RM2DN7268–Button, Brass, Components -a/-f,-i are on card F, Two buttons have components rubbed off, possibly -g,-j, France, 19th century, metalwork, Decorative Arts, Button
RM2B0CBFK–Building fragment of tufa stone, building fragment, stone, tuff, 12 x 10.5 x 10 cm (f), 211 kg (a-i together), Netherlands, unknown, unknown, unknown
RMW58MXK–Life and letters of Alexander Goodman More, F.R.S.E., F.L.S., M.R.I.A., with selections from his zoological and botanical writings; : More, Alexander Goodman, 1830-1895
RM2DC9HJ9–Charles-Nicolas Cochin II, (artist), French, 1715 - 1790, I.F.A. Brunet de Neuilly, etching on laid paper, sheet (trimmed within plate mark): 19.6 x 14.5 cm (7 11/16 x 5 11/16 in
RM2DCARMK–Master I.A.V.F., (artist), Venetian, active 16th century, Inscription in a Laurel Wreath, 1555, bronze, overall (diameter): 5.7 cm (2 1/4 in.), gross weight: 83.76 gr (0.185 lb.), axis: 12:00
RM2B0GPXT–Albrecht Dürer, German, 1471–1528, The Triumphal Arch of Maximilian I: Detail A-F, H, I, N, P-R, T, V, 1515–1517, Woodcut on paper, Border: 20 3/4 x 16 15/16 in. (52.7 x 43 cm
RM2A2KP89–Madeleine de la Tour d’Auvergne, published 1761, F.A. (German?, active 18th century), after I.Z. (German?, active 18th century), published by Giuseppe Allegrini, Florence, 1761, Germany, Engraving on ivory laid paper, 354 × 256 mm (plate), 418 × 314 mm (sheet
RM2DCFKMW–Master I.A.V.F., (artist), Venetian, active 16th century, Pietro Lauro, born 1508, Modenese Poet and Scholar, 1555, bronze, overall (diameter): 5.7 cm (2 1/4 in.), gross weight: 83.76 gr (0.185 lb.), axis: 12:00
RM2A2T7PX–Butterflies 1, Fig. A-B: Dedalus, Fig. C-D: Liriope, Fig. E-F: Lucinda, PL., I, after p. 29, 1775, Pieter Cramer: De uitlandsche kapellen voorkomende in de drie waereld-deelen Asia, Africa en America. Bd. 1. Amsterdam [etc.]: chez S. J. Baalde, 1775-1791
RM2A2WCNW–Negative - 2nd Field Ambulance, Anzac Day, Melbourne, post 1918, Panoramic negative. Anzac Day marchers, Melbourne, 2nd Field Ambulance, A.I.F., post World War I. Donated by the RSL in 1988, the photograph was one of several in turn donated to the RSL by Mrs Glad Shepperd. The group is described as 'Post W.W.I. marchers in Melbourne
RM2A2WCNX–Photograph - 2nd Field Ambulance, Anzac Day, Melbourne, post 1918, Panoramic contact print of Anzac Day marchers, Melbourne, 2nd Field Ambulance, A.I.F., post World War I. Donated by the RSL in 1988, the photograph was one of several in turn donated to the RSL by Mrs Glad Shepperd. The group is described as 'Post W.W.I. marchers in Melbourne
RM2CTBPW5–A. Nozh koniushago i boiarina Dmitriia Ivanovicha Godunova. B. Charka stol'nika Fed Vas. Buturlina. C. Serebrianaia moneta B.K.Iaroslava I. D. Sokolinyi kogot', opravlennyi serebrom, E. Medvezhii kogot', opravlennyi serebrom, prinadlezhashchii kn. Iv. Fed. Zasekinu. Ris. Akad. F. Solntsev. Khromolitografiia F. Dregera., text, Prints, 1849 - 1853, Solnt͡sev, F. G. (Fedor Grigorʹevich), 1801-1892
RM2DT3TKB–Artist: John William Orr, American, 1815–1887, After: I.F. Runge, American, Residence of A.N. Skinner, Hillhouse Avenue, New Haven, 19th century, Wood engraving on wove paper, 24.1 × 31.1 cm (9 1/2 × 12 1/4 in.), Made in United States, Depicted New Haven, Connecticut, American, 19th century, Works on Paper - Prints
RM2A2WEMC–Photograph - 'Colonel Elliott, Capt. Blizzard, Capt. Finlayson, 7th A.I.F.', Egypt, Captain Edward Albert McKenna Album, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting Colonel Elliott and Captains Blizzard and Finlayson. Lieutenant-Colonel Harold Edward Pompey Elliott was the officer in charge of the 7th Battalion. By the end of the war Colonel
RM2A2TD13–Specimens of windows, Various stained-glass windows and east sides of churches, signed: Drawn by F. Mackenzie, I. A. Repton; Etch'd by J. Le Keux; Published by Longman & Co, Fig. 77, after p. 260, Mackenzie, F. (drawing); Repton, John Adey (drawing); Keux, John Le (etching); Longman & Co. (published), 1820, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 5. London: J. Taylor, 1807-1826
