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Ducats venice Stock Photos and Images
Copy after Raphael: The Madonna of St. Sixtus, Apollonia Seydelmann (Venice 1767/68 - 1840 Dresden), 1809, drawing, brush in brown, 64.9 x 49.7 cm, l.l. Duke Albert of Saxe-Teschen, verso: according to Grünling 1823, no. 1113: company signature of the art publisher Heinrich Rittner and note on the purpose of the present drawing for the engraving by F.W. Müller and over 100 gold ducats paid to Apollonia Seydelmann Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/copy-after-raphael-the-madonna-of-st-sixtus-apollonia-seydelmann-venice-176768-1840-dresden-1809-drawing-brush-in-brown-649-x-497-cm-ll-duke-albert-of-saxe-teschen-verso-according-to-grnling-1823-no-1113-company-signature-of-the-art-publisher-heinrich-rittner-and-note-on-the-purpose-of-the-present-drawing-for-the-engraving-by-fw-mller-and-over-100-gold-ducats-paid-to-apollonia-seydelmann-image573300130.htmlRM2T8M24J–Copy after Raphael: The Madonna of St. Sixtus, Apollonia Seydelmann (Venice 1767/68 - 1840 Dresden), 1809, drawing, brush in brown, 64.9 x 49.7 cm, l.l. Duke Albert of Saxe-Teschen, verso: according to Grünling 1823, no. 1113: company signature of the art publisher Heinrich Rittner and note on the purpose of the present drawing for the engraving by F.W. Müller and over 100 gold ducats paid to Apollonia Seydelmann
money / finances, coins, Venice, sequins, of the doge Andrea Contarini, gold, 1367 - 1382, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-money-finances-coins-venice-sequins-of-the-doge-andrea-contarini-gold-106896994.htmlRMG5WG5P–money / finances, coins, Venice, sequins, of the doge Andrea Contarini, gold, 1367 - 1382, Additional-Rights-Clearences-Not Available
Jessica 'I will make fast the doors, and will gild myself with some more ducats' - The Merchant of Venice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jessica-i-will-make-fast-the-doors-and-will-gild-myself-with-some-more-ducats-the-merchant-of-venice-image415790891.htmlRF2F4CWEK–Jessica 'I will make fast the doors, and will gild myself with some more ducats' - The Merchant of Venice
Shylock, originally published March 15, 1776, published 1809. 'If ev'ry ducat in six thousand ducats, were in six parts, and evry part a ducat, I would not draw them. I would have my bond'. (Merchant of Venice, Act IV, Scene 1). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shylock-originally-published-march-15-1776-published-1809-if-evry-ducat-in-six-thousand-ducats-were-in-six-parts-and-evry-part-a-ducat-i-would-not-draw-them-i-would-have-my-bond-merchant-of-venice-act-iv-scene-1-image491537460.htmlRM2KFKD18–Shylock, originally published March 15, 1776, published 1809. 'If ev'ry ducat in six thousand ducats, were in six parts, and evry part a ducat, I would not draw them. I would have my bond'. (Merchant of Venice, Act IV, Scene 1).
. History of lace. Point de Yenise,—End of 17th century.Fig. 30.. Point Plat db Venisb.—Middle of 17th century. Tu Jact page 56. VENICE 57 Fifty years later, Evelyn speaks of the veils of glitteringtaffetas, worn by the Venetian ladies, to the corners of whichhang broad but curious tassels of point laces. According to Zedler, an author who wrote about lace in1742, the price of Venice point in high relief varied fromone to nine ducats per Italian ell. The Venetians, unlike the Spaniards, thought much oftheir fine linen and the decorations pertaining to it. ^ Lacamicia preme assai piu del giubbo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-lace-point-de-yeniseend-of-17th-centuryfig-30-point-plat-db-venisbmiddle-of-17th-century-tu-jact-page-56-venice-57-fifty-years-later-evelyn-speaks-of-the-veils-of-glitteringtaffetas-worn-by-the-venetian-ladies-to-the-corners-of-whichhang-broad-but-curious-tassels-of-point-laces-according-to-zedler-an-author-who-wrote-about-lace-in1742-the-price-of-venice-point-in-high-relief-varied-fromone-to-nine-ducats-per-italian-ell-the-venetians-unlike-the-spaniards-thought-much-oftheir-fine-linen-and-the-decorations-pertaining-to-it-lacamicia-preme-assai-piu-del-giubbo-image370430386.htmlRM2CEJFMJ–. History of lace. Point de Yenise,—End of 17th century.Fig. 30.. Point Plat db Venisb.—Middle of 17th century. Tu Jact page 56. VENICE 57 Fifty years later, Evelyn speaks of the veils of glitteringtaffetas, worn by the Venetian ladies, to the corners of whichhang broad but curious tassels of point laces. According to Zedler, an author who wrote about lace in1742, the price of Venice point in high relief varied fromone to nine ducats per Italian ell. The Venetians, unlike the Spaniards, thought much oftheir fine linen and the decorations pertaining to it. ^ Lacamicia preme assai piu del giubbo
money / finances, coins, Venice, sequins, of the doge Andrea Contarini, gold, 1367 - 1382, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-money-finances-coins-venice-sequins-of-the-doge-andrea-contarini-gold-106896999.htmlRMG5WG5Y–money / finances, coins, Venice, sequins, of the doge Andrea Contarini, gold, 1367 - 1382, Additional-Rights-Clearences-Not Available
. History of lace . Point de Venise.—End of 17th century.Fig. 30.. Point Plat ve Venise.—Middle of 17th century. To J act page 56. VENICE 57 Fifty years later, Evelyn speaks of the veils of glitteringtaffetas, worn by the Venetian ladies, to the corners of whichhang broad but curious tassels of point laces. According to Zedler, an author who wrote about lace in1742, the price of Venice point in high relief varied fromone to nine ducats per Italian ell. The Venetians, unlike the Spaniards, thought much oftheir fine linen and the decorations pertaining to it. Lacamicia preme assai piii del giubb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-lace-point-de-veniseend-of-17th-centuryfig-30-point-plat-ve-venisemiddle-of-17th-century-to-j-act-page-56-venice-57-fifty-years-later-evelyn-speaks-of-the-veils-of-glitteringtaffetas-worn-by-the-venetian-ladies-to-the-corners-of-whichhang-broad-but-curious-tassels-of-point-laces-according-to-zedler-an-author-who-wrote-about-lace-in1742-the-price-of-venice-point-in-high-relief-varied-fromone-to-nine-ducats-per-italian-ell-the-venetians-unlike-the-spaniards-thought-much-oftheir-fine-linen-and-the-decorations-pertaining-to-it-lacamicia-preme-assai-piii-del-giubb-image369769110.htmlRM2CDGC7J–. History of lace . Point de Venise.—End of 17th century.Fig. 30.. Point Plat ve Venise.—Middle of 17th century. To J act page 56. VENICE 57 Fifty years later, Evelyn speaks of the veils of glitteringtaffetas, worn by the Venetian ladies, to the corners of whichhang broad but curious tassels of point laces. According to Zedler, an author who wrote about lace in1742, the price of Venice point in high relief varied fromone to nine ducats per Italian ell. The Venetians, unlike the Spaniards, thought much oftheir fine linen and the decorations pertaining to it. Lacamicia preme assai piii del giubb
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