Quick filters:
Elbow turned Stock Photos and Images
Hugo de Groot at a young age, Although a small sticker with the name Henri IV has been affixed to the back, this is a bust of Hugo de Groot as a 15-year-old young man. He is seen from the right in a three-quarter profile and seated with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot already had a university degree in 1599: during his stay in France in 1598 he was promoted in law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself, which De Groot is holding in his left hand here. This medallion has probably given rise Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-de-groot-at-a-young-age-although-a-small-sticker-with-the-name-henri-iv-has-been-affixed-to-the-back-this-is-a-bust-of-hugo-de-groot-as-a-15-year-old-young-man-he-is-seen-from-the-right-in-a-three-quarter-profile-and-seated-with-his-right-hand-in-the-side-the-elbow-turned-to-the-viewer-the-prodigy-hugo-de-groot-already-had-a-university-degree-in-1599-during-his-stay-in-france-in-1598-he-was-promoted-in-law-king-henry-iv-gave-him-a-medallion-on-this-occasion-with-a-portrait-of-the-king-himself-which-de-groot-is-holding-in-his-left-hand-here-this-medallion-has-probably-given-rise-image261412418.htmlRMW58A5P–Hugo de Groot at a young age, Although a small sticker with the name Henri IV has been affixed to the back, this is a bust of Hugo de Groot as a 15-year-old young man. He is seen from the right in a three-quarter profile and seated with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot already had a university degree in 1599: during his stay in France in 1598 he was promoted in law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself, which De Groot is holding in his left hand here. This medallion has probably given rise
Art inspired by Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow, late 16th–early 17th century, Pen and brown ink, 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-study-of-a-youth-with-his-head-turned-to-the-left-and-leaning-on-his-right-elbow-late-16thearly-17th-century-pen-and-brown-ink-3-14-x-4-58-in-82-x-117-cm-drawings-jacques-de-gheyn-ii-netherlandish-antwerp-15651629-the-hague-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947732.htmlRF2HW52FG–Art inspired by Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow, late 16th–early 17th century, Pen and brown ink, 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Shepherd Boy, Black chalk on white paper, A boy, wearing a broad-brimmed hat, is shown half-length, turned half right. He rests his elbow on a rock, head leaning on his left hand, and gaze directed upward. Beside him is his staff., Netherlands, ca. 1650, figures, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-shepherd-boy-black-chalk-on-white-paper-a-boy-wearing-a-broad-brimmed-hat-is-shown-half-length-turned-half-right-he-rests-his-elbow-on-a-rock-head-leaning-on-his-left-hand-and-gaze-directed-upward-beside-him-is-his-staff-netherlands-ca-1650-figures-drawing-image391334791.htmlRM2DMJREF–A Shepherd Boy, Black chalk on white paper, A boy, wearing a broad-brimmed hat, is shown half-length, turned half right. He rests his elbow on a rock, head leaning on his left hand, and gaze directed upward. Beside him is his staff., Netherlands, ca. 1650, figures, Drawing
Giovanni Francesco Barbieri gen. il Guercino Siby sibylls, based on the right elbow, turned the view to the top right. Red Chalk before 1627 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-francesco-barbieri-gen-il-guercino-siby-sibylls-based-on-the-right-elbow-turned-the-view-to-the-top-right-red-chalk-before-1627-image572661036.htmlRM2T7JXYT–Giovanni Francesco Barbieri gen. il Guercino Siby sibylls, based on the right elbow, turned the view to the top right. Red Chalk before 1627
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow, Jacques de Gheyn II, late 16th–early 17th c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-study-of-a-youth-with-his-head-turned-to-the-left-and-leaning-on-his-162454540.htmlRMKC8CBT–Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow, Jacques de Gheyn II, late 16th–early 17th c
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-youth-with-his-head-turned-to-the-left-and-leaning-on-his-right-elbow-artist-jacques-de-gheyn-ii-netherlandish-antwerp-1565-1629-the-hague-dimensions-3-14-x-4-58-in-82-x-117-cm-date-late-16th-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213251441.htmlRMPAXCAW–Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Child's dress, Medium: satin, silk Technique: embroidery, Dress of white satin; pleated bodice; square neck, elbow sleeve with wide cuff turned back; skirt opening to show panel; embroidery on cuffs, front opening and hem in design of flowering sprays and sections filled with ornamental stitches; lined with white silk., England, early 18th century, costume & accessories, Child's dress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childs-dress-medium-satin-silk-technique-embroidery-dress-of-white-satin-pleated-bodice-square-neck-elbow-sleeve-with-wide-cuff-turned-back-skirt-opening-to-show-panel-embroidery-on-cuffs-front-opening-and-hem-in-design-of-flowering-sprays-and-sections-filled-with-ornamental-stitches-lined-with-white-silk-england-early-18th-century-costume-accessories-childs-dress-image391179478.htmlRM2DMBNBJ–Child's dress, Medium: satin, silk Technique: embroidery, Dress of white satin; pleated bodice; square neck, elbow sleeve with wide cuff turned back; skirt opening to show panel; embroidery on cuffs, front opening and hem in design of flowering sprays and sections filled with ornamental stitches; lined with white silk., England, early 18th century, costume & accessories, Child's dress
Mounted photograph of standing young woman, slightly plump, wearing wedding dress with tight below-the-elbow-length sleeves with lace ruffle; bodice of tight plain fabric with lace jabot and heavy soutache embroidery up the middle; straight belled skirt with vertical pintucking between the panels which are decorated with clusters of bobbles; and a bustle and train that appear to be a lace-lined duvet. Woman's hair is swept up into tight curls fitting close to her head, and she is posed with her body facing right but with her head turned to the left. Title: Mrs. Daniel Reese Wolfe in her weddin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mounted-photograph-of-standing-young-woman-slightly-plump-wearing-wedding-dress-with-tight-below-the-elbow-length-sleeves-with-lace-ruffle-bodice-of-tight-plain-fabric-with-lace-jabot-and-heavy-soutache-embroidery-up-the-middle-straight-belled-skirt-with-vertical-pintucking-between-the-panels-which-are-decorated-with-clusters-of-bobbles-and-a-bustle-and-train-that-appear-to-be-a-lace-lined-duvet-womans-hair-is-swept-up-into-tight-curls-fitting-close-to-her-head-and-she-is-posed-with-her-body-facing-right-but-with-her-head-turned-to-the-left-title-mrs-daniel-reese-wolfe-in-her-weddin-image178645902.htmlRMMAJ0JP–Mounted photograph of standing young woman, slightly plump, wearing wedding dress with tight below-the-elbow-length sleeves with lace ruffle; bodice of tight plain fabric with lace jabot and heavy soutache embroidery up the middle; straight belled skirt with vertical pintucking between the panels which are decorated with clusters of bobbles; and a bustle and train that appear to be a lace-lined duvet. Woman's hair is swept up into tight curls fitting close to her head, and she is posed with her body facing right but with her head turned to the left. Title: Mrs. Daniel Reese Wolfe in her weddin
The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anne, On a piece of land, Joachim and Anna are slightly opposite each other as a closed group, Joachim with the left leg forward, the upper body turned to her, Anna resting on the left leg and the right side aside. He has both arms around Anna's shoulders for a hug, she tends to face him to receive the kiss, while she supports his left elbow with the right hand and has placed the other on his back confidentially. Wrinkles on Joachim's forehead, at his eyes and mouth, as Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anne-on-a-piece-of-land-joachim-and-anna-are-slightly-opposite-each-other-as-a-closed-group-joachim-with-the-left-leg-forward-the-upper-body-turned-to-her-anna-resting-on-the-left-leg-and-the-right-side-aside-he-has-both-arms-around-annas-shoulders-for-a-hug-she-tends-to-face-him-to-receive-the-kiss-while-she-supports-his-left-elbow-with-the-right-hand-and-has-placed-the-other-on-his-back-confidentially-wrinkles-on-joachims-forehead-at-his-eyes-and-mouth-as-image261372412.htmlRMW56F50–The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anne, On a piece of land, Joachim and Anna are slightly opposite each other as a closed group, Joachim with the left leg forward, the upper body turned to her, Anna resting on the left leg and the right side aside. He has both arms around Anna's shoulders for a hug, she tends to face him to receive the kiss, while she supports his left elbow with the right hand and has placed the other on his back confidentially. Wrinkles on Joachim's forehead, at his eyes and mouth, as
1960s BRUNETTE WOMAN TYPIST OR SECRETARY ELBOW ON TYPEWRITER TURNED LOOKING AT CAMERA WITH SERIOUS FACIAL EXPRESSION QUESTIONING - o2177 HAR001 HARS B&W EYE CONTACT BRUNETTE SKILL OCCUPATION SKILLS COMPLAINING STRATEGY HAIRSTYLE OFFICE WORKER OPPORTUNITY ELBOW GESTURES OCCUPATIONS TURNED GAL FRIDAY ADMINISTRATOR SECRETARIES STYLISH OR TYPING POOL AMANUENSIS GIVES MID-ADULT MID-ADULT WOMAN PAGEBOY QUESTIONING BLACK AND WHITE CAUCASIAN ETHNICITY CLERICAL HAR001 OLD FASHIONED TYPIST Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1960s-brunette-woman-typist-or-secretary-elbow-on-typewriter-turned-looking-at-camera-with-serious-facial-expression-questioning-o2177-har001-hars-bw-eye-contact-brunette-skill-occupation-skills-complaining-strategy-hairstyle-office-worker-opportunity-elbow-gestures-occupations-turned-gal-friday-administrator-secretaries-stylish-or-typing-pool-amanuensis-gives-mid-adult-mid-adult-woman-pageboy-questioning-black-and-white-caucasian-ethnicity-clerical-har001-old-fashioned-typist-image563789605.htmlRM2RN6RB1–1960s BRUNETTE WOMAN TYPIST OR SECRETARY ELBOW ON TYPEWRITER TURNED LOOKING AT CAMERA WITH SERIOUS FACIAL EXPRESSION QUESTIONING - o2177 HAR001 HARS B&W EYE CONTACT BRUNETTE SKILL OCCUPATION SKILLS COMPLAINING STRATEGY HAIRSTYLE OFFICE WORKER OPPORTUNITY ELBOW GESTURES OCCUPATIONS TURNED GAL FRIDAY ADMINISTRATOR SECRETARIES STYLISH OR TYPING POOL AMANUENSIS GIVES MID-ADULT MID-ADULT WOMAN PAGEBOY QUESTIONING BLACK AND WHITE CAUCASIAN ETHNICITY CLERICAL HAR001 OLD FASHIONED TYPIST
Study of Mrs Bingham for The Republican Court Lady Washingtons Reception Day. Study of a standing woman, facing frontally with her head turned towards the left and her left hand under her right elbow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-mrs-bingham-for-the-republican-court-lady-washingtons-reception-day-study-of-a-standing-woman-facing-frontally-with-her-head-turned-towards-the-left-and-her-left-hand-under-her-right-elbow-image353506238.htmlRM2BF3GPP–Study of Mrs Bingham for The Republican Court Lady Washingtons Reception Day. Study of a standing woman, facing frontally with her head turned towards the left and her left hand under her right elbow.
