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Downward flange Stock Photos and Images
Glass jug. Culture: Roman. Dimensions: H.: 5 7/16 in. (13.8 cm). Date: mid-1st century A.D.. Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; conical body, then curving inwards to low, slightly outsplayed integral foot ring; concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form eight semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-culture-roman-dimensions-h-5-716-in-138-cm-date-mid-1st-century-ad-colorless-with-pale-blue-green-tinge-handle-in-same-color-rim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-cylindrical-neck-with-faint-horizontal-tooling-marks-around-base-conical-body-then-curving-inwards-to-low-slightly-outsplayed-integral-foot-ring-concave-bottom-rod-handle-attached-to-top-of-body-with-long-tail-extending-down-side-and-pinched-to-form-eight-semicircular-projections-drawn-up-out-and-round-in-a-curve-and-trailed-on-to-top-of-neck-and-image213299914.htmlRMPB0J62–Glass jug. Culture: Roman. Dimensions: H.: 5 7/16 in. (13.8 cm). Date: mid-1st century A.D.. Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; conical body, then curving inwards to low, slightly outsplayed integral foot ring; concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form eight semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and
Art inspired by Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 6 in. (15.2 cm), Glass, Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glass-jug-early-imperial-mid-1st-century-ad-roman-glass-blown-and-tooled-h-6-in-152-cm-glass-colorless-with-pale-blue-green-tinge-handle-in-same-color-rim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-cylindrical-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784052.htmlRF2HTWHNT–Art inspired by Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 6 in. (15.2 cm), Glass, Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Glass jug Roman 3rd–4th century CE Translucent light green; handle in same color.Rim with vertical lip and outsplayed, downward flange below; funnel-shaped neck, with uneven tooling marks around base; broad, conical body, with side curving in at bottom; broad, pushed-in bottom, flat at center; thick strap handle applied in a large pad to upper body, drawn up, out, and round in an elegant loop, and pressed on to neck, with trail ending at base of neck.Intact, but slight chipping and cracking on handle; few bubbles but some black impurities, especially in handle; little weathering on exterior, s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-roman-3rd4th-century-ce-translucent-light-green-handle-in-same-colorrim-with-vertical-lip-and-outsplayed-downward-flange-below-funnel-shaped-neck-with-uneven-tooling-marks-around-base-broad-conical-body-with-side-curving-in-at-bottom-broad-pushed-in-bottom-flat-at-center-thick-strap-handle-applied-in-a-large-pad-to-upper-body-drawn-up-out-and-round-in-an-elegant-loop-and-pressed-on-to-neck-with-trail-ending-at-base-of-neckintact-but-slight-chipping-and-cracking-on-handle-few-bubbles-but-some-black-impurities-especially-in-handle-little-weathering-on-exterior-s-image569500112.htmlRM2T2EY5M–Glass jug Roman 3rd–4th century CE Translucent light green; handle in same color.Rim with vertical lip and outsplayed, downward flange below; funnel-shaped neck, with uneven tooling marks around base; broad, conical body, with side curving in at bottom; broad, pushed-in bottom, flat at center; thick strap handle applied in a large pad to upper body, drawn up, out, and round in an elegant loop, and pressed on to neck, with trail ending at base of neck.Intact, but slight chipping and cracking on handle; few bubbles but some black impurities, especially in handle; little weathering on exterior, s
A German pointed kettle hat, mid-15th century Skull forged in one piece with vertical, slightly constricted sides and a crown plate rising to a point. Broad brim with pronounced downward slope. Surrounding lining holes. The edge of the brim turned upwards, forming a narrow flange. Height 24 cm. Weight 2800 g. historic, historical, 15th century, weapons, arms, weapon, arm, fighting device, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, utensil, piece of equipment, utensils, plating, armour-plating, armour, armor, reactiv, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-german-pointed-kettle-hat-mid-15th-century-skull-forged-in-one-piece-with-vertical-slightly-constricted-sides-and-a-crown-plate-rising-to-a-point-broad-brim-with-pronounced-downward-slope-surrounding-lining-holes-the-edge-of-the-brim-turned-upwards-forming-a-narrow-flange-height-24-cm-weight-2800-g-historic-historical-15th-century-weapons-arms-weapon-arm-fighting-device-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-utensil-piece-of-equipment-utensils-plating-armour-plating-armour-armor-reactiv-additional-rights-clearance-info-not-available-image243070534.htmlRMT3CPXE–A German pointed kettle hat, mid-15th century Skull forged in one piece with vertical, slightly constricted sides and a crown plate rising to a point. Broad brim with pronounced downward slope. Surrounding lining holes. The edge of the brim turned upwards, forming a narrow flange. Height 24 cm. Weight 2800 g. historic, historical, 15th century, weapons, arms, weapon, arm, fighting device, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, utensil, piece of equipment, utensils, plating, armour-plating, armour, armor, reactiv, Additional-Rights-Clearance-Info-Not-Available
