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Exodus egypt painting Stock Photos and Images
Exodus of the Israelites from Egypt. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exodus-of-the-israelites-from-egypt-mural-painting-by-palekh-masters-1882-in-the-south-gallery-papert-of-the-church-of-saint-nicholas-nadein-nikolai-nadein-in-yaroslavl-russia-image234117181.htmlRMRGTXRW–Exodus of the Israelites from Egypt. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia.
Egypt/Netherlands: 'Death of the Pharaoh’s Firstborn Son’. Oil on canvas painting by Laurens Alma Tadema (8 January 1836 - 25 June 1912), 1872. Dutch painter Laurens Alma Tadema lived in London where he developed a keen interest in Egypt and its ancient history. Here he depicts a scene from the Book of Exodus in the Hebrew Bible, or Old Testament, in which God sends the Egyptians a series of plagues, the last of which is the death of every firstborn son in the land of the Pharaohs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egyptnetherlands-death-of-the-pharaohs-firstborn-son-oil-on-canvas-painting-by-laurens-alma-tadema-8-january-1836-25-june-1912-1872-dutch-painter-laurens-alma-tadema-lived-in-london-where-he-developed-a-keen-interest-in-egypt-and-its-ancient-history-here-he-depicts-a-scene-from-the-book-of-exodus-in-the-hebrew-bible-or-old-testament-in-which-god-sends-the-egyptians-a-series-of-plagues-the-last-of-which-is-the-death-of-every-firstborn-son-in-the-land-of-the-pharaohs-image344235571.htmlRM2B017YF–Egypt/Netherlands: 'Death of the Pharaoh’s Firstborn Son’. Oil on canvas painting by Laurens Alma Tadema (8 January 1836 - 25 June 1912), 1872. Dutch painter Laurens Alma Tadema lived in London where he developed a keen interest in Egypt and its ancient history. Here he depicts a scene from the Book of Exodus in the Hebrew Bible, or Old Testament, in which God sends the Egyptians a series of plagues, the last of which is the death of every firstborn son in the land of the Pharaohs.
Amenhotep II (also spelled Amenephthes and Amenophis) is thought to be the Egyptian pharaoh at the time of the Exodus, the name given to the Biblical event that describes the departures of the Israelites from Egypt. Amenhotep II was the seventh pharaoh of the 18th Dynasty, during the time period now referred to as the New Kingdom. He ruled around 1410 B.C. This wall painting was uncovered in Thebes in Egypt and was copied by the French Orientalist Emile Prisse. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amenhotep-ii-also-spelled-amenephthes-and-amenophis-is-thought-to-be-the-egyptian-pharaoh-at-the-time-of-the-exodus-the-name-given-to-the-biblical-event-that-describes-the-departures-of-the-israelites-from-egypt-amenhotep-ii-was-the-seventh-pharaoh-of-the-18th-dynasty-during-the-time-period-now-referred-to-as-the-new-kingdom-he-ruled-around-1410-bc-this-wall-painting-was-uncovered-in-thebes-in-egypt-and-was-copied-by-the-french-orientalist-emile-prisse-image359194914.htmlRF2BTAMNP–Amenhotep II (also spelled Amenephthes and Amenophis) is thought to be the Egyptian pharaoh at the time of the Exodus, the name given to the Biblical event that describes the departures of the Israelites from Egypt. Amenhotep II was the seventh pharaoh of the 18th Dynasty, during the time period now referred to as the New Kingdom. He ruled around 1410 B.C. This wall painting was uncovered in Thebes in Egypt and was copied by the French Orientalist Emile Prisse.
Egypt / Netherlands: 'Death of the Pharaoh’s Firstborn Son’. Oil on canvas painting by Laurens Alma Tadema (8 January 1836 - 25 June 1912), 1872. Dutch painter Laurens Alma Tadema lived in London where he developed a keen interest in Egypt and its ancient history. Here he depicts a scene from the Book of Exodus in the Hebrew Bible, or Old Testament, in which God sends the Egyptians a series of plagues, the last of which is the death of every firstborn son in the land of the Pharaohs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-netherlands-death-of-the-pharaohs-firstborn-son-oil-on-canvas-painting-by-laurens-alma-tadema-8-january-1836-25-june-1912-1872-dutch-painter-laurens-alma-tadema-lived-in-london-where-he-developed-a-keen-interest-in-egypt-and-its-ancient-history-here-he-depicts-a-scene-from-the-book-of-exodus-in-the-hebrew-bible-or-old-testament-in-which-god-sends-the-egyptians-a-series-of-plagues-the-last-of-which-is-the-death-of-every-firstborn-son-in-the-land-of-the-pharaohs-image484977849.htmlRM2K50J5D–Egypt / Netherlands: 'Death of the Pharaoh’s Firstborn Son’. Oil on canvas painting by Laurens Alma Tadema (8 January 1836 - 25 June 1912), 1872. Dutch painter Laurens Alma Tadema lived in London where he developed a keen interest in Egypt and its ancient history. Here he depicts a scene from the Book of Exodus in the Hebrew Bible, or Old Testament, in which God sends the Egyptians a series of plagues, the last of which is the death of every firstborn son in the land of the Pharaohs.
Art inspired by Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 20 1/2 x 27 3/4 in. (52.1 x 70.5 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-kharga-oasis-325375-made-in-kharga-oasis-byzantine-egypt-coptic-tempera-on-paper-overall-20-12-x-27-34-in-521-x-705-cm-reproductions-paintings-charles-k-wilkinson-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463035821.htmlRF2HW92WH–Art inspired by Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 20 1/2 x 27 3/4 in. (52.1 x 70.5 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
France: 'Moses and the Burning Bush'. Oil on canvas painting by Sébastien Bourdon (2 February 1616 – 8 May 1671), mid-17th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-moses-and-the-burning-bush-oil-on-canvas-painting-by-sbastien-bourdon-2-february-1616-8-may-1671-mid-17th-century-the-burning-bush-is-an-object-described-by-the-book-of-exodus-31-21-as-being-located-on-mount-sinai-according-to-the-narrative-the-bush-was-on-fire-but-was-not-consumed-by-the-flames-hence-the-name-in-the-narrative-the-burning-bush-is-the-location-at-which-moses-was-appointed-by-god-to-lead-the-israelites-out-of-egypt-and-into-canaan-image344244898.htmlRM2B01KTJ–France: 'Moses and the Burning Bush'. Oil on canvas painting by Sébastien Bourdon (2 February 1616 – 8 May 1671), mid-17th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan.
The Departure of the Israelites, 1829 Artist: David Roberts, Ancient Egypt, Oil Painting, Religion, Old Testament, Religion, Judaism, Bible, Exodus, Israel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-departure-of-the-israelites-1829-artist-david-roberts-ancient-egypt-oil-painting-religion-old-testament-religion-judaism-bible-exodus-israel-image387007173.htmlRM2DDHKGN–The Departure of the Israelites, 1829 Artist: David Roberts, Ancient Egypt, Oil Painting, Religion, Old Testament, Religion, Judaism, Bible, Exodus, Israel
Exodus of the Israelites from Egypt. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exodus-of-the-israelites-from-egypt-fresco-by-russian-icon-painters-gury-nikitin-and-sila-savin-1680-in-the-west-gallery-papert-of-the-church-of-elijah-the-prophet-in-yaroslavl-russia-image232535795.htmlRMRE8WNR–Exodus of the Israelites from Egypt. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia.
Old reproduction of a painting depicting The Exodus, departure of the Israelites from Egypt, founding myth of Israel. After David Roberts picture, pub Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-reproduction-of-a-painting-depicting-the-exodus-departure-of-the-image151825704.htmlRFJR076G–Old reproduction of a painting depicting The Exodus, departure of the Israelites from Egypt, founding myth of Israel. After David Roberts picture, pub
Jewish Museum of Switzerland. Basel. The Exodus from Egypt. Passover. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jewish-museum-of-switzerland-basel-the-exodus-from-egypt-passover-image210701676.htmlRFP6P83T–Jewish Museum of Switzerland. Basel. The Exodus from Egypt. Passover.
