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Evangeliary Stock Photos and Images
leaf from the Skevra Evangeliary. Dated 1198 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leaf-from-the-skevra-evangeliary-dated-1198-76394349.htmlRMEC81NH–leaf from the Skevra Evangeliary. Dated 1198
Back cover of an Evangeliary with a Salvator mundi ( Blessing Christ ) Limoges c 1200 enamel gilded copper Medieval Middle Ages Rijksmuseum Amsterdam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-back-cover-of-an-evangeliary-with-a-salvator-mundi-blessing-christ-78967216.htmlRMEGD7DM–Back cover of an Evangeliary with a Salvator mundi ( Blessing Christ ) Limoges c 1200 enamel gilded copper Medieval Middle Ages Rijksmuseum Amsterdam
page from the Skevra Evangeliary (Lviv Evangeliary 1198. An Evangeliary or evangelion is a liturgical book containing those portions of the four gospels which are read during Mass or in the public offices of the Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/page-from-the-skevra-evangeliary-lviv-evangeliary-1198-an-evangeliary-or-evangelion-is-a-liturgical-book-containing-those-portions-of-the-four-gospels-which-are-read-during-mass-or-in-the-public-offices-of-the-church-image210408103.htmlRMP68WK3–page from the Skevra Evangeliary (Lviv Evangeliary 1198. An Evangeliary or evangelion is a liturgical book containing those portions of the four gospels which are read during Mass or in the public offices of the Church
Saint Matthew the Evangelist. Apostle and author of the first Gospel. Miniature from the Codex Evangeliary of Henry II (1014-1022), depicting Saint Matthew writing the Gospel. Vatican Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-matthew-the-evangelist-apostle-and-author-of-the-first-gospel-miniature-from-the-codex-evangeliary-of-henry-ii-1014-1022-depicting-saint-matthew-writing-the-gospel-vatican-library-image367747223.htmlRM2CA899B–Saint Matthew the Evangelist. Apostle and author of the first Gospel. Miniature from the Codex Evangeliary of Henry II (1014-1022), depicting Saint Matthew writing the Gospel. Vatican Library.
Saint Matthew the Evangelist depicted in the medieval illuminated manuscript known as the Evangelistář svatovítský (The Evangeliary of Saint Vitus) dated from before the year of 1085 on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The illuminated manuscript was probably ordered by King Vratislaus II of Bohemia together with the Vyšehrad Codex in occasion of his coronation as the fir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-matthew-the-evangelist-depicted-in-the-medieval-illuminated-176980264.htmlRMM7X43M–Saint Matthew the Evangelist depicted in the medieval illuminated manuscript known as the Evangelistář svatovítský (The Evangeliary of Saint Vitus) dated from before the year of 1085 on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The illuminated manuscript was probably ordered by King Vratislaus II of Bohemia together with the Vyšehrad Codex in occasion of his coronation as the fir
Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-an-evangeliary-with-the-crucifixion-front-cover-of-a-gospel-book-with-the-crucified-christ-between-mary-and-john-front-cover-of-a-gospel-book-of-gilded-copper-and-enamel-champlev-in-the-midfield-against-a-blue-ground-the-crucified-christ-in-relief-between-mary-and-john-with-only-the-heads-in-relief-above-on-either-side-of-the-cross-the-half-figures-of-michael-and-gabriel-tendrils-in-the-margin-interspersed-with-the-half-figures-of-angels-crucified-christ-with-mary-and-john-on-either-side-of-the-cross-holy-red-the-archangel-michael-often-in-armor-with-sword-image261331964.htmlRMW54KGC–Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword
The Transfiguration. Illustration from the evangeliary of Otto III Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-transfiguration-illustration-from-the-evangeliary-of-otto-iii-image268834741.htmlRMWHADCN–The Transfiguration. Illustration from the evangeliary of Otto III
Inspired by Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, albumen print, height 345 mm × width 259 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-book-cover-of-an-evangeliary-with-relief-couverture-dvanglaire-xie-sicle-muse-de-cluny-sraphin-mdric-mieusement-paris-1850-1900-albumen-print-height-345-mm-width-259-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459437769.htmlRF2HKD5FN–Inspired by Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, albumen print, height 345 mm × width 259 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
literature, sacred, pericope from St. Emmeran, Regensburg, late 10th century, decoration page with purple ground, Schoenborn Library, Pommersfelden, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-literature-sacred-pericope-from-st-emmeran-regensburg-late-10th-century-110585039.htmlRMGBWG9K–literature, sacred, pericope from St. Emmeran, Regensburg, late 10th century, decoration page with purple ground, Schoenborn Library, Pommersfelden,
Title and capital letters of the 7th century, according to the evangeliary of Notre-Dame de Paris. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-and-capital-letters-of-the-7th-century-according-to-the-evangeliary-of-notre-dame-de-paris-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image526079079.htmlRM2NFTY6F–Title and capital letters of the 7th century, according to the evangeliary of Notre-Dame de Paris. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238282.htmlRM2RDRE3P–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
Reproduktion aus der Sammlung Edwin Redslob: Deckel eines Evangeliars, Deutschland 1930er Jahre. Reproduction from the Edwin Redslob collection: coverof an evangeliary, Germany 1930s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reproduktion-aus-der-sammlung-edwin-redslob-deckel-eines-evangeliars-deutschland-1930er-jahre-reproduction-from-the-edwin-redslob-collection-coverof-an-evangeliary-germany-1930s-image328676128.htmlRM2A2MDN4–Reproduktion aus der Sammlung Edwin Redslob: Deckel eines Evangeliars, Deutschland 1930er Jahre. Reproduction from the Edwin Redslob collection: coverof an evangeliary, Germany 1930s.
Emmeram Evangeliary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-emmeram-evangeliary-139784030.htmlRMJ3BKXP–Emmeram Evangeliary
Emmeram Evangeliary. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emmeram-evangeliary-image328586467.htmlRM2A2GBAY–Emmeram Evangeliary.
