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Fig 70 Stock Photos and Images
First elements of chemistry 1, Fig. 70, Pl. 33, 1870, V. Regnault: Premiers éléments de chimie. Paris, 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-elements-of-chemistry-1-fig-70-pl-33-1870-v-regnault-premiers-lments-de-chimie-paris-1870-image328746143.htmlRM2A2RK1K–First elements of chemistry 1, Fig. 70, Pl. 33, 1870, V. Regnault: Premiers éléments de chimie. Paris, 1870
FOURNEL(1887) p173 Fig.70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fournel1887-p173-fig70-73580022.htmlRME7KT1X–FOURNEL(1887) p173 Fig.70
MONTENEGRO: Coasts of Kotor Region, 1944 vintage map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-montenegro-coasts-of-kotor-region-1944-vintage-map-103773264.htmlRFG0R7T0–MONTENEGRO: Coasts of Kotor Region, 1944 vintage map
Descent of Man Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-descent-of-man-fig-70-139718194.htmlRMJ38KYE–Descent of Man Fig 70
Anatomie des Frosches (Page 124, Fig. 70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anatomie-des-frosches-page-124-fig-70-image214672056.htmlRMPD74B4–Anatomie des Frosches (Page 124, Fig. 70)
362 Cyclopedia of Painting-Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/362-cyclopedia-of-painting-fig-70-image212607104.htmlRMP9W2ET–362 Cyclopedia of Painting-Fig 70
GRAFITTIS Y GRABADOS TEMPLO DE DEBOD. PARED OESTE: FIG. 70, DROMEDARIO. (DISTANCIA: 339cm). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grafittis-y-grabados-templo-de-debod-pared-oeste-fig-70-dromedario-distancia-339cm-image211291829.htmlRMP7N4TN–GRAFITTIS Y GRABADOS TEMPLO DE DEBOD. PARED OESTE: FIG. 70, DROMEDARIO. (DISTANCIA: 339cm).
Fig. 70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-70-image416432593.htmlRM2F5E40H–Fig. 70.
![Wall decoration, Pompeii, Italy, (1928). 'End of 1st Century B.C...from a house near the Basilica'. After Antonio Niccolini. Plate XXVII, fig 70, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928] Stock Photo](https://c8.alamy.com/comp/2A41W5B/wall-decoration-pompeii-italy-1928-end-of-1st-century-bcfrom-a-house-near-the-basilica-after-antonio-niccolini-plate-xxvii-fig-70-from-quotan-encyclopaedia-of-colour-decoration-from-the-earliest-times-to-the-middle-of-the-xixth-centuryquot-with-explanatory-text-by-helmuth-bossert-ernst-wasmuth-ltd-berlin-1928-2A41W5B.jpg "Wall decoration, Pompeii, Italy, (1928). 'End of 1st Century B.C...from a house near the Basilica'. After Antonio Niccolini. Plate XXVII, fig 70, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928] Stock Photo")
Wall decoration, Pompeii, Italy, (1928). 'End of 1st Century B.C...from a house near the Basilica'. After Antonio Niccolini. Plate XXVII, fig 70, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-decoration-pompeii-italy-1928-end-of-1st-century-bcfrom-a-house-near-the-basilica-after-antonio-niccolini-plate-xxvii-fig-70-from-quotan-encyclopaedia-of-colour-decoration-from-the-earliest-times-to-the-middle-of-the-xixth-centuryquot-with-explanatory-text-by-helmuth-bossert-ernst-wasmuth-ltd-berlin-1928-image329497319.htmlRM2A41W5B–Wall decoration, Pompeii, Italy, (1928). 'End of 1st Century B.C...from a house near the Basilica'. After Antonio Niccolini. Plate XXVII, fig 70, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd., Berlin, 1928]
Les Arts de l'Ameublement : L'Horlogerie , Paris , Librairie Ch. Delagrave. /antique french 19th century book / Fig. 70.- Modéle d'horloge á gaine. ( Dessin de D.Marot ) / Sheath clock model / table clock model by D. Marot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-arts-de-lameublement-lhorlogerie-paris-librairie-ch-delagrave-antique-french-19th-century-book-fig-70-modle-dhorloge-gaine-dessin-de-dmarot-sheath-clock-model-table-clock-model-by-d-marot-image570065137.htmlRM2T3CKW5–Les Arts de l'Ameublement : L'Horlogerie , Paris , Librairie Ch. Delagrave. /antique french 19th century book / Fig. 70.- Modéle d'horloge á gaine. ( Dessin de D.Marot ) / Sheath clock model / table clock model by D. Marot
Lumia jars glance, Citrus fruit, Fig. 70, p. 319, 1646, Giovanni Battista Ferrari: Hesperides sive de malorum aureorum cultura et usu libri quatuor. Romae: sumptibus Hermanni Scheus, 1646, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lumia-jars-glance-citrus-fruit-fig-70-p-319-1646-giovanni-battista-ferrari-hesperides-sive-de-malorum-aureorum-cultura-et-usu-libri-quatuor-romae-sumptibus-hermanni-scheus-1646-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349818907.htmlRF2B93HGB–Lumia jars glance, Citrus fruit, Fig. 70, p. 319, 1646, Giovanni Battista Ferrari: Hesperides sive de malorum aureorum cultura et usu libri quatuor. Romae: sumptibus Hermanni Scheus, 1646, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Smiling woman holding fig leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/smiling-woman-holding-fig-leaf-image492249064.htmlRF2KGRTKM–Smiling woman holding fig leaf
Musée d'Histoire de Marseille : Carot shaped amphora for figs (70-100 AD) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muse-dhistoire-de-marseille-carot-shaped-amphora-for-figs-70-100-ad-image255876200.htmlRMTT84KM–Musée d'Histoire de Marseille : Carot shaped amphora for figs (70-100 AD)
A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-roman-officers-spatha2nd3rd-century-ad-double-edged-iron-blade-with-51532334.htmlRMCYRE0E–A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available
