Etching belongs hi-res stock photography and images

The Doorway. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm) Sheet: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Frame: 21 x 16 in. (53.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler's 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto. Stock Photo

RMR2KBX7–The Doorway. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm) Sheet: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Frame: 21 x 16 in. (53.3 cm). Series/Portfolio: First Venice Set ('Venice: Twelve Etchings,' 1880). Date: 1879-80. Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler's 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto.

The Doorway 1879–80 James McNeill Whistler American Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler’s 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto. The dark interior space seems dappled with reflected light shining through a grid that fills the central arch. Close inspection, however, reveals the shapes to be chairs hanging from the ceiling. Whistler undoubtedly planned this coincidence of patterning Stock Photo

RM2HHHB8H–The Doorway 1879–80 James McNeill Whistler American Richly ornamented panels surround a central void and invite us into the shadowed interior of the Palazzo Gussoni, with a sunlit courtyard glimpsed beyond. This etching belongs to Whistler’s 'First Venice Set,' and the artist found his subject on the Rio de la Fava canal, east of the Rialto. The dark interior space seems dappled with reflected light shining through a grid that fills the central arch. Close inspection, however, reveals the shapes to be chairs hanging from the ceiling. Whistler undoubtedly planned this coincidence of patterning

Hannes Rischert (1901- ?), a colour etching 'Braunau am Inn - St. Stephan' Portrayal of the gothic town church (dating from 1439) in the style of the old masters. Made on the occasion of the annexion of Austria to the German empire. On the upper right the Hitler quote (transl.) 'I regard it as a lucky coincidence today that I was destined to be born in Braunau am Inn' and '12th March 1938: Entering his hometown, the Führer returns to native soil'. On the lower right portrayal of Hitler's birthplace and the quote 'joint blood belongs in a joint empire'. Artist's, Stock Photo

RMBRDYCK–Hannes Rischert (1901- ?), a colour etching 'Braunau am Inn - St. Stephan' Portrayal of the gothic town church (dating from 1439) in the style of the old masters. Made on the occasion of the annexion of Austria to the German empire. On the upper right the Hitler quote (transl.) 'I regard it as a lucky coincidence today that I was destined to be born in Braunau am Inn' and '12th March 1938: Entering his hometown, the Führer returns to native soil'. On the lower right portrayal of Hitler's birthplace and the quote 'joint blood belongs in a joint empire'. Artist's,

You will not unjustly desire what belongs to your neighbor: the tenth Commandment, Two men in conversation point to a house in the background. Numbered top right: 755, magistracy, judges, index finger forwards, pointing, indicating, civic architecture, edifices, dwellings, 'you shall not covet', separate representation of the tenth of the ten commandments, neighbor, Jan Luyken, Amsterdam, 1685, paper, etching, h 133 mm × w 82 mm Stock Photo

RMW57NPK–You will not unjustly desire what belongs to your neighbor: the tenth Commandment, Two men in conversation point to a house in the background. Numbered top right: 755, magistracy, judges, index finger forwards, pointing, indicating, civic architecture, edifices, dwellings, 'you shall not covet', separate representation of the tenth of the ten commandments, neighbor, Jan Luyken, Amsterdam, 1685, paper, etching, h 133 mm × w 82 mm

Art inspired by Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, 1646, plates: etching, engraving, Overall: 13 3/4 x 9 1/2 x 1 15/16 in. (35 x 24.2 x 5 cm), Books, This book on citrus fruit by Giovanni Battista Ferrari (1584–1655), published in Rome in 1646, belongs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5HB9–Art inspired by Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, 1646, plates: etching, engraving, Overall: 13 3/4 x 9 1/2 x 1 15/16 in. (35 x 24.2 x 5 cm), Books, This book on citrus fruit by Giovanni Battista Ferrari (1584–1655), published in Rome in 1646, belongs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Doorway, 1879–80, Etching, drypoint and roulette; fourteenth state of twenty (Glasgow); printed in brownish-black ink on Stock Photo

RMKCA36F–The Doorway, 1879–80, Etching, drypoint and roulette; fourteenth state of twenty (Glasgow); printed in brownish-black ink on

Art inspired by The Doorway, 1879–80, Etching, drypoint and roulette; fourteenth state of twenty (Glasgow); printed in brownish-black ink on ivory laid paper, Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXGBJ–Art inspired by The Doorway, 1879–80, Etching, drypoint and roulette; fourteenth state of twenty (Glasgow); printed in brownish-black ink on ivory laid paper, Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bust portrait of an elderly man wearing a hat and a coat with fur collar. Belongs to portrait of the same man, en profil., Portrait of a man with a hat, Hendrick Goltzius, (mentioned on object), print maker: anonymous, Netherlands, (possibly), 1597, paper, engraving, etching, h 197 mm × w 164 mm Stock Photo

RM2JC3A5Y–Bust portrait of an elderly man wearing a hat and a coat with fur collar. Belongs to portrait of the same man, en profil., Portrait of a man with a hat, Hendrick Goltzius, (mentioned on object), print maker: anonymous, Netherlands, (possibly), 1597, paper, engraving, etching, h 197 mm × w 164 mm

The Cupboard, 1778. Fragonard designed this popular etching to delight his viewers, who spy on the dramatic scene like the eavesdropping servants in the background. A maiden weeps as her boyfriend, caught hiding in a wardrobe, sheepishly faces the girl’s angry parents. Rumpled bed sheets and the position of the hat give away the passionate activities of the young lovers. Comically, the hat with a broad ribbon held by the boy belongs to his girlfriend. His plain hat with a buttoned-up brim hangs in the cupboard. Stock Photo

RM2A52EPW–The Cupboard, 1778. Fragonard designed this popular etching to delight his viewers, who spy on the dramatic scene like the eavesdropping servants in the background. A maiden weeps as her boyfriend, caught hiding in a wardrobe, sheepishly faces the girl’s angry parents. Rumpled bed sheets and the position of the hat give away the passionate activities of the young lovers. Comically, the hat with a broad ribbon held by the boy belongs to his girlfriend. His plain hat with a buttoned-up brim hangs in the cupboard.

