Quick filters:
Page 1 of 3
En 1619 Stock Photos and Images
N/A. Español: Plano de la reconstrucción del Corral de comedias ó Casa de Comedias de La Olivera (Valencia, España), tras su incendio en 1619. 1619. Anónimo, muerto hace más de 100 años. 279 Casa de comedias de La Olivera, Valencia (1619) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-espaol-plano-de-la-reconstruccin-del-corral-de-comedias-casa-de-comedias-de-la-olivera-valencia-espaa-tras-su-incendio-en-1619-1619-annimo-muerto-hace-ms-de-100-aos-279-casa-de-comedias-de-la-olivera-valencia-1619-image210136164.htmlRMP5TER0–N/A. Español: Plano de la reconstrucción del Corral de comedias ó Casa de Comedias de La Olivera (Valencia, España), tras su incendio en 1619. 1619. Anónimo, muerto hace más de 100 años. 279 Casa de comedias de La Olivera, Valencia (1619)
Acta matrimonial fechada en 1619 en la pedanía de Mercadillo, del municipio de Muñoz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-acta-matrimonial-fechada-en-1619-en-la-pedana-de-mercadillo-del-municipio-171247787.htmlRMKXH08B–Acta matrimonial fechada en 1619 en la pedanía de Mercadillo, del municipio de Muñoz
. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. 671 Inmaculada con Miguel del Cid, de Francisco Pacheco. (Catedral de Sevilla) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-esta-obra-que-representa-la-inmaculada-concepcin-de-la-virgen-mara-madre-de-jesucristo-estuvo-colocada-en-la-sacrista-de-los-clices-de-la-catedral-de-sevilla-espaa-y-fue-pintada-por-francisco-pacheco-en-1619-671-inmaculada-con-miguel-del-cid-de-francisco-pacheco-catedral-de-sevilla-image187563759.htmlRMMW47DK–. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. 671 Inmaculada con Miguel del Cid, de Francisco Pacheco. (Catedral de Sevilla)
Acta matrimonial fechada en 1619 en la pedanía de Mercadillo, del municipio de Muñoz. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/acta-matrimonial-fechada-en-1619-en-la-pedana-de-mercadillo-del-municipio-de-muoz-image213810836.htmlRMPBRWW8–Acta matrimonial fechada en 1619 en la pedanía de Mercadillo, del municipio de Muñoz.
. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. 671 Inmaculada con Miguel del Cid, de Francisco Pacheco (Catedral de Sevilla) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-esta-obra-que-representa-la-inmaculada-concepcin-de-la-virgen-mara-madre-de-jesucristo-estuvo-colocada-en-la-sacrista-de-los-clices-de-la-catedral-de-sevilla-espaa-y-fue-pintada-por-francisco-pacheco-en-1619-671-inmaculada-con-miguel-del-cid-de-francisco-pacheco-catedral-de-sevilla-image187620720.htmlRMMW6T40–. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. 671 Inmaculada con Miguel del Cid, de Francisco Pacheco (Catedral de Sevilla)
MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maqueta-alcazar-austrias-edificado-en-161927-en-1734-incendiado-author-juan-gomez-de-mora-1586-1646-location-museo-de-historia-maquetas-spain-image208154106.htmlRMP2J6K6–MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, SPAIN.
. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. Inmaculada con Miguel del Cid. 1619. Inmaculada con Miguel del Cid, de Francisco Pacheco. (Catedral de Sevilla) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-esta-obra-que-representa-la-inmaculada-concepcin-de-la-virgen-mara-madre-de-jesucristo-estuvo-colocada-en-la-sacrista-de-los-clices-de-la-catedral-de-sevilla-espaa-y-fue-pintada-por-francisco-pacheco-en-1619-inmaculada-con-miguel-del-cid-1619-inmaculada-con-miguel-del-cid-de-francisco-pacheco-catedral-de-sevilla-image184794581.htmlRMMMJ3AD–. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. Inmaculada con Miguel del Cid. 1619. Inmaculada con Miguel del Cid, de Francisco Pacheco. (Catedral de Sevilla)
Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, Les troupes en marche, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 1/2 × 11 3/4 inches (21.6 × 29.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-callot-french-1592-1635-after-matteo-rosselli-italian-1578-1650-les-troupes-en-marche-between-1615-and-1619-engraving-printed-in-black-ink-on-laid-paper-sheet-trimmed-within-plate-mark-8-12-11-34-inches-216-298-cm-image328730673.htmlRM2A2PY95–Jacques Callot, French, 1592-1635, after Matteo Rosselli, Italian, 1578-1650, Les troupes en marche, between 1615 and 1619, engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 8 1/2 × 11 3/4 inches (21.6 × 29.8 cm
. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. Inmaculada con Miguel del Cid. 1619. Inmaculada con Miguel del Cid, de Francisco Pacheco (Catedral de Sevilla) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/espaol-esta-obra-que-representa-la-inmaculada-concepcin-de-la-virgen-mara-madre-de-jesucristo-estuvo-colocada-en-la-sacrista-de-los-clices-de-la-catedral-de-sevilla-espaa-y-fue-pintada-por-francisco-pacheco-en-1619-inmaculada-con-miguel-del-cid-1619-inmaculada-con-miguel-del-cid-de-francisco-pacheco-catedral-de-sevilla-image185018737.htmlRMMN0981–. Español: Esta obra, que representa la Inmaculada Concepción de la Virgen María, madre de Jesucristo, estuvo colocada en la Sacristía de los Cálices de la catedral de Sevilla, (España), y fue pintada por Francisco Pacheco en 1619. Inmaculada con Miguel del Cid. 1619. Inmaculada con Miguel del Cid, de Francisco Pacheco (Catedral de Sevilla)
Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-lord-of-berkel-en-rodenrijs-1547-1619-dutch-57355544.htmlRMD98NG8–Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619
In 't Jaar 1618 en 1619 National Synod of Dordrecht, 1618-1619. Manufacturer : artist: anonymous artist: Jacques Kuyper (rejected attribution) Place manufacture: The Netherlands Date: ca. 1789 - ca. 1810 Physical characteristics: pen or brush in gray material: paper ink Technique: pen / brush dimensions: h 65 mm × b 55 mm Subject: organisaties, assemblies, etc. in Protestant churches remonstrants and counter-Remonstrants synod of Dordrecht When: 1618 - 1619 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-t-jaar-1618-en-1619-national-synod-of-dordrecht-1618-1619-manufacturer-artist-anonymous-artist-jacques-kuyper-rejected-attribution-place-manufacture-the-netherlands-date-ca-1789-ca-1810-physical-characteristics-pen-or-brush-in-gray-material-paper-ink-technique-pen-brush-dimensions-h-65-mm-b-55-mm-subject-organisaties-assemblies-etc-in-protestant-churches-remonstrants-and-counter-remonstrants-synod-of-dordrecht-when-1618-1619-image348450305.htmlRM2B6W7WN–In 't Jaar 1618 en 1619 National Synod of Dordrecht, 1618-1619. Manufacturer : artist: anonymous artist: Jacques Kuyper (rejected attribution) Place manufacture: The Netherlands Date: ca. 1789 - ca. 1810 Physical characteristics: pen or brush in gray material: paper ink Technique: pen / brush dimensions: h 65 mm × b 55 mm Subject: organisaties, assemblies, etc. in Protestant churches remonstrants and counter-Remonstrants synod of Dordrecht When: 1618 - 1619
Johan van Oldenbarnevelt, Heer van Berkel en Rodenrijs, 14 September 1547 - 13 May 1619, was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain / Johan van Oldenbarnevelt, war ein niederländischer Staatsmann und gilt als Begründer der Republik der Vereinigten Niederlande, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-van-oldenbarnevelt-heer-van-berkel-en-rodenrijs-14-september-1547-13-may-1619-was-a-dutch-statesman-who-played-an-important-role-in-the-dutch-struggle-for-independence-from-spain-johan-van-oldenbarnevelt-war-ein-niederlndischer-staatsmann-und-gilt-als-begrnder-der-republik-der-vereinigten-niederlande-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image345357223.htmlRF2B1TAJF–Johan van Oldenbarnevelt, Heer van Berkel en Rodenrijs, 14 September 1547 - 13 May 1619, was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain / Johan van Oldenbarnevelt, war ein niederländischer Staatsmann und gilt als Begründer der Republik der Vereinigten Niederlande, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
Johan van Oldenbarnevelt (1547–1619), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613). Dutch statesman who played an important role in the Dutch struggle for independence from Spain. Portrait. Engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-15471619-lord-of-berkel-en-rodenrijs-1600-78224273.htmlRMEF7BT1–Johan van Oldenbarnevelt (1547–1619), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613). Dutch statesman who played an important role in the Dutch struggle for independence from Spain. Portrait. Engraving.
Coat of arms of Matthias, Holy Roman Emperor, Archduke of Austria, King of Hungary, Croatia and Bohemia, 1556-1619. With rose, castle, eagle, lion, etc. Don Mathias Archeduc d’Austriche, Viceroy en Anvers l’an MDLXXVIII. Handcoloured woodblock engraving from Hierosme de Bara’s Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coat-of-arms-of-matthias-holy-roman-emperor-archduke-of-austria-king-of-hungary-croatia-and-bohemia-1556-1619-with-rose-castle-eagle-lion-etc-don-mathias-archeduc-daustriche-viceroy-en-anvers-lan-mdlxxviii-handcoloured-woodblock-engraving-from-hierosme-de-baras-le-blason-des-armoiries-chez-rolet-boutonne-paris-1628-image373909358.htmlRM2CM915J–Coat of arms of Matthias, Holy Roman Emperor, Archduke of Austria, King of Hungary, Croatia and Bohemia, 1556-1619. With rose, castle, eagle, lion, etc. Don Mathias Archeduc d’Austriche, Viceroy en Anvers l’an MDLXXVIII. Handcoloured woodblock engraving from Hierosme de Bara’s Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628
Johan van Oldenbarnevelt (1547–1619), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613). Dutch statesman who played an important role in the Dutch struggle for independence from Spain. Portrait. Engraving. Colored. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-15471619-lord-of-berkel-en-rodenrijs-1600-79541194.htmlRMEHBBGX–Johan van Oldenbarnevelt (1547–1619), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613). Dutch statesman who played an important role in the Dutch struggle for independence from Spain. Portrait. Engraving. Colored.
De Amsterdamse koopman Jeremias van Collen (1619 1707), zijn vrouw en hun twaalf kinderen. Rijksmuseum SK A 2416 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-de-amsterdamse-koopman-jeremias-van-collen-1619-1707-zijn-vrouw-en-139726719.htmlRMJ392RY–De Amsterdamse koopman Jeremias van Collen (1619 1707), zijn vrouw en hun twaalf kinderen. Rijksmuseum SK A 2416
Double -sided portrait of Johann Christoph Oelhofen; Strauch, Lorenz (1559-Ca 1630); 1619 (reverse); 1625 (obverse) (1619-00-00-1625-00-00);Popławski, Jan (1860-1935)-collections, krezy, German painting, men, portraits, portraits of en trois-quarts, male portraits, message (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-sided-portrait-of-johann-christoph-oelhofen-strauch-lorenz-1559-ca-1630-1619-reverse-1625-obverse-1619-00-00-1625-00-00popawski-jan-1860-1935-collections-krezy-german-painting-men-portraits-portraits-of-en-trois-quarts-male-portraits-message-provenance-image598807112.htmlRM2WP60G8–Double -sided portrait of Johann Christoph Oelhofen; Strauch, Lorenz (1559-Ca 1630); 1619 (reverse); 1625 (obverse) (1619-00-00-1625-00-00);Popławski, Jan (1860-1935)-collections, krezy, German painting, men, portraits, portraits of en trois-quarts, male portraits, message (provenance)
Johan van Oldenbarnevelt (1547–1619). Dutch statesman. Portrait by Jacob Gerritszoon Cuyp (1594– 1652). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-15471619-dutch-statesman-portrait-by-jacob-55530645.htmlRMD69HW9–Johan van Oldenbarnevelt (1547–1619). Dutch statesman. Portrait by Jacob Gerritszoon Cuyp (1594– 1652).