![Fig 65 Alessandro (Alexander the Great) Fig 66 Filippo-Arrideo(Philip Arrhidaeus) Fig 67 Tolomeo-Filadelfo (Ptolemy II Philadelphus) Fig 68 Arsinoe Fig 69 Erkamon (Arqamani) Keywords: Arqamani, 220 BC, Meroïtic king; Atarramon, Meroïtic king; Fig. 65. Alessandro [Alexander the Great]. Fig. 66. Filippo-Arrideo[Philip Arrhidaeus]. Fig. 67. Tolomeo-Filadelfo [Ptolemy II Philadelphus]. Fig. 68. Arsinoe. Fig. 69. Erkamon [Arqamani]. Fig. 70. Atarramon. Stock Photo](https://c8.alamy.com/comp/2AAXMX3/fig-65-alessandro-alexander-the-great-fig-66-filippo-arrideophilip-arrhidaeus-fig-67-tolomeo-filadelfo-ptolemy-ii-philadelphus-fig-68-arsinoe-fig-69-erkamon-arqamani-keywords-arqamani-220-bc-merotic-king-atarramon-merotic-king-fig-65-alessandro-alexander-the-great-fig-66-filippo-arrideo-philip-arrhidaeus-fig-67-tolomeo-filadelfo-ptolemy-ii-philadelphus-fig-68-arsinoe-fig-69-erkamon-arqamani-fig-70-atarramon-2AAXMX3.jpg "Fig 65 Alessandro (Alexander the Great) Fig 66 Filippo-Arrideo(Philip Arrhidaeus) Fig 67 Tolomeo-Filadelfo (Ptolemy II Philadelphus) Fig 68 Arsinoe Fig 69 Erkamon (Arqamani) Keywords: Arqamani, 220 BC, Meroïtic king; Atarramon, Meroïtic king; Fig. 65. Alessandro [Alexander the Great]. Fig. 66. Filippo-Arrideo[Philip Arrhidaeus]. Fig. 67. Tolomeo-Filadelfo [Ptolemy II Philadelphus]. Fig. 68. Arsinoe. Fig. 69. Erkamon [Arqamani]. Fig. 70. Atarramon. Stock Photo")
Fig 65 Alessandro (Alexander the Great) Fig 66 Filippo-Arrideo(Philip Arrhidaeus) Fig 67 Tolomeo-Filadelfo (Ptolemy II Philadelphus) Fig 68 Arsinoe Fig 69 Erkamon (Arqamani) Keywords: Arqamani, 220 BC, Meroïtic king; Atarramon, Meroïtic king; Fig. 65. Alessandro [Alexander the Great]. Fig. 66. Filippo-Arrideo[Philip Arrhidaeus]. Fig. 67. Tolomeo-Filadelfo [Ptolemy II Philadelphus]. Fig. 68. Arsinoe. Fig. 69. Erkamon [Arqamani]. Fig. 70. Atarramon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-65-alessandro-alexander-the-great-fig-66-filippo-arrideophilip-arrhidaeus-fig-67-tolomeo-filadelfo-ptolemy-ii-philadelphus-fig-68-arsinoe-fig-69-erkamon-arqamani-keywords-arqamani-220-bc-merotic-king-atarramon-merotic-king-fig-65-alessandro-alexander-the-great-fig-66-filippo-arrideo-philip-arrhidaeus-fig-67-tolomeo-filadelfo-ptolemy-ii-philadelphus-fig-68-arsinoe-fig-69-erkamon-arqamani-fig-70-atarramon-image333730715.htmlRM2AAXMX3–Fig 65 Alessandro (Alexander the Great) Fig 66 Filippo-Arrideo(Philip Arrhidaeus) Fig 67 Tolomeo-Filadelfo (Ptolemy II Philadelphus) Fig 68 Arsinoe Fig 69 Erkamon (Arqamani) Keywords: Arqamani, 220 BC, Meroïtic king; Atarramon, Meroïtic king; Fig. 65. Alessandro [Alexander the Great]. Fig. 66. Filippo-Arrideo[Philip Arrhidaeus]. Fig. 67. Tolomeo-Filadelfo [Ptolemy II Philadelphus]. Fig. 68. Arsinoe. Fig. 69. Erkamon [Arqamani]. Fig. 70. Atarramon.
A Woman Hides Her Face With A Fig Leaf; Torremolinos, Malaga, Andalusia, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-woman-hides-her-face-with-a-fig-leaf-torremolinos-malaga-andalusia-59678617.htmlRFDD2GK5–A Woman Hides Her Face With A Fig Leaf; Torremolinos, Malaga, Andalusia, Spain
A practical treatise on mechanical dentistry . Fig. 69. Fig. 70.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-practical-treatise-on-mechanical-dentistry-fig-69-fig-70-image339144288.htmlRM2AKNA00–A practical treatise on mechanical dentistry . Fig. 69. Fig. 70..
Thuengersheim, Germany. 06th Sep, 2018. Alexander Zimmermann, horticultural engineer holds a cut open fig in the experimental garden of the Bavarian State Institute for Viticulture and Horticulture. 70 different varieties of kiwi berries and other exotic fruits grow on the site (for dpa-KORR: 'Garten Eden - Wo Mini-Kiwis, Äpfel und Rosen getestet werden' from 08.09.2018). Credit: Karl-Josef Hildenbrand/dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thuengersheim-germany-06th-sep-2018-alexander-zimmermann-horticultural-engineer-holds-a-cut-open-fig-in-the-experimental-garden-of-the-bavarian-state-institute-for-viticulture-and-horticulture-70-different-varieties-of-kiwi-berries-and-other-exotic-fruits-grow-on-the-site-for-dpa-korr-garten-eden-wo-mini-kiwis-pfel-und-rosen-getestet-werden-from-08092018-credit-karl-josef-hildenbranddpaalamy-live-news-image218002813.htmlRMPJJTPN–Thuengersheim, Germany. 06th Sep, 2018. Alexander Zimmermann, horticultural engineer holds a cut open fig in the experimental garden of the Bavarian State Institute for Viticulture and Horticulture. 70 different varieties of kiwi berries and other exotic fruits grow on the site (for dpa-KORR: 'Garten Eden - Wo Mini-Kiwis, Äpfel und Rosen getestet werden' from 08.09.2018). Credit: Karl-Josef Hildenbrand/dpa/Alamy Live News
SEASONAL STILL LIFE WITH AN ASSORTMENT OF AUTUMNAL FRUITS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seasonal-still-life-with-an-assortment-of-autumnal-fruits-image2557043.htmlRMAET474–SEASONAL STILL LIFE WITH AN ASSORTMENT OF AUTUMNAL FRUITS
Alexander Seiler, Alexander Seiler, HotelierWalliser Grossrat, Fig. 70, p. 118, Theodor Wundt: Das Matterhorn und seine Geschichte. Berlin: Raimund Mitscher, [1896 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-seiler-alexander-seiler-hotelierwalliser-grossrat-fig-70-p-118-theodor-wundt-das-matterhorn-und-seine-geschichte-berlin-raimund-mitscher-1896-image328744016.htmlRM2A2RG9M–Alexander Seiler, Alexander Seiler, HotelierWalliser Grossrat, Fig. 70, p. 118, Theodor Wundt: Das Matterhorn und seine Geschichte. Berlin: Raimund Mitscher, [1896
FOURNEL(1887) p173 Fig.70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fournel1887-p173-fig70-74471931.htmlRME94DKR–FOURNEL(1887) p173 Fig.70
FRANCE: Pont D'Arc(Ardeche)sketch map, c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-france-pont-darcardechesketch-map-c1885-102506716.htmlRFFXNGA4–FRANCE: Pont D'Arc(Ardeche)sketch map, c1885
Eastman Johnson Charles Sumner ebj fig 70 pg125 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eastman-johnson-charles-sumner-ebj-fig-70-pg125-142883266.htmlRMJ8CW1P–Eastman Johnson Charles Sumner ebj fig 70 pg125
Fig 70 -Aisle Vault of Fountains Abbey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-70-aisle-vault-of-fountains-abbey-image329637736.htmlRM2A48888–Fig 70 -Aisle Vault of Fountains Abbey.
