Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kriegsmarine-casque-modle-35-artillerie-ctire-aigle-assez-ffac-prsent-31680315.html
RMBRF4FR–Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., ,
Franz Schubert - third page of the Austrian composer 's diary, 13 June 1816. Translation: 'A light and bright, beautiful day. This will remain throughout my whole life. As if from the distance Mozart 's magic tones resounded. How incredibly powerful and yet so gentle. They impress themselves by Schlesinger 's masterly performance deeply into my heart. Thus beautiful impressions remain in the soul, which are soothing to our existence, and which neither time nor events can efface. In the darkness of our life they throw a light, bright, and beautiful future, which fills us with fervent hope. Oh! Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franz-schubert-third-page-of-the-austrian-composer-s-diary-13-june-163609565.html
RMKE51JN–Franz Schubert - third page of the Austrian composer 's diary, 13 June 1816. Translation: 'A light and bright, beautiful day. This will remain throughout my whole life. As if from the distance Mozart 's magic tones resounded. How incredibly powerful and yet so gentle. They impress themselves by Schlesinger 's masterly performance deeply into my heart. Thus beautiful impressions remain in the soul, which are soothing to our existence, and which neither time nor events can efface. In the darkness of our life they throw a light, bright, and beautiful future, which fills us with fervent hope. Oh!
Juan Fernandez de Heredia, Raymond de Turenne et cardinal au visage effacé. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-fernandez-de-heredia-raymond-de-turenne-et-cardinal-au-visage-effac-image374210966.html
RM2CMPNWA–Juan Fernandez de Heredia, Raymond de Turenne et cardinal au visage effacé.
. Français : Graffitis de Pompéi situés sur la façade du Thermopolium d'Asellina (Regio IX. Insula 11. Mur Est de l'entrée 3 - entre l'entrée 3 et 4). Très éffacé CIL IV, 07871 = M(arcum) Lucretium Frontonem CIL IV, 07872 = C(aium) I(ulium) P(olybium) IIvir(um) d(ignum) r(ei) p(ublicae) CIL IV, 07873 = Ceium Secundum / IIv(irum) i(ure) d(icundo) Asellina rog(at) CIL IV, 07874 = C(aium) Lollium Fuscum aed(ilem) d(ignum) r(ei) o(ro) v(os) f(aciatis) Cf. A. Varone et G. Stefani, Titulorum Pictorum Pompeianorum, Rome, L'erma di Bretschneider, 2009, p. 427. Voir aussi avec Street view Català: Inscr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-graffitis-de-pompi-situs-sur-la-faade-du-thermopolium-dasellina-regio-ix-insula-11-mur-est-de-lentre-3-entre-lentre-3-et-4-trs-ffac-cil-iv-07871-=-marcum-lucretium-frontonem-cil-iv-07872-=-caium-iulium-polybium-iivirum-dignum-rei-publicae-cil-iv-07873-=-ceium-secundum-iivirum-iure-dicundo-asellina-rogat-cil-iv-07874-=-caium-lollium-fuscum-aedilem-dignum-rei-oro-vos-faciatis-cf-a-varone-et-g-stefani-titulorum-pictorum-pompeianorum-rome-lerma-di-bretschneider-2009-p-427-voir-aussi-avec-street-view-catal-inscr-image189172896.html
RMMYNFXT–. Français : Graffitis de Pompéi situés sur la façade du Thermopolium d'Asellina (Regio IX. Insula 11. Mur Est de l'entrée 3 - entre l'entrée 3 et 4). Très éffacé CIL IV, 07871 = M(arcum) Lucretium Frontonem CIL IV, 07872 = C(aium) I(ulium) P(olybium) IIvir(um) d(ignum) r(ei) p(ublicae) CIL IV, 07873 = Ceium Secundum / IIv(irum) i(ure) d(icundo) Asellina rog(at) CIL IV, 07874 = C(aium) Lollium Fuscum aed(ilem) d(ignum) r(ei) o(ro) v(os) f(aciatis) Cf. A. Varone et G. Stefani, Titulorum Pictorum Pompeianorum, Rome, L'erma di Bretschneider, 2009, p. 427. Voir aussi avec Street view Català: Inscr
Juan Fernandez de Heredia, Raymond de Turenne et cardinal au visage effacé Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-juan-fernandez-de-heredia-raymond-de-turenne-et-cardinal-au-visage-147573215.html
RMJG2F3Y–Juan Fernandez de Heredia, Raymond de Turenne et cardinal au visage effacé
Jan. 01, 1978 - Scotland Yard Issue Photo Of The Killer Said Hanmami: Scotland Yard have issued a phetofit of the killer of Said Hammami, London representative of the Palestinian Liberation Organization, who was shot dead by a man believed to be an Arab in his Mayfair baseman efface, last Wednesday. Photo shows The photofit issued by Scotland Yard of the killer of Said Hammani. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-01-1978-scotland-yard-issue-photo-of-the-killer-said-hanmami-scotland-image69491626.html
RME11H7P–Jan. 01, 1978 - Scotland Yard Issue Photo Of The Killer Said Hanmami: Scotland Yard have issued a phetofit of the killer of Said Hammami, London representative of the Palestinian Liberation Organization, who was shot dead by a man believed to be an Arab in his Mayfair baseman efface, last Wednesday. Photo shows The photofit issued by Scotland Yard of the killer of Said Hammani.