Art inspired by Les Invisibles (The Invisible Ones), 1810, Hand-colored etching with roulette, Sheet: 9 5/16 x 12 7/8 in. (23.6 x 32.7 cm), Prints, William Brocas (Irish, ca. 1794–1868), After James Gillray (British, Chelsea 1756–1815 London), This caricature, focused on languid, hyper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5N0G–Art inspired by Les Invisibles (The Invisible Ones), 1810, Hand-colored etching with roulette, Sheet: 9 5/16 x 12 7/8 in. (23.6 x 32.7 cm), Prints, William Brocas (Irish, ca. 1794–1868), After James Gillray (British, Chelsea 1756–1815 London), This caricature, focused on languid, hyper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The High Force. This Cataract is on the River Teese, which divides the Counties of York and Durham it falls down a Rock of Granate, about 23 yards into a Large Circular Bason The South side belongs to L.d Carlisl Author Mason, James 45.49.1. Place of publication: [London] Publisher: Publish'd Dec.r., Date of publication: 1751. Item type: 1 print Medium: etching Dimensions: platemark 38.8 x 54.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9EX0X–The High Force. This Cataract is on the River Teese, which divides the Counties of York and Durham it falls down a Rock of Granate, about 23 yards into a Large Circular Bason The South side belongs to L.d Carlisl Author Mason, James 45.49.1. Place of publication: [London] Publisher: Publish'd Dec.r., Date of publication: 1751. Item type: 1 print Medium: etching Dimensions: platemark 38.8 x 54.5 cm Former owner: George III, King of Great Britain, 1738-1820

The Cupboard 1778 Jean-Honoré Fragonard (French, 1732-1806) France, 18th century Etching. Fragonard designed this popular etching to delight his viewers, who spy on the dramatic scene like the eavesdropping servants in the background. A maiden weeps as her boyfriend, caught hiding in a wardrobe, sheepishly faces the girl’s angry parents. Rumpled bed sheets and the position of the hat give away the passionate activities of the young lovers. Comically, the hat with a broad ribbon held by the boy belongs to his girlfriend. His plain hat with a buttoned-up brim hangs in the cupboard. Stock Photo

RM2BHJEKN–The Cupboard 1778 Jean-Honoré Fragonard (French, 1732-1806) France, 18th century Etching. Fragonard designed this popular etching to delight his viewers, who spy on the dramatic scene like the eavesdropping servants in the background. A maiden weeps as her boyfriend, caught hiding in a wardrobe, sheepishly faces the girl’s angry parents. Rumpled bed sheets and the position of the hat give away the passionate activities of the young lovers. Comically, the hat with a broad ribbon held by the boy belongs to his girlfriend. His plain hat with a buttoned-up brim hangs in the cupboard.

Salvator Rosa. Four warriors and a standing youth, who points down at one of them, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs. Stock Photo

RM2AHTY53–Salvator Rosa. Four warriors and a standing youth, who points down at one of them, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.

Appurtenances (or what belongs to) the Worship of the Israelites. 1. Goden Candlestick; 2. Bronze Basin; 3. Ark of the Covenant; 4. Alter of Incense; 5. Shewbread; 6. Alter of Burnt Offerings and 7. Vessels of Incense Stock Photo

RMF1KYFE–Appurtenances (or what belongs to) the Worship of the Israelites. 1. Goden Candlestick; 2. Bronze Basin; 3. Ark of the Covenant; 4. Alter of Incense; 5. Shewbread; 6. Alter of Burnt Offerings and 7. Vessels of Incense

barbary mouse mouse (plural mice) is a small animal that belongs to one of numerous species of rodents. The best known mouse spe Stock Photo

RFB6E5B5–barbary mouse mouse (plural mice) is a small animal that belongs to one of numerous species of rodents. The best known mouse spe

St Mary's Cathedral was built in the late 19th century in a Gothic style by Sir George Gilbert Scott in the West End of Edinburgh's New Town, Scotland. The cathedral belongs to the Scottish Episcopal Church in Edinburgh, Scotland. Stock Photo

RMF21947–St Mary's Cathedral was built in the late 19th century in a Gothic style by Sir George Gilbert Scott in the West End of Edinburgh's New Town, Scotland. The cathedral belongs to the Scottish Episcopal Church in Edinburgh, Scotland.

The month of January: the celebration of the Epiphany. At the top right the sign of the zodiac that belongs to the month of January: Aquarius. Stock Photo

RF2K9YYK7–The month of January: the celebration of the Epiphany. At the top right the sign of the zodiac that belongs to the month of January: Aquarius.

Ornithology: Breeding and Nests: The Eurasian magpie or common magpie (Pica pica) is a resident breeding bird throughout the northern part of the Eurasian continent. It is one of several birds in the crow family designated magpies, and belongs to the Holarctic radiation of 'monochrome' magpies. In Europe, 'magpie' is used by English speakers as a synonym for the European magpie Stock Photo

RM2AGHH9B–Ornithology: Breeding and Nests: The Eurasian magpie or common magpie (Pica pica) is a resident breeding bird throughout the northern part of the Eurasian continent. It is one of several birds in the crow family designated magpies, and belongs to the Holarctic radiation of 'monochrome' magpies. In Europe, 'magpie' is used by English speakers as a synonym for the European magpie

Old engraved illustration of the gate of Beaune which belongs to seventeenth century. Dictionary of words and things - Larive an Stock Vector

RFEW9JHR–Old engraved illustration of the gate of Beaune which belongs to seventeenth century. Dictionary of words and things - Larive an

The Cumaean Sibyl. Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham); Etched by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm) Sheet: 21 7/16 x 16 in. (54.5 x 40.7 cm). Publisher: Thomas Agnew & Sons, Ltd. (London) Manchester and Liverpool. Date: November 1, 1882. This etching conveys Burne-Jones's severe conception of the Apollonian priestess at Cumae--a Greek colony near Naples--and belongs to a series he devoted to ancient prophetesses who foretold the coming of Christ. Enveloping dark drapery, boun Stock Photo

RMPB249Y–The Cumaean Sibyl. Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham); Etched by Charles-Albert Waltner (French, Paris 1846-1925 Paris). Dimensions: Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm) Sheet: 21 7/16 x 16 in. (54.5 x 40.7 cm). Publisher: Thomas Agnew & Sons, Ltd. (London) Manchester and Liverpool. Date: November 1, 1882. This etching conveys Burne-Jones's severe conception of the Apollonian priestess at Cumae--a Greek colony near Naples--and belongs to a series he devoted to ancient prophetesses who foretold the coming of Christ. Enveloping dark drapery, boun

A lychgate, also spelled lichgate, lycugate, lyke-gate or as two separate words lych gate, (from Old English lic, corpse) is a gateway covered with a roof found at the entrance to a traditional English or English-style churchyard. This one belongs to St Mary's Church, Pulborough, Horsham District, West Sussex, England Stock Photo