Painting depicting the Exodus by David Roberts (1796-1864) a Scottish painter. Dated 1830 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-depicting-the-exodus-by-david-roberts-1796-1864-a-scottish-painter-dated-1830-image330678857.htmlRM2A5YM75–Painting depicting the Exodus by David Roberts (1796-1864) a Scottish painter. Dated 1830
The Israelites crossing of the Red Sea, Second Half of the 19th cen.. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-israelites-crossing-of-the-red-sea-second-half-of-the-19th-cen-image60401435.htmlRMDE7EJ3–The Israelites crossing of the Red Sea, Second Half of the 19th cen.. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921)
Moses Striking the Rock 1590 by, Hendrick de Clerck Brussels about 1570 – Brussels 1630, Belgian, Belgium, Flemish (.Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-1590-by-hendrick-de-clerck-brussels-about-1570-brussels-1630-belgian-belgium-flemish-moses13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image397331745.htmlRM2E2C0KD–Moses Striking the Rock 1590 by, Hendrick de Clerck Brussels about 1570 – Brussels 1630, Belgian, Belgium, Flemish (.Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
The Israelites crossing of the Red Sea, Mid of 17th cen.. Creator: Gargiulo, Domenico (1609-1675). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-israelites-crossing-of-the-red-sea-mid-of-17th-cen-creator-gargiulo-domenico-1609-1675-image248907463.htmlRMTCXM07–The Israelites crossing of the Red Sea, Mid of 17th cen.. Creator: Gargiulo, Domenico (1609-1675).
Painting Of The Pharoah and his men In Pursuit of The Israelites (Exodus) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-the-pharoah-and-his-men-in-pursuit-of-the-israelites-exodus-32201604.htmlRMBTAWD8–Painting Of The Pharoah and his men In Pursuit of The Israelites (Exodus)
DuraSyn WA3 Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-durasyn-wa3-exodus-from-egypt-132448508.htmlRMHKDFBT–DuraSyn WA3 Exodus from Egypt
The transition of the Red Sea. The soldiers are drowning. Wall painting in Bjaresjo churh, Sweden, Sept 04, 2014, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-transition-of-the-red-sea-the-soldiers-are-drowning-wall-painting-164106649.htmlRFKEYKKN–The transition of the Red Sea. The soldiers are drowning. Wall painting in Bjaresjo churh, Sweden, Sept 04, 2014,
Joseph has his father Jacob brought to Egypt. Die Josefslegende / The story of Joseph - from the watercolour painting by an Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-joseph-has-his-father-jacob-brought-to-egypt-die-josefslegende-the-83328713.htmlRMERFXHD–Joseph has his father Jacob brought to Egypt. Die Josefslegende / The story of Joseph - from the watercolour painting by an
1820s EXODUS ENGRAVING OF DAVID ROBERTS 1829 BIBLICAL PAINTING THE DEPARTURE OF THE ISRAELITES OUT OF THE LAND OF EGYPT - q59158 CPC001 HARS FREEDOM SLAVERY HIGH ANGLE ADVENTURE RELIGIOUS VICTORY DAVID MIGRATION DIRECTION TESTAMENT MOSES CONCEPTUAL STILL LIFE ARTS CITIES ESCAPE PYRAMIDS 1820s EXODUS FAITHFUL PANORAMIC ARTWORK FAITH LAND TOGETHERNESS BELIEF BIBLICAL BLACK AND WHITE DEPARTURE HEBREW JEWISH JUDAIC JUDAISM OLD FASHIONED SLAVES TORAH Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1820s-exodus-engraving-of-david-roberts-1829-biblical-painting-the-departure-of-the-israelites-out-of-the-land-of-egypt-q59158-cpc001-hars-freedom-slavery-high-angle-adventure-religious-victory-david-migration-direction-testament-moses-conceptual-still-life-arts-cities-escape-pyramids-1820s-exodus-faithful-panoramic-artwork-faith-land-togetherness-belief-biblical-black-and-white-departure-hebrew-jewish-judaic-judaism-old-fashioned-slaves-torah-image543476624.htmlRM2PG5DYC–1820s EXODUS ENGRAVING OF DAVID ROBERTS 1829 BIBLICAL PAINTING THE DEPARTURE OF THE ISRAELITES OUT OF THE LAND OF EGYPT - q59158 CPC001 HARS FREEDOM SLAVERY HIGH ANGLE ADVENTURE RELIGIOUS VICTORY DAVID MIGRATION DIRECTION TESTAMENT MOSES CONCEPTUAL STILL LIFE ARTS CITIES ESCAPE PYRAMIDS 1820s EXODUS FAITHFUL PANORAMIC ARTWORK FAITH LAND TOGETHERNESS BELIEF BIBLICAL BLACK AND WHITE DEPARTURE HEBREW JEWISH JUDAIC JUDAISM OLD FASHIONED SLAVES TORAH
Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-162571503.htmlRMKCDNH3–Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375
Egypt, Libyan Desert, Kharga Oasis, Bagawat Copt Necropolis, inside the Exodus Chapel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-egypt-libyan-desert-kharga-oasis-bagawat-copt-necropolis-inside-the-23184447.htmlRMB9M3YY–Egypt, Libyan Desert, Kharga Oasis, Bagawat Copt Necropolis, inside the Exodus Chapel
Crossing of the Red Sea. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crossing-of-the-red-sea-mural-painting-by-palekh-masters-1882-in-the-south-gallery-papert-of-the-church-of-saint-nicholas-nadein-nikolai-nadein-in-yaroslavl-russia-image234117311.htmlRMRGTY0F–Crossing of the Red Sea. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia.
![Moses Laid Amid the Flags. [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo](https://c8.alamy.com/comp/2G37JHF/moses-laid-amid-the-flags-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-2G37JHF.jpg "Moses Laid Amid the Flags. [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo")
Moses Laid Amid the Flags. [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-laid-amid-the-flags-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-image432271435.htmlRM2G37JHF–Moses Laid Amid the Flags. [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902
Art inspired by Facsimiles of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 19 7/8 x 25 13/16 in. (50.5 x 65.6 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-facsimiles-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-kharga-oasis-325375-made-in-kharga-oasis-byzantine-egypt-coptic-tempera-on-paper-overall-19-78-x-25-1316-in-505-x-656-cm-reproductions-paintings-charles-k-wilkinson-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463035805.htmlRF2HW92W1–Art inspired by Facsimiles of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 19 7/8 x 25 13/16 in. (50.5 x 65.6 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Egypt: 'Moses and the Burning Bush'. Sacred icon from St Catherine's Monastery, Sinai, 12th or 13th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-moses-and-the-burning-bush-sacred-icon-from-st-catherines-monastery-sinai-12th-or-13th-century-the-burning-bush-is-an-object-described-by-the-book-of-exodus-31-21-as-being-located-on-mount-sinai-according-to-the-narrative-the-bush-was-on-fire-but-was-not-consumed-by-the-flames-hence-the-name-in-the-narrative-the-burning-bush-is-the-location-at-which-moses-was-appointed-by-god-to-lead-the-israelites-out-of-egypt-and-into-canaan-image344244900.htmlRM2B01KTM–Egypt: 'Moses and the Burning Bush'. Sacred icon from St Catherine's Monastery, Sinai, 12th or 13th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan.
