Saint Catherine of Alexandria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-catherine-of-alexandria-image245901042.html
RMT81N82–Saint Catherine of Alexandria
Late fifteenth century woodcut of Aries the Ram Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-fifteenth-century-woodcut-of-aries-the-ram-image179156112.html
RMMBD7CG–Late fifteenth century woodcut of Aries the Ram
Art inspired by Man with dagger and woman with harp in fifteenth century costume, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-man-with-dagger-and-woman-with-harp-in-fifteenth-century-costume-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459685032.html
RF2HKTCXG–Art inspired by Man with dagger and woman with harp in fifteenth century costume, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Old engraved illustration of the mirror of fifteenth century- Louvre Museum, Paris ,France, 1874. Drawing by Feart. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-engraved-illustration-of-the-mirror-of-fifteenth-century-louvre-39155870.html
RFC7KKKX–Old engraved illustration of the mirror of fifteenth century- Louvre Museum, Paris ,France, 1874. Drawing by Feart.
Icon of Jesus, 15th century, Russian Museum (Mikhailovsky Palace); St. Petersburg, Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-icon-of-jesus-15th-century-russian-museum-mikhailovsky-palace-st-petersburg-172529393.html
RFM0KB01–Icon of Jesus, 15th century, Russian Museum (Mikhailovsky Palace); St. Petersburg, Russia
Detail of 15th century screen showing the Old testament prophet Lazarus, at All Saints Church, Thornham in north Norfolk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-15th-century-screen-showing-the-old-testament-prophet-lazarus-at-all-saints-church-thornham-in-north-norfolk-image264973748.html
RMWB2GM4–Detail of 15th century screen showing the Old testament prophet Lazarus, at All Saints Church, Thornham in north Norfolk.
The Fifteenth Amendment (15th Amendment) to the United States Constitution empowering former slaves to have the right to vote, February 3rd 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fifteenth-amendment-15th-amendment-to-the-united-states-constitution-empowering-former-slaves-to-have-the-right-to-vote-february-3rd-1870-image344397539.html
RM2B08JG3–The Fifteenth Amendment (15th Amendment) to the United States Constitution empowering former slaves to have the right to vote, February 3rd 1870
Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-bologna-the-basilica-of-san-giacomo-maggiore-174590031.html
RMM417A7–Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork.
Lorenzo Mercadante or Lorenzo Mercadante de Bretaña - Virgen con el Niño - Madonna with Child - sculpture - 1450s - Seville Museum of Fine Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lorenzo-mercadante-or-lorenzo-mercadante-de-bretaa-virgen-con-el-nio-madonna-with-child-sculpture-1450s-seville-museum-of-fine-arts-image483744047.html
RM2K30CD3–Lorenzo Mercadante or Lorenzo Mercadante de Bretaña - Virgen con el Niño - Madonna with Child - sculpture - 1450s - Seville Museum of Fine Arts
A view of two panels from the remains of the rood screen in the parish church of St Nicholas in North Walsham, Norfolk, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-view-of-two-panels-from-the-remains-of-the-rood-screen-in-the-parish-141038686.html
RMJ5CT7X–A view of two panels from the remains of the rood screen in the parish church of St Nicholas in North Walsham, Norfolk, England, United Kingdom.
Charles VIII of France Charles VIII, called the Affable (French: l'Affable; 30 June 1470 – 7 April 1498), was King of France from 1483 to his death in 1498. He succeeded his father Louis XI at the age of 13.[1] His elder sister Anne acted as regent jointly with her husband Peter II, Duke of Bourbon[1][2] until 1491 when the young king turned 21 years of age. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-viii-of-france-charles-viii-called-the-affable-french-laffable-30-june-1470-7-april-1498-was-king-of-france-from-1483-to-his-death-in-1498-he-succeeded-his-father-louis-xi-at-the-age-of-13-1-his-elder-sister-anne-acted-as-regent-jointly-with-her-husband-peter-ii-duke-of-bourbon-1-2-until-1491-when-the-young-king-turned-21-years-of-age-copperplate-engraving-from-the-encyclopaedia-londinensis-or-universal-dictionary-of-arts-sciences-and-literature-volume-vii-edited-by-wilkes-john-published-in-london-in-1810-image432273603.html
RM2G37NAY–Charles VIII of France Charles VIII, called the Affable (French: l'Affable; 30 June 1470 – 7 April 1498), was King of France from 1483 to his death in 1498. He succeeded his father Louis XI at the age of 13.[1] His elder sister Anne acted as regent jointly with her husband Peter II, Duke of Bourbon[1][2] until 1491 when the young king turned 21 years of age. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810
Feast of the noble class of the fifteenth century with music, food and drink. Old 19th century engraved illustration from El Mundo Ilustrado 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feast-of-the-noble-class-of-the-fifteenth-century-with-music-food-and-drink-old-19th-century-engraved-illustration-from-el-mundo-ilustrado-1879-image406296620.html
RM2EH0BDG–Feast of the noble class of the fifteenth century with music, food and drink. Old 19th century engraved illustration from El Mundo Ilustrado 1879