Xi'an, China's Shaanxi Province. 2nd May, 2015. A mother efface the tears on her daughter's face during an adult ceremony in Xi'an, capital of northwest China's Shaanxi Province, May 2, 2015. Over 1,000 students attiring Han costumes bowed to teachers and parents to declare being grown-ups. Credit: Liu Xiao/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-xian-chinas-shaanxi-province-2nd-may-2015-a-mother-efface-the-tears-82017946.html
RMENC6MA–Xi'an, China's Shaanxi Province. 2nd May, 2015. A mother efface the tears on her daughter's face during an adult ceremony in Xi'an, capital of northwest China's Shaanxi Province, May 2, 2015. Over 1,000 students attiring Han costumes bowed to teachers and parents to declare being grown-ups. Credit: Liu Xiao/Xinhua/Alamy Live News
Two seated men talking to two women standing; far left somewhat cleared, three other girls Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), dessinateur et peintre français. Deux hommes attablés causant avec deux femmes debout ; au fond à gauche un peu effacé, trois autres filles. Plume, lavis, encre bistre. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-seated-men-talking-to-two-women-standing-far-left-somewhat-cleared-three-other-girls-constantin-ernest-adolphe-hyacinthe-guys-1802-1892-dessinateur-et-peintre-franais-deux-hommes-attabls-causant-avec-deux-femmes-debout-au-fond-gauche-un-peu-effac-trois-autres-filles-plume-lavis-encre-bistre-paris-muse-carnavalet-image349976356.html
RM2B9APBG–Two seated men talking to two women standing; far left somewhat cleared, three other girls Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), dessinateur et peintre français. Deux hommes attablés causant avec deux femmes debout ; au fond à gauche un peu effacé, trois autres filles. Plume, lavis, encre bistre. Paris, musée Carnavalet.
(150502) -- XI AN, May 2, 2015 -- A mother efface the tears on her daughter s face during an adult ceremony in Xi an, capital of northwest China s Shaanxi Province, May 2, 2015. Over 1,000 students attiring Han costumes bowed to teachers and parents to declare being grown-ups. ) (mt) CHINA-XI AN-ADULT CEREMONY (CN) LiuxXiao PUBLICATIONxNOTxINxCHN Xi to May 2 2015 a Mother The Tears ON her Daughter S Face during to Adult Ceremony in Xi to Capital of Northwest China S Shaanxi Province May 2 2015 Over 1 000 Students attiring Han Costumes Bowed to Teachers and Parents to DECLARE Being Grown Oop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/150502-xi-an-may-2-2015-a-mother-efface-the-tears-on-her-daughter-s-face-during-an-adult-ceremony-in-xi-an-capital-of-northwest-china-s-shaanxi-province-may-2-2015-over-1000-students-attiring-han-costumes-bowed-to-teachers-and-parents-to-declare-being-grown-ups-mt-china-xi-an-adult-ceremony-cn-liuxxiao-publicationxnotxinxchn-xi-to-may-2-2015-a-mother-the-tears-on-her-daughter-s-face-during-to-adult-ceremony-in-xi-to-capital-of-northwest-china-s-shaanxi-province-may-2-2015-over-1-000-students-attiring-han-costumes-bowed-to-teachers-and-parents-to-declare-being-grown-oop-image563728686.html
RM2RN41KA–(150502) -- XI AN, May 2, 2015 -- A mother efface the tears on her daughter s face during an adult ceremony in Xi an, capital of northwest China s Shaanxi Province, May 2, 2015. Over 1,000 students attiring Han costumes bowed to teachers and parents to declare being grown-ups. ) (mt) CHINA-XI AN-ADULT CEREMONY (CN) LiuxXiao PUBLICATIONxNOTxINxCHN Xi to May 2 2015 a Mother The Tears ON her Daughter S Face during to Adult Ceremony in Xi to Capital of Northwest China S Shaanxi Province May 2 2015 Over 1 000 Students attiring Han Costumes Bowed to Teachers and Parents to DECLARE Being Grown Oop
Cooks, laundrymen, messengers, servants and liftboys etc., of the Semiramis Hotel sit in an unused ballroom listening to Shehata Effendi from the Ministry of Education who is taking this class. The new Egyptian Republican government is trying to efface the illiteracy of the country. Teacher, after their mornings work, are holding lectures for the people five afternoons a week in centres set aside for them. The ages of the pupils range from 12-45 and the course last a year. August 6, 1953. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cooks-laundrymen-messengers-servants-and-liftboys-etc-of-the-semiramis-hotel-sit-in-an-unused-ballroom-listening-to-shehata-effendi-from-the-ministry-of-education-who-is-taking-this-class-the-new-egyptian-republican-government-is-trying-to-efface-the-illiteracy-of-the-country-teacher-after-their-mornings-work-are-holding-lectures-for-the-people-five-afternoons-a-week-in-centres-set-aside-for-them-the-ages-of-the-pupils-range-from-12-45-and-the-course-last-a-year-august-6-1953-image463557009.html
RM2HX4RKD–Cooks, laundrymen, messengers, servants and liftboys etc., of the Semiramis Hotel sit in an unused ballroom listening to Shehata Effendi from the Ministry of Education who is taking this class. The new Egyptian Republican government is trying to efface the illiteracy of the country. Teacher, after their mornings work, are holding lectures for the people five afternoons a week in centres set aside for them. The ages of the pupils range from 12-45 and the course last a year. August 6, 1953.