37 Maya Hieroglyphs Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/37-maya-hieroglyphs-fig-70-image214161253.htmlRMPCBTT5–37 Maya Hieroglyphs Fig 70
Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, 1520-70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-1-apuleius-changed-into-a-donkey-listening-to-the-story-told-by-the-old-woman-spinning-1520-70-image349007447.htmlRM2B7PJFK–Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning, 1520-70.
©Olivier Donnars / Le Pictorium/MAXPPP - Olivier Donnars / Le Pictorium - 04/04/2021 - France / Ile-de-France / Aubervilliers - Pruniers, cerisiers, figuiers, oliviers. Beaucoup d'arbres ont plus de 70, 80 ans et se sont transmis de jardiniers a jardiniers, apportant beaucoup de fraicheur au jardin, surtout en periode de canicule. / 04/04/2021 - France / Ile-de-France (region) / Aubervilliers - Plum trees, cherry trees, fig trees, olive trees. Many of the trees are over 70 or 80 years old and have been passed down from gardener to gardener, bringing a lot of freshness to the garden, especially Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olivier-donnars-le-pictoriummaxppp-olivier-donnars-le-pictorium-04042021-france-ile-de-france-aubervilliers-pruniers-cerisiers-figuiers-oliviers-beaucoup-darbres-ont-plus-de-70-80-ans-et-se-sont-transmis-de-jardiniers-a-jardiniers-apportant-beaucoup-de-fraicheur-au-jardin-surtout-en-periode-de-canicule-04042021-france-ile-de-france-region-aubervilliers-plum-trees-cherry-trees-fig-trees-olive-trees-many-of-the-trees-are-over-70-or-80-years-old-and-have-been-passed-down-from-gardener-to-gardener-bringing-a-lot-of-freshness-to-the-garden-especially-image486521456.htmlRM2K7EY28–©Olivier Donnars / Le Pictorium/MAXPPP - Olivier Donnars / Le Pictorium - 04/04/2021 - France / Ile-de-France / Aubervilliers - Pruniers, cerisiers, figuiers, oliviers. Beaucoup d'arbres ont plus de 70, 80 ans et se sont transmis de jardiniers a jardiniers, apportant beaucoup de fraicheur au jardin, surtout en periode de canicule. / 04/04/2021 - France / Ile-de-France (region) / Aubervilliers - Plum trees, cherry trees, fig trees, olive trees. Many of the trees are over 70 or 80 years old and have been passed down from gardener to gardener, bringing a lot of freshness to the garden, especially
Fig. 36 'De Millefolio' in the Boodts Herbarium from 1640, Anselmus Boëtius de Boodt, 1640 text sheet Beschrijving bij Fig. Optional 36 p. 70 in: Anselm Boë de Boot I.C. Brugensis & Rodolphi 2. Imp. Roman. Physicians from the bedrooms of flowers, herbs, and fruits of selectior Icons, and the strength of the most unknown. Onderdeel van het album met Bladen en platen shipped de Boodts Herbarium van 1640. Het twaalfde van twaalf albums met Aquarellen van dieren, vogels en planten bekend Rond 1600, gemaakt in Opdracht van Keizer Rudolf 2. Used paper. ink letterpress printing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-36-de-millefolio-in-the-boodts-herbarium-from-1640-anselmus-botius-de-boodt-1640-text-sheet-beschrijving-bij-fig-optional-36-p-70-in-anselm-bo-de-boot-ic-brugensis-rodolphi-2-imp-roman-physicians-from-the-bedrooms-of-flowers-herbs-and-fruits-of-selectior-icons-and-the-strength-of-the-most-unknown-onderdeel-van-het-album-met-bladen-en-platen-shipped-de-boodts-herbarium-van-1640-het-twaalfde-van-twaalf-albums-met-aquarellen-van-dieren-vogels-en-planten-bekend-rond-1600-gemaakt-in-opdracht-van-keizer-rudolf-2-used-paper-ink-letterpress-printing-image595535015.htmlRM2WGTXYK–Fig. 36 'De Millefolio' in the Boodts Herbarium from 1640, Anselmus Boëtius de Boodt, 1640 text sheet Beschrijving bij Fig. Optional 36 p. 70 in: Anselm Boë de Boot I.C. Brugensis & Rodolphi 2. Imp. Roman. Physicians from the bedrooms of flowers, herbs, and fruits of selectior Icons, and the strength of the most unknown. Onderdeel van het album met Bladen en platen shipped de Boodts Herbarium van 1640. Het twaalfde van twaalf albums met Aquarellen van dieren, vogels en planten bekend Rond 1600, gemaakt in Opdracht van Keizer Rudolf 2. Used paper. ink letterpress printing
Olivia Munn at the 2012 Entertainment Weekly Pre-Emmy Party at the Fig and Olive in Los Angeles.Olivia Munn 70 ------------- Red Carpet Event, Vertical, USA, Film Industry, Celebrities, Photography, Bestof, Arts Culture and Entertainment, Topix Celebrities fashion / Vertical, Best of, Event in Hollywood Life - California, Red Carpet and backstage, USA, Film Industry, Celebrities, movie celebrities, TV celebrities, Music celebrities, Photography, Bestof, Arts Culture and Entertainment, Topix, Three Quarters, vertical, one person,, from the year , 2012, inquiry tsuni@Gamma-USA.com Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olivia-munn-at-the-2012-entertainment-weekly-pre-emmy-party-at-the-fig-and-olive-in-los-angelesolivia-munn-70-red-carpet-event-vertical-usa-film-industry-celebrities-photography-bestof-arts-culture-and-entertainment-topix-celebrities-fashion-vertical-best-of-event-in-hollywood-life-california-red-carpet-and-backstage-usa-film-industry-celebrities-movie-celebrities-tv-celebrities-music-celebrities-photography-bestof-arts-culture-and-entertainment-topix-three-quarters-vertical-one-person-from-the-year-2012-inquiry-tsuni@gamma-usacom-image214223803.htmlRMPCEMJ3–Olivia Munn at the 2012 Entertainment Weekly Pre-Emmy Party at the Fig and Olive in Los Angeles.Olivia Munn 70 ------------- Red Carpet Event, Vertical, USA, Film Industry, Celebrities, Photography, Bestof, Arts Culture and Entertainment, Topix Celebrities fashion / Vertical, Best of, Event in Hollywood Life - California, Red Carpet and backstage, USA, Film Industry, Celebrities, movie celebrities, TV celebrities, Music celebrities, Photography, Bestof, Arts Culture and Entertainment, Topix, Three Quarters, vertical, one person,, from the year , 2012, inquiry tsuni@Gamma-USA.com
