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Example for rule of third Stock Photos and Images
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Example for rule of third Stock Photos and Images
Mint leaves Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-leaves-image240274582.htmlRFRXWCK2–Mint leaves
Harmony, its theory and practice . enerator while the third remains stationary,as in the following example :— Dvorak. Stabat Mater. £x. 304, Between the first and second bars of the above will be seen inthe soprano and tenor parts hidden octaves of a kind that arespecially prohibited (§ 76). The infraction of the rule here ispalliated, if not justified, by the tenor in the first half of thesecond bar imitating the first half of the soprano of the previousbar. 378. The general rule illustrated in the above example maybe thus stated: The major ninth should only appear below thethird when the cho Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harmony-its-theory-and-practice-enerator-while-the-third-remains-stationaryas-in-the-following-example-dvorak-stabat-mater-x-304-between-the-first-and-second-bars-of-the-above-will-be-seen-inthe-soprano-and-tenor-parts-hidden-octaves-of-a-kind-that-arespecially-prohibited-76-the-infraction-of-the-rule-here-ispalliated-if-not-justified-by-the-tenor-in-the-first-half-of-thesecond-bar-imitating-the-first-half-of-the-soprano-of-the-previousbar-378-the-general-rule-illustrated-in-the-above-example-maybe-thus-stated-the-major-ninth-should-only-appear-below-thethird-when-the-cho-image342845926.htmlRM2AWNYDA–Harmony, its theory and practice . enerator while the third remains stationary,as in the following example :— Dvorak. Stabat Mater. £x. 304, Between the first and second bars of the above will be seen inthe soprano and tenor parts hidden octaves of a kind that arespecially prohibited (§ 76). The infraction of the rule here ispalliated, if not justified, by the tenor in the first half of thesecond bar imitating the first half of the soprano of the previousbar. 378. The general rule illustrated in the above example maybe thus stated: The major ninth should only appear below thethird when the cho
An essay on colophons : with specimens and translation . and this by the printers arthas been finished and diligently completed at Nuremberg inOctober, 1485, the third indiction, by Anton Koburger. A more normal example of the custom of blaming pre-vious printers and editors—and it must be owned thatthe accusations hurled at them are, as a rule, much betterjustified than the vituperators assertions of his own su- ffrjbpus pent Diuimtm celcberrfari wiufqj cenfitrc torp^s.o^emoeancbarano i materia ftatuto^fupenacano.fta.oe c6fta*qd pnus TRome tu$ Bononte tfmpiefdm fuerat adeo cozruptum atqj inem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-essay-on-colophons-with-specimens-and-translation-and-this-by-the-printers-arthas-been-finished-and-diligently-completed-at-nuremberg-inoctober-1485-the-third-indiction-by-anton-koburger-a-more-normal-example-of-the-custom-of-blaming-pre-vious-printers-and-editorsand-it-must-be-owned-thatthe-accusations-hurled-at-them-are-as-a-rule-much-betterjustified-than-the-vituperators-assertions-of-his-own-su-ffrjbpus-pent-diuimtm-celcberrfari-wiufqj-cenfitrc-torpsoemoeancbarano-i-materia-ftatutofupenacanoftaoe-c6ftaqd-pnus-trome-tu-bononte-tfmpiefdm-fuerat-adeo-cozruptum-atqj-inem-image342874986.htmlRM2AWR8F6–An essay on colophons : with specimens and translation . and this by the printers arthas been finished and diligently completed at Nuremberg inOctober, 1485, the third indiction, by Anton Koburger. A more normal example of the custom of blaming pre-vious printers and editors—and it must be owned thatthe accusations hurled at them are, as a rule, much betterjustified than the vituperators assertions of his own su- ffrjbpus pent Diuimtm celcberrfari wiufqj cenfitrc torp^s.o^emoeancbarano i materia ftatuto^fupenacano.fta.oe c6fta*qd pnus TRome tu$ Bononte tfmpiefdm fuerat adeo cozruptum atqj inem