File photo dated 18-03-2023 of Referee Jaco Peyper sends off England's Freddie Steward. It was an opinion-dividing decision to set the alarm bells ringing for the World Cup as Freddie Steward was sent off for catching Hugo Keenan's head with his elbow as he turned to avoid contact. Issue date: Sunday March 19, 2023. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/file-photo-dated-18-03-2023-of-referee-jaco-peyper-sends-off-englands-freddie-steward-it-was-an-opinion-dividing-decision-to-set-the-alarm-bells-ringing-for-the-world-cup-as-freddie-steward-was-sent-off-for-catching-hugo-keenans-head-with-his-elbow-as-he-turned-to-avoid-contact-issue-date-sunday-march-19-2023-image543329387.htmlRM2PFXP4Y–File photo dated 18-03-2023 of Referee Jaco Peyper sends off England's Freddie Steward. It was an opinion-dividing decision to set the alarm bells ringing for the World Cup as Freddie Steward was sent off for catching Hugo Keenan's head with his elbow as he turned to avoid contact. Issue date: Sunday March 19, 2023.
A Shepherd Boy. A boy, wearing a broad-brimmed hat, is shown half-length, turned half right. He rests his elbow on a rock, head leaning on his left hand, and gaze directed upward. Beside him is his staff. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-shepherd-boy-a-boy-wearing-a-broad-brimmed-hat-is-shown-half-length-turned-half-right-he-rests-his-elbow-on-a-rock-head-leaning-on-his-left-hand-and-gaze-directed-upward-beside-him-is-his-staff-image353491299.htmlRM2BF2WN7–A Shepherd Boy. A boy, wearing a broad-brimmed hat, is shown half-length, turned half right. He rests his elbow on a rock, head leaning on his left hand, and gaze directed upward. Beside him is his staff.
Back turned man back pain,illustration drawing ,grey colors. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/back-turned-man-back-painillustration-drawing-grey-colors-image436307591.htmlRF2G9RENY–Back turned man back pain,illustration drawing ,grey colors.
Two Martyrs. The saint at the left is shown in front view. He is bearded and stands with his right hand extended, palm turned upward. In his left hand is a palm branch. The saint at the right is younger and stands beside a pedestal upon which he leans his left elbow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-martyrs-the-saint-at-the-left-is-shown-in-front-view-he-is-bearded-and-stands-with-his-right-hand-extended-palm-turned-upward-in-his-left-hand-is-a-palm-branch-the-saint-at-the-right-is-younger-and-stands-beside-a-pedestal-upon-which-he-leans-his-left-elbow-image353500437.htmlRM2BF39BH–Two Martyrs. The saint at the left is shown in front view. He is bearded and stands with his right hand extended, palm turned upward. In his left hand is a palm branch. The saint at the right is younger and stands beside a pedestal upon which he leans his left elbow.
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow 1975 by Jacques de Gheyn II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-youth-with-his-head-turned-to-the-left-and-leaning-on-his-right-elbow-1975-by-jacques-de-gheyn-ii-image575541557.htmlRM2TCA53H–Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow 1975 by Jacques de Gheyn II
A Young Man in Meditation. Research in ProgressA young, unbearded man, rests his right elbow and left hand on a table to his right. He rests his head on his right palm, so that his head is turned facing left. A Young Man in Meditation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-man-in-meditation-research-in-progressa-young-unbearded-man-rests-his-right-elbow-and-left-hand-on-a-table-to-his-right-he-rests-his-head-on-his-right-palm-so-that-his-head-is-turned-facing-left-a-young-man-in-meditation-image352193795.htmlRM2BCYPNR–A Young Man in Meditation. Research in ProgressA young, unbearded man, rests his right elbow and left hand on a table to his right. He rests his head on his right palm, so that his head is turned facing left. A Young Man in Meditation
Hugo de Groot at a young age, Although a small sticker with the name Henri IV has been affixed to the back, this is a bust of Hugo de Groot as a 15-year-old young man. He is seen from the right in a three-quarter profile and seated with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot already had a university degree in 1599: during his stay in France in 1598 he was promoted in law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself, which De Groot is holding in his left hand here. This medallion has probably given rise t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-de-groot-at-a-young-age-although-a-small-sticker-with-the-name-henri-iv-has-been-affixed-to-the-back-this-is-a-bust-of-hugo-de-groot-as-a-15-year-old-young-man-he-is-seen-from-the-right-in-a-three-quarter-profile-and-seated-with-his-right-hand-in-the-side-the-elbow-turned-to-the-viewer-the-prodigy-hugo-de-groot-already-had-a-university-degree-in-1599-during-his-stay-in-france-in-1598-he-was-promoted-in-law-king-henry-iv-gave-him-a-medallion-on-this-occasion-with-a-portrait-of-the-king-himself-which-de-groot-is-holding-in-his-left-hand-here-this-medallion-has-probably-given-rise-t-image350016994.htmlRF2B9CJ6X–Hugo de Groot at a young age, Although a small sticker with the name Henri IV has been affixed to the back, this is a bust of Hugo de Groot as a 15-year-old young man. He is seen from the right in a three-quarter profile and seated with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot already had a university degree in 1599: during his stay in France in 1598 he was promoted in law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself, which De Groot is holding in his left hand here. This medallion has probably given rise t
Childs dress. Dress of white satin; pleated bodice; square neck, elbow sleeve with wide cuff turned back; skirt opening to show panel; embroidery on cuffs, front opening and hem in design of flowering sprays and sections filled with ornamental stitches; lined with white sil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childs-dress-dress-of-white-satin-pleated-bodice-square-neck-elbow-sleeve-with-wide-cuff-turned-back-skirt-opening-to-show-panel-embroidery-on-cuffs-front-opening-and-hem-in-design-of-flowering-sprays-and-sections-filled-with-ornamental-stitches-lined-with-white-sil-image353459170.htmlRM2BF1CNP–Childs dress. Dress of white satin; pleated bodice; square neck, elbow sleeve with wide cuff turned back; skirt opening to show panel; embroidery on cuffs, front opening and hem in design of flowering sprays and sections filled with ornamental stitches; lined with white sil
emale brunette hair wearing cream top and white trousers elbow on knee hand to head turned to look to camera smiling showing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-emale-brunette-hair-wearing-cream-top-and-white-trousers-elbow-on-43506714.htmlRMCENW76–emale brunette hair wearing cream top and white trousers elbow on knee hand to head turned to look to camera smiling showing
Portrait of Jean Baptiste Molire 16201673. Moliére seated behind a table, his body and head slightly turned to left. His right hand, holding a pen, resting on writing paper. His head leans on his left hand. Books under his left elbow. He is wearing a dressing gown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-baptiste-molire-16201673-molire-seated-behind-a-table-his-body-and-head-slightly-turned-to-left-his-right-hand-holding-a-pen-resting-on-writing-paper-his-head-leans-on-his-left-hand-books-under-his-left-elbow-he-is-wearing-a-dressing-gown-image353504515.htmlRM2BF3EH7–Portrait of Jean Baptiste Molire 16201673. Moliére seated behind a table, his body and head slightly turned to left. His right hand, holding a pen, resting on writing paper. His head leans on his left hand. Books under his left elbow. He is wearing a dressing gown.
Naval Medical Forces Pacific Commander Rear Adm. Tim Weber congratulates Capt. William Deniston with an elbow bump on a job well done during the Naval Health Research Center change of command, May 11. Deniston turned over the helm to Capt. Dennis Faix (left) at the ceremony, which was held at NHRC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/naval-medical-forces-pacific-commander-rear-adm-tim-weber-congratulates-capt-william-deniston-with-an-elbow-bump-on-a-job-well-done-during-the-naval-health-research-center-change-of-command-may-11-deniston-turned-over-the-helm-to-capt-dennis-faix-left-at-the-ceremony-which-was-held-at-nhrc-image442357308.htmlRM2GKK378–Naval Medical Forces Pacific Commander Rear Adm. Tim Weber congratulates Capt. William Deniston with an elbow bump on a job well done during the Naval Health Research Center change of command, May 11. Deniston turned over the helm to Capt. Dennis Faix (left) at the ceremony, which was held at NHRC.
