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Dorica column Stock Photos and Images

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Dorica column Stock Photos and Images

Proportions of the Doric column order with an atlante in the shape of an armed man between two columns, Dorica (title on object), Architectura (series title), Numbered: 13. Print is part of a book., print maker: Wendel Dietterlin (I), publisher: Bernhard Jobin, Straatsburg (Frankrijk), 1593 - 1595, paper, etching, height 246 mm × width 186 mm Stock Photo
RM2WR894A–Proportions of the Doric column order with an atlante in the shape of an armed man between two columns, Dorica (title on object), Architectura (series title), Numbered: 13. Print is part of a book., print maker: Wendel Dietterlin (I), publisher: Bernhard Jobin, Straatsburg (Frankrijk), 1593 - 1595, paper, etching, height 246 mm × width 186 mm
Inspired by Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica, Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric Order with stylized bossage, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK9TRN–Inspired by Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica, Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric Order with stylized bossage, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Examples of the proportions of Doric columns, Greek architecture. Column from the Parthenon 1, and the Propylaea 2,3. Esempi di proporzione dorica. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826. Stock Photo
RM2AXY5H6–Examples of the proportions of Doric columns, Greek architecture. Column from the Parthenon 1, and the Propylaea 2,3. Esempi di proporzione dorica. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.
Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. Doric column. Altis. Sanctuary of Olympia. Greece. Stock Photo
RMPPETKC–Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. Doric column. Altis. Sanctuary of Olympia. Greece.
Low angle view of the ceiling and columns At Parc Güell, Barcelona, Spain. Stock Photo
RMJCPXK7–Low angle view of the ceiling and columns At Parc Güell, Barcelona, Spain.
Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photo
RM2R9TFNE–Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrart’s L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Three Doric columns with fancy decorations Dorica (title object) Livre d'Architecture contenant plusieurs beaux ornementz (series title) Around the right column is a vine gewikkeld. Manufacturer : to design Rutger Kasemann (listed building) printmaker: anonymous: Jean MessagerPlaats manufacturing: design of Germany (possible) printmaker: Germany (possible) publisher: Paris Date: 1622 Material : paper Technique: etching dimensions: plate edge: h 212 mm × W 125 mm Stock Photo
RM2B6K4AC–Three Doric columns with fancy decorations Dorica (title object) Livre d'Architecture contenant plusieurs beaux ornementz (series title) Around the right column is a vine gewikkeld. Manufacturer : to design Rutger Kasemann (listed building) printmaker: anonymous: Jean MessagerPlaats manufacturing: design of Germany (possible) printmaker: Germany (possible) publisher: Paris Date: 1622 Material : paper Technique: etching dimensions: plate edge: h 212 mm × W 125 mm
Dorische zuil; Dorica; Architectura.Construction and details of the Doric column. At the bottom right: F. Prent is part of an album. Stock Photo
RM2F27730–Dorische zuil; Dorica; Architectura.Construction and details of the Doric column. At the bottom right: F. Prent is part of an album.
Roman Temple of Evora at night in Alentejo, Portugal Stock Photo
RF2AH52A6–Roman Temple of Evora at night in Alentejo, Portugal
Proportions of the Doric column order with an atlante in the shape of an armed man between two columns, Dorica (title on object), Architectura (series title), Numbered: 5 (possibly mirrored number 7). Print is part of a book., print maker: Wendel Dietterlin (I), publisher: Bernhard Jobin, Straatsburg (Frankrijk), 1593 - 1595, paper, etching, height 251 mm × width 181 mm Stock Photo
RM2WR894G–Proportions of the Doric column order with an atlante in the shape of an armed man between two columns, Dorica (title on object), Architectura (series title), Numbered: 5 (possibly mirrored number 7). Print is part of a book., print maker: Wendel Dietterlin (I), publisher: Bernhard Jobin, Straatsburg (Frankrijk), 1593 - 1595, paper, etching, height 251 mm × width 181 mm
Inspired by Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica, On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric column with hardware and mascarons. In, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK9W2D–Inspired by Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica, On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric column with hardware and mascarons. In, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric Order with stylized bossage. There are two indications of scale on the representation. Sheet B. The print is part of an album., print maker: Johannes of Lucas van Doetechum, Hans Vredeman de Vries, Antwerp, 1565, paper, etching, height 235 mm × width 301 mm Stock Photo
RM2HB5M81–Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric Order with stylized bossage. There are two indications of scale on the representation. Sheet B. The print is part of an album., print maker: Johannes of Lucas van Doetechum, Hans Vredeman de Vries, Antwerp, 1565, paper, etching, height 235 mm × width 301 mm
Greece. Olympia. Temple of Hera (Heraion). Doric order. Column and chapiter. 6th century BC. Restored ruins. Altis area. Peloponnese. Stock Photo
RMPPDB56–Greece. Olympia. Temple of Hera (Heraion). Doric order. Column and chapiter. 6th century BC. Restored ruins. Altis area. Peloponnese.