RM2A2RRWH–Prospect of the artificial Elbe bridge to Meissen with a Hängewerck, Bridge of the Elbe in Meissen, Signed: I. A. Richter del, C. F. Boëtius sculps, Fig. 16, no. 20, after p. 96, Richter, Johann Adolf (del.); Boetius, Christian Friedrich (sc.); Breitkopf, Bernhard Christoph (ed.), 1735, Carl Christian Schramm: Historischer Schauplatz in welchem die merkwürdigsten Brücken aus allen Theilen der Welt, insonderheit aber die in den vollkommensten Stand versetzte Dresdner Elb-Brücke, in saubern Prospecten, Münzen und andern Kupferstichen, vorgestellet und beschrieben werden. Leipzig: Bey Bernhard
RM2A2RRW2–Cross on the Augustus Bridge in Dresden, Crucifix by Abraham Walther and Andreas Herold in Dresden, Signed: I. A. Richter del, C. F. Boëtius sculp, Fig. 3, no. 3, after p. 96, Richter, Johann Adolf (del.); Boetius, Christian Friedrich (sc.); Breitkopf, Bernhard Christoph (ed.), 1735, Carl Christian Schramm: Historischer Schauplatz in welchem die merkwürdigsten Brücken aus allen Theilen der Welt, insonderheit aber die in den vollkommensten Stand versetzte Dresdner Elb-Brücke, in saubern Prospecten, Münzen und andern Kupferstichen, vorgestellet und beschrieben werden. Leipzig: Bey Bernhard
RM2A2RRW7–Bridges Memorial coins, Coins with Augustus Bridge in Dresden and equestrian statue of August II, signed: I. A. Richter del, C. F. Boëtius sculp, Fig. 7, no. 8, after p. 96, Richter, Johann Adolf (del.); Boetius, Christian Friedrich (sc.); Breitkopf, Bernhard Christoph (ed.), 1735, Carl Christian Schramm: Historischer Schauplatz in welchem die merkwürdigsten Brücken aus allen Theilen der Welt, insonderheit aber die in den vollkommensten Stand versetzte Dresdner Elb-Brücke, in saubern Prospecten, Münzen und andern Kupferstichen, vorgestellet und beschrieben werden. Leipzig: Bey Bernhard
RM2DNP208–Rudolph Dührkoop, Otto Patow i.F. D.A. Cord's sons, member of the Bürgerschaft from the portfolio Hamburgische Männer und Frauen am Anfang des XX. Century, Staatliche Landesbildstelle Hamburg, Collection on the history of photography, paper, heliogravure, picture size: Height: 22,30 cm; width: 14,80 cm, signed: recto below the picture: Exposed signature of the sitter, inscribed: recto: engraved on printing plate, below the picture: photograph and photogravure R. Dührkoop, Hamburg, top left above picture 117; top right in the corner in lead: 88, stamp: recto: handwritten addition: Inv.Nr. and
RMW57571–Twelve-year-and-a-half marriage of F.I. van Heeckeren van Brandsenburg and C.A. Voorduin, Bronze Medal. Obverse: winged wedding god Hymen holds a burning torch in his left hand and places rosary on his altar with his right hand, on which lie two connected burning hearts, cut: signature. Reverse: blank field within myrtekrans. Anniversary medal in honor of twelve and a half years of marriage., Frans Jan baron van Heeckeren van Brandsenburg, Cornelia Adriana Voorduin, David van der Kellen (1804-1879), Utrecht, 1824, bronze (metal), striking (metalworking), d 4.2 cm × w 34.74
RMW5756W–Twelve-year-and-a-half marriage of F.I. van Heeckeren van Brandsenburg and C.A. Voorduin, Bronze Medal. Obverse: winged wedding god Hymen holds a burning torch in his left hand and places rosary on his altar with his right hand, on which lie two connected burning hearts, cut: signature. Reverse: inscription under sky light. Anniversary medal in honor of twelve and a half years of marriage., Frans Jan baron van Heeckeren van Brandsenburg, Cornelia Adriana Voorduin, David van der Kellen (1804-1879), Utrecht, 1824, bronze (metal), striking (metalworking), d 4.1 cm × w 35.19
RMH4KYH2–Past Grand Masters of Dakota I.O.O. F., 1890, at Deadwood, S.D. A.E. Clough, A.E.Nugent, H.J. Rowe, Wm. A. Bently, F.W. Miller
RMRYDTRY–Past Grand Masters of Dakota I.O.O. F., 1890, at Deadwood, S.D. A.E. Clough, A.E.Nugent, H.J. Rowe, Wm. A. Bently, F.W. Miller, F.S. Emeison. A.G. Smith, R.R. Briggs, Zina Richey, H.J. Rice
RM2A2RFK8–The Rhone Glacier in the Valais countryside, View of the Rhone Glacier, Signed: drawn after the nature of F. Meyer, dug by A. Zingg, pl. 3, after p. 232 (part 1), Meyer, F. (gezeichnet); Zingg, Adrian (gegraben), 1778, Gottlieb Sigmund Gruner, Reisen durch die merkwürdigsten Gegenden Helvetiens (...). Londen [i. e. Bern]: bey der typographischen Gesellschaft, 1778