Hugo de Groot at a young age, Arnoud van Halen, 1710 - 1719 painting Although a small sticker with the name Henri IV has been applied on the back, this is a bust of Hugo de Groot as a 15-year-old young man. He was seen from the right in three -quarters profile and sat with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot had already had a university study in 1599: during his stay in France in 1598 he was promoted to law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself that De Groot holds here in the left hand. This me Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-de-groot-at-a-young-age-arnoud-van-halen-1710-1719-painting-although-a-small-sticker-with-the-name-henri-iv-has-been-applied-on-the-back-this-is-a-bust-of-hugo-de-groot-as-a-15-year-old-young-man-he-was-seen-from-the-right-in-three-quarters-profile-and-sat-with-his-right-hand-in-the-side-the-elbow-turned-to-the-viewer-the-prodigy-hugo-de-groot-had-already-had-a-university-study-in-1599-during-his-stay-in-france-in-1598-he-was-promoted-to-law-king-henry-iv-gave-him-a-medallion-on-this-occasion-with-a-portrait-of-the-king-himself-that-de-groot-holds-here-in-the-left-hand-this-me-image595544092.htmlRM2WGWAFT–Hugo de Groot at a young age, Arnoud van Halen, 1710 - 1719 painting Although a small sticker with the name Henri IV has been applied on the back, this is a bust of Hugo de Groot as a 15-year-old young man. He was seen from the right in three -quarters profile and sat with his right hand in the side, the elbow turned to the viewer. The prodigy Hugo de Groot had already had a university study in 1599: during his stay in France in 1598 he was promoted to law. King Henry IV gave him a medallion on this occasion with a portrait of the king himself that De Groot holds here in the left hand. This me
Study for Mountain Climber Resting. Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-mountain-climber-resting-horizontal-view-of-a-mustached-man-dressed-in-hiking-attire-reclining-on-his-left-elbow-on-a-flat-ledge-of-rock-and-holding-in-his-right-hand-a-turned-over-pipe-as-a-walking-stick-leans-across-him-from-right-to-left-with-the-prospect-of-wide-river-valley-in-distance-behind-him-image353522671.htmlRM2BF49NK–Study for Mountain Climber Resting. Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him.
Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him. Date: 1868-69. Black and white crayon on brown laid paper, blackened on verso for transfer. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horizontal-view-of-a-mustached-man-dressed-in-hiking-attire-reclining-on-his-left-elbow-on-a-flat-ledge-of-rock-and-holding-in-his-right-hand-a-turned-over-pipe-as-a-walking-stick-leans-across-him-from-right-to-left-with-the-prospect-of-wide-river-valley-in-distance-behind-him-date-1868-69-black-and-white-crayon-on-brown-laid-paper-blackened-on-verso-for-transfer-museum-cooper-hewitt-smithsonian-design-museum-image554740884.htmlRM2R6EHJC–Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him. Date: 1868-69. Black and white crayon on brown laid paper, blackened on verso for transfer. Museum: Cooper Hewitt, Smithsonian Design Museum.
Hugo de Groot op jonge leeftijd, SK-A-5011 While mounted a small sticker with the name of Henri IV on the back, it is a bust of Hugo Grotius here as 15- old young man. He is right in three-quarter profile seen and sat with his right hand in it, turned the elbow to the viewer. The prodigy Hugo Grotius in 1599 had been a university behind: he was promoted in law during his stay in France in 1598. King Henry IV granted him on this occasion a medallion with a portrait of the king himself, that Grotius here holds in his left hand. This medallion is Where: apparently led to the misidentification. T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hugo-de-groot-op-jonge-leeftijd-sk-a-5011-while-mounted-a-small-sticker-with-the-name-of-henri-iv-on-the-back-it-is-a-bust-of-hugo-grotius-here-as-15-old-young-man-he-is-right-in-three-quarter-profile-seen-and-sat-with-his-right-hand-in-it-turned-the-elbow-to-the-viewer-the-prodigy-hugo-grotius-in-1599-had-been-a-university-behind-he-was-promoted-in-law-during-his-stay-in-france-in-1598-king-henry-iv-granted-him-on-this-occasion-a-medallion-with-a-portrait-of-the-king-himself-that-grotius-here-holds-in-his-left-hand-this-medallion-is-where-apparently-led-to-the-misidentification-t-image348446490.htmlRM2B6W31E–Hugo de Groot op jonge leeftijd, SK-A-5011 While mounted a small sticker with the name of Henri IV on the back, it is a bust of Hugo Grotius here as 15- old young man. He is right in three-quarter profile seen and sat with his right hand in it, turned the elbow to the viewer. The prodigy Hugo Grotius in 1599 had been a university behind: he was promoted in law during his stay in France in 1598. King Henry IV granted him on this occasion a medallion with a portrait of the king himself, that Grotius here holds in his left hand. This medallion is Where: apparently led to the misidentification. T
New York City, USA. 27th Oct, 2020. New York City Mayor Bill de Blasio (l) greets Violet Boorn, 5, with an elbow bump while standing in line to vote in the 2020 Presidential elections outside the Park Slope Armory YMCA on the fourth day of early voting, in the Brooklyn borough of New York City, NY, October 27, 2020. A record number of people across the United States have turned up to vote in early election polling. (Anthony Behar/Sipa USA) Credit: Sipa USA/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-city-usa-27th-oct-2020-new-york-city-mayor-bill-de-blasio-l-greets-violet-boorn-5-with-an-elbow-bump-while-standing-in-line-to-vote-in-the-2020-presidential-elections-outside-the-park-slope-armory-ymca-on-the-fourth-day-of-early-voting-in-the-brooklyn-borough-of-new-york-city-ny-october-27-2020-a-record-number-of-people-across-the-united-states-have-turned-up-to-vote-in-early-election-polling-anthony-beharsipa-usa-credit-sipa-usaalamy-live-news-image383704600.htmlRM2D8773M–New York City, USA. 27th Oct, 2020. New York City Mayor Bill de Blasio (l) greets Violet Boorn, 5, with an elbow bump while standing in line to vote in the 2020 Presidential elections outside the Park Slope Armory YMCA on the fourth day of early voting, in the Brooklyn borough of New York City, NY, October 27, 2020. A record number of people across the United States have turned up to vote in early election polling. (Anthony Behar/Sipa USA) Credit: Sipa USA/Alamy Live News
Mary Magdalene, On a ground she kneels to the right, has turned her head and upper body to the viewer and holds her hands together in a praying position. The parted hair ripples wide over her back and disappears under the sunken cloak that completely hides her legs. a finely pleated shirt is slanted at the wide neck opening of the overcoat and protrudes through the elbow split of the sleeve, which is popped at the top. A scarf is tied around the waist, Zuid-Nederland, c. 1575 - c. 1600, boxwood, h 15.5 cm × w 16.5, × d 9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-on-a-ground-she-kneels-to-the-right-has-turned-her-head-and-upper-body-to-the-viewer-and-holds-her-hands-together-in-a-praying-position-the-parted-hair-ripples-wide-over-her-back-and-disappears-under-the-sunken-cloak-that-completely-hides-her-legs-a-finely-pleated-shirt-is-slanted-at-the-wide-neck-opening-of-the-overcoat-and-protrudes-through-the-elbow-split-of-the-sleeve-which-is-popped-at-the-top-a-scarf-is-tied-around-the-waist-zuid-nederland-c-1575-c-1600-boxwood-h-155-cm-w-165-d-9-cm-image261335916.htmlRMW54THG–Mary Magdalene, On a ground she kneels to the right, has turned her head and upper body to the viewer and holds her hands together in a praying position. The parted hair ripples wide over her back and disappears under the sunken cloak that completely hides her legs. a finely pleated shirt is slanted at the wide neck opening of the overcoat and protrudes through the elbow split of the sleeve, which is popped at the top. A scarf is tied around the waist, Zuid-Nederland, c. 1575 - c. 1600, boxwood, h 15.5 cm × w 16.5, × d 9 cm
Carte-de-visite of Phebe M. Coffin shown in seated full portrait. She is turned one quarter to her right and looks off frame. Her hair is parted in the middle and gathered into a dark colored snood behind her head. She wears a dark colored dress, a white lace collar, and a wide ribbon tied in a bow at her front neck. A large dark colored shawl heavily embellished with lace and fringe is draped over her arms and pinned with a large brooch at her front chest. She is seated in a carved side chair with a high padded back and her right elbow is resting on a table covered in a damask cloth. Her left Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carte-de-visite-of-phebe-m-coffin-shown-in-seated-full-portrait-she-is-turned-one-quarter-to-her-right-and-looks-off-frame-her-hair-is-parted-in-the-middle-and-gathered-into-a-dark-colored-snood-behind-her-head-she-wears-a-dark-colored-dress-a-white-lace-collar-and-a-wide-ribbon-tied-in-a-bow-at-her-front-neck-a-large-dark-colored-shawl-heavily-embellished-with-lace-and-fringe-is-draped-over-her-arms-and-pinned-with-a-large-brooch-at-her-front-chest-she-is-seated-in-a-carved-side-chair-with-a-high-padded-back-and-her-right-elbow-is-resting-on-a-table-covered-in-a-damask-cloth-her-left-image433086883.htmlRM2G4GPMK–Carte-de-visite of Phebe M. Coffin shown in seated full portrait. She is turned one quarter to her right and looks off frame. Her hair is parted in the middle and gathered into a dark colored snood behind her head. She wears a dark colored dress, a white lace collar, and a wide ribbon tied in a bow at her front neck. A large dark colored shawl heavily embellished with lace and fringe is draped over her arms and pinned with a large brooch at her front chest. She is seated in a carved side chair with a high padded back and her right elbow is resting on a table covered in a damask cloth. Her left
Man holding head in hand, close-up, black and white. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-holding-head-in-hand-close-up-black-and-white-image5425674.htmlRFAWMX0B–Man holding head in hand, close-up, black and white.