Statue of John Hancock, 1914. Marble sculpture in the US Capitol by Horatio Stone. Inscription: 'He wrote his name where all nations should behold it and all time should not efface it', referring to his signature on the Declaration of Independence, July 4, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-john-hancock-1914-marble-sculpture-in-the-us-capitol-by-horatio-stone-inscription-he-wrote-his-name-where-all-nations-should-behold-it-and-all-time-should-not-efface-it-referring-to-his-signature-on-the-declaration-of-independence-july-4-1776-image534091878.html
RM2P0WYHX–Statue of John Hancock, 1914. Marble sculpture in the US Capitol by Horatio Stone. Inscription: 'He wrote his name where all nations should behold it and all time should not efface it', referring to his signature on the Declaration of Independence, July 4, 1776.
View from efface of bungalow in Bedouin camp. Res Shitan. Nuweiba. Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-efface-of-bungalow-in-bedouin-camp-res-shitan-nuweiba-egypt-image344132083.html
RM2AYTFYF–View from efface of bungalow in Bedouin camp. Res Shitan. Nuweiba. Egypt
VW Beetle in light blue parked - please efface number before publishing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vw-beetle-in-light-blue-parked-please-efface-number-before-publishing-image600598135.html
RM2WW3H1B–VW Beetle in light blue parked - please efface number before publishing
in dancing hall, Young ballerinas in purple leotards perform attitude efface on pointe shoes, standing near barre at mirror in ballet class. High quality photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-dancing-hall-young-ballerinas-in-purple-leotards-perform-attitude-efface-on-pointe-shoes-standing-near-barre-at-mirror-in-ballet-class-high-quality-photo-image478748743.html
RF2JPTTWB–in dancing hall, Young ballerinas in purple leotards perform attitude efface on pointe shoes, standing near barre at mirror in ballet class. High quality photo
Canadian filmmaker Eric Piccoli lifts the Award of the Dior Revelation Prize in Je voudrais qu on m efface (I would like to be erased) delivered to Canadian actor Malik Gervais-Aubourg during the 4th edition of the Cannes International Series Festival (Canneseries) in Cannes, on October 13, 2021, France. Photo by David Niviere/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canadian-filmmaker-eric-piccoli-lifts-the-award-of-the-dior-revelation-prize-in-je-voudrais-qu-on-m-efface-i-would-like-to-be-erased-delivered-to-canadian-actor-malik-gervais-aubourg-during-the-4th-edition-of-the-cannes-international-series-festival-canneseries-in-cannes-on-october-13-2021-france-photo-by-david-niviereabacapresscom-image447951467.html
RM2H0NXJK–Canadian filmmaker Eric Piccoli lifts the Award of the Dior Revelation Prize in Je voudrais qu on m efface (I would like to be erased) delivered to Canadian actor Malik Gervais-Aubourg during the 4th edition of the Cannes International Series Festival (Canneseries) in Cannes, on October 13, 2021, France. Photo by David Niviere/ABACAPRESS.COM
. Business shorthand;. 41 ?a 70^- X yt-^. HZ d Z. s£tyaJ>ndpa** —^Jky *ftfom**fo efface In atr&U&£$ix again ^^ttexf month ^JO*ecfMe&ef? Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/business-shorthand-41-a-70-x-yt-hz-d-z-styajgtndpa-jky-ftfomfo-efface-in-atruix-again-ttexf-month-joecfmeef-image337139143.html
RM2AGE0BK–. Business shorthand;. 41 ?a 70^- X yt-^. HZ d Z. s£tyaJ>ndpa** —^Jky *ftfom**fo efface In atr&U&£$ix again ^^ttexf month ^JO*ecfMe&ef?
Eraser on the end of a pencil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eraser-on-the-end-of-a-pencil-image3894652.html
RMA7XN7D–Eraser on the end of a pencil
Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kriegsmarine-casque-modle-35-artillerie-ctire-aigle-assez-ffac-prsent-31680303.html
RMBRF4FB–Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., ,
Anonymous. Basin de Fontaine with attached arms in France and the city of Paris. Earthenware. 1789-1792. Paris, Carnavalet museum. 72437-46 Coat of arms, Basin, Phrygian Bonnet, Painted Decor, Revolutionary Faience, Fontaine, France, Object, Revolution 1789, French Revolution, Ecrace symbol, city Paris, 18th 18th 18th 18th 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-basin-de-fontaine-with-attached-arms-in-france-and-the-city-of-paris-earthenware-1789-1792-paris-carnavalet-museum-72437-46-coat-of-arms-basin-phrygian-bonnet-painted-decor-revolutionary-faience-fontaine-france-object-revolution-1789-french-revolution-ecrace-symbol-city-paris-18th-18th-18th-18th-18th-century-image596787818.html