The Finding of Moses, oil painting by artist Jacopo Tintoretto (Jacopo Robusti), ca.1560s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-oil-painting-by-artist-jacopo-tintoretto-jacopo-robusti-ca1560s-image566231743.htmlRM2RW62A7–The Finding of Moses, oil painting by artist Jacopo Tintoretto (Jacopo Robusti), ca.1560s
Netherlands: 'Moses Smashing the Tablets of the the Law'. Oil on canvas painting by Rembrandt (15 July 1606 - 4 October 1669), 1659. Moses was, according to the Hebrew Bible and Qur'an, a religious leader, lawgiver and prophet, to whom the authorship of the Torah is traditionally attributed. He is the most important prophet in Judaism, and is also considered an important prophet in Christianity and Islam, as well as a number of other faiths. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlands-moses-smashing-the-tablets-of-the-the-law-oil-on-canvas-painting-by-rembrandt-15-july-1606-4-october-1669-1659-moses-was-according-to-the-hebrew-bible-and-quran-a-religious-leader-lawgiver-and-prophet-to-whom-the-authorship-of-the-torah-is-traditionally-attributed-he-is-the-most-important-prophet-in-judaism-and-is-also-considered-an-important-prophet-in-christianity-and-islam-as-well-as-a-number-of-other-faiths-image567120841.htmlRM2RXJGBN–Netherlands: 'Moses Smashing the Tablets of the the Law'. Oil on canvas painting by Rembrandt (15 July 1606 - 4 October 1669), 1659. Moses was, according to the Hebrew Bible and Qur'an, a religious leader, lawgiver and prophet, to whom the authorship of the Torah is traditionally attributed. He is the most important prophet in Judaism, and is also considered an important prophet in Christianity and Islam, as well as a number of other faiths.
. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 149 DuraSyn-WA3-Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-dura-europos-synagogue-wall-painting-showing-the-hebrew-leaving-egypt-west-wall-register-a-adaptation-by-marsyas-149-durasyn-wa3-exodus-from-egypt-image189119406.htmlRMMYK3ME–. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 149 DuraSyn-WA3-Exodus from Egypt
France: 'Moses and the Burning Bush'. Oil on wood painting by Nicolas Froment (c. 1435-1486), Cathedral of the Holy Saviour, Aix-en-Provence, 1476. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-moses-and-the-burning-bush-oil-on-wood-painting-by-nicolas-froment-c-1435-1486-cathedral-of-the-holy-saviour-aix-en-provence-1476-the-burning-bush-is-an-object-described-by-the-book-of-exodus-31-21-as-being-located-on-mount-sinai-according-to-the-narrative-the-bush-was-on-fire-but-was-not-consumed-by-the-flames-hence-the-name-in-the-narrative-the-burning-bush-is-the-location-at-which-moses-was-appointed-by-god-to-lead-the-israelites-out-of-egypt-and-into-canaan-image344244906.htmlRM2B01KTX–France: 'Moses and the Burning Bush'. Oil on wood painting by Nicolas Froment (c. 1435-1486), Cathedral of the Holy Saviour, Aix-en-Provence, 1476. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan.
ISRAELITES GATHERING MANNA. /nIsraelites gathering manna in the wilderness (Exodus xvi 1-21). Steel engraving, 19th century after the painting by Nicolas Poussin (1594-1665). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-israelites-gathering-manna-nisraelites-gathering-manna-in-the-wilderness-95489189.htmlRMFF9WC5–ISRAELITES GATHERING MANNA. /nIsraelites gathering manna in the wilderness (Exodus xvi 1-21). Steel engraving, 19th century after the painting by Nicolas Poussin (1594-1665).
Russia: An icon of Moses and the Burning Bush. Iconostasis of Kizhi monastery, early 18th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russia-an-icon-of-moses-and-the-burning-bush-iconostasis-of-kizhi-monastery-early-18th-century-the-burning-bush-is-an-object-described-by-the-book-of-exodus-31-21-as-being-located-on-mount-sinai-according-to-the-narrative-the-bush-was-on-fire-but-was-not-consumed-by-the-flames-hence-the-name-in-the-narrative-the-burning-bush-is-the-location-at-which-moses-was-appointed-by-god-to-lead-the-israelites-out-of-egypt-and-into-canaan-image344245058.htmlRM2B01M2A–Russia: An icon of Moses and the Burning Bush. Iconostasis of Kizhi monastery, early 18th century. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan.
Moses Striking the Rock 1590 by, Hendrick de Clerck Brussels about 1570 – Brussels 1630, Belgian, Belgium, Flemish (.Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-1590-by-hendrick-de-clerck-brussels-about-1570-brussels-1630-belgian-belgium-flemish-moses13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image397331741.htmlRM2E2C0K9–Moses Striking the Rock 1590 by, Hendrick de Clerck Brussels about 1570 – Brussels 1630, Belgian, Belgium, Flemish (.Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
Netherlands: 'Moses Smashing the Tablets of the the Law'. Oil on canvas painting by Rembrandt (15 July 1606 - 4 October 1669), 1659. Moses was, according to the Hebrew Bible and Qur'an, a religious leader, lawgiver and prophet, to whom the authorship of the Torah is traditionally attributed. He is the most important prophet in Judaism, and is also considered an important prophet in Christianity and Islam, as well as a number of other faiths. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlands-moses-smashing-the-tablets-of-the-the-law-oil-on-canvas-painting-by-rembrandt-15-july-1606-4-october-1669-1659-moses-was-according-to-the-hebrew-bible-and-quran-a-religious-leader-lawgiver-and-prophet-to-whom-the-authorship-of-the-torah-is-traditionally-attributed-he-is-the-most-important-prophet-in-judaism-and-is-also-considered-an-important-prophet-in-christianity-and-islam-as-well-as-a-number-of-other-faiths-image344244921.htmlRM2B01KWD–Netherlands: 'Moses Smashing the Tablets of the the Law'. Oil on canvas painting by Rembrandt (15 July 1606 - 4 October 1669), 1659. Moses was, according to the Hebrew Bible and Qur'an, a religious leader, lawgiver and prophet, to whom the authorship of the Torah is traditionally attributed. He is the most important prophet in Judaism, and is also considered an important prophet in Christianity and Islam, as well as a number of other faiths.
Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-for-water-by-gregorio-de-ferrari-16471726-italy-italian-late-seventeenth-century-early-eighteenth-century-moses13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image450131801.htmlRM2H497KN–Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
Syria: Moses and the Exodus. The Jews cross the Red Sea pursued by the forces of Pharaoh. Fresco from Dura Europos Synagogue, c. 250 CE. The Dura Europos Synagogue is an ancient synagogue uncovered at Dura-Europos, Syria, in 1932. The last phase of construction was dated by an Aramaic inscription to 244 CE, making it one of the oldest synagogues in the world. It is unique among the many ancient synagogues that have emerged from archaeological digs as it was preserved virtually intact, and it has extensive figurative wall-paintings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/syria-moses-and-the-exodus-the-jews-cross-the-red-sea-pursued-by-the-forces-of-pharaoh-fresco-from-dura-europos-synagogue-c-250-ce-the-dura-europos-synagogue-is-an-ancient-synagogue-uncovered-at-dura-europos-syria-in-1932-the-last-phase-of-construction-was-dated-by-an-aramaic-inscription-to-244-ce-making-it-one-of-the-oldest-synagogues-in-the-world-it-is-unique-among-the-many-ancient-synagogues-that-have-emerged-from-archaeological-digs-as-it-was-preserved-virtually-intact-and-it-has-extensive-figurative-wall-paintings-image344236879.htmlRM2B019J7–Syria: Moses and the Exodus. The Jews cross the Red Sea pursued by the forces of Pharaoh. Fresco from Dura Europos Synagogue, c. 250 CE. The Dura Europos Synagogue is an ancient synagogue uncovered at Dura-Europos, Syria, in 1932. The last phase of construction was dated by an Aramaic inscription to 244 CE, making it one of the oldest synagogues in the world. It is unique among the many ancient synagogues that have emerged from archaeological digs as it was preserved virtually intact, and it has extensive figurative wall-paintings.