File photo dated 18-03-2023 of France's Antoine Dupont waves to fans. It was an opinion-dividing decision to set the alarm bells ringing for the World Cup as Freddie Steward was sent off for catching Hugo Keenan's head with his elbow as he turned to avoid contact. Issue date: Sunday March 19, 2023. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/file-photo-dated-18-03-2023-of-frances-antoine-dupont-waves-to-fans-it-was-an-opinion-dividing-decision-to-set-the-alarm-bells-ringing-for-the-world-cup-as-freddie-steward-was-sent-off-for-catching-hugo-keenans-head-with-his-elbow-as-he-turned-to-avoid-contact-issue-date-sunday-march-19-2023-image543329390.htmlRM2PFXP52–File photo dated 18-03-2023 of France's Antoine Dupont waves to fans. It was an opinion-dividing decision to set the alarm bells ringing for the World Cup as Freddie Steward was sent off for catching Hugo Keenan's head with his elbow as he turned to avoid contact. Issue date: Sunday March 19, 2023.
Successful psoriasis treatment. Successful psoriasis treatment. A man shows his thumb up next to the elbow for psoriasis. It turned out to cure a skin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/successful-psoriasis-treatment-successful-psoriasis-treatment-a-man-shows-his-thumb-up-next-to-the-elbow-for-psoriasis-it-turned-out-to-cure-a-skin-image383801143.htmlRF2D8BJ7K–Successful psoriasis treatment. Successful psoriasis treatment. A man shows his thumb up next to the elbow for psoriasis. It turned out to cure a skin
Back turned man back pain,illustration drawing ,black white colors. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/back-turned-man-back-painillustration-drawing-black-white-colors-image436307588.htmlRF2G9RENT–Back turned man back pain,illustration drawing ,black white colors.
. The complete works of Count Tolstoy. is face was, how shorthis hair! How long his arms! How he had changedsince she had left him ! But it was he, with the shape ofhis head, his lips, his soft little neck and broad shoulders. Serezha ! she repeated over the childs ear. He again raised himself on his elbow, turned his tousledhead to either side, as though looking for something, andopened his eyes. Softly and inquisitively he looked forseveral seconds at his mother, who was standing motion-less before him, then he suddenly smiled a blissful smileand, again closing his sticky eyes, threw himself Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-complete-works-of-count-tolstoy-is-face-was-how-shorthis-hair!-how-long-his-arms!-how-he-had-changedsince-she-had-left-him-!-but-it-was-he-with-the-shape-ofhis-head-his-lips-his-soft-little-neck-and-broad-shoulders-serezha-!-she-repeated-over-the-childs-ear-he-again-raised-himself-on-his-elbow-turned-his-tousledhead-to-either-side-as-though-looking-for-something-andopened-his-eyes-softly-and-inquisitively-he-looked-forseveral-seconds-at-his-mother-who-was-standing-motion-less-before-him-then-he-suddenly-smiled-a-blissful-smileand-again-closing-his-sticky-eyes-threw-himself-image370481682.htmlRM2CEMW4J–. The complete works of Count Tolstoy. is face was, how shorthis hair! How long his arms! How he had changedsince she had left him ! But it was he, with the shape ofhis head, his lips, his soft little neck and broad shoulders. Serezha ! she repeated over the childs ear. He again raised himself on his elbow, turned his tousledhead to either side, as though looking for something, andopened his eyes. Softly and inquisitively he looked forseveral seconds at his mother, who was standing motion-less before him, then he suddenly smiled a blissful smileand, again closing his sticky eyes, threw himself
Smiling girl stands half-turned in the park, touching her elbow with her hand. Black and white photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smiling-girl-stands-half-turned-in-the-park-touching-her-elbow-with-her-hand-black-and-white-photo-image574724913.htmlRF2TB0YDN–Smiling girl stands half-turned in the park, touching her elbow with her hand. Black and white photo
Woman leaning on elbow, looking down Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woman-leaning-on-elbow-looking-down-20588128.htmlRFB5DTA8–Woman leaning on elbow, looking down
Propped up on her elbow, she delves into a book, the comfort of the couch fostering an ideal reading nook Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/propped-up-on-her-elbow-she-delves-into-a-book-the-comfort-of-the-couch-fostering-an-ideal-reading-nook-image575055057.htmlRF2TBG0GH–Propped up on her elbow, she delves into a book, the comfort of the couch fostering an ideal reading nook
Teenage boy sitting on bench, his back turned to his friend holding his head, partial view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teenage-boy-sitting-on-bench-his-back-turned-to-his-friend-holding-image5438524.htmlRFAWWG3D–Teenage boy sitting on bench, his back turned to his friend holding his head, partial view
The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anne, On a piece of land, Joachim and Anna are slightly opposite each other as a closed group, Joachim with the left leg forward, the upper body turned to her, Anna resting on the left leg and the right side aside. He has both arms around Anna's shoulders for a hug, she tends to face him to receive the kiss, while she supports his left elbow with the right hand and has placed the other on his back confidentially. Wrinkles on Joachim's forehead, at his eyes and mouth, as we Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anna-the-meeting-of-joachim-and-anne-on-a-piece-of-land-joachim-and-anna-are-slightly-opposite-each-other-as-a-closed-group-joachim-with-the-left-leg-forward-the-upper-body-turned-to-her-anna-resting-on-the-left-leg-and-the-right-side-aside-he-has-both-arms-around-annas-shoulders-for-a-hug-she-tends-to-face-him-to-receive-the-kiss-while-she-supports-his-left-elbow-with-the-right-hand-and-has-placed-the-other-on-his-back-confidentially-wrinkles-on-joachims-forehead-at-his-eyes-and-mouth-as-we-image349977610.htmlRF2B9AT0A–The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anna The Meeting of Joachim and Anne, On a piece of land, Joachim and Anna are slightly opposite each other as a closed group, Joachim with the left leg forward, the upper body turned to her, Anna resting on the left leg and the right side aside. He has both arms around Anna's shoulders for a hug, she tends to face him to receive the kiss, while she supports his left elbow with the right hand and has placed the other on his back confidentially. Wrinkles on Joachim's forehead, at his eyes and mouth, as we
Half-length portrait of little boy who stands half-turned with skateboard in park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/half-length-portrait-of-little-boy-who-stands-half-turned-with-skateboard-in-park-image604243416.htmlRF2X31JJ0–Half-length portrait of little boy who stands half-turned with skateboard in park
Young woman leaning on elbow, holding pen in hand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-leaning-on-elbow-holding-pen-in-hand-image5852671.htmlRFA1F9M0–Young woman leaning on elbow, holding pen in hand
Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-unknown-man-with-feathered-beret-johannes-pieter-de-frey-after-willem-drost-1796-print-portrait-of-an-unknown-man-with-beard-hippiece-sitting-to-the-right-turned-in-a-chair-the-head-is-displayed-in-three-quarters-and-adorned-with-a-feathered-beret-the-judge-elbow-supports-the-stoelleuning-paper-etching-head-gear-feathers-used-for-clothes-image594874537.htmlRM2WFPTF5–Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes)
Boy holding up elbow, eyes closed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boy-holding-up-elbow-eyes-closed-19889236.htmlRFB4A0WT–Boy holding up elbow, eyes closed
Woman crouching in corner of large empty room, holding head, high angle view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woman-crouching-in-corner-of-large-empty-room-holding-head-high-angle-25029004.htmlRMBCM4N0–Woman crouching in corner of large empty room, holding head, high angle view
Diagrams of the bones of hand and arm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-diagrams-of-the-bones-of-hand-and-arm-169313657.htmlRMKRCW89–Diagrams of the bones of hand and arm
Young woman sitting at table, leaning on elbow, looking down Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-sitting-at-table-leaning-on-elbow-looking-down-image6328933.htmlRFA4KWX6–Young woman sitting at table, leaning on elbow, looking down
Charity and Faith Faith Lying female figure: Faith, She is lying on the right side with the right leg extended and the left bent. She leans on a book lying flat with the right elbow and rests an upright foliant on her waist with her left hand. Her raised head is turned slightly to the left. She is loosely wearing a tunic, which is held together by a band around the waist, is closed on one shoulder by a knot and has a split on the right leg, the other shoulder legs remain largely uncovered. Below her is a cloak that partially covers the entire back and both arms. On the hair that is partially Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charity-and-faith-faith-lying-female-figure-faith-she-is-lying-on-the-right-side-with-the-right-leg-extended-and-the-left-bent-she-leans-on-a-book-lying-flat-with-the-right-elbow-and-rests-an-upright-foliant-on-her-waist-with-her-left-hand-her-raised-head-is-turned-slightly-to-the-left-she-is-loosely-wearing-a-tunic-which-is-held-together-by-a-band-around-the-waist-is-closed-on-one-shoulder-by-a-knot-and-has-a-split-on-the-right-leg-the-other-shoulder-legs-remain-largely-uncovered-below-her-is-a-cloak-that-partially-covers-the-entire-back-and-both-arms-on-the-hair-that-is-partially-image261335956.htmlRMW54TK0–Charity and Faith Faith Lying female figure: Faith, She is lying on the right side with the right leg extended and the left bent. She leans on a book lying flat with the right elbow and rests an upright foliant on her waist with her left hand. Her raised head is turned slightly to the left. She is loosely wearing a tunic, which is held together by a band around the waist, is closed on one shoulder by a knot and has a split on the right leg, the other shoulder legs remain largely uncovered. Below her is a cloak that partially covers the entire back and both arms. On the hair that is partially
Actress Jane Russell sitting at the Savoy Hotel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actress-jane-russell-sitting-at-the-savoy-hotel-image69278069.htmlRME0KTTN–Actress Jane Russell sitting at the Savoy Hotel
Businesswoman wearing boxing gloves, with her arms forward up, her head turned sideways. Isolated over white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/businesswoman-wearing-boxing-gloves-with-her-arms-forward-up-her-head-turned-sideways-isolated-over-white-background-image270692292.htmlRFWMB2NT–Businesswoman wearing boxing gloves, with her arms forward up, her head turned sideways. Isolated over white background
The Beatles' Ringo Starr at his house bar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beatles-ringo-starr-at-his-house-bar-image69414974.htmlRME0X3E6–The Beatles' Ringo Starr at his house bar
Methane standpipe and elliptical and rectangular concrete pads at a closed landfill, which was turned into a park. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/methane-standpipe-and-elliptical-and-rectangular-concrete-pads-at-a-closed-landfill-which-was-turned-into-a-park-image477632054.htmlRM2JN20FJ–Methane standpipe and elliptical and rectangular concrete pads at a closed landfill, which was turned into a park.
