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Famous japanese beauties Stock Photos and Images
RM2A2J7D2–Uma no Naishi, from the series Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu), c. 1781, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.2 x 18.8 cm
RMRXMJRJ–Uma no Naishi, from the series 'Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu). Torii Kiyonaga; Japanese, 1752-1815. Date: 1776-1786. Dimensions: 26.2 x 18.8 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.
RM2AHR4HP–Torii Kiyonaga. Uma no Naishi, from the series Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu). 1776–1786. Japan. Color woodblock print; chuban
![Uma no Naishi, from the series "Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu), c. 1781. Stock Photo](https://c8.alamy.com/comp/2J3N452/uma-no-naishi-from-the-series-quotmodern-versions-of-famous-japanese-beauties-wakoku-bijin-yatsushishu-c-1781-2J3N452.jpg "Uma no Naishi, from the series "Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu), c. 1781. Stock Photo")
RM2J3N452–Uma no Naishi, from the series "Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu), c. 1781.
RF2HK56PE–Inspired by Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties, Kitagawa Utamaro, Japanese, 1753-1806, Color woodblock print on paper, Japan, ca. 1803, Edo Period, 14 15/16 x 9 15/16 in., 38.0 x 25.2 cm, geisha, girls, haircut, japanese, mirror, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMT965XP–Seba. Print shows two men poling sampans on the Ohta River beneath a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation.
RM2B01DF1–Japan: 'Yôkihi'. Ukiyo-e woodblock print from the series 'Nogaku zue' (Pictures of No Theatre) by Kōgyo Tsukioka (1869-1927), 1897. A Japanese painting of Yang Gueifei, celebrated in Japan as Yokihi. Consort Yang Yuhuan (1 June 719 - 15 July 756), often known as Yang Guifei (Guifei being the highest rank for imperial consorts during her time), known briefly by the Taoist nun name Taizhen, is famous as one of the Four Beauties of ancient China. She was the beloved consort of Emperor Xuanzong of Tang during his later years.
RM2DKHBTX–Utagawa Kuniyoshi 1798-1861. Shin'yoshiwara Series: Famous Places in Edo (Tōto meisho). about 1832-33. Ōban horizontal. cm 25.3 x 36.7. detail.
RM2B01JKY–Japan: 'Reading the Letter Reflected in the Mirror'. Ukiyo-e woodblock print from the series 'The Chûshingura Drama Parodied by Famous Beauties' by Kitagawa Utamaro (c. 1753 - 31 October 1806), c. 1797. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
RF2TCTBC4–'Hairdressing' from the Serie Eight Views of Famous Teahouse Beauties. By Kitagawa Utamaro. Edo period, 18th century
RM2B034KJ–Consort Yang Yuhuan (1 June 719 — 15 July 756 CE), often known as Yang Guifei (Guifei being the highest rank for imperial consorts during her time), known briefly by the Taoist nun name Taizhen, is famous as one of the Four Beauties of ancient China. She was the beloved consort of Emperor Xuanzong of Tang during his later years. During the Anshi Rebellion, as Emperor Xuanzong was fleeing from the capital Chang'an to Chengdu, she was killed because his guards blamed the rebellion on her powerful cousin Yang Guozhong and the rest of her family. The story of Yang Guifei and the poem also became
RM2B02WTR–Consort Yang Yuhuan (1 June 719 — 15 July 756), often known as Yang Guifei (Guifei being the highest rank for imperial consorts during her time), known briefly by the Taoist nun name Taizhen, is famous as one of the Four Beauties of Ancient China. She was the beloved consort of Emperor Xuanzong of Tang during his later years. During the Anshi Rebellion, as Emperor Xuanzong was fleeing from the capital Chang'an to Chengdu, she was killed because his guards blamed the rebellion on her powerful cousin Yang Guozhong and the rest of her family.
