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Edward lear drawing Stock Photos and Images
RMKCC1H9–Drawings and Prints, Drawing, Pentedatelo, Calabria, Italy, Artist, Edward Lear, British, London 1812–1888 San Remo, Lear
RMERH117–The Owl and the Pussycat by Edward Lear: 'They sailed away for a year and a day, To the land where the Bong-tree grows'.
RF2HWA74K–Art inspired by Drawings and Prints, Drawing, Pentedatelo, Calabria, Italy, Artist, Edward Lear, British, London 1812–1888 San Remo, Lear, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFFTKN–Knowsley Hall. Drawing. Graphite on thick, moderately textured, beige wove paper. Height: 273 mm (10.74 in); Width: 381 mm (15 in). Author: Edward Lear.
RMAJFC3F–BIRDS OF EUROPE COMMON HERON Ardea cinerea illustration is by Edward Lear in the 19th century book by John Gould 1804 81
RF2B75CPH–Edward Lear, this scene shows a man sleeping on long table, vintage line drawing or engraving illustration
RF2JA13BP–GREAT BRITAIN – CIRCA 1988: a stamp printed in the Great Britain shows The Owl and the Pussycat in a Boat, Drawing by Edward Lear, circa 1988
RMR4X990–Fictional plant: 'Guittara Pensilis'. Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 23.
RM2WGY1XC–View of the Ponte Lupo (near Tivoli), Edward Lear, 1845 drawing View of the Ponte Lupo: ruins of a Roman aqueduct. paper. ink. pencil pen / brush landscape with ruins. landscape with bridge, viaduct or aqueduct Ponte Lupo
RF2PT2510–2017 biography of polymath Victorian Edward Lear perhaps most known for his nonsense poetry
RMG8CPW0–UNITED KINGDOM - CIRCA 1988: a stamp printed in the Great Britain shows The Owl and the Pussycat in a Boat, Drawing by Edward Le
![Isola Bella, Lago Maggiore, 1839. Most famous for humorous poems such as "The Owl and the Pussycat," Lear was also a painter and illustrator who wittily described himself as "Greek Topographical Painter par excellence." As a young artist, he traveled to Rome and remained abroad for the majority of his life. He undertook walking tours in Italy, Greece, Switzerland, and France, and sketched assiduously. Upon finding what he deemed a good subject, Lear observed the scenery through a monocle and then rapidly sketched the details of the view in graphite, usually recording the pr Stock Photo](https://c8.alamy.com/comp/2A518DY/isola-bella-lago-maggiore-1839-most-famous-for-humorous-poems-such-as-quotthe-owl-and-the-pussycatquot-lear-was-also-a-painter-and-illustrator-who-wittily-described-himself-as-quotgreek-topographical-painter-par-excellencequot-as-a-young-artist-he-traveled-to-rome-and-remained-abroad-for-the-majority-of-his-life-he-undertook-walking-tours-in-italy-greece-switzerland-and-france-and-sketched-assiduously-upon-finding-what-he-deemed-a-good-subject-lear-observed-the-scenery-through-a-monocle-and-then-rapidly-sketched-the-details-of-the-view-in-graphite-usually-recording-the-pr-2A518DY.jpg "Isola Bella, Lago Maggiore, 1839. Most famous for humorous poems such as "The Owl and the Pussycat," Lear was also a painter and illustrator who wittily described himself as "Greek Topographical Painter par excellence." As a young artist, he traveled to Rome and remained abroad for the majority of his life. He undertook walking tours in Italy, Greece, Switzerland, and France, and sketched assiduously. Upon finding what he deemed a good subject, Lear observed the scenery through a monocle and then rapidly sketched the details of the view in graphite, usually recording the pr Stock Photo")
RM2A518DY–Isola Bella, Lago Maggiore, 1839. Most famous for humorous poems such as "The Owl and the Pussycat," Lear was also a painter and illustrator who wittily described himself as "Greek Topographical Painter par excellence." As a young artist, he traveled to Rome and remained abroad for the majority of his life. He undertook walking tours in Italy, Greece, Switzerland, and France, and sketched assiduously. Upon finding what he deemed a good subject, Lear observed the scenery through a monocle and then rapidly sketched the details of the view in graphite, usually recording the pr
RMERH118–The Dong with a luminous nose by Edward Lear: 'The wandering Dong through the forest goes'. Illustration by L. Leslie Brooke
RMRFF9M4–Derwentwater. Date/Period: 1836?. Drawing. Graphite with stumping and gouache on moderately thick, moderately textured, gray-green wove paper. Height: 167 mm (6.57 in); Width: 254 mm (10 in). Author: Edward Lear.
RMAJFC42–BIRDS OF EUROPE SNOWY OWL Strix Nyetea Surnia Nyetea illustration is by Edward Lear in the 19th century book by John Gould
RF2B76HF1–Edward Lear, this scene shows a man holding stick and stretching his legs, vintage line drawing or engraving illustration
RMR4Y75R–Fictional plant: 'Armchairia Confortablis' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 9. Language: English.
RM2HGNPR6–Monastir September 19, 1848 Edward Lear Lear visited Monastir during a fall 1848 tour. His 'Journals of a Landcape Painter in Albania, etc.' (1851) record Constantinople as his point of departure, and arrival at Monastir on September 18th, with a stay of three days. Then part of the Ottoman Empire, the town lies in a region that borders Illyria and Macedonia and is today known as Bitola, within the Republic of Macedonia. In the mid-nineteenth century local Muslims regarded drawing as blasphemous and made it impossible initially for Lear to sketch outdoors. After visiting a local Ottoman offici
RF2PT24YC–2017 biography of polymath Victorian Edward Lear perhaps most known for his nonsense poetry
RMERH8F8–The Owl and the Pussycat by Edward Lear: 'They sailed away for a year and a day, To the land where the Bong-tree grows'.