Actors Rex Harrison and Kay Kendall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-rex-harrison-and-kay-kendall-image69388781.htmlRME0TX2N–Actors Rex Harrison and Kay Kendall
Lateral curvature of the spine and round shoulders . the elbow which JACKETS AND BRACES 151 points to the side toward which the fa,ce is turned; the posterior knee is straight-ened, and the foot only of that limb touches the floor. The patient then endeav-ors to look upward beneath the forward reaching arm. This is best employedas an asymmetrical exercise to correct the dorsal convexity and stretch theside of the concavity (Fig. 119). XX. Creeping Sidewise.—There is a third asymmetrical variation in creepingsidewise toward the side showing the concavity of the curve to be corrected, forexample Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lateral-curvature-of-the-spine-and-round-shoulders-the-elbow-which-jackets-and-braces-151-points-to-the-side-toward-which-the-face-is-turned-the-posterior-knee-is-straight-ened-and-the-foot-only-of-that-limb-touches-the-floor-the-patient-then-endeav-ors-to-look-upward-beneath-the-forward-reaching-arm-this-is-best-employedas-an-asymmetrical-exercise-to-correct-the-dorsal-convexity-and-stretch-theside-of-the-concavity-fig-119-xx-creeping-sidewisethere-is-a-third-asymmetrical-variation-in-creepingsidewise-toward-the-side-showing-the-concavity-of-the-curve-to-be-corrected-forexample-image340248666.htmlRM2ANFJJ2–Lateral curvature of the spine and round shoulders . the elbow which JACKETS AND BRACES 151 points to the side toward which the fa,ce is turned; the posterior knee is straight-ened, and the foot only of that limb touches the floor. The patient then endeav-ors to look upward beneath the forward reaching arm. This is best employedas an asymmetrical exercise to correct the dorsal convexity and stretch theside of the concavity (Fig. 119). XX. Creeping Sidewise.—There is a third asymmetrical variation in creepingsidewise toward the side showing the concavity of the curve to be corrected, forexample
Actress Sophia Loren in a scene from the film 'The Key' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actress-sophia-loren-in-a-scene-from-the-film-the-key-image69350963.htmlRME0R5T3–Actress Sophia Loren in a scene from the film 'The Key'
Happy woman practicing yoga doing sitting side twist on a mat in health club Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/happy-woman-practicing-yoga-doing-sitting-side-twist-on-a-mat-in-health-club-image397087454.htmlRF2E20W2P–Happy woman practicing yoga doing sitting side twist on a mat in health club
Man sitting on steps, leaning head against hand, eyes closed, mid-length, close-up Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-sitting-on-steps-leaning-head-against-hand-eyes-closed-mid-length-image5423460.htmlRFAWMH65–Man sitting on steps, leaning head against hand, eyes closed, mid-length, close-up
men Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-men-124673675.htmlRFH6RAF7–men
Charity and Faith Faith Lying female figure: Faith, She is lying on the right side with the right leg extended and the left bent. She leans on a book lying flat with the right elbow and rests an upright foliant on her waist with her left hand. Her raised head is turned slightly to the left. She is loosely wearing a tunic, which is held together by a band around the waist, is closed on one shoulder by a knot and has a split on the right leg, the other shoulder legs remain largely uncovered. Below her is a cloak that partially covers the entire back and both arms. On the hair that is partially t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charity-and-faith-faith-lying-female-figure-faith-she-is-lying-on-the-right-side-with-the-right-leg-extended-and-the-left-bent-she-leans-on-a-book-lying-flat-with-the-right-elbow-and-rests-an-upright-foliant-on-her-waist-with-her-left-hand-her-raised-head-is-turned-slightly-to-the-left-she-is-loosely-wearing-a-tunic-which-is-held-together-by-a-band-around-the-waist-is-closed-on-one-shoulder-by-a-knot-and-has-a-split-on-the-right-leg-the-other-shoulder-legs-remain-largely-uncovered-below-her-is-a-cloak-that-partially-covers-the-entire-back-and-both-arms-on-the-hair-that-is-partially-t-image349951234.htmlRF2B99JAA–Charity and Faith Faith Lying female figure: Faith, She is lying on the right side with the right leg extended and the left bent. She leans on a book lying flat with the right elbow and rests an upright foliant on her waist with her left hand. Her raised head is turned slightly to the left. She is loosely wearing a tunic, which is held together by a band around the waist, is closed on one shoulder by a knot and has a split on the right leg, the other shoulder legs remain largely uncovered. Below her is a cloak that partially covers the entire back and both arms. On the hair that is partially t
Two kids in rollers and protective equipment stand half-turned and looking back, focus on boy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-kids-in-rollers-and-protective-equipment-stand-half-turned-and-looking-back-focus-on-boy-image604244944.htmlRF2X31MGG–Two kids in rollers and protective equipment stand half-turned and looking back, focus on boy
woman's focused gaze upon her book suggests an absorbing read, drawing her into the depths of the story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/womans-focused-gaze-upon-her-book-suggests-an-absorbing-read-drawing-her-into-the-depths-of-the-story-image575055009.htmlRF2TBG0EW–woman's focused gaze upon her book suggests an absorbing read, drawing her into the depths of the story
Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-unknown-man-with-feathered-beret-johannes-pieter-de-frey-after-willem-drost-1796-print-portrait-of-an-unknown-man-with-beard-hippiece-sitting-to-the-right-turned-in-a-chair-the-head-is-displayed-in-three-quarters-and-adorned-with-a-feathered-beret-the-judge-elbow-supports-the-stoelleuning-paper-etching-head-gear-feathers-used-for-clothes-image594845603.htmlRM2WFNFHR–Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes)
Portrait of a man posing on a city bridge. Medium shot. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-man-posing-on-a-city-bridge-medium-shot-174923226.htmlRFM4GCA2–Portrait of a man posing on a city bridge. Medium shot.
Happy smiling man sitting on a couch in his dressing gown on blue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-happy-smiling-man-sitting-on-a-couch-in-his-dressing-gown-on-blue-35095618.htmlRFC12MPX–Happy smiling man sitting on a couch in his dressing gown on blue
Businesswoman wearing boxing gloves, with her arms forward up Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-businesswoman-wearing-boxing-gloves-with-her-arms-forward-up-78459725.htmlRFEFJ451–Businesswoman wearing boxing gloves, with her arms forward up
Young woman propped up on elbow holding pen with one hand, holding little girl with other arm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-propped-up-on-elbow-holding-pen-with-one-hand-holding-image6328896.htmlRFA4KWT1–Young woman propped up on elbow holding pen with one hand, holding little girl with other arm
Portrait of an unknown man with beard. Hip piece, seated turned to the right in a chair. The head is shown in three-quarter view and adorned with a feathered beret. The right elbow rests on the chair railing., Portrait of unknown man with feathered beret, print maker: Johannes Pieter de Frey, (mentioned on object), after: Willem Drost, (mentioned on object), 1796, paper, etching, h 207 mm × w 163 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-unknown-man-with-beard-hip-piece-seated-turned-to-the-right-in-a-chair-the-head-is-shown-in-three-quarter-view-and-adorned-with-a-feathered-beret-the-right-elbow-rests-on-the-chair-railing-portrait-of-unknown-man-with-feathered-beret-print-maker-johannes-pieter-de-frey-mentioned-on-object-after-willem-drost-mentioned-on-object-1796-paper-etching-h-207-mm-w-163-mm-image472159408.htmlRM2JC4M40–Portrait of an unknown man with beard. Hip piece, seated turned to the right in a chair. The head is shown in three-quarter view and adorned with a feathered beret. The right elbow rests on the chair railing., Portrait of unknown man with feathered beret, print maker: Johannes Pieter de Frey, (mentioned on object), after: Willem Drost, (mentioned on object), 1796, paper, etching, h 207 mm × w 163 mm
Little girl contemplating illuminated light bulb suspended overhead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-little-girl-contemplating-illuminated-light-bulb-suspended-overhead-26291201.htmlRFBENJKD–Little girl contemplating illuminated light bulb suspended overhead
A Young Man in Meditation, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A young, unbearded man, rests his right elbow and left hand on a table to his right. He rests his head on his right palm, so that his head is turned facing left., London, England, ca. 1765–1785, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-man-in-meditation-giovanni-vitalba-italian-1783-1792-giovanni-francesco-barbieri-called-guercino-italian-1591-1666-engraving-in-brown-ink-on-white-paper-a-young-unbearded-man-rests-his-right-elbow-and-left-hand-on-a-table-to-his-right-he-rests-his-head-on-his-right-palm-so-that-his-head-is-turned-facing-left-london-england-ca-17651785-print-image391465116.htmlRM2DMTNN0–A Young Man in Meditation, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, A young, unbearded man, rests his right elbow and left hand on a table to his right. He rests his head on his right palm, so that his head is turned facing left., London, England, ca. 1765–1785, Print
Businesswoman wearing boxing gloves, with her arms forward up, her head turned sideways. Isolated over white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/businesswoman-wearing-boxing-gloves-with-her-arms-forward-up-her-head-turned-sideways-isolated-over-white-background-image270666344.htmlRFWM9WK4–Businesswoman wearing boxing gloves, with her arms forward up, her head turned sideways. Isolated over white background
