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Ecclesiastical garment Stock Photos and Images
Ecclesiastical garment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ecclesiastical-garment-21299652.htmlRMB6J7WT–Ecclesiastical garment
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-near-isfahan-mid-1600s-ad-ottoman-turkish-and-safavid-silk-fabrics-view-2-image265057614.htmlRMWB6BKA–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3 Textile Museum, George Washington University DSC09618 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153769326.htmlRMJX4P9J–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3 Textile Museum, George Washington University DSC09618
Garment for an ecclesiastical figurine, Medium: cotton (for outer jacket); silk (for lining); metallic thread Technique: double cloth (outer jacket): plain weave with warps and wefts of twill, Jacket of blue and white cotton in squares with metallic trim., 16th–17th century, costume & accessories, Garment for an ecclesiastical figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garment-for-an-ecclesiastical-figurine-medium-cotton-for-outer-jacket-silk-for-lining-metallic-thread-technique-double-cloth-outer-jacket-plain-weave-with-warps-and-wefts-of-twill-jacket-of-blue-and-white-cotton-in-squares-with-metallic-trim-16th17th-century-costume-accessories-garment-for-an-ecclesiastical-figurine-image391268255.htmlRM2DMFPJ7–Garment for an ecclesiastical figurine, Medium: cotton (for outer jacket); silk (for lining); metallic thread Technique: double cloth (outer jacket): plain weave with warps and wefts of twill, Jacket of blue and white cotton in squares with metallic trim., 16th–17th century, costume & accessories, Garment for an ecclesiastical figurine
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Benedictines, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Benediktiner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-benedictines-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-benediktiner-image336282567.htmlRF2AF2YRK–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Benedictines, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Benediktiner
Wide Border Adapted to Neckline of an Ecclesiastical Garment M.73.5.701 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wide-border-adapted-to-neckline-of-an-ecclesiastical-garment-m735701-59377965.htmlRMDCGW5H–Wide Border Adapted to Neckline of an Ecclesiastical Garment M.73.5.701
Front Panel of Ecclesiastical Garment. Iran or Eastern Europe, 17th century. Costumes; ecclesiastical. Panel: Silk and metallic-thread satin with silk and metallic-thread supplementary weft patterning bound in twill (lampas), with metallic-thread lace and metallic-thread fringe Separate lining: Silk satin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-panel-of-ecclesiastical-garment-iran-or-eastern-europe-17th-century-costumes-ecclesiastical-panel-silk-and-metallic-thread-satin-with-silk-and-metallic-thread-supplementary-weft-patterning-bound-in-twill-lampas-with-metallic-thread-lace-and-metallic-thread-fringe-separate-lining-silk-satin-image464664686.htmlRM2HYY8FA–Front Panel of Ecclesiastical Garment. Iran or Eastern Europe, 17th century. Costumes; ecclesiastical. Panel: Silk and metallic-thread satin with silk and metallic-thread supplementary weft patterning bound in twill (lampas), with metallic-thread lace and metallic-thread fringe Separate lining: Silk satin
Ecclesiastical Costume Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-costume-image184251255.htmlRMMKNA9Y–Ecclesiastical Costume
Art inspired by Chasuble, late 16th or early 17th century, Italian, Silk; linen, 47 1/2 x 27 1/2 (120.7 x 69.9 cm), Textiles-Ecclesiastical, This chasuble (a liturgical garment worn during the celebration of the Mass) is fashioned of yellow-green velvet patterned in an allover repeat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chasuble-late-16th-or-early-17th-century-italian-silk-linen-47-12-x-27-12-1207-x-699-cm-textiles-ecclesiastical-this-chasuble-a-liturgical-garment-worn-during-the-celebration-of-the-mass-is-fashioned-of-yellow-green-velvet-patterned-in-an-allover-repeat-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825695.htmlRF2HTYEW3–Art inspired by Chasuble, late 16th or early 17th century, Italian, Silk; linen, 47 1/2 x 27 1/2 (120.7 x 69.9 cm), Textiles-Ecclesiastical, This chasuble (a liturgical garment worn during the celebration of the Mass) is fashioned of yellow-green velvet patterned in an allover repeat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
16th XVI 17th century XVII Italian Ecclesiastical costumes Cardinal and prelate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16th-xvi-17th-century-xvii-italian-ecclesiastical-costumes-cardinal-image62885921.htmlRFDJ8KHN–16th XVI 17th century XVII Italian Ecclesiastical costumes Cardinal and prelate
Garment for an ecclesiastical figurine. Research in ProgressJacket of blue and white cotton in squares with metallic trim. Garment for an ecclesiastical figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garment-for-an-ecclesiastical-figurine-research-in-progressjacket-of-blue-and-white-cotton-in-squares-with-metallic-trim-garment-for-an-ecclesiastical-figurine-image352223210.htmlRM2BD148A–Garment for an ecclesiastical figurine. Research in ProgressJacket of blue and white cotton in squares with metallic trim. Garment for an ecclesiastical figurine
Garment For An Ecclesiastical Figurine; cotton (for outer jacket); silk (for lining); metallic thread Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garment-for-an-ecclesiastical-figurine-cotton-for-outer-jacket-silk-for-lining-metallic-thread-image546141704.htmlRM2PMEW8T–Garment For An Ecclesiastical Figurine; cotton (for outer jacket); silk (for lining); metallic thread
History of Germany. Middle Ages. 1400-1450. From left to right, 5: Emperor Sigismund, 6: ecclesiastical Elector, 7: Duke of Bavaria, 8-9: university costumes. Chromolithography. 'Historia Universal', by César Cantú. Volume VII, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-germany-middle-ages-1400-1450-from-left-to-right-5-emperor-sigismund-6-ecclesiastical-elector-7-duke-of-bavaria-8-9-university-costumes-chromolithography-historia-universal-by-csar-cant-volume-vii-1881-image593315878.htmlRM2WD7TCP–History of Germany. Middle Ages. 1400-1450. From left to right, 5: Emperor Sigismund, 6: ecclesiastical Elector, 7: Duke of Bavaria, 8-9: university costumes. Chromolithography. 'Historia Universal', by César Cantú. Volume VII, 1881.
Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rome-garments-for-the-next-pope-are-displayed-at-the-gammarelli-atelier-177529488.htmlRMM8R4JT–Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P
493 Pope Gregory I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/493-pope-gregory-i-image213963237.htmlRMPC2T85–493 Pope Gregory I
Giant gold cross set embroidery at the back of the stole worn by Christian priest. Selected focus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giant-gold-cross-set-embroidery-at-the-back-of-the-stole-worn-by-christian-priest-selected-focus-image484917863.htmlRF2K4WWK3–Giant gold cross set embroidery at the back of the stole worn by Christian priest. Selected focus.
The nationalist revival in Ethiopia and the expulsion of the Portuguese. 'Three Capuchins beheaded in the year 1648 by the command of Basilides, King of the Habessines.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 51. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nationalist-revival-in-ethiopia-and-the-expulsion-of-the-portuguese-three-capuchins-beheaded-in-the-year-1648-by-the-command-of-basilides-king-of-the-habessines-the-african-adventure-a-history-of-africas-explorers-by-timothy-severin-page-51-image268794236.htmlRMWH8HP4–The nationalist revival in Ethiopia and the expulsion of the Portuguese. 'Three Capuchins beheaded in the year 1648 by the command of Basilides, King of the Habessines.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 51.
Reims, Saint remi Basilica, listed as World Heritage by UNESCO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reims-saint-remi-basilica-listed-as-world-heritage-by-unesco-36580769.htmlRMC3EB41–Reims, Saint remi Basilica, listed as World Heritage by UNESCO
A Roman Catholic vestment and various relics on display at the Teseum in Tongeren, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-roman-catholic-vestment-and-various-relics-on-display-at-the-teseum-141246761.htmlRMJ5P9K5–A Roman Catholic vestment and various relics on display at the Teseum in Tongeren, Belgium
Ecclesiastical garment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ecclesiastical-garment-21299565.htmlRMB6J7PN–Ecclesiastical garment
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-near-isfahan-mid-1600s-ad-ottoman-turkish-and-safavid-silk-fabrics-view-1-image265057623.htmlRMWB6BKK–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1 Textile Museum, George Washington University DSC09614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153146239.htmlRMJW4BGF–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1 Textile Museum, George Washington University DSC09614
Dress for an ecclesiastical figurine, Medium: silk, metallic yarns Technique: satin weave with discontinuous supplementary weft patterning (brocade), bobbin lace, Garment for religious statue. Polychrome silk brocade showing scrolling florals, trimmed with silver metallic bobbin lace., Spain, 18th century, costume & accessories, Dress for an ecclesiastical figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-for-an-ecclesiastical-figurine-medium-silk-metallic-yarns-technique-satin-weave-with-discontinuous-supplementary-weft-patterning-brocade-bobbin-lace-garment-for-religious-statue-polychrome-silk-brocade-showing-scrolling-florals-trimmed-with-silver-metallic-bobbin-lace-spain-18th-century-costume-accessories-dress-for-an-ecclesiastical-figurine-image391318037.htmlRM2DMJ245–Dress for an ecclesiastical figurine, Medium: silk, metallic yarns Technique: satin weave with discontinuous supplementary weft patterning (brocade), bobbin lace, Garment for religious statue. Polychrome silk brocade showing scrolling florals, trimmed with silver metallic bobbin lace., Spain, 18th century, costume & accessories, Dress for an ecclesiastical figurine
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Franciscans, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Franziskaner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-franciscans-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-franziskaner-image273017285.htmlRFWT5099–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Franciscans, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Franziskaner
Pope Gregory I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-gregory-i-132443342.htmlRMHKD8RA–Pope Gregory I
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Benedictines, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Benediktiner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-benedictines-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-benediktiner-image273017271.htmlRFWT508R–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Benedictines, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Benediktiner
Fragment of a Garment with Design of Seraphi And Crosses. Turkey, probably Istanbul, 1550-1600. Costumes; ecclesiastical. Silk and metal supplementary weft patterning on silk satin (kemha) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-garment-with-design-of-seraphi-and-crosses-turkey-probably-istanbul-1550-1600-costumes-ecclesiastical-silk-and-metal-supplementary-weft-patterning-on-silk-satin-kemha-image464733727.htmlRM2J02CH3–Fragment of a Garment with Design of Seraphi And Crosses. Turkey, probably Istanbul, 1550-1600. Costumes; ecclesiastical. Silk and metal supplementary weft patterning on silk satin (kemha)
Guiseppe Laudati 01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-guiseppe-laudati-01-132451380.htmlRMHKDK2C–Guiseppe Laudati 01
16th XVI 17th century XVII Italian Ecclesiastical costumes Bishop in Cope Stole and Chamberlain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16th-xvi-17th-century-xvii-italian-ecclesiastical-costumes-bishop-image62885937.htmlRFDJ8KJ9–16th XVI 17th century XVII Italian Ecclesiastical costumes Bishop in Cope Stole and Chamberlain
Dress for an ecclesiastical figurine. Garment has a full skirt and sleeveless bodice with eyelets for lacing down the back. Blue fabric is a ribbed silk heavily brocaded with silver, gold and multicolored threads in a floral design. Bodice is lined with rose-colored taffeta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-for-an-ecclesiastical-figurine-garment-has-a-full-skirt-and-sleeveless-bodice-with-eyelets-for-lacing-down-the-back-blue-fabric-is-a-ribbed-silk-heavily-brocaded-with-silver-gold-and-multicolored-threads-in-a-floral-design-bodice-is-lined-with-rose-colored-taffeta-image353478555.htmlRM2BF29E3–Dress for an ecclesiastical figurine. Garment has a full skirt and sleeveless bodice with eyelets for lacing down the back. Blue fabric is a ribbed silk heavily brocaded with silver, gold and multicolored threads in a floral design. Bodice is lined with rose-colored taffeta.