Baby Moses found in the bullrushes by Pharaoh's daughter. The Book of Exodus, Old Testament. After the painting by Joseph Beaume. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-baby-moses-found-in-the-bullrushes-by-pharaohs-daughter-the-book-of-97478876.htmlRMFJGF8C–Baby Moses found in the bullrushes by Pharaoh's daughter. The Book of Exodus, Old Testament. After the painting by Joseph Beaume.
Joseph's brothers carry Jacob from Egypt to Canaan to be buried. (Caption to this effect written in Yiddish). Die Josefslegende / The story of Joseph - from the watercolour painting by an unknown Russian Jew from the Biedermeier period (1815 -1848). Very unusual interpretation of the well known Biblical story, transposed into 19th century manners and style. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-josephs-brothers-carry-jacob-from-egypt-to-canaan-to-be-buried-caption-83328717.htmlRMERFXHH–Joseph's brothers carry Jacob from Egypt to Canaan to be buried. (Caption to this effect written in Yiddish). Die Josefslegende / The story of Joseph - from the watercolour painting by an unknown Russian Jew from the Biedermeier period (1815 -1848). Very unusual interpretation of the well known Biblical story, transposed into 19th century manners and style.
Germany: Moses heals two people suffering from the Biblical Egyptian plague of boils, as described in Exodus 9:8-9. Illustration from the Toggenburg Bible, 1411. The disease represented is generally believed to be a depiction of the Black Death. The location of bumps or blisters, however, is more consistent with smallpox (as the bubonic plague normally causes them only in the groin and in the armpits). The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-moses-heals-two-people-suffering-from-the-biblical-egyptian-plague-of-boils-as-described-in-exodus-98-9-illustration-from-the-toggenburg-bible-1411-the-disease-represented-is-generally-believed-to-be-a-depiction-of-the-black-death-the-location-of-bumps-or-blisters-however-is-more-consistent-with-smallpox-as-the-bubonic-plague-normally-causes-them-only-in-the-groin-and-in-the-armpits-the-black-death-was-one-of-the-most-devastating-pandemics-in-human-history-peaking-in-europe-between-1348-and-1350-image344242461.htmlRM2B01GNH–Germany: Moses heals two people suffering from the Biblical Egyptian plague of boils, as described in Exodus 9:8-9. Illustration from the Toggenburg Bible, 1411. The disease represented is generally believed to be a depiction of the Black Death. The location of bumps or blisters, however, is more consistent with smallpox (as the bubonic plague normally causes them only in the groin and in the armpits). The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350.
Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-162571504.htmlRMKCDNH4–Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375
Engraving by Gustave Dore (1832-1883): The giving of the Law on Mount Sinai, during the exodus from Egypt (Biblical) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-by-gustave-dore-1832-1883-the-giving-of-the-law-on-mount-sinai-during-the-exodus-from-egypt-biblical-image186342821.htmlRMMR4J4N–Engraving by Gustave Dore (1832-1883): The giving of the Law on Mount Sinai, during the exodus from Egypt (Biblical)
Painting by the Jewish painter Moritz Daniel Oppenheim. The Passover Seder, marks the beginning of the Jewish holiday of Passover, it commemorates the Israelite exodus from Egypt. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-by-the-jewish-painter-moritz-daniel-oppenheim-the-passover-seder-marks-the-beginning-of-the-jewish-holiday-of-passover-it-commemorates-the-israelite-exodus-from-egypt-image247163090.htmlRMTA3716–Painting by the Jewish painter Moritz Daniel Oppenheim. The Passover Seder, marks the beginning of the Jewish holiday of Passover, it commemorates the Israelite exodus from Egypt.
![Pharaoh's Daughter had Moses Brought to Her [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo](https://c8.alamy.com/comp/2G37JHR/pharaohs-daughter-had-moses-brought-to-her-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-2G37JHR.jpg "Pharaoh's Daughter had Moses Brought to Her [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo")
Pharaoh's Daughter had Moses Brought to Her [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pharaohs-daughter-had-moses-brought-to-her-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-image432271443.htmlRM2G37JHR–Pharaoh's Daughter had Moses Brought to Her [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902
Art inspired by Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 19 7/8 x 26 3/16 in. (50.5 x 66.5 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-kharga-oasis-325375-made-in-kharga-oasis-byzantine-egypt-coptic-tempera-on-paper-overall-19-78-x-26-316-in-505-x-665-cm-reproductions-paintings-charles-k-wilkinson-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463035803.htmlRF2HW92TY–Art inspired by Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, 325–375, Made in Kharga Oasis, Byzantine Egypt, Coptic, Tempera on paper, Overall: 19 7/8 x 26 3/16 in. (50.5 x 66.5 cm), Reproductions-Paintings, Charles K. Wilkinson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Museum of Catalan Art, Museu Nacional d'Art de Catalunya, MNAC, Barcelona, Spain, Europe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jaume-huguet-lot-flees-from-sodom-and-exodus-from-egypt-from-the-retable-of-san-bernardino-de-siena-and-the-guardian-angel-1462-1475-national-museum-of-catalan-art-museu-nacional-dart-de-catalunya-mnac-barcelona-spain-europe-image608122393.htmlRM2X9AA8W–Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Museum of Catalan Art, Museu Nacional d'Art de Catalunya, MNAC, Barcelona, Spain, Europe.
Moses Sees A Firey Bush Which Does Not Burn Away Painting By Henry Coller Bible Story Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-sees-a-firey-bush-which-does-not-burn-away-painting-by-henry-image5689038.htmlRMA0CWGF–Moses Sees A Firey Bush Which Does Not Burn Away Painting By Henry Coller Bible Story
Germany: 'Moses and the Burning Bush'. Woodcut print by Michael Wolgemut (1434 - 30 November 1519) from the Nuremberg Chronicle, 1493. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-moses-and-the-burning-bush-woodcut-print-by-michael-wolgemut-1434-30-november-1519-from-the-nuremberg-chronicle-1493-the-burning-bush-is-an-object-described-by-the-book-of-exodus-31-21-as-being-located-on-mount-sinai-according-to-the-narrative-the-bush-was-on-fire-but-was-not-consumed-by-the-flames-hence-the-name-in-the-narrative-the-burning-bush-is-the-location-at-which-moses-was-appointed-by-god-to-lead-the-israelites-out-of-egypt-and-into-canaan-image344244907.htmlRM2B01KTY–Germany: 'Moses and the Burning Bush'. Woodcut print by Michael Wolgemut (1434 - 30 November 1519) from the Nuremberg Chronicle, 1493. The burning bush is an object described by the Book of Exodus (3:1-21) as being located on Mount Sinai; according to the narrative, the bush was on fire, but was not consumed by the flames, hence the name. In the narrative, the burning bush is the location at which Moses was appointed by God to lead the Israelites out of Egypt and into Canaan.
. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 173 DuraSyn-WA3-Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-dura-europos-synagogue-wall-painting-showing-the-hebrew-leaving-egypt-west-wall-register-a-adaptation-by-marsyas-173-durasyn-wa3-exodus-from-egypt-image188320479.htmlRMMXAMKB–. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 173 DuraSyn-WA3-Exodus from Egypt
Death of the Pharaoh’s Firstborn Son, by Lawrence Alma Tadema, 1872, English painting oil on canvas. Moses and Aaron (upper right) visit the pharaoh whose son died from one of the plagues sent by God to secure the Israelites’ release from Egypt. Scene from book of Exodus (BSLOC 2016 2 240) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-death-of-the-pharaohs-firstborn-son-by-lawrence-alma-tadema-1872-english-115905481.htmlRFGMFXHD–Death of the Pharaoh’s Firstborn Son, by Lawrence Alma Tadema, 1872, English painting oil on canvas. Moses and Aaron (upper right) visit the pharaoh whose son died from one of the plagues sent by God to secure the Israelites’ release from Egypt. Scene from book of Exodus (BSLOC 2016 2 240)
Crossing of the Red Sea. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crossing-of-the-red-sea-fresco-by-russian-icon-painters-gury-nikitin-and-sila-savin-1680-in-the-west-gallery-papert-of-the-church-of-elijah-the-prophet-in-yaroslavl-russia-image232535797.htmlRMRE8WNW–Crossing of the Red Sea. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia.