Look at the Toedi, View of the Tödi from the 19th century, signed: TK sc, C.J. (?), Fig. 70, p. 84, K., T. (sc.), Jungheim, C, Woldemar Kaden: Das Schweizerland: eine Sommerfahrt durch Gebirg und Thal. Stuttgart: Engelhorn, 1875, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/look-at-the-toedi-view-of-the-tdi-from-the-19th-century-signed-tk-sc-cj-fig-70-p-84-k-t-sc-jungheim-c-woldemar-kaden-das-schweizerland-eine-sommerfahrt-durch-gebirg-und-thal-stuttgart-engelhorn-1875-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349832045.htmlRF2B9469H–Look at the Toedi, View of the Tödi from the 19th century, signed: TK sc, C.J. (?), Fig. 70, p. 84, K., T. (sc.), Jungheim, C, Woldemar Kaden: Das Schweizerland: eine Sommerfahrt durch Gebirg und Thal. Stuttgart: Engelhorn, 1875, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Hands of senior woman showing fig leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hands-of-senior-woman-showing-fig-leaf-image492248306.htmlRF2KGRRMJ–Hands of senior woman showing fig leaf
car crossing the John Frost bridge over the river rhine at Arnhem from the northern end. The bridge was the scene of heavy fig Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-car-crossing-the-john-frost-bridge-over-the-river-rhine-at-arnhem-73347532.htmlRME797EM–car crossing the John Frost bridge over the river rhine at Arnhem from the northern end. The bridge was the scene of heavy fig
A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-roman-officers-spatha2nd3rd-century-ad-double-edged-iron-blade-with-51532375.htmlRMCYRE1Y–A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available
Blood Spatter Blood Spattering Object Type: photomechanical printing page Object number: RP-F-2001-7-117-37 Inscriptions / Brands: number, recto, printed: 'Fig. 43.' Manufacturer : creator: anonymous Date: c.1893 - or for 1903 Material: paper Technique: autotypie Dimensions: print: h 70 mm × W 104 mmToelichtingPrent page 98. Subject: blood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blood-spatter-blood-spattering-object-type-photomechanical-printing-page-object-number-rp-f-2001-7-117-37-inscriptions-brands-number-recto-printed-fig-43-manufacturer-creator-anonymous-date-c1893-or-for-1903-material-paper-technique-autotypie-dimensions-print-h-70-mm-w-104-mmtoelichtingprent-page-98-subject-blood-image348204217.htmlRM2B6E20W–Blood Spatter Blood Spattering Object Type: photomechanical printing page Object number: RP-F-2001-7-117-37 Inscriptions / Brands: number, recto, printed: 'Fig. 43.' Manufacturer : creator: anonymous Date: c.1893 - or for 1903 Material: paper Technique: autotypie Dimensions: print: h 70 mm × W 104 mmToelichtingPrent page 98. Subject: blood
Plant culture, historical illustration from: Theodor Lange, General Illustrated Garden Book, Volume 1, Leipzig 1902, p. 79 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plant-culture-historical-illustration-from-theodor-lange-general-illustrated-image61855132.htmlRMDGHMRT–Plant culture, historical illustration from: Theodor Lange, General Illustrated Garden Book, Volume 1, Leipzig 1902, p. 79
A treatise on the diseases of the nervous system . Fig. 70.. Fig. 71. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-treatise-on-the-diseases-of-the-nervous-system-fig-70-fig-71-image343037561.htmlRM2AX2KWD–A treatise on the diseases of the nervous system . Fig. 70.. Fig. 71.
Nuts vendor near the Spice Bazaar Istanbul - 2010 European Capital of Culture - Turkey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nuts-vendor-near-the-spice-bazaar-istanbul-2010-european-capital-of-image93128.htmlRMA16BC8–Nuts vendor near the Spice Bazaar Istanbul - 2010 European Capital of Culture - Turkey
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804719.htmlRM2A4FW7Y–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
![Agata 23, Cross section of a rock, signed: Gaetano Piccini F, Fig. 70, p. 147, Piccini, Gaetano (fec.), Gaetano Piccini: [Breccia antica]. [Rom]: [s.n.], [17 Stock Photo](https://c8.alamy.com/comp/2A2RKGB/agata-23-cross-section-of-a-rock-signed-gaetano-piccini-f-fig-70-p-147-piccini-gaetano-fec-gaetano-piccini-breccia-antica-rom-sn-17-2A2RKGB.jpg "Agata 23, Cross section of a rock, signed: Gaetano Piccini F, Fig. 70, p. 147, Piccini, Gaetano (fec.), Gaetano Piccini: [Breccia antica]. [Rom]: [s.n.], [17 Stock Photo")
Agata 23, Cross section of a rock, signed: Gaetano Piccini F, Fig. 70, p. 147, Piccini, Gaetano (fec.), Gaetano Piccini: [Breccia antica]. [Rom]: [s.n.], [17 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agata-23-cross-section-of-a-rock-signed-gaetano-piccini-f-fig-70-p-147-piccini-gaetano-fec-gaetano-piccini-breccia-antica-rom-sn-17-image328746555.htmlRM2A2RKGB–Agata 23, Cross section of a rock, signed: Gaetano Piccini F, Fig. 70, p. 147, Piccini, Gaetano (fec.), Gaetano Piccini: [Breccia antica]. [Rom]: [s.n.], [17
WALLIS(1903) Fig.70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wallis1903-fig70-81928026.htmlRMEN840X–WALLIS(1903) Fig.70
HANTS: Portsmouth, sketch map, c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hants-portsmouth-sketch-map-c1885-102561060.htmlRFFXT1K0–HANTS: Portsmouth, sketch map, c1885
Pl.6 fig.70 Licmocera lyonetiella Walsingham 1891 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pl6-fig70-licmocera-lyonetiella-walsingham-1891-140473609.htmlRMJ4F3EH–Pl.6 fig.70 Licmocera lyonetiella Walsingham 1891
Elemente der palaeontologie (Page 66, Fig. 70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elemente-der-palaeontologie-page-66-fig-70-image328555076.htmlRM2A2EY9T–Elemente der palaeontologie (Page 66, Fig. 70)
1009 Maya Hieroglyphs Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1009-maya-hieroglyphs-fig-70-image213751700.htmlRMPBN6D8–1009 Maya Hieroglyphs Fig 70
Coffin of Nesykhonsu, c. 976–889 BC. Egypt, Thebes, Third Intermediate Period, late Dynasty 21 (1069-945 BC) to early Dynasty 22 (945-715 BC). Gessoed and painted sycamore fig ; overall: 70 cm (27 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coffin-of-nesykhonsu-c-976889-bc-egypt-thebes-third-intermediate-period-late-dynasty-21-1069-945-bc-to-early-dynasty-22-945-715-bc-gessoed-and-painted-sycamore-fig-overall-70-cm-27-916-in-image448096621.htmlRM2H10FPN–Coffin of Nesykhonsu, c. 976–889 BC. Egypt, Thebes, Third Intermediate Period, late Dynasty 21 (1069-945 BC) to early Dynasty 22 (945-715 BC). Gessoed and painted sycamore fig ; overall: 70 cm (27 9/16 in.).