Garment For An Ecclesiastical Figurine; silk, linen; H: 27.5 cm (10 13/16 in.); 1926-25-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garment-for-an-ecclesiastical-figurine-silk-linen-h-275-cm-10-1316-in-1926-25-1-image546103123.htmlRM2PMD42Y–Garment For An Ecclesiastical Figurine; silk, linen; H: 27.5 cm (10 13/16 in.); 1926-25-1
Royal and ecclesiastical costumes, 10th century. Deacon with Bible 1, nobleman 2, king with crown and sceptre 3, and bishop 4. Taken from a manuscript dated 989, Bibliotheque Imperiale de Paris. Diacre, personnage noble, roi, eveque. Xe Siecle. Chromolithograph by Ferdinand Sere after Willemin from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-and-ecclesiastical-costumes-10th-century-deacon-with-bible-1-nobleman-2-king-with-crown-and-sceptre-3-and-bishop-4-taken-from-a-manuscript-dated-989-bibliotheque-imperiale-de-paris-diacre-personnage-noble-roi-eveque-xe-siecle-chromolithograph-by-ferdinand-sere-after-willemin-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571831653.htmlRM2T69531–Royal and ecclesiastical costumes, 10th century. Deacon with Bible 1, nobleman 2, king with crown and sceptre 3, and bishop 4. Taken from a manuscript dated 989, Bibliotheque Imperiale de Paris. Diacre, personnage noble, roi, eveque. Xe Siecle. Chromolithograph by Ferdinand Sere after Willemin from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Cope. 1490–1517. England. Silk cut and voided velvet, linen appliqué, silk and gilt metallic thread embroidery, and metal spangles The production of textiles for churches—hangings, altar frontals, and liturgical vestments—was a thriving industry in Europe from the twelfth century through the eighteenth century. Among the finest ecclesiastical vestments is this resplendent velvet cope, a semicircular cloak worn as an outer garment in processions or during special ceremonies by a priest or bishop. The elegant needlework was called opus anglicanum (English work). Surrounding the cope’s central im Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cope-14901517-england-silk-cut-and-voided-velvet-linen-appliqu-silk-and-gilt-metallic-thread-embroidery-and-metal-spangles-the-production-of-textiles-for-churcheshangings-altar-frontals-and-liturgical-vestmentswas-a-thriving-industry-in-europe-from-the-twelfth-century-through-the-eighteenth-century-among-the-finest-ecclesiastical-vestments-is-this-resplendent-velvet-cope-a-semicircular-cloak-worn-as-an-outer-garment-in-processions-or-during-special-ceremonies-by-a-priest-or-bishop-the-elegant-needlework-was-called-opus-anglicanum-english-work-surrounding-the-copes-central-im-image337966117.htmlRM2AHRK6D–Cope. 1490–1517. England. Silk cut and voided velvet, linen appliqué, silk and gilt metallic thread embroidery, and metal spangles The production of textiles for churches—hangings, altar frontals, and liturgical vestments—was a thriving industry in Europe from the twelfth century through the eighteenth century. Among the finest ecclesiastical vestments is this resplendent velvet cope, a semicircular cloak worn as an outer garment in processions or during special ceremonies by a priest or bishop. The elegant needlework was called opus anglicanum (English work). Surrounding the cope’s central im
Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rome-garments-for-the-next-pope-are-displayed-at-the-gammarelli-atelier-177529490.htmlRMM8R4JX–Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P
ca. 1820 --- Portrait of Josef Walland by Giuseppe Tominz --- Image by © Elio Ciol/Corbis EL005651 747 Jožef Tominc - Josef Walland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ca-1820-portrait-of-josef-walland-by-giuseppe-tominz-image-by-elio-ciolcorbis-el005651-747-joef-tominc-josef-walland-image185816374.htmlRMMP8JK2–ca. 1820 --- Portrait of Josef Walland by Giuseppe Tominz --- Image by © Elio Ciol/Corbis EL005651 747 Jožef Tominc - Josef Walland
Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-color-lithograph-depicting-the-church-of-sion-and-royal-figures-by-132671915.htmlRMHKRMAK–Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist
Bust of Benedictus XIII between 1740-1750. Benedict XIII, born Pietro Francesco Orsini, later Vincenzo Maria Orsini (1649-1730), was pope from 1724 to 1730. He succeeded Pope Innocent XIII (172-24) in 1724. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bust-of-benedictus-xiii-between-1740-1750-benedict-xiii-born-pietro-francesco-orsini-later-vincenzo-maria-orsini-1649-1730-was-pope-from-1724-to-1730-he-succeeded-pope-innocent-xiii-172-24-in-1724-image268791232.htmlRMWH8DXT–Bust of Benedictus XIII between 1740-1750. Benedict XIII, born Pietro Francesco Orsini, later Vincenzo Maria Orsini (1649-1730), was pope from 1724 to 1730. He succeeded Pope Innocent XIII (172-24) in 1724.