Portrait of Aleksander Karol Waza as a child, according to the portrait of 1619 from the Germanische Nationalmuseum collections in Nuremberg; Zinn, Karl (ante 1860-1889), TROSCHEL, JAKOB (1583-1624); 1883-1885 (1883-00-00-1885-00-00);Aleksander Karol Waza (1614-1634), Bersohn, Mathias (1823-1908) - collections, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, 17th century (costume.), Copies (imitation), portraits of children, Portraits en Pied Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-aleksander-karol-waza-as-a-child-according-to-the-portrait-of-1619-from-the-germanische-nationalmuseum-collections-in-nuremberg-zinn-karl-ante-1860-1889-troschel-jakob-1583-1624-1883-1885-1883-00-00-1885-00-00aleksander-karol-waza-1614-1634-bersohn-mathias-1823-1908-collections-society-of-encouragement-of-fine-arts-warsaw-1860-1940-collection-17th-century-costume-copies-imitation-portraits-of-children-portraits-en-pied-image598889464.htmlRM2WP9NHC–Portrait of Aleksander Karol Waza as a child, according to the portrait of 1619 from the Germanische Nationalmuseum collections in Nuremberg; Zinn, Karl (ante 1860-1889), TROSCHEL, JAKOB (1583-1624); 1883-1885 (1883-00-00-1885-00-00);Aleksander Karol Waza (1614-1634), Bersohn, Mathias (1823-1908) - collections, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, 17th century (costume.), Copies (imitation), portraits of children, Portraits en Pied
Johan van Oldenbarnevelt.1547-1619.Dutch statesman and Land's Advocate of Holland.Important figure in the Dutch struggle for independence from Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-van-oldenbarnevelt1547-1619dutch-statesman-and-lands-advocate-of-hollandimportant-figure-in-the-dutch-struggle-for-independence-from-spain-image375898442.htmlRM2CRFJ8A–Johan van Oldenbarnevelt.1547-1619.Dutch statesman and Land's Advocate of Holland.Important figure in the Dutch struggle for independence from Spain.
![Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntplus de 30 ans. 11622. —7. Sebastian-Peregrin,* 1597 à Klingnau, fils dun° 6, entra en 1619 auservice de Tempire, lieute-nant-colonel 1624, pro-priétaire dun régiment1632, conseiller et cham-bellan impérial, ambassa-deur impérial en 1634 au Tyrol, en Espagne et en Suisse. Vainqueur dela bataille de Nordlingue 6 sept. 1634. Devenu con-seiller de Stock Photo](https://c8.alamy.com/comp/2AM73MA/dictionnaire-historique-biographique-de-la-suisse-publi-avec-la-recommandation-de-la-socit-gnrale-suisse-dhistoire-et-sous-la-direction-de-marcel-godet-henri-trler-et-victor-attinger-avec-de-nombreux-collaborateurs-de-tous-les-cantons-ntplus-de-30-ans-11622-7-sebastian-peregrin-1597-klingnau-fils-dun-6-entra-en-1619-auservice-de-tempire-lieute-nant-colonel-1624-pro-pritaire-dun-rgiment1632-conseiller-et-cham-bellan-imprial-ambassa-deur-imprial-en-1634-au-tyrol-en-espagne-et-en-suisse-vainqueur-dela-bataille-de-nordlingue-6-sept-1634-devenu-con-seiller-de-2AM73MA.jpg "Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntplus de 30 ans. 11622. —7. Sebastian-Peregrin,* 1597 à Klingnau, fils dun° 6, entra en 1619 auservice de Tempire, lieute-nant-colonel 1624, pro-priétaire dun régiment1632, conseiller et cham-bellan impérial, ambassa-deur impérial en 1634 au Tyrol, en Espagne et en Suisse. Vainqueur dela bataille de Nordlingue 6 sept. 1634. Devenu con-seiller de Stock Photo")
Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntplus de 30 ans. 11622. —7. Sebastian-Peregrin,* 1597 à Klingnau, fils dun° 6, entra en 1619 auservice de Tempire, lieute-nant-colonel 1624, pro-priétaire dun régiment1632, conseiller et cham-bellan impérial, ambassa-deur impérial en 1634 au Tyrol, en Espagne et en Suisse. Vainqueur dela bataille de Nordlingue 6 sept. 1634. Devenu con-seiller de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionnaire-historique-biographique-de-la-suisse-publi-avec-la-recommandation-de-la-socit-gnrale-suisse-dhistoire-et-sous-la-direction-de-marcel-godet-henri-trler-et-victor-attinger-avec-de-nombreux-collaborateurs-de-tous-les-cantons-ntplus-de-30-ans-11622-7-sebastian-peregrin-1597-klingnau-fils-dun-6-entra-en-1619-auservice-de-tempire-lieute-nant-colonel-1624-pro-pritaire-dun-rgiment1632-conseiller-et-cham-bellan-imprial-ambassa-deur-imprial-en-1634-au-tyrol-en-espagne-et-en-suisse-vainqueur-dela-bataille-de-nordlingue-6-sept-1634-devenu-con-seiller-de-image339446698.htmlRM2AM73MA–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . ntplus de 30 ans. 11622. —7. Sebastian-Peregrin,* 1597 à Klingnau, fils dun° 6, entra en 1619 auservice de Tempire, lieute-nant-colonel 1624, pro-priétaire dun régiment1632, conseiller et cham-bellan impérial, ambassa-deur impérial en 1634 au Tyrol, en Espagne et en Suisse. Vainqueur dela bataille de Nordlingue 6 sept. 1634. Devenu con-seiller de
Cimon en Pero (Caritas Romana), Louis de Boullogne (I), 1619 - 1674 print paper etching But Suckling Cimon ('Roman Caritas') Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cimon-en-pero-caritas-romana-louis-de-boullogne-i-1619-1674-print-paper-etching-but-suckling-cimon-roman-caritas-image594785023.htmlRM2WFJPA7–Cimon en Pero (Caritas Romana), Louis de Boullogne (I), 1619 - 1674 print paper etching But Suckling Cimon ('Roman Caritas')
J.W. de Jongh en M. Wagenvoort - Eene vergadering van de Nationale Synode te Dordrecht 1619 - Schoolplaat J.B. Wolters. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jw-de-jongh-en-m-wagenvoort-eene-vergadering-van-de-nationale-synode-te-dordrecht-1619-schoolplaat-jb-wolters-image367334641.htmlRM2C9HF29–J.W. de Jongh en M. Wagenvoort - Eene vergadering van de Nationale Synode te Dordrecht 1619 - Schoolplaat J.B. Wolters.
Johan van Oldenbarnevelt, 1547 to 1619. Dutch statesman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-1547-to-1619-dutch-statesman-33831479.htmlRMBY14B3–Johan van Oldenbarnevelt, 1547 to 1619. Dutch statesman.
MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maqueta-alcazar-austrias-edificado-en-161927-en-1734-incendiado-author-juan-gomez-de-mora-1586-1646-location-museo-de-historia-maquetas-madrid-spain-image208154109.htmlRMP2J6K9–MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, MADRID, SPAIN.
La Chasse au cerf et au sanglier (Furnishing Fabric), c. 1780, Engraved by Johann Elias Ridinger (German, 1698-1767) and others after Philip Wouverman (Dutch, 1619-1668), Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 96.8 × 99.4 cm (38 1/8 × 39 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-chasse-au-cerf-et-au-sanglier-furnishing-fabric-c-1780-engraved-by-johann-elias-ridinger-german-1698-1767-and-others-after-philip-wouverman-dutch-1619-1668-manufactured-by-christophe-phillipe-oberkampf-french-1738-1815-france-jouy-en-josas-france-cotton-plain-weave-copperplate-printed-968-994-cm-38-18-39-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-image349729819.htmlRF2B8YFXK–La Chasse au cerf et au sanglier (Furnishing Fabric), c. 1780, Engraved by Johann Elias Ridinger (German, 1698-1767) and others after Philip Wouverman (Dutch, 1619-1668), Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 96.8 × 99.4 cm (38 1/8 × 39 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize
Opening of the synod of Dordrecht, 1618, Le Fameux Synode de Dordrecht, en 1618. et 1619 (title on object), The opening of the national synod in Dordrecht on November 13, 1618. The large hall of the Kloveniersdoelen with all those present and spectators. The participants in the synod are indicated by numbers with the corresponding legend in the columns on either side of the representation., print, Bernard Picart, (mentioned on object), after print by: François Schillemans, Northern Netherlands, 1729, paper, etching, engraving, height, 275 mm × width, 398 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/opening-of-the-synod-of-dordrecht-1618-le-fameux-synode-de-dordrecht-en-1618-et-1619-title-on-object-the-opening-of-the-national-synod-in-dordrecht-on-november-13-1618-the-large-hall-of-the-kloveniersdoelen-with-all-those-present-and-spectators-the-participants-in-the-synod-are-indicated-by-numbers-with-the-corresponding-legend-in-the-columns-on-either-side-of-the-representation-print-bernard-picart-mentioned-on-object-after-print-by-franois-schillemans-northern-netherlands-1729-paper-etching-engraving-height-275-mm-width-398-mm-image606625048.htmlRM2X6X4C8–Opening of the synod of Dordrecht, 1618, Le Fameux Synode de Dordrecht, en 1618. et 1619 (title on object), The opening of the national synod in Dordrecht on November 13, 1618. The large hall of the Kloveniersdoelen with all those present and spectators. The participants in the synod are indicated by numbers with the corresponding legend in the columns on either side of the representation., print, Bernard Picart, (mentioned on object), after print by: François Schillemans, Northern Netherlands, 1729, paper, etching, engraving, height, 275 mm × width, 398 mm
. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-gilonne-dharcourt-gilonne-marie-julie-dharcourt-dame-dhonneur-sans-gages-danne-dautriche-de-1640-1652-et-dame-dhonneur-de-mademoiselle-de-montpensier-ne-en-1619-dcde-le-16-octobre-1699-lge-de-80-ans-parents-jacques-dharcourt-marquis-de-beuvron-1585-1622-elonore-chabot-dame-de-saint-gelais-mariages-et-enfants-marie-en-janvier-1632-avec-louis-de-brouilly-marquis-de-piennes-1640-dont-marie-de-brouilly-de-piennes-1637-1672-marie-en-1643-avec-charles-lon-de-fiesque-comte-de-lavagne-1613-1658-2-autres-fils-morts-jeunes-dont-jean-louis-1647-1708-nn-rel-image188304676.htmlRMMXA0F0–. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel
Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-lord-of-berkel-en-rodenrijs-1547-1619-dutch-57355554.htmlRMD98NGJ–Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619
Fotoreproductie van een gravure van de Synode van Dordrecht in 1618 en 1619 Photo reproduction of an engra of the Synod of Dordrecht in 1618 and 1619 Object Type carte-de-visite reproduction picture Item number: RP-F 1999-59 Inscriptions / Brands: inscription verso, printed 'picture ( ...) to werk.'nummer, verso, handwritten: '42 .'nummer, verso, handwritten '42' Manufacturer : photographer: anonymous to print by: anonymous place manufacture: Netherlands Date: 1850 - 1900 Material: paper carton Technique: albumen print size: picture: h 57 mm × 82 mmsecundaire carrier b: h 63 mm × 104 mm Subje Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fotoreproductie-van-een-gravure-van-de-synode-van-dordrecht-in-1618-en-1619-photo-reproduction-of-an-engra-of-the-synod-of-dordrecht-in-1618-and-1619-object-type-carte-de-visite-reproduction-picture-item-number-rp-f-1999-59-inscriptions-brands-inscription-verso-printed-picture-to-werknummer-verso-handwritten-42-nummer-verso-handwritten-42-manufacturer-photographer-anonymous-to-print-by-anonymous-place-manufacture-netherlands-date-1850-1900-material-paper-carton-technique-albumen-print-size-picture-h-57-mm-82-mmsecundaire-carrier-b-h-63-mm-104-mm-subje-image348352945.htmlRM2B6MRMH–Fotoreproductie van een gravure van de Synode van Dordrecht in 1618 en 1619 Photo reproduction of an engra of the Synod of Dordrecht in 1618 and 1619 Object Type carte-de-visite reproduction picture Item number: RP-F 1999-59 Inscriptions / Brands: inscription verso, printed 'picture ( ...) to werk.'nummer, verso, handwritten: '42 .'nummer, verso, handwritten '42' Manufacturer : photographer: anonymous to print by: anonymous place manufacture: Netherlands Date: 1850 - 1900 Material: paper carton Technique: albumen print size: picture: h 57 mm × 82 mmsecundaire carrier b: h 63 mm × 104 mm Subje
OLYMPUS DIGITAL CAMERA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olympus-digital-camera-image467922784.htmlRM2J57M80–OLYMPUS DIGITAL CAMERA
Quart de Béarn silver shield of Louis XIII, in 1619 Anonyme. Quart d'écu de Béarn en argent de Louis XIII, 1619. Argent, 1619. Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quart-de-barn-silver-shield-of-louis-xiii-in-1619-anonyme-quart-dcu-de-barn-en-argent-de-louis-xiii-1619-argent-1619-muse-carnavalet-histoire-de-paris-image349991400.htmlRM2B9BDGT–Quart de Béarn silver shield of Louis XIII, in 1619 Anonyme. Quart d'écu de Béarn en argent de Louis XIII, 1619. Argent, 1619. Musée Carnavalet, Histoire de Paris.