Hugo d'Oignies Evangeliary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hugo-doignies-evangeliary-142956235.htmlRMJ8G63R–Hugo d'Oignies Evangeliary
623 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/623-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image214151499.htmlRMPCBCBR–623 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-140669542.htmlRMJ4T1C6–Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-132428938.htmlRMHKCJCX–Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
France, Paris, National Library of France, Richelieu site, Mazarin gallery, third evangeliary of the Holy Chapel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-paris-national-library-of-france-richelieu-site-mazarin-gallery-third-evangeliary-of-the-holy-chapel-image560279296.htmlRM2RFEWXT–France, Paris, National Library of France, Richelieu site, Mazarin gallery, third evangeliary of the Holy Chapel
Front Cover of an Evangeliary with the Crucifixion. Dated 13th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-front-cover-of-an-evangeliary-with-the-crucifixion-dated-13th-century-76398004.htmlRMEC86C4–Front Cover of an Evangeliary with the Crucifixion. Dated 13th Century
Reproduktion aus der Sammlung Edwin Redslob: Deckel eines Evangeliars, Deutschland 1930er Jahre. Reproduction from the Edwin Redslob collection: coverof an evangeliary, Germany 1930s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reproduktion-aus-der-sammlung-edwin-redslob-deckel-eines-evangeliars-deutschland-1930er-jahre-reproduction-from-the-edwin-redslob-collection-coverof-an-evangeliary-germany-1930s-image446897912.htmlRM2GY1XRM–Reproduktion aus der Sammlung Edwin Redslob: Deckel eines Evangeliars, Deutschland 1930er Jahre. Reproduction from the Edwin Redslob collection: coverof an evangeliary, Germany 1930s.
The crucifixion around 1200-1210 '. Central plate of a upper binding dish or evangeliary plate, metal, repelled copper, enamel and gold, wooden soul, anonymous. Museum of fine arts of the city of Paris, small Palace. Crucifixion Ame Bois, Binding, Central Flat, Crucify, Crucified, Copper Raves, Christ, Email, Embossed Copper, Enamel, Evangeliaire, Gospel, Or, Centrale, Central Plate, Signior Binding, Upper Part, Wooden Frame, Crucifixion, Gold, Plate, flat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-around-1200-1210-central-plate-of-a-upper-binding-dish-or-evangeliary-plate-metal-repelled-copper-enamel-and-gold-wooden-soul-anonymous-museum-of-fine-arts-of-the-city-of-paris-small-palace-crucifixion-ame-bois-binding-central-flat-crucify-crucified-copper-raves-christ-email-embossed-copper-enamel-evangeliaire-gospel-or-centrale-central-plate-signior-binding-upper-part-wooden-frame-crucifixion-gold-plate-flat-image596750947.htmlRM2WJT9WR–The crucifixion around 1200-1210 '. Central plate of a upper binding dish or evangeliary plate, metal, repelled copper, enamel and gold, wooden soul, anonymous. Museum of fine arts of the city of Paris, small Palace. Crucifixion Ame Bois, Binding, Central Flat, Crucify, Crucified, Copper Raves, Christ, Email, Embossed Copper, Enamel, Evangeliaire, Gospel, Or, Centrale, Central Plate, Signior Binding, Upper Part, Wooden Frame, Crucifixion, Gold, Plate, flat
prada foundation: recycling beauty, ada evangeliary cover from 1499, with cameo from 326 ad, milan, italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prada-foundation-recycling-beauty-ada-evangeliary-cover-from-1499-with-cameo-from-326-ad-milan-italy-image557386381.htmlRM2RAR40D–prada foundation: recycling beauty, ada evangeliary cover from 1499, with cameo from 326 ad, milan, italy
The Andronikov Gospels. Museum: State History Museum, Moscow. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-andronikov-gospels-museum-state-history-museum-moscow-image211652196.htmlRMP89GF0–The Andronikov Gospels. Museum: State History Museum, Moscow.
Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle (title on object), Musée de Cluny (series title on object), Séraphin-Médéric Mieusement (mentioned on object), Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/book-cover-of-an-evangeliary-with-relief-couverture-dvanglaire-xie-sicle-title-on-object-muse-de-cluny-series-title-on-object-sraphin-mdric-mieusement-mentioned-on-object-paris-1850-1900-cardboard-albumen-print-height-345-mm-width-259-mm-image454386062.htmlRM2HB721J–Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle (title on object), Musée de Cluny (series title on object), Séraphin-Médéric Mieusement (mentioned on object), Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm
Healing a blind man. From the evangeliary of Otto III Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/healing-a-blind-man-from-the-evangeliary-of-otto-iii-image268834733.htmlRMWHADCD–Healing a blind man. From the evangeliary of Otto III
Inspired by Gold chest of an evangeliary, Boite évangeliaire en or enrichie d'emaux Byzantins, Orfévrerie, print maker: Moulin, intermediary draughtsman: A. Noel, Paris, c. 1859 - in or before 1864, paper, height 202 mm × width 167 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-gold-chest-of-an-evangeliary-boite-vangeliaire-en-or-enrichie-demaux-byzantins-orfvrerie-print-maker-moulin-intermediary-draughtsman-a-noel-paris-c-1859-in-or-before-1864-paper-height-202-mm-width-167-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450331.htmlRF2HKDNGB–Inspired by Gold chest of an evangeliary, Boite évangeliaire en or enrichie d'emaux Byzantins, Orfévrerie, print maker: Moulin, intermediary draughtsman: A. Noel, Paris, c. 1859 - in or before 1864, paper, height 202 mm × width 167 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
literature, Bible, Evangelium longum by Sintram, initial C drawn by principal abbot Salomo, circa 895, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-literature-bible-evangelium-longum-by-sintram-initial-c-drawn-by-principal-106899013.htmlRMG5WJNW–literature, Bible, Evangelium longum by Sintram, initial C drawn by principal abbot Salomo, circa 895, Additional-Rights-Clearences-Not Available
Title and capital letters of the 7th century, according to the evangeliary of Notre-Dame de Paris. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-and-capital-letters-of-the-7th-century-according-to-the-evangeliary-of-notre-dame-de-paris-the-arts-of-the-middle-ages-and-at-the-period-of-the-renaissance-by-paul-lacroix-1874-image507203599.htmlRM2MD53A7–Title and capital letters of the 7th century, according to the evangeliary of Notre-Dame de Paris. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238218.htmlRM2RDRE1E–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
Calvary. Limoges enamel plaque. Vertical rectangle, Crucifixion. Limoges, France, early 13th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calvary-limoges-enamel-plaque-vertical-rectangle-crucifixion-limoges-france-early-13th-century-image463866693.htmlRM2HXJXKH–Calvary. Limoges enamel plaque. Vertical rectangle, Crucifixion. Limoges, France, early 13th century.