Reims, Saint remi Basilica, listed as World Heritage by UNESCO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reims-saint-remi-basilica-listed-as-world-heritage-by-unesco-36580754.htmlRMC3EB3E–Reims, Saint remi Basilica, listed as World Heritage by UNESCO
Ecclesiastical garment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ecclesiastical-garment-21299630.htmlRMB6J7W2–Ecclesiastical garment
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-near-isfahan-mid-1600s-ad-ottoman-turkish-and-safavid-silk-fabrics-view-3-image265057634.htmlRMWB6BM2–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2 Textile Museum, George Washington University DSC09666 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153769358.htmlRMJX4PAP–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2 Textile Museum, George Washington University DSC09666
Garment for an ecclesiastical figurine, Medium: silk, linen Technique: ribbed plain weave with discontinuous supplementary weft patterning (brocade); plain woven lining, Garment of brown ribbed silk brocaded in a multicolored floral design. Lined with dark brown linen and hem faced with white silk taffeta. Open down the back and sleeves with linen tabs to fasten., Italy, late 17th century, costume & accessories, Garment for an ecclesiastical figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/garment-for-an-ecclesiastical-figurine-medium-silk-linen-technique-ribbed-plain-weave-with-discontinuous-supplementary-weft-patterning-brocade-plain-woven-lining-garment-of-brown-ribbed-silk-brocaded-in-a-multicolored-floral-design-lined-with-dark-brown-linen-and-hem-faced-with-white-silk-taffeta-open-down-the-back-and-sleeves-with-linen-tabs-to-fasten-italy-late-17th-century-costume-accessories-garment-for-an-ecclesiastical-figurine-image391268736.htmlRM2DMFR7C–Garment for an ecclesiastical figurine, Medium: silk, linen Technique: ribbed plain weave with discontinuous supplementary weft patterning (brocade); plain woven lining, Garment of brown ribbed silk brocaded in a multicolored floral design. Lined with dark brown linen and hem faced with white silk taffeta. Open down the back and sleeves with linen tabs to fasten., Italy, late 17th century, costume & accessories, Garment for an ecclesiastical figurine
Reims, Saint Remi Basilica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reims-saint-remi-basilica-36421166.htmlRMC373FX–Reims, Saint Remi Basilica
Roman Catholic vestments on display at the Teseum in Tongeren, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-catholic-vestments-on-display-at-the-teseum-in-tongeren-belgium-140623910.htmlRMJ4NY6E–Roman Catholic vestments on display at the Teseum in Tongeren, Belgium
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Capuchins, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Kapuziner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-capuchins-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-kapuziner-image273017995.htmlRFWT516K–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Capuchins, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Kapuziner
A ceremonial African Nigerian man preaches to the crowds about god and religion in Buchanan Street, Glasgow, Scotland, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ceremonial-african-nigerian-man-preaches-to-the-crowds-about-god-image60453592.htmlRMDE9W4T–A ceremonial African Nigerian man preaches to the crowds about god and religion in Buchanan Street, Glasgow, Scotland, UK
Russian Orthodox priest, Russian Orthodox cathedral, Russian Orthodoxy, Saint Michael's Cathedral, town of Sitka, Sitka, Alaska, United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-russian-orthodox-priest-russian-orthodox-cathedral-russian-orthodoxy-11845265.htmlRMA7HMCJ–Russian Orthodox priest, Russian Orthodox cathedral, Russian Orthodoxy, Saint Michael's Cathedral, town of Sitka, Sitka, Alaska, United States
16th XVI 17th century XVII Italian Ecclesiastical costumes swiss Guard, Pope in Pontifical vestments and home dress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16th-xvi-17th-century-xvii-italian-ecclesiastical-costumes-swiss-guard-image62885935.htmlRFDJ8KJ7–16th XVI 17th century XVII Italian Ecclesiastical costumes swiss Guard, Pope in Pontifical vestments and home dress
Sé Cathedral, Santa Ana Chapel, Alfama district, Lisbon, Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-s-cathedral-santa-ana-chapel-alfama-district-lisbon-portugal-38493819.htmlRMC6HF77–Sé Cathedral, Santa Ana Chapel, Alfama district, Lisbon, Portugal
Preacher Preaching the Gospel in church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/preacher-preaching-the-gospel-in-church-image8402469.htmlRFAJDHP6–Preacher Preaching the Gospel in church
Stephen of Muret, 1045-1124, founder of the Abbey of Grandmont with Saint Nicholas of Myra in halo. French ecclesiastical costume, 12th century. Plaque from the high altar of Grandmont. Etienne de Muret. France, XIIe siecle. Musee de Cluny, MS 934. Chromolithograph by Kause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stephen-of-muret-1045-1124-founder-of-the-abbey-of-grandmont-with-saint-nicholas-of-myra-in-halo-french-ecclesiastical-costume-12th-century-plaque-from-the-high-altar-of-grandmont-etienne-de-muret-france-xiie-siecle-musee-de-cluny-ms-934-chromolithograph-by-kause-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571833360.htmlRM2T69780–Stephen of Muret, 1045-1124, founder of the Abbey of Grandmont with Saint Nicholas of Myra in halo. French ecclesiastical costume, 12th century. Plaque from the high altar of Grandmont. Etienne de Muret. France, XIIe siecle. Musee de Cluny, MS 934. Chromolithograph by Kause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Cope. 1460–1470. Venice. Silk and gilt-metal-strip-wrapped silk, warp-float faced 4 1 satin weave with supplementary brocading wefts bound by main warps in weft-float faced 1 4 'S' twill interlacings and with supplementary pile warps forming cut voided velvet Velvet textiles often formed the foundation for the most sumptuous ecclesiastical vestments, or ceremonial attire, worn by European clergy. The cope, a cape-like garment, is worn during processions. It is usually decorated with a band of embroidery, or orphery, on its straight edge. These precious textile components were often separated t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cope-14601470-venice-silk-and-gilt-metal-strip-wrapped-silk-warp-float-faced-4-1-satin-weave-with-supplementary-brocading-wefts-bound-by-main-warps-in-weft-float-faced-1-4-s-twill-interlacings-and-with-supplementary-pile-warps-forming-cut-voided-velvet-velvet-textiles-often-formed-the-foundation-for-the-most-sumptuous-ecclesiastical-vestments-or-ceremonial-attire-worn-by-european-clergy-the-cope-a-cape-like-garment-is-worn-during-processions-it-is-usually-decorated-with-a-band-of-embroidery-or-orphery-on-its-straight-edge-these-precious-textile-components-were-often-separated-t-image337976022.htmlRM2AHT3T6–Cope. 1460–1470. Venice. Silk and gilt-metal-strip-wrapped silk, warp-float faced 4 1 satin weave with supplementary brocading wefts bound by main warps in weft-float faced 1 4 'S' twill interlacings and with supplementary pile warps forming cut voided velvet Velvet textiles often formed the foundation for the most sumptuous ecclesiastical vestments, or ceremonial attire, worn by European clergy. The cope, a cape-like garment, is worn during processions. It is usually decorated with a band of embroidery, or orphery, on its straight edge. These precious textile components were often separated t
Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rome-garments-for-the-next-pope-are-displayed-at-the-gammarelli-atelier-177529491.htmlRMM8R4JY–Rome. Garments for the next Pope are displayed at the Gammarelli Atelier on March 5, 2013 in Rome, Italy. The Gammarelli Family produced dresses for P
1211 Pope-pius-ix-02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1211-pope-pius-ix-02-image213565415.htmlRMPBCMT7–1211 Pope-pius-ix-02
Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chromolithograph-depicting-georgian-king-alexander-i-and-queen-nastane-132669393.htmlRMHKRH4H–Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne
Conceptual beauty portrait of beautiful young woman. Cosmetic Eyeshadows. Fashion photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-conceptual-beauty-portrait-of-beautiful-young-woman-cosmetic-eyeshadows-87235860.htmlRFF1WX6C–Conceptual beauty portrait of beautiful young woman. Cosmetic Eyeshadows. Fashion photo
Priest praying in st vitus church in prague, czech republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priest-praying-in-st-vitus-church-in-prague-czech-republic-image4914089.htmlRMAKPKAA–Priest praying in st vitus church in prague, czech republic
Two Roman Catholic altar servers dressed in church attire. View from the back. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-roman-catholic-altar-servers-dressed-in-church-attire-view-from-21299586.htmlRMB6J7RE–Two Roman Catholic altar servers dressed in church attire. View from the back.