Madonna and Child. Artist: Workshop of Andrea del Verrocchio (Italian, Florence 1435-1488 Venice). Dimensions: 26 x 19 in. (66 x 48.3 cm). Date: ca. 1470. Verrocchio, a great sculptor, painter, and draftsman ran the most prestigious workshop of the last third of the fifteenth century in Florence. (Botticelli and the young Leonardo were among those associated with the shop.) This picture is of fine quality and is based on a design by Verrocchio. It dates about 1470. Although the left side of the Madonna's face is badly damaged, passages such as the Child's head convey the original quality of t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-and-child-artist-workshop-of-andrea-del-verrocchio-italian-florence-1435-1488-venice-dimensions-26-x-19-in-66-x-483-cm-date-ca-1470-verrocchio-a-great-sculptor-painter-and-draftsman-ran-the-most-prestigious-workshop-of-the-last-third-of-the-fifteenth-century-in-florence-botticelli-and-the-young-leonardo-were-among-those-associated-with-the-shop-this-picture-is-of-fine-quality-and-is-based-on-a-design-by-verrocchio-it-dates-about-1470-although-the-left-side-of-the-madonnas-face-is-badly-damaged-passages-such-as-the-childs-head-convey-the-original-quality-of-t-image213317010.html
RMPB1C0J–Madonna and Child. Artist: Workshop of Andrea del Verrocchio (Italian, Florence 1435-1488 Venice). Dimensions: 26 x 19 in. (66 x 48.3 cm). Date: ca. 1470. Verrocchio, a great sculptor, painter, and draftsman ran the most prestigious workshop of the last third of the fifteenth century in Florence. (Botticelli and the young Leonardo were among those associated with the shop.) This picture is of fine quality and is based on a design by Verrocchio. It dates about 1470. Although the left side of the Madonna's face is badly damaged, passages such as the Child's head convey the original quality of t
THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-young-st-john-the-baptist-by-piero-di-cosimo-1480-1522-italian-170559743.html
RMKWDJKB–THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67)
HIGHLAND PIBROCH Composed by one of the MacCrummeus in the midst of the Battle of Inverlochy, 1427, wherein Donald Balloch of the Isles was victorious over the Royal Forces. ARRANGED FOR THE BAGPIPES music score from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 2 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/highland-pibroch-composed-by-one-of-the-maccrummeus-in-the-midst-of-the-battle-of-inverlochy-1427-wherein-donald-balloch-of-the-isles-was-victorious-over-the-royal-forces-arranged-for-the-bagpipes-music-score-from-the-book-a-history-of-the-scottish-highlands-highland-clans-and-highland-regiments-volume-2-by-maclauchlan-thomas-1816-1886-wilson-john-1785-1854-keltie-john-scott-sir-1840-1927-publication-date-1875-publisher-edinburgh-london-a-fullarton-image535639457.html
RF2P3CDGH–HIGHLAND PIBROCH Composed by one of the MacCrummeus in the midst of the Battle of Inverlochy, 1427, wherein Donald Balloch of the Isles was victorious over the Royal Forces. ARRANGED FOR THE BAGPIPES music score from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 2 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
Descent into hell: medieval wall painting in St. Peter and St. Paul's church in Pickering, North Yorkshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/descent-into-hell-medieval-wall-painting-in-st-peter-and-st-pauls-church-in-pickering-north-yorkshire-image225041799.html
RMR23F33–Descent into hell: medieval wall painting in St. Peter and St. Paul's church in Pickering, North Yorkshire
19th century illustration of Nielloed Cup from fifteenth century, preserved in the British Museum, London. Original artwork published in Le magasin Pi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-illustration-of-nielloed-cup-from-fifteenth-century-preserved-in-the-british-museum-london-original-artwork-published-in-le-magasin-pi-image220867927.html
RFPR9B87–19th century illustration of Nielloed Cup from fifteenth century, preserved in the British Museum, London. Original artwork published in Le magasin Pi
Todi, Umbria, Italy. Fresco in The Monastery of Lucrezia which is named in honor of the noble who lived in the early fifteenth century, Lucrezia dell Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/todi-umbria-italy-fresco-in-the-monastery-of-lucrezia-which-is-named-in-honor-of-the-noble-who-lived-in-the-early-fifteenth-century-lucrezia-dell-image376603703.html
RF2CTKNT7–Todi, Umbria, Italy. Fresco in The Monastery of Lucrezia which is named in honor of the noble who lived in the early fifteenth century, Lucrezia dell
(Lane Poole, map 85) European explorations and colonies from the fifteenth to the seventeeth century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lane-poole-map-85-european-explorations-and-colonies-from-the-fifteenth-to-the-seventeeth-century-image207954605.html
RMP29465–(Lane Poole, map 85) European explorations and colonies from the fifteenth to the seventeeth century.
Techniques for Pollaxe Combat, c. 1410 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/techniques-for-pollaxe-combat-c-1410-image245901033.html
RMT81N7N–Techniques for Pollaxe Combat, c. 1410
Bird-headed demon confronting a German knight - Fifteenth century German woodcut by HS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bird-headed-demon-confronting-a-german-knight-fifteenth-century-german-woodcut-by-hs-image179155703.html
RMMBD6WY–Bird-headed demon confronting a German knight - Fifteenth century German woodcut by HS
Art inspired by Saint Stephen, third quarter fifteenth century, Netherlandish, Tournai, Brass (copper alloy with a high percentage of, H. 31.2 cm., Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-stephen-third-quarter-fifteenth-century-netherlandish-tournai-brass-copper-alloy-with-a-high-percentage-of-h-312-cm-metalwork-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825043.html
RF2HTYE1R–Art inspired by Saint Stephen, third quarter fifteenth century, Netherlandish, Tournai, Brass (copper alloy with a high percentage of, H. 31.2 cm., Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The 15th-century wooden covered Spreuer Bridge over the Reuss River in Lucerne, Switzerland, with its series of death-themed paintings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-15th-century-wooden-covered-spreuer-bridge-over-the-reuss-river-in-lucerne-switzerland-with-its-series-of-death-themed-paintings-image270900415.html
RMWMMG6R–The 15th-century wooden covered Spreuer Bridge over the Reuss River in Lucerne, Switzerland, with its series of death-themed paintings.