Portrait of Jean Baptiste Moliére (1620-1673), François Bernard Lépicié, French, 1698 - 1755, Charles-Antoine Coypel, French, 1694 – 1752, Engraving on paper, Moliére seated behind a table, his body and head slightly turned to left. His right hand, holding a pen, resting on writing paper. His head leans on his left hand. Books under his left elbow. He is wearing a dressing gown., France, 1734, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-baptiste-molire-1620-1673-franois-bernard-lpici-french-1698-1755-charles-antoine-coypel-french-1694-1752-engraving-on-paper-molire-seated-behind-a-table-his-body-and-head-slightly-turned-to-left-his-right-hand-holding-a-pen-resting-on-writing-paper-his-head-leans-on-his-left-hand-books-under-his-left-elbow-he-is-wearing-a-dressing-gown-france-1734-print-image391336153.htmlRM2DMJW75–Portrait of Jean Baptiste Moliére (1620-1673), François Bernard Lépicié, French, 1698 - 1755, Charles-Antoine Coypel, French, 1694 – 1752, Engraving on paper, Moliére seated behind a table, his body and head slightly turned to left. His right hand, holding a pen, resting on writing paper. His head leans on his left hand. Books under his left elbow. He is wearing a dressing gown., France, 1734, Print
Young woman holding head, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-holding-head-portrait-image65518271.htmlRFDPGH67–Young woman holding head, portrait
Mountain Climber Resting, Winslow Homer, American, 1836–1910, Black and white crayon on brown laid paper, blackened on verso for transfer, Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him., USA, 1868–69, figures, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountain-climber-resting-winslow-homer-american-18361910-black-and-white-crayon-on-brown-laid-paper-blackened-on-verso-for-transfer-horizontal-view-of-a-mustached-man-dressed-in-hiking-attire-reclining-on-his-left-elbow-on-a-flat-ledge-of-rock-and-holding-in-his-right-hand-a-turned-over-pipe-as-a-walking-stick-leans-across-him-from-right-to-left-with-the-prospect-of-wide-river-valley-in-distance-behind-him-usa-186869-figures-drawing-image391506421.htmlRM2DMXJC5–Mountain Climber Resting, Winslow Homer, American, 1836–1910, Black and white crayon on brown laid paper, blackened on verso for transfer, Horizontal view of a mustached man dressed in hiking attire reclining on his left elbow on a flat ledge of rock and holding in his right hand a turned-over pipe, as a walking stick leans across him from right to left, with the prospect of wide river valley in distance behind him., USA, 1868–69, figures, Drawing
![Outlines of comparative physiology touching the structure and development of the races of animals, living and extinct : for the use of schools and colleges . Fig, 167.. besides the shoulder-blade («), the coracoid bone and the cla*vicle; the arm-bone (6) is twisted outwards, as well as the bonesof the fore-arm (c, d so that the elbow, instead of being be-hind, is turned forwards ; the fingers (g) are long, and widelyseparated. In the sloth (fig. 165), the bones of the arm (b] andfore-arm (c,d] are very greatly elongated, and at the same timevery slender; the hand is likewise very long, and th Stock Photo](https://c8.alamy.com/comp/2AKGYJA/outlines-of-comparative-physiology-touching-the-structure-and-development-of-the-races-of-animals-living-and-extinct-for-the-use-of-schools-and-colleges-fig-167-besides-the-shoulder-blade-the-coracoid-bone-and-the-clavicle-the-arm-bone-6-is-twisted-outwards-as-well-as-the-bonesof-the-fore-arm-c-d-so-that-the-elbow-instead-of-being-be-hind-is-turned-forwards-the-fingers-g-are-long-and-widelyseparated-in-the-sloth-fig-165-the-bones-of-the-arm-b-andfore-arm-cd-are-very-greatly-elongated-and-at-the-same-timevery-slender-the-hand-is-likewise-very-long-and-th-2AKGYJA.jpg "Outlines of comparative physiology touching the structure and development of the races of animals, living and extinct : for the use of schools and colleges . Fig, 167.. besides the shoulder-blade («), the coracoid bone and the cla*vicle; the arm-bone (6) is twisted outwards, as well as the bonesof the fore-arm (c, d so that the elbow, instead of being be-hind, is turned forwards ; the fingers (g) are long, and widelyseparated. In the sloth (fig. 165), the bones of the arm (b] andfore-arm (c,d] are very greatly elongated, and at the same timevery slender; the hand is likewise very long, and th Stock Photo")
Outlines of comparative physiology touching the structure and development of the races of animals, living and extinct : for the use of schools and colleges . Fig, 167.. besides the shoulder-blade («), the coracoid bone and the cla*vicle; the arm-bone (6) is twisted outwards, as well as the bonesof the fore-arm (c, d so that the elbow, instead of being be-hind, is turned forwards ; the fingers (g) are long, and widelyseparated. In the sloth (fig. 165), the bones of the arm (b] andfore-arm (c,d] are very greatly elongated, and at the same timevery slender; the hand is likewise very long, and th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/outlines-of-comparative-physiology-touching-the-structure-and-development-of-the-races-of-animals-living-and-extinct-for-the-use-of-schools-and-colleges-fig-167-besides-the-shoulder-blade-the-coracoid-bone-and-the-clavicle-the-arm-bone-6-is-twisted-outwards-as-well-as-the-bonesof-the-fore-arm-c-d-so-that-the-elbow-instead-of-being-be-hind-is-turned-forwards-the-fingers-g-are-long-and-widelyseparated-in-the-sloth-fig-165-the-bones-of-the-arm-b-andfore-arm-cd-are-very-greatly-elongated-and-at-the-same-timevery-slender-the-hand-is-likewise-very-long-and-th-image339048370.htmlRM2AKGYJA–Outlines of comparative physiology touching the structure and development of the races of animals, living and extinct : for the use of schools and colleges . Fig, 167.. besides the shoulder-blade («), the coracoid bone and the cla*vicle; the arm-bone (6) is twisted outwards, as well as the bonesof the fore-arm (c, d so that the elbow, instead of being be-hind, is turned forwards ; the fingers (g) are long, and widelyseparated. In the sloth (fig. 165), the bones of the arm (b] andfore-arm (c,d] are very greatly elongated, and at the same timevery slender; the hand is likewise very long, and th
Female Saint, She stands on a floor with the right foot to the side and slightly higher than that of the left leg, on which she rests and through which the left hip comes obliquely. The arms are bent, the head with a pensive look hangs a little forward and to the right. on the curly hair remains of a crown, the mantle hangs from both shoulders down the back, runs over the right arm, is then turned to the right and is held up with the left elbow, releasing the long garment at the chest and below the knees., anonymous, Southern Netherlands, c. 1350 - c. 1400, oak (wood), paint (coating), gilding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-saint-she-stands-on-a-floor-with-the-right-foot-to-the-side-and-slightly-higher-than-that-of-the-left-leg-on-which-she-rests-and-through-which-the-left-hip-comes-obliquely-the-arms-are-bent-the-head-with-a-pensive-look-hangs-a-little-forward-and-to-the-right-on-the-curly-hair-remains-of-a-crown-the-mantle-hangs-from-both-shoulders-down-the-back-runs-over-the-right-arm-is-then-turned-to-the-right-and-is-held-up-with-the-left-elbow-releasing-the-long-garment-at-the-chest-and-below-the-knees-anonymous-southern-netherlands-c-1350-c-1400-oak-wood-paint-coating-gilding-image261339251.htmlRMW550TK–Female Saint, She stands on a floor with the right foot to the side and slightly higher than that of the left leg, on which she rests and through which the left hip comes obliquely. The arms are bent, the head with a pensive look hangs a little forward and to the right. on the curly hair remains of a crown, the mantle hangs from both shoulders down the back, runs over the right arm, is then turned to the right and is held up with the left elbow, releasing the long garment at the chest and below the knees., anonymous, Southern Netherlands, c. 1350 - c. 1400, oak (wood), paint (coating), gilding
Woman alone at table with cake and one candle, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-alone-at-table-with-cake-and-one-candle-portrait-image5434997.htmlRFAWRX76–Woman alone at table with cake and one candle, portrait
Study for standing boy with kid, “Vintage Festival,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown, black pastel crayon on tracing paper, Young male figure standing slightly turned, holding kid with both arms; Alterations in black pastel crayon to change the position of the kid's leg. The same motif as 1904-16-10-a is shown in brown and has been altered with black crayon interpreting the foreleg in the hand as the right one and showing the left foreleg in the boy's elbow., New York, NY, USA, 1895–1898, figures, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-standing-boy-with-kid-vintage-festival-mendelssohn-glee-club-new-york-ny-robert-frederick-blum-american-18571903-brown-black-pastel-crayon-on-tracing-paper-young-male-figure-standing-slightly-turned-holding-kid-with-both-arms-alterations-in-black-pastel-crayon-to-change-the-position-of-the-kids-leg-the-same-motif-as-1904-16-10-a-is-shown-in-brown-and-has-been-altered-with-black-crayon-interpreting-the-foreleg-in-the-hand-as-the-right-one-and-showing-the-left-foreleg-in-the-boys-elbow-new-york-ny-usa-18951898-figures-drawing-image391386811.htmlRM2DMN5TB–Study for standing boy with kid, “Vintage Festival,” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown, black pastel crayon on tracing paper, Young male figure standing slightly turned, holding kid with both arms; Alterations in black pastel crayon to change the position of the kid's leg. The same motif as 1904-16-10-a is shown in brown and has been altered with black crayon interpreting the foreleg in the hand as the right one and showing the left foreleg in the boy's elbow., New York, NY, USA, 1895–1898, figures, Drawing