Original Film Title: ARRIBA HAZAÑA. English Title: HAIL HAZANA. Film Director: JOSE MARIA GUTIERREZ. Year: 1978. Stars: FERNANDO FERNAN GOMEZ. Credit: SABRE-PRODUCTIONS / Album Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-film-title-arriba-hazaa-english-title-hail-hazana-film-director-jose-maria-gutierrez-year-1978-stars-fernando-fernan-gomez-credit-sabre-productions-album-image207006983.htmlRMP0NYEF–Original Film Title: ARRIBA HAZAÑA. English Title: HAIL HAZANA. Film Director: JOSE MARIA GUTIERREZ. Year: 1978. Stars: FERNANDO FERNAN GOMEZ. Credit: SABRE-PRODUCTIONS / Album
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3 Textile Museum, George Washington University DSC09618 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153146241.htmlRMJW4BGH–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 3 Textile Museum, George Washington University DSC09618
Dress for an ecclesiastical figurine, Medium: silk, metallic yarns Technique: plain weave with discontinuous supplementary weft patterning (brocade); plain woven lining, Garment has a full skirt and sleeveless bodice with eyelets for lacing down the back. Blue fabric is a ribbed silk heavily brocaded with silver, gold and multicolored threads in a floral design. Bodice is lined with rose-colored taffeta., France, 17th century, costume & accessories, Dress for an ecclesiastical figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-for-an-ecclesiastical-figurine-medium-silk-metallic-yarns-technique-plain-weave-with-discontinuous-supplementary-weft-patterning-brocade-plain-woven-lining-garment-has-a-full-skirt-and-sleeveless-bodice-with-eyelets-for-lacing-down-the-back-blue-fabric-is-a-ribbed-silk-heavily-brocaded-with-silver-gold-and-multicolored-threads-in-a-floral-design-bodice-is-lined-with-rose-colored-taffeta-france-17th-century-costume-accessories-dress-for-an-ecclesiastical-figurine-image391268723.htmlRM2DMFR6Y–Dress for an ecclesiastical figurine, Medium: silk, metallic yarns Technique: plain weave with discontinuous supplementary weft patterning (brocade); plain woven lining, Garment has a full skirt and sleeveless bodice with eyelets for lacing down the back. Blue fabric is a ribbed silk heavily brocaded with silver, gold and multicolored threads in a floral design. Bodice is lined with rose-colored taffeta., France, 17th century, costume & accessories, Dress for an ecclesiastical figurine
Spanish Inquisition. Auto de fe. Ritual of public penance of condemned heretics. Engraving. 19th century. Color Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-inquisition-auto-de-fe-ritual-of-public-penance-of-condemned-image69374954.htmlRME0T8CX–Spanish Inquisition. Auto de fe. Ritual of public penance of condemned heretics. Engraving. 19th century. Color
The mass and vestments of the Catholic church, liturgical, doctrinal, historical and archaeological . the Roman people. Addis and Arnoldin the Catholic Dictionary conjecture that as thegarment was tucked around the neck in runningor other violent exercise, this suggested its presentliturgic form. Wilpert after a close study of thefrescoes of the catacombs concludes there was,beside the garment, also a pallium-scarf whichdeveloped into the ecclesiastical pallium, and the evi-dence he adduces in confirmation of this theory isconclusive enough to create a strong presumptionof its truth. The archi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mass-and-vestments-of-the-catholic-church-liturgical-doctrinal-historical-and-archaeological-the-roman-people-addis-and-arnoldin-the-catholic-dictionary-conjecture-that-as-thegarment-was-tucked-around-the-neck-in-runningor-other-violent-exercise-this-suggested-its-presentliturgic-form-wilpert-after-a-close-study-of-thefrescoes-of-the-catacombs-concludes-there-wasbeside-the-garment-also-a-pallium-scarf-whichdeveloped-into-the-ecclesiastical-pallium-and-the-evi-dence-he-adduces-in-confirmation-of-this-theory-isconclusive-enough-to-create-a-strong-presumptionof-its-truth-the-archi-image339342205.htmlRM2AM2ACD–The mass and vestments of the Catholic church, liturgical, doctrinal, historical and archaeological . the Roman people. Addis and Arnoldin the Catholic Dictionary conjecture that as thegarment was tucked around the neck in runningor other violent exercise, this suggested its presentliturgic form. Wilpert after a close study of thefrescoes of the catacombs concludes there was,beside the garment, also a pallium-scarf whichdeveloped into the ecclesiastical pallium, and the evi-dence he adduces in confirmation of this theory isconclusive enough to create a strong presumptionof its truth. The archi
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Hieronymiten, hermits, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Hieronymiten, Einsiedler Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-hieronymiten-hermits-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-hieronymiten-einsiedler-image273017641.htmlRFWT50P1–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Hieronymiten, hermits, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Hieronymiten, Einsiedler