Low angle view of the ceiling and columns At Parc Güell, Barcelona, Spain. Stock Photo
RMJCRHY7–Low angle view of the ceiling and columns At Parc Güell, Barcelona, Spain.
Dorische zuil en basement; Dorica; Architectura.Details of the Doric column, capitals and basements. At the bottom right: H. Prent is part of an album. Stock Photo
RM2F280AY–Dorische zuil en basement; Dorica; Architectura.Details of the Doric column, capitals and basements. At the bottom right: H. Prent is part of an album.
Roman Temple of Evora at night in Alentejo, Portugal Stock Photo
RF2AH52B9–Roman Temple of Evora at night in Alentejo, Portugal
Art inspired by Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKWP8W–Art inspired by Two 'columnae caelatae', Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), Two 'columnae caelatae'. On the left the lower part of a column of the Ionic Order with moresques and mascarons. On the right the lower part of a column of the Doric, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric column with hardware and mascarons. In between, four consoles. The print has two indications of scale. Sheet H. The print is part of an album., print maker: Johannes of Lucas van Doetechum, Hans Vredeman de Vries, Antwerp, 1565, paper, etching, height 235 mm × width 300 mm Stock Photo
RM2HB5MBR–Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric column with hardware and mascarons. In between, four consoles. The print has two indications of scale. Sheet H. The print is part of an album., print maker: Johannes of Lucas van Doetechum, Hans Vredeman de Vries, Antwerp, 1565, paper, etching, height 235 mm × width 300 mm
Greece. Olympia. Temple of Hera (Heraion). Doric order. Column and chapiter. 6th century BC. Restored ruins. Altis area. Peloponnese. Stock Photo
RMPPDB0A–Greece. Olympia. Temple of Hera (Heraion). Doric order. Column and chapiter. 6th century BC. Restored ruins. Altis area. Peloponnese.
Stock Photo
RMJCRHRJ–
Porch with columns of the Tuscan order; Thuscana Dorica; Architectura.porch with Columns of the Tuscan Order and a Column of the Doric Order. Bottom Right: Z. Prent is part of an album. Stock Photo
RM2F27MNG–Porch with columns of the Tuscan order; Thuscana Dorica; Architectura.porch with Columns of the Tuscan Order and a Column of the Doric Order. Bottom Right: Z. Prent is part of an album.
Ionian and Doric column; Ionica / Dorica; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). Two columns on a pedestal with variants and details. Stock Photo
RM2G00CXJ–Ionian and Doric column; Ionica / Dorica; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). Two columns on a pedestal with variants and details.
Art inspired by Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKWPAX–Art inspired by Two 'columnae caelatae' and four consoles, Den eersten boeck ghemaeckt op de twee Colomnen Dorica en Ionica (series title), On the left the lower half of a column of the Ionic Order with a female hermit, caught in scrollwork. On the right, the lower half of a Doric, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. Doric column. Altis. Sanctuary of Olympia. Greece. Stock Photo
RMPPEXY6–Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. Doric column. Altis. Sanctuary of Olympia. Greece.
Three Doric columns with fantasy decorations; Dorica; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). A grape rank is wrapped around the right column. Stock Photo
RM2G0044A–Three Doric columns with fantasy decorations; Dorica; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). A grape rank is wrapped around the right column.
