Early 19th century british landscape painting Stock Photos and Images
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Early 19th century british landscape painting Stock Photos and Images
RM2T10A7D–The European Factories, Canton (China), early 19th Century landscape painting in oil on canvas by William Daniell, 1806
RM2DA15EJ–John Constable (1776-1837). British artits. English landscape painter. Romanticism movement. Portrait by Ramsay Richard Reinagle (1775-1862). Oil on canvas (76,2 x 63,8 cm), c. 1799. National Portrait Gallery. London, England, United Kingdom.
RMRFHJF2–Landscape with Trees on a Slope. Date/Period: Early 19th century. Painting. Oil on paper. Height: 152 mm (5.98 in); Width: 222 mm (8.74 in). Author: UNKNOWN ARTIST.
RM2HX5HD0–An early 19th century illustration of Crocus in the Genus Crocus and Family Iridaceae; and Snowdrops in the genus Hippeastrum and family Amaryllidaceae. Both are perennial and the first to appear in the snow; they are small, low-growing plants that are hardy and easy to grow. This artwork for Robert John Thornton's 'The Temple of Flora' in 1807, was printed, for the publisher, by T. Bensley, London, England.
RMM9TMRR–Engraving entitled Cattle Early Morning from the picture by Thomas Sidney Cooper in the Vernon Gallery scanned at high resolution from a book of 1849
RM2GGXB4W–Tom Roberts. Painting entitled 'A Quiet Day on Darebin Creek' by Thomas William Roberts (1856-1931), oil on wood panel, 1885
RMTCW6DD–'English Landscape, with Shorthorned Cattle', late 18th-early 19th century, (1930). Creator: Charles Towne.
RF2R39YFH–Early Spring, near Victoria, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
![View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of Stock Photo](https://c8.alamy.com/comp/2G5YR42/view-of-gyah-an-hindoo-town-in-bahar-bihar-1801-gaya-is-situated-on-the-bank-of-the-phalgu-river-in-bihar-and-was-early-on-associated-with-gautama-and-mahavira-the-founders-of-buddhism-and-jainism-in-the-5th-6th-centuries-bc-bodhgaya-the-place-of-the-buddhas-enlightenment-isa-few-miles-south-of-the-town-at-least-from-the-early-mediaeval-period-gaya-became-an-important-site-of-hindu-pilgrimage-centred-round-the-stone-image-of-vishnus-footprint-enshrined-in-the-vishnupada-temple-which-dominates-this-view-of-the-town-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-2G5YR42.jpg "View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of Stock Photo")
RF2G5YR42–View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of
RM2A51NAK–On the Harlem River, 1855. Miller's work forms an interesting link between the British tradition of watercolour and the group of 19th-century American landscape painters known as the Hudson River School. Miller was born in England and trained by his father in watercolour from an early age. He moved to America and settled in New York and, like many American artists of the 1830s and 1840s, explored the beautiful river valleys near the city. Soon, however, the artist began to make finished watercolours meant to be framed and sold like oil paintings. This practice became more and more important as
RM2MYBWK6–Rain, Steam and Speed - The Great Western Railway; the painting depicts an early locomotive of the Great Western Railway crossing the River Thames on Brunel's recently completed Maidenhead Railway Bridge. JMW Turner. 1844
RF2F59TPC–pictorial bookplate of female muses in garden for Jessie Ann Murray by Scottish painter and designer specialising in decorative painting and mosaics,
RMG15NB7–Illustration of first contact (1818) between Arctic explorer John Ross and the Eskimos (Inuit) of Baffin Island, who had never before seen Europeans, during Ross's attempt to find the Northwest Passage. Sir John Ross (1777-1856) was a Scottish rear admir
RMBMCGPC–Vintage lithograph print depicting the Battle of Belmont (November 23 1899) during the Second Boer War (1899 - 1902).
RFM02P8K–children in panelled interior, illustration, by Sidney Heath, from 1893 The Studio an Illustrated Magazine of Fine and Applied Art
RMPNB8Y9–Windsor Castle. Date/Period: Early 19th century. Painting. Oil on millboard. Height: 229 mm (9.01 in); Width: 381 mm (15 in). Author: Attributed to Peter DeWint.
RMM85AT8–Engraving entitled Highland Music from the picture by Sir Edwin Henry Landseer in the Vernon Gallery scanned at high resolution from a book of 1869.