RMR6RRFG–A lychgate, also spelled lichgate, lycugate, lyke-gate or as two separate words lych gate, (from Old English lic, corpse) is a gateway covered with a roof found at the entrance to a traditional English or English-style churchyard. This one belongs to St Mary's Church, Pulborough, Horsham District, West Sussex, England

RMBGY7PH–Rockrose of the mountains

The Great Seal was used to symbolise the Sovereign's approval of important state documents. This belongs to Henry II 1133 – 1189), also known as Henry Plantagenet. He was the son of Geoffrey of Anjou and Matilda, daughter of Henry I of England and became actively involved in his mother's efforts to claim the throne of England, then occupied by Stephen of Blois. He was made Duke of Normandy, inherited Anjou in 1151 and shortly afterwards married Eleanor of Aquitaine, whose marriage to Louis VII of France had recently been annulled. Stock Photo

RMKTT7JH–The Great Seal was used to symbolise the Sovereign's approval of important state documents. This belongs to Henry II 1133 – 1189), also known as Henry Plantagenet. He was the son of Geoffrey of Anjou and Matilda, daughter of Henry I of England and became actively involved in his mother's efforts to claim the throne of England, then occupied by Stephen of Blois. He was made Duke of Normandy, inherited Anjou in 1151 and shortly afterwards married Eleanor of Aquitaine, whose marriage to Louis VII of France had recently been annulled.

bechuana kraal on the vaal river south africa 1867 Tswana Southern African Stock Photo

RMBACEAE–bechuana kraal on the vaal river south africa 1867 Tswana Southern African

Plants: The Pagoda Fig aka sacred fig (Ficus religiosa) is a species of fig native to the Indian subcontinent and Indochina that belongs to Moraceae, the fig or mulberry family. It has religious significance in three major religions that originated on the Indian subcontinent, Hinduism, Buddhism and Jainism. Hindu and Jain ascetics consider the tree to be sacred and often meditate under them and this is the tree under which Gautama Buddha is believed to have attained enlightenment. The tree having a very long lifespan, with an average life ranging between 900–1,500 years. Stock Photo

RM2AJ9TKN–Plants: The Pagoda Fig aka sacred fig (Ficus religiosa) is a species of fig native to the Indian subcontinent and Indochina that belongs to Moraceae, the fig or mulberry family. It has religious significance in three major religions that originated on the Indian subcontinent, Hinduism, Buddhism and Jainism. Hindu and Jain ascetics consider the tree to be sacred and often meditate under them and this is the tree under which Gautama Buddha is believed to have attained enlightenment. The tree having a very long lifespan, with an average life ranging between 900–1,500 years.

golden eagle Aquila chrysaetos Northern Hemisphere Accipitridae Stock Photo

RMB7P619–golden eagle Aquila chrysaetos Northern Hemisphere Accipitridae

How the fire hose and pump should be stored in the fire engine house after use, approximately 1750, An illustration of how the fire hose and pump should be stored in the fire engine house after use, approximately 1750? Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, Northern Netherlands, 1700 - 1799, paper, etching, height, 135 mm × width, 190 mm Stock Photo

RM2X6X8R7–How the fire hose and pump should be stored in the fire engine house after use, approximately 1750, An illustration of how the fire hose and pump should be stored in the fire engine house after use, approximately 1750? Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, Northern Netherlands, 1700 - 1799, paper, etching, height, 135 mm × width, 190 mm

Rievaulx Abbey, Yorkshire, 1810. Rievaulx Abbey belongs to Cotman’s first series of etchings, published in 1811. The thirteen images depict the landscape of Yorkshire and picturesque architectural views such as rural cottages, ancient stone walls, and overgrown, ruined abbeys. The crumbling Gothic church was a quintessentially Romantic theme, intended to allude to a lost past. Stock Photo

RM2A521HX–Rievaulx Abbey, Yorkshire, 1810. Rievaulx Abbey belongs to Cotman’s first series of etchings, published in 1811. The thirteen images depict the landscape of Yorkshire and picturesque architectural views such as rural cottages, ancient stone walls, and overgrown, ruined abbeys. The crumbling Gothic church was a quintessentially Romantic theme, intended to allude to a lost past.

Art inspired by The Cumaean Sibyl, November 1, 1882, Etching and drypoint; from an edition of 250, Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Etched by Charles-Albert Waltner (French, Paris 1846–1925 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5NBY–Art inspired by The Cumaean Sibyl, November 1, 1882, Etching and drypoint; from an edition of 250, Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Etched by Charles-Albert Waltner (French, Paris 1846–1925 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Eugène André Champollion The choice of model belongs to Mr. Stewart. etching around 1900 Stock Photo

RM2T7W2FT–Eugène André Champollion The choice of model belongs to Mr. Stewart. etching around 1900

Art inspired by Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels, 1561–65, Engraving and etching; first state of three, Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5772–Art inspired by Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels, 1561–65, Engraving and etching; first state of three, Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Jean Antoine Watteau. Standing Man Leaning on His Elbow. 1704–1710. France. Etching on cream laid paper This handsome print belongs to the Figures de Mode, a series of seven etchings by Jean-Antoine Watteau of fashionable ladies and gentlemen. The fancy costumes and elaborate backdrops of park settings or distant landscapes showcased in this series aid in the documentation of theatrical history as well as 18th-century French fashion. Stock Photo

RM2AHPJY2–Jean Antoine Watteau. Standing Man Leaning on His Elbow. 1704–1710. France. Etching on cream laid paper This handsome print belongs to the Figures de Mode, a series of seven etchings by Jean-Antoine Watteau of fashionable ladies and gentlemen. The fancy costumes and elaborate backdrops of park settings or distant landscapes showcased in this series aid in the documentation of theatrical history as well as 18th-century French fashion.