RM2A2WM04–Photograph - 'Near Y.M.C.A. Tent', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting a group of servicemen marching near the Y.M.C.A. tent at Mena Camp. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2DNW46N–Martin Engelbrecht, Jeremias Wachsmuth, I. F. Hildt, Zwei Gefäße, leaf from the series Einige und nach der neuesten Façon eingerichtete Vassi oder Geschirr, etching, sheet size: height: 22,4 cm; width: 37 cm, recto: signed, numbered and inscribed on the plate: C. Priv. Maj, I. F. Hildt inv. et delin, I. Wachsmuth sculpsit, Mart. Engelbrecht excudit A. V, 181st as well as inscribed by a foreign hand in lead: 1893rd, prints, printed matter, rocaille, rococo, sheet 2 ( consecutive number 181) of the set Einige und nach der neuesten Façon eingerichtete Vassi
RM2CTD28Y–Canaux et Chambres sépulcrales de la Seconde Pyramide de Memphis. (a. Façade du faux portail de la pyramide, b. Profil du même portail et du premier canal de l'entrée, c. Endroit où l'on a forcé I'entrée du second canal, d. Premier canal, e. Second Canal, f. Plan de la chambre sépulcrale royale d'en haut, g. Coupe de cette chambre, h. Plan de la chambre sépulcrale d'en bas, i. Coupe de la même chambre, k. Entresole du cinquième canal, l. L'entresole en face, m. Sarcophage de porphir sic verd., still image, Illustrations, 1780, Norden, Frederik Ludvig, 1708-1742, Tuscher, Markus, 1705-1751
RM2B0MX8E–Inlays, Sasanian or Islamic, late Sasanian–early Islamic, Date ca. 7th–8th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Shell, a) 2.3 cm x D. .4 cm, b) H. 4 cm x W. 3.5 cm x D. .4cm + extra piece 1.2 cm x 1.3 cm x .2 cm, c) 5.1 cm x 1.4 cm x .4 cm, d) 3.8 cm x 1.9 cm x .4 cm, e)3 cm x 4 cm x .5 cm, f) 3.2 cm x 1.6 cm x .4 cm, g) 3.1 cm x 1.8 cm x .4 cm, h) 1.7 cm x 2.2 cm x .4 cm, i) 2.5 cm x 1.4 cm x .4 cm, j) 2.7 cm x 1 cm x .4 cm, k) 2 cm x 2 cm x .3 cm, l) 1.4 cm x 1.2 cm x .4 cm, Shell-Ornaments
RM2A2WPDJ–Negative - Merbein, Victoria, 1920, Members of the I.O.O.F. on a parade float drawn by two horses
RMH4KFA5–Charles-Nicolas Cochin II, French (1715-1790), I.F.A. Brunet de Neuilly, etching on laid paper
RMEDYRD2–Charles-Nicolas Cochin II, French (1715-1790), I.F.A. Brunet de Neuilly, etching on laid paper
RMPR3CAJ–Arrival in Palestine of Mr. Antony [i.e., Anthony] Eden. A.I.F. [i.e., Australian Imperial Forces] camp & troops inspected
RMPR3CA1–Arrival in Palestine of Mr. Antony [i.e., Anthony] Eden. A.I.F. [i.e., Australian Imperial Forces] troops & camps, gen[eral
RMPR1Y6X–R.A.F. [i.e., Royal Air Force] activities against Arab rebellion. Group of R.A.F. staff at Ramleh with wing commander A.H
RM2B0FPX9–a buckle b rie end fitting c belt tongue d belt passant belt hanger f belt hanger g belt hanger h belt end fitting box i belt end fittings, belt fittings, metal, bronze, 34.4 x 12 cm, vmea 375-450, Netherlands, Utrecht, Rhenen, Rhenen, grave 846
RM2A2TJ59–For Alexander choice steeds I, Horses selected as a gift for Alexander the Great, tab. VIII, after p. 15, Oberbeck, F. (Zeichn.); Amsler, S. (gest.), Hermann Lücke: Der Einzug Alexander des Grossen in Babylon: Marmorfries von B. Thorwaldsen: nach Zeichnungen von F. Overbeck in Kupfer gestochen von S. Amsler. Leipzig: Dürr, 1873
RMW57BKB–Fire spray token with No. 16 and monograms I.D.F and B.S, Brass token. Front: two crossed anchors, the letters I, D and F within a shaded border between them. Reverse: monogram of letters B and S, number above 16, below that the letter B, anonymous, Netherlands, c. 1400 - c. 1885, brass (alloy), engraving, d 4.4 cm × w 25.95
RM2DNW44E–Martin Engelbrecht, Jeremias Wachsmuth, I. F. Hildt, Drei Gefäße, leaf from the series Einige und nach der neuesten Façon eingerichtete Vassi oder Geschirr, etching, sheet size: height: 22 cm; width: 35.2 cm, signed, numbered and inscribed in the plate: signed, numbered and inscribed in the plate C. Priv. Maj, I. F. Hildt inv. et del, I. Wachsmuth sculpsit, Mart. Engelbrecht excud. A.