Tombs superimposed on Corneto, Etruscan tombs in Corneto, signed: J. A. Leveil (del.), Bury (sc.), Fig. 70, p. 307, Leveil, J. A. (del.), Bury (sc.), 1853, Jules Gailhabaud: Monuments anciens et modernes. Bd. 1. Paris: Librairie de Firmin Didot frères, 1853, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tombs-superimposed-on-corneto-etruscan-tombs-in-corneto-signed-j-a-leveil-del-bury-sc-fig-70-p-307-leveil-j-a-del-bury-sc-1853-jules-gailhabaud-monuments-anciens-et-modernes-bd-1-paris-librairie-de-firmin-didot-frres-1853-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349826978.htmlRF2B93YTJ–Tombs superimposed on Corneto, Etruscan tombs in Corneto, signed: J. A. Leveil (del.), Bury (sc.), Fig. 70, p. 307, Leveil, J. A. (del.), Bury (sc.), 1853, Jules Gailhabaud: Monuments anciens et modernes. Bd. 1. Paris: Librairie de Firmin Didot frères, 1853, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thoughtful senior woman holding fig leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thoughtful-senior-woman-holding-fig-leaf-image492249061.htmlRF2KGRTKH–Thoughtful senior woman holding fig leaf
A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-roman-officers-spatha2nd3rd-century-ad-double-edged-iron-blade-with-51532336.htmlRMCYRE0G–A Roman officer's spatha,2nd/3rd century A.D. Double-edged iron blade with a lenticular cross-section,bone or ivory quillons and mushroom pommel,and a bronze hemispherical top nut(loose). Total length 88 cm. Blade length 70.3 cm. Greatest width of the blade 47 mm. Good residual metal(conserved). For a similar hilt,cf. Christian Miks,Studien zur römischen Schwertbewaffnung in der Kaiserzeit - Kölner Studien zur Archäologie der römischen Provinzen,Rahden 2007,Catalog volume,fig. 703.2,Württembergisches Landesmuseum,Stuttgart,Inv.(65/43). Rare Roman ,Additional-Rights-Clearences-Not Available
Rotating disk Rotating disc object type: photomechanical printing page Object number: RP-F-2001-7-964-51 Inscriptions / Brands: number, recto, printed: 'Fig. 6b.' Manufacturer : manufacturer: anonymous date: ca. 1890 - in or in front 1895 Material: paper Technique: autotypie Dimensions: picture: h 90 mm × 70 b mmToelichtingPrent on page 77. Subject: circle ( planimetry, geometry) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rotating-disk-rotating-disc-object-type-photomechanical-printing-page-object-number-rp-f-2001-7-964-51-inscriptions-brands-number-recto-printed-fig-6b-manufacturer-manufacturer-anonymous-date-ca-1890-in-or-in-front-1895-material-paper-technique-autotypie-dimensions-picture-h-90-mm-70-b-mmtoelichtingprent-on-page-77-subject-circle-planimetry-geometry-image348315559.htmlRM2B6K41B–Rotating disk Rotating disc object type: photomechanical printing page Object number: RP-F-2001-7-964-51 Inscriptions / Brands: number, recto, printed: 'Fig. 6b.' Manufacturer : manufacturer: anonymous date: ca. 1890 - in or in front 1895 Material: paper Technique: autotypie Dimensions: picture: h 90 mm × 70 b mmToelichtingPrent on page 77. Subject: circle ( planimetry, geometry)
A practical treatise on mechanical dentistry . Fig. 69. Fig. 70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-practical-treatise-on-mechanical-dentistry-fig-69-fig-70-image339144529.htmlRM2AKNA8H–A practical treatise on mechanical dentistry . Fig. 69. Fig. 70.
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804714.htmlRM2A4FW7P–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
Moschee the Moyed, Islamic Architecture, fig. 70, p. 174, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul, 1855 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moschee-the-moyed-islamic-architecture-fig-70-p-174-wilhelm-lbke-geschichte-der-architektur-von-den-ltesten-zeiten-bis-auf-die-gegenwart-leipzig-verlag-von-emil-graul-1855-image328754124.htmlRM2A2T16M–Moschee the Moyed, Islamic Architecture, fig. 70, p. 174, Wilhelm Lübke: Geschichte der Architektur von den ältesten Zeiten bis auf die Gegenwart. Leipzig: Verlag von Emil Graul, 1855
Xenia orchidacea (Fig. 70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-xenia-orchidacea-fig-70-98372018.htmlRMFM16EA–Xenia orchidacea (Fig. 70)
SWEDEN: Cathedral of Uppsala, antique print c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sweden-cathedral-of-uppsala-antique-print-c1885-102561419.htmlRFFXT23R–SWEDEN: Cathedral of Uppsala, antique print c1885
The Duab of Turkestan fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-duab-of-turkestan-fig-70-163719858.htmlRMKEA29P–The Duab of Turkestan fig 70
Eastman Johnson - Charles Sumner - ebj - fig 70 pg125. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eastman-johnson-charles-sumner-ebj-fig-70-pg125-image265054921.htmlRMWB6875–Eastman Johnson - Charles Sumner - ebj - fig 70 pg125.
1630 The Duab of Turkestan fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1630-the-duab-of-turkestan-fig-70-image213703237.htmlRMPBK0JD–1630 The Duab of Turkestan fig 70
Coffin of Nesykhonsu, c. 976–889 BC. Egypt, Thebes, Third Intermediate Period, late Dynasty 21 (1069-945 BC) to early Dynasty 22 (945-715 BC). Gessoed and painted sycamore fig; overall: 70 cm (27 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coffin-of-nesykhonsu-c-976889-bc-egypt-thebes-third-intermediate-period-late-dynasty-21-1069-945-bc-to-early-dynasty-22-945-715-bc-gessoed-and-painted-sycamore-fig-overall-70-cm-27-916-in-image448095016.htmlRM2H10DNC–Coffin of Nesykhonsu, c. 976–889 BC. Egypt, Thebes, Third Intermediate Period, late Dynasty 21 (1069-945 BC) to early Dynasty 22 (945-715 BC). Gessoed and painted sycamore fig; overall: 70 cm (27 9/16 in.).