Art of Old Spain. Barcelona Cathedral Grating of a Cloister chapel. Gothic style The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catala Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-old-spain-barcelona-cathedral-grating-of-a-cloister-chapel-gothic-style-the-cathedral-of-the-holy-cross-and-saint-eulalia-also-known-as-barcelona-cathedral-is-the-gothic-cathedral-and-seat-of-the-archbishop-of-barcelona-catalonia-spain-the-cathedral-was-constructed-from-the-thirteenth-to-fifteenth-centuries-with-the-principal-work-done-in-the-fourteenth-century-the-cloister-which-encloses-the-well-of-the-geese-font-de-les-oques-was-completed-in-1448-in-the-late-nineteenth-century-the-neo-gothic-faade-was-constructed-over-the-nondescript-exterior-that-was-common-to-catala-image526904629.html
RF2NH6G6D–Art of Old Spain. Barcelona Cathedral Grating of a Cloister chapel. Gothic style The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catala
Fifteenth century painting of sailing ship on wall of Snargate church, Romney Marsh, Kent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fifteenth-century-painting-of-sailing-ship-on-wall-of-snargate-church-image158968087.html
RMK6HHBK–Fifteenth century painting of sailing ship on wall of Snargate church, Romney Marsh, Kent
Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-fresco-church-of-the-holy-cross-1487-patrauti-suceava-county-romania-image332629795.html
RF2A94GKF–Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania
Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-bologna-the-basilica-of-san-giacomo-maggiore-174590048.html
RMM417AT–Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork.
Pietro Torrigiano - San Jerónimo Penitente, sculpture. 1520s. Seville Museum of Fine Arts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pietro-torrigiano-san-jernimo-penitente-sculpture-1520s-seville-museum-of-fine-arts-image483744054.html
RM2K30CDA–Pietro Torrigiano - San Jerónimo Penitente, sculpture. 1520s. Seville Museum of Fine Arts
Astrology illustration of Virgo ruled by the planet Mercury (Mercurius) from the Fifteenth Century Lombard Manuscript De Sphaera. The zodiac symbol fo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astrology-illustration-of-virgo-ruled-by-the-planet-mercury-mercurius-image156510307.html
RMK2HJDR–Astrology illustration of Virgo ruled by the planet Mercury (Mercurius) from the Fifteenth Century Lombard Manuscript De Sphaera. The zodiac symbol fo
Charles VII of France (22 February 1403 – 22 July 1461), called the Victorious (French: le Victorieux) or the Well-Served (French: le Bien-Servi), was King of France from 1422 to his death in 1461. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-vii-of-france-22-february-1403-22-july-1461-called-the-victorious-french-le-victorieux-or-the-well-served-french-le-bien-servi-was-king-of-france-from-1422-to-his-death-in-1461-copperplate-engraving-from-the-encyclopaedia-londinensis-or-universal-dictionary-of-arts-sciences-and-literature-volume-vii-edited-by-wilkes-john-published-in-london-in-1810-image432273534.html
RM2G37N8E–Charles VII of France (22 February 1403 – 22 July 1461), called the Victorious (French: le Victorieux) or the Well-Served (French: le Bien-Servi), was King of France from 1422 to his death in 1461. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810
Feast of the noble class of the fifteenth century with music, food and drink. Old 19th century engraved illustration from El Mundo Ilustrado 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feast-of-the-noble-class-of-the-fifteenth-century-with-music-food-and-drink-old-19th-century-engraved-illustration-from-el-mundo-ilustrado-1879-image402127425.html
RM2EA6DHN–Feast of the noble class of the fifteenth century with music, food and drink. Old 19th century engraved illustration from El Mundo Ilustrado 1879
Salvator Mundi. Artist: Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall, with integral frame, diameter 10 3/4 in. (27.3 cm); painted surface 8 in. (20.3 cm). Date: 1475-99. Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-faced, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ's features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salvator-mundi-artist-workshop-of-hans-memling-netherlandish-seligenstadt-active-by-1465-died-1494-bruges-dimensions-overall-with-integral-frame-diameter-10-34-in-273-cm-painted-surface-8-in-203-cm-date-1475-99-christ-is-shown-as-the-savior-of-the-world-salvator-mundi-a-popular-image-in-fifteenth-century-painting-front-faced-he-holds-a-cross-topped-globe-and-raises-his-right-hand-in-blessing-merging-the-themes-of-the-holy-face-christs-features-miraculously-imprinted-on-a-cloth-and-christ-in-majesty-the-small-circular-format-made-this-picture-appropriate-for-h-image213365432.html
RMPB3HP0–Salvator Mundi. Artist: Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall, with integral frame, diameter 10 3/4 in. (27.3 cm); painted surface 8 in. (20.3 cm). Date: 1475-99. Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-faced, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ's features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for h
James Buchanan Jr (1791-1868), American politician who served as the fifteenth President of the United States, portrait miniature by John Henry Brown, circa 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-buchanan-jr-1791-1868-american-politician-who-served-as-the-fifteenthpresident-of-the-united-states-portrait-miniature-by-john-henry-brown-circa-1865-image382513900.html
RM2D690AM–James Buchanan Jr (1791-1868), American politician who served as the fifteenth President of the United States, portrait miniature by John Henry Brown, circa 1865
Hernán Cortes de Monroy y Pizarro Altamirano, seit 1529 1. Marques del Valle de Oaxaca, Cortez (geb. 1485 in Medellín; gest. 2. Dezember 1547 in Castilleja de la Cuesta) war ein spanischer Konquistador, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernn-cortes-de-monroy-y-pizarro-altamirano-seit-1529-1-marques-del-valle-de-oaxaca-cortez-geb-1485-in-medelln-gest-2-dezember-1547-in-castilleja-de-la-cuesta-war-ein-spanischer-konquistador-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596642824.html
RF2WJKC08–Hernán Cortes de Monroy y Pizarro Altamirano, seit 1529 1. Marques del Valle de Oaxaca, Cortez (geb. 1485 in Medellín; gest. 2. Dezember 1547 in Castilleja de la Cuesta) war ein spanischer Konquistador, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Old engraved illustration of cannon of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-engraved-illustration-of-cannon-of-the-fifteenth-century-industrial-84425312.html
RFEW9W9M–Old engraved illustration of cannon of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875.