![A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photo](https://c8.alamy.com/comp/2AX2A1D/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-fig-76-imperial-ttual-uf-otto-iii-frum-auimpression-in-the-british-museum-plat-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-2AX2A1D.jpg "A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photo")
A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-fig-76-imperial-ttual-uf-otto-iii-frum-auimpression-in-the-british-museum-plat-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-image343029833.htmlRM2AX2A1D–A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.
Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image573226682.htmlRM2T8GMDE–Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020.
English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-leaf-from-the-skevra-evangeliary-lviv-evangeliary-polski-karta-z-ewangeliarza-ze-skwery-tzw-ewangeliarz-lwowski-circa-1198-year-647-of-the-armenian-era-ewangeliarz-ze-skewry-image184978389.htmlRMMMXDR1–English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry
Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-136597727.htmlRMHX6FP7–Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
page from the Skevra Evangeliary (Lviv Evangeliary 1198. An Evangeliary or evangelion is a liturgical book containing those portions of the four gospels which are read during Mass or in the public offices of the Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-page-from-the-skevra-evangeliary-lviv-evangeliary-1198-an-evangeliary-76395100.htmlRMEC82MC–page from the Skevra Evangeliary (Lviv Evangeliary 1198. An Evangeliary or evangelion is a liturgical book containing those portions of the four gospels which are read during Mass or in the public offices of the Church
Front cover of an Evangeliary with the Crucifixion, anonymous, c. 1200 - c. 1225 Pre -plat of a gospel book of gilded copper and email Champlevé. In midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the headlines in relief. Upstairs, on either side of the cross, the half figures of Michael and Gabriel. Ranks in the edge, interspersed with half the figures of angels. Limoges copper (metal). gilding Pre -plat of a gospel book of gilded copper and email Champlevé. In midfield, against a blue ground, the crucified Christ in relief between Mary and John Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-an-evangeliary-with-the-crucifixion-anonymous-c-1200-c-1225-pre-plat-of-a-gospel-book-of-gilded-copper-and-email-champlev-in-midfield-against-a-blue-ground-the-crucified-christ-in-relief-between-mary-and-john-with-only-the-headlines-in-relief-upstairs-on-either-side-of-the-cross-the-half-figures-of-michael-and-gabriel-ranks-in-the-edge-interspersed-with-half-the-figures-of-angels-limoges-copper-metal-gilding-pre-plat-of-a-gospel-book-of-gilded-copper-and-email-champlev-in-midfield-against-a-blue-ground-the-crucified-christ-in-relief-between-mary-and-john-image585971952.htmlRM2W1995M–Front cover of an Evangeliary with the Crucifixion, anonymous, c. 1200 - c. 1225 Pre -plat of a gospel book of gilded copper and email Champlevé. In midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the headlines in relief. Upstairs, on either side of the cross, the half figures of Michael and Gabriel. Ranks in the edge, interspersed with half the figures of angels. Limoges copper (metal). gilding Pre -plat of a gospel book of gilded copper and email Champlevé. In midfield, against a blue ground, the crucified Christ in relief between Mary and John
Mary with the Child, Venerated by St. Marc and St. Luke. Date/Period: Before 1570. Painting. On canvas. Height: 228 cm (89.7 in); Width: 160 cm (62.9 in). Author: Tintoretto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-with-the-child-venerated-by-st-marc-and-st-luke-dateperiod-before-1570-painting-on-canvas-height-228-cm-897-in-width-160-cm-629-in-author-tintoretto-image219725255.htmlRMPND9PF–Mary with the Child, Venerated by St. Marc and St. Luke. Date/Period: Before 1570. Painting. On canvas. Height: 228 cm (89.7 in); Width: 160 cm (62.9 in). Author: Tintoretto.