Alexander Heubel (1813-1847). Latvian painter. Moses, Aaron and Hur, 1837. Oil on canvas (66 x 86,5 cm). Latvian National Museum of Art. Riga, Latvia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-heubel-1813-1847-latvian-painter-moses-aaron-and-hur-1837-oil-on-canvas-66-x-865-cm-latvian-national-museum-of-art-riga-latvia-image554158822.htmlRM2R5G36E–Alexander Heubel (1813-1847). Latvian painter. Moses, Aaron and Hur, 1837. Oil on canvas (66 x 86,5 cm). Latvian National Museum of Art. Riga, Latvia.
DuraSyn WA3 Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-durasyn-wa3-exodus-from-egypt-139779792.htmlRMJ3BEFC–DuraSyn WA3 Exodus from Egypt
Vittore Belliniano: 'Rest on the Flight into Egypt' (ca 1520) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vittore-belliniano-rest-on-the-flight-into-egypt-ca-1520-image544375168.htmlRF2PHJC28–Vittore Belliniano: 'Rest on the Flight into Egypt' (ca 1520)
Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-for-water-by-gregorio-de-ferrari-16471726-italy-italian-late-seventeenth-century-early-eighteenth-century-moses13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image450131891.htmlRM2H497PY–Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
Alberic Victor Duyver - Saint Michael protecting the Hebrews on the exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-alberic-victor-duyver-saint-michael-protecting-the-hebrews-on-the-134895048.htmlRMHRD008–Alberic Victor Duyver - Saint Michael protecting the Hebrews on the exodus from Egypt
Departure of the Israelites from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/departure-of-the-israelites-from-egypt-image66216429.htmlRFDRMBMD–Departure of the Israelites from Egypt
William de Brailes - The Third Plague of Egypt - Gnats (Exodus 8 -17) - Walters W1065R - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-de-brailes-the-third-plague-of-egypt-gnats-exodus-8-17-walters-134780455.htmlRMHR7NRK–William de Brailes - The Third Plague of Egypt - Gnats (Exodus 8 -17) - Walters W1065R - Full Page
William de Brailes The Third Plague of Egypt Gnats (Exodus 8 17) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-brailes-the-third-plague-of-egypt-gnats-exodus-8-17-image152779714.htmlRMJTFM2A–William de Brailes The Third Plague of Egypt Gnats (Exodus 8 17)
Facsimiles of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-facsimiles-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-162571502.htmlRMKCDNH2–Facsimiles of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Charles K. Wilkinson, 325–375
Moses is rescued from the Nile by pharaohs daughter. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moses-is-rescued-from-the-nile-by-pharaohs-daughter-49703405.htmlRFCTT55H–Moses is rescued from the Nile by pharaohs daughter.
Veronese, (painter), Venetian, 1528 - 1588, The Finding of Moses, c. 1581/1582, oil on canvas, overall: 58 x 44.5 cm (22 13/16 x 17 1/2 in.), framed: 81.12 × 67.95 × 7.3 cm (31 15/16 × 26 3/4 × 2 7/8 in.), This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10. The infant Moses was placed by his mother in a basket and hidden beside the river, to escape the edict of the king of Egypt that all male offspring of the Israelites should be slain at birth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/veronese-painter-venetian-1528-1588-the-finding-of-moses-c-15811582-oil-on-canvas-overall-58-x-445-cm-22-1316-x-17-12-in-framed-8112-6795-73-cm-31-1516-26-34-2-78-in-this-painting-is-one-of-several-variants-by-veronese-of-the-subject-some-completed-with-workshop-assistance-it-depicts-a-biblical-account-from-exodus-2310-the-infant-moses-was-placed-by-his-mother-in-a-basket-and-hidden-beside-the-river-to-escape-the-edict-of-the-king-of-egypt-that-all-male-offspring-of-the-israelites-should-be-slain-at-birth-image386329720.htmlRM2DCERE0–Veronese, (painter), Venetian, 1528 - 1588, The Finding of Moses, c. 1581/1582, oil on canvas, overall: 58 x 44.5 cm (22 13/16 x 17 1/2 in.), framed: 81.12 × 67.95 × 7.3 cm (31 15/16 × 26 3/4 × 2 7/8 in.), This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10. The infant Moses was placed by his mother in a basket and hidden beside the river, to escape the edict of the king of Egypt that all male offspring of the Israelites should be slain at birth
![Pharaoh's Daughter Receives the Mother of Moses [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo](https://c8.alamy.com/comp/2G37JHY/pharaohs-daughter-receives-the-mother-of-moses-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-2G37JHY.jpg "Pharaoh's Daughter Receives the Mother of Moses [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo")
Pharaoh's Daughter Receives the Mother of Moses [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pharaohs-daughter-receives-the-mother-of-moses-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-image432271447.htmlRM2G37JHY–Pharaoh's Daughter Receives the Mother of Moses [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902
The Delivery of Israel Out of Egypt, 1820-1840. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-delivery-of-israel-out-of-egypt-1820-1840-image406404775.htmlRM2EH59C7–The Delivery of Israel Out of Egypt, 1820-1840.
Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Museum of Catalan Art, Museu Nacional d'Art de Catalunya, MNAC, Barcelona, Spain, Europe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jaume-huguet-lot-flees-from-sodom-and-exodus-from-egypt-from-the-retable-of-san-bernardino-de-siena-and-the-guardian-angel-1462-1475-national-museum-of-catalan-art-museu-nacional-dart-de-catalunya-mnac-barcelona-spain-europe-image608122541.htmlRM2X9AAE5–Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Museum of Catalan Art, Museu Nacional d'Art de Catalunya, MNAC, Barcelona, Spain, Europe.