RM2A2WD15–Photograph - 57th Battalion, 2nd Reinforcements, Broadmeadows, World War I, Mar-Jul 1916, Group portrait of Australian servicemen of the 2nd Reinforcements, 57th Battalion, A. I. F., circa 1916. Acquired with a collection of material associated with the World War I service of Thomas Hewitt, who was born in Ballarat. Thomas Joseph Hewitt, service #1937, was a 23-year-old linotype operator when he enlisted on 13 March 1916 in Melbourne to fight in World War I
RM2A2TCK4–The Ground Plan, Henry VII Chapel floor plan in Westminster Abbey, signed: Engraved by John Roffe from F. Mackenzie, drawing Fig. 9, Pl. I, p. 8, Mackenzie, F. (drawing); Roffe, John (engr.), 1812, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 2. London: J. Taylor, 1807-1826
RM2A2TCJ8–Malmesbury Abbey-Church I.N. Wiltshire, Malmsbury Abbey Church, signed: Engraved by J. Smith from a Drawing by F. Nash, Fig. 51, Pl. V, according to p. 12, Nash, F. (Drawing); Smith, J. (engr.), 1806, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 1. London: J. Taylor, 1807-1826
RM2A2THKR–Profile from the hut, Copper engraving of a metallurgical plant, Signed: F. F. Boutterweck delin, I.G. Schmidt sculpsit, Nro: II., Boutterweck, F. F. (del.); Schmidt, I. G. (sc.), 1738, Christoph Andreas Schlüter: Gründlicher Unterricht von Hütte-Werken, worin gezeiget wird, wie man Hütten-Werke auch alle dazu gehörige Gebäude und Oefen aus dem Fundament recht anlegen solle [...]. Braunschweig: gedruckt bey Friedrich Wilhelm Meyer, 1738
RM2B0CEX8–Beam, gold-colored (copper alloy). Beam with a thickened edge and 2 letters in the middle, the F and the I. on one side a 3-lobe protrusion. In the two outer lobes a small pearl. The back is hollow, but half filled with rubbish. No confirmation visible., Belt stroke, metal, copper alloy, L: 3,2 cm B: 1,25 cm, D: 0,2 cm, end of the 14th century 1350-1400, Netherlands, Zeeland, Hulst, Verdronken Land
RM2DNW46D–Martin Engelbrecht, Jeremias Wachsmuth, I. F. Hildt, Eine Rocaille-Kartusche mit Titel, title page of the series Einige und nach der neuesten Façon eingerichtete Vassi oder Geschirr, etching, sheet size: height: 21,7 cm; width: 33 cm, recto: signed, numbered and inscribed in the plate: No. 37, Some Vassi or crockery furnished according to the latest fashion, Invented and drawn by I.F. Hildt, C. Private Maj, I. Wachsmuth sculpsit, Mart. Engelbrecht excud. A. V, 1st, No.
RM2A2T6RM–Naumachia or Roman ship-dispute ..., Illustration of a Naumachia for the reconstruction of naval battles from the 18th century, signed: I. B. F. v. Chr., E. del, Delsenbach Sculp, TA., VI, S. 107, Fischer von Erlach, Johann Bernhard (del.); Delsenbach, Johann Adam (sculp.), Johann Bernhard Fischer von Erlach: Entwurff einer historischen Architectur, in Abbildung unterschiedener berühmten Gebäude, des Alterthums, und fremder Völcker, umb aus den Geschichtbüchern, Gedächtnüsz-Müntzen, Ruinen, und eingeholten wahrhafften Abriszen, vor Augen zu stellen [...]. Andres Buch. Wien, 1721
RM2DNP1YE–Rudolph Dührkoop, Dr. J. A. Repsold i. F. Repsold & Söhne, Mechanische Werkstatt Oscar Ph. Repsold i. F. Repsold & Söhne, Mechanische Werkstatt, member of the Bürgerschaft from the portfolio Hamburgische Männer und Frauen am Anfang des XX. Century, Staatliche Landesbildstelle Hamburg, Collection on the history of photography, paper, heliogravure, picture size: Height: 17,00 cm; Width: 22,30 cm, signed: recto below the picture: Exposed signature of the sitter, inscribed: recto: engraved on printing plate, below the picture: photograph and photogravure R. Dührkoop, Hamburg, top left above
RM2DNP203–Rudolph Dührkoop, Edmund J. A. Siemers i. F. G. J. H. Siemers & Co, member of the Bürgerschaft from the portfolio Hamburgische Männer und Frauen am Anfang des XX. Jahrhunderts, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, heliogravure, image size: height: 16,50 cm; width: 22,30 cm, signed: recto below the image: imprinted signature of the sitter, inscribed: recto: engraved on printing plate, below the image: photograph and photogravure R. Dührkoop, Hamburg, top left above picture 39; top right in the corner in lead notated: 110, stamp: recto
RM2DNW47C–Martin Engelbrecht, Jeremias Wachsmuth, I. F. Hildt, Zwei Gefäße/Ziervasen, leaf from the series Einige und nach der neuesten Façon eingerichtet Vassi oder Geschirr, etching, sheet size: height: 22.1 cm; width: 35 cm, signed, numbered and inscribed:C. P. Maj, I. F. Hildt inv. et del, I. Wachsmuth sculpsit, Mart. Engelbrecht excud. A. V, 4th, 183rd as well as inscribed in lead by someone else: 1893, prints, printed matter, rocaille, rococo, sheet 4 ( consecutive number 183) of the set Einige und nach der neuesten Façon eingerichtet Vassi oder Geschirr Inventirt and drawn by I.F.