RF2B9BY7F–You will not unjustly desire what belongs to your neighbor: the tenth Commandment, Two men in conversation point to a house in the background. Numbered top right: 755, magistracy, judges, index finger forwards, pointing, indicating, civic architecture, edifices, dwellings, 'you shall not covet', separate representation of the tenth of the ten commandments, neighbor, Jan Luyken, Amsterdam, 1685, paper, etching, h 133 mm × w 82 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuri

. Engraving and etching : a handbook for the use of students and print collectors . a similar class belongs the engraver with the markB CfcfC, dependent on Schongauer, whose type of Virginhe has adopted, with the addition of an individuality andcharm of his own. He must, nevertheless, be counted asbelonging to the School of the Lower Rhine. A series of engravings bearing the signature MAIRare in all probability the work of the painter NicolausAlexander Mair, who has been identified as living atLandshut between 1491 and 1541. In spite of the provin-cial origin of his art, Mairs engravings deser Stock Photo

RM2CDDJRC–. Engraving and etching : a handbook for the use of students and print collectors . a similar class belongs the engraver with the markB CfcfC, dependent on Schongauer, whose type of Virginhe has adopted, with the addition of an individuality andcharm of his own. He must, nevertheless, be counted asbelonging to the School of the Lower Rhine. A series of engravings bearing the signature MAIRare in all probability the work of the painter NicolausAlexander Mair, who has been identified as living atLandshut between 1491 and 1541. In spite of the provin-cial origin of his art, Mairs engravings deser

RFEW93W4–Old engraved illustration of the gate of Beaune which belongs to seventeenth century. Dictionary of words and things - Larive an

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548-1620). Culture: Italian, probably Brescia. Dimensions: H. 6 1/2 in. (16.51 cm); W. 18 1/2 in. (46.99 cm). Date: ca. 1580-90. This cantle plate belongs to a horse armor (21.139.1a-w), which is covered with etched ornament that includes undulating foliage, mythological creatures, winged putti, and heroes from Biblical and Classical history, such as David and Goliath and Marcus Curtius. The exuberant sketchlike quality of the etching and the preference for overall decoration suggest an origin i Stock Photo

RMPB0BKG–Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548-1620). Culture: Italian, probably Brescia. Dimensions: H. 6 1/2 in. (16.51 cm); W. 18 1/2 in. (46.99 cm). Date: ca. 1580-90. This cantle plate belongs to a horse armor (21.139.1a-w), which is covered with etched ornament that includes undulating foliage, mythological creatures, winged putti, and heroes from Biblical and Classical history, such as David and Goliath and Marcus Curtius. The exuberant sketchlike quality of the etching and the preference for overall decoration suggest an origin i

Old engraved illustration of the gate of Cathedral of Our Lady of Chartres, belongs to eighteenth century. Chartres, France. Dic Stock Vector

RFEW9JHF–Old engraved illustration of the gate of Cathedral of Our Lady of Chartres, belongs to eighteenth century. Chartres, France. Dic

RMBGY7PE–Rockrose of the lowlands

ring tailed lemur Lemur catta Strepsirhine primate Lemuridae Madagascar Stock Photo

RMB6YK35–ring tailed lemur Lemur catta Strepsirhine primate Lemuridae Madagascar

RM2X6X8RA–How the fire hose and pump should be stored in the fire engine house after use, approximately 1750, An illustration of how the fire hose and pump should be stored in the fire engine house after use, approximately 1750? Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, Northern Netherlands, 1700 - 1799, paper, etching, height, 134 mm × width, 198 mm

Cartouche with text of Tales, 1558 - 1630 print Cartouche with text, flanked by two women with spider skirts. There are two sphinxes at the bottom. Belongs to series of 6 magazines. Netherlands (possibly) paper etching Stock Photo

RM2WGBH79–Cartouche with text of Tales, 1558 - 1630 print Cartouche with text, flanked by two women with spider skirts. There are two sphinxes at the bottom. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Salvator Rosa. A warrior, seated on a foreground block, holds a shield and staff and turns toward two warriors behind him, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs. Stock Photo

RM2AHTY4J–Salvator Rosa. A warrior, seated on a foreground block, holds a shield and staff and turns toward two warriors behind him, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.

. Engraving and etching : a handbook for the use of students and print collectors . of Charles the Bold.These outline engravings were intended to serve as aguide to illuminators, as is shown by a still existingcopy of the book mentioned, in which the nine engravingsoccur in the form of painted miniatures. To the Dutch School of the fifteenth century, whoseprincipal representatives in painting are Ouwater andGeertgen van St. Jans, belongs the engraver named, onaccount of a mark on his plates (3IABlA=o-^^ ^y-N^ ex-ceedingly difficult to interpret, the Master with the V eaversShuttle. The word Z Stock Photo

RM2CDDK04–. Engraving and etching : a handbook for the use of students and print collectors . of Charles the Bold.These outline engravings were intended to serve as aguide to illuminators, as is shown by a still existingcopy of the book mentioned, in which the nine engravingsoccur in the form of painted miniatures. To the Dutch School of the fifteenth century, whoseprincipal representatives in painting are Ouwater andGeertgen van St. Jans, belongs the engraver named, onaccount of a mark on his plates (3IABlA=o-^^ ^y-N^ ex-ceedingly difficult to interpret, the Master with the V eaversShuttle. The word Z

The Circumcision. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm). Date: n.d.. The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece--by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Lif Stock Photo

RMRFAKM0–The Circumcision. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm). Date: n.d.. The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece--by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Lif

RFEW93H1–Old engraved illustration of the gate of Cathedral of Our Lady of Chartres, belongs to eighteenth century. Chartres, France. Dic

RMBGY70N–Artificial fly, fishing

The belly of the vase is decorated with mascarons and leaf vines. Shaded background. Belongs to a series of 14 sheets of cartouches with scrolls, grot Stock Photo

RF2K9YXCK–The belly of the vase is decorated with mascarons and leaf vines. Shaded background. Belongs to a series of 14 sheets of cartouches with scrolls, grot

Old engraved illustration of the gate of Flavigny-sur-Ozerain, fortress belongs to the fifteenth century. Burgundy, France. Dict Stock Vector

RFEW9JHE–Old engraved illustration of the gate of Flavigny-sur-Ozerain, fortress belongs to the fifteenth century. Burgundy, France. Dict

dipper pied yellow wagtail The wagtails form the passerine bird genus Motacilla. They are small birds with long tails which they Stock Photo

RMB6YAAD–dipper pied yellow wagtail The wagtails form the passerine bird genus Motacilla. They are small birds with long tails which they

Bust portrait of an older man wearing a hat and a coat with fur collar. Number XVIIII on the upper right. Belongs to portrait of the same man, en profil, Portrait of a man with a hat, Hendrick Goltzius, (mentioned on object), print maker: anonymous, Netherlands, (possibly), 1597, paper, engraving, etching, h 194 mm × w 164 mm Stock Photo

RM2JC3A65–Bust portrait of an older man wearing a hat and a coat with fur collar. Number XVIIII on the upper right. Belongs to portrait of the same man, en profil, Portrait of a man with a hat, Hendrick Goltzius, (mentioned on object), print maker: anonymous, Netherlands, (possibly), 1597, paper, engraving, etching, h 194 mm × w 164 mm

Cartouche with text of bias between two saters in Rolwerk, 1558 - 1630 print At the bottom left and bottom right is on the rolling work that blows on a trumpet. Belongs to series of 6 magazines. Netherlands (possibly) paper etching Stock Photo

RM2WGAJPT–Cartouche with text of bias between two saters in Rolwerk, 1558 - 1630 print At the bottom left and bottom right is on the rolling work that blows on a trumpet. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Salvator Rosa. A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs. Stock Photo

RM2AHTY4X–Salvator Rosa. A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series. 1656–1657. Italy. Etching on ivory laid paper Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.