RM2WJX0XJ–Anonymous. Basin de Fontaine with attached arms in France and the city of Paris. Earthenware. 1789-1792. Paris, Carnavalet museum. 72437-46 Coat of arms, Basin, Phrygian Bonnet, Painted Decor, Revolutionary Faience, Fontaine, France, Object, Revolution 1789, French Revolution, Ecrace symbol, city Paris, 18th 18th 18th 18th 18th century
Delete aesthetic glossy blue round button abstract illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delete-aesthetic-glossy-blue-round-button-abstract-illustration-image378522631.html
RF2CYR5DB–Delete aesthetic glossy blue round button abstract illustration
Text sign showing I Am Sorry, Conceptual photo Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/text-sign-showing-i-am-sorry-conceptual-photo-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image548088221.html
RF2PRKG39–Text sign showing I Am Sorry, Conceptual photo Toask for forgiveness to someone you unintensionaly hurt
Hand writing sign I Am Sorry, Business approach Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-writing-sign-i-am-sorry-business-approach-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image548035341.html
RF2PRH4JN–Hand writing sign I Am Sorry, Business approach Toask for forgiveness to someone you unintensionaly hurt
A stream in the forest A stream in the bos Object Type : picture Item number: RP-P-OB-41.362Catalogusreferentie: Collection Rijksmuseum 3 (4) Beraldi 32 Inscriptions / Brands: inscription verso, handwritten: '3rd état unique l'arbre à gauche / effacé' collector's mark , verso, stamped: Lugt 2228 Manufacturer : printmaker Jean Alexis AchardPlaats manufacture: France Date: 1851 Physical features: etching on chine collé Material: paper chine collé Technique: etching dimensions: sheet: h 137 mm × W 111 mmplaatrand: h 145 mm × W 113 mm Subject: brook tree forest, wood procurement and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-stream-in-the-forest-a-stream-in-the-bos-object-type-picture-item-number-rp-p-ob-41362catalogusreferentie-collection-rijksmuseum-3-4-beraldi-32-inscriptions-brands-inscription-verso-handwritten-3rd-tat-unique-larbre-gauche-effac-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-jean-alexis-achardplaats-manufacture-france-date-1851-physical-features-etching-on-chine-coll-material-paper-chine-coll-technique-etching-dimensions-sheet-h-137-mm-w-111-mmplaatrand-h-145-mm-w-113-mm-subject-brook-tree-forest-wood-procurement-and-image348326711.html
RM2B6KJ7K–A stream in the forest A stream in the bos Object Type : picture Item number: RP-P-OB-41.362Catalogusreferentie: Collection Rijksmuseum 3 (4) Beraldi 32 Inscriptions / Brands: inscription verso, handwritten: '3rd état unique l'arbre à gauche / effacé' collector's mark , verso, stamped: Lugt 2228 Manufacturer : printmaker Jean Alexis AchardPlaats manufacture: France Date: 1851 Physical features: etching on chine collé Material: paper chine collé Technique: etching dimensions: sheet: h 137 mm × W 111 mmplaatrand: h 145 mm × W 113 mm Subject: brook tree forest, wood procurement and
Bildnummer: 60230065 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 quer 60 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-60230065-datum-28072013-copyright-imagoxinhua-130728-damascus-july-28-2013-xinhua-syria-s-minister-of-justice-najm-al-ahmad-speaks-in-interview-with-xinhua-in-damascus-syria-on-july-28-2013-najm-al-ahmad-said-sunday-that-the-crimes-carried-out-recently-by-the-rebels-in-the-northern-town-of-khan-al-asal-came-to-efface-the-evidences-of-their-use-of-chemical-weapons-against-civilians-and-government-troops-there-in-march-xinhuabassem-tellawi-syria-damascus-khan-al-asal-chemical-weapon-use-publicationxnotxinxchn-people-politik-premiumd-x0x-xmb-2013-quer-60-image563106617.html
RM2RM3M6H–Bildnummer: 60230065 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 quer 60
A red paper clip is on a blue background with a pink note that says I'm sorry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-red-paper-clip-is-on-a-blue-background-with-a-pink-note-that-says-im-sorry-image617060108.html
RF2XRWED0–A red paper clip is on a blue background with a pink note that says I'm sorry.
Sign displaying I Am Sorry. Business concept Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sign-displaying-i-am-sorry-business-concept-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image547428010.html
RM2PPHE0A–Sign displaying I Am Sorry. Business concept Toask for forgiveness to someone you unintensionaly hurt
List of the victims in the French newspaper liberation..Spontaneous homage at the victims of the terrorist attacks in Paris the 13th of november 2015. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-list-of-the-victims-in-the-french-newspaper-liberationspontaneous-148226061.html
RMJH47RW–List of the victims in the French newspaper liberation..Spontaneous homage at the victims of the terrorist attacks in Paris the 13th of november 2015.