Diptych of Maarten van Nieuwenhove, 1487, by Hans Memling. Portrait of the donor Maarten van Nieuwenhove, a nobleman in Bruges. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-diptych-of-maarten-van-nieuwenhove-1487-by-hans-memling-portrait-of-135885283.html
RMHW231R–Diptych of Maarten van Nieuwenhove, 1487, by Hans Memling. Portrait of the donor Maarten van Nieuwenhove, a nobleman in Bruges.
THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-young-st-john-the-baptist-by-piero-di-cosimo-1480-1522-italian-170561059.html
RMKWDMAB–THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67)
Image from page 199 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-199-of-a-christmas-garland-carols-and-poems-form-the-fifteenth-century-to-the-present-time-edited-by-a-h-bullen-with-illustrations-etc-image217048044.html
RMPH3AYT–Image from page 199 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' .
The zodiacal clock in San Marco, Venice. Originally, it was fifteenth century. 2004 Charles Walker / Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-zodiacal-clock-in-san-marco-venice-originally-it-was-fifteenth-century-2004-charles-walker-image179628637.html
RMMC6P4D–The zodiacal clock in San Marco, Venice. Originally, it was fifteenth century. 2004 Charles Walker /
Art inspired by Saint Adrian, third quarter fifteenth century, Netherlandish, Tournai, Brass (copper alloy with a high percentage of zinc) with natural olive green patina., H: 30.8 cm, Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-adrian-third-quarter-fifteenth-century-netherlandish-tournai-brass-copper-alloy-with-a-high-percentage-of-zinc-with-natural-olive-green-patina-h-308-cm-metalwork-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825941.html
RF2HTYF5W–Art inspired by Saint Adrian, third quarter fifteenth century, Netherlandish, Tournai, Brass (copper alloy with a high percentage of zinc) with natural olive green patina., H: 30.8 cm, Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ostensor or Silver Reliquary of the fifteenth century, vintage engraved illustration. Magasin Pittoresque 1855. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ostensor-or-silver-reliquary-of-the-fifteenth-century-vintage-engraved-illustration-magasin-pittoresque-1855-image363150815.html
RF2C2PXFY–Ostensor or Silver Reliquary of the fifteenth century, vintage engraved illustration. Magasin Pittoresque 1855.
Art of Old Spain. Barcelona Cathedral Late Gothic style cloister grating. The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-of-old-spain-barcelona-cathedral-late-gothic-style-cloister-grating-the-cathedral-of-the-holy-cross-and-saint-eulalia-also-known-as-barcelona-cathedral-is-the-gothic-cathedral-and-seat-of-the-archbishop-of-barcelona-catalonia-spain-the-cathedral-was-constructed-from-the-thirteenth-to-fifteenth-centuries-with-the-principal-work-done-in-the-fourteenth-century-the-cloister-which-encloses-the-well-of-the-geese-font-de-les-oques-was-completed-in-1448-in-the-late-nineteenth-century-the-neo-gothic-faade-was-constructed-over-the-nondescript-exterior-that-was-common-to-catalan-churc-image526904631.html
RF2NH6G6F–Art of Old Spain. Barcelona Cathedral Late Gothic style cloister grating. The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese (Font de les Oques), was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churc
Panel with The Crucifixion from Retable. Domingo Ram. 15th century. Made in Aragon, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-with-the-crucifixion-from-retable-domingo-ram-15th-century-made-in-aragon-spain-image589864955.html
RM2W7JJNF–Panel with The Crucifixion from Retable. Domingo Ram. 15th century. Made in Aragon, Spain.
Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-fresco-church-of-the-holy-cross-1487-patrauti-suceava-county-romania-image332629818.html
RF2A94GMA–Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania
Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-bologna-the-basilica-of-san-giacomo-maggiore-174590041.html
RMM417AH–Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork.
Fifteenth century stained glass window depicting the head of a monk, Newton church, Suffolk, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fifteenth-century-stained-glass-window-depicting-the-head-of-a-monk-newton-church-suffolk-england-uk-image453789069.html
RM2HA7TGD–Fifteenth century stained glass window depicting the head of a monk, Newton church, Suffolk, England, UK
Astrology illustration of Cancer ruled by the Moon (Luna) from the Fifteenth Century Lombard Manuscript De Sphaera. The crab, depicted in the image, i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astrology-illustration-of-cancer-ruled-by-the-moon-luna-from-the-fifteenth-image156510269.html
RMK2HJCD–Astrology illustration of Cancer ruled by the Moon (Luna) from the Fifteenth Century Lombard Manuscript De Sphaera. The crab, depicted in the image, i
Louis XI of France Louis XI (3 July 1423 – 30 August 1483), called 'Louis the Prudent' (French: le Prudent), was King of France from 1461 to 1483. He succeeded his father, Charles VII. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-xi-of-france-louis-xi-3-july-1423-30-august-1483-called-louis-the-prudent-french-le-prudent-was-king-of-france-from-1461-to-1483-he-succeeded-his-father-charles-vii-copperplate-engraving-from-the-encyclopaedia-londinensis-or-universal-dictionary-of-arts-sciences-and-literature-volume-vii-edited-by-wilkes-john-published-in-london-in-1810-image432273576.html
RM2G37NA0–Louis XI of France Louis XI (3 July 1423 – 30 August 1483), called 'Louis the Prudent' (French: le Prudent), was King of France from 1461 to 1483. He succeeded his father, Charles VII. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII; Edited by Wilkes, John. Published in London in 1810
Espingardero, infantryman or cavalry armed with an advancing firearm called Espingarda, during the second half of the fifteenth century. Old engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espingardero-infantryman-or-cavalry-armed-with-an-advancing-firearm-called-espingarda-during-the-second-half-of-the-fifteenth-century-old-engraving-image347318356.html
RM2B51M30–Espingardero, infantryman or cavalry armed with an advancing firearm called Espingarda, during the second half of the fifteenth century. Old engraving
Noah's Ark. Date/Period: 15th century. Folio. Tempera colors and gold leaf on parchment. Height: 119 mm (4.68 in); Width: 170 mm (6.69 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noahs-ark-dateperiod-15th-century-folio-tempera-colors-and-gold-leaf-on-parchment-height-119-mm-468-in-width-170-mm-669-in-author-unknown-image219072957.html
RMPMBHP5–Noah's Ark. Date/Period: 15th century. Folio. Tempera colors and gold leaf on parchment. Height: 119 mm (4.68 in); Width: 170 mm (6.69 in). Author: UNKNOWN.