. International Studio an Illustrated Magazine of Fine and Applied Art. E DEL RECUERDO (ETCHING) BY MARINO M. LUSY M ADRID. — Eliseo Meifren, whose workhas already been the subject of anarticle in The Studio, belongs to agroup of living Spanish painters whohave wisely helped themselves to all that is goodin French impressionism, while discarding the dross,and at the same time strive to sustain the healthiesttraditions of Spanish realism. x this group EliseoMeifren occupies a high position, and probably hewill very shortly occupy an even higher position.He is a good painter and something more Stock Photo

RM2CEPFNB–. International Studio an Illustrated Magazine of Fine and Applied Art. E DEL RECUERDO (ETCHING) BY MARINO M. LUSY M ADRID. — Eliseo Meifren, whose workhas already been the subject of anarticle in The Studio, belongs to agroup of living Spanish painters whohave wisely helped themselves to all that is goodin French impressionism, while discarding the dross,and at the same time strive to sustain the healthiesttraditions of Spanish realism. x this group EliseoMeifren occupies a high position, and probably hewill very shortly occupy an even higher position.He is a good painter and something more

Plate Nine from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm). Engraver: Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1743. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread across Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive use of l Stock Photo

RMPAPAF3–Plate Nine from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm). Engraver: Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1743. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread across Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive use of l

RMBGY709–Artificial fly, fishing

RFEW93GX–Old engraved illustration of the gate of Flavigny-sur-Ozerain, fortress belongs to the fifteenth century. Burgundy, France. Dict

yakut woman bow arrow Traditional jewelry taste cloth material shoes hats style stitch TP hut Yakuts, self-designation: Sakha, a Stock Photo

RMB7P5RH–yakut woman bow arrow Traditional jewelry taste cloth material shoes hats style stitch TP hut Yakuts, self-designation: Sakha, a

RM2X6X8RC–How the fire hose and pump should be stored in the fire engine house after use, approximately 1750, An illustration of how the fire hose and pump should be stored in the fire engine house after use, approximately 1750? Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, Northern Netherlands, 1700 - 1799, paper, etching, engraving, height, 112 mm × width, 148 mm

Old engraved illustration of the gate of Beaune which belongs to seventeenth century. Dictionary of words and things - Larive and Fleury ? 1895 Stock Photo

RFCEMR7M–Old engraved illustration of the gate of Beaune which belongs to seventeenth century. Dictionary of words and things - Larive and Fleury ? 1895

Round Cartouche with text from Cleobulus, 1558 - 1630 print Cartouche is supported by an Atlant in Rolwerk. Bottom and bottom right drink a bird from a bowl. Belongs to series of 6 magazines. Netherlands (possibly) paper etching Stock Photo

RM2WEC37X–Round Cartouche with text from Cleobulus, 1558 - 1630 print Cartouche is supported by an Atlant in Rolwerk. Bottom and bottom right drink a bird from a bowl. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

The shearers Granada, paint Worms. - Drawing J. Lavee. - (This table belongs to MM. Goupil and Co.), vintage engraved illustrati Stock Vector

RFEW90MB–The shearers Granada, paint Worms. - Drawing J. Lavee. - (This table belongs to MM. Goupil and Co.), vintage engraved illustrati

Christus into schriftgeleerden Series eighty-five original prints (serietitel) The print belongs a album. Manufacturer : print maker: Rembrandt van Rijn (indicated on object) editor: Henry Louis BasanPlaats manufacture: Paris Dated: 1654 and / or 1807 - 1808 Physical characteristics: etching stuck on album sheet material: paper Technique: etching dimensions: plate edge: h 95 mm × b 144 mm Subject: Christ explaining his doctrine Stock Photo

RM2B6GH6K–Christus into schriftgeleerden Series eighty-five original prints (serietitel) The print belongs a album. Manufacturer : print maker: Rembrandt van Rijn (indicated on object) editor: Henry Louis BasanPlaats manufacture: Paris Dated: 1654 and / or 1807 - 1808 Physical characteristics: etching stuck on album sheet material: paper Technique: etching dimensions: plate edge: h 95 mm × b 144 mm Subject: Christ explaining his doctrine

. Engraving and etching : a handbook for the use of students and print collectors . Fig. 89. Jean I)uet : Scene from the Apocalypse (detailj. displays in these prints a remarkable amount of original,though somewhat unbalanced and unrestrained, power ofinvention (fig. 89). Contemporarily with this schcol of woodcutters and 192 ENGRAVING IN FRANCE illustrators there was working at Lyons a group ofengravers, which, however, never attained a Hke im-portance. To these engravers belongs Claude Corneille,.a poor artist, who to some extent followed the laterGerman Little Masters, but was more influen Stock Photo

RM2CDDEKM–. Engraving and etching : a handbook for the use of students and print collectors . Fig. 89. Jean I)uet : Scene from the Apocalypse (detailj. displays in these prints a remarkable amount of original,though somewhat unbalanced and unrestrained, power ofinvention (fig. 89). Contemporarily with this schcol of woodcutters and 192 ENGRAVING IN FRANCE illustrators there was working at Lyons a group ofengravers, which, however, never attained a Hke im-portance. To these engravers belongs Claude Corneille,.a poor artist, who to some extent followed the laterGerman Little Masters, but was more influen

Plate Eleven from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: sheet: 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm); plate: 8 7/16 x 6 7/16 in. (21.4 x 16.3 cm). Engraver: Gilles Demarteau (French, Liège 1722-1776 Paris). Date: ca. 1749. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread across Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive use of Stock Photo

RMPAYD3G–Plate Eleven from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: sheet: 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm); plate: 8 7/16 x 6 7/16 in. (21.4 x 16.3 cm). Engraver: Gilles Demarteau (French, Liège 1722-1776 Paris). Date: ca. 1749. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread across Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive use of