RM2DNW47W–Martin Engelbrecht, Jeremias Wachsmuth, I. F. Hildt, Zwei Gefäße, leaf from the series Einige und nach der neuesten Façon eingerichtete Vassi oder Geschirr, etching, sheet size: height: 22.7 cm; width: 33.8 cm, recto: signed, numbered and inscribed in the plate:C. Priv. Maj, I. F. Hildt inv. et del, I. Wachsmuth sculpsit, Mart. Engelbrecht excud. A. V, 182. as well as inscribed in lead by someone else: 1893, prints, printed matter, rocaille, rococo, sheet 3 ( consecutive number 182) of the set Einige und nach der neuesten Façon eingerichtet Vassi oder Geschirr Inventirt and drawn by I.F.
RMW5315N–The Happier Days of Charles I, by F. Goodall, A.R.A., Caldesi & Montecchi (British, active 1850s), London, England, 1858, Albumen silver print, 15 × 24.5 cm (5 7/8 × 9 5/8 in
RMRYDW2R–Deadwood. Grand Lodge I.O.O.F. of Dakotas. Street Parade, May 21, 1890
RMDDXF0P–Deadwood. Grand Lodge I.O.O.F. of Dakotas. Street Parade, May 21, 1890
RMDDXE6A–Past Grand Masters of Dakota I.O.O. F., 1890, at Deadwood
RMRYDW2T–Deadwood. Grand Lodge I.O.O.F. of the Dakotas, Resting in Front of City Hall after the Grand Parade, May 21, 1890
RMDDXJ1A–Deadwood. Grand Lodge I.O.O.F. of the Dakotas, resting in front of City Hall after the Grand Parade, May 21, 1890
RMH4KYPW–Deadwood. Grand Lodge I.O.O.F. of Dakotas. Street Parade, May 21, 1890
RMH4KYPX–Deadwood. Grand Lodge I.O.O.F. of the Dakotas, Resting in Front of City Hall after the Grand Parade, May 21, 1890
RM2B0EKR0–pot, pot, pottery, 15.5 cm in diameter, height 16 cm, Prehistory, Nagada-II b Period, EgyptDescription of the Egyptian collection, I, p.5, cf. W.M.F. Petrie, Prehistoric Egypt (London 1920), B 66 a
RM2A2X265–Photograph - 'Australian Camp, Mena', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 108 images in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The album contains photographs of the 7th Battalion in Egypt. Image of Mena Camp, one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WKR1–Photograph - 'Our Mess Tent', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting the Mess Tent at Mena Camp. Mena Camp was one of three training camps used by the A.I.F. and the N.Z.E.F
RM2A2WCP1–Photograph - 'Shell Green', Gallipoli Peninsula, Turkey, World War I, 1915, Black and white photographic print of Shell Green, showing the position of the 12th Battalion, A.I.F. Attached to a small notebook used as a photograph album, containing 55 black and white photographs of ANZAC soldiers in Egypt, Mudros and Gallipoli during World War I. The photographs were taken by an Australian soldier, Sergeant John Lord or a fellow soldier
RM2A2TJ60–Heidelberg Castle, Geometric Elevation of Otto Henry's Palace, elevation of the Ottheinrich Building of the Heidelberg Castle, signed: Relevé et Gravé par Rodolphe Pfnor; Imprimé by F. Chardon aîné, Fig. 3, 1er lot, Pl. I, after S. 16, Pfnor, Rodolphe (relevé et gravé); Chardon, F. aîné (imprimé), Rodolphe Pfnor, Daniel Ramée: Monographie du Château de Heidelberg. Paris: A. Morel et Cie, Editeurs, 1859
RM2A2WGFP–Photograph - 'Kit Inspection', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting a Kit Inspection at Mena Camp. Mena Camp was one of three training camps used by the A.I.F. and the N.Z.E.F
RM2A2WE84–Photograph - 'Camp', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting a line of tents at Mena Camp, Egypt. Mena Camp was one of three training camps in Egypt used by the A.I.F. and the N.Z.E.F
RM2A2X1MB–Photograph - 'Officer's Mess', Mena, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting the Officer's Mess at Mena Camp. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WE86–Photograph - 'Camp Mena', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting some of the men at Mena Camp during down time. Mena Camp was one of the three training camps in Egypt used by the A.I.F. and the N.Z.E.F
