Figural composition designed in 1622 by Peter Paul Rubens - Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figural-composition-designed-in-1622-by-peter-paul-rubens-tapestry-showing-the-triumph-of-constantine-over-maxentius-at-the-battle-of-the-milvian-bridge-image431911390.html
RF2G2K7AP–Figural composition designed in 1622 by Peter Paul Rubens - Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge
Oskar Schlemmer Sketch of figural movement for dance 1921 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oskar-schlemmer-sketch-of-figural-movement-for-dance-1921-135611686.html
RMHTHJ2E–Oskar Schlemmer Sketch of figural movement for dance 1921
A Street Vendor, Falaise from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-street-vendor-falaise-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905148.html
RM2XAJ0MC–A Street Vendor, Falaise from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
676 French Figural Urns Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/676-french-figural-urns-image212796803.html
Inspired by Fragment with Figural and Architectural Decoration, Coptic, Flax, wool, 5th-7th century C.E., Late Antique Period, 3 1/8 x 4 3/4 in., 8 x 12 cm, Coptic, Coptic Period, Egypt, Egyptian, Flax, Strip, Tapestry, Wool, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-fragment-with-figural-and-architectural-decoration-coptic-flax-wool-5th-7th-century-ce-late-antique-period-3-18-x-4-34-in-8-x-12-cm-coptic-coptic-period-egypt-egyptian-flax-strip-tapestry-wool-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265692.html
RF2HK5A24–Inspired by Fragment with Figural and Architectural Decoration, Coptic, Flax, wool, 5th-7th century C.E., Late Antique Period, 3 1/8 x 4 3/4 in., 8 x 12 cm, Coptic, Coptic Period, Egypt, Egyptian, Flax, Strip, Tapestry, Wool, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-classic-ad-600-900-maya-cylindrical-polychrome-vessels-from-alta-verapaz-guatemala-in-the-popul-vuh-museum-guatemala-city-guatemala-image600738977.html
RM2WWA0KD–Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala.
Statue on top of tombstone, St. Louis Cemetery, New Orleans, Louisiana. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-on-top-of-tombstone-st-louis-cemetery-new-orleans-louisiana-image230652650.html
RFRB73PJ–Statue on top of tombstone, St. Louis Cemetery, New Orleans, Louisiana.
Waka, a Maori war canoe, replica from 1990, carved bow with figural representation and ornaments, Waitangi Treaty Grounds Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waka-a-maori-war-canoe-replica-from-1990-carved-bow-with-figural-representation-image61900917.html
RMDGKR71–Waka, a Maori war canoe, replica from 1990, carved bow with figural representation and ornaments, Waitangi Treaty Grounds
Figural Group, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figural-group-19th-century-image329638209.html
RM2A488W5–Figural Group, 19th century
Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-7-may-2021-contents-of-the-long-established-london-chinese-art-dealership-roger-keverne-ltd-offered-for-sale-at-bonhams-on-11-may-in-london-image-one-of-two-fahua-figural-groups-late-ming-dynasty-estimate-1000-2000-credit-malcolm-parkalamy-live-news-image425539553.html
RM2FM9015–Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News.
Painting titled 'The Arrelsleede' (The Sledge) by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-arrelsleede-the-sledge-by-nico-jungmann-nico-jungmann-1872-1935-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-dated-20th-century-image186360042.html
RMMR5C3P–Painting titled 'The Arrelsleede' (The Sledge) by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century
A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-gilt-bronze-head-of-a-parade-spontoon-or-partisan-carried-by-an-officer-of-a-state-guard-russian-or-eastern-european-circa-17601770-cast-in-one-piece-with-relief-designs-of-elaborate-rococo-scrollwork-involving-pierced-trellis-fields-studded-with-flower-heads-cast-with-heraldic-crests-differing-on-the-respective-sides-and-centring-on-figural-subjects-also-differing-on-each-side-one-a-mid-16th-century-armoured-warrior-with-shield-charged-with-an-eagle-the-other-that-of-a-bearded-tsar-or-a-king-also-armoured-in-the-mid-16th-century-additional-rights-clearance-info-not-available-image247881797.html
RMTB7YN9–A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available
Antique Japanese Kaburaki Kutani Bowl With a Figural Scene. Signed Kutani Kaburagi Sei Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-japanese-kaburaki-kutani-bowl-with-a-figural-scene-signed-kutani-kaburagi-sei-image449101626.html
RF2H2J9KP–Antique Japanese Kaburaki Kutani Bowl With a Figural Scene. Signed Kutani Kaburagi Sei
Candlestick with Figural Imagery MET DP247399 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-candlestick-with-figural-imagery-met-dp247399-172228672.html
RMM05KC0–Candlestick with Figural Imagery MET DP247399
Covered Figural Dish, Atterbury and Company, ca. 1887–90 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-covered-figural-dish-atterbury-and-company-ca-188790-162440478.html
RMKC7PDJ–Covered Figural Dish, Atterbury and Company, ca. 1887–90
Southern Italian vase (Trozzella), 500-475 B.C. The torzzella form is characteristic for the Messapian inhabitants of Aulia in Southern Italy. Deposited in tombs. Decorated with figural scenes executed in the Greek style. Ny Carlsberg Gyptotek. Copenhagen. Denmark. Europe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/southern-italian-vase-trozzella-500-475-bc-the-torzzella-form-is-characteristic-for-the-messapian-inhabitants-of-aulia-in-southern-italy-deposited-in-tombs-decorated-with-figural-scenes-executed-in-the-greek-style-ny-carlsberg-gyptotek-copenhagen-denmark-europe-image220388263.html
RMPPFFDB–Southern Italian vase (Trozzella), 500-475 B.C. The torzzella form is characteristic for the Messapian inhabitants of Aulia in Southern Italy. Deposited in tombs. Decorated with figural scenes executed in the Greek style. Ny Carlsberg Gyptotek. Copenhagen. Denmark. Europe.