Sofia at Vitos in 1877, City of Sofia with Vitosha Mountain in the background 1877 (Bulgaria), Fig. 70, after p. 222, 1879, F. Kanitz: Donau-Bulgarien und der Balkan: historisch-geographisch-ethnographische Reisestudien aus den Jahren 1860-1879. Leipzig: Verlagsbuchhandlung von Hermann Fries, 1879-1880, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sofia-at-vitos-in-1877-city-of-sofia-with-vitosha-mountain-in-the-background-1877-bulgaria-fig-70-after-p-222-1879-f-kanitz-donau-bulgarien-und-der-balkan-historisch-geographisch-ethnographische-reisestudien-aus-den-jahren-1860-1879-leipzig-verlagsbuchhandlung-von-hermann-fries-1879-1880-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349819952.htmlRF2B93JWM–Sofia at Vitos in 1877, City of Sofia with Vitosha Mountain in the background 1877 (Bulgaria), Fig. 70, after p. 222, 1879, F. Kanitz: Donau-Bulgarien und der Balkan: historisch-geographisch-ethnographische Reisestudien aus den Jahren 1860-1879. Leipzig: Verlagsbuchhandlung von Hermann Fries, 1879-1880, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Smiling senior woman wearing green coat holding fig leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/smiling-senior-woman-wearing-green-coat-holding-fig-leaf-image492248321.htmlRF2KGRRN5–Smiling senior woman wearing green coat holding fig leaf
Camera with lens Joseph PetzvalPetzvals erste Kamera mit Porträtobjectiv (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-509-32 Inscriptions / Brands: number, recto, printed ' Fig. 50.' Manufacturer : manufacturer: anonymous date: ca. 1900 - in or in front 1905 Material: paper Technique: autotypie Dimensions: picture: h 56 mm × 70 b mmToelichtingPrent on page 222. Subject: camera photography Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camera-with-lens-joseph-petzvalpetzvals-erste-kamera-mit-portrtobjectiv-title-object-property-type-photomechanical-print-page-item-number-rp-f-2001-7-509-32-inscriptions-brands-number-recto-printed-fig-50-manufacturer-manufacturer-anonymous-date-ca-1900-in-or-in-front-1905-material-paper-technique-autotypie-dimensions-picture-h-56-mm-70-b-mmtoelichtingprent-on-page-222-subject-camera-photography-image348245643.htmlRM2B6FXTB–Camera with lens Joseph PetzvalPetzvals erste Kamera mit Porträtobjectiv (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-509-32 Inscriptions / Brands: number, recto, printed ' Fig. 50.' Manufacturer : manufacturer: anonymous date: ca. 1900 - in or in front 1905 Material: paper Technique: autotypie Dimensions: picture: h 56 mm × 70 b mmToelichtingPrent on page 222. Subject: camera photography
The points of the horse : a familiar treatise on equine conformation . Fig. 69. Fig. 70. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-points-of-the-horse-a-familiar-treatise-on-equine-conformation-fig-69-fig-70-image340132325.htmlRM2ANAA71–The points of the horse : a familiar treatise on equine conformation . Fig. 69. Fig. 70.
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804732.htmlRM2A4FW8C–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
Lumia jars glance, Citrus fruit, Fig. 70, p. 319, 1646, Giovanni Battista Ferrari: Hesperides sive de malorum aureorum cultura et usu libri quatuor. Romae: sumptibus Hermanni Scheus, 1646 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lumia-jars-glance-citrus-fruit-fig-70-p-319-1646-giovanni-battista-ferrari-hesperides-sive-de-malorum-aureorum-cultura-et-usu-libri-quatuor-romae-sumptibus-hermanni-scheus-1646-image328758718.htmlRM2A2T72P–Lumia jars glance, Citrus fruit, Fig. 70, p. 319, 1646, Giovanni Battista Ferrari: Hesperides sive de malorum aureorum cultura et usu libri quatuor. Romae: sumptibus Hermanni Scheus, 1646
Elemente der palaeontologie (Page 66, Fig. 70) BHL148 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-elemente-der-palaeontologie-page-66-fig-70-bhl148-122468752.htmlRMH36X40–Elemente der palaeontologie (Page 66, Fig. 70) BHL148
IRAQ: Baghdad, sketch map, c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-iraq-baghdad-sketch-map-c1885-102565697.htmlRFFXT7GH–IRAQ: Baghdad, sketch map, c1885
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Fig 70, castello di vicolungo, rocchetta, p173, foto nigra, nigra il novarese. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-70-castello-di-vicolungo-rocchetta-p173-foto-nigra-nigra-il-novarese-image329611213.htmlRM2A472D1–Fig 70, castello di vicolungo, rocchetta, p173, foto nigra, nigra il novarese.
403 Life in Motion Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/403-life-in-motion-fig-70-image212100233.htmlRMP92009–403 Life in Motion Fig 70
![Petasites, Illustration of a 16th century Pestwurze, Fig. 70, p. 123r, 1561, Valerius Cordus, Konrad Gessner, Benedictus Aretius, Pedanius Dioscorides: In hoc volumine continentur Valerii Cordi Simesusii annotationes in Pedacii Dioscoridis Anazarbei de medica materia libros V. [...]. Argentorati: excudebat Josias Rihelius 1561, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B93TE7/petasites-illustration-of-a-16th-century-pestwurze-fig-70-p-123r-1561-valerius-cordus-konrad-gessner-benedictus-aretius-pedanius-dioscorides-in-hoc-volumine-continentur-valerii-cordi-simesusii-annotationes-in-pedacii-dioscoridis-anazarbei-de-medica-materia-libros-v-argentorati-excudebat-josias-rihelius-1561-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B93TE7.jpg "Petasites, Illustration of a 16th century Pestwurze, Fig. 70, p. 123r, 1561, Valerius Cordus, Konrad Gessner, Benedictus Aretius, Pedanius Dioscorides: In hoc volumine continentur Valerii Cordi Simesusii annotationes in Pedacii Dioscoridis Anazarbei de medica materia libros V. [...]. Argentorati: excudebat Josias Rihelius 1561, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
Petasites, Illustration of a 16th century Pestwurze, Fig. 70, p. 123r, 1561, Valerius Cordus, Konrad Gessner, Benedictus Aretius, Pedanius Dioscorides: In hoc volumine continentur Valerii Cordi Simesusii annotationes in Pedacii Dioscoridis Anazarbei de medica materia libros V. [...]. Argentorati: excudebat Josias Rihelius 1561, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/petasites-illustration-of-a-16th-century-pestwurze-fig-70-p-123r-1561-valerius-cordus-konrad-gessner-benedictus-aretius-pedanius-dioscorides-in-hoc-volumine-continentur-valerii-cordi-simesusii-annotationes-in-pedacii-dioscoridis-anazarbei-de-medica-materia-libros-v-argentorati-excudebat-josias-rihelius-1561-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349824335.htmlRF2B93TE7–Petasites, Illustration of a 16th century Pestwurze, Fig. 70, p. 123r, 1561, Valerius Cordus, Konrad Gessner, Benedictus Aretius, Pedanius Dioscorides: In hoc volumine continentur Valerii Cordi Simesusii annotationes in Pedacii Dioscoridis Anazarbei de medica materia libros V. [...]. Argentorati: excudebat Josias Rihelius 1561, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Woman with eyes closed holding fig leaf on face Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-with-eyes-closed-holding-fig-leaf-on-face-image492249059.htmlRF2KGRTKF–Woman with eyes closed holding fig leaf on face
Device for making rotogravuresTour polir à cylindres pour the rotogravure (title object) Object Type: photomechanical printing page Object number: RP-F-2001-7-419-72 Inscriptions / Brands: number, recto, printed : 'Fig. 164.' Manufacturer : photographer: G. Perrin (indicated on object) clichémaker: anonymous date: ca. 1922 - in or in front 1932 Material: paper Technique: autotypie Dimensions: picture: h b of 46 mm × 70 mmToelichtingPrent on page 309. Subject: photographic apparatus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/device-for-making-rotogravurestour-polir-cylindres-pour-the-rotogravure-title-object-object-type-photomechanical-printing-page-object-number-rp-f-2001-7-419-72-inscriptions-brands-number-recto-printed-fig-164-manufacturer-photographer-g-perrin-indicated-on-object-clichmaker-anonymous-date-ca-1922-in-or-in-front-1932-material-paper-technique-autotypie-dimensions-picture-h-b-of-46-mm-70-mmtoelichtingprent-on-page-309-subject-photographic-apparatus-image348141680.htmlRM2B6B67C–Device for making rotogravuresTour polir à cylindres pour the rotogravure (title object) Object Type: photomechanical printing page Object number: RP-F-2001-7-419-72 Inscriptions / Brands: number, recto, printed : 'Fig. 164.' Manufacturer : photographer: G. Perrin (indicated on object) clichémaker: anonymous date: ca. 1922 - in or in front 1932 Material: paper Technique: autotypie Dimensions: picture: h b of 46 mm × 70 mmToelichtingPrent on page 309. Subject: photographic apparatus
A text-book on diseases of the ear, nose and throat . Fig. 70. Fig. 71.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-text-book-on-diseases-of-the-ear-nose-and-throat-fig-70-fig-71-image342666742.htmlRM2AWDPWX–A text-book on diseases of the ear, nose and throat . Fig. 70. Fig. 71..