Gold chest of an evangeliary, Boite évangeliaire en or enrichie d'emaux Byzantins, Orfévrerie (series title), print maker: Moulin, (mentioned on object), intermediary draughtsman: A. Noel, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 202 mm × width 167 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gold-chest-of-an-evangeliary-boite-vangeliaire-en-or-enrichie-demaux-byzantins-orfvrerie-series-title-print-maker-moulin-mentioned-on-object-intermediary-draughtsman-a-noel-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-202-mm-width-167-mm-image454392926.htmlRM2HB7APP–Gold chest of an evangeliary, Boite évangeliaire en or enrichie d'emaux Byzantins, Orfévrerie (series title), print maker: Moulin, (mentioned on object), intermediary draughtsman: A. Noel, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 202 mm × width 167 mm
Storm on the Sea of Galilee. Illustration from the evangeliary of Abbess Hilde von Meschede Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/storm-on-the-sea-of-galilee-illustration-from-the-evangeliary-of-abbess-hilde-von-meschede-image268834754.htmlRMWHADD6–Storm on the Sea of Galilee. Illustration from the evangeliary of Abbess Hilde von Meschede
Inspired by Ivory book cover of an evangeliary with a relief, depicting the Annunciation, the Adoration of the Magi and the Infanticide of Bethlehem, Couverture d'évangeliaire. Travail byzantin, Sculpture en ivoire, Charles Marville, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-ivory-book-cover-of-an-evangeliary-with-a-relief-depicting-the-annunciation-the-adoration-of-the-magi-and-the-infanticide-of-bethlehem-couverture-dvangeliaire-travail-byzantin-sculpture-en-ivoire-charles-marville-print-maker-joseph-rose-lemercier-paris-c-1859-in-or-before-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450377.htmlRF2HKDNJ1–Inspired by Ivory book cover of an evangeliary with a relief, depicting the Annunciation, the Adoration of the Magi and the Infanticide of Bethlehem, Couverture d'évangeliaire. Travail byzantin, Sculpture en ivoire, Charles Marville, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
fine arts, religious art, Books of Gospels, Echternach Gospel Book, 'Codex Aureus Epternacensis', illustrations for the biblical parable of the invitation to the feast, 10th century, Ducal Museum, Gotha, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-religious-art-books-of-gospels-echternach-gospel-book-codex-58412826.htmlRMDB0X4A–fine arts, religious art, Books of Gospels, Echternach Gospel Book, 'Codex Aureus Epternacensis', illustrations for the biblical parable of the invitation to the feast, 10th century, Ducal Museum, Gotha, Additional-Rights-Clearences-Not Available
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238408.htmlRM2RDRE88–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
religion, Christianity, Jesus Christ, nativity, 'Annunciation to the Shepherds', illumination, by the Master of the Reichenau School, 1007 - 1012, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religion-christianity-jesus-christ-nativity-annunciation-to-the-shepherds-illumination-by-the-master-of-the-reichenau-school-1007-1012-artists-copyright-has-not-to-be-cleared-image241764959.htmlRMT199JR–religion, Christianity, Jesus Christ, nativity, 'Annunciation to the Shepherds', illumination, by the Master of the Reichenau School, 1007 - 1012, Artist's Copyright has not to be cleared
![A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photo](https://c8.alamy.com/comp/2AX2B1J/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-fig-76-imperial-ttual-uf-otto-iii-frum-auimpression-in-the-british-museum-plat-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-2AX2B1J.jpg "A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photo")
A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-fig-76-imperial-ttual-uf-otto-iii-frum-auimpression-in-the-british-museum-plat-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-image343030622.htmlRM2AX2B1J–A history of all nations from the earliest times; being a universal historical library . Fig. 76. — Imperial ttual uf Otto III. (Frum auimpression in the British Museum.) PLAT. Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.
Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image573255145.htmlRM2T8J0P1–Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020.
English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 03 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-leaf-from-the-skevra-evangeliary-lviv-evangeliary-polski-karta-z-ewangeliarza-ze-skwery-tzw-ewangeliarz-lwowski-circa-1198-year-647-of-the-armenian-era-ewangeliarz-ze-skewry-03-image184978395.htmlRMMMXDR7–English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 03
Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), anonymous, c. 1200 - c. 1250 Rear flat of a gospel book of gilded copper and email Champlevé. In midfield, the blessing Christ is depicted on blue soil with thrown stars in a mandorla in relief; In the corners the four Evangelistensymboelen; Alternating half -figures of angels and ranks on the edge, on a blue soil of Émail Limoges copper (metal). gilding Rear flat of a gospel book of gilded copper and email Champlevé. In midfield, the blessing Christ is depicted on blue soil with thrown stars in a mandorla in relief; In the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/back-cover-of-an-evangeliary-with-a-salvator-mundi-blessing-christ-anonymous-c-1200-c-1250-rear-flat-of-a-gospel-book-of-gilded-copper-and-email-champlev-in-midfield-the-blessing-christ-is-depicted-on-blue-soil-with-thrown-stars-in-a-mandorla-in-relief-in-the-corners-the-four-evangelistensymboelen-alternating-half-figures-of-angels-and-ranks-on-the-edge-on-a-blue-soil-of-mail-limoges-copper-metal-gilding-rear-flat-of-a-gospel-book-of-gilded-copper-and-email-champlev-in-midfield-the-blessing-christ-is-depicted-on-blue-soil-with-thrown-stars-in-a-mandorla-in-relief-in-the-image586241385.htmlRM2W1NGT9–Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), anonymous, c. 1200 - c. 1250 Rear flat of a gospel book of gilded copper and email Champlevé. In midfield, the blessing Christ is depicted on blue soil with thrown stars in a mandorla in relief; In the corners the four Evangelistensymboelen; Alternating half -figures of angels and ranks on the edge, on a blue soil of Émail Limoges copper (metal). gilding Rear flat of a gospel book of gilded copper and email Champlevé. In midfield, the blessing Christ is depicted on blue soil with thrown stars in a mandorla in relief; In the
Golden coffin of an evangeliary; Boite Évangeliaire and Or Enrichie d'Emaux Byzantins; Orfékererie .. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/golden-coffin-of-an-evangeliary-boite-vangeliaire-and-or-enrichie-demaux-byzantins-orfkererie-image414441907.htmlRM2F27CTK–Golden coffin of an evangeliary; Boite Évangeliaire and Or Enrichie d'Emaux Byzantins; Orfékererie ..