!['The Ford', late 19th-early 20th century, (c1930). Cows drinking in a shallow river at dusk. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P72W/the-ford-late-19th-early-20th-century-c1930-cows-drinking-in-a-shallow-river-at-dusk-painting-in-the-gallery-oldham-greater-manchester-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P72W.jpg "'The Ford', late 19th-early 20th century, (c1930). Cows drinking in a shallow river at dusk. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P72W–'The Ford', late 19th-early 20th century, (c1930). Cows drinking in a shallow river at dusk. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RF2R3A0RM–Coast of Vancouver Island, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
!['A Young Fisherman in Stapleton Glen', early-mid 19th century, (1946). Boy fishing at Stapleton near Bristol. Painting in Bristol Museum & Art Gallery, Bristol. From "British Anglers' Natural History', by E. G. Boulenger. [Collins, London, 1946] Stock Photo](https://c8.alamy.com/comp/2AG0HJG/a-young-fisherman-in-stapleton-glen-early-mid-19th-century-1946-boy-fishing-at-stapleton-near-bristol-painting-in-bristol-museum-amp-art-gallery-bristol-from-quotbritish-anglers-natural-history-by-e-g-boulenger-collins-london-1946-2AG0HJG.jpg "'A Young Fisherman in Stapleton Glen', early-mid 19th century, (1946). Boy fishing at Stapleton near Bristol. Painting in Bristol Museum & Art Gallery, Bristol. From "British Anglers' Natural History', by E. G. Boulenger. [Collins, London, 1946] Stock Photo")
RM2AG0HJG–'A Young Fisherman in Stapleton Glen', early-mid 19th century, (1946). Boy fishing at Stapleton near Bristol. Painting in Bristol Museum & Art Gallery, Bristol. From "British Anglers' Natural History', by E. G. Boulenger. [Collins, London, 1946]
![Near the Fort of Currah [Kara], on the River Ganges, 1801 Kara was a sacred place in early Hindu days. It was conquered by the Muslims in 1194 and became a seat of government until Akbar built the present fort and city of Allahabad in 1583 as the new administrative centre. Many ruins of the old city extended along the river bank such as this domed Hindu shrine with steps leading down to the river Ganges. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquities and landscape scenery of Hindoostan ' by Thomas Daniell, and William Daniell, Published in London Stock Photo](https://c8.alamy.com/comp/2G5YNRJ/near-the-fort-of-currah-kara-on-the-river-ganges-1801-kara-was-a-sacred-place-in-early-hindu-days-it-was-conquered-by-the-muslims-in-1194-and-became-a-seat-of-government-until-akbar-built-the-present-fort-and-city-of-allahabad-in-1583-as-the-new-administrative-centre-many-ruins-of-the-old-city-extended-along-the-river-bank-such-as-this-domed-hindu-shrine-with-steps-leading-down-to-the-river-ganges-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-the-architecture-antiquities-and-landscape-scenery-of-hindoostan-by-thomas-daniell-and-william-daniell-published-in-london-2G5YNRJ.jpg "Near the Fort of Currah [Kara], on the River Ganges, 1801 Kara was a sacred place in early Hindu days. It was conquered by the Muslims in 1194 and became a seat of government until Akbar built the present fort and city of Allahabad in 1583 as the new administrative centre. Many ruins of the old city extended along the river bank such as this domed Hindu shrine with steps leading down to the river Ganges. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquities and landscape scenery of Hindoostan ' by Thomas Daniell, and William Daniell, Published in London Stock Photo")
RF2G5YNRJ–Near the Fort of Currah [Kara], on the River Ganges, 1801 Kara was a sacred place in early Hindu days. It was conquered by the Muslims in 1194 and became a seat of government until Akbar built the present fort and city of Allahabad in 1583 as the new administrative centre. Many ruins of the old city extended along the river bank such as this domed Hindu shrine with steps leading down to the river Ganges. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquities and landscape scenery of Hindoostan ' by Thomas Daniell, and William Daniell, Published in London
!['La Fontaine', late 19th-early 20th century, (c1930). 'The Fountain': children sailing a toy boat on an ornamental lake. Painting in the Dudley Museum and Art Gallery, West Midlands. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P6XD/la-fontaine-late-19th-early-20th-century-c1930-the-fountain-children-sailing-a-toy-boat-on-an-ornamental-lake-painting-in-the-dudley-museum-and-art-gallery-west-midlands-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P6XD.jpg "'La Fontaine', late 19th-early 20th century, (c1930). 'The Fountain': children sailing a toy boat on an ornamental lake. Painting in the Dudley Museum and Art Gallery, West Midlands. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P6XD–'La Fontaine', late 19th-early 20th century, (c1930). 'The Fountain': children sailing a toy boat on an ornamental lake. Painting in the Dudley Museum and Art Gallery, West Midlands. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RF2R3GJ06–Mountain Scenery near Howe Sound, by T. Mower Martin Pacific Coast, British Columbia from the book ' CANADA ' by Bealby, J. T. (John Thomas), WITH TWELVE FULL-PAGE ILLUSTRATIONS IN COLOUR BY T. MOWER MARTIN, R.C.A., C. M. MANLY, HY. SANDHAM, ALLAN STEWART, W. COTMAN EADE, & MORTIMER MENPES published by THE MACMILLAN COMPANY OF CANADA, LIMITED TORONTO. CANADA 1909
RMBKGB9J–Contemporary colour engraving print depicting the opening of the new London Bridge across the River Thames on August 1 1831.