Glass jug mid-1st century A.D. Roman Colorless with pale blue green tinge; handle in same color.Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; conical body, then curving inwards to low, slightly outsplayed integral foot ring; concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form eight semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and outer edge of rim with vertical, flat thumb-rest.Intact; f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-mid-1st-century-ad-roman-colorless-with-pale-blue-green-tinge-handle-in-same-colorrim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-cylindrical-neck-with-faint-horizontal-tooling-marks-around-base-conical-body-then-curving-inwards-to-low-slightly-outsplayed-integral-foot-ring-concave-bottom-rod-handle-attached-to-top-of-body-with-long-tail-extending-down-side-and-pinched-to-form-eight-semicircular-projections-drawn-up-out-and-round-in-a-curve-and-trailed-on-to-top-of-neck-and-outer-edge-of-rim-with-vertical-flat-thumb-restintact-f-image458411852.htmlRM2HHPCYT–Glass jug mid-1st century A.D. Roman Colorless with pale blue green tinge; handle in same color.Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; conical body, then curving inwards to low, slightly outsplayed integral foot ring; concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form eight semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and outer edge of rim with vertical, flat thumb-rest.Intact; f
Glass jug, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Syrian, Glass; blown using a dip mold and trailed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-jug-late-imperial-or-early-byzantine-4th6th-century-ad-roman-162411124.htmlRMKC6D18–Glass jug, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Syrian, Glass; blown using a dip mold and trailed
Smithsonian miscellaneous collections . Fig. 28.—Trogosus grangeri, new species: Left scapula (A.M. No. 17008), typespecimen, lateral and distal views, X i. Huerfano (B) middle Eocene, Colorado. details, other than a ridgelike extension downward on its surface ofthe superior portion of the posterior border, with a strong flange orflexure of the lower part of the posterior border, posterior to the ridge.The scapula of Trogosus is rather unlike that of any other animalto which it might be compared. It does not particularly resemble any y6 SMITHSONIAN MISCELLANEOUS COLLECTIONS VOL. 121 carnivores Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smithsonian-miscellaneous-collections-fig-28trogosus-grangeri-new-species-left-scapula-am-no-17008-typespecimen-lateral-and-distal-views-x-i-huerfano-b-middle-eocene-colorado-details-other-than-a-ridgelike-extension-downward-on-its-surface-ofthe-superior-portion-of-the-posterior-border-with-a-strong-flange-orflexure-of-the-lower-part-of-the-posterior-border-posterior-to-the-ridgethe-scapula-of-trogosus-is-rather-unlike-that-of-any-other-animalto-which-it-might-be-compared-it-does-not-particularly-resemble-any-y6-smithsonian-miscellaneous-collections-vol-121-carnivores-image342872696.htmlRM2AWR5HC–Smithsonian miscellaneous collections . Fig. 28.—Trogosus grangeri, new species: Left scapula (A.M. No. 17008), typespecimen, lateral and distal views, X i. Huerfano (B) middle Eocene, Colorado. details, other than a ridgelike extension downward on its surface ofthe superior portion of the posterior border, with a strong flange orflexure of the lower part of the posterior border, posterior to the ridge.The scapula of Trogosus is rather unlike that of any other animalto which it might be compared. It does not particularly resemble any y6 SMITHSONIAN MISCELLANEOUS COLLECTIONS VOL. 121 carnivores
The accompanying illustration represents a simple device which may be readily adjusted to position and manipulated to direct the flow of water from the main leader to a supply or to a waste leader Fig. 1 being a face view and Fig. 2 a sectional representation. This invention has been patented by Messrs. John Robert Sand strom of Topeka Kansas. The cut off body is formed with a flange adapted to receive the lower end of the main leader this flange beiitg carried downward formed at the upper end of a switching tube the lower end of this tube also hav ing a flange adapt ed to fit into flanges on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-accompanying-illustration-represents-a-simple-device-which-may-be-readily-adjusted-to-position-and-manipulated-to-direct-the-flow-of-water-from-the-main-leader-to-a-supply-or-to-a-waste-leader-fig-1-being-a-face-view-and-fig-2-a-sectional-representation-this-invention-has-been-patented-by-messrs-john-robert-sand-strom-of-topeka-kansas-the-cut-off-body-is-formed-with-a-flange-adapted-to-receive-the-lower-end-of-the-main-leader-this-flange-beiitg-carried-downward-formed-at-the-upper-end-of-a-switching-tube-the-lower-end-of-this-tube-also-hav-ing-a-flange-adapt-ed-to-fit-into-flanges-on-image334333383.htmlRM2ABX5HY–The accompanying illustration represents a simple device which may be readily adjusted to position and manipulated to direct the flow of water from the main leader to a supply or to a waste leader Fig. 1 being a face view and Fig. 2 a sectional representation. This invention has been patented by Messrs. John Robert Sand strom of Topeka Kansas. The cut off body is formed with a flange adapted to receive the lower end of the main leader this flange beiitg carried downward formed at the upper end of a switching tube the lower end of this tube also hav ing a flange adapt ed to fit into flanges on
Glass jug. Culture: Roman. Dimensions: H.: 6 in. (15.2 cm). Date: mid-1st century A.D.. Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; piriform body, with slight horizontal bulge at point of greatest diameter; low integral foot ring, concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form nine semicircular projections, drawn up, out, and round in a curve, and trailed on to top o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-culture-roman-dimensions-h-6-in-152-cm-date-mid-1st-century-ad-colorless-with-pale-blue-green-tinge-handle-in-same-color-rim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-cylindrical-neck-with-faint-horizontal-tooling-marks-around-base-piriform-body-with-slight-horizontal-bulge-at-point-of-greatest-diameter-low-integral-foot-ring-concave-bottom-rod-handle-attached-to-top-of-body-with-long-tail-extending-down-side-and-pinched-to-form-nine-semicircular-projections-drawn-up-out-and-round-in-a-curve-and-trailed-on-to-top-o-image213081508.htmlRMPAJKHT–Glass jug. Culture: Roman. Dimensions: H.: 6 in. (15.2 cm). Date: mid-1st century A.D.. Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; piriform body, with slight horizontal bulge at point of greatest diameter; low integral foot ring, concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form nine semicircular projections, drawn up, out, and round in a curve, and trailed on to top o