Tusk Figural Pendant, c. 1000-1550. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tusk-figural-pendant-c-1000-1550-image330132081.html
RM2A52PRD–Tusk Figural Pendant, c. 1000-1550.
Mamluk figural ivory inlaid wooden door Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mamluk-figural-ivory-inlaid-wooden-door-132427256.html
RMHKCG8T–Mamluk figural ivory inlaid wooden door
Grandmother from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grandmother-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905015.html
RM2XAJ0FK–Grandmother from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
390 Mamluk figural ivory inlaid wooden door Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/390-mamluk-figural-ivory-inlaid-wooden-door-image213934920.html
RMPC1G4T–390 Mamluk figural ivory inlaid wooden door
Roman carved marble figural statues, Leptis Magna Museum, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-carved-marble-figural-statues-leptis-magna-museum-libya-image416335837.html
RM2F59MH1–Roman carved marble figural statues, Leptis Magna Museum, Libya
Inspired by Fragment with Figural Decoration, Coptic, Flax, wool, 5th-7th century C.E., Late Antique Period, 1 15/16 x 1 15/16 in., 5 x 5 cm, Coptic, Coptic Period, Egypt, Egyptian, Face, Flax, Fragment, Tapestry, Textile, Wool, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-fragment-with-figural-decoration-coptic-flax-wool-5th-7th-century-ce-late-antique-period-1-1516-x-1-1516-in-5-x-5-cm-coptic-coptic-period-egypt-egyptian-face-flax-fragment-tapestry-textile-wool-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265580.html
RF2HK59X4–Inspired by Fragment with Figural Decoration, Coptic, Flax, wool, 5th-7th century C.E., Late Antique Period, 1 15/16 x 1 15/16 in., 5 x 5 cm, Coptic, Coptic Period, Egypt, Egyptian, Face, Flax, Fragment, Tapestry, Textile, Wool, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-classic-ad-600-900-maya-cylindrical-polychrome-vessels-from-alta-verapaz-guatemala-in-the-popul-vuh-museum-guatemala-city-guatemala-image600739008.html
RM2WWA0MG–Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala.
Iran/Persia: Portrait of a scribe at work, artist unknown. Considered a portrait of Sayyid Husayn Yazdi, the scribe of the treatise on Wonders of the World, c. 1540s. Figural imagery does not normally appear in a religious context, but there was a vigorous tradition of figural representation in other contexts, particularly that of science and medicine. Many of the Arabic versions of Dioscorides preserved today are testimony to a continuing and flourishing tradition of scientific illustration. Several profusely illustrated copies were produced, for example, in Baghdad in the 13th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iranpersia-portrait-of-a-scribe-at-work-artist-unknown-considered-a-portrait-of-sayyid-husayn-yazdi-the-scribe-of-the-treatise-on-wonders-of-the-world-c-1540s-figural-imagery-does-not-normally-appear-in-a-religious-context-but-there-was-a-vigorous-tradition-of-figural-representation-in-other-contexts-particularly-that-of-science-and-medicine-many-of-the-arabic-versions-of-dioscorides-preserved-today-are-testimony-to-a-continuing-and-flourishing-tradition-of-scientific-illustration-several-profusely-illustrated-copies-were-produced-for-example-in-baghdad-in-the-13th-century-image344242287.html
RM2B01GFB–Iran/Persia: Portrait of a scribe at work, artist unknown. Considered a portrait of Sayyid Husayn Yazdi, the scribe of the treatise on Wonders of the World, c. 1540s. Figural imagery does not normally appear in a religious context, but there was a vigorous tradition of figural representation in other contexts, particularly that of science and medicine. Many of the Arabic versions of Dioscorides preserved today are testimony to a continuing and flourishing tradition of scientific illustration. Several profusely illustrated copies were produced, for example, in Baghdad in the 13th century.
Royal Doulton Pip, Squeak and Wilfred figural group Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-doulton-pip-squeak-and-wilfred-figural-group-74300250.html
RME8TJMA–Royal Doulton Pip, Squeak and Wilfred figural group
Waka, a Maori war canoe, replica from 1990, carved bow with figural representation and ornaments, Waitangi Treaty Grounds Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waka-a-maori-war-canoe-replica-from-1990-carved-bow-with-figural-representation-image61900918.html
RMDGKR72–Waka, a Maori war canoe, replica from 1990, carved bow with figural representation and ornaments, Waitangi Treaty Grounds
Figural Group, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figural-group-19th-century-image329638228.html
RM2A488WT–Figural Group, 19th century
Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-7-may-2021-contents-of-the-long-established-london-chinese-art-dealership-roger-keverne-ltd-offered-for-sale-at-bonhams-on-11-may-in-london-image-one-of-two-fahua-figural-groups-late-ming-dynasty-estimate-1000-2000-credit-malcolm-parkalamy-live-news-image425539536.html
RM2FM900G–Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News.