Exodus Painting, five elements from a painted hanging depicting the Crossing of the Red Sea A.D. mid-2nd–mid-4th century Byzantine These five evocative paintings most compellingly evoke the moment when the traditional painting styles and themes of the Late Antique, Greco-Roman world expand to include Judeo-Christian themes. The realistically evoked bodies and expressive faces suggest Roman narratives that survive only in contemporary descriptions and on sarcophagi that have long lost their richly painted surfaces. The works were probably originally used in a burial in Egypt, where the images, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exodus-painting-five-elements-from-a-painted-hanging-depicting-the-crossing-of-the-red-sea-ad-mid-2ndmid-4th-century-byzantine-these-five-evocative-paintings-most-compellingly-evoke-the-moment-when-the-traditional-painting-styles-and-themes-of-the-late-antique-greco-roman-world-expand-to-include-judeo-christian-themes-the-realistically-evoked-bodies-and-expressive-faces-suggest-roman-narratives-that-survive-only-in-contemporary-descriptions-and-on-sarcophagi-that-have-long-lost-their-richly-painted-surfaces-the-works-were-probably-originally-used-in-a-burial-in-egypt-where-the-images-image458534471.htmlRM2HJ01B3–Exodus Painting, five elements from a painted hanging depicting the Crossing of the Red Sea A.D. mid-2nd–mid-4th century Byzantine These five evocative paintings most compellingly evoke the moment when the traditional painting styles and themes of the Late Antique, Greco-Roman world expand to include Judeo-Christian themes. The realistically evoked bodies and expressive faces suggest Roman narratives that survive only in contemporary descriptions and on sarcophagi that have long lost their richly painted surfaces. The works were probably originally used in a burial in Egypt, where the images,
Israel in Egypt painting by Sir E J Poynter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/israel-in-egypt-painting-by-sir-e-j-poynter-image341875815.htmlRF2AT5P2F–Israel in Egypt painting by Sir E J Poynter
. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 173 DuraSyn-WA3-Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-dura-europos-synagogue-wall-painting-showing-the-hebrew-leaving-egypt-west-wall-register-a-adaptation-by-marsyas-173-durasyn-wa3-exodus-from-egypt-image187810261.htmlRMMWFDW9–. English: Dura Europos synagogue wall painting showing the Hebrew leaving Egypt : west wall, register A . Adaptation by Marsyas 173 DuraSyn-WA3-Exodus from Egypt
Abraham Leaves Haran, Francesco II Bassano (attributed to), 1560 - 1592 painting Abraham leaves for God's command from Haran (Genesis 13: 1-2). I used to be interpreted as the exodus from Egypt. A procession of people and animals passes through the gate. In the middle a woman on a white horse, on the right sheep, a dog, a goat and a donkey. In the foreground all kinds of household goods, pots and pans. God sees God down. canvas. oil paint (paint) Abraham and Lot separating (Genesis 13) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-leaves-haran-francesco-ii-bassano-attributed-to-1560-1592-painting-abraham-leaves-for-gods-command-from-haran-genesis-13-1-2-i-used-to-be-interpreted-as-the-exodus-from-egypt-a-procession-of-people-and-animals-passes-through-the-gate-in-the-middle-a-woman-on-a-white-horse-on-the-right-sheep-a-dog-a-goat-and-a-donkey-in-the-foreground-all-kinds-of-household-goods-pots-and-pans-god-sees-god-down-canvas-oil-paint-paint-abraham-and-lot-separating-genesis-13-image595617173.htmlRM2WH0KNW–Abraham Leaves Haran, Francesco II Bassano (attributed to), 1560 - 1592 painting Abraham leaves for God's command from Haran (Genesis 13: 1-2). I used to be interpreted as the exodus from Egypt. A procession of people and animals passes through the gate. In the middle a woman on a white horse, on the right sheep, a dog, a goat and a donkey. In the foreground all kinds of household goods, pots and pans. God sees God down. canvas. oil paint (paint) Abraham and Lot separating (Genesis 13)
. English: And There Was a Great Cry in Egypt : . English: A painting evoking a Biblical subject on Exodus 11:6 and Exodus 12:30 : 12:30 . 1897 8 And there was a Cry in Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-and-there-was-a-great-cry-in-egypt-english-a-painting-evoking-a-biblical-subject-on-exodus-116-and-exodus-1230-1230-1897-8-and-there-was-a-cry-in-egypt-image211030863.htmlRMP7980F–. English: And There Was a Great Cry in Egypt : . English: A painting evoking a Biblical subject on Exodus 11:6 and Exodus 12:30 : 12:30 . 1897 8 And there was a Cry in Egypt
Crossing of the Red Sea depicted in the fresco by Russian painters Dmitry Plekhanov and Fyodor Ignatyev dated from 1700 in the west gallery (papert) in the Church of Saint John the Baptist at Tolchkovo in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crossing-of-the-red-sea-depicted-in-the-fresco-by-russian-painters-dmitry-plekhanov-and-fyodor-ignatyev-dated-from-1700-in-the-west-gallery-papert-in-the-church-of-saint-john-the-baptist-at-tolchkovo-in-yaroslavl-russia-image222365358.htmlRMPWNH7X–Crossing of the Red Sea depicted in the fresco by Russian painters Dmitry Plekhanov and Fyodor Ignatyev dated from 1700 in the west gallery (papert) in the Church of Saint John the Baptist at Tolchkovo in Yaroslavl, Russia.
The Fifth Plague of Egypt . This painting was done for the Royal Academy exhibition in London. It depicts hail, which was the seventh plague as described in the Book of Exodus, rather than the death of livestock, which was the actual fifth plague. 1800. J. M. W. Turner (1775–1851) Alternative names J. M. W. Turner Description British painter and printmaker Date of birth/death circa 23 April 1775 19 December 1851 Location of birth/death London Category:Chelsea Work location London, Britain, Italy, Germany, Switzerland Authority control : Q159758 VIAF: 100900492 ISNI: 0000 0001 21 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fifth-plague-of-egypt-this-painting-was-done-for-the-royal-academy-exhibition-in-london-it-depicts-hail-which-was-the-seventh-plague-as-described-in-the-book-of-exodus-rather-than-the-death-of-livestock-which-was-the-actual-fifth-plague-1800-j-m-w-turner-17751851-alternative-names-j-m-w-turner-description-british-painter-and-printmaker-date-of-birthdeath-circa-23-april-1775-19-december-1851-location-of-birthdeath-london-categorychelsea-work-location-london-britain-italy-germany-switzerland-authority-control-q159758-viaf100900492-isni0000-0001-21-image185696419.htmlRMMP35JY–The Fifth Plague of Egypt . This painting was done for the Royal Academy exhibition in London. It depicts hail, which was the seventh plague as described in the Book of Exodus, rather than the death of livestock, which was the actual fifth plague. 1800. J. M. W. Turner (1775–1851) Alternative names J. M. W. Turner Description British painter and printmaker Date of birth/death circa 23 April 1775 19 December 1851 Location of birth/death London Category:Chelsea Work location London, Britain, Italy, Germany, Switzerland Authority control : Q159758 VIAF: 100900492 ISNI: 0000 0001 21
Mural by Gabriel Chabrat, at church of Sous-Parsat, Creuse, Limousin, France. The Exodus from Egypt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mural-by-gabriel-chabrat-at-church-of-sous-parsat-creuse-limousin-france-the-exodus-from-egypt-image264849244.htmlRMWATWWG–Mural by Gabriel Chabrat, at church of Sous-Parsat, Creuse, Limousin, France. The Exodus from Egypt
Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-for-water-by-gregorio-de-ferrari-16471726-italy-italian-late-seventeenth-century-early-eighteenth-century-moses13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image450131794.htmlRM2H497KE–Moses Striking the Rock for Water by Gregorio De Ferrari (1647–1726), Italy, Italian, Late seventeenth century - Early eighteenth century. Moses,1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Mus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jaume-huguet-lot-flees-from-sodom-and-exodus-from-egypt-from-the-retable-of-san-bernardino-de-siena-and-the-guardian-angel-1462-1475-national-mus-image607306525.htmlRM2X815JN–Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Mus
The Finding of Moses, Moyses van Wtenbrouck,1625 - 1627 oil on panel, 73.5 × w 99.5 Dutch, The Netherlands . Amid the bathing women, the infant Moses can just be seen, with some effort, being lifted from the rush basket in which he washed ashore. Wtenbrock makes it clear that this biblical story takes place in Egypt: in the foreground is a statue of a sphinx with the head of a dog, and in the background an overgrown obelisk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-moyses-van-wtenbrouck1625-1627-oil-on-panel-735-w-995-dutch-the-netherlands-amid-the-bathing-women-the-infant-moses-can-just-be-seen-with-some-effort-being-lifted-from-the-rush-basket-in-which-he-washed-ashore-wtenbrock-makes-it-clear-that-this-biblical-story-takes-place-in-egypt-in-the-foreground-is-a-statue-of-a-sphinx-with-the-head-of-a-dog-and-in-the-background-an-overgrown-obelisk-image439784015.htmlRM2GFDTYY–The Finding of Moses, Moyses van Wtenbrouck,1625 - 1627 oil on panel, 73.5 × w 99.5 Dutch, The Netherlands . Amid the bathing women, the infant Moses can just be seen, with some effort, being lifted from the rush basket in which he washed ashore. Wtenbrock makes it clear that this biblical story takes place in Egypt: in the foreground is a statue of a sphinx with the head of a dog, and in the background an overgrown obelisk.