Art inspired by Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 5 7/16 in. (13.8 cm), Glass, Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glass-jug-early-imperial-mid-1st-century-ad-roman-glass-blown-and-tooled-h-5-716-in-138-cm-glass-colorless-with-pale-blue-green-tinge-handle-in-same-color-rim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784101.htmlRF2HTWHRH–Art inspired by Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 5 7/16 in. (13.8 cm), Glass, Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and stepped profile; short, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Glass jug mid-1st century A.D. Roman Colorless with pale blue green tinge; handle in same color.Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; piriform body, with slight horizontal bulge at point of greatest diameter; low integral foot ring, concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form nine semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and outer edge of rim with vertical, flat thumb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-mid-1st-century-ad-roman-colorless-with-pale-blue-green-tinge-handle-in-same-colorrim-folded-out-down-up-and-out-forming-a-downward-flange-and-stepped-profile-short-cylindrical-neck-with-faint-horizontal-tooling-marks-around-base-piriform-body-with-slight-horizontal-bulge-at-point-of-greatest-diameter-low-integral-foot-ring-concave-bottom-rod-handle-attached-to-top-of-body-with-long-tail-extending-down-side-and-pinched-to-form-nine-semicircular-projections-drawn-up-out-and-round-in-a-curve-and-trailed-on-to-top-of-neck-and-outer-edge-of-rim-with-vertical-flat-thumb-image458411870.htmlRM2HHPD0E–Glass jug mid-1st century A.D. Roman Colorless with pale blue green tinge; handle in same color.Rim folded out, down, up, and out, forming a downward flange and stepped profile; short cylindrical neck with faint horizontal tooling marks around base; piriform body, with slight horizontal bulge at point of greatest diameter; low integral foot ring, concave bottom; rod handle attached to top of body with long tail extending down side and pinched to form nine semicircular projections, drawn up, out, and round in a curve, and trailed on to top of neck and outer edge of rim with vertical, flat thumb
Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 6 in. (15.2 cm), Glass, Colorless with pale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-jug-early-imperial-mid-1st-century-ad-roman-glass-blown-and-162411059.htmlRMKC6CXY–Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 6 in. (15.2 cm), Glass, Colorless with pale
The San Francisco earthquake and fire; a brief history of the disaster; a presentation of facts and resulting phenomena, with special reference to the efficiency of building materials, lessons of the disaster . lars worth of damageby wrecking large sectionsof the building. The failure of the ceil-ings, where the metal lathand plaster fell away fromthe supports, was due tothe light wire clip, de-signed as shown in the ac-companying sketch. Theseclips were made of aboutNo. 8 wire, and bent to theform shown, around thelower flange of the beams.The hooked end project-ing downward supported the cha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-san-francisco-earthquake-and-fire-a-brief-history-of-the-disaster-a-presentation-of-facts-and-resulting-phenomena-with-special-reference-to-the-efficiency-of-building-materials-lessons-of-the-disaster-lars-worth-of-damageby-wrecking-large-sectionsof-the-building-the-failure-of-the-ceil-ings-where-the-metal-lathand-plaster-fell-away-fromthe-supports-was-due-tothe-light-wire-clip-de-signed-as-shown-in-the-ac-companying-sketch-theseclips-were-made-of-aboutno-8-wire-and-bent-to-theform-shown-around-thelower-flange-of-the-beamsthe-hooked-end-project-ing-downward-supported-the-cha-image338442396.htmlRM2AJHAMC–The San Francisco earthquake and fire; a brief history of the disaster; a presentation of facts and resulting phenomena, with special reference to the efficiency of building materials, lessons of the disaster . lars worth of damageby wrecking large sectionsof the building. The failure of the ceil-ings, where the metal lathand plaster fell away fromthe supports, was due tothe light wire clip, de-signed as shown in the ac-companying sketch. Theseclips were made of aboutNo. 8 wire, and bent to theform shown, around thelower flange of the beams.The hooked end project-ing downward supported the cha
Glass jug. Culture: Roman, Syrian. Dimensions: H.: 4 11/16 in. (11.9 cm). Date: 4th-6th century A.D.. Translucent blue green; handle in same color; trails in translucent cobalt blue. Plain rim, with downward flange on one side; flaring mouth; cylindrical neck, expanding slightly downwards; slanting, rounded shoulder; funnel-shaped body; thick bottom with kick and small, central pontil scar; reeded strap handle attached unevenly to shoulder, drawn up and outwards in a curve, then attached to edge of rim and trailed back on itself. Narrow ribs extend in a tight spiral down from left to right Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-culture-roman-syrian-dimensions-h-4-1116-in-119-cm-date-4th-6th-century-ad-translucent-blue-green-handle-in-same-color-trails-in-translucent-cobalt-blue-plain-rim-with-downward-flange-on-one-side-flaring-mouth-cylindrical-neck-expanding-slightly-downwards-slanting-rounded-shoulder-funnel-shaped-body-thick-bottom-with-kick-and-small-central-pontil-scar-reeded-strap-handle-attached-unevenly-to-shoulder-drawn-up-and-outwards-in-a-curve-then-attached-to-edge-of-rim-and-trailed-back-on-itself-narrow-ribs-extend-in-a-tight-spiral-down-from-left-to-right-image213112680.htmlRMPAM3B4–Glass jug. Culture: Roman, Syrian. Dimensions: H.: 4 11/16 in. (11.9 cm). Date: 4th-6th century A.D.. Translucent blue green; handle in same color; trails in translucent cobalt blue. Plain rim, with downward flange on one side; flaring mouth; cylindrical neck, expanding slightly downwards; slanting, rounded shoulder; funnel-shaped body; thick bottom with kick and small, central pontil scar; reeded strap handle attached unevenly to shoulder, drawn up and outwards in a curve, then attached to edge of rim and trailed back on itself. Narrow ribs extend in a tight spiral down from left to right