FRONT OF HOTEL CARNAVALET, BUILT BY SIEUR MANSART WHICH HAS PRESERVED THE OLD DOOR Jean Marot (1619-1679). 'Face de l'Hôtel de Carnavalet, bâti par le Sieur Mansart qui en a conservé l'ancienne porte'. Gravure. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-of-hotel-carnavalet-built-by-sieur-mansart-which-has-preserved-the-old-door-jean-marot-1619-1679-face-de-lhtel-de-carnavalet-bti-par-le-sieur-mansart-qui-en-a-conserv-lancienne-porte-gravure-paris-muse-carnavalet-image349902535.htmlRM2B97C73–FRONT OF HOTEL CARNAVALET, BUILT BY SIEUR MANSART WHICH HAS PRESERVED THE OLD DOOR Jean Marot (1619-1679). 'Face de l'Hôtel de Carnavalet, bâti par le Sieur Mansart qui en a conservé l'ancienne porte'. Gravure. Paris, musée Carnavalet.
Het afscheid van ritmeester Hendrik de Sandra (1619 1707), uitgeleide gedaan door zijn vrouw en kinderen. Rijksmuseum SK A 1960 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-het-afscheid-van-ritmeester-hendrik-de-sandra-1619-1707-uitgeleide-142964918.htmlRMJ8GH5X–Het afscheid van ritmeester Hendrik de Sandra (1619 1707), uitgeleide gedaan door zijn vrouw en kinderen. Rijksmuseum SK A 1960
Elevation of the front of the Entry into the Court in the Luxembourg Palace. Jean Marot (1619-79), graveur, architecte et dessinateur français. Elevation de la face de l'Entree en dedans la Cour du Palais du Luxembourg. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-the-front-of-the-entry-into-the-court-in-the-luxembourg-palace-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-elevation-de-la-face-de-lentree-en-dedans-la-cour-du-palais-du-luxembourg-eau-forte-paris-muse-carnavalet-histoire-de-paris-image349957479.htmlRM2B99X9B–Elevation of the front of the Entry into the Court in the Luxembourg Palace. Jean Marot (1619-79), graveur, architecte et dessinateur français. Elevation de la face de l'Entree en dedans la Cour du Palais du Luxembourg. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris.
Jan van Riebeeck (1619 77). Bevelhebber van Kaap de Goede Hoop en van Malacca en secretaris van de Hoge Regering van Batavia. Rijksmuseum SK A 805 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jan-van-riebeeck-1619-77-bevelhebber-van-kaap-de-goede-hoop-en-van-142966202.htmlRMJ8GJRP–Jan van Riebeeck (1619 77). Bevelhebber van Kaap de Goede Hoop en van Malacca en secretaris van de Hoge Regering van Batavia. Rijksmuseum SK A 805
Portalrubio en el mapa de Labaña (1619) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portalrubio-en-el-mapa-de-labaa-1619-147626456.htmlRMJG4Y1C–Portalrubio en el mapa de Labaña (1619)
Johan van Oldenbarnevelt.1547-1619.Dutch statesman and Land's Advocate of Holland.Important figure in the Dutch struggle for independence from Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-van-oldenbarnevelt1547-1619dutch-statesman-and-lands-advocate-of-hollandimportant-figure-in-the-dutch-struggle-for-independence-from-spain-image375898364.htmlRM2CRFJ5G–Johan van Oldenbarnevelt.1547-1619.Dutch statesman and Land's Advocate of Holland.Important figure in the Dutch struggle for independence from Spain.
La literatura española; resumen de historia crítica . ^*-<.. /*^ Don Quijote de la Mancha (1). (1) Este grabado, y los de las páginas siguientes, están tomados de la ilustración hecha por ManuelÁngel para las ediciones de la obra inmortal publicadas por la Casa Calleja. 95 SALCEDO - LA LITERATURA ESPAÑOLA - TOMO II de la literatura, ya como escritores, ya como lectores o público; el clerosecular y regular era tan numeroso que, según Mendoza, pasaba con mu-cho de doscientos mil individuos en 1619; la cifra de doscientos mil es laque señala o indica, mejor dicho, González de Ávila como la de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-literatura-espaola-resumen-de-historia-crtica-lt-don-quijote-de-la-mancha-1-1-este-grabado-y-los-de-las-pginas-siguientes-estn-tomados-de-la-ilustracin-hecha-por-manuelngel-para-las-ediciones-de-la-obra-inmortal-publicadas-por-la-casa-calleja-95-salcedo-la-literatura-espaola-tomo-ii-de-la-literatura-ya-como-escritores-ya-como-lectores-o-pblico-el-clerosecular-y-regular-era-tan-numeroso-que-segn-mendoza-pasaba-con-mu-cho-de-doscientos-mil-individuos-en-1619-la-cifra-de-doscientos-mil-es-laque-seala-o-indica-mejor-dicho-gonzlez-de-vila-como-la-de-image339986583.htmlRM2AN3M9Y–La literatura española; resumen de historia crítica . ^*-<.. /*^ Don Quijote de la Mancha (1). (1) Este grabado, y los de las páginas siguientes, están tomados de la ilustración hecha por ManuelÁngel para las ediciones de la obra inmortal publicadas por la Casa Calleja. 95 SALCEDO - LA LITERATURA ESPAÑOLA - TOMO II de la literatura, ya como escritores, ya como lectores o público; el clerosecular y regular era tan numeroso que, según Mendoza, pasaba con mu-cho de doscientos mil individuos en 1619; la cifra de doscientos mil es laque señala o indica, mejor dicho, González de Ávila como la de
Cartel de una representación en Sevilla (1619). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartel-de-una-representacin-en-sevilla-1619-image237136417.htmlRMRNPDWN–Cartel de una representación en Sevilla (1619).
Triomf van Neptune en Amphitrite, Treachorum (1) (Possibly), 1619 - 1668 drawing paper. ink pen triumph of Neptune and Amphitrite, with a retinue of tritons and Nereids, i.e. marriage train Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triomf-van-neptune-en-amphitrite-treachorum-1-possibly-1619-1668-drawing-paper-ink-pen-triumph-of-neptune-and-amphitrite-with-a-retinue-of-tritons-and-nereids-ie-marriage-train-image595591079.htmlRM2WGYEDY–Triomf van Neptune en Amphitrite, Treachorum (1) (Possibly), 1619 - 1668 drawing paper. ink pen triumph of Neptune and Amphitrite, with a retinue of tritons and Nereids, i.e. marriage train
MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maqueta-alcazar-austrias-edificado-en-161927-en-1734-incendiado-author-juan-gomez-de-mora-1586-1646-location-museo-de-historia-maquetas-madrid-spain-image208154104.htmlRMP2J6K4–MAQUETA-ALCAZAR AUSTRIAS-EDIFICADO EN 1619/27-EN 1734 INCENDIADO. Author: Juan Gomez de Mora (1586-1646). Location: MUSEO DE HISTORIA-MAQUETAS, MADRID, SPAIN.
De Amsterdamse koopman Jeremias van Collen (1619-1707), zijn vrouw en hun twaalf kinderen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-amsterdamse-koopman-jeremias-van-collen-1619-1707-zijn-vrouw-en-hun-twaalf-kinderen-image261919372.htmlRMW63CR8–De Amsterdamse koopman Jeremias van Collen (1619-1707), zijn vrouw en hun twaalf kinderen.
![city fortification, Illustration of a city fortification and the 17th century palisades, fol., 11, to p.11, 1619, Alexis Errard, Jean Errard: La fortification demonstree et reduicte en art. Le premier livre. A Paris: [s.n.], [1619]-1622 Stock Photo](https://c8.alamy.com/comp/2A2RGGT/city-fortification-illustration-of-a-city-fortification-and-the-17th-century-palisades-fol-11-to-p11-1619-alexis-errard-jean-errard-la-fortification-demonstree-et-reduicte-en-art-le-premier-livre-a-paris-sn-1619-1622-2A2RGGT.jpg "city fortification, Illustration of a city fortification and the 17th century palisades, fol., 11, to p.11, 1619, Alexis Errard, Jean Errard: La fortification demonstree et reduicte en art. Le premier livre. A Paris: [s.n.], [1619]-1622 Stock Photo")
city fortification, Illustration of a city fortification and the 17th century palisades, fol., 11, to p.11, 1619, Alexis Errard, Jean Errard: La fortification demonstree et reduicte en art. Le premier livre. A Paris: [s.n.], [1619]-1622 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-fortification-illustration-of-a-city-fortification-and-the-17th-century-palisades-fol-11-to-p11-1619-alexis-errard-jean-errard-la-fortification-demonstree-et-reduicte-en-art-le-premier-livre-a-paris-sn-1619-1622-image328744216.htmlRM2A2RGGT–city fortification, Illustration of a city fortification and the 17th century palisades, fol., 11, to p.11, 1619, Alexis Errard, Jean Errard: La fortification demonstree et reduicte en art. Le premier livre. A Paris: [s.n.], [1619]-1622
. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-gilonne-dharcourt-gilonne-marie-julie-dharcourt-dame-dhonneur-sans-gages-danne-dautriche-de-1640-1652-et-dame-dhonneur-de-mademoiselle-de-montpensier-ne-en-1619-dcde-le-16-octobre-1699-lge-de-80-ans-parents-jacques-dharcourt-marquis-de-beuvron-1585-1622-elonore-chabot-dame-de-saint-gelais-mariages-et-enfants-marie-en-janvier-1632-avec-louis-de-brouilly-marquis-de-piennes-1640-dont-marie-de-brouilly-de-piennes-1637-1672-marie-en-1643-avec-charles-lon-de-fiesque-comte-de-lavagne-1613-1658-2-autres-fils-morts-jeunes-dont-jean-louis-1647-1708-nn-rel-image187737089.htmlRMMWC4G1–. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel
Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-lord-of-berkel-en-rodenrijs-1547-1619-dutch-57355549.htmlRMD98NGD–Johan van Oldenbarnevelt, Lord of Berkel en Rodenrijs (1547 – 1619) Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 23 August 1618, by order of the States-General, Oldenbarnevelt and his chief supporters, Hugo Grotius, Gilles van Ledenberg, Rombout Hogerbeets and Jacob Dircksz de Graeff, were arrested or lost their political positions in government. He was executed in the Hague in May 1619
Portrait of Saint Louis, King of France, Edelinck, Gérard, 1640-1707, Le Brun, Charles, 1619-1690, Engraving, black-and-white, 17th century, After a painting by Charles Le Brun (formerly in the Chapelle du Château de Claude Le Peletier, Villeneuve-le-Roi). Gravé par Edelinck d'apres un tableau Original fait par monsieur Le Brun qui est dans la Chapelle de Monsieur Pelletier Ministre d'Estat a Ville neuue le Roy...--lower left, Auec Priuilege du Roy--lower right. Qu'Il Sélevoit! en S'abaissant ainsy. Dedié et Presenté au ROY Par son tres humble tres obeissant et tres fidelle Seruiteur et Sujet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-saint-louis-king-of-france-edelinck-grard-1640-1707-le-brun-charles-1619-1690-engraving-black-and-white-17th-century-after-a-painting-by-charles-le-brun-formerly-in-the-chapelle-du-chteau-de-claude-le-peletier-villeneuve-le-roi-grav-par-edelinck-dapres-un-tableau-original-fait-par-monsieur-le-brun-qui-est-dans-la-chapelle-de-monsieur-pelletier-ministre-destat-a-ville-neuue-le-roy-lower-left-auec-priuilege-du-roy-lower-right-quil-slevoit!-en-sabaissant-ainsy-dedi-et-present-au-roy-par-son-tres-humble-tres-obeissant-et-tres-fidelle-seruiteur-et-sujet-image350079510.htmlRF2B9FDYJ–Portrait of Saint Louis, King of France, Edelinck, Gérard, 1640-1707, Le Brun, Charles, 1619-1690, Engraving, black-and-white, 17th century, After a painting by Charles Le Brun (formerly in the Chapelle du Château de Claude Le Peletier, Villeneuve-le-Roi). Gravé par Edelinck d'apres un tableau Original fait par monsieur Le Brun qui est dans la Chapelle de Monsieur Pelletier Ministre d'Estat a Ville neuue le Roy...--lower left, Auec Priuilege du Roy--lower right. Qu'Il Sélevoit! en S'abaissant ainsy. Dedié et Presenté au ROY Par son tres humble tres obeissant et tres fidelle Seruiteur et Sujet
Title page from Pedro Morejon. Historia y Relacion de lo Sucedido en Japon, 1615-1619. Lisbon. Dated 1621 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-from-pedro-morejon-historia-y-relacion-de-lo-sucedido-en-image68543481.htmlRMDYEBWD–Title page from Pedro Morejon. Historia y Relacion de lo Sucedido en Japon, 1615-1619. Lisbon. Dated 1621
OLYMPUS DIGITAL CAMERA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olympus-digital-camera-image467922327.htmlRM2J57KKK–OLYMPUS DIGITAL CAMERA
![Johan van Oldenbarnevelt (Dutch pronunciation: [jo?? v?? old?(n)b?rn?v?lt] ), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613) (September 14, 1547, Amersfoort – May 13, 1619, The Hague) was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 20 February 1619, Oldenbarnevelt sentenced to death and beheaded in the Binnenhof, in The Hague. Oldenbarnevelt's last words to the executioner were purportedly: 'Make it short, make it short.' Stock Photo](https://c8.alamy.com/comp/D98NH0/johan-van-oldenbarnevelt-dutch-pronunciation-jo-v-oldnbrnvlt-lord-D98NH0.jpg "Johan van Oldenbarnevelt (Dutch pronunciation: [jo?? v?? old?(n)b?rn?v?lt] ), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613) (September 14, 1547, Amersfoort – May 13, 1619, The Hague) was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 20 February 1619, Oldenbarnevelt sentenced to death and beheaded in the Binnenhof, in The Hague. Oldenbarnevelt's last words to the executioner were purportedly: 'Make it short, make it short.' Stock Photo")
Johan van Oldenbarnevelt (Dutch pronunciation: [jo?? v?? old?(n)b?rn?v?lt] ), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613) (September 14, 1547, Amersfoort – May 13, 1619, The Hague) was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 20 February 1619, Oldenbarnevelt sentenced to death and beheaded in the Binnenhof, in The Hague. Oldenbarnevelt's last words to the executioner were purportedly: 'Make it short, make it short.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-oldenbarnevelt-dutch-pronunciation-jo-v-oldnbrnvlt-lord-57355564.htmlRMD98NH0–Johan van Oldenbarnevelt (Dutch pronunciation: [jo?? v?? old?(n)b?rn?v?lt] ), Lord of Berkel en Rodenrijs (1600), Gunterstein (1611) and Bakkum (1613) (September 14, 1547, Amersfoort – May 13, 1619, The Hague) was a Dutch statesman who played an important role in the Dutch struggle for independence from Spain. On 20 February 1619, Oldenbarnevelt sentenced to death and beheaded in the Binnenhof, in The Hague. Oldenbarnevelt's last words to the executioner were purportedly: 'Make it short, make it short.'