RM2A2WCP9–Photograph - Military Camp on Hillside, Gallipoli, Private John Lord, World War I, 1915, Black and white photographic print depicting a hilliside military camp (presumably an A.I.F. camp) at Gallipoli. Attached to a small notebook used as a photograph album, containing 55 black and white photographs of ANZAC soldiers in Egypt, Mudros and Gallipoli during World War I. The photographs were taken by an Australian soldier, Sergeant John Lord or a fellow soldier
RMRYAARK–Machine: A. Chest B. Vat 4 Feet by 5 C. Sifter D. Lifter E. Endless Wire 5 Feet Wide F. Deckel Straps G. Dandy a Wire Cylinder H. Lower Roller of Endless Wire I. Roller L. First Pair of Pressing Rollers M. Second Pair of Pressing Rollers N. Roller Receiving the Sheet Previous to Its Coming Upon O O. First Hot Cylinder. P. Second Hot Cylinder Q. Third Hot Cylinder
RM2A2TJ72–Heidelberg Castle, Frederick the Sage Pavilion, Ruprecht Statue 1. Elector, Statue of Ruprecht I in the Friedrichsbau of Heidelberg Castle, signed: Dessiné et Gravé par Rodolphe Pfnor; Imprimerie F. Chardon aîné, Fig. 25, 2nd lot, Pl. XI, after p. 16, Pfnor, Rodolphe (dessiné et gravé); Chardon, F. aîné (imprimé), Rodolphe Pfnor, Daniel Ramée: Monographie du Château de Heidelberg. Paris: A. Morel et Cie, Editeurs, 1859
RM2A2X24X–Photograph Album - Driver Cyril Rose, World War I, 1916-1919, World War I photograph album containing 129 photographs. Includes photos of servicemen, battle sites and buildings. Covering areas of service of Cyril Rose, A.I.F., the probable photographer and uncle of the donor. Cyril Joseph Rose, service number 13078, was a 26-year-old motor mechanic living in North Melbourne when he enlisted on 14 September 1916. He was only 5'3 tall and 110 lbs (49kg
RM2CTFGM3–Rappahannock River, Virginia , cartographic, Maps, 1861, Bache, A. D. (Alexander Dallas), 1806-1867, Blunt, Edmund M. (Edmund March), 1770-1862, Palmer, W. R. (William R.), -1862, Seib, J. (John), Farley, John, 1802 or 1803-1874, Adams, I. Hull, Lee, Samuel Phillips, 1812-1897, Almy, John Jay, 1815-1895, Wainwright, Richard, 1817-1862, Maedel, A. (Adolph), Benner, F. W., Sipe, E. H
RM2A2WKPG–Photograph - Mena Camp from the Pyramids, Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image of Mena Camp, Egypt, taken from the Pyramids at Giza. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WKPF–Photographs - 'Mena Camp', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting the laying out of the camplines around Mena Camp, Egypt. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RMW58PC7–My first book : the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M. E. Braddon, F. W. Robinson, H. Rider Haggard, R. M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, 'Q', Robert Buchanan, Robert Louis Stevenson : Jerome, Jerome Klapka
RM2A2WE87–Photograph - 'Camp Mena', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting men sorting through belongings at Mena Camp, Egypt. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WKYN–Photograph - 'Natives Grinding Corn at Mena Camp', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting a group of Egyptians grinding corn at Mena Camp. Mena Camp was one of three training camps in Egypt used by the A.I.F. and the N.Z.E.F
RM2A2WKPE–Photograph - Mena Camp & Pyramids, Egypt, Captain Edward Albert McKenna, World War I, 16 Dec 1914, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting Mena Camp, Egypt, with Pyramids at Giza in the background. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WDF7–Photograph - 'One Of Our Streets', Maadi, Egypt, Trooper G.S. Millar, World War I, 1914-1915, One of 49 photographs in an album from World War I likely to have been taken by Troop (later Lieutenant) G.S. Millar depicting the Light Horse camp in Egypt, 1915, prior to Gallipoli. Image depicitng a 'street' in the Maadi Camp, Egypt. El-Ma'adi (Meadi) Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WE82–Photograph - 'Camp at Mena', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting three men standing in what appears to be a tent being aired at Mena Camp. Mena Camp was one of three training camps in Egypt used by the A.I.F. and the N.Z.E.F