The American annual of photography . Figure 1. tract the third distance from the second and the remaindershould tally with the first result. As an example, suppose when the rule is focused half-size, so as to be exactly 6 ins. long on the screen, the distanceis i8i^ ins., as at A in Figure i ; while when the rule is one-third size, measuring 4 ins. on the screen, the distance is 24^ins., as at B. Then, 18^ ins. from 24^ ins. leaves 6 ins.,which is the focal length. Similarly if, to verify accuracy,the rule is focused to 3 ins. long, or one-fourth size, the dis-tance, providing all has been don Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-annual-of-photography-figure-1-tract-the-third-distance-from-the-second-and-the-remaindershould-tally-with-the-first-result-as-an-example-suppose-when-the-rule-is-focused-half-size-so-as-to-be-exactly-6-ins-long-on-the-screen-the-distanceis-i8i-ins-as-at-a-in-figure-i-while-when-the-rule-is-one-third-size-measuring-4-ins-on-the-screen-the-distance-is-24ins-as-at-b-then-18-ins-from-24-ins-leaves-6-inswhich-is-the-focal-length-similarly-if-to-verify-accuracythe-rule-is-focused-to-3-ins-long-or-one-fourth-size-the-dis-tance-providing-all-has-been-don-image340078482.htmlRM2AN7WG2–The American annual of photography . Figure 1. tract the third distance from the second and the remaindershould tally with the first result. As an example, suppose when the rule is focused half-size, so as to be exactly 6 ins. long on the screen, the distanceis i8i^ ins., as at A in Figure i ; while when the rule is one-third size, measuring 4 ins. on the screen, the distance is 24^ins., as at B. Then, 18^ ins. from 24^ ins. leaves 6 ins.,which is the focal length. Similarly if, to verify accuracy,the rule is focused to 3 ins. long, or one-fourth size, the dis-tance, providing all has been don
The American annual of photography . /This dia.gra.7n is not dreLurn Co scade.. ). Figure 1. tract the third distance from the second and the remaindershould tally with the first result. As an example, suppose when the rule is focused half-size, so as to be exactly 6 ins. long on the screen, the distanceis i8i^ ins., as at A in Figure i ; while when the rule is one-third size, measuring 4 ins. on the screen, the distance is 24^ins., as at B. Then, 18^ ins. from 24^ ins. leaves 6 ins.,which is the focal length. Similarly if, to verify accuracy,the rule is focused to 3 ins. long, or one-fourth s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-annual-of-photography-this-diagra7n-is-not-drelurn-co-scade-figure-1-tract-the-third-distance-from-the-second-and-the-remaindershould-tally-with-the-first-result-as-an-example-suppose-when-the-rule-is-focused-half-size-so-as-to-be-exactly-6-ins-long-on-the-screen-the-distanceis-i8i-ins-as-at-a-in-figure-i-while-when-the-rule-is-one-third-size-measuring-4-ins-on-the-screen-the-distance-is-24ins-as-at-b-then-18-ins-from-24-ins-leaves-6-inswhich-is-the-focal-length-similarly-if-to-verify-accuracythe-rule-is-focused-to-3-ins-long-or-one-fourth-s-image340079606.htmlRM2AN7Y06–The American annual of photography . /This dia.gra.7n is not dreLurn Co scade.. ). Figure 1. tract the third distance from the second and the remaindershould tally with the first result. As an example, suppose when the rule is focused half-size, so as to be exactly 6 ins. long on the screen, the distanceis i8i^ ins., as at A in Figure i ; while when the rule is one-third size, measuring 4 ins. on the screen, the distance is 24^ins., as at B. Then, 18^ ins. from 24^ ins. leaves 6 ins.,which is the focal length. Similarly if, to verify accuracy,the rule is focused to 3 ins. long, or one-fourth s
Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for ..draughtsmen .. . TI ON OF MA S 0 NR Y. 87 ^igr. i-ao. Rubble work, however, consists of constructions involving stones mainly in the rough, but maybe either coursed or uucoursed. Fig. 138 is a neat example of uncoursed though partially dressedor hammered rubble. In .section, as shown in Fig. 137, it is merely necessary to rule section-lines over the boundaries of the stones —a remark apjjlying equally to ashlar masonry.^^ ^ The other examples in this chapter are Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/practical-engineering-drawing-and-third-angle-projection-for-students-in-scientific-technical-and-manual-training-schools-and-for-draughtsmen-ti-on-of-ma-s-0-nr-y-87-igr-i-ao-rubble-work-however-consists-of-constructions-involving-stones-mainly-in-the-rough-but-maybe-either-coursed-or-uucoursed-fig-138-is-a-neat-example-of-uncoursed-though-partially-dressedor-hammered-rubble-in-section-as-shown-in-fig-137-it-is-merely-necessary-to-rule-section-lines-over-the-boundaries-of-the-stones-a-remark-apjjlying-equally-to-ashlar-masonry-the-other-examples-in-this-chapter-are-image340073329.htmlRM2AN7K01–Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for ..draughtsmen .. . TI ON OF MA S 0 NR Y. 87 ^igr. i-ao. Rubble work, however, consists of constructions involving stones mainly in the rough, but maybe either coursed or uucoursed. Fig. 138 is a neat example of uncoursed though partially dressedor hammered rubble. In .section, as shown in Fig. 137, it is merely necessary to rule section-lines over the boundaries of the stones —a remark apjjlying equally to ashlar masonry.^^ ^ The other examples in this chapter are
Harmony, its theory and practice . b b iii* IVi b b mb IVb U iib iiib IVi it is clear that there will be consecutive octaves, sometimes also,as at (a) consecutive fifths. From this we deduce another^rule:—The same note of the chord must not be doubled in theXsame parts in two consecutive first inversions. The usual planf adopted is to double the root and the third of the chord alter-nately, as in the following example from Mozart: Ex. 110. Mozart. Mass. No. 15.. K It will be seen thaf^ fe such a passage as this It is not pos-sible to double the primary note of each chord. Here, in thefir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harmony-its-theory-and-practice-b-b-iii-ivi-b-b-mb-ivb-u-iib-iiib-ivi-it-is-clear-that-there-will-be-consecutive-octaves-sometimes-alsoas-at-a-consecutive-fifths-from-this-we-deduce-anotherrulethe-same-note-of-the-chord-must-not-be-doubled-in-thexsame-parts-in-two-consecutive-first-inversions-the-usual-planf-adopted-is-to-double-the-root-and-the-third-of-the-chord-alter-nately-as-in-the-following-example-from-mozart-ex-110-mozart-mass-no-15-k-it-will-be-seen-thaf-fe-such-a-passage-as-this-it-is-not-pos-sible-to-double-the-primary-note-of-each-chord-here-in-thefir-image342895272.htmlRM2AWT6BM–Harmony, its theory and practice . b b iii* IVi b b mb IVb U iib iiib IVi it is clear that there will be consecutive octaves, sometimes also,as at (a) consecutive fifths. From this we deduce another^rule:—The same note of the chord must not be doubled in theXsame parts in two consecutive first inversions. The usual planf adopted is to double the root and the third of the chord alter-nately, as in the following example from Mozart: Ex. 110. Mozart. Mass. No. 15.. K It will be seen thaf^ fe such a passage as this It is not pos-sible to double the primary note of each chord. Here, in thefir
Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for ..draughtsmen .. . BRICKVenetian Red. CONCRETEYellow Ochre. FLs- J.3S-. iiMiib,M<ii[[M[[||.MJ,i w.|HMW;Mi„H.U..Mil .itiAII, REP RE SEN TA TI ON OF MA S 0 NR Y. 87 ^igr. i-ao. Rubble work, however, consists of constructions involving stones mainly in the rough, but maybe either coursed or uucoursed. Fig. 138 is a neat example of uncoursed though partially dressedor hammered rubble. In .section, as shown in Fig. 137, it is merely necessary to rule section-lines o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/practical-engineering-drawing-and-third-angle-projection-for-students-in-scientific-technical-and-manual-training-schools-and-for-draughtsmen-brickvenetian-red-concreteyellow-ochre-fls-j3s-iimiibmltii-m-mji-whmwmihumil-itiaii-rep-re-sen-ta-ti-on-of-ma-s-0-nr-y-87-igr-i-ao-rubble-work-however-consists-of-constructions-involving-stones-mainly-in-the-rough-but-maybe-either-coursed-or-uucoursed-fig-138-is-a-neat-example-of-uncoursed-though-partially-dressedor-hammered-rubble-in-section-as-shown-in-fig-137-it-is-merely-necessary-to-rule-section-lines-o-image340073662.htmlRM2AN7KBX–Practical engineering drawing and third angle projection, for students in scientific, technical and manual training schools and for ..draughtsmen .. . BRICKVenetian Red. CONCRETEYellow Ochre. FLs- J.3S-. iiMiib,M<ii[[M[[||.MJ,i w.