Le Christ en majesté dans une mandorle est entouré du tétramorphe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-christ-en-majest-dans-une-mandorle-est-entour-du-ttramorphe-image449405403.html
RM2H3454Y–Le Christ en majesté dans une mandorle est entouré du tétramorphe
VW Beetle in light blue parked - please efface number before publishing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vw-beetle-in-light-blue-parked-please-efface-number-before-publishing-image600598110.html
RM2WW3H0E–VW Beetle in light blue parked - please efface number before publishing
Louvre Museum, visitors in front of the Mona Lisa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louvre-museum-visitors-in-front-of-the-mona-lisa-image362649609.html
RM2C2037N–Louvre Museum, visitors in front of the Mona Lisa
Canadian filmmaker Eric Piccoli lifts the Award of the Dior Revelation Prize in Je voudrais qu on m efface (I would like to be erased) delivered to Canadian actor Malik Gervais-Aubourg during the 4th edition of the Cannes International Series Festival (Canneseries) in Cannes, on October 13, 2021, France. Photo by David Niviere/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canadian-filmmaker-eric-piccoli-lifts-the-award-of-the-dior-revelation-prize-in-je-voudrais-qu-on-m-efface-i-would-like-to-be-erased-delivered-to-canadian-actor-malik-gervais-aubourg-during-the-4th-edition-of-the-cannes-international-series-festival-canneseries-in-cannes-on-october-13-2021-france-photo-by-david-niviereabacapresscom-image447951445.html
RM2H0NXHW–Canadian filmmaker Eric Piccoli lifts the Award of the Dior Revelation Prize in Je voudrais qu on m efface (I would like to be erased) delivered to Canadian actor Malik Gervais-Aubourg during the 4th edition of the Cannes International Series Festival (Canneseries) in Cannes, on October 13, 2021, France. Photo by David Niviere/ABACAPRESS.COM
Life of Robert Edward Lee . -sistence for worthy Confederate soldiers; he exerted hisenergies and his vast moral influence to restore the wasteplaces, and efface the desolation wrought by war. Butfor the cohesive moral power exercised during the fear-ful episode of reconstruction by the survivors of Leesarmy the civilization of the South would have undergonea process of fatal disintegration, the solidarity of oursocial as well as our political life would have dissolvedinto fragments; we should have descended to the deepsof chronic anarchy. That the South escaped this climaxof debasement to whi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/life-of-robert-edward-lee-sistence-for-worthy-confederate-soldiers-he-exerted-hisenergies-and-his-vast-moral-influence-to-restore-the-wasteplaces-and-efface-the-desolation-wrought-by-war-butfor-the-cohesive-moral-power-exercised-during-the-fear-ful-episode-of-reconstruction-by-the-survivors-of-leesarmy-the-civilization-of-the-south-would-have-undergonea-process-of-fatal-disintegration-the-solidarity-of-oursocial-as-well-as-our-political-life-would-have-dissolvedinto-fragments-we-should-have-descended-to-the-deepsof-chronic-anarchy-that-the-south-escaped-this-climaxof-debasement-to-whi-image340254510.html
RM2ANFX2P–Life of Robert Edward Lee . -sistence for worthy Confederate soldiers; he exerted hisenergies and his vast moral influence to restore the wasteplaces, and efface the desolation wrought by war. Butfor the cohesive moral power exercised during the fear-ful episode of reconstruction by the survivors of Leesarmy the civilization of the South would have undergonea process of fatal disintegration, the solidarity of oursocial as well as our political life would have dissolvedinto fragments; we should have descended to the deepsof chronic anarchy. That the South escaped this climaxof debasement to whi
Waves running over sand coast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-waves-running-over-sand-coast-114772692.html
RFGJM9MM–Waves running over sand coast
Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kriegsmarine-casque-modle-35-artillerie-ctire-aigle-assez-ffac-prsent-31680320.html
RMBRF4G0–Kriegsmarine, Casque modèle 35 artillerie côtière., Aigle assez éffacé (présent à 25%), couleurs nationales réglementairement grattées en 1941, peinture à 70%, complet avec son intérieur et sa jugulaire., ,
Violin vice part write dawn in notes ballet actor player stage theater boy man muscle biceps brawn culture art balance dance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/violin-vice-part-write-dawn-in-notes-ballet-actor-player-stage-theater-image7676042.html
RMADJEGB–Violin vice part write dawn in notes ballet actor player stage theater boy man muscle biceps brawn culture art balance dance
Icon for cleartext,delete Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-for-cleartextdelete-image592304997.html
RF2WBHR1W–Icon for cleartext,delete
text MONEY on the sand of the sea waiting to be erased by the water of the sea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-text-money-on-the-sand-of-the-sea-waiting-to-be-erased-by-the-water-164433928.html
RFKFEH48–text MONEY on the sand of the sea waiting to be erased by the water of the sea
Delete aesthetic glossy green round button abstract illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delete-aesthetic-glossy-green-round-button-abstract-illustration-image381564826.html
RF2D4NNR6–Delete aesthetic glossy green round button abstract illustration
Conceptual display I Am Sorry, Concept meaning Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conceptual-display-i-am-sorry-concept-meaning-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image547973601.html
RF2PRE9WN–Conceptual display I Am Sorry, Concept meaning Toask for forgiveness to someone you unintensionaly hurt