RM2B02W5X–Kasamori Osen was a waitress at the Kagiya teashop near Kasamori Inari Shrine in Yanaka, a neighborhood of Edo; the shop was owned by her father, Kagiya Gohei. Osen was made famous as a local beauty by a number of ukiyo-e artists of the time, Suzuki Harunobu first among them, who took her as the subject of their prints. Along with Ofuji of the Hon'yanagi toothpick shop and Oyoshi of the Tsutaya teahouse, she was apparently categorized as one of 'The Three Beauties' of the time.
RM2H0Y85N–Act VII from the series The Storehouse of Loyal Retainers As Portrayed by Famous Beauties in Twelve Leaves, 1794–95. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 38.4 x 24.8 cm (15 1/8 x 9 3/4 in.).
RM2M93NP0–Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties Kitagawa Utamaro (Japanese, 1753-1806). Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties, ca. 1803. Color woodblock print on paper, 14 15/16 x 9 15/16 in. (38.0 x 25.2 cm). Asian Art ca. 1803
RM2A2JHX6–Tomimoto Toyohina, from the series Famous Beauties of Edo (Edo komei bijin), c. 1793/94, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock print, aiban, 33.6 x 23.3 cm
RMPAXYGC–'The 'Crouching Dragon' Plum Tree at Kameido' from the series An Array of Flowers, Beauties, and Famous Places (hana bijin meisho awase). Artist: Ogata Gekko (Japanese, 1859-1920). Culture: Japan. Dimensions: Image (each): 14 in. × 9 3/8 in. (35.6 × 23.8 cm). Date: 1895. In the years following the Russo-Japanese War, largely due to the growing popularity of photography, traditional woodblock printing declined. Only a few print artists, including Gekko, managed to survive commercially. His boldly composed, oversize triptych prints stood out from others' output, and came to be called shin nishi
![Tomimoto Toyohina, from the series "Famous Beauties of Edo (Edo komei bijin)", Japan, c. 1793/94. Stock Photo](https://c8.alamy.com/comp/2HFFMP7/tomimoto-toyohina-from-the-series-quotfamous-beauties-of-edo-edo-komei-bijinquot-japan-c-179394-2HFFMP7.jpg "Tomimoto Toyohina, from the series "Famous Beauties of Edo (Edo komei bijin)", Japan, c. 1793/94. Stock Photo")
RM2HFFMP7–Tomimoto Toyohina, from the series "Famous Beauties of Edo (Edo komei bijin)", Japan, c. 1793/94.
RF2HKKA2K–Art inspired by Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties, Kitagawa Utamaro, Japanese, 1753-1806, Color woodblock print on paper, Japan, ca. 1803, Edo Period, 14 15/16 x 9 15/16 in., 38.0 x 25.2 cm, geisha, girls, haircut, japanese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMT965WK–Yumiharizuki. Bow shaped moon. Bridge spanning a steep canyon with a crescent moon visible between the canyon walls. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation.
RF2HW3E5B–Art inspired by 亀戸龍眼寺の萩, Bush Clover at Ryuganji Temple, Kameido from the series hana bijin meisho awase (Collections of Flowers, Beauties and Famous Places) 亀戸龍眼寺の萩, Meiji period (1868–1912), series ca. 1889, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2PGRMYG–Landscapes and Beauties: Feeling Like Reading the Next Volume Edo period, 19th century by Utagawa Kuniyoshi
RM2M93NP7–Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties Kitagawa Utamaro (Japanese, 1753-1806). Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties, ca. 1803. Color woodblock print on paper, 14 15/16 x 9 15/16 in. (38.0 x 25.2 cm). Asian Art ca. 1803
RM2A2J908–The Chushingura Drama Parodied by Famous Beauties: A Set of Twelve Prints (Komei bijin mitate Chushingura, junimai tsuzuki), c. 1794/95, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock print, left sheet of oban diptych
RMPANR7G–Bush Clover at Ryuganji Temple, Kameido, from the series An Array of Flowers, Beauties and Famous Places (Hanabijin meisho awase kameido ryuganji no hagi). Artist: Ogata Gekko (Japanese, 1859-1920). Culture: Japan. Dimensions: Image (each): 14 in. × 9 3/8 in. (35.6 × 23.8 cm). Date: 1895. In the series An Array of Flowers, Beauties, and Famous Places, Gekko combines images of famous places for viewing seasonal flowers in Tokyo with depictions of women dressed in kimonos. These images of women are based on the socially constructed ideal of a good wife and mother of the modern era. Avoiding lou