William de Brailes - The Ninth Plague of Egypt - Darkness (Exodus 10 -22-23) - Walters W1068R - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-de-brailes-the-ninth-plague-of-egypt-darkness-exodus-10-22-134787963.htmlRMHR83BR–William de Brailes - The Ninth Plague of Egypt - Darkness (Exodus 10 -22-23) - Walters W1068R - Full Page
Alexander Heubel (1813-1847). Latvian painter. Moses, Aaron and Hur, 1837. Oil on canvas (66 x 86,5 cm). Latvian National Museum of Art. Riga, Latvia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-heubel-1813-1847-latvian-painter-moses-aaron-and-hur-1837-oil-on-canvas-66-x-865-cm-latvian-national-museum-of-art-riga-latvia-image608949498.htmlRM2XAM18A–Alexander Heubel (1813-1847). Latvian painter. Moses, Aaron and Hur, 1837. Oil on canvas (66 x 86,5 cm). Latvian National Museum of Art. Riga, Latvia.
religious painting The Brazen Serpent above entrance to Calvary Hill Church of the Holy Cross Bad Toelz Bavaria Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-painting-the-brazen-serpent-above-entrance-to-calvary-hill-image9674630.htmlRMAXX7M7–religious painting The Brazen Serpent above entrance to Calvary Hill Church of the Holy Cross Bad Toelz Bavaria Germany
Title: Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Artist: Charles K. Wilkinson, 325-375, Made in Kharga Oasis, Byzantine Egypt, Culture: Coptic, Medium: Tempera on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-title-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-168228525.htmlRMKNKD5H–Title: Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Artist: Charles K. Wilkinson, 325-375, Made in Kharga Oasis, Byzantine Egypt, Culture: Coptic, Medium: Tempera on paper
The Rylands Haggadah, created in Catalonia sometime around 1330, is a masterpiece of Jewish Art. In addition to pages of piyutim surrounded by ornate decorative and figurative micrography, richly decorated Haggadah text and blessings, there is a 13 page miniature cycle depicting the Exodus story from Moses at the Burning Bush to the Crossing of the Red Sea. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-rylands-haggadah-created-in-catalonia-sometime-around-1330-is-a-masterpiece-of-jewish-art-in-addition-to-pages-of-piyutim-surrounded-by-ornate-decorative-and-figurative-micrography-richly-decorated-haggadah-text-and-blessings-there-is-a-13-page-miniature-cycle-depicting-the-exodus-story-from-moses-at-the-burning-bush-to-the-crossing-of-the-red-sea-image344278606.htmlRM2B036TE–The Rylands Haggadah, created in Catalonia sometime around 1330, is a masterpiece of Jewish Art. In addition to pages of piyutim surrounded by ornate decorative and figurative micrography, richly decorated Haggadah text and blessings, there is a 13 page miniature cycle depicting the Exodus story from Moses at the Burning Bush to the Crossing of the Red Sea.
![The Signs on the Door [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo](https://c8.alamy.com/comp/2G37BW8/the-signs-on-the-door-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-2G37BW8.jpg "The Signs on the Door [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo")
The Signs on the Door [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-signs-on-the-door-book-of-exodus-gouache-paint-on-cardboard-by-james-tissot-1896-1902-image432266164.htmlRM2G37BW8–The Signs on the Door [Book of Exodus] Gouache paint on cardboard by James Tissot 1896-1902
William de Brailes - The Third Plague of Egypt- Gnats (Exodus 8-17) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-de-brailes-the-third-plague-of-egypt-gnats-exodus-8-17-image457724245.htmlRF2HGK3XD–William de Brailes - The Third Plague of Egypt- Gnats (Exodus 8-17)
Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis. Artist: Charles K. Wilkinson. Culture: Coptic. Dimensions: Overall: 19 7/8 x 26 3/16 in. (50.5 x 66.5 cm) Framed: 21 x 27 1/2 x 7/8 in. (53.3 x 69.9 x 2.2 cm). Date: 325-375. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-necropolis-kharga-oasis-artist-charles-k-wilkinson-culture-coptic-dimensions-overall-19-78-x-26-316-in-505-x-665-cm-framed-21-x-27-12-x-78-in-533-x-699-x-22-cm-date-325-375-museum-metropolitan-museum-of-art-new-york-usa-image212848807.htmlRMPA82R3–Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis. Artist: Charles K. Wilkinson. Culture: Coptic. Dimensions: Overall: 19 7/8 x 26 3/16 in. (50.5 x 66.5 cm) Framed: 21 x 27 1/2 x 7/8 in. (53.3 x 69.9 x 2.2 cm). Date: 325-375. Museum: Metropolitan Museum of Art, New York, USA.
Abraham Leaves Haran, 1560-1592. Other Title(s): The Exodus from Egypt.Abraham and Lot separate. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-leaves-haran-1560-1592-other-titles-the-exodus-from-egyptabraham-and-lot-separate-image556245999.htmlRM2R8Y5CF–Abraham Leaves Haran, 1560-1592. Other Title(s): The Exodus from Egypt.Abraham and Lot separate.
Art inspired by Landscape with Moses and the Burning Bush, 1610–16, Oil on copper, 17 3/4 x 13 3/8 in. (45.1 x 34 cm), Paintings, Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples), The Biblical miracle of the burning bush that was not consumed (Exodus III) was one of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-moses-and-the-burning-bush-161016-oil-on-copper-17-34-x-13-38-in-451-x-34-cm-paintings-domenichino-domenico-zampieri-italian-bologna-15811641-naples-the-biblical-miracle-of-the-burning-bush-that-was-not-consumed-exodus-iii-was-one-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024557.htmlRF2HW8GF9–Art inspired by Landscape with Moses and the Burning Bush, 1610–16, Oil on copper, 17 3/4 x 13 3/8 in. (45.1 x 34 cm), Paintings, Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples), The Biblical miracle of the burning bush that was not consumed (Exodus III) was one of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Get You Forth by Julius Schnorr von Carolsfeld, (1794-187) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-get-you-forth-by-julius-schnorr-von-carolsfeld-1794-187-29573759.htmlRMBM35HK–Get You Forth by Julius Schnorr von Carolsfeld, (1794-187)
Landscape with Moses and the Burning Bush, Domenichino, 1610–16 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-landscape-with-moses-and-the-burning-bush-domenichino-161016-162528830.htmlRMKCBR52–Landscape with Moses and the Burning Bush, Domenichino, 1610–16
![''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880] Stock Photo](https://c8.alamy.com/comp/2P0WC0K/the-death-of-the-first-born-after-lawrence-alma-tadema-rafrom-quotmodern-artistsquot-by-fgdumas-jsvirtue-amp-co-ltd-london-c1880-2P0WC0K.jpg "''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880] Stock Photo")
''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-the-first-born-after-lawrence-alma-tadema-rafrom-quotmodern-artistsquot-by-fgdumas-jsvirtue-amp-co-ltd-london-c1880-image534079635.htmlRM2P0WC0K–''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]
Crossing of the Red Sea. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crossing-of-the-red-sea-fresco-by-russian-icon-painters-gury-nikitin-and-sila-savin-1680-in-the-west-gallery-papert-of-the-church-of-elijah-the-prophet-in-yaroslavl-russia-image232535705.htmlRMRE8WJH–Crossing of the Red Sea. Fresco by Russian icon painters Gury Nikitin and Sila Savin (1680) in the west gallery (papert) of the Church of Elijah the Prophet in Yaroslavl, Russia.