Art inspired by Glass cup, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm), Glass, Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glass-cup-early-to-mid-imperial-mid-1st2nd-century-ad-roman-glass-blown-2-916-2-916-in-65-64-cm-glass-translucent-greenish-yellow-vertical-rounded-and-thickened-rim-broad-cylindrical-neck-slightly-tapering-downward-with-folded-tubular-flange-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462783498.htmlRF2HTWH22–Art inspired by Glass cup, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm), Glass, Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Glass jug 4th–6th century A.D. Roman, Syrian Translucent blue green; handle in same color; trails in translucent cobalt blue.Plain rim, with downward flange on one side; flaring mouth; cylindrical neck, expanding slightly downwards; slanting, rounded shoulder; funnel-shaped body; thick bottom with kick and small, central pontil scar; reeded strap handle attached unevenly to shoulder, drawn up and outwards in a curve, then attached to edge of rim and trailed back on itself.Narrow ribs extend in a tight spiral down from left to right from rim to lower body, in low relief at top but fading from s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-4th6th-century-ad-roman-syrian-translucent-blue-green-handle-in-same-color-trails-in-translucent-cobalt-blueplain-rim-with-downward-flange-on-one-side-flaring-mouth-cylindrical-neck-expanding-slightly-downwards-slanting-rounded-shoulder-funnel-shaped-body-thick-bottom-with-kick-and-small-central-pontil-scar-reeded-strap-handle-attached-unevenly-to-shoulder-drawn-up-and-outwards-in-a-curve-then-attached-to-edge-of-rim-and-trailed-back-on-itselfnarrow-ribs-extend-in-a-tight-spiral-down-from-left-to-right-from-rim-to-lower-body-in-low-relief-at-top-but-fading-from-s-image458413269.htmlRM2HHPEPD–Glass jug 4th–6th century A.D. Roman, Syrian Translucent blue green; handle in same color; trails in translucent cobalt blue.Plain rim, with downward flange on one side; flaring mouth; cylindrical neck, expanding slightly downwards; slanting, rounded shoulder; funnel-shaped body; thick bottom with kick and small, central pontil scar; reeded strap handle attached unevenly to shoulder, drawn up and outwards in a curve, then attached to edge of rim and trailed back on itself.Narrow ribs extend in a tight spiral down from left to right from rim to lower body, in low relief at top but fading from s
Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 5 7/16 in. (13.8 cm), Glass, Colorless Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-jug-early-imperial-mid-1st-century-ad-roman-glass-blown-and-162411060.htmlRMKC6CY0–Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 5 7/16 in. (13.8 cm), Glass, Colorless
Glass gold-band mosaic alabastron (perfume bottle) 1st century B.C. Greek Neck and rim disk: translucent turquoise green. Body: colorless, translucent turquoise green, translucent cobalt blue, opaque white, and gold leaf.Rim disk and neck: flat, broad, horizontal rim, with rounded edge; cylindrical neck with uneven surface and vertical ribbing; projecting solid flange with downward taper that fits tightly into mouth of body and flat horizontal bottom edge; body: plain vertical rim, slightly beveled and tapering upward; tall, slender body, expanding downwards, then curving in to pointed bottom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-gold-band-mosaic-alabastron-perfume-bottle-1st-century-bc-greek-neck-and-rim-disk-translucent-turquoise-green-body-colorless-translucent-turquoise-green-translucent-cobalt-blue-opaque-white-and-gold-leafrim-disk-and-neck-flat-broad-horizontal-rim-with-rounded-edge-cylindrical-neck-with-uneven-surface-and-vertical-ribbing-projecting-solid-flange-with-downward-taper-that-fits-tightly-into-mouth-of-body-and-flat-horizontal-bottom-edge-body-plain-vertical-rim-slightly-beveled-and-tapering-upward-tall-slender-body-expanding-downwards-then-curving-in-to-pointed-bottom-image458141392.htmlRM2HHA40G–Glass gold-band mosaic alabastron (perfume bottle) 1st century B.C. Greek Neck and rim disk: translucent turquoise green. Body: colorless, translucent turquoise green, translucent cobalt blue, opaque white, and gold leaf.Rim disk and neck: flat, broad, horizontal rim, with rounded edge; cylindrical neck with uneven surface and vertical ribbing; projecting solid flange with downward taper that fits tightly into mouth of body and flat horizontal bottom edge; body: plain vertical rim, slightly beveled and tapering upward; tall, slender body, expanding downwards, then curving in to pointed bottom.
A supplement to Ures Dictionary of Arts, Manufactures, and Mines, : containing a clear exposition of their principles and practice. . iJaQ ^ :^ ^. ^^fii. 120, is a copper pipe, with one blank end, and open at the other with flange forthe admission of steam, which passes through the downward-bent pipe marked b, in con-nection with the brass tap on top of pillar, the plug of this tap being open at bottom toadmit the steam down the pillar as far as the stuffing box, marked e, through which itrushes into the casing of pans, and out by the condense pipe d, when required, c is a cop-per pipe, with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-supplement-to-ures-dictionary-of-arts-manufactures-and-mines-containing-a-clear-exposition-of-their-principles-and-practice-ijaq-fii-120-is-a-copper-pipe-with-one-blank-end-and-open-at-the-other-with-flange-forthe-admission-of-steam-which-passes-through-the-downward-bent-pipe-marked-b-in-con-nection-with-the-brass-tap-on-top-of-pillar-the-plug-of-this-tap-being-open-at-bottom-toadmit-the-steam-down-the-pillar-as-far-as-the-stuffing-box-marked-e-through-which-itrushes-into-the-casing-of-pans-and-out-by-the-condense-pipe-d-when-required-c-is-a-cop-per-pipe-with-image339996891.htmlRM2AN45E3–A supplement to Ures Dictionary of Arts, Manufactures, and Mines, : containing a clear exposition of their principles and practice. . iJaQ ^ :^ ^. ^^fii. 120, is a copper pipe, with one blank end, and open at the other with flange forthe admission of steam, which passes through the downward-bent pipe marked b, in con-nection with the brass tap on top of pillar, the plug of this tap being open at bottom toadmit the steam down the pillar as far as the stuffing box, marked e, through which itrushes into the casing of pans, and out by the condense pipe d, when required, c is a cop-per pipe, with
