFM1X1W3–Clothing, fashion in France in the first half of the 15th century, French society, noble youth in falconry, digital improved reproduction of an original print from the 19th century
The Towtruck of Charles Dietz, 1834 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-towtruck-of-charles-dietz-1834-22273749.html
RMB86JB1–The Towtruck of Charles Dietz, 1834
Wool carpet, first half 19th century, attributed to Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-wool-carpet-first-half-19th-century-attributed-to-turkey-168223569.html
RMKNK6TH–Wool carpet, first half 19th century, attributed to Turkey
The Ponte dellAbbadia at Vulci, first half 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ponte-dellabbadia-at-vulci-first-half-19th-century-image330129683.html
RM2A52KNR–The Ponte dellAbbadia at Vulci, first half 19th century.
First Anglo-Afghan War. Surrender of Dost Mahommed Khan to Sir William Hay Macnachten Bart. At the Entrance into Kabul from Killa-Kazee. 1840-1850. Sketches by Jas. Atkinson, esq. On the right of this drawing the peasants are treading out the corn, and on the left winnowing it. The small building half-way up the mountain is called the Johan Numat, which commands an extensive prospect over the valley of Killa-Kazee; a little below this spot is the site of the Emperor Baber’s Tomb. In the narrow gap, formed by the two craggy mountains, sloping towards each other, and which is seen in the centre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anglo-afghan-war-surrender-of-dost-mahommed-khan-to-sir-william-hay-macnachten-bart-at-the-entrance-into-kabul-from-killa-kazee-1840-1850-sketches-by-jas-atkinson-esq-on-the-right-of-this-drawing-the-peasants-are-treading-out-the-corn-and-on-the-left-winnowing-it-the-small-building-half-way-up-the-mountain-is-called-the-johan-numat-which-commands-an-extensive-prospect-over-the-valley-of-killa-kazee-a-little-below-this-spot-is-the-site-of-the-emperor-babers-tomb-in-the-narrow-gap-formed-by-the-two-craggy-mountains-sloping-towards-each-other-and-which-is-seen-in-the-centre-image618362205.html
RM2XX0R8D–First Anglo-Afghan War. Surrender of Dost Mahommed Khan to Sir William Hay Macnachten Bart. At the Entrance into Kabul from Killa-Kazee. 1840-1850. Sketches by Jas. Atkinson, esq. On the right of this drawing the peasants are treading out the corn, and on the left winnowing it. The small building half-way up the mountain is called the Johan Numat, which commands an extensive prospect over the valley of Killa-Kazee; a little below this spot is the site of the Emperor Baber’s Tomb. In the narrow gap, formed by the two craggy mountains, sloping towards each other, and which is seen in the centre
Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quincy-market-freedom-trail-boston-massachusetts-built-in-early-1800s-as-one-of-the-largest-market-complexes-in-first-half-19th-century-image401772325.html
RF2E9J8KH–Quincy Market Freedom Trail Boston Massachusetts. Built in early 1800s as one of the largest market complexes in first half 19th century
15th. and 16th. Century - (First Half) – Cartouches. - By The Ornament 1880, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/15th-and-16th-century-first-half-cartouches-by-the-ornament-1880-image436444178.html
RF2GA1N02–15th. and 16th. Century - (First Half) – Cartouches. - By The Ornament 1880,
Carpet first half 19th century. Carpet 454036 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-first-half-19th-century-carpet-454036-image458451925.html
RM2HHT831–Carpet first half 19th century. Carpet 454036
A scene from the Polish war of liberation,first half of the 19th century.Oil on canvas,Polish freedom fighters in traditional attire amidst two Uhlan officers and other figures in front of a dark background.Gilt plaster frame.Picture size 30 x 29 cm,framed 41 x 39 cm.As a result of the Congress of Vienna 1815,Poland became a kingdom in personal union with Russia and was therefore reigned by the Tsar.In 1830 the Polish people attempted to cast off this foreign rule in the so-called November Uprising,which however failed.historic,historical,people,1,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-scene-from-the-polish-war-of-liberationfirst-half-of-the-19th-centuryoil-31691537.html
RMBRFJTH–A scene from the Polish war of liberation,first half of the 19th century.Oil on canvas,Polish freedom fighters in traditional attire amidst two Uhlan officers and other figures in front of a dark background.Gilt plaster frame.Picture size 30 x 29 cm,framed 41 x 39 cm.As a result of the Congress of Vienna 1815,Poland became a kingdom in personal union with Russia and was therefore reigned by the Tsar.In 1830 the Polish people attempted to cast off this foreign rule in the so-called November Uprising,which however failed.historic,historical,people,1,Additional-Rights-Clearences-Not Available
Sample, French, first half 19th century, French, Silk, Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sample-french-first-half-19th-century-french-silk-textiles-woven-image344619540.html
RM2B0JNMM–Sample, French, first half 19th century, French, Silk, Textiles-Woven
Art inspired by Gadzak or Kazak, first half 19th century, Made in present-day Uzbekistan, Bukhara or Samarqand, Gold, Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-gadzak-or-kazak-first-half-19th-century-made-in-present-day-uzbekistan-bukhara-or-samarqand-gold-metal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462818717.html
RF2HTY5YW–Art inspired by Gadzak or Kazak, first half 19th century, Made in present-day Uzbekistan, Bukhara or Samarqand, Gold, Metal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
This undated drawing, made in the first half of the 19th century, shows the street Unter den Linden in Berlin with a guardhouse and soldiers (right). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-undated-drawing-made-in-the-first-half-of-the-19th-century-shows-the-street-unter-den-linden-in-berlin-with-a-guardhouse-and-soldiers-right-image385781165.html
RM2DBHRPN–This undated drawing, made in the first half of the 19th century, shows the street Unter den Linden in Berlin with a guardhouse and soldiers (right).
Rudolf von Österreich first half of 19th century. 1077 Rudolf-habsburg-olmuetz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rudolf-von-sterreich-first-half-of-19th-century-1077-rudolf-habsburg-olmuetz-image185718780.html
RMMP465G–Rudolf von Österreich first half of 19th century. 1077 Rudolf-habsburg-olmuetz
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