|HMW;Mi„H.U..Mil .itiAII, REP RE SEN TA TI ON OF MA S 0 NR Y. 87 ^igr. i-ao. Rubble work, however, consists of constructions involving stones mainly in the rough, but maybe either coursed or uucoursed. Fig. 138 is a neat example of uncoursed though partially dressedor hammered rubble. In .section, as shown in Fig. 137, it is merely necessary to rule section-lines o
Home instruction for sheet metal workers . the true length of the hip desired and willmeasure 24^ in. The true length of the jack bar is obtained by extending theline of jack e until it intersects c a of the common bar at /. Then/ a will scale 1 ft. 2l/2 in., proved by using the J^-in. scale rule. Another example for obtaining scale measurements in a sky- Making Hipped Skylights 261 light with ridge bar is given in Fig. 385. The size of the curbis 6 x 8 ft. with glass divisions/ The pitch being one-third, thenone-third the span of the narrow side or 6 ft. is 2. At right angles to the common ba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/home-instruction-for-sheet-metal-workers-the-true-length-of-the-hip-desired-and-willmeasure-24-in-the-true-length-of-the-jack-bar-is-obtained-by-extending-theline-of-jack-e-until-it-intersects-c-a-of-the-common-bar-at-then-a-will-scale-1-ft-2l2-in-proved-by-using-the-j-in-scale-rule-another-example-for-obtaining-scale-measurements-in-a-sky-making-hipped-skylights-261-light-with-ridge-bar-is-given-in-fig-385-the-size-of-the-curbis-6-x-8-ft-with-glass-divisions-the-pitch-being-one-third-thenone-third-the-span-of-the-narrow-side-or-6-ft-is-2-at-right-angles-to-the-common-ba-image338408384.htmlRM2AJFR9M–Home instruction for sheet metal workers . the true length of the hip desired and willmeasure 24^ in. The true length of the jack bar is obtained by extending theline of jack e until it intersects c a of the common bar at /. Then/ a will scale 1 ft. 2l/2 in., proved by using the J^-in. scale rule. Another example for obtaining scale measurements in a sky- Making Hipped Skylights 261 light with ridge bar is given in Fig. 385. The size of the curbis 6 x 8 ft. with glass divisions/ The pitch being one-third, thenone-third the span of the narrow side or 6 ft. is 2. At right angles to the common ba
. Harmony : a course of study . Thus the above example is analyzed as ( a ) V2, ( b ) IV2, ( c ) ni2>( d) 112, with each third and root suspended, instead of (a ) n| V2,(3) I| IV2, etc. (See Lesson XL.) Such instances are very commonin sequences. T HARMONY. I85 In the treatment of suspensions in the inner voices it is somewhatmore difficult to avoid the combination of suspension and resolutionin the same octave. For this reason the given exercises are principallyin close position. Rule 1 must be strictly adhered to. In working out the following exercises first harmonize the basswithout susp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harmony-a-course-of-study-thus-the-above-example-is-analyzed-as-a-v2-b-iv2-c-ni2gt-d-112-with-each-third-and-root-suspended-instead-of-a-n-v23-i-iv2-etc-see-lesson-xl-such-instances-are-very-commonin-sequences-t-harmony-i85-in-the-treatment-of-suspensions-in-the-inner-voices-it-is-somewhatmore-difficult-to-avoid-the-combination-of-suspension-and-resolutionin-the-same-octave-for-this-reason-the-given-exercises-are-principallyin-close-position-rule-1-must-be-strictly-adhered-to-in-working-out-the-following-exercises-first-harmonize-the-basswithout-susp-image372434604.htmlRM2CHWT3T–. Harmony : a course of study . Thus the above example is analyzed as ( a ) V2, ( b ) IV2, ( c ) ni2>( d) 112, with each third and root suspended, instead of (a ) n| V2,(3) I| IV2, etc. (See Lesson XL.) Such instances are very commonin sequences. T HARMONY. I85 In the treatment of suspensions in the inner voices it is somewhatmore difficult to avoid the combination of suspension and resolutionin the same octave. For this reason the given exercises are principallyin close position. Rule 1 must be strictly adhered to. In working out the following exercises first harmonize the basswithout susp