RM2HH9RDF–Takigawa of the Ogiya Pleasure House early 19th century Utagawa Toyokuni I Japanese Robed in a splendid floral kimono, the famous courtesan, Takigawa of the Ogiya Pleasure House, sits before a hanging scroll portrait of Ono no Komachi in her late years. Ono no Komachi, a great poet of the Heian period, was admired for her beauty. Her legendary decline into decrepit old age was taken as a paradigm for the Buddhist concept of the ephemerality of life and its pleasures. Toyokuni shows the two famous beauties—one his contemporary and the other her predecessor by many centuries—facing each other in
RM2A52BTX–Takigawa of Ogiya, from the series Beauties as the Seven Komachi, c. 1793-97. Former text: Takigawa was a well-known courtesan of the famous Ogiya geisha house in the Yoshiwara district of Edo (now Tokyo), which was popular during the 1790s.
RM2H0Y5YE–The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; sheet: 33 x 22.3 cm (13 x 8 3/4 in.). The courtesan Takigawa worked for the Ogiya, 'House of Fans' brothel, one of the most prestigious in the Yoshiwara. Here, she smokes tobacco, a fashionable trend in 18th-century Edo. Fashion-conscious women in Edo purchased prints of the most famous beauties just as contemporary women buy fashion magazines to learn about the latest styles in make-up and hair. The strands of hair at her templ
RMT965WP–Gekka momo ni tsubakura. Moon, swallows, and peach blossoms. Two swallows with peach blossoms and a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation. Utagawa Hiroshige, 1850s.
RF2HTW0C4–Art inspired by 'The ‘Crouching Dragon’ Plum Tree at Kameido from the series An Array of Flowers, Beauties, and Famous Places (hana bijin meisho awase), 「花美人名所合 亀戸 臥龍梅」, Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (each, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2JR6H–Act Eleven from the series The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki), c. 1794/95, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock prints, oban diptych, 39.2 x 51.8 cm
RMRXD17Y–Tomimoto Toyohina, from the series 'Famous Beauties of Edo (Edo komei bijin)'. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1788-1799. Dimensions: 33.6 x 23.3 cm. Color woodblock print; aiban. Origin: Japan. Museum: The Chicago Art Institute.
![The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. The courtesan Takigawa worked for the Ogiya, "House of Fans" brothel, one of the most prestigious in the Yoshiwara. Here, she smokes tobacco, a fashionable trend in 18th-century Edo. Fashion-conscious women in Edo purchased prints of the most famous beauties just as contemporary women buy fashion magazines to learn about the latest styles in make-up and hair. The strands of hair at her temple were printed from thin pieces of wood left in relief when the areas on either side of them Stock Photo](https://c8.alamy.com/comp/2A52EKN/the-courtesan-takigawa-of-ogiya-from-the-series-a-selection-of-beautiful-women-of-the-east-c-1798-the-courtesan-takigawa-worked-for-the-ogiya-quothouse-of-fansquot-brothel-one-of-the-most-prestigious-in-the-yoshiwara-here-she-smokes-tobacco-a-fashionable-trend-in-18th-century-edo-fashion-conscious-women-in-edo-purchased-prints-of-the-most-famous-beauties-just-as-contemporary-women-buy-fashion-magazines-to-learn-about-the-latest-styles-in-make-up-and-hair-the-strands-of-hair-at-her-temple-were-printed-from-thin-pieces-of-wood-left-in-relief-when-the-areas-on-either-side-of-them-2A52EKN.jpg "The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. The courtesan Takigawa worked for the Ogiya, "House of Fans" brothel, one of the most prestigious in the Yoshiwara. Here, she smokes tobacco, a fashionable trend in 18th-century Edo. Fashion-conscious women in Edo purchased prints of the most famous beauties just as contemporary women buy fashion magazines to learn about the latest styles in make-up and hair. The strands of hair at her temple were printed from thin pieces of wood left in relief when the areas on either side of them Stock Photo")
RM2A52EKN–The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. The courtesan Takigawa worked for the Ogiya, "House of Fans" brothel, one of the most prestigious in the Yoshiwara. Here, she smokes tobacco, a fashionable trend in 18th-century Edo. Fashion-conscious women in Edo purchased prints of the most famous beauties just as contemporary women buy fashion magazines to learn about the latest styles in make-up and hair. The strands of hair at her temple were printed from thin pieces of wood left in relief when the areas on either side of them
RMT965Y0–Tsuki ni tomari fune. Sailboats moored under the moon. Print shows sailboats at dock and low buildings under the light of a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation.