Silver cover of an evangeliary with relief, depicting the women at the empty tomb, Couverture d'évangélistère en argent doré travail Byzantin, Sculpture en métal (series title), Berthier, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 266 mm × width 195 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-cover-of-an-evangeliary-with-relief-depicting-the-women-at-the-empty-tomb-couverture-dvanglistre-en-argent-dor-travail-byzantin-sculpture-en-mtal-series-title-berthier-mentioned-on-object-print-maker-joseph-rose-lemercier-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-266-mm-width-195-mm-image454392890.htmlRM2HB7ANE–Silver cover of an evangeliary with relief, depicting the women at the empty tomb, Couverture d'évangélistère en argent doré travail Byzantin, Sculpture en métal (series title), Berthier, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 266 mm × width 195 mm
Art inspired by Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-book-cover-of-an-evangeliary-with-relief-couverture-dvanglaire-xie-sicle-muse-de-cluny-sraphin-mdric-mieusement-paris-1850-1900-cardboard-albumen-print-height-345-mm-width-259-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459750309.htmlRF2HKYC5W–Art inspired by Book cover of an evangeliary with relief, Couverture d'évangélaire, XIe siècle, Musée de Cluny, Séraphin-Médéric Mieusement, Paris, 1850 - 1900, cardboard, albumen print, height 345 mm × width 259 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238031.htmlRM2RDRDPR–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
![A history of all nations from the earliest times; being a universal historical library . Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.. peror Otto III. Munich, Royal Library. ecular powers on either side. Four women—Eoma, Gallia, Germania, Slavonia—aspie, approach with offerings. OTTO III. IN ITALY. 273 exercised a strong influence upon him through his Greek teacher,the Calabrian Johannes, who was rewarded with the abbacy ofNonantu Stock Photo](https://c8.alamy.com/comp/2AX29NY/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-peror-otto-iii-munich-royal-library-ecular-powers-on-either-side-four-womeneoma-gallia-germania-slavoniaaspie-approach-with-offerings-otto-iii-in-italy-273-exercised-a-strong-influence-upon-him-through-his-greek-teacherthe-calabrian-johannes-who-was-rewarded-with-the-abbacy-ofnonantu-2AX29NY.jpg "A history of all nations from the earliest times; being a universal historical library . Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.. peror Otto III. Munich, Royal Library. ecular powers on either side. Four women—Eoma, Gallia, Germania, Slavonia—aspie, approach with offerings. OTTO III. IN ITALY. 273 exercised a strong influence upon him through his Greek teacher,the Calabrian Johannes, who was rewarded with the abbacy ofNonantu Stock Photo")
A history of all nations from the earliest times; being a universal historical library . Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.. peror Otto III. Munich, Royal Library. ecular powers on either side. Four women—Eoma, Gallia, Germania, Slavonia—aspie, approach with offerings. OTTO III. IN ITALY. 273 exercised a strong influence upon him through his Greek teacher,the Calabrian Johannes, who was rewarded with the abbacy ofNonantu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-all-nations-from-the-earliest-times-being-a-universal-historical-library-dedicatory-picture-in-an-evangeliary-of-the-emperor-on-his-throne-in-a-great-hall-with-representatives-of-the-church-and-of-personifications-of-countries-anc-history-of-all-nations-vol-viii-page-s73-xv-peror-otto-iii-munich-royal-library-ecular-powers-on-either-side-four-womeneoma-gallia-germania-slavoniaaspie-approach-with-offerings-otto-iii-in-italy-273-exercised-a-strong-influence-upon-him-through-his-greek-teacherthe-calabrian-johannes-who-was-rewarded-with-the-abbacy-ofnonantu-image343029623.htmlRM2AX29NY–A history of all nations from the earliest times; being a universal historical library . Dedicatory picture in an Evangeliary of ] The emperor on his throne in a great hall, with representatives of the Church and of personifications of countries anc History of All Nations, Vol. VIII., page S73. XV.. peror Otto III. Munich, Royal Library. ecular powers on either side. Four women—Eoma, Gallia, Germania, Slavonia—aspie, approach with offerings. OTTO III. IN ITALY. 273 exercised a strong influence upon him through his Greek teacher,the Calabrian Johannes, who was rewarded with the abbacy ofNonantu
English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 012 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-leaf-from-the-skevra-evangeliary-lviv-evangeliary-polski-karta-z-ewangeliarza-ze-skwery-tzw-ewangeliarz-lwowski-circa-1198-year-647-of-the-armenian-era-ewangeliarz-ze-skewry-012-image184978398.htmlRMMMXDRA–English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 012
Cover of an evangeliary, from the Cathedral of Monza; Couverture d'un évangéliaire de la Cathédrale de Monza; Orfékererie .. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cover-of-an-evangeliary-from-the-cathedral-of-monza-couverture-dun-vangliaire-de-la-cathdrale-de-monza-orfkererie-image414435267.htmlRM2F274BF–Cover of an evangeliary, from the Cathedral of Monza; Couverture d'un évangéliaire de la Cathédrale de Monza; Orfékererie ..
Cover of an evangeliary of King Henry II of France, Couverture d'un Evangéliaire de l'Empr. Henri II, Orfévrerie - emaillerie - sculp en ivoire (series title), print maker: Franz Kellerhoven, (mentioned on object), intermediary draughtsman: Koch, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 224 mm × width 170 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cover-of-an-evangeliary-of-king-henry-ii-of-france-couverture-dun-evangliaire-de-lempr-henri-ii-orfvrerie-emaillerie-sculp-en-ivoire-series-title-print-maker-franz-kellerhoven-mentioned-on-object-intermediary-draughtsman-koch-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-224-mm-width-170-mm-image454392919.htmlRM2HB7APF–Cover of an evangeliary of King Henry II of France, Couverture d'un Evangéliaire de l'Empr. Henri II, Orfévrerie - emaillerie - sculp en ivoire (series title), print maker: Franz Kellerhoven, (mentioned on object), intermediary draughtsman: Koch, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 224 mm × width 170 mm
Inspired by Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, the blessing, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-back-cover-of-an-evangeliary-with-a-salvator-mundi-blessing-christ-back-cover-of-a-gospel-book-decorated-with-the-blessing-christ-back-cover-of-a-gospel-book-of-gilt-copper-and-enamel-champlev-in-the-center-field-on-blue-ground-with-scattered-stars-in-a-mandorla-the-blessing-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459390507.htmlRF2HKB17R–Inspired by Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, the blessing, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor, digitally edited Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-digitally-edited-image559238288.htmlRM2RDRE40–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor, digitally edited
English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-leaf-from-the-skevra-evangeliary-lviv-evangeliary-polski-karta-z-ewangeliarza-ze-skwery-tzw-ewangeliarz-lwowski-circa-1198-year-647-of-the-armenian-era-ewangeliarz-ze-skewry-01-image184978394.htmlRMMMXDR6–English: A leaf from the 'Skevra Evangeliary (Lviv Evangeliary)'. Polski: Karta z 'Ewangeliarza ze Skwery (tzw. ewangeliarz lwowski)'. circa 1198 (year 647 of the Armenian Era). Ewangeliarz ze Skewry 01
Silver cover of an evangeliary with relief, representing the women at the empty grave; Couverture d'évangélistère and Argent Doré Travail Byzantin; Sculpture and Métal .. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-cover-of-an-evangeliary-with-relief-representing-the-women-at-the-empty-grave-couverture-dvanglistre-and-argent-dor-travail-byzantin-sculpture-and-mtal-image414439551.htmlRM2F279TF–Silver cover of an evangeliary with relief, representing the women at the empty grave; Couverture d'évangélistère and Argent Doré Travail Byzantin; Sculpture and Métal ..