View of the Church Bernardine or is a single twin-screw and its species universellemt admired. Jean Marot (1619-79), graveur, architecte et dessinateur français. Vue de l'Eglise des Bernardins ou est un vis double unique en son espece et universellemt admirée. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-church-bernardine-or-is-a-single-twin-screw-and-its-species-universellemt-admired-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-vue-de-leglise-des-bernardins-ou-est-un-vis-double-unique-en-son-espece-et-universellemt-admire-eau-forte-paris-muse-carnavalet-histoire-de-paris-image349902394.htmlRM2B97C22–View of the Church Bernardine or is a single twin-screw and its species universellemt admired. Jean Marot (1619-79), graveur, architecte et dessinateur français. Vue de l'Eglise des Bernardins ou est un vis double unique en son espece et universellemt admirée. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris.
Mélanges historiques; études éparses et inédites de Benjamin Sulte; . A3^i^wit mif <^*n (^^^-^ 2^**^ i^- <^ ^^ ^a/ùv Vert A^ .CU,a£ ^ejf^ tt /r- 3.. Plan de létablissement des Forges Saint-Maurice et des terrains mniers sé endant dans les terres (Dessiné em 1738 par larpenteur C. de I.éry). Les Forges SaintMaurloe LA FAMILLE POU LIN, 16U-1675 Marin Terrier dit le sieur de FrancheyiUe et de Eepen-tigny, né en 1619, au village de Grandmeisnil, canton actuel deSaint^Pierre-sur-Dives, aux environs de (Lisieux, Normandie,était à Québec en 1638. Le 14 août 1644, M. de Montmagnylui accorde un Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mlanges-historiques-tudes-parses-et-indites-de-benjamin-sulte-a3iwit-mif-ltn-2-i-lt-av-vert-a-cua-ejf-tt-r-3-plan-de-ltablissement-des-forges-saint-maurice-et-des-terrains-mniers-s-endant-dans-les-terres-dessin-em-1738-par-larpenteur-c-de-iry-les-forges-saintmaurloe-la-famille-pou-lin-16u-1675-marin-terrier-dit-le-sieur-de-francheyiue-et-de-eepen-tigny-n-en-1619-au-village-de-grandmeisnil-canton-actuel-desaintpierre-sur-dives-aux-environs-de-lisieux-normandietait-qubec-en-1638-le-14-aot-1644-m-de-montmagnylui-accorde-un-image343339959.htmlRM2AXGDHB–Mélanges historiques; études éparses et inédites de Benjamin Sulte; . A3^i^wit mif <^*n (^^^-^ 2^**^ i^- <^ ^^ ^a/ùv Vert A^ .CU,a£ ^ejf^ tt /r- 3.. Plan de létablissement des Forges Saint-Maurice et des terrains mniers sé endant dans les terres (Dessiné em 1738 par larpenteur C. de I.éry). Les Forges SaintMaurloe LA FAMILLE POU LIN, 16U-1675 Marin Terrier dit le sieur de FrancheyiUe et de Eepen-tigny, né en 1619, au village de Grandmeisnil, canton actuel deSaint^Pierre-sur-Dives, aux environs de (Lisieux, Normandie,était à Québec en 1638. Le 14 août 1644, M. de Montmagnylui accorde un
View of the Sint Petronella's Chapel in De Bilt, 1619, Abraham Rademaker, 1727 - 1733 print View of the Sint Petronella's chapel in the village of De Bilt, in the situation around 1619. To the left of the chapel a number of hikers, a horse and a dog. Amsterdam paper etching / engraving church (exterior) - QQ - small church, chapel. dog. 'en route', traveller under way. horse Sint Petronella's chapel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-sint-petronellas-chapel-in-de-bilt-1619-abraham-rademaker-1727-1733-print-view-of-the-sint-petronellas-chapel-in-the-village-of-de-bilt-in-the-situation-around-1619-to-the-left-of-the-chapel-a-number-of-hikers-a-horse-and-a-dog-amsterdam-paper-etching-engraving-church-exterior-qq-small-church-chapel-dog-en-route-traveller-under-way-horse-sint-petronellas-chapel-image595160438.htmlRM2WG7W5X–View of the Sint Petronella's Chapel in De Bilt, 1619, Abraham Rademaker, 1727 - 1733 print View of the Sint Petronella's chapel in the village of De Bilt, in the situation around 1619. To the left of the chapel a number of hikers, a horse and a dog. Amsterdam paper etching / engraving church (exterior) - QQ - small church, chapel. dog. 'en route', traveller under way. horse Sint Petronella's chapel
CASA DE LA PANADERIA COMENZADA EN 1590 POR DIEGO SILLERO Y FINALIZADA EN 1619 POR JUAN GOMEZ DE MORA. Author: JUAN GOMEZ DE MORA. Location: HALLMARKT. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casa-de-la-panaderia-comenzada-en-1590-por-diego-sillero-y-finalizada-en-1619-por-juan-gomez-de-mora-author-juan-gomez-de-mora-location-hallmarkt-madrid-spain-image416740218.htmlRM2F604B6–CASA DE LA PANADERIA COMENZADA EN 1590 POR DIEGO SILLERO Y FINALIZADA EN 1619 POR JUAN GOMEZ DE MORA. Author: JUAN GOMEZ DE MORA. Location: HALLMARKT. MADRID. SPAIN.
Het afscheid van ritmeester Hendrik de Sandra (1619-1707), uitgeleide gedaan door zijn vrouw en kinderen. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/het-afscheid-van-ritmeester-hendrik-de-sandra-1619-1707-uitgeleide-gedaan-door-zijn-vrouw-en-kinderen-image354402506.htmlRM2BGGC0A–Het afscheid van ritmeester Hendrik de Sandra (1619-1707), uitgeleide gedaan door zijn vrouw en kinderen.
La Chasse au cerf et au sanglier (Furnishing Fabric), c. 1780, Engraved by Johann Elias Ridinger (German, 1698-1767) and others after Philip Wouverman (Dutch, 1619-1668), Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 96.8 × 99.4 cm (38 1/8 × 39 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-chasse-au-cerf-et-au-sanglier-furnishing-fabric-c-1780-engraved-by-johann-elias-ridinger-german-1698-1767-and-others-after-philip-wouverman-dutch-1619-1668-manufactured-by-christophe-phillipe-oberkampf-french-1738-1815-france-jouy-en-josas-france-cotton-plain-weave-copperplate-printed-968-994-cm-38-18-39-18-in-image328650106.htmlRM2A2K8FP–La Chasse au cerf et au sanglier (Furnishing Fabric), c. 1780, Engraved by Johann Elias Ridinger (German, 1698-1767) and others after Philip Wouverman (Dutch, 1619-1668), Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815), France, Jouy-en-Josas, France, Cotton, plain weave, copperplate printed, 96.8 × 99.4 cm (38 1/8 × 39 1/8 in
. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-gilonne-dharcourt-gilonne-marie-julie-dharcourt-dame-dhonneur-sans-gages-danne-dautriche-de-1640-1652-et-dame-dhonneur-de-mademoiselle-de-montpensier-ne-en-1619-dcde-le-16-octobre-1699-lge-de-80-ans-parents-jacques-dharcourt-marquis-de-beuvron-1585-1622-elonore-chabot-dame-de-saint-gelais-mariages-et-enfants-marie-en-janvier-1632-avec-louis-de-brouilly-marquis-de-piennes-1640-dont-marie-de-brouilly-de-piennes-1637-1672-marie-en-1643-avec-charles-lon-de-fiesque-comte-de-lavagne-1613-1658-2-autres-fils-morts-jeunes-dont-jean-louis-1647-1708-nn-rel-image189059701.htmlRMMYGBG5–. Français : Gilonne d'Harcourt (Gilonne Marie Julie d'Harcourt) Dame d'honneur (sans gages) d'Anne d'Autriche de 1640 à 1652 et dame d'honneur de mademoiselle de Montpensier Née en 1619 Décédée le 16 octobre 1699 À l'âge de 80 ans Parents Jacques d'Harcourt, marquis de Beuvron 1585-1622 Eléonore Chabot, dame de Saint-Gelais Mariages et enfants Mariée en janvier 1632 avec Louis de Brouilly, marquis de Piennes +1640, dont Marie de Brouilly de Piennes 1637-1672 Mariée en 1643 avec Charles Léon de Fiesque, comte de Lavagne 1613-1658 (2 autres fils morts jeunes), dont Jean Louis 1647-1708 Nn Rel
Portalrubio en el mapa de Labaña (1619). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portalrubio-en-el-mapa-de-labaa-1619-image414562593.htmlRM2F2CXPW–Portalrubio en el mapa de Labaña (1619).
Les differentes nations de l'Asie, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Peintes dans le grand Escalier du Chateau de Versailles par Charles le Brun premier peintre du Roy, et gravé par Louis Surugue en 1720--lower left, In magnâ Versalliarum Castelli Porticu a Carolo le Brun regiorum pictorum Principe pictæ, sculptæ vero a Ludovico Surugue Parisiis anno 1720.--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-differentes-nations-de-lasie-grand-escalier-du-chteau-de-versailles-dit-escalier-des-ambassadeurs-le-brun-charles-1619-1690-surugue-louis-1686-1762-etching-engraving-black-and-white-1725-peintes-dans-le-grand-escalier-du-chateau-de-versailles-par-charles-le-brun-premier-peintre-du-roy-et-grav-par-louis-surugue-en-1720-lower-left-in-magn-versalliarum-castelli-porticu-a-carolo-le-brun-regiorum-pictorum-principe-pict-sculpt-vero-a-ludovico-surugue-parisiis-anno-1720-lower-right-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-image350079459.htmlRF2B9FDWR–Les differentes nations de l'Asie, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Peintes dans le grand Escalier du Chateau de Versailles par Charles le Brun premier peintre du Roy, et gravé par Louis Surugue en 1720--lower left, In magnâ Versalliarum Castelli Porticu a Carolo le Brun regiorum pictorum Principe pictæ, sculptæ vero a Ludovico Surugue Parisiis anno 1720.--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance.
P. (1619-05-24) Wouwerman - Duinlandschap met vissers en paarden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/p-1619-05-24-wouwerman-duinlandschap-met-vissers-en-paarden-image406557666.htmlRM2EHC8CJ–P. (1619-05-24) Wouwerman - Duinlandschap met vissers en paarden
OLYMPUS DIGITAL CAMERA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olympus-digital-camera-image467922753.htmlRM2J57M6W–OLYMPUS DIGITAL CAMERA
View of the Church Bernardine or is a single twin-screw its kind and universally admired. Jean Marot (1619-79), graveur, architecte et dessinateur français. Vue de l'Eglise des Bernardins ou est un vis double unique en son espece et universellemt admirée. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-church-bernardine-or-is-a-single-twin-screw-its-kind-and-universally-admired-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-vue-de-leglise-des-bernardins-ou-est-un-vis-double-unique-en-son-espece-et-universellemt-admire-eau-forte-paris-muse-carnavalet-histoire-de-paris-image349902377.htmlRM2B97C1D–View of the Church Bernardine or is a single twin-screw its kind and universally admired. Jean Marot (1619-79), graveur, architecte et dessinateur français. Vue de l'Eglise des Bernardins ou est un vis double unique en son espece et universellemt admirée. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris.