London UK 26 Sep 2023 Treasures of Gold and Silver Wire Exhibition: Highlights of the exhibition is a garment worn by Queen Elizabeth I, the 16th century Bacton Altar Cloth, believed to be the only surviving dress worn by the monarch. Opening on 29 September and running for only six weeks to 12 November 2023, ‘Treasures of Gold and Silver Wire' will showcase an astonishing collection of royal regalia, theatrical costumes, military attire, ecclesiastical artefacts, and beautiful modern jewellery, silversmithing, and embroidery.It forms the finest collection of gold and silver wire objects to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-26-sep-2023-treasures-of-gold-and-silver-wire-exhibition-highlights-of-the-exhibition-is-a-garment-worn-by-queen-elizabeth-i-the-16th-century-bacton-altar-cloth-believed-to-be-the-only-surviving-dress-worn-by-the-monarch-opening-on-29-september-and-running-for-only-six-weeks-to-12-november-2023-treasures-of-gold-and-silver-wire-will-showcase-an-astonishing-collection-of-royal-regalia-theatrical-costumes-military-attire-ecclesiastical-artefacts-and-beautiful-modern-jewellery-silversmithing-and-embroideryit-forms-the-finest-collection-of-gold-and-silver-wire-objects-to-image567138107.htmlRM2RXKACB–London UK 26 Sep 2023 Treasures of Gold and Silver Wire Exhibition: Highlights of the exhibition is a garment worn by Queen Elizabeth I, the 16th century Bacton Altar Cloth, believed to be the only surviving dress worn by the monarch. Opening on 29 September and running for only six weeks to 12 November 2023, ‘Treasures of Gold and Silver Wire' will showcase an astonishing collection of royal regalia, theatrical costumes, military attire, ecclesiastical artefacts, and beautiful modern jewellery, silversmithing, and embroidery.It forms the finest collection of gold and silver wire objects to
roman catholic wedding ceremony Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-catholic-wedding-ceremony-image8062633.htmlRMAG6BPA–roman catholic wedding ceremony
16th XVI 17th century XVII Italian Ecclesiastical costumes Deacon subdeacon and Alter choir boy in white robes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16th-xvi-17th-century-xvii-italian-ecclesiastical-costumes-deacon-image62885928.htmlRFDJ8KJ0–16th XVI 17th century XVII Italian Ecclesiastical costumes Deacon subdeacon and Alter choir boy in white robes
Corpus Christi mass at the Kapellplatz (Chapel Square), Altoetting, Upper Bavaria, Bavaria, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-corpus-christi-mass-at-the-kapellplatz-chapel-square-altoetting-upper-16564129.htmlRMAWF8JX–Corpus Christi mass at the Kapellplatz (Chapel Square), Altoetting, Upper Bavaria, Bavaria, Germany, Europe
Two Ministers in Front of Church, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-ministers-in-front-of-church-portrait-image8402534.htmlRFAJDHX7–Two Ministers in Front of Church, portrait
Adoration of the Magi in French ecclesiastical costume, 12th century. Three wise men in crowns bring gifts to the Virgin Mary and Jesus in halos. Plaque from the high altar of Grandmont. Etienne de Muret. France, XIIe siecle. Musee de Cluny, MS 935. Chromolithograph by Kause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-in-french-ecclesiastical-costume-12th-century-three-wise-men-in-crowns-bring-gifts-to-the-virgin-mary-and-jesus-in-halos-plaque-from-the-high-altar-of-grandmont-etienne-de-muret-france-xiie-siecle-musee-de-cluny-ms-935-chromolithograph-by-kause-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571916857.htmlRM2T6D1P1–Adoration of the Magi in French ecclesiastical costume, 12th century. Three wise men in crowns bring gifts to the Virgin Mary and Jesus in halos. Plaque from the high altar of Grandmont. Etienne de Muret. France, XIIe siecle. Musee de Cluny, MS 935. Chromolithograph by Kause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
International Youth Forum in Altoetting, Upper Bavaria, Bavaria, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-international-youth-forum-in-altoetting-upper-bavaria-bavaria-germany-16564145.htmlRMAWF8MJ–International Youth Forum in Altoetting, Upper Bavaria, Bavaria, Germany, Europe
Preacher Preaching the Gospel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/preacher-preaching-the-gospel-image274616438.htmlRFWXNT1X–Preacher Preaching the Gospel
. English: Pope Pius IX standing in front of his papal tiara. circa 1878. Unknown 72 Pope-pius-ix-02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-pope-pius-ix-standing-in-front-of-his-papal-tiara-circa-1878-unknown-72-pope-pius-ix-02-image208221811.htmlRMP2N917–. English: Pope Pius IX standing in front of his papal tiara. circa 1878. Unknown 72 Pope-pius-ix-02
Portrait of Pope Gregory I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-pope-gregory-i-48488605.htmlRMCPTRKW–Portrait of Pope Gregory I
257 Guiseppe Laudati 01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/257-guiseppe-laudati-01-image214001850.htmlRMPC4HF6–257 Guiseppe Laudati 01
Conceptual beauty portrait of beautiful young woman. Cosmetic Eyeshadows. Fashion photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-conceptual-beauty-portrait-of-beautiful-young-woman-cosmetic-eyeshadows-87235862.htmlRFF1WX6E–Conceptual beauty portrait of beautiful young woman. Cosmetic Eyeshadows. Fashion photo
Roman Catholic ceremony in Kalwaria Zebrzydowska, Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-catholic-ceremony-in-kalwaria-zebrzydowska-poland-21299521.htmlRMB6J7N5–Roman Catholic ceremony in Kalwaria Zebrzydowska, Poland.