RMPND8B6–Outside the Guard House at Windsor. Date/Period: Early 19th century. Painting. Oil on canvas. Height: 610 mm (24.01 in); Width: 762 mm (30 in). Author: Edmund Bristow.
RMM85AWP–Engraving entitled The Brook By The Way from the picture by Thomas Gainsborough in the Vernon Gallery scanned at high resolution from a book of 1849.
RF2R3A0GE–Ottertail Range, Rockies, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
!['The Reef, St Ives Bay, Cornwall', late 19th-early 20th century, (c1930). Full moon over the sea off the north coast of Cornwall. Painting in Blackburn Museum and Art Gallery, Blackburn, Lancashire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P6WY/the-reef-st-ives-bay-cornwall-late-19th-early-20th-century-c1930-full-moon-over-the-sea-off-the-north-coast-of-cornwall-painting-in-blackburn-museum-and-art-gallery-blackburn-lancashire-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P6WY.jpg "'The Reef, St Ives Bay, Cornwall', late 19th-early 20th century, (c1930). Full moon over the sea off the north coast of Cornwall. Painting in Blackburn Museum and Art Gallery, Blackburn, Lancashire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P6WY–'The Reef, St Ives Bay, Cornwall', late 19th-early 20th century, (c1930). Full moon over the sea off the north coast of Cornwall. Painting in Blackburn Museum and Art Gallery, Blackburn, Lancashire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RMPNEAY6–Procession of Boats on the River Cam below Clare College, Cambridge. Date/Period: Early 19th century. Painting. Oil on canvas. Height: 394 mm (15.51 in); Width: 622 mm (24.48 in). Author: Richard Banks Harraden.
RMM85ATH–An engraving entitled The Wooden Bridge from the picture by Sir Augustus Wall Callcott in the Vernon Gallery scanned at high res from a book of 1849.
RM2FKC63G–A lithotint of Naworth Castle, Cumberland (now Cumbria) scanned at high resolution from a book printed in 1858. The artist G Cattermole died in 1868.
RMMAJC7R–Engraving entitled The Way to Church from the picture by Thomas Creswick in the Vernon Gallery scanned at high resolution from a book printed in 1849.
RF2R3A0P2–Glacier Crest, Illecillewaet, British Columbia, Canadawatercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RM2BC6KFH–A coloured illustration of Muncaster Castle, Ravenglass, Cumbria scanned at high resolution from a book printed in 1870. Believed copyright free.