Arc de Triomphe BUILT ON THE OCCASION OF THE ENTRY OF LOUIS XIV IN PARIS IN 1660 Jean Marot (1619-1679) / Jean Lepautre (1618-1682). 'Arc de Triomphe érigé à l'occasion de l'entrée de Louis XIV à Paris en 1660'. Plume, encre brune, lavis gris et brun. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arc-de-triomphe-built-on-the-occasion-of-the-entry-of-louis-xiv-in-paris-in-1660-jean-marot-1619-1679-jean-lepautre-1618-1682-arc-de-triomphe-rig-loccasion-de-lentre-de-louis-xiv-paris-en-1660-plume-encre-brune-lavis-gris-et-brun-paris-muse-carnavalet-image349951994.htmlRM2B99K9E–Arc de Triomphe BUILT ON THE OCCASION OF THE ENTRY OF LOUIS XIV IN PARIS IN 1660 Jean Marot (1619-1679) / Jean Lepautre (1618-1682). 'Arc de Triomphe érigé à l'occasion de l'entrée de Louis XIV à Paris en 1660'. Plume, encre brune, lavis gris et brun. Paris, musée Carnavalet.
Eglize and the convent girls holy newly ELIZABETH basti in Temple Street, near the door. Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglize et Couvent des filles SAINCTE ELIZABETH nouvellement basti en la rue du Temple, proche la Porte. Eau-forte sur papier filigrané. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eglize-and-the-convent-girls-holy-newly-elizabeth-basti-in-temple-street-near-the-door-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-leglize-et-couvent-des-filles-saincte-elizabeth-nouvellement-basti-en-la-rue-du-temple-proche-la-porte-eau-forte-sur-papier-filigran-paris-muse-carnavalet-histoire-de-paris-image349902190.htmlRM2B97BPP–Eglize and the convent girls holy newly ELIZABETH basti in Temple Street, near the door. Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglize et Couvent des filles SAINCTE ELIZABETH nouvellement basti en la rue du Temple, proche la Porte. Eau-forte sur papier filigrané. Paris, Musée Carnavalet, Histoire de Paris.
Journals of the House of Burgesses of Virginia, 1619-1776 . us be in a fit Temper of Mind to offer up our Thanksgivingsto the Throne of Grace, for fo fignal a Bleffmg; and improve the happy Event, by En-deavouring to make all Men in Love with the Principles we profefs, and are determined toadhere to, of fearing God, and honouring the King. I fhall keep you no longer than to acquaint you, that I have thought fit to Proroguethis Affembly to the Third Thurfday in June next; and this Affembly is accordinglyProrogued to that Time. THE JOURNAL OF THE Houfe of BURGESSES. AT A GENERAL ASSEMBLY, Summon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/journals-of-the-house-of-burgesses-of-virginia-1619-1776-us-be-in-a-fit-temper-of-mind-to-offer-up-our-thanksgivingsto-the-throne-of-grace-for-fo-fignal-a-bleffmg-and-improve-the-happy-event-by-en-deavouring-to-make-all-men-in-love-with-the-principles-we-profefs-and-are-determined-toadhere-to-of-fearing-god-and-honouring-the-king-i-fhall-keep-you-no-longer-than-to-acquaint-you-that-i-have-thought-fit-to-proroguethis-affembly-to-the-third-thurfday-in-june-next-and-this-affembly-is-accordinglyprorogued-to-that-time-the-journal-of-the-houfe-of-burgesses-at-a-general-assembly-summon-image342705731.htmlRM2AWFGJB–Journals of the House of Burgesses of Virginia, 1619-1776 . us be in a fit Temper of Mind to offer up our Thanksgivingsto the Throne of Grace, for fo fignal a Bleffmg; and improve the happy Event, by En-deavouring to make all Men in Love with the Principles we profefs, and are determined toadhere to, of fearing God, and honouring the King. I fhall keep you no longer than to acquaint you, that I have thought fit to Proroguethis Affembly to the Third Thurfday in June next; and this Affembly is accordinglyProrogued to that Time. THE JOURNAL OF THE Houfe of BURGESSES. AT A GENERAL ASSEMBLY, Summon
Elias en de Weduwe van Sarepta, François Collignon (Awarded to), after Jacques Callot, 1619 - 1657 print View of a farm yard. On the right is a group of goats within a fence. In the foreground, an old man (Elias) talks to a woman (the widow of Sarepta) while she gathering wood with her son. Three wax women watch. France paper etching when the brook dries up, Elijah crosses over to the city of Zarephath; at the gate he meets a woman and her little son gathering wood (the woman's sticks may form a cross) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elias-en-de-weduwe-van-sarepta-franois-collignon-awarded-to-after-jacques-callot-1619-1657-print-view-of-a-farm-yard-on-the-right-is-a-group-of-goats-within-a-fence-in-the-foreground-an-old-man-elias-talks-to-a-woman-the-widow-of-sarepta-while-she-gathering-wood-with-her-son-three-wax-women-watch-france-paper-etching-when-the-brook-dries-up-elijah-crosses-over-to-the-city-of-zarephath-at-the-gate-he-meets-a-woman-and-her-little-son-gathering-wood-the-womans-sticks-may-form-a-cross-image594869243.htmlRM2WFPHP3–Elias en de Weduwe van Sarepta, François Collignon (Awarded to), after Jacques Callot, 1619 - 1657 print View of a farm yard. On the right is a group of goats within a fence. In the foreground, an old man (Elias) talks to a woman (the widow of Sarepta) while she gathering wood with her son. Three wax women watch. France paper etching when the brook dries up, Elijah crosses over to the city of Zarephath; at the gate he meets a woman and her little son gathering wood (the woman's sticks may form a cross)
CASA DE LA PANADERIA COMENZADA EN 1590 POR DIEGO SILLERO Y FINALIZADA EN 1619 POR JUAN GOMEZ DE MORA. Author: JUAN GOMEZ DE MORA. Location: HALLMARKT. MADRID. SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/casa-de-la-panaderia-comenzada-en-1590-por-diego-sillero-y-finalizada-en-1619-por-juan-gomez-de-mora-author-juan-gomez-de-mora-location-hallmarkt-madrid-spain-image416740132.htmlRM2F60484–CASA DE LA PANADERIA COMENZADA EN 1590 POR DIEGO SILLERO Y FINALIZADA EN 1619 POR JUAN GOMEZ DE MORA. Author: JUAN GOMEZ DE MORA. Location: HALLMARKT. MADRID. SPAIN.
Design for title page of Self-strijt, that's Crachtighe beweginghe van Vlees en Gheest... . Joseph standing in an interior, on the left in the background Joseph tears himself away from Potifar's wife, Frontispiece Design for Jacob Cats, Self-Strijt, draughtsman: Adriaen Pietersz. van de Venne, 1619, paper, pen, brush, h 178 mm × w 147 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-title-page-of-self-strijt-thats-crachtighe-beweginghe-van-vlees-en-gheest-joseph-standing-in-an-interior-on-the-left-in-the-background-joseph-tears-himself-away-from-potifars-wife-frontispiece-design-for-jacob-cats-self-strijt-draughtsman-adriaen-pietersz-van-de-venne-1619-paper-pen-brush-h-178-mm-w-147-mm-image472067090.htmlRM2JC0EAX–Design for title page of Self-strijt, that's Crachtighe beweginghe van Vlees en Gheest... . Joseph standing in an interior, on the left in the background Joseph tears himself away from Potifar's wife, Frontispiece Design for Jacob Cats, Self-Strijt, draughtsman: Adriaen Pietersz. van de Venne, 1619, paper, pen, brush, h 178 mm × w 147 mm
. Portrait of Philippe Vleughels (1619-1694), 35,8x24,9cm . 1732. Original painting by en:Jean Baptiste de Champaigne or en:Philippe de Champaigne Engraved by fr:Nicolas III de Larmessin 983 Philippus Vleughels Antverpiensis Regius pictor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-philippe-vleughels-1619-1694-358x249cm-1732-original-painting-by-enjean-baptiste-de-champaigne-or-enphilippe-de-champaigne-engraved-by-frnicolas-iii-de-larmessin-983-philippus-vleughels-antverpiensis-regius-pictor-image185543686.htmlRMMNT6T6–. Portrait of Philippe Vleughels (1619-1694), 35,8x24,9cm . 1732. Original painting by en:Jean Baptiste de Champaigne or en:Philippe de Champaigne Engraved by fr:Nicolas III de Larmessin 983 Philippus Vleughels Antverpiensis Regius pictor
A trumpet player on horseback, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, black chalk, 14 x 12.8 m, l.l. Duke Albert of Saxe-Teschen, inscribed left. below with black chalk, four lines in Dutch. Text (trimmed left): ' ....... en groonen.' Numbered 'N°.1' in an unknown hand in graphite pencil lower center and left. captioned below: 'Wouwermans Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-trumpet-player-on-horseback-philips-wouwerman-haarlem-1619-1668-haarlem-drawing-black-chalk-14-x-128-m-ll-duke-albert-of-saxe-teschen-inscribed-left-below-with-black-chalk-four-lines-in-dutch-text-trimmed-left-en-groonen-numbered-n1-in-an-unknown-hand-in-graphite-pencil-lower-center-and-left-captioned-below-wouwermans-image573326609.htmlRM2T8N7X9–A trumpet player on horseback, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, black chalk, 14 x 12.8 m, l.l. Duke Albert of Saxe-Teschen, inscribed left. below with black chalk, four lines in Dutch. Text (trimmed left): ' ....... en groonen.' Numbered 'N°.1' in an unknown hand in graphite pencil lower center and left. captioned below: 'Wouwermans
Boerenvreugd . Nederlands: Boerenvreugd. Boeren verjagen met bijlen, messen en stokken de rijke stedelingen uit hun woning. Een man met een mes valt op de grond, een hond bijt in zijn been. Links vluchten een vrouw met een kind. Zie ook de pendant. . 1619. N/A 216 Boerenvreugd Rijksmuseum SK-A-1352 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boerenvreugd-nederlands-boerenvreugd-boeren-verjagen-met-bijlen-messen-en-stokken-de-rijke-stedelingen-uit-hun-woning-een-man-met-een-mes-valt-op-de-grond-een-hond-bijt-in-zijn-been-links-vluchten-een-vrouw-met-een-kind-zie-ook-de-pendant-1619-na-216-boerenvreugd-rijksmuseum-sk-a-1352-image209848423.htmlRMP5BBPF–Boerenvreugd . Nederlands: Boerenvreugd. Boeren verjagen met bijlen, messen en stokken de rijke stedelingen uit hun woning. Een man met een mes valt op de grond, een hond bijt in zijn been. Links vluchten een vrouw met een kind. Zie ook de pendant. . 1619. N/A 216 Boerenvreugd Rijksmuseum SK-A-1352
Beheading of Johan van Oldenbarnevelt, 1619, Joan van Oldenbarnevelt is beheaded (title on object), Johan van Oldenbarnevelt kneels blindfolded before his beheading on the scaffold at the Binnenhof in The Hague on May 13, 1619. Seen from the square with the one gathered spectators., print, print maker: Reinier Vinkeles (I), after own design by: Reinier Vinkeles (I), (mentioned on object), publisher: P. Conradi en van der Plaats, (mentioned on object), Northern Netherlands, 1777, paper, etching, height, 224 mm × width, 278 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beheading-of-johan-van-oldenbarnevelt-1619-joan-van-oldenbarnevelt-is-beheaded-title-on-object-johan-van-oldenbarnevelt-kneels-blindfolded-before-his-beheading-on-the-scaffold-at-the-binnenhof-in-the-hague-on-may-13-1619-seen-from-the-square-with-the-one-gathered-spectators-print-print-maker-reinier-vinkeles-i-after-own-design-by-reinier-vinkeles-i-mentioned-on-object-publisher-p-conradi-en-van-der-plaats-mentioned-on-object-northern-netherlands-1777-paper-etching-height-224-mm-width-278-mm-image606625230.htmlRM2X6X4JP–Beheading of Johan van Oldenbarnevelt, 1619, Joan van Oldenbarnevelt is beheaded (title on object), Johan van Oldenbarnevelt kneels blindfolded before his beheading on the scaffold at the Binnenhof in The Hague on May 13, 1619. Seen from the square with the one gathered spectators., print, print maker: Reinier Vinkeles (I), after own design by: Reinier Vinkeles (I), (mentioned on object), publisher: P. Conradi en van der Plaats, (mentioned on object), Northern Netherlands, 1777, paper, etching, height, 224 mm × width, 278 mm