RMRFF847–A Country House. Date/Period: Ca. 1834. Drawing. Graphite with brown wash on moderately thick,slightly textured, beige wove paper. Height: 175 mm (6.88 in); Width: 254 mm (10 in). Author: Edward Lear.
RF2B74ARD–Edward Lear, this scene shows a man with very long legs and holding stick and umbrella, vintage line drawing or engraving illustration
RMR50X76–Fictional plant: 'Knutmigrata Simplice' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 15. Language: English.
RM2HHXYYY–Pentedatelo, Calabria, Italy 1847 (?) Edward Lear British Lear made this drawing on a trip through southern Italy in 1847. His diary records that on July 30, he arrived, “at an elevated plateau whence the whole 'Toe of Italy' is finely discernible, a sea of undulating lines of varied forms down to the Mediterranean; a few towns glittered here and there, and towering over the southern extremity of land, a high cluster or rocks, the wild crags of Pentedátelo, particularly arrested our attention.' From a villa surrounded by a grape arbor and melon patch we look toward a distant cluster of jagged
RF2PT2DMH–2017 biography of polymath Victorian Edward Lear perhaps most known for his nonsense poetry
RMERH11B–Edward Lear 's Nonsense Songs. Illustration by L. Leslie Brooke from 'The Courtship of the Yonghy-Bonghy-Bo': 'If you'll come
RMRFF9CC–Derwentwater, September 1836. Date/Period: 1836. Drawing. Graphite with stumping and white gouache on moderately thick, slightly textured, gray-green wove paper. Height: 170 mm (6.69 in); Width: 254 mm (10 in). Author: Edward Lear.
RF2B7693J–Edward Lear, this scene shows a man with big wig on head and holding stick, vintage line drawing or engraving illustration
RMR4XBFP–Fictional plant: 'Cockatooca Superba' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 21. Language: English.
RMERH11J–Edward Lear 's Mr and Mrs Discobbolos from 'Nonsense Songs': 'Mr and Mrs Discobbolos climbed to the top of a wall'.
RMRFFTK3–Korti. Date/Period: 1867. Drawing. Watercolor with pen in brown ink, over graphite on medium, slightly textured, cream wove paper. Height: 43 mm (1.69 in); Width: 81 mm (3.18 in). Author: Edward Lear.
RF2B74D04–Edward Lear, this scene shows a lady playing flute and three pigs standing in front of her, vintage line drawing or engraving illustration
RMR510BJ–Fictional plant: 'Puffia Leatherbellowsa' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 17. Language: English.
RMERH116–Edward Lear 's The Jumblies: 'They went to sea in a Sieve, they did'. Illustration by L. Leslie Brooke from 'Nonsense Songs' by
RMRFF9BR–Calder Abbey, September 12. 1836. Date/Period: 1836. Drawing. Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper. Height: 232 mm (9.13 in); Width: 333 mm (13.11 in). Author: Edward Lear.
RF2B76PR3–Edward Lear, this scene shows a man puts another man in the stocks by the beadle and scolding him, vintage line drawing or engraving illustration
RMR4X5RE–Fictional plant: 'Baccopipia Gracilis' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 19. Language: English.
RMERH11G–Edward Lear 's The Two Old Bachelors from 'Nonsense Songs': 'And at the top, among the rocks, all seated in a nook, They saw
RMRFFTMB–Isola di Sora, 31 Mar. 1842. Date/Period: 1842. Drawing. Graphite with stumping on moderately thick, moderately textured, gray wove paper. Height: 168 mm (6.61 in); Width: 257 mm (10.11 in). Author: Edward Lear.
RF2B76C2C–Edward Lear, this scene shows a lady whose bonnet came untied when the birds sat upon it and flying birds, vintage line drawing or engraving illustrat
RMR4X97B–Fictional plant: 'Bubblia Blowpipia' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 11. Language: English.
RMERH11E–Edward Lear 's Nonsense Songs. Illustration by L. Leslie Brooke from 'Mr and Mrs Spikky Sparrow': 'Their children cried, O Ma
RMRFG7KY–Genezzano, 17 May 1838. Date/Period: 1838. Drawing. Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper. Height: 252 mm (9.92 in); Width: 356 mm (14.01 in). Author: Edward Lear.
RF2B7493G–Edward Lear, this scene shows a man standing on tips of his toes and three men standing near him and looking at him, vintage line drawing or engraving
RMR4XAKK–Fictional plant: 'Crabbia Horridia' Illustration from Nonsense Botany by Edward Lear, published in 1889. . Nonsense Botany, and Nonsense Alphabets, Fifth edition. Frederick Warne & Co.: London & New York, 1889. Source: Cup.400.a.42 13. Language: English.
RMERH11K–Edward Lear 's 'The Quangle Wangle 's Hat' from 'Nonsense Songs': 'And at night by the light of the mulberry moon, They danced
RMRFF791–Egyptian Man. Date/Period: January to April 1867. Drawing. Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper. Height: 43 mm (1.69 in); Width: 35 mm (1.37 in). Author: Edward Lear.
Search Results for Edward lear drawing Stock Photos and Images (1,625)
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