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804761.htmlRM2A4FW9D–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
The townhouse in Winterthur, Seat of the Winterthur City Council, Fig. 70, p. 70, 1900, J. Knobel: Illustrierter Reisebegleiter für die Alpenstrasse des Klausen und ihre Zufahrtslinien. Glarus: Buchdruckerei J. Spälti, 1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-townhouse-in-winterthur-seat-of-the-winterthur-city-council-fig-70-p-70-1900-j-knobel-illustrierter-reisebegleiter-fr-die-alpenstrasse-des-klausen-und-ihre-zufahrtslinien-glarus-buchdruckerei-j-splti-1900-image328747344.htmlRM2A2RMGG–The townhouse in Winterthur, Seat of the Winterthur City Council, Fig. 70, p. 70, 1900, J. Knobel: Illustrierter Reisebegleiter für die Alpenstrasse des Klausen und ihre Zufahrtslinien. Glarus: Buchdruckerei J. Spälti, 1900
Le jardin du Roy tres chrestien, Loys XIII, Roy de France et de Navare (Fig. 70-74) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-le-jardin-du-roy-tres-chrestien-loys-xiii-roy-de-france-et-de-navare-97275306.htmlRMFJ77J2–Le jardin du Roy tres chrestien, Loys XIII, Roy de France et de Navare (Fig. 70-74)
FRANCE: Lille, sketch map, c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-france-lille-sketch-map-c1885-102560061.htmlRFFXT0B9–FRANCE: Lille, sketch map, c1885
Maya Hieroglyphs Fig 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-maya-hieroglyphs-fig-70-163226836.htmlRMKDFHDT–Maya Hieroglyphs Fig 70
Castello di Settimo Vittone, dipendenza e cinta lato N fig 70 foto nigra. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/castello-di-settimo-vittone-dipendenza-e-cinta-lato-n-fig-70-foto-nigra-image237158919.htmlRMRNREHB–Castello di Settimo Vittone, dipendenza e cinta lato N fig 70 foto nigra.
51 Ronjat - Le Livre de Pâtisserie, fig. 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/51-ronjat-le-livre-de-ptisserie-fig-70-image214139573.htmlRMPCAW5W–51 Ronjat - Le Livre de Pâtisserie, fig. 70
The Schools-Tower, Oxford, Oxford, Order, Engraved by W. Woolnoth, Engraved by F. Mackenzie, Fig. 70, according to p. 90, Mackenzie, F. (drawing), Woolnoth, William (engraving), 1812, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 3. London: J. Taylor, 1807-1826, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Phot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-schools-tower-oxford-oxford-order-engraved-by-w-woolnoth-engraved-by-f-mackenzie-fig-70-according-to-p-90-mackenzie-f-drawing-woolnoth-william-engraving-1812-john-britton-the-architectural-antiquities-of-great-britain-represented-and-illustrated-in-a-series-of-views-elevations-plans-sections-and-details-of-various-ancient-english-edifices-with-historical-and-descriptive-accounts-of-each-bd-3-london-j-taylor-1807-1826-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-phot-image349828412.htmlRF2B941KT–The Schools-Tower, Oxford, Oxford, Order, Engraved by W. Woolnoth, Engraved by F. Mackenzie, Fig. 70, according to p. 90, Mackenzie, F. (drawing), Woolnoth, William (engraving), 1812, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 3. London: J. Taylor, 1807-1826, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Phot
Senior woman holding fig leaf teasing in front of plants Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senior-woman-holding-fig-leaf-teasing-in-front-of-plants-image492248304.htmlRF2KGRRMG–Senior woman holding fig leaf teasing in front of plants
Cylinder for making rotogravuresTour à rectifier pour cylindres the rotogravure (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-419-71 Inscriptions / Brands: number, recto, printed : 'Fig. 163.' Manufacturer : photographer: G. Perrin (indicated on object) clichémaker: anonymous date: ca. 1922 - in or in front 1932 Material: paper Technique: autotypie Dimensions: picture: h 45 mm × 70 b mmToelichtingPrent on page 307. Subject: photographic apparatus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cylinder-for-making-rotogravurestour-rectifier-pour-cylindres-the-rotogravure-title-object-property-type-photomechanical-print-page-item-number-rp-f-2001-7-419-71-inscriptions-brands-number-recto-printed-fig-163-manufacturer-photographer-g-perrin-indicated-on-object-clichmaker-anonymous-date-ca-1922-in-or-in-front-1932-material-paper-technique-autotypie-dimensions-picture-h-45-mm-70-b-mmtoelichtingprent-on-page-307-subject-photographic-apparatus-image348269488.htmlRM2B6H180–Cylinder for making rotogravuresTour à rectifier pour cylindres the rotogravure (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-419-71 Inscriptions / Brands: number, recto, printed : 'Fig. 163.' Manufacturer : photographer: G. Perrin (indicated on object) clichémaker: anonymous date: ca. 1922 - in or in front 1932 Material: paper Technique: autotypie Dimensions: picture: h 45 mm × 70 b mmToelichtingPrent on page 307. Subject: photographic apparatus
Gunshot injuries : how they are inflicted : their complications and treatment . Fig. 69. Fig. 70. Fig. 71. Fig. 72. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gunshot-injuries-how-they-are-inflicted-their-complications-and-treatment-fig-69-fig-70-fig-71-fig-72-image339947934.htmlRM2AN1Y1J–Gunshot injuries : how they are inflicted : their complications and treatment . Fig. 69. Fig. 70. Fig. 71. Fig. 72.