Ivory book cover of an evangeliary with a relief, depicting the Annunciation, the Adoration of the Magi and the Infanticide of Bethlehem, Couverture d'évangeliaire. Travail byzantin, Sculpture en ivoire (series title), Charles Marville, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 276 mm × width 194 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-book-cover-of-an-evangeliary-with-a-relief-depicting-the-annunciation-the-adoration-of-the-magi-and-the-infanticide-of-bethlehem-couverture-dvangeliaire-travail-byzantin-sculpture-en-ivoire-series-title-charles-marville-mentioned-on-object-print-maker-joseph-rose-lemercier-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-276-mm-width-194-mm-image454393015.htmlRM2HB7AWY–Ivory book cover of an evangeliary with a relief, depicting the Annunciation, the Adoration of the Magi and the Infanticide of Bethlehem, Couverture d'évangeliaire. Travail byzantin, Sculpture en ivoire (series title), Charles Marville, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 276 mm × width 194 mm
Inspired by Silver cover of an evangeliary with relief, depicting the women at the empty tomb, Couverture d'évangélistère en argent doré travail Byzantin, Sculpture en métal, Berthier, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before 1864, paper, height 266 mm × width 195 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-silver-cover-of-an-evangeliary-with-relief-depicting-the-women-at-the-empty-tomb-couverture-dvanglistre-en-argent-dor-travail-byzantin-sculpture-en-mtal-berthier-print-maker-joseph-rose-lemercier-paris-c-1859-in-or-before-1864-paper-height-266-mm-width-195-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450283.htmlRF2HKDNEK–Inspired by Silver cover of an evangeliary with relief, depicting the women at the empty tomb, Couverture d'évangélistère en argent doré travail Byzantin, Sculpture en métal, Berthier, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before 1864, paper, height 266 mm × width 195 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor, digitally edited Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-digitally-edited-image559237984.htmlRM2RDRDN4–The Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor, digitally edited
. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 623 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-ottonian-manuscript-munich-bayerisches-staatsbibliothek-msclm13601-folio-3v-11th-century-anonymous-623-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image188151840.htmlRMMX31GG–. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 623 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
Welded gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram; Chatons de la Couverture de l'Évangéliaire de l'Abbaye de St. Eméran; Orfékererie .. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/welded-gemstone-on-the-cover-of-an-evangeliary-from-the-abbey-of-sankt-emmeram-chatons-de-la-couverture-de-lvangliaire-de-labbaye-de-st-emran-orfkererie-image414398151.htmlRM2F25D1Y–Welded gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram; Chatons de la Couverture de l'Évangéliaire de l'Abbaye de St. Eméran; Orfékererie ..
Cased gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram, Chatons de la couverture de l'évangéliaire de l'Abbaye de St. Eméran, Orfévrerie (series title), print maker: Moulin, (mentioned on object), intermediary draughtsman: J.C. Koch, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 240 mm × width 170 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cased-gemstone-on-the-cover-of-an-evangeliary-from-the-abbey-of-sankt-emmeram-chatons-de-la-couverture-de-lvangliaire-de-labbaye-de-st-emran-orfvrerie-series-title-print-maker-moulin-mentioned-on-object-intermediary-draughtsman-jc-koch-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-240-mm-width-170-mm-image454392894.htmlRM2HB7ANJ–Cased gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram, Chatons de la couverture de l'évangéliaire de l'Abbaye de St. Eméran, Orfévrerie (series title), print maker: Moulin, (mentioned on object), intermediary draughtsman: J.C. Koch, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 240 mm × width 170 mm
Inspired by Cover of an evangeliary of King Henry II of France, Couverture d'un Evangéliaire de l'Empr. Henri II, Orfévrerie - emaillerie - sculp en ivoire, print maker: Franz Kellerhoven, intermediary draughtsman: Koch, Paris, c. 1859 - in or before 1864, paper, height 224 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-cover-of-an-evangeliary-of-king-henry-ii-of-france-couverture-dun-evangliaire-de-lempr-henri-ii-orfvrerie-emaillerie-sculp-en-ivoire-print-maker-franz-kellerhoven-intermediary-draughtsman-koch-paris-c-1859-in-or-before-1864-paper-height-224-mm-width-170-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450319.htmlRF2HKDNFY–Inspired by Cover of an evangeliary of King Henry II of France, Couverture d'un Evangéliaire de l'Empr. Henri II, Orfévrerie - emaillerie - sculp en ivoire, print maker: Franz Kellerhoven, intermediary draughtsman: Koch, Paris, c. 1859 - in or before 1864, paper, height 224 mm × width 170 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Mark the Evangelist, Matthew the Apostle, Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mark-the-evangelist-matthew-the-apostle-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238221.htmlRM2RDRE1H–Mark the Evangelist, Matthew the Apostle, Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
Female personifications of Sclavinia, Germany, Gaul and Rome bringing gifts to Otto III., the Gospels of Otto III, a late 10th or early 11th century i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-female-personifications-of-sclavinia-germany-gaul-and-rome-bringing-132568961.htmlRMHKK11N–Female personifications of Sclavinia, Germany, Gaul and Rome bringing gifts to Otto III., the Gospels of Otto III, a late 10th or early 11th century i
. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 542 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-ottonian-manuscript-munich-bayerisches-staatsbibliothek-msclm13601-folio-3v-11th-century-anonymous-542-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image188886794.htmlRMMY8F0X–. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 542 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
Ivory leaf of an evangeliary with a relief, representing the Lamb of God and scenes from the New Testament; Couverture d'évangeliaire du Trésor de la Cathédrale de Milan; Sculpture and Ivoire et Orfékererie .. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-leaf-of-an-evangeliary-with-a-relief-representing-the-lamb-of-god-and-scenes-from-the-new-testament-couverture-dvangeliaire-du-trsor-de-la-cathdrale-de-milan-sculpture-and-ivoire-et-orfkererie-image414450646.htmlRM2F27T0P–Ivory leaf of an evangeliary with a relief, representing the Lamb of God and scenes from the New Testament; Couverture d'évangeliaire du Trésor de la Cathédrale de Milan; Sculpture and Ivoire et Orfékererie ..