Mary Magdalene, On a ground she kneels to the right, has turned her head and upper body to the viewer and holds her hands together in a praying position. The parted hair ripples wide over her back and disappears under the sunken cloak that completely hides her legs. a finely pleated shirt is slanted at the wide neck opening of the overcoat and protrudes through the elbow split of the sleeve, which is popped at the top. A scarf is tied around the waist, Zuid-Nederland, c. 1575 - c. 1600, boxwood, h 15.5 cm × w 16.5, × d 9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-on-a-ground-she-kneels-to-the-right-has-turned-her-head-and-upper-body-to-the-viewer-and-holds-her-hands-together-in-a-praying-position-the-parted-hair-ripples-wide-over-her-back-and-disappears-under-the-sunken-cloak-that-completely-hides-her-legs-a-finely-pleated-shirt-is-slanted-at-the-wide-neck-opening-of-the-overcoat-and-protrudes-through-the-elbow-split-of-the-sleeve-which-is-popped-at-the-top-a-scarf-is-tied-around-the-waist-zuid-nederland-c-1575-c-1600-boxwood-h-155-cm-w-165-d-9-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-an-image349951205.htmlRF2B99J99–Mary Magdalene, On a ground she kneels to the right, has turned her head and upper body to the viewer and holds her hands together in a praying position. The parted hair ripples wide over her back and disappears under the sunken cloak that completely hides her legs. a finely pleated shirt is slanted at the wide neck opening of the overcoat and protrudes through the elbow split of the sleeve, which is popped at the top. A scarf is tied around the waist, Zuid-Nederland, c. 1575 - c. 1600, boxwood, h 15.5 cm × w 16.5, × d 9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness an
painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted up to the knees, turned a little to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green-covered table with books and a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-louis-moritz-ca-1840-canvas-oil-paint-painted-carrier-1025-85-2cm-1025-850-20mm-with-frame-1243-1065-10-3cm-1243-1065-103mm-mans-portrait-portrait-of-a-man-godefridus-joannes-schacht-he-is-depicted-up-to-the-knees-turned-a-little-to-the-right-and-looking-at-the-viewer-he-is-in-an-armchair-he-holds-a-yellow-lined-headgear-in-the-right-hand-with-his-right-elbow-he-leans-on-the-back-of-the-armchair-he-has-gray-hair-and-is-wearing-a-black-skirt-with-a-white-pointed-collar-to-the-left-behind-him-is-a-green-covered-table-with-books-and-a-image386387657.htmlRM2DCHDB5–painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted up to the knees, turned a little to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green-covered table with books and a
Cook in a white dressing-gown holding in a hand kitchen knife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cook-in-a-white-dressing-gown-holding-in-a-hand-kitchen-knife-image274353128.htmlRFWX9T60–Cook in a white dressing-gown holding in a hand kitchen knife
Boy Standing by Unpainted Fence. Doris Ulmann, photographer (American, 1882 - 1934) 1925–1934 Three quarter length portrait of a young boy. He is turned at a three quarter angle to the right. He is wearing a cap, a white shirt with rolled up sleeves and overalls. He is leaning on a wooden fence, his left elbow resting on the railing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boy-standing-by-unpainted-fence-doris-ulmann-photographer-american-1882-1934-19251934-three-quarter-length-portrait-of-a-young-boy-he-is-turned-at-a-three-quarter-angle-to-the-right-he-is-wearing-a-cap-a-white-shirt-with-rolled-up-sleeves-and-overalls-he-is-leaning-on-a-wooden-fence-his-left-elbow-resting-on-the-railing-image599932425.htmlRM2WT17X1–Boy Standing by Unpainted Fence. Doris Ulmann, photographer (American, 1882 - 1934) 1925–1934 Three quarter length portrait of a young boy. He is turned at a three quarter angle to the right. He is wearing a cap, a white shirt with rolled up sleeves and overalls. He is leaning on a wooden fence, his left elbow resting on the railing.
Businesswoman wearing boxing gloves, with her arms forward up Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-businesswoman-wearing-boxing-gloves-with-her-arms-forward-up-78102634.htmlRFEF1TKP–Businesswoman wearing boxing gloves, with her arms forward up
Young woman holding head, eyes closed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-holding-head-eyes-closed-image65518282.htmlRFDPGH6J–Young woman holding head, eyes closed
A text-book of first aid and emergency treatment . Fig. 52.—Figure-of-eight bandage of the elbow. (Wharton.) Figure-of-eight of the Knee.^—^This corresponds exactly tothe figure-of-eight of the elbow. Finger-tip Bandage.—This is begun by two turns of a nar-row bandage about the wrist. The third turn is broughtdown obliquely across the back of the hand to the affectedfinger, where it is passed once or twice around the fingerto fix it firmly in place. It is turned on itself at a rightangle and held by the finger of the left hand while the righthand draws the bandage downward over the tip of the7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-text-book-of-first-aid-and-emergency-treatment-fig-52figure-of-eight-bandage-of-the-elbow-wharton-figure-of-eight-of-the-kneethis-corresponds-exactly-tothe-figure-of-eight-of-the-elbow-finger-tip-bandagethis-is-begun-by-two-turns-of-a-nar-row-bandage-about-the-wrist-the-third-turn-is-broughtdown-obliquely-across-the-back-of-the-hand-to-the-affectedfinger-where-it-is-passed-once-or-twice-around-the-fingerto-fix-it-firmly-in-place-it-is-turned-on-itself-at-a-rightangle-and-held-by-the-finger-of-the-left-hand-while-the-righthand-draws-the-bandage-downward-over-the-tip-of-the7-image340279656.htmlRM2ANH24T–A text-book of first aid and emergency treatment . Fig. 52.—Figure-of-eight bandage of the elbow. (Wharton.) Figure-of-eight of the Knee.^—^This corresponds exactly tothe figure-of-eight of the elbow. Finger-tip Bandage.—This is begun by two turns of a nar-row bandage about the wrist. The third turn is broughtdown obliquely across the back of the hand to the affectedfinger, where it is passed once or twice around the fingerto fix it firmly in place. It is turned on itself at a rightangle and held by the finger of the left hand while the righthand draws the bandage downward over the tip of the7
Man looking down, close-up, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-looking-down-close-up-portrait-image5430644.htmlRFAWPN75–Man looking down, close-up, portrait
Female Saint, She stands on a floor with the right foot to the side and slightly higher than that of the left leg, on which she rests and through which the left hip comes obliquely. The arms are bent, the head with a pensive look hangs a little forward and to the right. on the curly hair remains of a crown, the mantle hangs from both shoulders down the back, runs over the right arm, is then turned to the right and is held up with the left elbow, releasing the long garment at the chest and below the knees., anonymous, Southern Netherlands, c. 1350 - c. 1400, oak (wood), paint (coating), gilding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-saint-she-stands-on-a-floor-with-the-right-foot-to-the-side-and-slightly-higher-than-that-of-the-left-leg-on-which-she-rests-and-through-which-the-left-hip-comes-obliquely-the-arms-are-bent-the-head-with-a-pensive-look-hangs-a-little-forward-and-to-the-right-on-the-curly-hair-remains-of-a-crown-the-mantle-hangs-from-both-shoulders-down-the-back-runs-over-the-right-arm-is-then-turned-to-the-right-and-is-held-up-with-the-left-elbow-releasing-the-long-garment-at-the-chest-and-below-the-knees-anonymous-southern-netherlands-c-1350-c-1400-oak-wood-paint-coating-gilding-image349953655.htmlRF2B99NCR–Female Saint, She stands on a floor with the right foot to the side and slightly higher than that of the left leg, on which she rests and through which the left hip comes obliquely. The arms are bent, the head with a pensive look hangs a little forward and to the right. on the curly hair remains of a crown, the mantle hangs from both shoulders down the back, runs over the right arm, is then turned to the right and is held up with the left elbow, releasing the long garment at the chest and below the knees., anonymous, Southern Netherlands, c. 1350 - c. 1400, oak (wood), paint (coating), gilding
painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted to the knees, turned slightly to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green cloth-covered table with books and a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-louis-moritz-ca-1840-canvas-oil-paint-painted-carrier-1025-85-2cm-1025-850-20mm-with-frame-1243-1065-10-3cm-1243-1065-103mm-mans-portrait-portrait-of-a-man-godefridus-joannes-schacht-he-is-depicted-to-the-knees-turned-slightly-to-the-right-and-looking-at-the-viewer-he-is-in-an-armchair-he-holds-a-yellow-lined-headgear-in-the-right-hand-with-his-right-elbow-he-leans-on-the-back-of-the-armchair-he-has-gray-hair-and-is-wearing-a-black-skirt-with-a-white-pointed-collar-to-the-left-behind-him-is-a-green-cloth-covered-table-with-books-and-a-image386387688.htmlRM2DCHDC8–painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted to the knees, turned slightly to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green cloth-covered table with books and a
Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-unknown-man-with-feathered-beret-johannes-pieter-de-frey-after-willem-drost-1796-print-portrait-of-an-unknown-man-with-beard-hippiece-sitting-to-the-right-turned-in-a-chair-the-head-is-displayed-in-three-quarters-and-adorned-with-a-feathered-beret-the-judge-elbow-supports-the-stoelleuning-paper-etching-head-gear-feathers-used-for-clothes-image593875736.htmlRM2WE5AFM–Portrait of unknown man with feathered beret, Johannes Pieter de Frey, after Willem Drost, 1796 print Portrait of an unknown man with beard. Hippiece, sitting to the right turned in a chair. The head is displayed in three -quarters and adorned with a feathered beret. The judge elbow supports the Stoelleuning. paper etching head-gear (+ feathers used for clothes)