De aanbidding der koningen . Nederlands: De aanbidding der koningen. Links de heilige familie. Een van de koningen knielt en biedt een kelk met deksel aan, achter hem een knecht met een tulband met kroon. De twee andere koningen hebben kostbare metalen bekers in de hand. . 1619. N/A 417 De aanbidding der koningen Rijksmuseum SK-A-4188 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-aanbidding-der-koningen-nederlands-de-aanbidding-der-koningen-links-de-heilige-familie-een-van-de-koningen-knielt-en-biedt-een-kelk-met-deksel-aan-achter-hem-een-knecht-met-een-tulband-met-kroon-de-twee-andere-koningen-hebben-kostbare-metalen-bekers-in-de-hand-1619-na-417-de-aanbidding-der-koningen-rijksmuseum-sk-a-4188-image209843467.htmlRMP5B5DF–De aanbidding der koningen . Nederlands: De aanbidding der koningen. Links de heilige familie. Een van de koningen knielt en biedt een kelk met deksel aan, achter hem een knecht met een tulband met kroon. De twee andere koningen hebben kostbare metalen bekers in de hand. . 1619. N/A 417 De aanbidding der koningen Rijksmuseum SK-A-4188
View of the Kloveniersdoelen in Dordrecht where the National Synod was held in 1618-1619, View of the Schutters Doelen where the Sinode was held in the years 1618 and 1619 / Vue du Doele, où le Synode s'est tenu en 1618 et 1619 ( title on object), View of the Kloveniersdoelen in Dordrecht where the National Synod was held in the years 1618-1619 (Synod of Dordrecht). In the foreground a stall and some passers-by., print maker: Leonard Schenk, after drawing by: Abraham Rademaker, publisher: Leonard Schenk, (possibly), Amsterdam, 1736, paper, etching, engraving, height 171 mm, width 201 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-kloveniersdoelen-in-dordrecht-where-the-national-synod-was-held-in-1618-1619-view-of-the-schutters-doelen-where-the-sinode-was-held-in-the-years-1618-and-1619-vue-du-doele-o-le-synode-sest-tenu-en-1618-et-1619-title-on-object-view-of-the-kloveniersdoelen-in-dordrecht-where-the-national-synod-was-held-in-the-years-1618-1619-synod-of-dordrecht-in-the-foreground-a-stall-and-some-passers-by-print-maker-leonard-schenk-after-drawing-by-abraham-rademaker-publisher-leonard-schenk-possibly-amsterdam-1736-paper-etching-engraving-height-171-mm-width-201-mm-image599486376.htmlRM2WR8XYM–View of the Kloveniersdoelen in Dordrecht where the National Synod was held in 1618-1619, View of the Schutters Doelen where the Sinode was held in the years 1618 and 1619 / Vue du Doele, où le Synode s'est tenu en 1618 et 1619 ( title on object), View of the Kloveniersdoelen in Dordrecht where the National Synod was held in the years 1618-1619 (Synod of Dordrecht). In the foreground a stall and some passers-by., print maker: Leonard Schenk, after drawing by: Abraham Rademaker, publisher: Leonard Schenk, (possibly), Amsterdam, 1736, paper, etching, engraving, height 171 mm, width 201 mm
Boerenverdriet . Nederlands: Boerenverdriet. Een groep rijk geklede stedelingen doen zich in een boerenwoning tegoed aan het eten en drinken van de boeren. Links wordt een boer die een mand met groente en fruit heeft gebracht met geweld op de knieën gedwongen. Een elegante vrouw zittend aan de tafel heeft een plassend kind op schoot. Op de achtergrond en in de deuropening kijken boeren angstig toe. Pendant van SK-A-1352. . 1619. N/A 216 Boerenverdriet Rijksmuseum SK-A-1351 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boerenverdriet-nederlands-boerenverdriet-een-groep-rijk-geklede-stedelingen-doen-zich-in-een-boerenwoning-tegoed-aan-het-eten-en-drinken-van-de-boeren-links-wordt-een-boer-die-een-mand-met-groente-en-fruit-heeft-gebracht-met-geweld-op-de-knien-gedwongen-een-elegante-vrouw-zittend-aan-de-tafel-heeft-een-plassend-kind-op-schoot-op-de-achtergrond-en-in-de-deuropening-kijken-boeren-angstig-toe-pendant-van-sk-a-1352-1619-na-216-boerenverdriet-rijksmuseum-sk-a-1351-image209848415.htmlRMP5BBP7–Boerenverdriet . Nederlands: Boerenverdriet. Een groep rijk geklede stedelingen doen zich in een boerenwoning tegoed aan het eten en drinken van de boeren. Links wordt een boer die een mand met groente en fruit heeft gebracht met geweld op de knieën gedwongen. Een elegante vrouw zittend aan de tafel heeft een plassend kind op schoot. Op de achtergrond en in de deuropening kijken boeren angstig toe. Pendant van SK-A-1352. . 1619. N/A 216 Boerenverdriet Rijksmuseum SK-A-1351
View of the Kloveniersdoelen in Dordrecht where the National Synod was held in 1618-1619, View of the Schutters Doelen where the Sinode was held in the years 1618 and 1619, Vue du Doele, où le Synode s'est tenu en 1618 et 1619 ( title on object), View of the Kloveniersdoelen in Dordrecht where the National Synod was held in the years 1618-1619 (Synod of Dordrecht). In the foreground a stall and some passers-by., print, print maker: Leonard Schenk, after drawing by: Abraham Rademaker, publisher: Leonard Schenk, (possibly), Amsterdam, 1736, paper, etching, engraving, height, 170 mm × width, 198 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-kloveniersdoelen-in-dordrecht-where-the-national-synod-was-held-in-1618-1619-view-of-the-schutters-doelen-where-the-sinode-was-held-in-the-years-1618-and-1619-vue-du-doele-o-le-synode-sest-tenu-en-1618-et-1619-title-on-object-view-of-the-kloveniersdoelen-in-dordrecht-where-the-national-synod-was-held-in-the-years-1618-1619-synod-of-dordrecht-in-the-foreground-a-stall-and-some-passers-by-print-print-maker-leonard-schenk-after-drawing-by-abraham-rademaker-publisher-leonard-schenk-possibly-amsterdam-1736-paper-etching-engraving-height-170-mm-width-198-image606625055.htmlRM2X6X4CF–View of the Kloveniersdoelen in Dordrecht where the National Synod was held in 1618-1619, View of the Schutters Doelen where the Sinode was held in the years 1618 and 1619, Vue du Doele, où le Synode s'est tenu en 1618 et 1619 ( title on object), View of the Kloveniersdoelen in Dordrecht where the National Synod was held in the years 1618-1619 (Synod of Dordrecht). In the foreground a stall and some passers-by., print, print maker: Leonard Schenk, after drawing by: Abraham Rademaker, publisher: Leonard Schenk, (possibly), Amsterdam, 1736, paper, etching, engraving, height, 170 mm × width, 198
N/A. English: Portrait of Cornelis Janssens in Cornelis de Bie's Gulden Cabinet. Français : CORNELIUS IANSSENS/ Paintre tres excellent en grandes et petites ordances: mais une lustre de portraits/ avecq un admirable entendence la ville d'Amsterdam at le bonheur de iouir de sa/ persone. il a demeure long temps en Angleterre, ou il a facit plusieurs belles et admirables/ pieces, pour le Roij et plusieurs autres grandes Seigneurs. Nederlands: Opschrift middenonder: Corn. Ianssens pinxit Coenr. Waumans Sculp. Io Meijssens ecx. 1662. (after a self portrait);Coenraet Waumans (1619-1661) sculpsit; Ja Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-portrait-of-cornelis-janssens-in-cornelis-de-bies-gulden-cabinet-franais-cornelius-ianssens-paintre-tres-excellent-en-grandes-et-petites-ordances-mais-une-lustre-de-portraits-avecq-un-admirable-entendence-la-ville-damsterdam-at-le-bonheur-de-iouir-de-sa-persone-il-a-demeure-long-temps-en-angleterre-ou-il-a-facit-plusieurs-belles-et-admirables-pieces-pour-le-roij-et-plusieurs-autres-grandes-seigneurs-nederlands-opschrift-middenonder-corn-ianssens-pinxit-coenr-waumans-sculp-io-meijssens-ecx-1662-after-a-self-portraitcoenraet-waumans-1619-1661-sculpsit-ja-image210172841.htmlRMP5X5GW–N/A. English: Portrait of Cornelis Janssens in Cornelis de Bie's Gulden Cabinet. Français : CORNELIUS IANSSENS/ Paintre tres excellent en grandes et petites ordances: mais une lustre de portraits/ avecq un admirable entendence la ville d'Amsterdam at le bonheur de iouir de sa/ persone. il a demeure long temps en Angleterre, ou il a facit plusieurs belles et admirables/ pieces, pour le Roij et plusieurs autres grandes Seigneurs. Nederlands: Opschrift middenonder: Corn. Ianssens pinxit Coenr. Waumans Sculp. Io Meijssens ecx. 1662. (after a self portrait);Coenraet Waumans (1619-1661) sculpsit; Ja
Parabel van de rijke man en de arme Lazarus Lucas 1619-31. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parabel-van-de-rijke-man-en-de-arme-lazarus-lucas-1619-31-image406708621.htmlRM2EHK4YW–Parabel van de rijke man en de arme Lazarus Lucas 1619-31.
Le buste de Louis le Grand dans le grand escalier de Versailles éxécuté en marbre par Ant. Coyzevox, Grand escalier du Chateau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-buste-de-louis-le-grand-dans-le-grand-escalier-de-versailles-xcut-en-marbre-par-ant-coyzevox-grand-escalier-du-chateau-image220697763.htmlRMPR1J6Y–Le buste de Louis le Grand dans le grand escalier de Versailles éxécuté en marbre par Ant. Coyzevox, Grand escalier du Chateau
De onthoofding van Johan van Oldenbarnevelt op het Binnenhof te 's-Gravenhage op 13 mei 1619. Gezicht op het plein met alle omringende gebouwen en het verzamelde publiek. In de toren rechtsb, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-onthoofding-van-johan-van-oldenbarnevelt-op-het-binnenhof-te-s-gravenhage-op-13-mei-1619-gezicht-op-het-plein-met-alle-omringende-gebouwen-en-het-verzamelde-publiek-in-de-toren-rechtsb-image262679251.htmlRMW7A21R–De onthoofding van Johan van Oldenbarnevelt op het Binnenhof te 's-Gravenhage op 13 mei 1619. Gezicht op het plein met alle omringende gebouwen en het verzamelde publiek. In de toren rechtsb,
Church of Religious THE MERCY Cleaning in Guise Hostel in Paris, according to the drawing which beene proietté. Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglise des Religieux de LA MERCY aupres de l'Hostel de Guise a Paris, Selon le dessin qui en esté proietté. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-of-religious-the-mercy-cleaning-in-guise-hostel-in-paris-according-to-the-drawing-which-beene-proiett-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-leglise-des-religieux-de-la-mercy-aupres-de-lhostel-de-guise-a-paris-selon-le-dessin-qui-en-est-proiett-eau-forte-paris-muse-carnavalet-histoire-de-paris-image349902197.htmlRM2B97BR1–Church of Religious THE MERCY Cleaning in Guise Hostel in Paris, according to the drawing which beene proietté. Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglise des Religieux de LA MERCY aupres de l'Hostel de Guise a Paris, Selon le dessin qui en esté proietté. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris.