RF2HTW0BE–Art inspired by Bush Clover at Ryūganji Temple, Kameido, from the series An Array of Flowers, Beauties and Famous Places (Hanabijin meisho awase kameido ryūganji no hagi), 「花美人名所合 亀戸龍 眼寺の萩」, Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B8WKW5–Uma no Naishi, from the series Modern Versions of Famous Japanese Beauties (Wakoku bijin Yatsushishu), c. 1781, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.2 x 18.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HB29B0–Beauty Fixing Hair, from the series Scenery of Famous Places and Twelve Physiognomies of Beauties, Kitagawa Utamaro, Japanese, 1753-1806, Color woodblock print on paper, Japan, ca. 1803, Edo Period, 14 15/16 x 9 15/16 in., 38.0 x 25.2 cm, geisha, girls, haircut, japanese, mirror
RMRXMY8H–The Chushingura Drama Parodied by Famous Beauties: A Set of Twelve Prints (Komei bijin mitate Chushingura, junimai tsuzuki). Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1789-1800. Dimensions: . Color woodblock print; left sheet of oban diptych. Origin: Japan. Museum: The Chicago Art Institute.
![Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series "Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)", c. 1773/75. Stock Photo](https://c8.alamy.com/comp/2H963YC/karauta-of-the-ogiya-in-evening-snow-ogiya-karauta-bosetsu-from-the-series-quoteight-views-of-famous-beauties-of-the-pleasure-quarters-seiro-meifu-hakkeiquot-c-177375-2H963YC.jpg "Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series "Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)", c. 1773/75. Stock Photo")
RM2H963YC–Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series "Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)", c. 1773/75.
RMT965YE–Fukeiga. Landscape. Print shows a moonlight night with a man poling a small boat as the moon rises from behind a grove of trees. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation.
RF2B8X7HC–Tomimoto Toyohina, from the series Famous Beauties of Edo (Edo komei bijin), c. 1793/94, Kitagawa Utamaro ??? ??, Japanese, 1753 (?)-1806, Japan, Color woodblock print, aiban, 33.6 x 23.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2A2J7DE–Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei), c. 1773/75, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 1/2 x 7 5/8 in
RMRXKC0F–Act Eleven from the series 'The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki)'. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1790-1799. Dimensions: 39.2 x 51.8 cm. Color woodblock prints; oban diptych. Origin: Japan. Museum: The Chicago Art Institute.
RMKC6KM6–'The ‘Crouching Dragon’ Plum Tree at Kameido from the series An Array of Flowers, Beauties, and Famous Places (hana bijin meisho
![Act Eleven from the series "The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki)", Japan, c. 1794/95. Stock Photo](https://c8.alamy.com/comp/2J3N83M/act-eleven-from-the-series-quotthe-chushingura-drama-parodied-by-famous-beauties-komei-bijin-mitate-chushingura-junimai-kuzukiquot-japan-c-179495-2J3N83M.jpg "Act Eleven from the series "The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki)", Japan, c. 1794/95. Stock Photo")
RM2J3N83M–Act Eleven from the series "The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki)", Japan, c. 1794/95.