Young woman resting chin on hands, looking seductively at camera Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-resting-chin-on-hands-looking-seductively-at-camera-image65518258.htmlRFDPGH5P–Young woman resting chin on hands, looking seductively at camera
Plastic surgery; its principles and practice . cle at the wrist. Fig. 508.—I. Outline of a flap from the arm with its pedicle toward the elbow. Thedotted line indicates the final shape of the flap. 2. The arm in position and the flapsutured to the nose. 470 PLASTIC SURGERY over, the ends are turned in (raw surface to raw surface) and sutured toform a columna. The edges are then sutured to the freshened edgesof the nose defect and the cheek wounds are closed. After threeweeks the pedicles are cut, turned in and attached to the stumps of thealae. The raw surface of these flaps may be grafted or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plastic-surgery-its-principles-and-practice-cle-at-the-wrist-fig-508i-outline-of-a-flap-from-the-arm-with-its-pedicle-toward-the-elbow-thedotted-line-indicates-the-final-shape-of-the-flap-2-the-arm-in-position-and-the-flapsutured-to-the-nose-470-plastic-surgery-over-the-ends-are-turned-in-raw-surface-to-raw-surface-and-sutured-toform-a-columna-the-edges-are-then-sutured-to-the-freshened-edgesof-the-nose-defect-and-the-cheek-wounds-are-closed-after-threeweeks-the-pedicles-are-cut-turned-in-and-attached-to-the-stumps-of-thealae-the-raw-surface-of-these-flaps-may-be-grafted-or-image338236017.htmlRM2AJ7YDN–Plastic surgery; its principles and practice . cle at the wrist. Fig. 508.—I. Outline of a flap from the arm with its pedicle toward the elbow. Thedotted line indicates the final shape of the flap. 2. The arm in position and the flapsutured to the nose. 470 PLASTIC SURGERY over, the ends are turned in (raw surface to raw surface) and sutured toform a columna. The edges are then sutured to the freshened edgesof the nose defect and the cheek wounds are closed. After threeweeks the pedicles are cut, turned in and attached to the stumps of thealae. The raw surface of these flaps may be grafted or
Woman having breakfast at table, looking down, high angle view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-having-breakfast-at-table-looking-down-high-angle-view-image5423503.htmlRFAWMH90–Woman having breakfast at table, looking down, high angle view
Young businesswoman using pen to enter numbers on calculator, looking at camera Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-businesswoman-using-pen-to-enter-numbers-on-calculator-looking-20588223.htmlRFB5DTDK–Young businesswoman using pen to enter numbers on calculator, looking at camera
painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted up to the knees, turned a little to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green-covered table with books and a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-louis-moritz-ca-1840-canvas-oil-paint-painted-carrier-1025-85-2cm-1025-850-20mm-with-frame-1243-1065-10-3cm-1243-1065-103mm-mans-portrait-portrait-of-a-man-godefridus-joannes-schacht-he-is-depicted-up-to-the-knees-turned-a-little-to-the-right-and-looking-at-the-viewer-he-is-in-an-armchair-he-holds-a-yellow-lined-headgear-in-the-right-hand-with-his-right-elbow-he-leans-on-the-back-of-the-armchair-he-has-gray-hair-and-is-wearing-a-black-skirt-with-a-white-pointed-collar-to-the-left-behind-him-is-a-green-covered-table-with-books-and-a-image386387662.htmlRM2DCHDBA–painting, Louis Moritz, ca. 1840, canvas, oil paint, painted, Carrier: 102.5 × 85 × 2cm (1025 × 850 × 20mm), With frame: 124.3 × 106.5 × 10 , 3cm (1243 × 1065 × 103mm), man's portrait, Portrait of a man: Godefridus Joannes Schacht. He is depicted up to the knees, turned a little to the right and looking at the viewer. He is in an armchair. He holds a yellow-lined headgear in the right hand; with his right elbow he leans on the back of the armchair. He has gray hair and is wearing a black skirt with a white pointed collar. To the left behind him is a green-covered table with books and a
Young man sitting with open book, taking notes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-man-sitting-with-open-book-taking-notes-image6330838.htmlRFA4M7W7–Young man sitting with open book, taking notes
Almée. Carlo Naya, photographer (Italian, 1816 - 1882) 1876 Portrait of a young almeh woman sitting with her head turned towards the right side of the image and her elbow resting on an armrest. She wears a headscarf and a coin necklace, and holds a lit cigarette between her fingers. (Recto, print) lower right, handwritten in the negative: '22' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alme-carlo-naya-photographer-italian-1816-1882-1876-portrait-of-a-young-almeh-woman-sitting-with-her-head-turned-towards-the-right-side-of-the-image-and-her-elbow-resting-on-an-armrest-she-wears-a-headscarf-and-a-coin-necklace-and-holds-a-lit-cigarette-between-her-fingers-recto-print-lower-right-handwritten-in-the-negative-22-image599925800.htmlRM2WT0YDC–Almée. Carlo Naya, photographer (Italian, 1816 - 1882) 1876 Portrait of a young almeh woman sitting with her head turned towards the right side of the image and her elbow resting on an armrest. She wears a headscarf and a coin necklace, and holds a lit cigarette between her fingers. (Recto, print) lower right, handwritten in the negative: '22'
Man sitting, leaning against metal rails, and woman standing next to him, rear view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-sitting-leaning-against-metal-rails-and-woman-standing-next-to-image5438452.htmlRFAWTYF5–Man sitting, leaning against metal rails, and woman standing next to him, rear view
Two Unidentified Young Men Portrait of an unknown young man, The approximately twenty-five-year-old is depicted against a flat, oval background to just below the hip and three-quarters to the left, but with the gaze to the viewer. He has his right hand at head height, gesturing thumb and forefinger up, the left, in which a handkerchief, supports in the side, the elbow protrudes strongly. The face shows a mustache, the wavy hair hangs down to the wide, flat collar that completely covers the shoulders. He wears a jerkin, closed with buttons, with shoulder flaps. The sleeves, which are folded at Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-unidentified-young-men-portrait-of-an-unknown-young-man-the-approximately-twenty-five-year-old-is-depicted-against-a-flat-oval-background-to-just-below-the-hip-and-three-quarters-to-the-left-but-with-the-gaze-to-the-viewer-he-has-his-right-hand-at-head-height-gesturing-thumb-and-forefinger-up-the-left-in-which-a-handkerchief-supports-in-the-side-the-elbow-protrudes-strongly-the-face-shows-a-mustache-the-wavy-hair-hangs-down-to-the-wide-flat-collar-that-completely-covers-the-shoulders-he-wears-a-jerkin-closed-with-buttons-with-shoulder-flaps-the-sleeves-which-are-folded-at-image349951288.htmlRF2B99JC8–Two Unidentified Young Men Portrait of an unknown young man, The approximately twenty-five-year-old is depicted against a flat, oval background to just below the hip and three-quarters to the left, but with the gaze to the viewer. He has his right hand at head height, gesturing thumb and forefinger up, the left, in which a handkerchief, supports in the side, the elbow protrudes strongly. The face shows a mustache, the wavy hair hangs down to the wide, flat collar that completely covers the shoulders. He wears a jerkin, closed with buttons, with shoulder flaps. The sleeves, which are folded at
Young woman resting chin on hands, smiling, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-resting-chin-on-hands-smiling-portrait-image65518274.htmlRFDPGH6A–Young woman resting chin on hands, smiling, portrait
. English costume. A WOMAN OF THE TIME OF WILLIAMAND MARY (1689—1702) Here you see the cap called the fontage, the blacksilk apron, the looped skirt, and the hair on the highframe called a commode.. WILLIAM AND MARY 29 She is very stiff and tight-laced, and very long in the waist; and at the waist where the gown opens and at the loopings of it the richer wear jewelled brooches.Later in the reign there began a fashion for copying mens clothes, and ladies wore wide skirted coats with deep-flapped pockets, the sleeves of the coats down below the elbow and with deep-turned overcufFs. They wore, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-costume-a-woman-of-the-time-of-williamand-mary-16891702-here-you-see-the-cap-called-the-fontage-the-blacksilk-apron-the-looped-skirt-and-the-hair-on-the-highframe-called-a-commode-william-and-mary-29-she-is-very-stiff-and-tight-laced-and-very-long-in-the-waist-and-at-the-waist-where-the-gown-opens-and-at-the-loopings-of-it-the-richer-wear-jewelled-broocheslater-in-the-reign-there-began-a-fashion-for-copying-mens-clothes-and-ladies-wore-wide-skirted-coats-with-deep-flapped-pockets-the-sleeves-of-the-coats-down-below-the-elbow-and-with-deep-turned-overcuffs-they-wore-image336803785.htmlRM2AFXMJH–. English costume. A WOMAN OF THE TIME OF WILLIAMAND MARY (1689—1702) Here you see the cap called the fontage, the blacksilk apron, the looped skirt, and the hair on the highframe called a commode.. WILLIAM AND MARY 29 She is very stiff and tight-laced, and very long in the waist; and at the waist where the gown opens and at the loopings of it the richer wear jewelled brooches.Later in the reign there began a fashion for copying mens clothes, and ladies wore wide skirted coats with deep-flapped pockets, the sleeves of the coats down below the elbow and with deep-turned overcufFs. They wore,
Woman lying in grass, reading book Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woman-lying-in-grass-reading-book-10316440.htmlRFA1R6AH–Woman lying in grass, reading book
Mature man sitting on the ground, lining up toy cars, high angle view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mature-man-sitting-on-the-ground-lining-up-toy-cars-high-angle-view-17028679.htmlRFAY8K7M–Mature man sitting on the ground, lining up toy cars, high angle view