!['The Pool of London', late 19th-early 20th century, (c1930). Steamships and barges on the River Thames at sunset, with the dome of St Paul's Cathedral in the distance. The Pool of London is the part of the Thames used by shipping, between London Bridge and the north-eastern tip of the Rotherhithe peninsula. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P733/the-pool-of-london-late-19th-early-20th-century-c1930-steamships-and-barges-on-the-river-thames-at-sunset-with-the-dome-of-st-pauls-cathedral-in-the-distance-the-pool-of-london-is-the-part-of-the-thames-used-by-shipping-between-london-bridge-and-the-north-eastern-tip-of-the-rotherhithe-peninsula-painting-in-the-gallery-oldham-greater-manchester-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P733.jpg "'The Pool of London', late 19th-early 20th century, (c1930). Steamships and barges on the River Thames at sunset, with the dome of St Paul's Cathedral in the distance. The Pool of London is the part of the Thames used by shipping, between London Bridge and the north-eastern tip of the Rotherhithe peninsula. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P733–'The Pool of London', late 19th-early 20th century, (c1930). Steamships and barges on the River Thames at sunset, with the dome of St Paul's Cathedral in the distance. The Pool of London is the part of the Thames used by shipping, between London Bridge and the north-eastern tip of the Rotherhithe peninsula. Painting in the Gallery Oldham, Greater Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RMPAKX63–The Bridge at Villeneuve-la-Garenne. Artist: Alfred Sisley (British, Paris 1839-1899 Moret-sur-Loing). Dimensions: 19 1/2 x 25 3/4 in. (49.5 x 65.4 cm). Date: 1872. Recently built, state-of-the-art bridges, emblematic of modernity, appear in a number of Sisley's paintings of the 1870s and early 1880s. This close-up, dramatically angled view depicts the cast-iron and stone suspension bridge that was constructed in 1844 to connect the village of Villeneuve-la-Garenne with the Paris suburb of Saint-Denis. Sisley enlivened the scene by showing holidaymakers on the Seine and along the riverbank.
RF2R3A0RD–Coast near Sechelt, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RM2BC6KT2–A coloured illustration of Trafalgar House (Trafalgar Park) near Salisbury, Wiltshire scanned at high resolution from a book printed in 1870.
RMM9TMKK–Engraving entitled The Fall of Clarendon from the picture by Edward Matthew Ward in the Vernon Gallery scanned at high resolution from a book of 1849.
RM2F3CF5D–Landscape with Trees on a Slope, early 19th century. Formerly attributed to Joseph Mallord William Turner and Peter DeWint
RMTCW6T5–'A Village Lane, South Wales', late 19th-early 20th century. Creator: Sir Ernest Albert Waterlow.
!['Summertime', late 19th-early 20th century, (c1930). Mare and foal in the shade, with farm workers in the distance. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P6XJ/summertime-late-19th-early-20th-century-c1930-mare-and-foal-in-the-shade-with-farm-workers-in-the-distance-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P6XJ.jpg "'Summertime', late 19th-early 20th century, (c1930). Mare and foal in the shade, with farm workers in the distance. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P6XJ–'Summertime', late 19th-early 20th century, (c1930). Mare and foal in the shade, with farm workers in the distance. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RMPNCTR6–Heros und Leanders Abschied. Date/Period: 1837. Painting. Oil on canvas. Height: 146 cm (57.4 in); Width: 236 cm (92.9 in). Author: J. M. W. Turner.
!['The Golden Valley', c1893, (c1930). Rural scene, sheep in a field in the glow of early evening, with smoke curling from a cottage chimney. Painting in the Leeds Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P736/the-golden-valley-c1893-c1930-rural-scene-sheep-in-a-field-in-the-glow-of-early-evening-with-smoke-curling-from-a-cottage-chimney-painting-in-the-leeds-art-gallery-leeds-yorkshire-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P736.jpg "'The Golden Valley', c1893, (c1930). Rural scene, sheep in a field in the glow of early evening, with smoke curling from a cottage chimney. Painting in the Leeds Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P736–'The Golden Valley', c1893, (c1930). Rural scene, sheep in a field in the glow of early evening, with smoke curling from a cottage chimney. Painting in the Leeds Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RF2R3A0AW–The Valley from Rogers Pass, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RMM9TMN0–Engraving entitled The Prawn Fishers from the picture by William Collins in the Vernon Gallery scanned at high resolution from a book printed in 1849.
RM2BBNP3Y–A coloured illustration of Mamhead House, Devon scanned at high resolution from a book printed in 1870. Believed copyright free.
RMRFDDEM–Wivenhoe Park, Essex. Date/Period: 1816. Painting. Oil on canvas. Height: 56.1 cm (22 in); Width: 101.2 cm (39.8 in). Author: John Constable. CONSTABLE, JOHN.