Painting titled 'Adrian Mill' by Nico Jungman. Nico Jungman (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-adrian-mill-by-nico-jungman-nico-jungman-1872-1935-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-dated-20th-century-image186360149.html
RMMR5C7H–Painting titled 'Adrian Mill' by Nico Jungman. Nico Jungman (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century
A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-gilt-bronze-head-of-a-parade-spontoon-or-partisan-carried-by-an-officer-of-a-state-guard-russian-or-eastern-european-circa-17601770-cast-in-one-piece-with-relief-designs-of-elaborate-rococo-scrollwork-involving-pierced-trellis-fields-studded-with-flower-heads-cast-with-heraldic-crests-differing-on-the-respective-sides-and-centring-on-figural-subjects-also-differing-on-each-side-one-a-mid-16th-century-armoured-warrior-with-shield-charged-with-an-eagle-the-other-that-of-a-bearded-tsar-or-a-king-also-armoured-in-the-mid-16th-century-additional-rights-clearance-info-not-available-image247881798.html
RMTB7YNA–A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available
Fine Antique Japanese Blue-Ground Satsuma Vase With Figural Scenes by Kinkozan Studio. Meiji Period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fine-antique-japanese-blue-ground-satsuma-vase-with-figural-scenes-by-kinkozan-studio-meiji-period-image449101896.html
RF2H2JA1C–Fine Antique Japanese Blue-Ground Satsuma Vase With Figural Scenes by Kinkozan Studio. Meiji Period
Basin with Figural Imagery MET DP216069 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-basin-with-figural-imagery-met-dp216069-170060171.html
RMKTJWDF–Basin with Figural Imagery MET DP216069
Box Lid with Incised Figural Decoration, ca. 3rd–4th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-box-lid-with-incised-figural-decoration-ca-3rd4th-century-162555843.html
RMKCD1HR–Box Lid with Incised Figural Decoration, ca. 3rd–4th century
Wall painting. Culture: Roman. Dimensions: Overall: 69 x 17in. (175.3 x 43.2cm). Date: ca. 40-30 B.C.. Column with lifting bosses from the painted colonnade that separated the large figural scenes. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-painting-culture-roman-dimensions-overall-69-x-17in-1753-x-432cm-date-ca-40-30-bc-column-with-lifting-bosses-from-the-painted-colonnade-that-separated-the-large-figural-scenes-museum-metropolitan-museum-of-art-new-york-usa-image212905254.html
RMPAAJR2–Wall painting. Culture: Roman. Dimensions: Overall: 69 x 17in. (175.3 x 43.2cm). Date: ca. 40-30 B.C.. Column with lifting bosses from the painted colonnade that separated the large figural scenes. Museum: Metropolitan Museum of Art, New York, USA.
Tunic or Shawl Ornament, 600s. This oval originally belonged to a matched set that would have decorated either a unisex tunic or shawl. The fragment features a distinctive semi-abstract style of figural representation. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tunic-or-shawl-ornament-600s-this-oval-originally-belonged-to-a-matched-set-that-would-have-decorated-either-a-unisex-tunic-or-shawl-the-fragment-features-a-distinctive-semi-abstract-style-of-figural-representation-image330132002.html
RM2A52PMJ–Tunic or Shawl Ornament, 600s. This oval originally belonged to a matched set that would have decorated either a unisex tunic or shawl. The fragment features a distinctive semi-abstract style of figural representation.
RMHM1W99–Jean-Louis-Ernest Meissionier - Four Figural Studies - Walters 372802
Havre from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/havre-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905469.html
RM2XAJ13W–Havre from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
carved marble figural relief, Roman amphitheatre, Sabratha, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carved-marble-figural-relief-roman-amphitheatre-sabratha-libya-image416336629.html
RM2F59NH9–carved marble figural relief, Roman amphitheatre, Sabratha, Libya
Inspired by Jar (guan) with Design of Figural Compositions within Four Ogival Panels, Chinese, Ming dynasty, 1368–1644, late 14th–15th century, Cizhou ware; stoneware with white slip and iron-black decoration under clear, colorless glaze and polychrome overglaze decoration, Made in Henan province, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-jar-guan-with-design-of-figural-compositions-within-four-ogival-panels-chinese-ming-dynasty-13681644-late-14th15th-century-cizhou-ware-stoneware-with-white-slip-and-iron-black-decoration-under-clear-colorless-glaze-and-polychrome-overglaze-decoration-made-in-henan-province-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459287798.html
RF2HK6A7J–Inspired by Jar (guan) with Design of Figural Compositions within Four Ogival Panels, Chinese, Ming dynasty, 1368–1644, late 14th–15th century, Cizhou ware; stoneware with white slip and iron-black decoration under clear, colorless glaze and polychrome overglaze decoration, Made in Henan province, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-classic-ad-600-900-maya-cylindrical-polychrome-vessels-from-alta-verapaz-guatemala-in-the-popul-vuh-museum-guatemala-city-guatemala-image600739061.html
RM2WWA0PD–Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala.