Glass cup. Culture: Roman. Dimensions: 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm) Diam. of rim: 3 3/8 in. (8.6 cm) Lip diameter: 3 3/16 in. (8 cm). Date: mid-1st-2nd century A.D.. Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange at base; slender S-shaped profile to body, which curves in at top behind flange, descends almost vertically with slightly convex sides, and then curves in to pushed-in base with trace of pontil scar. Intact, except for small crack in rim and neck; few bubbles; patches of dullin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-cup-culture-roman-dimensions-2-916-2-916-in-65-64-cm-diam-of-rim-3-38-in-86-cm-lip-diameter-3-316-in-8-cm-date-mid-1st-2nd-century-ad-translucent-greenish-yellow-vertical-rounded-and-thickened-rim-broad-cylindrical-neck-slightly-tapering-downward-with-folded-tubular-flange-at-base-slender-s-shaped-profile-to-body-which-curves-in-at-top-behind-flange-descends-almost-vertically-with-slightly-convex-sides-and-then-curves-in-to-pushed-in-base-with-trace-of-pontil-scar-intact-except-for-small-crack-in-rim-and-neck-few-bubbles-patches-of-dullin-image213150204.htmlRMPANR78–Glass cup. Culture: Roman. Dimensions: 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm) Diam. of rim: 3 3/8 in. (8.6 cm) Lip diameter: 3 3/16 in. (8 cm). Date: mid-1st-2nd century A.D.. Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange at base; slender S-shaped profile to body, which curves in at top behind flange, descends almost vertically with slightly convex sides, and then curves in to pushed-in base with trace of pontil scar. Intact, except for small crack in rim and neck; few bubbles; patches of dullin
Art inspired by Glass jug, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Syrian, Glass; blown using a dip mold and trailed, H.: 4 11/16 in. (11.9 cm), Glass, Translucent blue green; handle in same color; trails in translucent cobalt blue. Plain rim, with downward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glass-jug-late-imperial-or-early-byzantine-4th6th-century-ad-roman-syrian-glass-blown-using-a-dip-mold-and-trailed-h-4-1116-in-119-cm-glass-translucent-blue-green-handle-in-same-color-trails-in-translucent-cobalt-blue-plain-rim-with-downward-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462784121.htmlRF2HTWHT9–Art inspired by Glass jug, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Syrian, Glass; blown using a dip mold and trailed, H.: 4 11/16 in. (11.9 cm), Glass, Translucent blue green; handle in same color; trails in translucent cobalt blue. Plain rim, with downward, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Glass gold-band mosaic alabastron (perfume bottle), Late Hellenistic, 1st century B.C., Greek, Glass and gold leaf; cast, probably around a rod, 7 1/16in. (18cm), Glass, Neck and rim disk: translucent turquoise green. Body: colorless, translucent turquoise green, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glass-gold-band-mosaic-alabastron-perfume-bottle-late-hellenistic-1st-century-bc-greek-glass-and-gold-leaf-cast-probably-around-a-rod-7-116in-18cm-glass-neck-and-rim-disk-translucent-turquoise-green-body-colorless-translucent-turquoise-green-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462930722.htmlRF2HW48T2–Art inspired by Glass gold-band mosaic alabastron (perfume bottle), Late Hellenistic, 1st century B.C., Greek, Glass and gold leaf; cast, probably around a rod, 7 1/16in. (18cm), Glass, Neck and rim disk: translucent turquoise green. Body: colorless, translucent turquoise green, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Glass cup, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm), Glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-cup-early-to-mid-imperial-mid-1st2nd-century-ad-roman-glass-162424930.htmlRMKC72JA–Glass cup, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm), Glass
Glass cup mid-1st–2nd century A.D. Roman Translucent greenish yellow.Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange at base; slender S-shaped profile to body, which curves in at top behind flange, descends almost vertically with slightly convex sides, and then curves in to pushed-in base with trace of pontil scar.Intact, except for small crack in rim and neck; few bubbles; patches of dulling, slight pitting, iridescence, and limy weathering.Yellow cup with offset rim.. Glass cup. Roman. mid-1st–2nd century A.D.. Glass; blown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-cup-mid-1st2nd-century-ad-roman-translucent-greenish-yellowvertical-rounded-and-thickened-rim-broad-cylindrical-neck-slightly-tapering-downward-with-folded-tubular-flange-at-base-slender-s-shaped-profile-to-body-which-curves-in-at-top-behind-flange-descends-almost-vertically-with-slightly-convex-sides-and-then-curves-in-to-pushed-in-base-with-trace-of-pontil-scarintact-except-for-small-crack-in-rim-and-neck-few-bubbles-patches-of-dulling-slight-pitting-iridescence-and-limy-weatheringyellow-cup-with-offset-rim-glass-cup-roman-mid-1st2nd-century-ad-glass-blown-image458295364.htmlRM2HHH4BG–Glass cup mid-1st–2nd century A.D. Roman Translucent greenish yellow.Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange at base; slender S-shaped profile to body, which curves in at top behind flange, descends almost vertically with slightly convex sides, and then curves in to pushed-in base with trace of pontil scar.Intact, except for small crack in rim and neck; few bubbles; patches of dulling, slight pitting, iridescence, and limy weathering.Yellow cup with offset rim.. Glass cup. Roman. mid-1st–2nd century A.D.. Glass; blown.