. English: Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne Français : Georgie au XVI siecle. Alexandre, roi des rois,1417-1442. . Published 1847 Date photographed: circa 2003 . Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-chromolithograph-depicting-georgian-king-alexander-i-and-queen-nastane-dared-jane-with-other-royal-figures-by-armand-theophile-cassagne-franais-georgie-au-xvi-siecle-alexandre-roi-des-rois1417-1442-published-1847-date-photographed-circa-2003-chromolithograph-depicting-georgian-king-alexander-i-and-queen-nastane-dared-jane-with-other-royal-figures-by-armand-theophile-cassagne-image184948065.htmlRMMMW341–. English: Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne Français : Georgie au XVI siecle. Alexandre, roi des rois,1417-1442. . Published 1847 Date photographed: circa 2003 . Chromolithograph Depicting Georgian King Alexander I and Queen Nastane-Dared Jane with Other Royal Figures by Armand Theophile Cassagne
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1 Textile Museum, George Washington University DSC09614 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153769324.htmlRMJX4P9G–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 1 Textile Museum, George Washington University DSC09614
Robe, Medium: silk Technique: couched cord and satin stitch embroidery; lined, Robe with short sleeves made of ribbed red silk embroidered in white silk (satin stitch) and couched cord in design of open flowers and scrolling leaves; lined with blue silk; one tie of pink silk, (others missing). Garment intended for an ecclesiastical figurine., France, early 18th century, embroidery & stitching, Robe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robe-medium-silk-technique-couched-cord-and-satin-stitch-embroidery-lined-robe-with-short-sleeves-made-of-ribbed-red-silk-embroidered-in-white-silk-satin-stitch-and-couched-cord-in-design-of-open-flowers-and-scrolling-leaves-lined-with-blue-silk-one-tie-of-pink-silk-others-missing-garment-intended-for-an-ecclesiastical-figurine-france-early-18th-century-embroidery-stitching-robe-image391321458.htmlRM2DMJ6EA–Robe, Medium: silk Technique: couched cord and satin stitch embroidery; lined, Robe with short sleeves made of ribbed red silk embroidered in white silk (satin stitch) and couched cord in design of open flowers and scrolling leaves; lined with blue silk; one tie of pink silk, (others missing). Garment intended for an ecclesiastical figurine., France, early 18th century, embroidery & stitching, Robe
Sim card icon. Flat design. Flat modern style vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sim-card-icon-flat-design-flat-modern-style-vector-illustration-87234578.htmlRFF1WTGJ–Sim card icon. Flat design. Flat modern style vector illustration
Chasuble, late 16th or early 17th century, Italian, Silk; linen, 47 1/2 x 27 1/2 (120.7 x 69.9 cm), Textiles-Ecclesiastical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chasuble-late-16th-or-early-17th-century-italian-silk-linen-47-12-162569615.htmlRMKCDK5K–Chasuble, late 16th or early 17th century, Italian, Silk; linen, 47 1/2 x 27 1/2 (120.7 x 69.9 cm), Textiles-Ecclesiastical
National costume, clothes, history of the costumes, ecclesiastical order national costume of the Capuchins, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Kapuziner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/national-costume-clothes-history-of-the-costumes-ecclesiastical-order-national-costume-of-the-capuchins-volkstracht-kleidung-geschichte-der-kostme-geistliche-ordenstracht-der-kapuziner-image336282685.htmlRF2AF2YYW–National costume, clothes, history of the costumes, ecclesiastical order national costume of the Capuchins, Volkstracht, Kleidung, Geschichte der Kostüme, geistliche Ordenstracht der Kapuziner
Priest praying in st vitus church in prague, czech republic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priest-praying-in-st-vitus-church-in-prague-czech-republic-image4914064.htmlRMAKPK91–Priest praying in st vitus church in prague, czech republic
Spanish Inquisition. Auto de fe. Capital punishment. Death by burnig. Engraving. Color. 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-inquisition-auto-de-fe-capital-punishment-death-by-burnig-image69375027.htmlRME0T8FF–Spanish Inquisition. Auto de fe. Capital punishment. Death by burnig. Engraving. Color. 19th century.
London UK 26 Sep 2023 Treasures of Gold and Silver Wire Exhibition: Highlights of the exhibition is a garment worn by Queen Elizabeth I, the 16th century Bacton Altar Cloth, believed to be the only surviving dress worn by the monarch. Opening on 29 September and running for only six weeks to 12 November 2023, ‘Treasures of Gold and Silver Wire' will showcase an astonishing collection of royal regalia, theatrical costumes, military attire, ecclesiastical artefacts, and beautiful modern jewellery, silversmithing, and embroidery.It forms the finest collection of gold and silver wire objects to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-26-sep-2023-treasures-of-gold-and-silver-wire-exhibition-highlights-of-the-exhibition-is-a-garment-worn-by-queen-elizabeth-i-the-16th-century-bacton-altar-cloth-believed-to-be-the-only-surviving-dress-worn-by-the-monarch-opening-on-29-september-and-running-for-only-six-weeks-to-12-november-2023-treasures-of-gold-and-silver-wire-will-showcase-an-astonishing-collection-of-royal-regalia-theatrical-costumes-military-attire-ecclesiastical-artefacts-and-beautiful-modern-jewellery-silversmithing-and-embroideryit-forms-the-finest-collection-of-gold-and-silver-wire-objects-to-image567138069.htmlRM2RXKAB1–London UK 26 Sep 2023 Treasures of Gold and Silver Wire Exhibition: Highlights of the exhibition is a garment worn by Queen Elizabeth I, the 16th century Bacton Altar Cloth, believed to be the only surviving dress worn by the monarch. Opening on 29 September and running for only six weeks to 12 November 2023, ‘Treasures of Gold and Silver Wire' will showcase an astonishing collection of royal regalia, theatrical costumes, military attire, ecclesiastical artefacts, and beautiful modern jewellery, silversmithing, and embroidery.It forms the finest collection of gold and silver wire objects to
roman catholic church service Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-catholic-church-service-image9038106.htmlRMAPKTHB–roman catholic church service
Senior Preacher in garden with Bible, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senior-preacher-in-garden-with-bible-portrait-image8402511.htmlRFAJDHW0–Senior Preacher in garden with Bible, portrait