RM2A2WD1D–Photograph - 'Some of the Sseventh Coming Home From Parade', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting the 7th Battalion returning to Mena Camp after a parade. Mena Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2WDMB–Photograph - 'As Daily Seen Near Camp', Egypt, Captain Edward Albert McKenna, World War I, 1914-1915, One of 139 photographs in an album from World War I likely to have been taken by Captain Edward Albert McKenna. The photographs include the 7th Battalion training in Mena Camp, Egypt, and sight-seeing. Image depicting an apparently typical scene at Mena Camp: three men on camels walking through the camp. Mena Camp was one of three training camps in Egypt used by the A.I.F. and the N.Z.E.F
RM2A2WDF4–Photograph - 'Camp Outpost Guard', Maadi, Egypt, Trooper G.S. Millar, World War I, 1914-1915, One of 49 photographs in an album from World War I likely to have been taken by Troop (later Lieutenant) G.S. Millar depicting the Light Horse camp in Egypt, 1915, prior to Gallipoli. This image shows the outpost guard around the Australian Light Horse Camp at el-Ma'adi (Meadi). El-Ma'adi (Meadi) Camp was one of three training camps in Egypt that were used by the A.I.F. and the N.Z.E.F
RM2A2X4GJ–Photograph - Private Ernie Briggs, C Company, 27th Battalion, Wiltshire, England, World War I, 1914-1918, Photograph of Private Ernest 'Ernie' Briggs, C Company, 27 Battalion, 10 Infantry Brigade, A.I.F. Taken at Bulford Camp on Salisbury Plain, during World War I. The photo is endorsed 'on active service', and was probably sent from France. Briggs enlisted as a 20 year old farmer from Yackandandah, Victoria, on 1 March 1916. He was killed in action in Belgium on 4 October 1917
RM2A2RW4E–Crocé-Spinelli sat with the Oxygen Gas Flask in his hand ..... I still had the strength to tap the aneroid barometer to make it easier to move his needle, Théodore Henri Sivel, Joseph Crocé-Spinelli and Gaston Tissandier during a flight in the hot-air balloon 'Zenith' 1874, Signed: Demarle; Rénard, Fig. 76, p. 449, Demarle, Gustave-Alphonse (dess.); Rénard, A. (sc.), 1876, Alfred Sircos; Th. Pallier: Histoire des ballons et des ascensions célèbres avec une préface de Nadar: dessins de A. Tissandier [...]. Paris: F. Roy, 1876
RM2DN59C5–Button, Pearl, shell, steel, glass, Flat circular button with shanks, varying. -a: engraved pearl and steel beads arranged in rings; -b: flower with petals of colored steel; -c: pearl and colored steel in rings; -d,h: smoked pearl and cut steel; -f,g,j,m: engraved pearl centers on disc of steel; -e,k,l,n: ornamented steel centers on pearl discs; -i: pearl shell, colored yellow, and set in steel rim., Components -a/-c,-e/-g/-j,-k,-m,-n are on card 31, France, 19th century, costume & accessories, Decorative Arts, Button
RM2A2TM7E–Residential house to Iseltwald, Parallel title: Maison d'habitation à Iseltwald, front of a residential building in Iseltwald with 19th century façade profile, signed: Graffenried & Stürler del. & Publ., J. F. Wagner inct., Berne, plate I, after p. 20, Graffenried, Karl Adolf von (del. et publ.); Stürler, Gabriel Ludwig Rudolf (del. et publ.); Wagner, J. F. (inct.), Karl Adolf von Graffenried, Gabriel Ludwig Rudolf Stürler: Architecture suisse ou choix de maisons rustiques des alpes du Canton de Berne: Schweizerische Architektur oder Auswahl hölzerner Gebäude aus dem Berner Oberland. Berne: en
RM2DCHC2Y–drawing, Jacob Isaac Domus, 1804, bottom center, on banderole: With the pen drawn by J.I. Domus Leyden 1804, pen, paper, signed, General (dimensions according to catalog 1983): 59 × 85cm (590 × 850mm), With frame: 62.5 × 88 × 3cm (625 × 880 × 30mm) , trompe-l'oeil, man's portrait, Trompe l'Oeil or fake trickster with various drawings, maps and prints relating to the Siege and Relief of Leiden. At the top are six prints of the protagonists from the story: W.C. Duivenbode, P.A. van der Werf, F. Valdez, J. van der Does, J. van Hout and Prince Willem I. Below each portrait is the name of the one