The Result of the Fifteenth Amendment and the Rise and Progress of the African Race in America and its Final Accomplishment and Celebration on May 19th 1870, poster by Metcalf & Clark, 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-result-of-the-fifteenth-amendment-and-the-rise-and-progress-of-the-african-race-in-america-and-its-final-accomplishment-and-celebration-on-may-19th-1870-poster-by-metcalf-clark-1870-image408224334.html
RM2EM468E–The Result of the Fifteenth Amendment and the Rise and Progress of the African Race in America and its Final Accomplishment and Celebration on May 19th 1870, poster by Metcalf & Clark, 1870
Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bursa-bursa-province-turkey-yeil-trbe-the-15th-century-green-tomb-130524716.html
RMHG9WH0–Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I.
Shoes a varlet, fifteenth century, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shoes-a-varlet-fifteenth-century-vintage-engraved-illustration-industrial-84304280.html
RFEW4AY4–Shoes a varlet, fifteenth century, vintage engraved illustration. Industrial encyclopedia E.-O. Lami - 1875.
Diptych of Maarten van Nieuwenhove, 1487, by Hans Memling. Virgin and Child. . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-diptych-of-maarten-van-nieuwenhove-1487-by-hans-memling-virgin-and-135885287.html
RMHW231Y–Diptych of Maarten van Nieuwenhove, 1487, by Hans Memling. Virgin and Child. .
St. Francis in the Desert (circa 1480) by Giovanni Bellini - Very high quality image of the work Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-francis-in-the-desert-circa-1480-by-giovanni-bellini-very-high-50462481.html
RFCX2NBD–St. Francis in the Desert (circa 1480) by Giovanni Bellini - Very high quality image of the work
Image from page 8 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-8-of-a-christmas-garland-carols-and-poems-form-the-fifteenth-century-to-the-present-time-edited-by-a-h-bullen-with-illustrations-etc-image217069613.html
RMPH4AE5–Image from page 8 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' .
The Lady and the Unicorn is the modern title given to a series of six tapestries woven in Flanders of wool and silk, from designs drawn in Paris in the late fifteenth century and are considered one of the greatest works of art of the Middle Ages in Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-lady-and-the-unicorn-is-the-modern-title-given-to-a-series-of-104016618.html
RMG16A76–The Lady and the Unicorn is the modern title given to a series of six tapestries woven in Flanders of wool and silk, from designs drawn in Paris in the late fifteenth century and are considered one of the greatest works of art of the Middle Ages in Europe
Demon, with a bird-like face, confronting a German knight. Fifteenth century German woodcut by 'H.S.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/demon-with-a-bird-like-face-confronting-a-german-knight-fifteenth-century-german-woodcut-by-hs-image179659085.html
RMMC84YW–Demon, with a bird-like face, confronting a German knight. Fifteenth century German woodcut by 'H.S.'
Art inspired by Decorated sideboard from the fifteenth century, Crédence du XVe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 344 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-decorated-sideboard-from-the-fifteenth-century-crdence-du-xve-sicle-muse-de-cluny-sraphin-mdric-mieusement-paris-1850-1900-cardboard-albumen-print-height-344-mm-width-259-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459750325.html
RF2HKYC6D–Art inspired by Decorated sideboard from the fifteenth century, Crédence du XVe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 344 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Piero della Francesca. Portrait of a Boy. (Guidobaldo Da Montefeltro?). ca. 1483. Tempera on panel. 41 x 27.5 cm. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piero-della-francesca-portrait-of-a-boy-guidobaldo-da-montefeltro-ca-1483-tempera-on-panel-41-x-275-cm-image460649742.html
RM2HNCBCE–Piero della Francesca. Portrait of a Boy. (Guidobaldo Da Montefeltro?). ca. 1483. Tempera on panel. 41 x 27.5 cm.
Pen and ink sketch - Dittisham, South Hams District, Devon - St George's church pulpit, the carved and painted stone pulpit dates from the 15th Century. Illustration from the book Glorious Devon by S.P.B. Mais, published by London Great Western Railway Company, 1928 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-ink-sketch-dittisham-south-hams-district-devon-st-georges-church-pulpit-the-carved-and-painted-stone-pulpit-dates-from-the-15th-century-illustration-from-the-book-glorious-devon-by-spb-mais-published-by-london-great-western-railway-company-1928-image594739043.html
RM2WFGKM3–Pen and ink sketch - Dittisham, South Hams District, Devon - St George's church pulpit, the carved and painted stone pulpit dates from the 15th Century. Illustration from the book Glorious Devon by S.P.B. Mais, published by London Great Western Railway Company, 1928
Phaeton Driving the Chariot of Phoebus by an unknown Northern Italian artist. 1475/1500. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/phaeton-driving-the-chariot-of-phoebus-by-an-unknown-northern-italian-artist-14751500-image554132803.html
RM2R5EX17–Phaeton Driving the Chariot of Phoebus by an unknown Northern Italian artist. 1475/1500.
Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-fresco-church-of-the-holy-cross-1487-patrauti-suceava-county-romania-image332629841.html
RF2A94GN5–Interior fresco, Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania
Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-italy-emilia-romagna-bologna-the-basilica-of-san-giacomo-maggiore-174590035.html
RMM417AB–Italy, Emilia Romagna, Bologna, The Basilica of San Giacomo Maggiore. In the church there is the chapel Bentivoglio, splendid half-fifteenth century architecture, full of Renaissance artwork.
Church of Saint Mary of the Assumption, Ufford, Suffolk, England, UK fifteenth century stained glass window of Saint Stephen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-saint-mary-of-the-assumption-ufford-suffolk-england-uk-fifteenth-century-stained-glass-window-of-saint-stephen-image245827719.html
RMT7XBNB–Church of Saint Mary of the Assumption, Ufford, Suffolk, England, UK fifteenth century stained glass window of Saint Stephen
Astrology illustration of Venus, ruler of Libra and Taurus from the Fifteenth Century Lombard Manuscript De Sphaera. Venus is the goddess of love and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astrology-illustration-of-venus-ruler-of-libra-and-taurus-from-the-image156510283.html
RMK2HJCY–Astrology illustration of Venus, ruler of Libra and Taurus from the Fifteenth Century Lombard Manuscript De Sphaera. Venus is the goddess of love and
Vase of porcelain with designs outlined in threads of clay and washed in with various coloured glazes Ming dynasty, fifteenth century. H 290mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-of-porcelain-with-designs-outlined-in-threads-of-clay-and-washed-in-with-various-coloured-glazes-ming-dynasty-fifteenth-century-h-290mm-from-chinese-art-one-hundred-plates-in-colour-reproducing-pottery-porcelain-of-all-periods-jades-lacquer-paintings-bronzes-furniture-etc-etc-by-hobson-r-l-robert-lockhart-1872-1941-publication-date-1927-publisher-new-york-the-macmillan-company-image592090354.html
RF2WB8182–Vase of porcelain with designs outlined in threads of clay and washed in with various coloured glazes Ming dynasty, fifteenth century. H 290mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company
The headpiece is a military helmet of the fifteenth century, is a modification or improvement of the bacinete. Old engraving of the book Historia de E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-headpiece-is-a-military-helmet-of-the-fifteenth-century-is-a-modification-or-improvement-of-the-bacinete-old-engraving-of-the-book-historia-de-e-image347318376.html
RM2B51M3M–The headpiece is a military helmet of the fifteenth century, is a modification or improvement of the bacinete. Old engraving of the book Historia de E
Christ Carrying the Cross (copy). Artist: After Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach); Engraved by Master WH (German, late 15th century); Reworked by Master AG (German, active late 15th century). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-carrying-the-cross-copy-artist-after-martin-schongauer-german-colmar-ca-143550-1491-breisach-engraved-by-master-wh-german-late-15th-century-reworked-by-master-ag-german-active-late-15th-century-date-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image213263606.html
RMPAXYWA–Christ Carrying the Cross (copy). Artist: After Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach); Engraved by Master WH (German, late 15th century); Reworked by Master AG (German, active late 15th century). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.
The Creation of the World and the Expulsion from Paradise, 1445. Detail from a larger artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-creation-of-the-world-and-the-expulsion-from-paradise-1445-detail-from-a-larger-artwork-image451401660.html
RM2H6B3BT–The Creation of the World and the Expulsion from Paradise, 1445. Detail from a larger artwork.
Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bursa-bursa-province-turkey-yeil-trbe-the-15th-century-green-tomb-133073873.html
RMHME129–Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I.
Old engraved illustration of bombing campaigning of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-engraved-illustration-of-bombing-campaigning-of-the-fifteenth-84425317.html
RFEW9W9W–Old engraved illustration of bombing campaigning of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875.
BARTOLOMEO, Fra (b. 1472, Firenze, d. 1517, Pian' di Mugnone) The Annunciation (front), Circumcision and Nativity (back) c. 1500 Tempera on wood, 19,5 x 9 cm Galleria degli Uffizi, Florence Stylistic elements make datable the diptych at the end of fifteenth century, probably among the works carried out by Baccio before he became a Dominican friar in July 1500. The pictures were conceived as doors of a little tabernacle commissioned by Piero del Pugliese: it had to enclose a lost marble Madonna by Donatello. The panels are in fact painted on both sides, representing on the front The An Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-fra-b-1472-firenze-d-1517-pian-di-mugnone-the-annunciation-front-circumcision-and-nativity-back-c-1500-tempera-on-wood-195-x-9-cm-galleria-degli-uffizi-florence-stylistic-elements-make-datable-the-diptych-at-the-end-of-fifteenth-century-probably-among-the-works-carried-out-by-baccio-before-he-became-a-dominican-friar-in-july-1500-the-pictures-were-conceived-as-doors-of-a-little-tabernacle-commissioned-by-piero-del-pugliese-it-had-to-enclose-a-lost-marble-madonna-by-donatello-the-panels-are-in-fact-painted-on-both-sides-representing-on-the-front-the-an-image605018979.html
RM2X48YTK–BARTOLOMEO, Fra (b. 1472, Firenze, d. 1517, Pian' di Mugnone) The Annunciation (front), Circumcision and Nativity (back) c. 1500 Tempera on wood, 19,5 x 9 cm Galleria degli Uffizi, Florence Stylistic elements make datable the diptych at the end of fifteenth century, probably among the works carried out by Baccio before he became a Dominican friar in July 1500. The pictures were conceived as doors of a little tabernacle commissioned by Piero del Pugliese: it had to enclose a lost marble Madonna by Donatello. The panels are in fact painted on both sides, representing on the front The An
Part of the rood screen above the altar of St. John the Baptist in St. Helen's Church, Ranworth, Norfolk Broads Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/part-of-the-rood-screen-above-the-altar-of-st-john-the-baptist-in-image8695429.html
RMAMC3M6–Part of the rood screen above the altar of St. John the Baptist in St. Helen's Church, Ranworth, Norfolk Broads
Image from page 281 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-281-of-a-christmas-garland-carols-and-poems-form-the-fifteenth-century-to-the-present-time-edited-by-a-h-bullen-with-illustrations-etc-image217051108.html
RMPH3EW8–Image from page 281 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' .
Illuminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. The Bedford Master is known to have been the head of a workshop. His chief assistant is known as the Chief Associate of the Bedford Master Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illuminated-manuscript-done-by-the-bedford-master-a-french-illuminator-104016287.html
RMG169RB–Illuminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. The Bedford Master is known to have been the head of a workshop. His chief assistant is known as the Chief Associate of the Bedford Master
Fire demon - hand-coloured woodcut from a late fifteenth century edition of Le Voiage de Maudeville Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-demon-hand-coloured-woodcut-from-a-late-fifteenth-century-edition-of-le-voiage-de-maudeville-image179155710.html
RMMBD6X6–Fire demon - hand-coloured woodcut from a late fifteenth century edition of Le Voiage de Maudeville
Art inspired by Two locks from the fifteenth century, Serrures de bahut, XVe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 259 mm × width 346 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-locks-from-the-fifteenth-century-serrures-de-bahut-xve-sicle-muse-de-cluny-sraphin-mdric-mieusement-paris-1850-1900-cardboard-albumen-print-height-259-mm-width-346-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459750323.html
RF2HKYC6B–Art inspired by Two locks from the fifteenth century, Serrures de bahut, XVe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 259 mm × width 346 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jan van Eyck (ca. 1390-1441). The Annunciation Diptych. ca. 1433-1435. Oil on panel. Left wing (The Archangel Gabriel): 38.8 x 23.2 cm. Right wing (Th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-van-eyck-ca-1390-1441-the-annunciation-diptych-ca-1433-1435-oil-on-panel-left-wing-the-archangel-gabriel-388-x-232-cm-right-wing-th-image460649738.html
RM2HNCBCA–Jan van Eyck (ca. 1390-1441). The Annunciation Diptych. ca. 1433-1435. Oil on panel. Left wing (The Archangel Gabriel): 38.8 x 23.2 cm. Right wing (Th
St George and the dragon: a medieval wall paintings in St. Peter and St. Paul's church in Pickering, North Yorkshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-george-and-the-dragon-a-medieval-wall-paintings-in-st-peter-and-st-pauls-church-in-pickering-north-yorkshire-image224991582.html
RMR2171J–St George and the dragon: a medieval wall paintings in St. Peter and St. Paul's church in Pickering, North Yorkshire
Emperor Heraclius Slays the King of Persia. 1460/80 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emperor-heraclius-slays-the-king-of-persia-146080-image554132696.html
RM2R5EWWC–Emperor Heraclius Slays the King of Persia. 1460/80
Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-the-holy-cross-1487-patrauti-suceava-county-romania-image332629793.html
RF2A94GKD–Church of the Holy Cross, 1487; Patrauti, Suceava County, Romania
Hermes Trismegistus, founder of human wisdom (1488) by Giovanni di Stefano. Part of the medieval pavement in Siena Duomo. Tourists in background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hermes-trismegistus-founder-of-human-wisdom-1488-by-giovanni-di-stefano-40187882.html
RMC9AM1E–Hermes Trismegistus, founder of human wisdom (1488) by Giovanni di Stefano. Part of the medieval pavement in Siena Duomo. Tourists in background.
Church of Saint Mary of the Assumption, Ufford, Suffolk, England, UK fifteenth century stained glass window of feathered angel with thurible Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-saint-mary-of-the-assumption-ufford-suffolk-england-uk-fifteenth-century-stained-glass-window-of-feathered-angel-with-thurible-image245827723.html
RMT7XBNF–Church of Saint Mary of the Assumption, Ufford, Suffolk, England, UK fifteenth century stained glass window of feathered angel with thurible
Pietrafitta, church of the Madonna del Fosso, fresco of the fifteenth century attibuited to the school of the Perugino painter, Umbria, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pietrafitta-church-of-the-madonna-del-fosso-fresco-of-the-fifteenth-89304512.html
RMF584PT–Pietrafitta, church of the Madonna del Fosso, fresco of the fifteenth century attibuited to the school of the Perugino painter, Umbria, Italy
Painting on panel by a fifteenth century artist of the Prague school; it represents St Augustine as an Episcopal scribe. The background and the ornaments of the dress are stamped in delicate relief on the gesso ground and then gilt. This picture, which is now in the Vienna Gallery, was originally part of the painted wall-panelling in the Chapel of the Castle of Karlstein. From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-on-panel-by-a-fifteenth-century-artist-of-the-prague-school-it-represents-st-augustine-as-an-episcopal-scribe-the-background-and-the-ornaments-of-the-dress-are-stamped-in-delicate-relief-on-the-gesso-ground-and-then-gilt-this-picture-which-is-now-in-the-vienna-gallery-was-originally-part-of-the-painted-wall-panelling-in-the-chapel-of-the-castle-of-karlstein-from-the-book-illuminated-manuscripts-in-classical-and-mediaeval-times-their-art-and-their-technique-by-middleton-j-h-john-henry-1846-1896-published-in-1892-image396890754.html
RF2E1KX5P–Painting on panel by a fifteenth century artist of the Prague school; it represents St Augustine as an Episcopal scribe. The background and the ornaments of the dress are stamped in delicate relief on the gesso ground and then gilt. This picture, which is now in the Vienna Gallery, was originally part of the painted wall-panelling in the Chapel of the Castle of Karlstein. From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
Fifteenth century handwriting from the first page of a Breviary. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fifteenth-century-handwriting-from-the-first-page-of-a-breviary-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image526079296.html
RM2NFTYE8–Fifteenth century handwriting from the first page of a Breviary. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-jerome-in-penitence-with-two-ships-in-a-harbor-dated-c-14801500-dimensions-sheet-201-x-28-cm-7-1516-x-11-in-medium-engraving-restrike-probably-late-18th-century-impression-museum-national-gallery-of-art-washington-dc-author-italian-15th-century-image225584856.html
RMR307P0–Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.