RMT965X9–Chushu. Mid-Autumn. Shows two women, one sitting, the other reclining, on a bench between blossoming plants and beneath a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation.
RMT965Y1–Yoru no fukagawa sanbashi. Sanbashi Bridge in Fukugawa at night. Print shows a person standing on a dock attached to a building, a small boat with passengers arriving or departing, under a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry.
RF2B8WNE2–The Chushingura Drama Parodied by Famous Beauties: A Set of Twelve Prints (Komei bijin mitate Chushingura, junimai tsuzuki), c. 1794/95, Kitagawa Utamaro ??? ??, Japanese, 1753 (?)-1806, Japan, Color woodblock print, left sheet of oban diptych, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMT965RK–Enchu no tsuki. Moon through the smoke of a blaze. Shows firemen standing on the rooftops of buildings, signaling to each other during a conflagration. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry. The symbolic meaning of the moon is closely tied to the act of rejuvenation. Taiso Yoshitoshi, 1886.
RMT965XD–Hitotsuya no tsuki. Moon over a single dwelling. An old woman holding a small firebrand or torch as she sneaks around the corner at the entrance to a room in a lonely, isolated house, with the moon shining in the background. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry.
RMT965XG–Ishiyama no shugestu. Autumn moon at Ishiyama. Bird's-eye view of the Buddhist temple at Ishiyama-dera, and a building on a bluff, also a bridge across the Seta River, and mountains in the distance, under a full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry.
RMRXMHX1–Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series 'Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)'. Isoda Koryusai; Japanese, 1735-1790. Date: 1768-1780. Dimensions: 10 1/2 x 7 5/8 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.
RMKC6KM7–Bush Clover at Ryūganji Temple, Kameido, from the series An Array of Flowers, Beauties and Famous Places (Hanabijin meisho awase
RM2J3N81P–The Chushingura Drama Parodied by Famous Beauties: A Set of Twelve Prints (Komei bijin mitate Chushingura, junimai tsuzuki), Japan, c. 1794/95.
RF2B8XHPH–Act Eleven from the series The Chushingura Drama Parodied by Famous Beauties (Komei bijin mitate Chushingura Junimai Kuzuki), c. 1794/95, Kitagawa Utamaro ??? ??, Japanese, 1753 (?)-1806, Japan, Color woodblock prints, oban diptych, 39.2 x 51.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMT965WW–Yugao dana noryo zu. Cooling beneath a evening glory canopy. A couple in the country with a child and a teapot, sitting on a mat beneath a trellis covered with yugao vines, enjoying the full moon. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry.
RMRX5DGJ–Takigawa, from the series 'Array of Supreme Beauties of the Present Day (Toji zensei bijin zoroe)'. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1789-1799. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
RMKC71AP–亀戸龍眼寺の萩, Bush Clover at Ryuganji Temple, Kameido from the series hana bijin meisho awase (Collections of Flowers
RF2B8WKWF–Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei), c. 1773/75, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 1/2 x 7 5/8 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMT965T1–A fairy moon and a lonely shore. Shows a man with a shoulder pole walking along a moonlite shore. The term fairy moon (black moon) refers to an additional new moon that appears in a month or in a season. It may also refer to the absence of a full moon or of a new moon in a month. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature.
RMT965YJ–Kyobashi takegashi. Bamboo yards, Kyobashi. Print shows pedestrians crossing the Kyo Bridge as a man poles a boat on the river below, with long pieces of bamboo along the bank on the left, and a full moon overhead. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature. And not only have they contemplated such scenes, they've also made them favored themes for paintings and poetry.
RMT965RG–Tamagawa no shugetsu. Autumn moon over Tama River. People on shore and in boats fishing on the Tama River beneath a full moon. A black moon refers to an additional new moon that appears in a month or in a season. It may also refer to the absence of a full moon or of a new moon in a month. Since ancient times the Japanese have contemplated the combination of snow, flowers, moon, and the beauties of nature.
Search Results for Famous japanese beauties Stock Photos and Images (76)
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