RM2A2RW9E–A Sea Lioness; A sea lion, Parallel Title: Une Lionne Marine; Un Lion Marin, illustration of a sea lion and a sea lion from the 18th century, signed: F. de Bakker fecit., 1748, N ° 13, de Bakker, F. (fec.), 1748, George Anson, Richard Walter: Voyage autour du monde, fait dans les années MDCCXL, I, II, III, IV par George Anson [...] commandant en chef d'une escadre envoyée [...] dans la Mer du Sud. Livre II. A Amsterdam et à Leipzig; A Paris: chez Charles-Antoine Jombert, libraire du roy pour l'artillerie & le genie, [1749
RM2B0MWAH–Elements from a Necklace, Spanish, late 15th–16th century, Made in Granada, Spain, Spanish, Gold, cloisonnè enamel, f:wheel shaped medallion: 3 x 3/16 in. (7.6 x 0.5 cm), b,d,j,h:4 lotus bud plaques: 3 5/16 x 2 1/16 x 3/16 in. (8.4 x 5.2 x 0.5 cm), e,g:largest cylindrical beads: 2 x 3/4 in. (5.1 x 1.9 cm), c,i:cylindrical beads: 1 7/8 x 11/16 in. (4.8 x 1.7 cm), a:smallest cylindrical bead: 1 x 1/2 in. (2.5 x 1.3 cm), Metalwork-Gold
RM2B0MHBD–Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, Stucco, a: 12.1 x 1 x 1; b 1.2 x .7 x.5; c 14 x 1 x .6; d 1.2 x .9 x .2; e 1.8 x 1.1 x .6; f 1.7 x 1.2 x .8; g 1.2 x .9 x .6; h 1.8 x .9 x .7; I 1.6 x 1.7 x 1.4; j 1.9 x .6 x .7; k 1.1 x 1 x .7; L 1.5 x 1 x .5; m 2 x 1 x .7; n 1.2 x .7 x .1; o 1.5 x .6 x .3, Stucco
RM2B0J03J–Costume of a Japanese Gentleman, Japan, 19th century, Japan, (a) Silk,metalic thread, Plain weave, (b) Silk, Plain weave, (c) Silk, Plain weave, (d) Cotton; Silk, Plain weave, (e) Silk, Plain weave, (f) Silk, Braided, (g) Straw, leather, Woven, (h) Straw, leather, Woven, (i) Rush; leather; silk; wood, Woven, (j) Rush; leather; silk; wood, Woven, (k) Cotton, Knit, (l) Cotton, Knit, Overall (a): 51 x 53 1/2 in. (129.5 x 135.9 cm), Overall (b): 61 x 50 in. (154.9 x 127 cm), Overall (c): 42 x 29 1/2 in. (106.7 x 74.9 cm), Overall (d): 40 x 52 in. (101.6 x 132.1 cm), Overall (e): 159 x 4 1/8 in. (
RM2B0DXXM–Egypt, shards, earthenware, A, 7.0 x 2.6, B, 7.4 x 4.1 cm, C, 6.1 x 2.4 cm, D, 4.4 x 3.2 cm, E, 6.7 x 5.2, F, 4.0 x 3.4 cm, G, , 8.2 x 5.8, H, 7.0 x 5.0 cm, I, 4.1 x 3.6 cm, J, 7.0 x 3, .8 cm, Ø = 10, K, 6.0 x 3.8 cm, Ø = 12, L, 5.4 x 3.5 cm, , M, 14.2 x 10.6 cm, Ø = 19.5, N, 8.9 x 6.4 cm, Ø = 15, O, 10.2 x 4.1 cm, Ø = 18, P, 11.5 x 5.0 cm, Ø = 5.5, foot, Q, 7.0, x 3.0 cm, Ø = 9, foot, R, 6.5 x 2.8 cm, Ø = 5.5, foot, S, 1.4 cm, Ø = 4, foot, T, 8.5 x 5.8 cm, U, 12.4 x 6.2 cm, Meroitic Period, , 2nd-4th century AD, Egypt
RM2B0DXXX–Egypt, shards, earthenware, A, 3.4 x 3.1 cm, B, 5.3 x 3.9 cm, C, 3.1 x 3.6 cm, D, 2.9 x 3.0 cm, E, 1.2 x 5.0 cm, F, 1.5 x 2.4 cm, , G, 3.4 x 3.0 cm, Ø = 20, H, 3.8 x2.4 cm, I, 3.0 x 1.9 cm, J, 2.8 x 3.3 cm, K, 3.6 x 2.0 cm, L, 2.2 x 3.0 cm, M, 2.6 x 3.0 cm, N, 2.5 x 2.8 cm, O, 1.4 x 2.7 cm, P, 1.7 x 2.0 cm, Q, 1.0 x 1.0 cm, R, 4.0 x 4.9 cm, S 2.4 x 2.9 cm, T, 2.1 x, 2.5, U, 1.5 x 2.0 cm, V, 3.2 x 2.0 cm, W, 1.3 x 0.5 cm, X, 2.1 x 2.6 cm, Y, 5.0 x 3.2 cm, X, 4.2 x 3, AA, 3.9 x 2.5 cm, AB, 4.1 x 6.8 cm, Ø = 12, AC, 5.2 x 2.9, Ø = 11, AD, 5.5 x 4.7, Ø = 12, AE, 4.0 x 3.9 cm, AF, 4.2 x 4.2 cm, AG
RM2B0CN1C–A stopper of baked clay, damaged, crockery, clay, unbaked, L 4.6 cm, W 3.5 cm, H 4.3 cm, Iron Age I, phase F 1200-1100 BC, Jordan
RM2A2T779–Aelian 1, Various forms of a battle order, Tab. I, after p. 100, Albrecht Heinrich Baumgärtner: Vollständige Sammlung aller Kriegsschriftsteller der Griechen, sowohl strategischen als taktischen Inhalts. Frankenthal; Mannheim: bei C. F. Schwan, 1779
RM2A2J7KC–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
RM2A2J7KH–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
RM2A2J7KA–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
RM2A2J7K9–Arrival of the Korean Embassy in Edo, c. 1709, Torii Kiyonobu I, Japanese, 1664-1729, Japan, Woodblock print, oban sumizuri-e, 1 of 6 sheets from a 12-sheet composition (see 1925.2334a-f), 28 x 36.5 cm (11 1/24 x 14 3/8 in
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