Border, Peru, A.D. 1000/1476. Detail from a larger artwork. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/border-peru-ad-10001476-detail-from-a-larger-artwork-image457050190.html
RM2HFGC52–Border, Peru, A.D. 1000/1476. Detail from a larger artwork.
Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I. Exterior. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bursa-bursa-province-turkey-yeil-trbe-the-15th-century-green-tomb-130524724.html
RMHG9WH8–Bursa, Bursa Province, Turkey. Yeşil Türbe. The 15th century Green Tomb of Sultan Mehmet I. Exterior.
Old engraved illustration of Bombard (weapon) of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-engraved-illustration-of-bombard-weapon-of-the-fifteenth-century-84425313.html
RFEW9W9N–Old engraved illustration of Bombard (weapon) of the fifteenth century. Industrial encyclopedia E.-O. Lami ? 1875.
The Sound and Light show at Hospices de Beaune (museum), Beaune FR Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sound-and-light-show-at-hospices-de-beaune-museum-beaune-fr-image331791077.html
RM2A7PAW9–The Sound and Light show at Hospices de Beaune (museum), Beaune FR
Painted figure of St. George in St. Helen's Church, Ranworth, Norfolk Broads, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painted-figure-of-st-george-in-st-helens-church-ranworth-norfolk-broads-image8695431.html
RMAMC3M8–Painted figure of St. George in St. Helen's Church, Ranworth, Norfolk Broads, England, UK
Image from page 152 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-152-of-a-christmas-garland-carols-and-poems-form-the-fifteenth-century-to-the-present-time-edited-by-a-h-bullen-with-illustrations-etc-image217046073.html
RMPH38DD–Image from page 152 of 'A Christmas Garland. Carols and poems form the fifteenth century to the present time. Edited by A. H. Bullen. With . illustrations, etc' .
Detail from an iIlluminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. His chief assistant is known as the Chief Associate of the Bedford Master. Noah's Ark is the vessel in the Genesis flood n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-from-an-iilluminated-manuscript-done-by-the-bedford-master-104016293.html
RMG169RH–Detail from an iIlluminated manuscript done by the Bedford Master a French illuminator active in Paris during the fifteenth century. His chief assistant is known as the Chief Associate of the Bedford Master. Noah's Ark is the vessel in the Genesis flood n
Fifteenth century frescoes of four Sibyls - from left to right, the Persian, the Erithraean, the Samian and the Europa - in Aarhus Cathedral, Denmark. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fifteenth-century-frescoes-of-four-sibyls-from-left-to-right-the-persian-the-erithraean-the-samian-and-the-europa-in-aarhus-cathedral-denmark-image179628481.html
RMMC6NXW–Fifteenth century frescoes of four Sibyls - from left to right, the Persian, the Erithraean, the Samian and the Europa - in Aarhus Cathedral, Denmark.
Art inspired by Silver coffin from the fifteenth century, Châsse ossuaire en argent ciselé, XVe, siècle, vue de 3/4, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-silver-coffin-from-the-fifteenth-century-chsse-ossuaire-en-argent-cisel-xve-sicle-vue-de-34-muse-de-cluny-sraphin-mdric-mieusement-paris-1850-1900-cardboard-albumen-print-height-345-mm-width-259-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459750272.html
RF2HKYC4G–Art inspired by Silver coffin from the fifteenth century, Châsse ossuaire en argent ciselé, XVe, siècle, vue de 3/4, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hans Memling. Portrait of a Young Man praying (recto). ca. 1485. Oil on panel. 29.2 x 22.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hans-memling-portrait-of-a-young-man-praying-recto-ca-1485-oil-on-panel-292-x-225-cm-image460649739.html
RM2HNCBCB–Hans Memling. Portrait of a Young Man praying (recto). ca. 1485. Oil on panel. 29.2 x 22.5 cm
LONDON, UNITED KINGDOM - DECEMBER 01, 2023: A technician holds a rediscovered painting by Rembrandt Harmensz. van Rijn ‘The Adoration of the Kings', estimate £10,000,000-15,000,000 during a photocall at Sotheby's auction house showcasing the highlights from the Old Masters Week Sales in London, United Kingdom on December 01, 2023. December's Masters Week Evening sale spans the early-fifteenth to the early-twentieth centuries and features a wide array of remarkable works from nearly every genre. (Photo by WIktor Szymanowicz/NurPhoto) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-united-kingdom-december-01-2023-a-technician-holds-a-rediscovered-painting-by-rembrandt-harmensz-van-rijn-the-adoration-of-the-kings-estimate-10000000-15000000-during-a-photocall-at-sothebys-auction-house-showcasing-the-highlights-from-the-old-masters-week-sales-in-london-united-kingdom-on-december-01-2023-decembers-masters-week-evening-sale-spans-the-early-fifteenth-to-the-early-twentieth-centuries-and-features-a-wide-array-of-remarkable-works-from-nearly-every-genre-photo-by-wiktor-szymanowicznurphoto-image574485885.html
RM2TAJ2H1–LONDON, UNITED KINGDOM - DECEMBER 01, 2023: A technician holds a rediscovered painting by Rembrandt Harmensz. van Rijn ‘The Adoration of the Kings', estimate £10,000,000-15,000,000 during a photocall at Sotheby's auction house showcasing the highlights from the Old Masters Week Sales in London, United Kingdom on December 01, 2023. December's Masters Week Evening sale spans the early-fifteenth to the early-twentieth centuries and features a wide array of remarkable works from nearly every genre. (Photo by WIktor Szymanowicz/NurPhoto)
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