Popular science monthly . ii around its open top.A hoop 13 presses U()war(i against llu-gaskets 12 and downward against theshort arms of several eccentric levers14. This is shown in Fig. z. Numerous recesses 16 in the sides ofthe receptacle allow for themovement of the levers. Two layers of fabric, theupper one air-tight and thelower one porous, arestretched over the top of thereceptacle and secured underthe flange 1)- means of thehoop and gaskets. Withinthe receptacle is a longitu-dinally-placed conduit 19having numerous openings.At one end steam may beadmitted, and at the otherend, air. Whe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/popular-science-monthly-ii-around-its-open-topa-hoop-13-presses-uwari-against-llu-gaskets-12-and-downward-against-theshort-arms-of-several-eccentric-levers14-this-is-shown-in-fig-z-numerous-recesses-16-in-the-sides-ofthe-receptacle-allow-for-themovement-of-the-levers-two-layers-of-fabric-theupper-one-air-tight-and-thelower-one-porous-arestretched-over-the-top-of-thereceptacle-and-secured-underthe-flange-1-means-of-thehoop-and-gaskets-withinthe-receptacle-is-a-longitu-dinally-placed-conduit-19having-numerous-openingsat-one-end-steam-may-beadmitted-and-at-the-otherend-air-whe-image339185319.htmlRM2AKR69B–Popular science monthly . ii around its open top.A hoop 13 presses U()war(i against llu-gaskets 12 and downward against theshort arms of several eccentric levers14. This is shown in Fig. z. Numerous recesses 16 in the sides ofthe receptacle allow for themovement of the levers. Two layers of fabric, theupper one air-tight and thelower one porous, arestretched over the top of thereceptacle and secured underthe flange 1)- means of thehoop and gaskets. Withinthe receptacle is a longitu-dinally-placed conduit 19having numerous openings.At one end steam may beadmitted, and at the otherend, air. Whe
Glass jug mid-1st–early 2nd century A.D. Roman Translucent blue green; handle in same color.Solid rim, folded out, down, round, and in, with beveled upper surface forming sloping collar; tall, cylindrical neck, with slight horizontal indent at base; bell-shaped body with side flaring to hollow, slightly bulging flange, then tapering sharply in; hollow, outsplayed base ring; pushed-in bottom; strap handle with single central rib that has a long, downward notched trail that extends down side, applied to top of body, drawn up and outwards in a straight line, then turned in and down, and trailed o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-jug-mid-1stearly-2nd-century-ad-roman-translucent-blue-green-handle-in-same-colorsolid-rim-folded-out-down-round-and-in-with-beveled-upper-surface-forming-sloping-collar-tall-cylindrical-neck-with-slight-horizontal-indent-at-base-bell-shaped-body-with-side-flaring-to-hollow-slightly-bulging-flange-then-tapering-sharply-in-hollow-outsplayed-base-ring-pushed-in-bottom-strap-handle-with-single-central-rib-that-has-a-long-downward-notched-trail-that-extends-down-side-applied-to-top-of-body-drawn-up-and-outwards-in-a-straight-line-then-turned-in-and-down-and-trailed-o-image458036765.htmlRM2HH5AFW–Glass jug mid-1st–early 2nd century A.D. Roman Translucent blue green; handle in same color.Solid rim, folded out, down, round, and in, with beveled upper surface forming sloping collar; tall, cylindrical neck, with slight horizontal indent at base; bell-shaped body with side flaring to hollow, slightly bulging flange, then tapering sharply in; hollow, outsplayed base ring; pushed-in bottom; strap handle with single central rib that has a long, downward notched trail that extends down side, applied to top of body, drawn up and outwards in a straight line, then turned in and down, and trailed o
Glass gold-band mosaic alabastron (perfume bottle), 1st century B.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-gold-band-mosaic-alabastron-perfume-bottle-1st-century-bc-162410137.htmlRMKC6BP1–Glass gold-band mosaic alabastron (perfume bottle), 1st century B.C
Glass jug, Imperial, Flavian or Trajanic, mid-1st–early 2nd century A.D., Roman, Glass; blown in a dip mold, H. 11 1/2 in. (29.2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-glass-jug-imperial-flavian-or-trajanic-mid-1stearly-2nd-century-ad-162410400.htmlRMKC6C3C–Glass jug, Imperial, Flavian or Trajanic, mid-1st–early 2nd century A.D., Roman, Glass; blown in a dip mold, H. 11 1/2 in. (29.2
. The Dental cosmos. be carriedto the usual height, that is, as high asit can be borne with comfort, and withoutabrading the cheek. Opposite the secondbicuspids and molars the flange shoulddescend from the top margin at an in-clination of between 20 and 30 degreesto the vertical, sloping outward. Thisabrupt slope enables the plate to escapethe downward displacing action of thebuccinator. Then, at a short distanceabove the necks of the teeth, the flangetakes an inward turn which reaches thenecks of the teeth in a curve. The flangethus produced is intended to lie over thebulge of the muscle, and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dental-cosmos-be-carriedto-the-usual-height-that-is-as-high-asit-can-be-borne-with-comfort-and-withoutabrading-the-cheek-opposite-the-secondbicuspids-and-molars-the-flange-shoulddescend-from-the-top-margin-at-an-in-clination-of-between-20-and-30-degreesto-the-vertical-sloping-outward-thisabrupt-slope-enables-the-plate-to-escapethe-downward-displacing-action-of-thebuccinator-then-at-a-short-distanceabove-the-necks-of-the-teeth-the-flangetakes-an-inward-turn-which-reaches-thenecks-of-the-teeth-in-a-curve-the-flangethus-produced-is-intended-to-lie-over-thebulge-of-the-muscle-and-image370479498.htmlRM2CEMPAJ–. The Dental cosmos. be carriedto the usual height, that is, as high asit can be borne with comfort, and withoutabrading the cheek. Opposite the secondbicuspids and molars the flange shoulddescend from the top margin at an in-clination of between 20 and 30 degreesto the vertical, sloping outward. Thisabrupt slope enables the plate to escapethe downward displacing action of thebuccinator. Then, at a short distanceabove the necks of the teeth, the flangetakes an inward turn which reaches thenecks of the teeth in a curve. The flangethus produced is intended to lie over thebulge of the muscle, and
. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . umconvenience to the patrons, greatly im-proves the conditions required for promptand satisfactory service, and affords adesirable degree of privacy. The ground plan of tables, seats andpartitions are in outline like the steelsheet piling used at the ferry slips ofsome railroads. These are, in factI-beams with the top and bottom flangescurved downward and away from eachother; the curved flange of the pilerepresenting the partition, making the third illustration, the photograph for sire to sit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/railway-and-locomotive-engineering-a-practical-journal-of-railway-motive-power-and-rolling-stock-umconvenience-to-the-patrons-greatly-im-proves-the-conditions-required-for-promptand-satisfactory-service-and-affords-adesirable-degree-of-privacy-the-ground-plan-of-tables-seats-andpartitions-are-in-outline-like-the-steelsheet-piling-used-at-the-ferry-slips-ofsome-railroads-these-are-in-facti-beams-with-the-top-and-bottom-flangescurved-downward-and-away-from-eachother-the-curved-flange-of-the-pilerepresenting-the-partition-making-the-third-illustration-the-photograph-for-sire-to-sit-image371933601.htmlRM2CH312W–. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . umconvenience to the patrons, greatly im-proves the conditions required for promptand satisfactory service, and affords adesirable degree of privacy. The ground plan of tables, seats andpartitions are in outline like the steelsheet piling used at the ferry slips ofsome railroads. These are, in factI-beams with the top and bottom flangescurved downward and away from eachother; the curved flange of the pilerepresenting the partition, making the third illustration, the photograph for sire to sit
. Model making; including workshop practice, design and construction of models, a practical treatise for the amateur and professional mechanic.. . Fig. 69—A few parted patterns rect inclination. Imagine the pattern to be placed on themoulding board as in Fig. 62; then the direction of draw-ing, in the present position, would be downward; there-fore, all outer sides of the pattern should slope upivardand iniuard and the inner sides, as the sides of the holein flange in Fig. 70B, should incline upivard and out- 108 Model Engineering ward. This, of course, includes curved as well as straightsurfa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/model-making-including-workshop-practice-design-and-construction-of-models-a-practical-treatise-for-the-amateur-and-professional-mechanic-fig-69a-few-parted-patterns-rect-inclination-imagine-the-pattern-to-be-placed-on-themoulding-board-as-in-fig-62-then-the-direction-of-draw-ing-in-the-present-position-would-be-downward-there-fore-all-outer-sides-of-the-pattern-should-slope-upivardand-iniuard-and-the-inner-sides-as-the-sides-of-the-holein-flange-in-fig-70b-should-incline-upivard-and-out-108-model-engineering-ward-this-of-course-includes-curved-as-well-as-straightsurfa-image369821761.htmlRM2CDJRC1–. Model making; including workshop practice, design and construction of models, a practical treatise for the amateur and professional mechanic.. . Fig. 69—A few parted patterns rect inclination. Imagine the pattern to be placed on themoulding board as in Fig. 62; then the direction of draw-ing, in the present position, would be downward; there-fore, all outer sides of the pattern should slope upivardand iniuard and the inner sides, as the sides of the holein flange in Fig. 70B, should incline upivard and out- 108 Model Engineering ward. This, of course, includes curved as well as straightsurfa
. The bird book : illustrating in natural colors more than seven hundred North American birds; also several hundred photographs of their nests and eggs . I.iwlii Ilu 4tk* I. Y.II..U I. ). Yellow headed Blackbird. Kanthocephalua xanthocephalus. Flange. North America west of the Missis-sippi to eastern California, breeding from thesouthern parts of the United States north toBritish Columbia and Hudson Ray and winter-ing from southern United States downward. This large handsomeBlackbird with brighl yel-low head and breasl isverj abundanl in someparts oi ih> west, wherethej nest in large col Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bird-book-illustrating-in-natural-colors-more-than-seven-hundred-north-american-birds-also-several-hundred-photographs-of-their-nests-and-eggs-iiwlii-ilu-4tk-i-yiiu-i-yellow-headed-blackbird-kanthocephalua-xanthocephalus-flange-north-america-west-of-the-missis-sippi-to-eastern-california-breeding-from-thesouthern-parts-of-the-united-states-north-tobritish-columbia-and-hudson-ray-and-winter-ing-from-southern-united-states-downward-this-large-handsomeblackbird-with-brighl-yel-low-head-and-breasl-isverj-abundanl-in-someparts-oi-ihgt-west-wherethej-nest-in-large-col-image374647323.htmlRM2CNEJDF–. The bird book : illustrating in natural colors more than seven hundred North American birds; also several hundred photographs of their nests and eggs . I.iwlii Ilu 4tk* I. Y.II..U I. ). Yellow headed Blackbird. Kanthocephalua xanthocephalus. Flange. North America west of the Missis-sippi to eastern California, breeding from thesouthern parts of the United States north toBritish Columbia and Hudson Ray and winter-ing from southern United States downward. This large handsomeBlackbird with brighl yel-low head and breasl isverj abundanl in someparts oi ih> west, wherethej nest in large col
. Electric railway journal . Fig. 1—Car with I-beam and Wood Filler UnderframingStruck in the Rear The I-beams on car, Fig. 1, are shown to be in perfect condition,while the same members on car, Fig. 2, from which the woodfillers were removed, are bent downward and twisted. The center and intermediate sill construction of both cars. Fig. 3—View of General Damage to the Car Shown in Fig. 2 was identical, namely, of 6-in. I-beams, with yellow pine fillerscontinuous from bumper to bumper, with the exception that thetop flange of the I-beam on car, Fig. 2, was cut away to receivecrown pieces, whil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/electric-railway-journal-fig-1car-with-i-beam-and-wood-filler-underframingstruck-in-the-rear-the-i-beams-on-car-fig-1-are-shown-to-be-in-perfect-conditionwhile-the-same-members-on-car-fig-2-from-which-the-woodfillers-were-removed-are-bent-downward-and-twisted-the-center-and-intermediate-sill-construction-of-both-cars-fig-3view-of-general-damage-to-the-car-shown-in-fig-2-was-identical-namely-of-6-in-i-beams-with-yellow-pine-fillerscontinuous-from-bumper-to-bumper-with-the-exception-that-thetop-flange-of-the-i-beam-on-car-fig-2-was-cut-away-to-receivecrown-pieces-whil-image371836337.htmlRM2CGXH15–. Electric railway journal . Fig. 1—Car with I-beam and Wood Filler UnderframingStruck in the Rear The I-beams on car, Fig. 1, are shown to be in perfect condition,while the same members on car, Fig. 2, from which the woodfillers were removed, are bent downward and twisted. The center and intermediate sill construction of both cars. Fig. 3—View of General Damage to the Car Shown in Fig. 2 was identical, namely, of 6-in. I-beams, with yellow pine fillerscontinuous from bumper to bumper, with the exception that thetop flange of the I-beam on car, Fig. 2, was cut away to receivecrown pieces, whil