Scandinavian immigrants in New York, 1630-1674; with appendices on Scandinavians in Mexico and South America, 1532-1640, Scandinavians in Canada, 1619-1620, Some Scandinavians in New York in the eighteenth century, German immigrants in New York, 1630-1674 . en explained that the tobaccowas not good. The Court after hearing the parties, decided thatSimon Joosten should pay Bruynsen according to obligation, withcosts of suit.^2o On March 28, 1658, Bruynsen and Dirck Holgersen appearedin court and said that Bruynsen requested his lot to be set off.The magistrates answered that the surveyor should Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scandinavian-immigrants-in-new-york-1630-1674-with-appendices-on-scandinavians-in-mexico-and-south-america-1532-1640-scandinavians-in-canada-1619-1620-some-scandinavians-in-new-york-in-the-eighteenth-century-german-immigrants-in-new-york-1630-1674-en-explained-that-the-tobaccowas-not-good-the-court-after-hearing-the-parties-decided-thatsimon-joosten-should-pay-bruynsen-according-to-obligation-withcosts-of-suit2o-on-march-28-1658-bruynsen-and-dirck-holgersen-appearedin-court-and-said-that-bruynsen-requested-his-lot-to-be-set-offthe-magistrates-answered-that-the-surveyor-should-image340076101.htmlRM2AN7PF1–Scandinavian immigrants in New York, 1630-1674; with appendices on Scandinavians in Mexico and South America, 1532-1640, Scandinavians in Canada, 1619-1620, Some Scandinavians in New York in the eighteenth century, German immigrants in New York, 1630-1674 . en explained that the tobaccowas not good. The Court after hearing the parties, decided thatSimon Joosten should pay Bruynsen according to obligation, withcosts of suit.^2o On March 28, 1658, Bruynsen and Dirck Holgersen appearedin court and said that Bruynsen requested his lot to be set off.The magistrates answered that the surveyor should
The Life of Ferdinand I de 'Medici, Troops on. Seventh number of a sequence of 16 finished parts and two surplus parts (Lieure 153 Meaume 540) Jacques Callot (1592-1635). 'La Vie de Ferdinand Ier de Médicis, Les Troupes en marche. Septième numéro d'une suite de 16 pièces terminées et 2 pièces surnuméraires' (Lieure 153, Meaume 540). Burin. 1619-1620. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-life-of-ferdinand-i-de-medici-troops-on-seventh-number-of-a-sequence-of-16-finished-parts-and-two-surplus-parts-lieure-153-meaume-540-jacques-callot-1592-1635-la-vie-de-ferdinand-ier-de-mdicis-les-troupes-en-marche-septime-numro-dune-suite-de-16-pices-termines-et-2-pices-surnumraires-lieure-153-meaume-540-burin-1619-1620-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349535063.htmlRM2B8JKF3–The Life of Ferdinand I de 'Medici, Troops on. Seventh number of a sequence of 16 finished parts and two surplus parts (Lieure 153 Meaume 540) Jacques Callot (1592-1635). 'La Vie de Ferdinand Ier de Médicis, Les Troupes en marche. Septième numéro d'une suite de 16 pièces terminées et 2 pièces surnuméraires' (Lieure 153, Meaume 540). Burin. 1619-1620. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Haardplaat met Haracius, Meme en Samson, anonymous in or after c. 1619 Cast iron fireplace, consisting of two zones. In the upper zone there is a medallion with the letters IHS and immediately below the year 1619. Below three male figures standing on a console with their name, respectively Horace Cocles, Gaius Mucius Scaevola and Samson. In the lower zone three medallions with bustes separated from each other by rankwork. The two left medallions show a bust and face, with a man on the left and a woman on the right. The right medallion shows the bust of a man and profil. All figures and medalli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haardplaat-met-haracius-meme-en-samson-anonymous-in-or-after-c-1619-cast-iron-fireplace-consisting-of-two-zones-in-the-upper-zone-there-is-a-medallion-with-the-letters-ihs-and-immediately-below-the-year-1619-below-three-male-figures-standing-on-a-console-with-their-name-respectively-horace-cocles-gaius-mucius-scaevola-and-samson-in-the-lower-zone-three-medallions-with-bustes-separated-from-each-other-by-rankwork-the-two-left-medallions-show-a-bust-and-face-with-a-man-on-the-left-and-a-woman-on-the-right-the-right-medallion-shows-the-bust-of-a-man-and-profil-all-figures-and-medalli-image576546160.htmlRM2TDYXE8–Haardplaat met Haracius, Meme en Samson, anonymous in or after c. 1619 Cast iron fireplace, consisting of two zones. In the upper zone there is a medallion with the letters IHS and immediately below the year 1619. Below three male figures standing on a console with their name, respectively Horace Cocles, Gaius Mucius Scaevola and Samson. In the lower zone three medallions with bustes separated from each other by rankwork. The two left medallions show a bust and face, with a man on the left and a woman on the right. The right medallion shows the bust of a man and profil. All figures and medalli
'Het Groote Doolhof', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 5/8 × 8 1/16 in. (16.8 × 20.4 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of the large maze in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/het-groote-doolhof-in-tooneel-der-voornaamste-nederlands-huizen-en-lust-hoven-naar-t-leven-afgebeeld-dimensions-plate-6-58-8-116-in-168-204-cm-engraver-engraved-by-lorenz-scherm-dutch-active-1619-1707-publisher-carel-allard-dutch-amsterdam-1648-ca-1709-amsterdam-date-nd-depiction-of-the-large-maze-in-the-gardens-of-the-loo-palace-part-of-a-series-of-country-estates-and-pleasure-palaces-of-the-netherlands-published-by-carel-allard-at-the-end-of-the-seventeenth-or-very-beginning-of-the-eighteenth-century-museum-metropolitan-museum-of-art-new-york-usa-image213152483.htmlRMPANX4K–'Het Groote Doolhof', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 5/8 × 8 1/16 in. (16.8 × 20.4 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of the large maze in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.
the 'Church of the Carthusian of Paris, founded by Roy St. Louis, and dedicated on 26th: Day of 1325. Aoust in honor of the Virgin very happy, and St. Baptist Iean Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglise des CHARTREUX de Paris, fondée par le Roy St Louis, et dediée le 26e iour d'Aoust 1325. en lhonneur de la bien heureuse Vierge, et de St Iean Baptiste. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-church-of-the-carthusian-of-paris-founded-by-roy-st-louis-and-dedicated-on-26th-day-of-1325-aoust-in-honor-of-the-virgin-very-happy-and-st-baptist-iean-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-leglise-des-chartreux-de-paris-fonde-par-le-roy-st-louis-et-dedie-le-26e-iour-daoust-1325-en-lhonneur-de-la-bien-heureuse-vierge-et-de-st-iean-baptiste-eau-forte-paris-muse-carnavalet-histoire-de-paris-image349902199.htmlRM2B97BR3–the 'Church of the Carthusian of Paris, founded by Roy St. Louis, and dedicated on 26th: Day of 1325. Aoust in honor of the Virgin very happy, and St. Baptist Iean Jean Marot (1619-79), graveur, architecte et dessinateur français. l'Eglise des CHARTREUX de Paris, fondée par le Roy St Louis, et dediée le 26e iour d'Aoust 1325. en lhonneur de la bien heureuse Vierge, et de St Iean Baptiste. Eau-forte. Paris, Musée Carnavalet, Histoire de Paris.
Les differentes nations de l'Amerique, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Peintes dans le grand Escalier du Chateau de Versailles par Charles le Brun premier peintre du Roy et gravé par Louis Surugue en 1720--lower left, In magnâ Versalliarum Castelli Porticu a Carolo le Brun Regiorum pictorum Principe pictæ, sculptæ vero a Ludovico Surugue Parisiis anno 1720.--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-differentes-nations-de-lamerique-grand-escalier-du-chteau-de-versailles-dit-escalier-des-ambassadeurs-le-brun-charles-1619-1690-surugue-louis-1686-1762-etching-engraving-black-and-white-1725-peintes-dans-le-grand-escalier-du-chateau-de-versailles-par-charles-le-brun-premier-peintre-du-roy-et-grav-par-louis-surugue-en-1720-lower-left-in-magn-versalliarum-castelli-porticu-a-carolo-le-brun-regiorum-pictorum-principe-pict-sculpt-vero-a-ludovico-surugue-parisiis-anno-1720-lower-right-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radian-image350079467.htmlRF2B9FDX3–Les differentes nations de l'Amerique, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Peintes dans le grand Escalier du Chateau de Versailles par Charles le Brun premier peintre du Roy et gravé par Louis Surugue en 1720--lower left, In magnâ Versalliarum Castelli Porticu a Carolo le Brun Regiorum pictorum Principe pictæ, sculptæ vero a Ludovico Surugue Parisiis anno 1720.--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radian
Cartel de una representación en Sevilla (1619) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartel-de-una-representacin-en-sevilla-1619-image184943922.htmlRMMMTWT2–Cartel de una representación en Sevilla (1619)
Trophée des armes de Minerve dans le grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophe-des-armes-de-minerve-dans-le-grand-escalier-de-versailles-grand-escalier-du-chteau-de-versailles-dit-escalier-des-image220697757.htmlRMPR1J6N–Trophée des armes de Minerve dans le grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des
Dentelles et guipures : anciennes et modernes, imitations ou copiesVarieté des genres et des points52 portraits documentaires, 249 échantillons de dentelles, collerettes, fraises, manchettes, rabats, etc. . JEAN-BAPTISTE COLBERT. 1619 f 1683 Fondateur de lindustrie dentellière en France.. FiG. 2. — Dentellières aux fuseaux, (xviii* siècle. CHAPITRES ET SOMMAIRES (les numéros indiquent la pagination) La dentelle. Définition de la derilelle, 17. — Sa différence avec la bro-derie, 17. — Lart dans sa fabrication, 17. — Les différentsgenres de dentelles, 18. — La dentelle à laiguille, 19. — Safabri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dentelles-et-guipures-anciennes-et-modernes-imitations-ou-copiesvariet-des-genres-et-des-points52-portraits-documentaires-249-chantillons-de-dentelles-collerettes-fraises-manchettes-rabats-etc-jean-baptiste-colbert-1619-f-1683-fondateur-de-lindustrie-dentellire-en-france-fig-2-dentellires-aux-fuseaux-xviii-sicle-chapitres-et-sommaires-les-numros-indiquent-la-pagination-la-dentelle-dfinition-de-la-derilelle-17-sa-diffrence-avec-la-bro-derie-17-lart-dans-sa-fabrication-17-les-diffrentsgenres-de-dentelles-18-la-dentelle-laiguille-19-safabri-image342960100.htmlRM2AWY530–Dentelles et guipures : anciennes et modernes, imitations ou copiesVarieté des genres et des points52 portraits documentaires, 249 échantillons de dentelles, collerettes, fraises, manchettes, rabats, etc. . JEAN-BAPTISTE COLBERT. 1619 f 1683 Fondateur de lindustrie dentellière en France.. FiG. 2. — Dentellières aux fuseaux, (xviii* siècle. CHAPITRES ET SOMMAIRES (les numéros indiquent la pagination) La dentelle. Définition de la derilelle, 17. — Sa différence avec la bro-derie, 17. — Lart dans sa fabrication, 17. — Les différentsgenres de dentelles, 18. — La dentelle à laiguille, 19. — Safabri
H. Vincent Ferrerius en H. Petrus Martyr van Verona, Wierix, 1550 - before 1619 print Left: Saint Peter Martyr van Verona, in Dominicaner Habijt, a wound in his skull and his chest with a sword. In one hand he still holds a sword, in the other a book on which three crowns lie. Right: Saint Vincentius Ferrerius, in Dominicaner Habijt, with books in hand. The names among the portraits are incorrect, probably mistakenly exchanged. The performances are caught in oval frames, in between Christ on the rainbow and a vase with flowers. Antwerp paper engraving the Dominican friar Peter Martyr of Verona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/h-vincent-ferrerius-en-h-petrus-martyr-van-verona-wierix-1550-before-1619-print-left-saint-peter-martyr-van-verona-in-dominicaner-habijt-a-wound-in-his-skull-and-his-chest-with-a-sword-in-one-hand-he-still-holds-a-sword-in-the-other-a-book-on-which-three-crowns-lie-right-saint-vincentius-ferrerius-in-dominicaner-habijt-with-books-in-hand-the-names-among-the-portraits-are-incorrect-probably-mistakenly-exchanged-the-performances-are-caught-in-oval-frames-in-between-christ-on-the-rainbow-and-a-vase-with-flowers-antwerp-paper-engraving-the-dominican-friar-peter-martyr-of-verona-image593032246.htmlRM2WCPXK2–H. Vincent Ferrerius en H. Petrus Martyr van Verona, Wierix, 1550 - before 1619 print Left: Saint Peter Martyr van Verona, in Dominicaner Habijt, a wound in his skull and his chest with a sword. In one hand he still holds a sword, in the other a book on which three crowns lie. Right: Saint Vincentius Ferrerius, in Dominicaner Habijt, with books in hand. The names among the portraits are incorrect, probably mistakenly exchanged. The performances are caught in oval frames, in between Christ on the rainbow and a vase with flowers. Antwerp paper engraving the Dominican friar Peter Martyr of Verona