Vintage Italian figural 'flicker' liqueur bottle by Drioli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-italian-figural-flicker-liqueur-bottle-by-drioli-48488523.html
RMCPTRGY–Vintage Italian figural 'flicker' liqueur bottle by Drioli
Antique 18th century Chinese figural Famille Rose porcelain tea bowl. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-18th-century-chinese-figural-famille-rose-porcelain-tea-bowl-image567716332.html
RM2RYHKY8–Antique 18th century Chinese figural Famille Rose porcelain tea bowl.
Situated at the crossroads of Mediterranean trade routes, the Etruscans were avid importers of Greek vases with figural decoration. Many of these vessels survive today because they were buried with their Etruscan owners, and were discovered in tombs only during the last several centuries. This example was made by a local artist who quickly adopted the decorative motifs and painted styles of imported wares and adapted them to local tastes in order to capture some of the market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/situated-at-the-crossroads-of-mediterranean-trade-routes-the-etruscans-were-avid-importers-of-greek-vases-with-figural-decoration-many-of-these-vessels-survive-today-because-they-were-buried-with-their-etruscan-owners-and-were-discovered-in-tombs-only-during-the-last-several-centuries-this-example-was-made-by-a-local-artist-who-quickly-adopted-the-decorative-motifs-and-painted-styles-of-imported-wares-and-adapted-them-to-local-tastes-in-order-to-capture-some-of-the-market-image466190448.html
RM2J2CPJT–Situated at the crossroads of Mediterranean trade routes, the Etruscans were avid importers of Greek vases with figural decoration. Many of these vessels survive today because they were buried with their Etruscan owners, and were discovered in tombs only during the last several centuries. This example was made by a local artist who quickly adopted the decorative motifs and painted styles of imported wares and adapted them to local tastes in order to capture some of the market.
Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-7-may-2021-contents-of-the-long-established-london-chinese-art-dealership-roger-keverne-ltd-offered-for-sale-at-bonhams-on-11-may-in-london-image-one-of-two-fahua-figural-groups-late-ming-dynasty-estimate-1000-2000-credit-malcolm-parkalamy-live-news-image425539544.html
RM2FM900T–Bonhams, London, UK. 7 May 2021. Contents of the long-established London Chinese art dealership Roger Keverne Ltd offered for sale at Bonhams on 11 May in London. Image: One of Two Fahua Figural Groups, Late Ming Dynasty, estimate £1,000-2,000. Credit: Malcolm Park/Alamy Live News.
Painting titled 'Canal at Middleburg' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-canal-at-middleburg-by-nico-jungmann-nico-jungmann-1872-1935-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-dated-20th-century-image186360010.html
RMMR5C2J–Painting titled 'Canal at Middleburg' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century
A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-rare-gilt-bronze-head-of-a-parade-spontoon-or-partisan-carried-by-an-officer-of-a-state-guard-russian-or-eastern-european-circa-17601770-cast-in-one-piece-with-relief-designs-of-elaborate-rococo-scrollwork-involving-pierced-trellis-fields-studded-with-flower-heads-cast-with-heraldic-crests-differing-on-the-respective-sides-and-centring-on-figural-subjects-also-differing-on-each-side-one-a-mid-16th-century-armoured-warrior-with-shield-charged-with-an-eagle-the-other-that-of-a-bearded-tsar-or-a-king-also-armoured-in-the-mid-16th-century-additional-rights-clearance-info-not-available-image247881796.html
RMTB7YN8–A rare gilt-bronze head of a parade spontoon or partisan, carried by an officer of a state guard, Russian or Eastern European, circa 1760/1770, Cast in one piece, with relief designs of elaborate rococo scrollwork involving pierced trellis fields studded with flower heads, cast with heraldic crests differing on the respective sides and centring on figural subjects also differing on each side, one a mid-16th century armoured warrior with shield charged with an eagle, the other that of a bearded tsar or a king also armoured in the mid-16th century , Additional-Rights-Clearance-Info-Not-Available
Fine Antique Japanese Blue-Ground Satsuma Vase With Figural Scenes by Kinkozan Studio. Meiji Period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fine-antique-japanese-blue-ground-satsuma-vase-with-figural-scenes-by-kinkozan-studio-meiji-period-image449101894.html
RF2H2JA1A–Fine Antique Japanese Blue-Ground Satsuma Vase With Figural Scenes by Kinkozan Studio. Meiji Period
Basin with Figural Imagery MET DP216068 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-basin-with-figural-imagery-met-dp216068-170060160.html
RMKTJWD4–Basin with Figural Imagery MET DP216068
Candlestick with Figural Imagery, first half 14th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-with-figural-imagery-first-half-14th-century-162427768.html
RMKC767M–Candlestick with Figural Imagery, first half 14th century
Designs for symmetrical ceiling decoration compositions featuring diamond and square panels in which rinceaux, medallions, swags, and trophy motifs, along with landscape and figural elements, are arranged. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-symmetrical-ceiling-decoration-compositions-featuring-diamond-and-square-panels-in-which-rinceaux-medallions-swags-and-trophy-motifs-along-with-landscape-and-figural-elements-are-arranged-pen-and-brown-ink-brush-and-brown-wash-on-off-white-laid-paper-lined-date-1746-1809-museum-cooper-hewitt-smithsonian-design-museum-image554740162.html
RM2R6EGMJ–Designs for symmetrical ceiling decoration compositions featuring diamond and square panels in which rinceaux, medallions, swags, and trophy motifs, along with landscape and figural elements, are arranged. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.