Ivory leaf of an evangeliary with a relief representing the Lamb of God and scenes from the New Testament, Couverture d'évangeliaire du trésor de la cathédrale de Milan, Sculpture en ivoire et orfévrerie (series title), Pompeo Pozzi, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 250 mm × width 198 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivory-leaf-of-an-evangeliary-with-a-relief-representing-the-lamb-of-god-and-scenes-from-the-new-testament-couverture-dvangeliaire-du-trsor-de-la-cathdrale-de-milan-sculpture-en-ivoire-et-orfvrerie-series-title-pompeo-pozzi-mentioned-on-object-print-maker-joseph-rose-lemercier-mentioned-on-object-paris-c-1859-in-or-before-1864-paper-height-250-mm-width-198-mm-image454393030.htmlRM2HB7AXE–Ivory leaf of an evangeliary with a relief representing the Lamb of God and scenes from the New Testament, Couverture d'évangeliaire du trésor de la cathédrale de Milan, Sculpture en ivoire et orfévrerie (series title), Pompeo Pozzi, (mentioned on object), print maker: Joseph Rose Lemercier, (mentioned on object), Paris, c. 1859 - in or before 1864, paper, height 250 mm × width 198 mm
Inspired by Ivory leaf of an evangeliary with a relief representing the Lamb of God and scenes from the New Testament, Couverture d'évangeliaire du trésor de la cathédrale de Milan, Sculpture en ivoire et orfévrerie, Pompeo Pozzi, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before 1864, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-ivory-leaf-of-an-evangeliary-with-a-relief-representing-the-lamb-of-god-and-scenes-from-the-new-testament-couverture-dvangeliaire-du-trsor-de-la-cathdrale-de-milan-sculpture-en-ivoire-et-orfvrerie-pompeo-pozzi-print-maker-joseph-rose-lemercier-paris-c-1859-in-or-before-1864-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450452.htmlRF2HKDNMM–Inspired by Ivory leaf of an evangeliary with a relief representing the Lamb of God and scenes from the New Testament, Couverture d'évangeliaire du trésor de la cathédrale de Milan, Sculpture en ivoire et orfévrerie, Pompeo Pozzi, print maker: Joseph Rose Lemercier, Paris, c. 1859 - in or before 1864, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Decorated letter C from Sintram's Evangelium longum, circa 895, illuminated manuscript in the library of the Monastery of St Gallen, Switzerland, Facs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-decorated-letter-c-from-sintrams-evangelium-longum-circa-895-illuminated-132568536.htmlRMHKK0EG–Decorated letter C from Sintram's Evangelium longum, circa 895, illuminated manuscript in the library of the Monastery of St Gallen, Switzerland, Facs
. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 622 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-ottonian-manuscript-munich-bayerisches-staatsbibliothek-msclm13601-folio-3v-11th-century-anonymous-622-uta-codex-evangeliary-symbolic-crucifixion-of-christ-ca-1020-image187619537.htmlRMMW6PHN–. Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020 Ottonian Manuscript Munich, Bayerisches Staatsbibliothek Ms.Clm.13601, folio 3v . 11th century. Anonymous 622 Uta Codex, Evangeliary Symbolic Crucifixion of Christ ca. 1020
Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, the blessing Christ is depicted in relief; in the corners, the four Evangelists' syllables; on the edge, alternating semi-figures of angels and tendrils, on a blue ground of émail, anonymous, Limoges, c. 1200 - c. 1250, copper (metal), gilding, height 32.1 cm × width 19.7 cm × thickness 2.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/back-cover-of-an-evangeliary-with-a-salvator-mundi-blessing-christ-back-cover-of-a-gospel-book-decorated-with-the-blessing-christ-back-cover-of-a-gospel-book-of-gilt-copper-and-enamel-champlev-in-the-center-field-on-blue-ground-with-scattered-stars-in-a-mandorla-the-blessing-christ-is-depicted-in-relief-in-the-corners-the-four-evangelists-syllables-on-the-edge-alternating-semi-figures-of-angels-and-tendrils-on-a-blue-ground-of-mail-anonymous-limoges-c-1200-c-1250-copper-metal-gilding-height-321-cm-width-197-cm-thickness-28-cm-image454366331.htmlRM2HB64TY–Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, the blessing Christ is depicted in relief; in the corners, the four Evangelists' syllables; on the edge, alternating semi-figures of angels and tendrils, on a blue ground of émail, anonymous, Limoges, c. 1200 - c. 1250, copper (metal), gilding, height 32.1 cm × width 19.7 cm × thickness 2.8 cm
Inspired by Cased gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram, Chatons de la couverture de l'évangéliaire de l'Abbaye de St. Eméran, Orfévrerie, print maker: Moulin, intermediary draughtsman: J.C. Koch, Paris, c. 1859 - in or before 1864, paper, height 240 mm × width 170, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-cased-gemstone-on-the-cover-of-an-evangeliary-from-the-abbey-of-sankt-emmeram-chatons-de-la-couverture-de-lvangliaire-de-labbaye-de-st-emran-orfvrerie-print-maker-moulin-intermediary-draughtsman-jc-koch-paris-c-1859-in-or-before-1864-paper-height-240-mm-width-170-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450323.htmlRF2HKDNG3–Inspired by Cased gemstone on the cover of an evangeliary, from the Abbey of Sankt Emmeram, Chatons de la couverture de l'évangéliaire de l'Abbaye de St. Eméran, Orfévrerie, print maker: Moulin, intermediary draughtsman: J.C. Koch, Paris, c. 1859 - in or before 1864, paper, height 240 mm × width 170, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Otto III enthroned, the Gospels of Otto III, a late 10th or early 11th century illuminated Gospel Book Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-otto-iii-enthroned-the-gospels-of-otto-iii-a-late-10th-or-early-11th-132569028.htmlRMHKK144–Otto III enthroned, the Gospels of Otto III, a late 10th or early 11th century illuminated Gospel Book