Conceptual caption I Am Sorry, Business showcase Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conceptual-caption-i-am-sorry-business-showcase-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image548634825.html
RF2PTGD8W–Conceptual caption I Am Sorry, Business showcase Toask for forgiveness to someone you unintensionaly hurt
An anonymous caricature of the aging Auguste Vestris, possibly published between the time of his last Paris Opéra première, in Pierre Gardel's ballet L'Enfant prodigue, April 28, 1816, and his official farewell, September 27, 1816. Depicts Vestris as an old man with large beak-like nose and exaggerated muscular development of limbs. The dancer, wearing a short sheer tunic trimmed with flowers, is on left demi-pointe with right leg extended effacé en avant. Cf. Lifar, Serge. Auguste Vestris, le dieu de la danse, 1950. Reproduction of the caricature and watercolor upon which it was based.; Le do Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-anonymous-caricature-of-the-aging-auguste-vestris-possibly-published-between-the-time-of-his-last-paris-opra-premire-in-pierre-gardels-ballet-lenfant-prodigue-april-28-1816-and-his-official-farewell-september-27-1816-depicts-vestris-as-an-old-man-with-large-beak-like-nose-and-exaggerated-muscular-development-of-limbs-the-dancer-wearing-a-short-sheer-tunic-trimmed-with-flowers-is-on-left-demi-pointe-with-right-leg-extended-effac-en-avant-cf-lifar-serge-auguste-vestris-le-dieu-de-la-danse-1950-reproduction-of-the-caricature-and-watercolor-upon-which-it-was-based-le-do-image337213807.html
RM2AGHBJ7–An anonymous caricature of the aging Auguste Vestris, possibly published between the time of his last Paris Opéra première, in Pierre Gardel's ballet L'Enfant prodigue, April 28, 1816, and his official farewell, September 27, 1816. Depicts Vestris as an old man with large beak-like nose and exaggerated muscular development of limbs. The dancer, wearing a short sheer tunic trimmed with flowers, is on left demi-pointe with right leg extended effacé en avant. Cf. Lifar, Serge. Auguste Vestris, le dieu de la danse, 1950. Reproduction of the caricature and watercolor upon which it was based.; Le do
Bildnummer: 60230064 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 quer 60 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-60230064-datum-28072013-copyright-imagoxinhua-130728-damascus-july-28-2013-xinhua-syria-s-minister-of-justice-najm-al-ahmad-speaks-in-interview-with-xinhua-in-damascus-syria-on-july-28-2013-najm-al-ahmad-said-sunday-that-the-crimes-carried-out-recently-by-the-rebels-in-the-northern-town-of-khan-al-asal-came-to-efface-the-evidences-of-their-use-of-chemical-weapons-against-civilians-and-government-troops-there-in-march-xinhuabassem-tellawi-syria-damascus-khan-al-asal-chemical-weapon-use-publicationxnotxinxchn-people-politik-premiumd-x0x-xmb-2013-quer-60-image563106620.html
RM2RM3M6M–Bildnummer: 60230064 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 quer 60
Top down view on row of yellow pencils with colorful eraser tops at different heights as concept for eliminating various mistake Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-top-down-view-on-row-of-yellow-pencils-with-colorful-eraser-tops-at-118236695.html
RFGTA433–Top down view on row of yellow pencils with colorful eraser tops at different heights as concept for eliminating various mistake
Calm waves running over terracotta colored sand coast. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calm-waves-running-over-terracotta-colored-sand-coast-image236589626.html
RFRMWGDE–Calm waves running over terracotta colored sand coast.
confusion danger ballerina ballet dancer actress stage performance challenge fire abstract modern absurd artistic balance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/confusion-danger-ballerina-ballet-dancer-actress-stage-performance-image7676060.html
RMADJEHD–confusion danger ballerina ballet dancer actress stage performance challenge fire abstract modern absurd artistic balance
VW Beetle in light blue parked - please efface number before publishing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vw-beetle-in-light-blue-parked-please-efface-number-before-publishing-image600598106.html
RM2WW3H0A–VW Beetle in light blue parked - please efface number before publishing
Louvre Museum, visitors in front of the Mona Lisa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louvre-museum-visitors-in-front-of-the-mona-lisa-image362649158.html
RM2C202KJ–Louvre Museum, visitors in front of the Mona Lisa
Painting with alleged assasin whited out,The Joseph Stalin Museum, Gori, Georgia - birthplace of Stalin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-with-alleged-assasin-whited-outthe-joseph-stalin-museum-gori-georgia-birthplace-of-stalin-image363874538.html
RM2C3YWK6–Painting with alleged assasin whited out,The Joseph Stalin Museum, Gori, Georgia - birthplace of Stalin
Appletons' cyclopaedia of applied mechanics: a dictionary of mechanical engineering and the mechanical arts . BSS:iJ5iiiiJ^!. portance when pening has to be performed upon finished work, because, if the marks sink deeply,proportionately more grinding or filing is required to efface them; and for this reason the force ofthe blows should be as near equal as possible. Another and a more important reason, however, isthat the effect of the pening does not penetrate deeply; and if much of the pened surface is re-moved, the effects of the pening will be also removed; for, as a rule, the immediate eff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appletons-cyclopaedia-of-applied-mechanics-a-dictionary-of-mechanical-engineering-and-the-mechanical-arts-bssij5iiiij!-portance-when-pening-has-to-be-performed-upon-finished-work-because-if-the-marks-sink-deeplyproportionately-more-grinding-or-filing-is-required-to-efface-them-and-for-this-reason-the-force-ofthe-blows-should-be-as-near-equal-as-possible-another-and-a-more-important-reason-however-isthat-the-effect-of-the-pening-does-not-penetrate-deeply-and-if-much-of-the-pened-surface-is-re-moved-the-effects-of-the-pening-will-be-also-removed-for-as-a-rule-the-immediate-eff-image340294702.html