Two 'columnaealatae'; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Two 'columnaealatae'. Left the lower half of a column of the ionic order with moresken and mascarons. On the right the lower part of a column of the doric order with stylized bossage. A scale has been indicated twice at the performance. Leaf B. The print is part of an album. Stock Photo
RM2G431XR–Two 'columnaealatae'; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Two 'columnaealatae'. Left the lower half of a column of the ionic order with moresken and mascarons. On the right the lower part of a column of the doric order with stylized bossage. A scale has been indicated twice at the performance. Leaf B. The print is part of an album.
Examples of the proportions of Doric columns, Greek architecture. Column from the Parthenon 1, and the Propylaea 2,3. Esempi di proporzione dorica. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826. Stock Photo
RM2T6CP40–Examples of the proportions of Doric columns, Greek architecture. Column from the Parthenon 1, and the Propylaea 2,3. Esempi di proporzione dorica. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.
Two 'Columnae Calatae' and four consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Left the lower half of a column of the ionic order with a female herme, caught in rolling. On the right the lower half of a doric column with fitting work and mascarons. There are four consoles in between. A scale has been indicated twice on the print. Leaf H. The print is part of an album. Stock Photo
RM2G43WC6–Two 'Columnae Calatae' and four consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Left the lower half of a column of the ionic order with a female herme, caught in rolling. On the right the lower half of a doric column with fitting work and mascarons. There are four consoles in between. A scale has been indicated twice on the print. Leaf H. The print is part of an album.
Greek Art. Sanctuary of Olympia. Doric column at the Palaestra. Hellenistic period. 3rd century B.C.. Greece. Stock Photo
RMPPDA9W–Greek Art. Sanctuary of Olympia. Doric column at the Palaestra. Hellenistic period. 3rd century B.C.. Greece.
Two 'columnaeaelatae' and three consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Two 'columnaealatae'. On the left the lower half of an ionic column decorated with Saters, caught in rollerwork. On the right the lower half of a doric column with fitting work and slender stones. Three consoles in the middle. A scale has been indicated twice on the print. Leaf O. The print is part of an album. Stock Photo
RM2G43JM8–Two 'columnaeaelatae' and three consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Two 'columnaealatae'. On the left the lower half of an ionic column decorated with Saters, caught in rollerwork. On the right the lower half of a doric column with fitting work and slender stones. Three consoles in the middle. A scale has been indicated twice on the print. Leaf O. The print is part of an album.
Greek Art. Sanctuary of Olympia. Doric column at the Palaestra. Hellenistic period. 3rd century B.C. Greece. Stock Photo
RMPPDAK1–Greek Art. Sanctuary of Olympia. Doric column at the Palaestra. Hellenistic period. 3rd century B.C. Greece.
ARTE GRIEGO. GRECIA. RUINAS DE CORINTO. Vista de una COLUMNA DORICA del TEMPLO DE APOLO. Construido hacia el año 540 a. C. sobre las ruinas de un antiguo santuario. De estilo dórico, todavía conserva en pie 7 de sus 38 columnas, en parte arquitrabadas. Provincia de Korinthia. Región del Peloponeso. Stock Photo
RMP53R67–ARTE GRIEGO. GRECIA. RUINAS DE CORINTO. Vista de una COLUMNA DORICA del TEMPLO DE APOLO. Construido hacia el año 540 a. C. sobre las ruinas de un antiguo santuario. De estilo dórico, todavía conserva en pie 7 de sus 38 columnas, en parte arquitrabadas. Provincia de Korinthia. Región del Peloponeso.
Profiles of Tuscan, Doric and Ionic order columns. Toscana, Dorica, Ionica. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photo
RM2T6968K–Profiles of Tuscan, Doric and Ionic order columns. Toscana, Dorica, Ionica. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photo
RM2T6CHHT–Portico with columns in the Doric order. Dorica. Bogengang mit Säulen in dorischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
ESCALINATA DE DOBLE RAMPA DEL PARQUE GÜELL CON LA COLUMNATA DORICA DEL 'TEMPLO GRIEGO' AL FONDO - 1900/1914. Author: Antoni Gaudí (1852-1926). Location: PARQUE GÜELL, BARCELONA, SPAIN. Stock Photo
RMP5WM6N–ESCALINATA DE DOBLE RAMPA DEL PARQUE GÜELL CON LA COLUMNATA DORICA DEL 'TEMPLO GRIEGO' AL FONDO - 1900/1914. Author: Antoni Gaudí (1852-1926). Location: PARQUE GÜELL, BARCELONA, SPAIN.