RMBGY70F–Artificial fly, fishing

yakut shamans demon dispellers dance ritual celerbration music tradition Traditional jewelry taste cloth material shoes hats sty Stock Photo

RMB7P5RK–yakut shamans demon dispellers dance ritual celerbration music tradition Traditional jewelry taste cloth material shoes hats sty

RM2X6X8RE–How the fire hose and pump should be stored in the fire engine house after use, approximately 1750, An illustration of how the fire hose and pump should be stored in the fire engine house after use, approximately 1750? Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, Northern Netherlands, 1700 - 1799, paper, etching, engraving, height, 133 mm × width, 200 mm

RM2WGB4JG–Cartouche with text of bias between two saters in Rolwerk, 1558 - 1630 print At the bottom left and bottom right is on the rolling work that blows on a trumpet. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

RFEW9GKG–The shearers Granada, paint Worms. - Drawing J. Lavee. - (This table belongs to MM. Goupil and Co.), vintage engraved illustrati

General reinforcement, decoration on the Kadijksplein, 1795 Common uses reinforcement on the Kadijks Plijn (title object) General reinforcement allegorical decoration founded in Kadijksplein Amsterdam. By the book with pictures of the decorations created in the city to celebrate the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19 1795. The print belongs to a loose leaf uitleg. Manufacturer : printmaker : Noach van der Meer (II) is (possibly) Place manufacture: the Netherlands Date: 1795 Physical characteristics: etching, with Stock Photo

RM2B6A7KY–General reinforcement, decoration on the Kadijksplein, 1795 Common uses reinforcement on the Kadijks Plijn (title object) General reinforcement allegorical decoration founded in Kadijksplein Amsterdam. By the book with pictures of the decorations created in the city to celebrate the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19 1795. The print belongs to a loose leaf uitleg. Manufacturer : printmaker : Noach van der Meer (II) is (possibly) Place manufacture: the Netherlands Date: 1795 Physical characteristics: etching, with

The month of September: a fishmonger behind her shed sells fish to a woman from the city. Top left the sign of the zodiac that belongs to the month of Stock Photo

RF2KA0FYW–The month of September: a fishmonger behind her shed sells fish to a woman from the city. Top left the sign of the zodiac that belongs to the month of

. Engraving and etching : a handbook for the use of students and print collectors . Fig. 77- Rembrandt van Rijn : Beggars. REMBRANDT 169 is shown in the five portraits of himself (fig. 78), finishedduring the year, and in the numerous figures of beggars(fig. jjy These last are literal and unbeautiful repro-ductions of the reality that appealed to his artistic sense,entirely free from any touch of caricature, and showing atrace of the modern feeling for the realistic portrayal ofthe pathos of human life. To the time of his removal toAmsterdam in 1631 belongs his first genre piece, The. Fig. 7S. Stock Photo

RM2CDDFB8–. Engraving and etching : a handbook for the use of students and print collectors . Fig. 77- Rembrandt van Rijn : Beggars. REMBRANDT 169 is shown in the five portraits of himself (fig. 78), finishedduring the year, and in the numerous figures of beggars(fig. jjy These last are literal and unbeautiful repro-ductions of the reality that appealed to his artistic sense,entirely free from any touch of caricature, and showing atrace of the modern feeling for the realistic portrayal ofthe pathos of human life. To the time of his removal toAmsterdam in 1631 belongs his first genre piece, The. Fig. 7S.

The month of April: loving couple sitting in a garden amidst flowers. Top right the sign of the zodiac that belongs to the month of April: Taurus. Stock Photo

RF2K9YFM9–The month of April: loving couple sitting in a garden amidst flowers. Top right the sign of the zodiac that belongs to the month of April: Taurus.

Depiction of the Night in the form of a sleeping man with an owl next to him. Shaded background. Belongs to a series of 14 sheets of cartouches with s Stock Photo

RF2KA0959–Depiction of the Night in the form of a sleeping man with an owl next to him. Shaded background. Belongs to a series of 14 sheets of cartouches with s

Plate Ten from Nouveavx Desseins D'Arquebvseries. Culture: French. Dimensions: sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm). Engraver: Signed by Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1744. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventiv Stock Photo

RMPB0FTE–Plate Ten from Nouveavx Desseins D'Arquebvseries. Culture: French. Dimensions: sheet: 11 7/8 x 9 1/8 in. (30.16 x 23.17 cm); plate: 8 1/2 x 6 3/8 in. (21.59 x 16.19 cm). Engraver: Signed by Gilles Demarteau (French, Liège 1722-1776 Paris). Date: dated 1744. The pattern book to which this plate belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventiv

RMBGY71C–Artificial fly, fishing

Yakut Colony village tribe tepee tent nomadic people Yakuts, self-designation: Sakha, are a Turkic people associated with the Stock Photo

RFB7P71H–Yakut Colony village tribe tepee tent nomadic people Yakuts, self-designation: Sakha, are a Turkic people associated with the

High priest in white liturgical clothing that belongs to the Day of Atonement, The white garment of the high priest on the solemn Day of Atonement (title on object), print, print maker: François van Bleyswijck, (mentioned on object), publisher: Pieter de Hondt, (possibly), print maker: Leiden, publisher: The Hague, 1681 - 1746 and/or 1728, paper, etching, engraving, height, 302 mm × width, 197 mm Stock Photo

RM2X6XXWT–High priest in white liturgical clothing that belongs to the Day of Atonement, The white garment of the high priest on the solemn Day of Atonement (title on object), print, print maker: François van Bleyswijck, (mentioned on object), publisher: Pieter de Hondt, (possibly), print maker: Leiden, publisher: The Hague, 1681 - 1746 and/or 1728, paper, etching, engraving, height, 302 mm × width, 197 mm

Cartouche with text by Chilo, 1558 - 1630 print Cartouche with text by Chilo between two candelabers, made up of rolling with a sater, a Herme and a vase with flowers. Belongs to series of 6 magazines. Netherlands (possibly) paper etching Stock Photo

RM2WGBFH5–Cartouche with text by Chilo, 1558 - 1630 print Cartouche with text by Chilo between two candelabers, made up of rolling with a sater, a Herme and a vase with flowers. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

The print belongs from a album. Manufacturer : printmaker: Nicolas Perelle (listed building), designed by Adam Perelle (possible) editor: Nicolas Langlois (listed property) provider of privilege: French crown (listed property) Place manufacture: Paris Date: 1641 - 1695 Physical features: etching stuck on album sheet material: paper Technique: etching dimensions: plate edge: h 164 mm × W 232 mm Subject: theater (building) ruin of a building architecture where: Colosseum Stock Photo