RM2ANHNA6–Appletons' cyclopaedia of applied mechanics: a dictionary of mechanical engineering and the mechanical arts . BSS:iJ5iiiiJ^!. portance when pening has to be performed upon finished work, because, if the marks sink deeply,proportionately more grinding or filing is required to efface them; and for this reason the force ofthe blows should be as near equal as possible. Another and a more important reason, however, isthat the effect of the pening does not penetrate deeply; and if much of the pened surface is re-moved, the effects of the pening will be also removed; for, as a rule, the immediate eff
DELETE 3D icon casting shadow, 3D illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delete-3d-icon-casting-shadow-3d-illustration-image369282529.html
RF2CCP7HN–DELETE 3D icon casting shadow, 3D illustration
Acessoires, Porte-chargeurs pour MP 38/40, en toile verte et sangles cuir fauve, pattes arrières supprimées, sanglon d'accroche de la sangle d'allègement avec sa boucle cousue verticalement au centre de manière à permettre un port vertical de la pièce. Marquage 'M.P38 und 40' au tampon encreur violet partiellement effacé. Marquage dans le cuir arrière 'gmh43' et 'Wa.A413'., , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-acessoires-porte-chargeurs-pour-mp-3840-en-toile-verte-et-sangles-31679680.html
RMBRF3N4–Acessoires, Porte-chargeurs pour MP 38/40, en toile verte et sangles cuir fauve, pattes arrières supprimées, sanglon d'accroche de la sangle d'allègement avec sa boucle cousue verticalement au centre de manière à permettre un port vertical de la pièce. Marquage 'M.P38 und 40' au tampon encreur violet partiellement effacé. Marquage dans le cuir arrière 'gmh43' et 'Wa.A413'., ,
Icon for cleartext,delete Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-for-cleartextdelete-image591780537.html
RF2WANX35–Icon for cleartext,delete
BIG text MONEY on the sand of the sea waiting to be erased by the water of the sea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-big-text-money-on-the-sand-of-the-sea-waiting-to-be-erased-by-the-162650479.html
RFKCHA9K–BIG text MONEY on the sand of the sea waiting to be erased by the water of the sea
Procedure of care by nails - nail polish removal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procedure-of-care-by-nails-nail-polish-removal-image269241080.html
RFWJ0YMT–Procedure of care by nails - nail polish removal
Text sign showing I Am Sorry, Conceptual photo Toask for forgiveness to someone you unintensionaly hurt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/text-sign-showing-i-am-sorry-conceptual-photo-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-image548491851.html
RF2PT9XXK–Text sign showing I Am Sorry, Conceptual photo Toask for forgiveness to someone you unintensionaly hurt
Sign displaying I Am Sorry, Business approach Toask for forgiveness to someone you unintensionaly hurt Colleagues Having Meeting Discussing Future Pro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sign-displaying-i-am-sorry-business-approach-toask-for-forgiveness-to-someone-you-unintensionaly-hurt-colleagues-having-meeting-discussing-future-pro-image547951714.html
RF2PRDA02–Sign displaying I Am Sorry, Business approach Toask for forgiveness to someone you unintensionaly hurt Colleagues Having Meeting Discussing Future Pro
Torn poster on a brick wall, Lyon, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/torn-poster-on-a-brick-wall-lyon-france-image364284405.html
RM2C4JGD9–Torn poster on a brick wall, Lyon, France
Bildnummer: 60230063 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 hoch 60 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-60230063-datum-28072013-copyright-imagoxinhua-130728-damascus-july-28-2013-xinhua-syria-s-minister-of-justice-najm-al-ahmad-speaks-in-interview-with-xinhua-in-damascus-syria-on-july-28-2013-najm-al-ahmad-said-sunday-that-the-crimes-carried-out-recently-by-the-rebels-in-the-northern-town-of-khan-al-asal-came-to-efface-the-evidences-of-their-use-of-chemical-weapons-against-civilians-and-government-troops-there-in-march-xinhuabassem-tellawi-syria-damascus-khan-al-asal-chemical-weapon-use-publicationxnotxinxchn-people-politik-premiumd-x0x-xmb-2013-hoch-60-image563106629.html
RM2RM3M71–Bildnummer: 60230063 Datum: 28.07.2013 Copyright: imago/Xinhua (130728) -- DAMASCUS, July 28, 2013 (Xinhua) -- Syria s Minister of Justice Najm al-Ahmad speaks in interview with Xinhua in Damascus, Syria on July 28, 2013. Najm al-Ahmad said Sunday that the crimes carried out recently by the rebels in the northern town of Khan al-Asal came to efface the evidences of their use of chemical weapons against civilians and government troops there in March. (Xinhua/Bassem Tellawi) SYRIA-DAMASCUS-KHAN AL-ASAL-CHEMICAL WEAPON USE PUBLICATIONxNOTxINxCHN People Politik premiumd x0x xmb 2013 hoch 60
Forget the past written on the chalk board. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/forget-the-past-written-on-the-chalk-board-image478543006.html
RF2JPFEDJ–Forget the past written on the chalk board.
Tranquil waves running over red sand coast. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tranquil-waves-running-over-red-sand-coast-55264389.html
RFD5WE85–Tranquil waves running over red sand coast.