The eternal father in enamel on copper, France, 13th century. Figure of God the Father in halo, seated on a throne, in ecclesiastical robes, blessing with one hand, holding a book in the other. Le Pere Eternel, France XIIIe siecle. Musee de Cluny, No. 960. Chromolithograph by Krause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eternal-father-in-enamel-on-copper-france-13th-century-figure-of-god-the-father-in-halo-seated-on-a-throne-in-ecclesiastical-robes-blessing-with-one-hand-holding-a-book-in-the-other-le-pere-eternel-france-xiiie-siecle-musee-de-cluny-no-960-chromolithograph-by-krause-after-an-illustration-by-claudius-joseph-ciappori-from-charles-louandres-les-arts-somptuaires-the-sumptuary-arts-hangard-mauge-paris-1858-image571916079.htmlRM2T6D0P7–The eternal father in enamel on copper, France, 13th century. Figure of God the Father in halo, seated on a throne, in ecclesiastical robes, blessing with one hand, holding a book in the other. Le Pere Eternel, France XIIIe siecle. Musee de Cluny, No. 960. Chromolithograph by Krause after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
International Youth Forum in Altoetting, Upper Bavaria, Bavaria, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-international-youth-forum-in-altoetting-upper-bavaria-bavaria-germany-16564147.htmlRMAWF8MM–International Youth Forum in Altoetting, Upper Bavaria, Bavaria, Germany, Europe
Smiling Preacher in Front of Church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smiling-preacher-in-front-of-church-image273984607.htmlRFWWN24F–Smiling Preacher in Front of Church
![. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . in place by a band attached to oneof the pieces. Most Jewish authoritieshave thus understood the description.But Josephus describes the ephod as atunic having sleeves. It is just possiblethat the fashion of it may have changedbefore the time of the historian. Anephod of linen appears to have been arecognized garment not only for the com-mon priests, but also for those who weretemporarily engaged in the service of thes Stock Photo](https://c8.alamy.com/comp/2CDG8WF/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-in-place-by-a-band-attached-to-oneof-the-pieces-most-jewish-authoritieshave-thus-understood-the-descriptionbut-josephus-describes-the-ephod-as-atunic-having-sleeves-it-is-just-possiblethat-the-fashion-of-it-may-have-changedbefore-the-time-of-the-historian-anephod-of-linen-appears-to-have-been-arecognized-garment-not-only-for-the-com-mon-priests-but-also-for-those-who-weretemporarily-engaged-in-the-service-of-thes-2CDG8WF.jpg ". A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . in place by a band attached to oneof the pieces. Most Jewish authoritieshave thus understood the description.But Josephus describes the ephod as atunic having sleeves. It is just possiblethat the fashion of it may have changedbefore the time of the historian. Anephod of linen appears to have been arecognized garment not only for the com-mon priests, but also for those who weretemporarily engaged in the service of thes Stock Photo")
. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . in place by a band attached to oneof the pieces. Most Jewish authoritieshave thus understood the description.But Josephus describes the ephod as atunic having sleeves. It is just possiblethat the fashion of it may have changedbefore the time of the historian. Anephod of linen appears to have been arecognized garment not only for the com-mon priests, but also for those who weretemporarily engaged in the service of thes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-in-place-by-a-band-attached-to-oneof-the-pieces-most-jewish-authoritieshave-thus-understood-the-descriptionbut-josephus-describes-the-ephod-as-atunic-having-sleeves-it-is-just-possiblethat-the-fashion-of-it-may-have-changedbefore-the-time-of-the-historian-anephod-of-linen-appears-to-have-been-arecognized-garment-not-only-for-the-com-mon-priests-but-also-for-those-who-weretemporarily-engaged-in-the-service-of-thes-image369766475.htmlRM2CDG8WF–. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . in place by a band attached to oneof the pieces. Most Jewish authoritieshave thus understood the description.But Josephus describes the ephod as atunic having sleeves. It is just possiblethat the fashion of it may have changedbefore the time of the historian. Anephod of linen appears to have been arecognized garment not only for the com-mon priests, but also for those who weretemporarily engaged in the service of thes
Chasuble, British, late 15th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chasuble-british-late-15th-century-image382617825.htmlRM2D6DMX9–Chasuble, British, late 15th century.
Priests vestment or church cloth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-priests-vestment-or-church-cloth-71893380.htmlRFE4Y0MM–Priests vestment or church cloth
First Communion, ministrants in front of a church, Wals, Salzburg state, Austria, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-first-communion-ministrants-in-front-of-a-church-wals-salzburg-state-25896140.htmlRMBE3JP4–First Communion, ministrants in front of a church, Wals, Salzburg state, Austria, Europe
Yellow bishop's mitre hat on sale in shop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yellow-bishops-mitre-hat-on-sale-in-shop-19842616.htmlRFB47WCT–Yellow bishop's mitre hat on sale in shop
. English: Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist Français : Georgie. Vie, deteils et peintures de l'eglise de Sion. . Published 1847 Date photographed: circa 2003 . Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-color-lithograph-depicting-the-church-of-sion-and-royal-figures-by-regamey-after-eugene-ciceri-and-philippe-benoist-franais-georgie-vie-deteils-et-peintures-de-leglise-de-sion-published-1847-date-photographed-circa-2003-color-lithograph-depicting-the-church-of-sion-and-royal-figures-by-regamey-after-eugene-ciceri-and-philippe-benoist-image184961488.htmlRMMMWM7C–. English: Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist Français : Georgie. Vie, deteils et peintures de l'eglise de Sion. . Published 1847 Date photographed: circa 2003 . Color Lithograph Depicting the Church of Sion and Royal Figures by Regamey After Eugene Ciceri and Philippe Benoist
Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2 Textile Museum, George Washington University DSC09666 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecclesiastical-garment-probably-likely-christian-armenian-new-julfa-image153146261.htmlRMJW4BH9–Ecclesiastical garment (probably), likely Christian Armenian, New Julfa, near Isfahan, mid 1600s AD, Ottoman Turkish and Safavid silk fabrics, view 2 Textile Museum, George Washington University DSC09666
Cropped unrecognizable close-up of a Catholic priest's black clerical clothing and distinctive white collar, photographed in a church in Altea, Valenc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cropped-unrecognizable-close-up-of-a-catholic-priests-black-clerical-clothing-and-distinctive-white-collar-photographed-in-a-church-in-altea-valenc-image618978094.htmlRF2XY0TTE–Cropped unrecognizable close-up of a Catholic priest's black clerical clothing and distinctive white collar, photographed in a church in Altea, Valenc
Search Results for Ecclesiastical garment Stock Photos and Images (183)
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