'De Fontein van de Koninglijke door-eengevlochte Naam; voor de veiver', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 11/16 × 8 1/16 in. (17 × 20.4 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of the fountain by the kings monogram in front of the pond in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-fontein-van-de-koninglijke-door-eengevlochte-naam-voor-de-veiver-in-tooneel-der-voornaamste-nederlands-huizen-en-lust-hoven-naar-t-leven-afgebeeld-dimensions-plate-6-1116-8-116-in-17-204-cm-engraver-engraved-by-lorenz-scherm-dutch-active-1619-1707-publisher-carel-allard-dutch-amsterdam-1648-ca-1709-amsterdam-date-nd-depiction-of-the-fountain-by-the-kings-monogram-in-front-of-the-pond-in-the-gardens-of-the-loo-palace-part-of-a-series-of-country-estates-and-pleasure-palaces-of-the-netherlands-published-by-carel-allard-at-the-end-of-the-seventeenth-or-very-image213365402.htmlRMPB3HMX–'De Fontein van de Koninglijke door-eengevlochte Naam; voor de veiver', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 11/16 × 8 1/16 in. (17 × 20.4 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of the fountain by the kings monogram in front of the pond in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very
Principalle sight of the entrance to the Church of Our Lady of Paris, bastie the reign of Augustus Philippi about 1200, all this building is founded on piles and hollow underneath in several places, the height of the bell towers is 65 fathoms This place is considered the lowest in Paris. Jean Marot (1619-79), graveur, architecte et dessinateur français. Veüe de la principalle entrée de l'Eglise de Nostre Dame de Paris, bastie sous le règne de Philippes Auguste environ l'an 1200, Tout cet edifice est fondé sur pilotis et creux par dessous en plusieurs endroits, la hauteur des tours ou clochers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/principalle-sight-of-the-entrance-to-the-church-of-our-lady-of-paris-bastie-the-reign-of-augustus-philippi-about-1200-all-this-building-is-founded-on-piles-and-hollow-underneath-in-several-places-the-height-of-the-bell-towers-is-65-fathoms-this-place-is-considered-the-lowest-in-paris-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-vee-de-la-principalle-entre-de-leglise-de-nostre-dame-de-paris-bastie-sous-le-rgne-de-philippes-auguste-environ-lan-1200-tout-cet-edifice-est-fond-sur-pilotis-et-creux-par-dessous-en-plusieurs-endroits-la-hauteur-des-tours-ou-clochers-image350090542.htmlRM2B9G01J–Principalle sight of the entrance to the Church of Our Lady of Paris, bastie the reign of Augustus Philippi about 1200, all this building is founded on piles and hollow underneath in several places, the height of the bell towers is 65 fathoms This place is considered the lowest in Paris. Jean Marot (1619-79), graveur, architecte et dessinateur français. Veüe de la principalle entrée de l'Eglise de Nostre Dame de Paris, bastie sous le règne de Philippes Auguste environ l'an 1200, Tout cet edifice est fondé sur pilotis et creux par dessous en plusieurs endroits, la hauteur des tours ou clochers
Trophée des armes d'Hercule dans le grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Coyzevox, Antoine, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Chevotet del.--lower left, L. Surugue excudit--lower right, Executé en bronze par Antoine Coyzevox, sur les desseins de Charles le Brun--lower left, Ex ære fusum, et ab Antonio Coyzevox juxta adumbrationem C. le Brun, elaboratum--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trophe-des-armes-dhercule-dans-le-grand-escalier-de-versailles-grand-escalier-du-chteau-de-versailles-dit-escalier-des-ambassadeurs-chevotet-jean-michel-1698-1772-coyzevox-antoine-le-brun-charles-1619-1690-surugue-louis-1686-1762-etching-engraving-black-and-white-1725-chevotet-del-lower-left-l-surugue-excudit-lower-right-execut-en-bronze-par-antoine-coyzevox-sur-les-desseins-de-charles-le-brun-lower-left-ex-re-fusum-et-ab-antonio-coyzevox-juxta-adumbrationem-c-le-brun-elaboratum-lower-right-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-a-image350079466.htmlRF2B9FDX2–Trophée des armes d'Hercule dans le grand escalier de Versailles, Grand escalier du Château de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Coyzevox, Antoine, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Chevotet del.--lower left, L. Surugue excudit--lower right, Executé en bronze par Antoine Coyzevox, sur les desseins de Charles le Brun--lower left, Ex ære fusum, et ab Antonio Coyzevox juxta adumbrationem C. le Brun, elaboratum--lower right, Reimagined by Gibon, design of warm cheerful glowing of brightness a
A Country Road by a House . between 1619 and 1620. Goffredo Wals 105 Wals-casa en un camino rural Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-country-road-by-a-house-between-1619-and-1620-goffredo-wals-105-wals-casa-en-un-camino-rural-image189295056.htmlRMMYY3NM–A Country Road by a House . between 1619 and 1620. Goffredo Wals 105 Wals-casa en un camino rural
Encyclopedia metodicatraducida del Frances al Castellano por DGregorio Manuel Sanz y Chanas . reptiles. ud£l. Hchet.vol. S- f f- 37S- f^^- ^f^-WULF. Ichthyologia Borussica, &c. Regí 1761. , 8.»En ella están contenidos los reptiles deJa Prusia , pero muy sucintamente.WuRFFBAiNio ( Juan Pablo). Salamandrologia , hoc est , dcscriptiohistorico-philologyco-physico-medica Sala-mandra , &c. Nuremberga 1683., ^.^ con quatrolaminas. Esta obra se halla inclusa en las Miss.(ur. nat. , &c. Za- /-AHARDI (Miguel). Disputationes de universo elementan,&:c. T^enicia 1619. , 4.0En la tercera parte da el Autor e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/encyclopedia-metodicatraducida-del-frances-al-castellano-por-dgregorio-manuel-sanz-y-chanas-reptiles-udl-hchetvol-s-f-f-37s-f-f-wulf-ichthyologia-borussica-c-reg-1761-8en-ella-estn-contenidos-los-reptiles-deja-prusia-pero-muy-sucintamentewurffbainio-juan-pablo-salamandrologia-hoc-est-dcscriptiohistorico-philologyco-physico-medica-sala-mandra-c-nuremberga-1683-con-quatrolaminas-esta-obra-se-halla-inclusa-en-las-missur-nat-c-za-ahardi-miguel-disputationes-de-universo-elementanc-tenicia-1619-40en-la-tercera-parte-da-el-autor-e-image339403535.htmlRM2AM54JR–Encyclopedia metodicatraducida del Frances al Castellano por DGregorio Manuel Sanz y Chanas . reptiles. ud£l. Hchet.vol. S- f f- 37S- f^^- ^f^-WULF. Ichthyologia Borussica, &c. Regí 1761. , 8.»En ella están contenidos los reptiles deJa Prusia , pero muy sucintamente.WuRFFBAiNio ( Juan Pablo). Salamandrologia , hoc est , dcscriptiohistorico-philologyco-physico-medica Sala-mandra , &c. Nuremberga 1683., ^.^ con quatrolaminas. Esta obra se halla inclusa en las Miss.(ur. nat. , &c. Za- /-AHARDI (Miguel). Disputationes de universo elementan,&:c. T^enicia 1619. , 4.0En la tercera parte da el Autor e
![King Louis XIV at Dole. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'8' x W 19'1' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, coll., Didlington Hall, Norfolk, En Stock Photo](https://c8.alamy.com/comp/2WTGECN/king-louis-xiv-at-dole-le-brun-charles-french-1619-1690-cartoon-creator-painter-meulen-adam-frans-van-der-flemish-1632-1690-cartoon-creator-painter-martin-jean-baptiste-i-french-1659-1735-cartoon-creator-painter-bhagle-philippe-i-french-b1641-d1705-workshop-weaver-c-1685-1711-tapestry-dimensions-h-158-x-w-191-tapestry-materialstechniques-wool-silk-metallic-thread-gold-silver-culture-french-weaving-center-beauvais-ownership-history-commissioned-by-louis-xiv-as-a-gift-to-count-buhl-lord-amherst-of-hackney-coll-didlington-hall-norfolk-en-2WTGECN.jpg "King Louis XIV at Dole. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'8' x W 19'1' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, coll., Didlington Hall, Norfolk, En Stock Photo")
King Louis XIV at Dole. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'8' x W 19'1' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, coll., Didlington Hall, Norfolk, En Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-louis-xiv-at-dole-le-brun-charles-french-1619-1690-cartoon-creator-painter-meulen-adam-frans-van-der-flemish-1632-1690-cartoon-creator-painter-martin-jean-baptiste-i-french-1659-1735-cartoon-creator-painter-bhagle-philippe-i-french-b1641-d1705-workshop-weaver-c-1685-1711-tapestry-dimensions-h-158-x-w-191-tapestry-materialstechniques-wool-silk-metallic-thread-gold-silver-culture-french-weaving-center-beauvais-ownership-history-commissioned-by-louis-xiv-as-a-gift-to-count-buhl-lord-amherst-of-hackney-coll-didlington-hall-norfolk-en-image600266821.htmlRM2WTGECN–King Louis XIV at Dole. Le Brun, Charles (French, 1619-1690) (cartoon creator) [painter] Meulen, Adam Frans van der (Flemish, 1632-1690) (cartoon creator) [painter] Martin, Jean-Baptiste I (French, 1659-1735) (cartoon creator) [painter] Béhagle, Philippe I (French, b.1641-d.1705) (workshop) [weaver] c. 1685-1711 Tapestry Dimensions: H 15'8' x W 19'1' Tapestry Materials/Techniques: wool, silk & metallic thread (gold & silver) Culture: French Weaving Center: Beauvais Ownership History: Commissioned by Louis XIV as a gift to Count Buhl. Lord Amherst of Hackney, coll., Didlington Hall, Norfolk, En
'De Laan na Ceres, tegen over 't Beeld van Phaunus'', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 5/8 × 7 15/16 in. (16.9 × 20.2 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of one of the walking lanes beyond the statue of Ceres across from the statue of Faunus in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the sevente Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-laan-na-ceres-tegen-over-t-beeld-van-phaunus-in-tooneel-der-voornaamste-nederlands-huizen-en-lust-hoven-naar-t-leven-afgebeeld-dimensions-plate-6-58-7-1516-in-169-202-cm-engraver-engraved-by-lorenz-scherm-dutch-active-1619-1707-publisher-carel-allard-dutch-amsterdam-1648-ca-1709-amsterdam-date-nd-depiction-of-one-of-the-walking-lanes-beyond-the-statue-of-ceres-across-from-the-statue-of-faunus-in-the-gardens-of-the-loo-palace-part-of-a-series-of-country-estates-and-pleasure-palaces-of-the-netherlands-published-by-carel-allard-at-the-end-of-the-sevente-image213199099.htmlRMPAT1HF–'De Laan na Ceres, tegen over 't Beeld van Phaunus'', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 5/8 × 7 15/16 in. (16.9 × 20.2 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d.. Depiction of one of the walking lanes beyond the statue of Ceres across from the statue of Faunus in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the sevente
Childebert son of Clovis founded the Eglize Saint Germain Auxerrois said the year 542, in honor of St. Germain, bishop of Auxerre, this parish is very considerable in part because of the King who is Parroissien at that it accommodates at Louvre. Jean Marot (1619-79), graveur, architecte et dessinateur français. Childebert fils de Clovis fonda l'Eglize Saint Germain dit de l'Auxerrois l'an 542, à l'honneur de St. Germain Evesque d'Auxerre, cette Parroisse est fort considerable en partie a cause du Roy qui en est Parroissien, lors quil loge au Louvre. Eau-forte. Paris, Musée Carnavalet, Histoire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/childebert-son-of-clovis-founded-the-eglize-saint-germain-auxerrois-said-the-year-542-in-honor-of-st-germain-bishop-of-auxerre-this-parish-is-very-considerable-in-part-because-of-the-king-who-is-parroissien-at-that-it-accommodates-at-louvre-jean-marot-1619-79-graveur-architecte-et-dessinateur-franais-childebert-fils-de-clovis-fonda-leglize-saint-germain-dit-de-lauxerrois-lan-542-lhonneur-de-st-germain-evesque-dauxerre-cette-parroisse-est-fort-considerable-en-partie-a-cause-du-roy-qui-en-est-parroissien-lors-quil-loge-au-louvre-eau-forte-paris-muse-carnavalet-histoire-image349901992.htmlRM2B97BFM–Childebert son of Clovis founded the Eglize Saint Germain Auxerrois said the year 542, in honor of St. Germain, bishop of Auxerre, this parish is very considerable in part because of the King who is Parroissien at that it accommodates at Louvre. Jean Marot (1619-79), graveur, architecte et dessinateur français. Childebert fils de Clovis fonda l'Eglize Saint Germain dit de l'Auxerrois l'an 542, à l'honneur de St. Germain Evesque d'Auxerre, cette Parroisse est fort considerable en partie a cause du Roy qui en est Parroissien, lors quil loge au Louvre. Eau-forte. Paris, Musée Carnavalet, Histoire
Minerva en man in harnas; Titelpagina voor: Hieronimus Ortelius, De Chronycke van Hungarie, 1619.Minerva with shield with medusa juice and a man in harness with sword and shield with lightning bolts, possibly mars, flanking the title. For this, two chained figures and three men with turban are next to a cartouche with flugs and a battle. At the top a battle with riders on horseback. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minerva-en-man-in-harnas-titelpagina-voor-hieronimus-ortelius-de-chronycke-van-hungarie-1619minerva-with-shield-with-medusa-juice-and-a-man-in-harness-with-sword-and-shield-with-lightning-bolts-possibly-mars-flanking-the-title-for-this-two-chained-figures-and-three-men-with-turban-are-next-to-a-cartouche-with-flugs-and-a-battle-at-the-top-a-battle-with-riders-on-horseback-image414475355.htmlRM2F28YF7–Minerva en man in harnas; Titelpagina voor: Hieronimus Ortelius, De Chronycke van Hungarie, 1619.Minerva with shield with medusa juice and a man in harness with sword and shield with lightning bolts, possibly mars, flanking the title. For this, two chained figures and three men with turban are next to a cartouche with flugs and a battle. At the top a battle with riders on horseback.
Search Results for En 1619 Stock Photos and Images (297)
Page 1 of 3