Buddha Preaching, a section from the Illustrated Sutra of Past and Present Karma (Kako genzai inga kyo emaki), mid-8th century. Depicting the Buddha preaching in a grove of trees beside a rocky outcrop, this section of a longer scroll is a succinct summary of the early development of East Asian figural and landscape traditions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddha-preaching-a-section-from-the-illustrated-sutra-of-past-and-present-karma-kako-genzai-inga-kyo-emaki-mid-8th-century-depicting-the-buddha-preaching-in-a-grove-of-trees-beside-a-rocky-outcrop-this-section-of-a-longer-scroll-is-a-succinct-summary-of-the-early-development-of-east-asian-figural-and-landscape-traditions-image336851901.html
RM2AG0X11–Buddha Preaching, a section from the Illustrated Sutra of Past and Present Karma (Kako genzai inga kyo emaki), mid-8th century. Depicting the Buddha preaching in a grove of trees beside a rocky outcrop, this section of a longer scroll is a succinct summary of the early development of East Asian figural and landscape traditions.
Cherbourg from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cherbourg-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905427.html
RM2XAJ12B–Cherbourg from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
carved marble figural relief, Roman amphitheatre, Sabratha, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carved-marble-figural-relief-roman-amphitheatre-sabratha-libya-image416336387.html
RM2F59N8K–carved marble figural relief, Roman amphitheatre, Sabratha, Libya
Art inspired by Figural study of a female in draped garments, late 18th–early 19th century, French, Terracotta, Height: between 3 and 5 cm., Sculpture-Miniature, Jacques-Edmé Dumont (Paris 1761–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-figural-study-of-a-female-in-draped-garments-late-18thearly-19th-century-french-terracotta-height-between-3-and-5-cm-sculpture-miniature-jacques-edm-dumont-paris-17611844-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043756.html
RF2HW9D10–Art inspired by Figural study of a female in draped garments, late 18th–early 19th century, French, Terracotta, Height: between 3 and 5 cm., Sculpture-Miniature, Jacques-Edmé Dumont (Paris 1761–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-classic-ad-600-900-maya-cylindrical-polychrome-vessels-from-alta-verapaz-guatemala-in-the-popul-vuh-museum-guatemala-city-guatemala-image600738967.html
RM2WWA0K3–Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala.
Vintage Italian figural 'flicker' liqueur bottle (squaw) by Drioli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-italian-figural-flicker-liqueur-bottle-squaw-by-drioli-48488528.html
RMCPTRH4–Vintage Italian figural 'flicker' liqueur bottle (squaw) by Drioli
Situated at the crossroads of Mediterranean trade routes, the Etruscans were avid importers of Greek vases with figural decoration. Many of these vessels survive today because they were buried with their Etruscan owners, and were discovered in tombs only during the last several centuries. This piece was made by a local artist who quickly adopted the decorative motifs and painted styles of imported wares and adapted them to local tastes in order to capture some of the market. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/situated-at-the-crossroads-of-mediterranean-trade-routes-the-etruscans-were-avid-importers-of-greek-vases-with-figural-decoration-many-of-these-vessels-survive-today-because-they-were-buried-with-their-etruscan-owners-and-were-discovered-in-tombs-only-during-the-last-several-centuries-this-piece-was-made-by-a-local-artist-who-quickly-adopted-the-decorative-motifs-and-painted-styles-of-imported-wares-and-adapted-them-to-local-tastes-in-order-to-capture-some-of-the-market-image466182243.html
RM2J2CC5R–Situated at the crossroads of Mediterranean trade routes, the Etruscans were avid importers of Greek vases with figural decoration. Many of these vessels survive today because they were buried with their Etruscan owners, and were discovered in tombs only during the last several centuries. This piece was made by a local artist who quickly adopted the decorative motifs and painted styles of imported wares and adapted them to local tastes in order to capture some of the market.
Bonhams, New Bond Street, London, UK. 14th October 2019. Contents of one of the most important private residences in Latvia, Villa Mündel in Riga, on view before their sale on 16 October. Image: An Italian late 19th/ early 20th century marble figural group of Romeo and Juliet By Antonio Frilli (Italian, FL. 1860-1902), estimate: £25,000-35,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-new-bond-street-london-uk-14th-october-2019-contents-of-one-of-the-most-important-private-residences-in-latvia-villa-mndel-in-riga-on-view-before-their-sale-on-16-october-image-an-italian-late-19th-early-20th-century-marble-figural-group-of-romeo-and-juliet-by-antonio-frilli-italian-fl-1860-1902-estimate-25000-35000-credit-malcolm-parkalamy-live-news-image329763967.html
RM2A4E18F–Bonhams, New Bond Street, London, UK. 14th October 2019. Contents of one of the most important private residences in Latvia, Villa Mündel in Riga, on view before their sale on 16 October. Image: An Italian late 19th/ early 20th century marble figural group of Romeo and Juliet By Antonio Frilli (Italian, FL. 1860-1902), estimate: £25,000-35,000. Credit: Malcolm Park/Alamy Live News.