RM2B6H5PH–The print belongs from a album. Manufacturer : printmaker: Nicolas Perelle (listed building), designed by Adam Perelle (possible) editor: Nicolas Langlois (listed property) provider of privilege: French crown (listed property) Place manufacture: Paris Date: 1641 - 1695 Physical features: etching stuck on album sheet material: paper Technique: etching dimensions: plate edge: h 164 mm × W 232 mm Subject: theater (building) ruin of a building architecture where: Colosseum

. Engraving and etching : a handbook for the use of students and print collectors . e instruction of Rubens. In skill oftechnique he is on a higher rank than his teacher, being morebrilliant, though less fluent in drawing. Rubens journeyto Spain interrupted for a time the work of Pontius. Themost noteworthy works of his first period are the Ascension (fig. 6]^, St. Rochs, the Entombment, Tomyris, and thelarge portrait of Rubens by himself To his later period, afterthe death of Rubens, belongs The Great Massacre of theInnocents. Pontius also worked in connection with VanDyck, whose style with i Stock Photo

RM2CDDFR8–. Engraving and etching : a handbook for the use of students and print collectors . e instruction of Rubens. In skill oftechnique he is on a higher rank than his teacher, being morebrilliant, though less fluent in drawing. Rubens journeyto Spain interrupted for a time the work of Pontius. Themost noteworthy works of his first period are the Ascension (fig. 6]^, St. Rochs, the Entombment, Tomyris, and thelarge portrait of Rubens by himself To his later period, afterthe death of Rubens, belongs The Great Massacre of theInnocents. Pontius also worked in connection with VanDyck, whose style with i

The month of December: an old man warms himself by the fire of a fireplace blown by a boy. Top right the sign of the zodiac that belongs to the month Stock Photo

RF2K9YMMW–The month of December: an old man warms himself by the fire of a fireplace blown by a boy. Top right the sign of the zodiac that belongs to the month

Plate Five from Nouveavx Desseins D'Arquebvseries. Artist: De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Culture: French, Paris. Dimensions: sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm). Date: dated 1730. The pattern book to which this engraving belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive Stock Photo

RMPB3T9K–Plate Five from Nouveavx Desseins D'Arquebvseries. Artist: De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Culture: French, Paris. Dimensions: sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm). Date: dated 1730. The pattern book to which this engraving belongs was among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style throughout the eighteenth century. Intended to be made in chiseled steel, cast silver, and carved wood, these designs demonstrate the playful and inventive

the wheel of fortune The Wheel of Fortune, or Rota Fortunae, is a concept in medieval and ancient philosophy referring to the ca Stock Photo

RMB7AD4D–the wheel of fortune The Wheel of Fortune, or Rota Fortunae, is a concept in medieval and ancient philosophy referring to the ca

Instruction on the use of the double suction pumps with the hose fire hoses, approximately 1750-1760, Sheet with instructions on the correct use of the double suction pumps with the hose fire hoses, approximately 1750-1760. Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, after drawing by: Jan van der Heyden, Northern Netherlands, c. 1745 - c. 1768 and/or 1880 - 1882, paper, etching, height, 130 mm × width, 260 mm Stock Photo

RM2X6X8WX–Instruction on the use of the double suction pumps with the hose fire hoses, approximately 1750-1760, Sheet with instructions on the correct use of the double suction pumps with the hose fire hoses, approximately 1750-1760. Belongs to the supplements to the Fire Spray Book by Jan van der Heyden., print, print maker: anonymous, after drawing by: Jan van der Heyden, Northern Netherlands, c. 1745 - c. 1768 and/or 1880 - 1882, paper, etching, height, 130 mm × width, 260 mm

RM2WGCA6N–Cartouche with text by Chilo, 1558 - 1630 print Cartouche with text by Chilo between two candelabers, made up of rolling with a sater, a Herme and a vase with flowers. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Koophandel en Zeevaart, decoratie op de Nieuwmarkt, 1795 Koophandel en Zeevaart, Op de Nieuwmarkt (titel op object) the Commerce and Shipping, allegorical decorations erected on the Nieuwmarkt in Amsterdam. By the book with pictures of the decorations created in the city to celebrate the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19 1795. The print belongs to a loose leaf uitleg. Manufacturer : printmaker : Noach van der Meer (II) is (possibly) Place manufacture: the Netherlands Date: 1795 Physical characteristics: etching, Stock Photo

RM2B70DM4–Koophandel en Zeevaart, decoratie op de Nieuwmarkt, 1795 Koophandel en Zeevaart, Op de Nieuwmarkt (titel op object) the Commerce and Shipping, allegorical decorations erected on the Nieuwmarkt in Amsterdam. By the book with pictures of the decorations created in the city to celebrate the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19 1795. The print belongs to a loose leaf uitleg. Manufacturer : printmaker : Noach van der Meer (II) is (possibly) Place manufacture: the Netherlands Date: 1795 Physical characteristics: etching,

. Engraving and etching : a handbook for the use of students and print collectors . r, having received his artistic training in Venice.Venezianos work, as a copyist of Diirers and Campagnolasprints, can be traced back to 1514. In 1516 he dated his* Dead Christ supported by Angels, after a picture byAndrea del Sarto. The poorness of this really veryinadequate engraving appears, according to Vasaris story,to have roused Andreas wrath. About 1518 Venezianowas working along with Marc-Antonio in Rome. To thisyear belongs his large, fantastic plate known as the Stregozzo (a witch riding on a skeleto Stock Photo

RM2CDDH54–. Engraving and etching : a handbook for the use of students and print collectors . r, having received his artistic training in Venice.Venezianos work, as a copyist of Diirers and Campagnolasprints, can be traced back to 1514. In 1516 he dated his* Dead Christ supported by Angels, after a picture byAndrea del Sarto. The poorness of this really veryinadequate engraving appears, according to Vasaris story,to have roused Andreas wrath. About 1518 Venezianowas working along with Marc-Antonio in Rome. To thisyear belongs his large, fantastic plate known as the Stregozzo (a witch riding on a skeleto

The month of March: a farmer who plows and farmers who prune vines. In the middle above the sign of the zodiac that belongs to the month of March: Ari Stock Photo

RF2KA0NRB–The month of March: a farmer who plows and farmers who prune vines. In the middle above the sign of the zodiac that belongs to the month of March: Ari

Angel Fernandez de los Rios (1821-1880). Politician and Spanish writer. He belongs to the Generation of 1868. Portrait. Engraving by Smeeton-Tilly. 'Almanaque de La Ilustracion', 1881. Stock Photo

RMP7NNA0–Angel Fernandez de los Rios (1821-1880). Politician and Spanish writer. He belongs to the Generation of 1868. Portrait. Engraving by Smeeton-Tilly. 'Almanaque de La Ilustracion', 1881.