. English: This is a frontispiece to the Uta Codex evangeliary. Jesus on the Cross occupies the top of the design. Eight other images present the Christian significance of the Crucifixion: the triumph of life over death. Below the Crucifixion are personifications of Life (Vita) on the right-hand side of Jesus and Death (Mors) on the other side. A crowned Life looks up to a crowned Jesus, who returns the gaze. Life's orant posture also echoes that of Christ. Death is bent, falling away from God, his face shrouded and his spear broken. He is attacked by a branch sprouting from the Cross, suggest Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-this-is-a-frontispiece-to-the-uta-codex-evangeliary-jesus-on-the-cross-occupies-the-top-of-the-design-eight-other-images-present-the-christian-significance-of-the-crucifixion-the-triumph-of-life-over-death-below-the-crucifixion-are-personifications-of-life-vita-on-the-right-hand-side-of-jesus-and-death-mors-on-the-other-side-a-crowned-life-looks-up-to-a-crowned-jesus-who-returns-the-gaze-lifes-orant-posture-also-echoes-that-of-christ-death-is-bent-falling-away-from-god-his-face-shrouded-and-his-spear-broken-he-is-attacked-by-a-branch-sprouting-from-the-cross-suggest-image184964898.htmlRMMMWTH6–. English: This is a frontispiece to the Uta Codex evangeliary. Jesus on the Cross occupies the top of the design. Eight other images present the Christian significance of the Crucifixion: the triumph of life over death. Below the Crucifixion are personifications of Life (Vita) on the right-hand side of Jesus and Death (Mors) on the other side. A crowned Life looks up to a crowned Jesus, who returns the gaze. Life's orant posture also echoes that of Christ. Death is bent, falling away from God, his face shrouded and his spear broken. He is attacked by a branch sprouting from the Cross, suggest
Noyon, France, Religion, Housing, Architecture, Art, Church, Christianity, Interior view, Sculpture, Decorative arts, Object of worship, Furniture, Sacred book, Middle Ages, France, Noyon, Trésor Cathedral: Bell from the 7th century. Evangeliary from the 9th century. Pascal candlestick from the 12th century Brasier and cabinet from the 12th century, Noyon, 01/10/1917 - 31/10/1917, Cuville, Fernand, 1917 - devastated regions, Somme, Oise, Aisne - Fernand Cuville (Photographic section of the army) - (September-October), Autochrome, photo, Glass, Autochrome, photo, Positive Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noyon-france-religion-housing-architecture-art-church-christianity-interior-view-sculpture-decorative-arts-object-of-worship-furniture-sacred-book-middle-ages-france-noyon-trsor-cathedral-bell-from-the-7th-century-evangeliary-from-the-9th-century-pascal-candlestick-from-the-12th-century-brasier-and-cabinet-from-the-12th-century-noyon-01101917-31101917-cuville-fernand-1917-devastated-regions-somme-oise-aisne-fernand-cuville-photographic-section-of-the-army-september-october-autochrome-photo-glass-autochrome-photo-positive-image576123466.htmlRM2TD8KA2–Noyon, France, Religion, Housing, Architecture, Art, Church, Christianity, Interior view, Sculpture, Decorative arts, Object of worship, Furniture, Sacred book, Middle Ages, France, Noyon, Trésor Cathedral: Bell from the 7th century. Evangeliary from the 9th century. Pascal candlestick from the 12th century Brasier and cabinet from the 12th century, Noyon, 01/10/1917 - 31/10/1917, Cuville, Fernand, 1917 - devastated regions, Somme, Oise, Aisne - Fernand Cuville (Photographic section of the army) - (September-October), Autochrome, photo, Glass, Autochrome, photo, Positive
Art inspired by Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-back-cover-of-an-evangeliary-with-a-salvator-mundi-blessing-christ-back-cover-of-a-gospel-book-decorated-with-the-blessing-christ-back-cover-of-a-gospel-book-of-gilt-copper-and-enamel-champlev-in-the-center-field-on-blue-ground-with-scattered-stars-in-a-mandorla-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459728746.htmlRF2HKXCKP–Art inspired by Back cover of an Evangeliary with a Salvator mundi (Blessing Christ), Back cover of a gospel book decorated with the blessing Christ, Back cover of a gospel book of gilt copper and enamel champlevé. In the center field, on blue ground with scattered stars in a mandorla, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Gospel by John the Apostle, Evangelion from Charlemagne, Charles the Great or Carolus Magnus, Facsimile Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gospel-by-john-the-apostle-evangelion-from-charlemagne-charles-the-132568177.htmlRMHKK01N–Gospel by John the Apostle, Evangelion from Charlemagne, Charles the Great or Carolus Magnus, Facsimile
Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword or lanc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-cover-of-an-evangeliary-with-the-crucifixion-front-cover-of-a-gospel-book-with-the-crucified-christ-between-mary-and-john-front-cover-of-a-gospel-book-of-gilded-copper-and-enamel-champlev-in-the-midfield-against-a-blue-ground-the-crucified-christ-in-relief-between-mary-and-john-with-only-the-heads-in-relief-above-on-either-side-of-the-cross-the-half-figures-of-michael-and-gabriel-tendrils-in-the-margin-interspersed-with-the-half-figures-of-angels-crucified-christ-with-mary-and-john-on-either-side-of-the-cross-holy-red-the-archangel-michael-often-in-armor-with-sword-or-lanc-image349948501.htmlRF2B99ETN–Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword or lanc
Search Results for Evangeliary Stock Photos and Images (83)
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