Painting titled 'Children of Elspeet' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-children-of-elspeet-by-nico-jungmann-nico-jungmann-1872-1935-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-dated-20th-century-image186359963.html
RMMR5C0Y–Painting titled 'Children of Elspeet' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century
The Guardroom, oil on canvas, Flanders, 18th century, unsigned. Multi-figural scene in a large room with a fireplace. Several guards in 17th century costumes talking and playing dice. In the foreground arms and armour arranged like martial trophies. To the right an alleyway with portcullis. Profiled wooden frame, slightly chipped in places. Picture dimensions 32 x 41 cm, framed dimensions 55 x 64 cm. High-quality genre painting in the tradition of the Flemish school of painters of the 17th century. fine arts, people, 18th century, fine arts, art, pain, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-guardroom-oil-on-canvas-flanders-18th-century-unsigned-multi-figural-31481319.html
RMBR62MR–The Guardroom, oil on canvas, Flanders, 18th century, unsigned. Multi-figural scene in a large room with a fireplace. Several guards in 17th century costumes talking and playing dice. In the foreground arms and armour arranged like martial trophies. To the right an alleyway with portcullis. Profiled wooden frame, slightly chipped in places. Picture dimensions 32 x 41 cm, framed dimensions 55 x 64 cm. High-quality genre painting in the tradition of the Flemish school of painters of the 17th century. fine arts, people, 18th century, fine arts, art, pain, Artist's Copyright has not to be cleared
Antique Japanese Satsuma Pottery Bottle Vase With Hand-Painted Figural Scenes and Gilt Decoration. Meiji Period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-japanese-satsuma-pottery-bottle-vase-with-hand-painted-figural-scenes-and-gilt-decoration-meiji-period-image449101567.html
RF2H2J9HK–Antique Japanese Satsuma Pottery Bottle Vase With Hand-Painted Figural Scenes and Gilt Decoration. Meiji Period
Basin with Figural Imagery MET DP216067 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-basin-with-figural-imagery-met-dp216067-170060148.html
RMKTJWCM–Basin with Figural Imagery MET DP216067
Large Ring with Figural Decoration, 500 B.C.–A.D. 300 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-large-ring-with-figural-decoration-500-bcad-300-162351857.html
RMKC3NCH–Large Ring with Figural Decoration, 500 B.C.–A.D. 300
Design for Ornamental Frieze with Shell, Foliage and Satyr's Head (recto); Figural Studies (verso). Artist: William Pitts (British, London 1790-1840 London). Dimensions: sheet: 4 x 13 1/8 in. (10.2 x 33.3 cm). Date: 1805-40. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-ornamental-frieze-with-shell-foliage-and-satyrs-head-recto-figural-studies-verso-artist-william-pitts-british-london-1790-1840-london-dimensions-sheet-4-x-13-18-in-102-x-333-cm-date-1805-40-museum-metropolitan-museum-of-art-new-york-usa-image213176399.html
RMPAR0JR–Design for Ornamental Frieze with Shell, Foliage and Satyr's Head (recto); Figural Studies (verso). Artist: William Pitts (British, London 1790-1840 London). Dimensions: sheet: 4 x 13 1/8 in. (10.2 x 33.3 cm). Date: 1805-40. Museum: Metropolitan Museum of Art, New York, USA.
Cup, c. 1725. About 1725, Herold introduced a new variant of his "chinoiserie" decoration, in which small, full-length figures were depicted against cloudless skies, represented by the now brilliantly white porcelain, within foliate borders of gilt and enamel. This configuration became the standard formula for Meissen figural decoration for the next twenty years, although European subjects came to be depicted with greater frequency toward the middle of the century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-c-1725-about-1725-herold-introduced-a-new-variant-of-his-quotchinoiseriequot-decoration-in-which-small-full-length-figures-were-depicted-against-cloudless-skies-represented-by-the-now-brilliantly-white-porcelain-within-foliate-borders-of-gilt-and-enamel-this-configuration-became-the-standard-formula-for-meissen-figural-decoration-for-the-next-twenty-years-although-european-subjects-came-to-be-depicted-with-greater-frequency-toward-the-middle-of-the-century-image330084834.html
RM2A50JG2–Cup, c. 1725. About 1725, Herold introduced a new variant of his "chinoiserie" decoration, in which small, full-length figures were depicted against cloudless skies, represented by the now brilliantly white porcelain, within foliate borders of gilt and enamel. This configuration became the standard formula for Meissen figural decoration for the next twenty years, although European subjects came to be depicted with greater frequency toward the middle of the century.