Yakuts journey slay cart deer antler Traditional jewelry taste cloth material shoes hats style stitch travel transport Yakuts, s Stock Photo

RFB7P5R8–Yakuts journey slay cart deer antler Traditional jewelry taste cloth material shoes hats style stitch travel transport Yakuts, s

Jacques Bellange, Pieta, 1615, etching and engraving on paper, 12 1/8 in. x 7 3/4 in. (30.8 cm x 19.69 cm), The French etcher Jacques Bellange belongs to the very last stages of Mannerism.His emotionally charged Pietà owes its form to Michelangelo's presentation drawing for Vittoria Colonna, which was copied and widely disseminated through prints. Bellange conveys feelings of loss and grief through beautiful and highly artificial bodily forms. Christ's smooth, muscular body sways in a gentle S-curve as he is supported between his mother's strong knees. Mary's legs and arms are swathed in ballo Stock Photo

RM2B0C3ER–Jacques Bellange, Pieta, 1615, etching and engraving on paper, 12 1/8 in. x 7 3/4 in. (30.8 cm x 19.69 cm), The French etcher Jacques Bellange belongs to the very last stages of Mannerism.His emotionally charged Pietà owes its form to Michelangelo's presentation drawing for Vittoria Colonna, which was copied and widely disseminated through prints. Bellange conveys feelings of loss and grief through beautiful and highly artificial bodily forms. Christ's smooth, muscular body sways in a gentle S-curve as he is supported between his mother's strong knees. Mary's legs and arms are swathed in ballo

RM2WGC7W0–Round Cartouche with text from Cleobulus, 1558 - 1630 print Cartouche is supported by an Atlant in Rolwerk. Bottom and bottom right drink a bird from a bowl. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Landscape Twenty-four landscapes (series title) Four und Zwanzig Landschaftliche Gegenstände (series title) Property Type: picture Item number: RP-P-2009-972-18Catalogusreferentie: Nagler Künstlerlexikon 10-42 Manufacturer : printmaker: Domenico Quaglio (II) (listed object) in its design: Domenico Quaglio (II) (listed building) publisher: Johann Velt Place manufacture: Karlsruhe Dating: 1804-1810 and / or 1821 Physical features: etching and printing material: paper Technique: etching / printing notes this picture belongs a series of 24 prenten. Stock Photo

RM2B715KG–Landscape Twenty-four landscapes (series title) Four und Zwanzig Landschaftliche Gegenstände (series title) Property Type: picture Item number: RP-P-2009-972-18Catalogusreferentie: Nagler Künstlerlexikon 10-42 Manufacturer : printmaker: Domenico Quaglio (II) (listed object) in its design: Domenico Quaglio (II) (listed building) publisher: Johann Velt Place manufacture: Karlsruhe Dating: 1804-1810 and / or 1821 Physical features: etching and printing material: paper Technique: etching / printing notes this picture belongs a series of 24 prenten.

. International Studio an Illustrated Magazine of Fine and Applied Art. s Mr. W. L.Wyllie to the writer hasever seemed an etcher morethan a painter. At allevents, Mr. Lee builds uphis effects, not so muchwith line as with tone,214 and the distribution of masses, as may clearlybe seen in his Yprcs Tower, Rye, whose whitemass of masonry looms impressively on the be-holder. Mr. Lee belongs to the group of deco-rative romanticists in etching, a group whose pro-tagonist is Mr. Alfred East. There was a timewhen Mr. Easts almost forcible decorationthreatened to go beyond legitimate bounds, andit is p Stock Photo

RM2CEPM8N–. International Studio an Illustrated Magazine of Fine and Applied Art. s Mr. W. L.Wyllie to the writer hasever seemed an etcher morethan a painter. At allevents, Mr. Lee builds uphis effects, not so muchwith line as with tone,214 and the distribution of masses, as may clearlybe seen in his Yprcs Tower, Rye, whose whitemass of masonry looms impressively on the be-holder. Mr. Lee belongs to the group of deco-rative romanticists in etching, a group whose pro-tagonist is Mr. Alfred East. There was a timewhen Mr. Easts almost forcible decorationthreatened to go beyond legitimate bounds, andit is p

The month of July: a bagpiper and a woman with a pitcher rest. Farmers harvesting corn in the background. Top left the sign of the zodiac that belongs Stock Photo

RF2KA0J50–The month of July: a bagpiper and a woman with a pitcher rest. Farmers harvesting corn in the background. Top left the sign of the zodiac that belongs

Joan Rois de Corella (1435-1497). Valencian poet and humanist. Engraving that belongs to his work 'Psalter', printed in Venice in 1490 by Johan Bertezog. Colored. Stock Photo

RMP7F402–Joan Rois de Corella (1435-1497). Valencian poet and humanist. Engraving that belongs to his work 'Psalter', printed in Venice in 1490 by Johan Bertezog. Colored.

Half-length portrait of a man at the age of 27, probably Jan van Heussen. Edge lettering around the oval. Belongs to a family coat of arms. Stock Photo

RF2K9YMMR–Half-length portrait of a man at the age of 27, probably Jan van Heussen. Edge lettering around the oval. Belongs to a family coat of arms.

The shearers Granada, paint Worms. - Drawing J. Lavee. - (This table belongs to MM. Goupil and Co.), vintage engraved illustration. Magasin Pittoresque 1874. Stock Photo

RFCEMMWG–The shearers Granada, paint Worms. - Drawing J. Lavee. - (This table belongs to MM. Goupil and Co.), vintage engraved illustration. Magasin Pittoresque 1874.

Coat of arms of the Van Heussen family from Haarlem (twice three diamonds and twice three rosettes) in oval. Belongs to a portrait of Jan van Heussen. Stock Photo

RF2KA0PA8–Coat of arms of the Van Heussen family from Haarlem (twice three diamonds and twice three rosettes) in oval. Belongs to a portrait of Jan van Heussen.

Etching belongs Stock Photos and Images

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