. The Street railway journal . runs, as shown in Fig. 3. To take the downward thrust of thisnut a ball bearing is provided, since the four nuts of the hoist,when lifting the car body, must together support and turnunder the full weight of the car body. The 5-in. bars orcolumns slide up and down in 5-in. pipe. They are slotted atthe top, and the 12-in. I-beams rest in these slots, as seen inthe cuts, Figs. 3, 4 and 6. The bottom flange of the I-beam iscut away for 5 ins., so that the web of the I-beam slides directlyinto the slot in the end of the bar. As the sprocket chain drivesall four of th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-street-railway-journal-runs-as-shown-in-fig-3-to-take-the-downward-thrust-of-thisnut-a-ball-bearing-is-provided-since-the-four-nuts-of-the-hoistwhen-lifting-the-car-body-must-together-support-and-turnunder-the-full-weight-of-the-car-body-the-5-in-bars-orcolumns-slide-up-and-down-in-5-in-pipe-they-are-slotted-atthe-top-and-the-12-in-i-beams-rest-in-these-slots-as-seen-inthe-cuts-figs-3-4-and-6-the-bottom-flange-of-the-i-beam-iscut-away-for-5-ins-so-that-the-web-of-the-i-beam-slides-directlyinto-the-slot-in-the-end-of-the-bar-as-the-sprocket-chain-drivesall-four-of-th-image375534317.htmlRM2CPY1RW–. The Street railway journal . runs, as shown in Fig. 3. To take the downward thrust of thisnut a ball bearing is provided, since the four nuts of the hoist,when lifting the car body, must together support and turnunder the full weight of the car body. The 5-in. bars orcolumns slide up and down in 5-in. pipe. They are slotted atthe top, and the 12-in. I-beams rest in these slots, as seen inthe cuts, Figs. 3, 4 and 6. The bottom flange of the I-beam iscut away for 5 ins., so that the web of the I-beam slides directlyinto the slot in the end of the bar. As the sprocket chain drivesall four of th
. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. 304 ANNALS OF THE SOUTH AFRICAN MUSEUM. Fig. 33. Basicranial region of the skulls of A. Orthosuchus stormbergi (natural size). B. Steneosaurus durobrivensis, after Andrews (1913a) { natural size). In Orthosuchus, as in Steneosaurus and Pelagosaurus, the flange of the pterygoid does not project below the level of the alveolar border to the same extent as seen in recent crocodiles. This downward movement of the flange in living crocodiles has involved a change in orientation of the ectopterygoid, so t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-natural-history-304-annals-of-the-south-african-museum-fig-33-basicranial-region-of-the-skulls-of-a-orthosuchus-stormbergi-natural-size-b-steneosaurus-durobrivensis-after-andrews-1913a-natural-size-in-orthosuchus-as-in-steneosaurus-and-pelagosaurus-the-flange-of-the-pterygoid-does-not-project-below-the-level-of-the-alveolar-border-to-the-same-extent-as-seen-in-recent-crocodiles-this-downward-movement-of-the-flange-in-living-crocodiles-has-involved-a-change-in-orientation-of-the-ectopterygoid-so-t-image236456670.htmlRMRMKEW2–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. 304 ANNALS OF THE SOUTH AFRICAN MUSEUM. Fig. 33. Basicranial region of the skulls of A. Orthosuchus stormbergi (natural size). B. Steneosaurus durobrivensis, after Andrews (1913a) { natural size). In Orthosuchus, as in Steneosaurus and Pelagosaurus, the flange of the pterygoid does not project below the level of the alveolar border to the same extent as seen in recent crocodiles. This downward movement of the flange in living crocodiles has involved a change in orientation of the ectopterygoid, so t
. Breviora. BREVIORA No. 373 down this bar, between postorbital and jugal. A fraction of the latter bone is present, defining the lower margin of the orbit, a section of the cheek rim, and a small area of the anteroventral margin of the lateral temporal fenestra. Above this fenestra a stout bar of bone is present, presumably formed anteriorly by the postorbital, posteriorly by the squamosal (the suture between the two is not clear). An incomplete flange of the latter bone extends directly downward as part of the posterior border of the lateral fenestra. The squamosal extended backward beyond t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/breviora-breviora-no-373-down-this-bar-between-postorbital-and-jugal-a-fraction-of-the-latter-bone-is-present-defining-the-lower-margin-of-the-orbit-a-section-of-the-cheek-rim-and-a-small-area-of-the-anteroventral-margin-of-the-lateral-temporal-fenestra-above-this-fenestra-a-stout-bar-of-bone-is-present-presumably-formed-anteriorly-by-the-postorbital-posteriorly-by-the-squamosal-the-suture-between-the-two-is-not-clear-an-incomplete-flange-of-the-latter-bone-extends-directly-downward-as-part-of-the-posterior-border-of-the-lateral-fenestra-the-squamosal-extended-backward-beyond-t-image234276936.htmlRMRH46HC–. Breviora. BREVIORA No. 373 down this bar, between postorbital and jugal. A fraction of the latter bone is present, defining the lower margin of the orbit, a section of the cheek rim, and a small area of the anteroventral margin of the lateral temporal fenestra. Above this fenestra a stout bar of bone is present, presumably formed anteriorly by the postorbital, posteriorly by the squamosal (the suture between the two is not clear). An incomplete flange of the latter bone extends directly downward as part of the posterior border of the lateral fenestra. The squamosal extended backward beyond t
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