Mamluk figural ivory inlaid wooden door Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mamluk-figural-ivory-inlaid-wooden-door-136582385.html
RMHX5T69–Mamluk figural ivory inlaid wooden door
Fishermen at Fecamp from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fishermen-at-fecamp-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905461.html
RM2XAJ13H–Fishermen at Fecamp from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
detail of figural carving, Triumphal arch of Septimius Severus, Leptis Magna, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-figural-carving-triumphal-arch-of-septimius-severus-leptis-magna-libya-image416336056.html
RM2F59MTT–detail of figural carving, Triumphal arch of Septimius Severus, Leptis Magna, Libya
Art inspired by Figural study of a female in draped garments, late 18th–early 19th century, French, Terracotta, Height: between 3 and 5 cm., Sculpture-Miniature, Jacques-Edmé Dumont (Paris 1761–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-figural-study-of-a-female-in-draped-garments-late-18thearly-19th-century-french-terracotta-height-between-3-and-5-cm-sculpture-miniature-jacques-edm-dumont-paris-17611844-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043772.html
RF2HW9D1G–Art inspired by Figural study of a female in draped garments, late 18th–early 19th century, French, Terracotta, Height: between 3 and 5 cm., Sculpture-Miniature, Jacques-Edmé Dumont (Paris 1761–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-classic-ad-600-900-maya-cylindrical-polychrome-vessels-from-alta-verapaz-guatemala-in-the-popul-vuh-museum-guatemala-city-guatemala-image600739024.html
RM2WWA0N4–Late Classic (AD 600-900) Maya cylindrical polychrome vessels from Alta Verapaz, Guatemala in the Popul Vuh Museum, Guatemala City, Guatemala.
Vintage pair of Italian figural 'flicker' liqueur bottles by Drioli (Squaw and Artist) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vintage-pair-of-italian-figural-flicker-liqueur-bottles-by-drioli-48488518.html
RMCPTRGP–Vintage pair of Italian figural 'flicker' liqueur bottles by Drioli (Squaw and Artist)
Figural group adam eve. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figural-group-adam-eve-image353485252.html
RM2BF2J18–Figural group adam eve.
This ancient storage vessel is decorated in the black-figure technique, which was developed in Corinth and used widely during the Archaic period (700 - 480 BCE). Gloss, a slip made from refined clay, was applied to all areas intended to be black. For the figural scene the silhouettes of the figures and other elements were painted in gloss, sometimes following the lines of a preliminary sketch scratched into the surface. Using a sharp tool, the artist created details by incising through the gloss to the light clay ground below. Colors such as purple-red and white, made from a gloss with mineral Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-ancient-storage-vessel-is-decorated-in-the-black-figure-technique-which-was-developed-in-corinth-and-used-widely-during-the-archaic-period-700-480-bce-gloss-a-slip-made-from-refined-clay-was-applied-to-all-areas-intended-to-be-black-for-the-figural-scene-the-silhouettes-of-the-figures-and-other-elements-were-painted-in-gloss-sometimes-following-the-lines-of-a-preliminary-sketch-scratched-into-the-surface-using-a-sharp-tool-the-artist-created-details-by-incising-through-the-gloss-to-the-light-clay-ground-below-colors-such-as-purple-red-and-white-made-from-a-gloss-with-mineral-image466191651.html
RM2J2CT5R–This ancient storage vessel is decorated in the black-figure technique, which was developed in Corinth and used widely during the Archaic period (700 - 480 BCE). Gloss, a slip made from refined clay, was applied to all areas intended to be black. For the figural scene the silhouettes of the figures and other elements were painted in gloss, sometimes following the lines of a preliminary sketch scratched into the surface. Using a sharp tool, the artist created details by incising through the gloss to the light clay ground below. Colors such as purple-red and white, made from a gloss with mineral
Figural Group (Germany), 1760–65 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figural-group-germany-176065-image329638227.html
RM2A488WR–Figural Group (Germany), 1760–65
Bonhams, New Bond Street, London, UK. 14th October 2019. Contents of one of the most important private residences in Latvia, Villa Mündel in Riga, on view before their sale on 16 October. Image: An Italian late 19th/ early 20th century marble figural group of Romeo and Juliet By Antonio Frilli (Italian, FL. 1860-1902), estimate: £25,000-35,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-new-bond-street-london-uk-14th-october-2019-contents-of-one-of-the-most-important-private-residences-in-latvia-villa-mndel-in-riga-on-view-before-their-sale-on-16-october-image-an-italian-late-19th-early-20th-century-marble-figural-group-of-romeo-and-juliet-by-antonio-frilli-italian-fl-1860-1902-estimate-25000-35000-credit-malcolm-parkalamy-live-news-image329764001.html
RM2A4E19N–Bonhams, New Bond Street, London, UK. 14th October 2019. Contents of one of the most important private residences in Latvia, Villa Mündel in Riga, on view before their sale on 16 October. Image: An Italian late 19th/ early 20th century marble figural group of Romeo and Juliet By Antonio Frilli (Italian, FL. 1860-1902), estimate: £25,000-35,000. Credit: Malcolm Park/Alamy Live News.