Great scenes in the Great March - The Death of Aaron / Moses and Joshua in the Tabernacle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/great-scenes-in-the-great-march-the-death-of-aaron-moses-and-joshua-in-the-tabernacle-image396367830.htmlRF2E0T35X–Great scenes in the Great March - The Death of Aaron / Moses and Joshua in the Tabernacle.
Moses parting the Red Sea. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-parting-the-red-sea-mural-painting-by-palekh-masters-1882-in-the-south-gallery-papert-of-the-church-of-saint-nicholas-nadein-nikolai-nadein-in-yaroslavl-russia-image234117021.htmlRMRGTXJ5–Moses parting the Red Sea. Mural painting by Palekh masters (1882) in the south gallery (papert) of the Church of Saint Nicholas Nadein (Nikolai Nadein) in Yaroslavl, Russia.
rock-painting in Har Karkom Mountain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rock-painting-in-har-karkom-mountain-image223988626.htmlRFR0BFNP–rock-painting in Har Karkom Mountain
Moses commanding the waters to close upon the Egyptian Host. Mural painting by French painter Jean-Hippolyte Flandrin (1856-1863) in the Church of Saint-Germain-des-Prés in Paris, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-commanding-the-waters-to-close-upon-the-egyptian-host-mural-painting-by-french-painter-jean-hippolyte-flandrin-1856-1863-in-the-church-of-saint-germain-des-prs-in-paris-france-image468398619.htmlRM2J61B63–Moses commanding the waters to close upon the Egyptian Host. Mural painting by French painter Jean-Hippolyte Flandrin (1856-1863) in the Church of Saint-Germain-des-Prés in Paris, France.
The Finding of Moses, Moyses van Wtenbrouck,1625 - 1627 oil on panel, 73.5 × w 99.5 Dutch, The Netherlands . Amid the bathing women, the infant Moses can just be seen, with some effort, being lifted from the rush basket in which he washed ashore. Wtenbrock makes it clear that this biblical story takes place in Egypt: in the foreground is a statue of a sphinx with the head of a dog, and in the background an overgrown obelisk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-finding-of-moses-moyses-van-wtenbrouck1625-1627-oil-on-panel-735-w-995-dutch-the-netherlands-amid-the-bathing-women-the-infant-moses-can-just-be-seen-with-some-effort-being-lifted-from-the-rush-basket-in-which-he-washed-ashore-wtenbrock-makes-it-clear-that-this-biblical-story-takes-place-in-egypt-in-the-foreground-is-a-statue-of-a-sphinx-with-the-head-of-a-dog-and-in-the-background-an-overgrown-obelisk-image439784039.htmlRM2GFDW0R–The Finding of Moses, Moyses van Wtenbrouck,1625 - 1627 oil on panel, 73.5 × w 99.5 Dutch, The Netherlands . Amid the bathing women, the infant Moses can just be seen, with some effort, being lifted from the rush basket in which he washed ashore. Wtenbrock makes it clear that this biblical story takes place in Egypt: in the foreground is a statue of a sphinx with the head of a dog, and in the background an overgrown obelisk.
William de Brailes - The Fifth Plague of Egypt - Cattle (Exodus 9 -1-6) - Walters W1066R - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-de-brailes-the-fifth-plague-of-egypt-cattle-exodus-9-1-6-walters-134802122.htmlRMHR8NDE–William de Brailes - The Fifth Plague of Egypt - Cattle (Exodus 9 -1-6) - Walters W1066R - Full Page
Moses and the Bronze Serpent 1743 by Beaumont Claudius Francis, 1694/ 1766 Italy, Italian, Claudio, Francesco, ( Moses, 1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-and-the-bronze-serpent-1743-by-beaumont-claudius-francis-1694-1766-italy-italian-claudio-francesco-moses-13911271-bc-biblical-book-exodus-and-quran-lawgiver-who-met-god-face-to-face-mount-sinai-ten-commandments-leading-his-people-hebrews-out-of-bondage-egypt-promised-land-canaan-image451278447.htmlRM2H65E7B–Moses and the Bronze Serpent 1743 by Beaumont Claudius Francis, 1694/ 1766 Italy, Italian, Claudio, Francesco, ( Moses, 1391–1271 BC, biblical Book, Exodus and Quran, lawgiver, who met, God face-to-face, Mount Sinai, Ten Commandments, leading his people, Hebrews, out of bondage, Egypt, promised land, Canaan,)
Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Mus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jaume-huguet-lot-flees-from-sodom-and-exodus-from-egypt-from-the-retable-of-san-bernardino-de-siena-and-the-guardian-angel-1462-1475-national-mus-image607306453.htmlRM2X815G5–Jaume Huguet, Lot flees from Sodom and Exodus from Egypt (from the Retable of San Bernardino de Siena and the Guardian Angel), 1462-1475, National Mus
Moses Striking the Rock 1610 by Hendrick De Clerck 1570-1629, Belgian, Belgium, Flemish. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moses-striking-the-rock-1610-by-hendrick-de-clerck-1570-1629-belgian-belgium-flemish-image397331669.htmlRM2E2C0GN–Moses Striking the Rock 1610 by Hendrick De Clerck 1570-1629, Belgian, Belgium, Flemish.
Title: Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Artist: Charles K. Wilkinson, 325-375, Made in Kharga Oasis, Byzantine Egypt, Culture: Coptic, Medium: Tempera on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-title-facsimile-of-the-dome-painting-of-the-chapel-of-exodus-bagawat-168228523.htmlRMKNKD5F–Title: Facsimile of the Dome Painting of the Chapel of Exodus, Bagawat Necropolis, Kharga Oasis, Artist: Charles K. Wilkinson, 325-375, Made in Kharga Oasis, Byzantine Egypt, Culture: Coptic, Medium: Tempera on paper
![The Gathering of the Manna [Book of Exodus 16:1–36 and Numbers 11:1–9] an edible substance which God provided for the Israelites during their travels in the desert during the 40-year period following the Exodus and prior to the conquest of Canaan. It is also mentioned in the Quran three times. Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo](https://c8.alamy.com/comp/2G37BTT/the-gathering-of-the-manna-book-of-exodus-16136-and-numbers-1119-an-edible-substance-which-god-provided-for-the-israelites-during-their-travels-in-the-desert-during-the-40-year-period-following-the-exodus-and-prior-to-the-conquest-of-canaan-it-is-also-mentioned-in-the-quran-three-times-gouache-paint-on-cardboard-by-james-tissot-1896-1902-2G37BTT.jpg "The Gathering of the Manna [Book of Exodus 16:1–36 and Numbers 11:1–9] an edible substance which God provided for the Israelites during their travels in the desert during the 40-year period following the Exodus and prior to the conquest of Canaan. It is also mentioned in the Quran three times. Gouache paint on cardboard by James Tissot 1896-1902 Stock Photo")
The Gathering of the Manna [Book of Exodus 16:1–36 and Numbers 11:1–9] an edible substance which God provided for the Israelites during their travels in the desert during the 40-year period following the Exodus and prior to the conquest of Canaan. It is also mentioned in the Quran three times. Gouache paint on cardboard by James Tissot 1896-1902 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-gathering-of-the-manna-book-of-exodus-16136-and-numbers-1119-an-edible-substance-which-god-provided-for-the-israelites-during-their-travels-in-the-desert-during-the-40-year-period-following-the-exodus-and-prior-to-the-conquest-of-canaan-it-is-also-mentioned-in-the-quran-three-times-gouache-paint-on-cardboard-by-james-tissot-1896-1902-image432266152.htmlRM2G37BTT–The Gathering of the Manna [Book of Exodus 16:1–36 and Numbers 11:1–9] an edible substance which God provided for the Israelites during their travels in the desert during the 40-year period following the Exodus and prior to the conquest of Canaan. It is also mentioned in the Quran three times. Gouache paint on cardboard by James Tissot 1896-1902
Search Results for Exodus egypt painting Stock Photos and Images (180)
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