!['The Herring Market at Sea (on Loch Fyne, Argyll)', 1884, (c1930). Early morning scene: fishing boats transferring their catch to a steamship at the mouth of the River Clyde in Scotland. Painting in the Manchester Art Gallery, Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo](https://c8.alamy.com/comp/W6P73R/the-herring-market-at-sea-on-loch-fyne-argyll-1884-c1930-early-morning-scene-fishing-boats-transferring-their-catch-to-a-steamship-at-the-mouth-of-the-river-clyde-in-scotland-painting-in-the-manchester-art-gallery-manchester-from-quotmodern-masterpieces-of-british-artquot-the-amalgamated-press-ltd-london-c1930-W6P73R.jpg "'The Herring Market at Sea (on Loch Fyne, Argyll)', 1884, (c1930). Early morning scene: fishing boats transferring their catch to a steamship at the mouth of the River Clyde in Scotland. Painting in the Manchester Art Gallery, Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930] Stock Photo")
RMW6P73R–'The Herring Market at Sea (on Loch Fyne, Argyll)', 1884, (c1930). Early morning scene: fishing boats transferring their catch to a steamship at the mouth of the River Clyde in Scotland. Painting in the Manchester Art Gallery, Manchester. From "Modern Masterpieces of British Art". [The Amalgamated Press Ltd., London, c1930]
RF2R3A0PR–Great Illecillewaet Glacier, British Columbia, Canada watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RM2BC6M2X–Coloured illustration of Stowlangtoft Hall near Bury St Edmunds, Suffolk scanned at high res from a book printed in 1870. Believed copyright free.
RM2R6EYX7–Symphony in Grey: Early Morning, Thames. oil on canvas. Date: 1871. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
!["Hay-makers", by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Engraving of a painting. 'We need hardly say that the landscape we have engraved is distinguished by characteristics of mature power which are never found in the works of a very young artist. As with all painters who have risen to eminence, Linnell's early landscapes are remarkable for careful realisation. All the details evince a keen eye and patient hand, informed and directed by an intellect thirsting to accumulate a larger number of distinct objective truths. Gradually there come a more general gra Stock Photo](https://c8.alamy.com/comp/2WRGTW2/quothay-makersquot-by-j-linnell-sen-from-the-exhibition-of-the-royal-academy-1864-engraving-of-a-painting-we-need-hardly-say-that-the-landscape-we-have-engraved-is-distinguished-by-characteristics-of-mature-power-which-are-never-found-in-the-works-of-a-very-young-artist-as-with-all-painters-who-have-risen-to-eminence-linnells-early-landscapes-are-remarkable-for-careful-realisation-all-the-details-evince-a-keen-eye-and-patient-hand-informed-and-directed-by-an-intellect-thirsting-to-accumulate-a-larger-number-of-distinct-objective-truths-gradually-there-come-a-more-general-gra-2WRGTW2.jpg ""Hay-makers", by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Engraving of a painting. 'We need hardly say that the landscape we have engraved is distinguished by characteristics of mature power which are never found in the works of a very young artist. As with all painters who have risen to eminence, Linnell's early landscapes are remarkable for careful realisation. All the details evince a keen eye and patient hand, informed and directed by an intellect thirsting to accumulate a larger number of distinct objective truths. Gradually there come a more general gra Stock Photo")
RM2WRGTW2–"Hay-makers", by J. Linnell, Sen., from the Exhibition of the Royal Academy, 1864. Engraving of a painting. 'We need hardly say that the landscape we have engraved is distinguished by characteristics of mature power which are never found in the works of a very young artist. As with all painters who have risen to eminence, Linnell's early landscapes are remarkable for careful realisation. All the details evince a keen eye and patient hand, informed and directed by an intellect thirsting to accumulate a larger number of distinct objective truths. Gradually there come a more general gra
RF2R39YGB–Ross Peak, Selkirk Mountains, British Columbia watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RM2F3CEFY–A View on Hampstead Heath, Early Morning;A View on Hampstead Heath, Early Morning (?);Hampstead Heath, Morning, ca. 1821.
RM2BD23B9–A coloured illustration of Eshton Hall near Skipton, Yorkshire scanned at high resolution from a book printed in 1870. Believed copyright free.
RMRFDCJ3–Salisbury Cathedral from Lower Marsh Close. Dated: 1820. Dimensions: overall: 73 x 91 cm (28 3/4 x 35 13/16 in.) framed: 97.1 x 115.6 x 10.7 cm (38 1/4 x 45 1/2 x 4 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Constable. CONSTABLE, JOHN.
RF2R39YG3–Road near Victoria British Columbia (Evening) watercolor by Thomas Mower Martin from the book ' Canada ' by Wilfred Campbell, Published in 1907 by Adam and Charles Black in London
RM2BDXRFY–A coloured illustration of Merevale Hall, Atherstone, Warwickshire scanned at high resolution from a book printed in 1870. Believed copyright free.
Search Results for Early 19th century british landscape painting Stock Photos and Images (331)
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