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804733.htmlRM2A4FW8D–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
Octagon of the cathedral to Pavia, Interior of Dom Pavia, signed: Nohl, Fig. 70, p. 123, Nohl, Max, 1867, Jacob Burckhardt; Wilhelm Lübke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/octagon-of-the-cathedral-to-pavia-interior-of-dom-pavia-signed-nohl-fig-70-p-123-nohl-max-1867-jacob-burckhardt-wilhelm-lbke-geschichte-der-neueren-baukunst-stuttgart-verlag-von-ebner-seubert-1867-image328754264.htmlRM2A2T1BM–Octagon of the cathedral to Pavia, Interior of Dom Pavia, signed: Nohl, Fig. 70, p. 123, Nohl, Max, 1867, Jacob Burckhardt; Wilhelm Lübke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867
The biology of the frog (Page 249, Fig. 70) BHL77 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-biology-of-the-frog-page-249-fig-70-bhl77-122295176.htmlRMH2Y0MT–The biology of the frog (Page 249, Fig. 70) BHL77
HUNGARY: Novisad(Neusatz, Uj-Videk)sketch map, c1885 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hungary-novisadneusatz-uj-videksketch-map-c1885-102560415.htmlRFFXT0RY–HUNGARY: Novisad(Neusatz, Uj-Videk)sketch map, c1885
WALLIS(1903) Fig.70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-wallis1903-fig70-161657802.htmlRMKB044X–WALLIS(1903) Fig.70
Les abîmes de la mer (Page 368, Fig. 70) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-abmes-de-la-mer-page-368-fig-70-image396050947.htmlRM2E09K0K–Les abîmes de la mer (Page 368, Fig. 70)
1270 Ronjat - Le Livre de Pâtisserie, fig. 70 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1270-ronjat-le-livre-de-ptisserie-fig-70-image213543991.htmlRMPBBNF3–1270 Ronjat - Le Livre de Pâtisserie, fig. 70
Cathedral of Speyer. Germany 2, Nave of Speyer Cathedral, signed: Amoudru del, Bury sculp, Fig. 70, p. 229, Amoudru (del.), Bury, Jean Baptiste Marie (sc.), 1853, Jules Gailhabaud: Monuments anciens et modernes: collection formant une histoire de l'architecture des différents peuples à toutes les époques. Paris: Librairie de Firmin Didot frères, 1853, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cathedral-of-speyer-germany-2-nave-of-speyer-cathedral-signed-amoudru-del-bury-sculp-fig-70-p-229-amoudru-del-bury-jean-baptiste-marie-sc-1853-jules-gailhabaud-monuments-anciens-et-modernes-collection-formant-une-histoire-de-larchitecture-des-diffrents-peuples-toutes-les-poques-paris-librairie-de-firmin-didot-frres-1853-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutio-image349827399.htmlRF2B940BK–Cathedral of Speyer. Germany 2, Nave of Speyer Cathedral, signed: Amoudru del, Bury sculp, Fig. 70, p. 229, Amoudru (del.), Bury, Jean Baptiste Marie (sc.), 1853, Jules Gailhabaud: Monuments anciens et modernes: collection formant une histoire de l'architecture des différents peuples à toutes les époques. Paris: Librairie de Firmin Didot frères, 1853, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutio
Senior woman with eyes closed holding fig leaf on face Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/senior-woman-with-eyes-closed-holding-fig-leaf-on-face-image492249073.htmlRF2KGRTM1–Senior woman with eyes closed holding fig leaf on face
Handwritten Letter document avant le traitement au fer à repasser chaud (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-117-52 Inscriptions / Brands: number, recto, printed ' Fig. 56.' Manufacturer : manufacturer: anonymous date: ca. 1893 - in or in front 1903 Material: paper Technique: autotypie Dimensions: picture: h 70 mm × W 108 mmToelichtingPrent on page 143. Subject: hand writing, written text letter, envelope Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handwritten-letter-document-avant-le-traitement-au-fer-repasser-chaud-title-object-property-type-photomechanical-print-page-item-number-rp-f-2001-7-117-52-inscriptions-brands-number-recto-printed-fig-56-manufacturer-manufacturer-anonymous-date-ca-1893-in-or-in-front-1903-material-paper-technique-autotypie-dimensions-picture-h-70-mm-w-108-mmtoelichtingprent-on-page-143-subject-hand-writing-written-text-letter-envelope-image348425597.htmlRM2B6T4B9–Handwritten Letter document avant le traitement au fer à repasser chaud (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-117-52 Inscriptions / Brands: number, recto, printed ' Fig. 56.' Manufacturer : manufacturer: anonymous date: ca. 1893 - in or in front 1903 Material: paper Technique: autotypie Dimensions: picture: h 70 mm × W 108 mmToelichtingPrent on page 143. Subject: hand writing, written text letter, envelope
Gunshot injuries : how they are inflicted : their complications and treatment . Fig. 69. Fig. 70. Fig. 71. Fig. 72.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gunshot-injuries-how-they-are-inflicted-their-complications-and-treatment-fig-69-fig-70-fig-71-fig-72-image339947518.htmlRM2AN1XEP–Gunshot injuries : how they are inflicted : their complications and treatment . Fig. 69. Fig. 70. Fig. 71. Fig. 72..
The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-austrian-bernd-wiesberger-won-with-268-66-70-67-65-16-the-76th-italian-open-fifth-event-of-the-european-tour-rolex-series-held-on-the-difficult-course-of-the-olgiata-golf-club-par-71-in-rome-where-the-azzurri-francesco-laporta-seventh-with-275-9-and-andrea-pavan-tenth-with-276-8-offered-a-great-test-photo-by-domenico-cippitellipacific-press-image329804727.htmlRM2A4FW87–The Austrian Bernd Wiesberger won with 268 (66 70 67 65, -16) the 76th Italian Open, fifth event of the European Tour Rolex Series, held on the difficult course of the Olgiata Golf Club (par 71) in Rome, where the Azzurri Francesco Laporta, seventh with 275 (-9), and Andrea Pavan, tenth with 276 (-8) offered a great test. (Photo by Domenico CIppitelli/Pacific Press)
![View of the temple of Venus, View Temple of Venus in Pompeii, Fig. 70, after p. 84, p. 121, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856 Stock Photo](https://c8.alamy.com/comp/2A2T296/view-of-the-temple-of-venus-view-temple-of-venus-in-pompeii-fig-70-after-p-84-p-121-1856-johannes-overbeck-pompeji-in-seinen-gebuden-alterthmern-und-kunstwerken-leipzig-verlag-von-wilhelm-engelmann-1856-2A2T296.jpg "View of the temple of Venus, View Temple of Venus in Pompeii, Fig. 70, after p. 84, p. 121, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856 Stock Photo")
View of the temple of Venus, View Temple of Venus in Pompeii, Fig. 70, after p. 84, p. 121, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-temple-of-venus-view-temple-of-venus-in-pompeii-fig-70-after-p-84-p-121-1856-johannes-overbeck-pompeji-in-seinen-gebuden-alterthmern-und-kunstwerken-leipzig-verlag-von-wilhelm-engelmann-1856-image328754978.htmlRM2A2T296–View of the temple of Venus, View Temple of Venus in Pompeii, Fig. 70, after p. 84, p. 121, 1856, Johannes Overbeck: Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken [...]. Leipzig: Verlag von Wilhelm Engelmann, 1856
The moth book (Page 126, Fig. 70) BHL218 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-moth-book-page-126-fig-70-bhl218-122319692.htmlRMH3040C–The moth book (Page 126, Fig. 70) BHL218
WILD FLOWERS:Rocket Kale Cress Woad Shepherd Purse Candy Tuft Wort.SOWERBY, 1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wild-flowersrocket-kale-cress-woad-shepherd-purse-candy-tuft-wortsowerby-106474940.htmlRFG569TC–WILD FLOWERS:Rocket Kale Cress Woad Shepherd Purse Candy Tuft Wort.SOWERBY, 1890
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