Painting titled 'Mother and Baby' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-mother-and-baby-by-nico-jungmann-nico-jungmann-1872-1935-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-dated-20th-century-image186360073.html
RMMR5C4W–Painting titled 'Mother and Baby' by Nico Jungmann. Nico Jungmann (1872-1935) an Anglo-Dutch painter of landscapes and figural subjects. Dated 20th Century
A pair of Italian spauldrons, end of the 16th century, Wrought iron, inset ornamental banding in a richly etched figural and tendriled decor over a dotted and blackened background, the edges turned and serrated, attached clasps, slight blemishes and damage. Height 27 cm. defensive arms, weapons, arms, weapon, arm, fighting device, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, utensil, piece of equipment, utensils, historic, historical, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-pair-of-italian-spauldrons-end-of-the-16th-century-wrought-iron-inset-ornamental-banding-in-a-richly-etched-figural-and-tendriled-decor-over-a-dotted-and-blackened-background-the-edges-turned-and-serrated-attached-clasps-slight-blemishes-and-damage-height-27-cm-defensive-arms-weapons-arms-weapon-arm-fighting-device-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-utensil-piece-of-equipment-utensils-historic-historical-additional-rights-clearance-info-not-available-image247672316.html
RMTAXCFT–A pair of Italian spauldrons, end of the 16th century, Wrought iron, inset ornamental banding in a richly etched figural and tendriled decor over a dotted and blackened background, the edges turned and serrated, attached clasps, slight blemishes and damage. Height 27 cm. defensive arms, weapons, arms, weapon, arm, fighting device, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, utensil, piece of equipment, utensils, historic, historical, Additional-Rights-Clearance-Info-Not-Available
Antique Japanese Satsuma Pottery Bottle Vase With Hand-Painted Figural Scenes and Gilt Decoration. Meiji Period Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-japanese-satsuma-pottery-bottle-vase-with-hand-painted-figural-scenes-and-gilt-decoration-meiji-period-image449101572.html
RF2H2J9HT–Antique Japanese Satsuma Pottery Bottle Vase With Hand-Painted Figural Scenes and Gilt Decoration. Meiji Period
Basin with Figural Imagery MET DP216066 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-basin-with-figural-imagery-met-dp216066-170060136.html
RMKTJWC8–Basin with Figural Imagery MET DP216066
Design for a Figural Relief, Anonymous, French, 19th century, ca. 1825–50 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-a-figural-relief-anonymous-french-19th-century-ca-182550-162382536.html
RMKC54G8–Design for a Figural Relief, Anonymous, French, 19th century, ca. 1825–50
Sheet with Two Figural Compositions and Studies of Helmets and Arms. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: Sheet: 7 1/2 × 7 1/8 in. (19 × 18.1 cm). Date: ca. 1620-29. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-with-two-figural-compositions-and-studies-of-helmets-and-arms-artist-jacques-de-gheyn-ii-netherlandish-antwerp-1565-1629-the-hague-dimensions-sheet-7-12-7-18-in-19-181-cm-date-ca-1620-29-museum-metropolitan-museum-of-art-new-york-usa-image213368699.html
RMPB3NXK–Sheet with Two Figural Compositions and Studies of Helmets and Arms. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: Sheet: 7 1/2 × 7 1/8 in. (19 × 18.1 cm). Date: ca. 1620-29. Museum: Metropolitan Museum of Art, New York, USA.
Urn Figure, c. 200-500. The figure projecting from the front of a cylindrical container wears a mouth mask perhaps shaped as a serpent’s fanged upper jaw. It probably served in a tomb as a companion to a larger, more complex figural urn. Though termed "urns," these ceramics do not contain the cremated ashes of the dead but usually are found empty. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/urn-figure-c-200-500-the-figure-projecting-from-the-front-of-a-cylindrical-container-wears-a-mouth-mask-perhaps-shaped-as-a-serpentx2019s-fanged-upper-jaw-it-probably-served-in-a-tomb-as-a-companion-to-a-larger-more-complex-figural-urn-though-termed-quoturnsquot-these-ceramics-do-not-contain-the-cremated-ashes-of-the-dead-but-usually-are-found-empty-image330132648.html
RM2A52RFM–Urn Figure, c. 200-500. The figure projecting from the front of a cylindrical container wears a mouth mask perhaps shaped as a serpent’s fanged upper jaw. It probably served in a tomb as a companion to a larger, more complex figural urn. Though termed "urns," these ceramics do not contain the cremated ashes of the dead but usually are found empty.
Figural composition designed in 1622 by Peter Paul Rubens Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-figural-composition-designed-in-1622-by-peter-paul-rubens-tapestry-137394827.html
RMHYETE3–Figural composition designed in 1622 by Peter Paul Rubens Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge Google Art Project
The Gateway, Dieppe from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gateway-dieppe-from-the-set-normandy-by-nico-jungman-nicolaas-wilhelm-jungmann-in-england-frequently-spelled-jungman-5-february-1872-14-august-1935-was-an-anglo-dutch-painter-of-landscapes-and-figural-subjects-a-book-illustrator-and-decorator-published-in-1905-by-charles-and-adam-black-image608905446.html
RM2XAJ132–The Gateway, Dieppe from the set ' Normandy ' by Nico Jungman; Nicolaas Wilhelm Jungmann (in England frequently spelled Jungman; 5 February 1872 – 14 August 1935) was an Anglo-Dutch painter of landscapes and figural subjects, a book-illustrator and decorator. Published in 1905 by Charles and Adam Black
Arch with figural decoration.. second half of 16th century. Luini Arch with figural decoration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arch-with-figural-decoration-second-half-of-16th-century-luini-arch-with-figural-decoration-image184867247.html
RMMMNC1K–Arch with figural decoration.. second half of 16th century. Luini Arch with figural decoration
Roman carved marble figural statue of a woman, Leptis Magna Museum, Libya Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-carved-marble-figural-statue-of-a-woman-leptis-magna-museum-libya-image416335853.html
RM2F59MHH–Roman carved marble figural statue of a woman, Leptis Magna Museum, Libya
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