The inscription School on the blackboard is washed off with drops of water, the concept of graduation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-inscription-school-on-the-blackboard-is-washed-off-with-drops-of-water-the-concept-of-graduation-image386662061.html
RF2DD1YB9–The inscription School on the blackboard is washed off with drops of water, the concept of graduation
Louvre Museum, visitors in front of the Mona Lisa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louvre-museum-visitors-in-front-of-the-mona-lisa-image362649794.html
RM2C203EA–Louvre Museum, visitors in front of the Mona Lisa
. The earth and its inhabitants .. . n° Meridian oF Greenw.cK S0' (J,OOU Miles. Dumont d'TJrville. During the intervening sixty years, rendered memorable by the voyages of Carteret, de Bougainville, Cook, Vancouver, and Laperouse, the geographical work of oceanic research was completed in all its main features. Thenceforth nothing remained and nothing still remains to be done, except to fix more accurately the position of the island groups, to trace their outlines more carefully, indicate all the reefs, survey the doubtful landmarks, and efface those that had been erroneously inserted on the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-earth-and-its-inhabitants-n-meridian-of-greenwck-s0-joou-miles-dumont-dtjrville-during-the-intervening-sixty-years-rendered-memorable-by-the-voyages-of-carteret-de-bougainville-cook-vancouver-and-laperouse-the-geographical-work-of-oceanic-research-was-completed-in-all-its-main-features-thenceforth-nothing-remained-and-nothing-still-remains-to-be-done-except-to-fix-more-accurately-the-position-of-the-island-groups-to-trace-their-outlines-more-carefully-indicate-all-the-reefs-survey-the-doubtful-landmarks-and-efface-those-that-had-been-erroneously-inserted-on-the-image178488069.html
RMMAAR9W–. The earth and its inhabitants .. . n° Meridian oF Greenw.cK S0' (J,OOU Miles. Dumont d'TJrville. During the intervening sixty years, rendered memorable by the voyages of Carteret, de Bougainville, Cook, Vancouver, and Laperouse, the geographical work of oceanic research was completed in all its main features. Thenceforth nothing remained and nothing still remains to be done, except to fix more accurately the position of the island groups, to trace their outlines more carefully, indicate all the reefs, survey the doubtful landmarks, and efface those that had been erroneously inserted on the
A history of the United States, from the discovery of the American continent .. . which he convened, anxious for politi-cal liberties, which the recent changes had threatenedto efface, found a remedy wdthin themselves, and, as-suming the power of fundamental legislation, frameda democratic constitution. They would have theirprivileges granted before they would give anie monie.Doubtful of the extent of his authority, Markham dis-solved the assembly. 1696. The legislature of the next year persevered, and,by its own authority, subject only to the assent of theproprietary, established a purely dem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-the-united-states-from-the-discovery-of-the-american-continent-which-he-convened-anxious-for-politi-cal-liberties-which-the-recent-changes-had-threatenedto-efface-found-a-remedy-wdthin-themselves-and-as-suming-the-power-of-fundamental-legislation-frameda-democratic-constitution-they-would-have-theirprivileges-granted-before-they-would-give-anie-moniedoubtful-of-the-extent-of-his-authority-markham-dis-solved-the-assembly-1696-the-legislature-of-the-next-year-persevered-andby-its-own-authority-subject-only-to-the-assent-of-theproprietary-established-a-purely-dem-image340305853.html
RM2ANJ7GD–A history of the United States, from the discovery of the American continent .. . which he convened, anxious for politi-cal liberties, which the recent changes had threatenedto efface, found a remedy wdthin themselves, and, as-suming the power of fundamental legislation, frameda democratic constitution. They would have theirprivileges granted before they would give anie monie.Doubtful of the extent of his authority, Markham dis-solved the assembly. 1696. The legislature of the next year persevered, and,by its own authority, subject only to the assent of theproprietary, established a purely dem
DELETE 3D icon on the wall and text of cubic alphabets on the floor, 3D illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delete-3d-icon-on-the-wall-and-text-of-cubic-alphabets-on-the-floor-3d-illustration-image369417032.html
RF2CD0B5C–DELETE 3D icon on the wall and text of cubic alphabets on the floor, 3D illustration
Acessoires, Porte-chargeurs pour MP 38/40, en toile verte et sangles cuir fauve, pattes arrières supprimées, sanglon d'accroche de la sangle d'allègement avec sa boucle cousue verticalement au centre de manière à permettre un port vertical de la pièce. Marquage 'M.P38 und 40' au tampon encreur violet partiellement effacé. Marquage dans le cuir arrière 'gmh43' et 'Wa.A413'., , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-acessoires-porte-chargeurs-pour-mp-3840-en-toile-verte-et-sangles-31679256.html
RMBRF360–Acessoires, Porte-chargeurs pour MP 38/40, en toile verte et sangles cuir fauve, pattes arrières supprimées, sanglon d'accroche de la sangle d'allègement avec sa boucle cousue verticalement au centre de manière à permettre un port vertical de la pièce. Marquage 'M.P38 und 40' au tampon encreur violet partiellement effacé. Marquage dans le cuir arrière 'gmh43' et 'Wa.A413'., ,
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A treatise on the diseases of the eye . there was no congenitaltrace of it,—twice as a sequel of scrofulous and once of variolous ophthal-mia,^—and that he has also seen it on one side only. How those diseases,however, can possibly give rise to this deformity, we must confess ourselvesunable to conceive. In the only two examples we have met with of it,—alady and her child,—it was congenital and existed on both sides. When this deformity is sufficiently great to impede the opening of thelids, it may be removed by pinching up a longitudinal fold of skin ofsufficient size to efface the epecanthis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-the-diseases-of-the-eye-there-was-no-congenitaltrace-of-ittwice-as-a-sequel-of-scrofulous-and-once-of-variolous-ophthal-miaand-that-he-has-also-seen-it-on-one-side-only-how-those-diseaseshowever-can-possibly-give-rise-to-this-deformity-we-must-confess-ourselvesunable-to-conceive-in-the-only-two-examples-we-have-met-with-of-italady-and-her-childit-was-congenital-and-existed-on-both-sides-when-this-deformity-is-sufficiently-great-to-impede-the-opening-of-thelids-it-may-be-removed-by-pinching-up-a-longitudinal-fold-of-skin-ofsufficient-size-to-efface-the-epecanthis-image339481578.html
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