. The cell in development and inheritance. Cells. GEOMETRICAL RELATIONS OF CLEAVAGE-FORMS 565 planes according to Sachs's second rule. The first division of a homo- geneous spherical Qg%, for example, is followed by a second division at right angles to it, since each hemisphere is twice as long in the plane of division as in any plane vertical to it. The mitotic figure of the second division lies therefore parallel to the first plane, which forms the base of the hemisphere, and the ensuing division is vertical to it. The same applies to the third division, since each quadrant is as long as the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cell-in-development-and-inheritance-cells-geometrical-relations-of-cleavage-forms-565-planes-according-to-sachss-second-rule-the-first-division-of-a-homo-geneous-spherical-qg-for-example-is-followed-by-a-second-division-at-right-angles-to-it-since-each-hemisphere-is-twice-as-long-in-the-plane-of-division-as-in-any-plane-vertical-to-it-the-mitotic-figure-of-the-second-division-lies-therefore-parallel-to-the-first-plane-which-forms-the-base-of-the-hemisphere-and-the-ensuing-division-is-vertical-to-it-the-same-applies-to-the-third-division-since-each-quadrant-is-as-long-as-the-image235103876.htmlRMRJDWB0–. The cell in development and inheritance. Cells. GEOMETRICAL RELATIONS OF CLEAVAGE-FORMS 565 planes according to Sachs's second rule. The first division of a homo- geneous spherical Qg%, for example, is followed by a second division at right angles to it, since each hemisphere is twice as long in the plane of division as in any plane vertical to it. The mitotic figure of the second division lies therefore parallel to the first plane, which forms the base of the hemisphere, and the ensuing division is vertical to it. The same applies to the third division, since each quadrant is as long as the
. The cell in development and inheritance. Cells. GEOMETRICAL RELATIONS OF CLEAVAGE-FORMS 365 planes according to Sachs's second rule. The first division of a homo- geneous spherical &%%, for example, is followed by a second division at right angles to it, since each hemisphere is twice as long in the plane of division as in any plane vertical to it. The mitotic figure of the second division lies therefore parallel to the first plane, which forms the base of the hemisphere, and the ensuing division is vertical to it. The same applies to the third division, since each quadrant is as long as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cell-in-development-and-inheritance-cells-geometrical-relations-of-cleavage-forms-365-planes-according-to-sachss-second-rule-the-first-division-of-a-homo-geneous-spherical-amp-for-example-is-followed-by-a-second-division-at-right-angles-to-it-since-each-hemisphere-is-twice-as-long-in-the-plane-of-division-as-in-any-plane-vertical-to-it-the-mitotic-figure-of-the-second-division-lies-therefore-parallel-to-the-first-plane-which-forms-the-base-of-the-hemisphere-and-the-ensuing-division-is-vertical-to-it-the-same-applies-to-the-third-division-since-each-quadrant-is-as-long-as-image235049052.htmlRMRJBBD0–. The cell in development and inheritance. Cells. GEOMETRICAL RELATIONS OF CLEAVAGE-FORMS 365 planes according to Sachs's second rule. The first division of a homo- geneous spherical &%%, for example, is followed by a second division at right angles to it, since each hemisphere is twice as long in the plane of division as in any plane vertical to it. The mitotic figure of the second division lies therefore parallel to the first plane, which forms the base of the hemisphere, and the ensuing division is vertical to it. The same applies to the third division, since each quadrant is as long as
Search Results for Example for rule of third Stock Photos and Images (12)
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