ESCALINATA DE DOBLE RAMPA DEL PARQUE GÜELL CON LA COLUMNATA DORICA DEL 'TEMPLO GRIEGO' AL FONDO - 1900/1914. Author: ANTONI GAUDI (1852-1926). Location: PARQUE GÜELL. Barcelona. SPAIN. Stock Photo
RM2M755ED–ESCALINATA DE DOBLE RAMPA DEL PARQUE GÜELL CON LA COLUMNATA DORICA DEL 'TEMPLO GRIEGO' AL FONDO - 1900/1914. Author: ANTONI GAUDI (1852-1926). Location: PARQUE GÜELL. Barcelona. SPAIN.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade. Stock Photo
RMP51056–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Stock Photo
RMP4Y4XH–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.).
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns. Stock Photo
RMP50DFR–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns. Stock Photo
RMP4XNN3–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns.
Greek Art. Temple of Zeus. Ruins (471-456 BC). Altis. Olympia. Greece. Stock Photo
RMPPB9JE–Greek Art. Temple of Zeus. Ruins (471-456 BC). Altis. Olympia. Greece.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Stock Photo
RMP50DWP–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.).
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns. Stock Photo
RMP512C9–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns.
Greek Art. Temple of Zeus. Ruins (471-456 BC). Altis. Olympia. Greece. Stock Photo
RMPPF6Y5–Greek Art. Temple of Zeus. Ruins (471-456 BC). Altis. Olympia. Greece.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns. Stock Photo
RMP4XP41–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric columns.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade. Stock Photo
RMP50D2M–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade.
Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade. Stock Photo
RMP511KX–Greece. Aegina Island. Temple of Aphaia (5th-6th centuries B.C.). Doric colonnade.
Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of stylobate and the shaft. Acropolis. Athens. Attica. Central Greek. Europe. Stock Photo
RMPPB6KA–Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of stylobate and the shaft. Acropolis. Athens. Attica. Central Greek. Europe.
Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. General view. Altis. Sanctuary of Olympia. Ilia Province. Peloponnese region. Greece. Stock Photo
RMP50NA1–Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. General view. Altis. Sanctuary of Olympia. Ilia Province. Peloponnese region. Greece.
Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of columns. Acropolis. Athens. Attica. Central Greek. Europe. Stock Photo
RMPPBB73–Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of columns. Acropolis. Athens. Attica. Central Greek. Europe.
Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. General view. Altis. Sanctuary of Olympia. Ilia Province. Peloponnese region. Greece. Stock Photo
RMP50MK6–Temple of Hera (Heraion). Doric style. Peripteral and hexastyle. 6th century B.C. General view. Altis. Sanctuary of Olympia. Ilia Province. Peloponnese region. Greece.
GREEK ART. GREECE. THESEION-HEPHAISTEION. V century. Doric temple built in pentelic marble at time of Pericles (449-425 BC). Was devoted to Hephaesto (or Vulcan), and Athena. Greek agora. Athens. Stock Photo
RMPPDA6A–GREEK ART. GREECE. THESEION-HEPHAISTEION. V century. Doric temple built in pentelic marble at time of Pericles (449-425 BC). Was devoted to Hephaesto (or Vulcan), and Athena. Greek agora. Athens.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architect: Iktinos and Callicrates. Sculptor Phidias. Frieze decorated with triglyphs and metopes. Detail, relief depicting a Lapith fighting a centaur. Replica. Stock Photo
RMPTNDA8–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architect: Iktinos and Callicrates. Sculptor Phidias. Frieze decorated with triglyphs and metopes. Detail, relief depicting a Lapith fighting a centaur. Replica.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Ssculptor Phidias. Architectural detail. Pediment, entablature with frieze, triglyph, metope, architrave, columns and capital (abacus, echinus). Stock Photo
RMPTNDE0–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Ssculptor Phidias. Architectural detail. Pediment, entablature with frieze, triglyph, metope, architrave, columns and capital (abacus, echinus).
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. Stock Photo
RMPTNDDJ–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. Stock Photo
RMPTNDBR–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail.
Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis. Stock Photo
RMPPFN4R–Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View. Stock Photo
RMPPDAB1–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View.
Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of entablature (frieze with triglyphs and metopes, archirave, capital with abacus, echinus and necking, and columns. Acropolis. Athens. Attica. Central Greek. Europe. Stock Photo
RMPPF6X8–Greek Art. Parthenon. Was built between 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Detail of entablature (frieze with triglyphs and metopes, archirave, capital with abacus, echinus and necking, and columns. Acropolis. Athens. Attica. Central Greek. Europe.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica. Stock Photo
RMPTNDC6–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica.
Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis. Stock Photo
RMPPFMGY–Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis.
Classical antiquity. Olympia. Remains of the ancient Gymnasium, north-West of the Altis. Large quadrangular building, with central court enclosed by Doric stoas. 2nd century BC. Elis region, Peloponnese, Greece. Stock Photo
RMPPDAEJ–Classical antiquity. Olympia. Remains of the ancient Gymnasium, north-West of the Altis. Large quadrangular building, with central court enclosed by Doric stoas. 2nd century BC. Elis region, Peloponnese, Greece.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Stock Photo
RMPPB8CY–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins.
Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis. Stock Photo
RMPPFMMA–Greece. Athens. Parthenon. 447-438 BC. in Doric style under leadership of Pericles. The building was designed by the architects Ictinos and Callicrates. Acropolis.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica. Stock Photo
RMPTNDBG–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor Phidias. West Pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Architectural detail. At the top, scultpure depicting Kekrops and Pandrosos, replica.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View. Stock Photo
RMPPEYF7–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View.
Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. View of a pediment, establature with frieze, triglyph, metope, architrave, capital and columns. Stock Photo
RMPTNDC7–Greece. Athens. Acropolis. Parthenon. Classical temple dedicated to Athena. 447 BC-432 BC. Doric order. Architects: Iktinos and Callicrates. Sculptor: Phidias. View of a pediment, establature with frieze, triglyph, metope, architrave, capital and columns.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Stock Photo
RMPPDADR–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View. Stock Photo
RMPPEYBX–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Gymnasium (2rd century BC). Hellenistic Period. Ruins. View.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Doric order. Colonnade. Stock Photo
RMPPF72B–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Doric order. Colonnade.
Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns. Architectural detail. Stock Photo
RMPTND9G–Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns. Architectural detail.
Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns. Architectural detail. Stock Photo
RMPTNDA6–Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns. Architectural detail.
Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns. Stock Photo
RMPTND9T–Greece. Athens. Propylaea. Monumental gateway to the Acropolis. It was designed by the architect Mnesicles, 437 BC-432BC. (The Age of Pericles). Doric style columns.
Mausoleo de Fabara o mausoleo de Lucio Emilio Lupo, también conocido como 'Caseta de los Moros'. Siglo II d. C. Vista general de la fachada o frontispicio principal, con un pequeño pórtico con dos columnas dóricas que sostienen un friso jónico. Fabara. Provincia de Zaragoza. Aragón. España. Stock Photo
RMP9EKKR–Mausoleo de Fabara o mausoleo de Lucio Emilio Lupo, también conocido como 'Caseta de los Moros'. Siglo II d. C. Vista general de la fachada o frontispicio principal, con un pequeño pórtico con dos columnas dóricas que sostienen un friso jónico. Fabara. Provincia de Zaragoza. Aragón. España.
Greek art. Greece. Temple of Apollo. Doric. Built in 550 B.C. Corinth. Stock Photo
RMPPC81A–Greek art. Greece. Temple of Apollo. Doric. Built in 550 B.C. Corinth.
Italia, Sicilia. Agrigento. Ruinas de la esquina frontal del Templo griego de Castor y Pólux. Orden Dórico. Grabado por Bernardo Rico y Ortega (1825-1894). La Ilustración Española y Americana, 15 de junio de 1881. Stock Photo
RMT8H039–Italia, Sicilia. Agrigento. Ruinas de la esquina frontal del Templo griego de Castor y Pólux. Orden Dórico. Grabado por Bernardo Rico y Ortega (1825-1894). La Ilustración Española y Americana, 15 de junio de 1881.
Greece. Ancient Corinth city. Apollo Temple. Doric style. Peripteral temple. 540 BC. Stock Photo
RMPPHNYD–Greece. Ancient Corinth city. Apollo Temple. Doric style. Peripteral temple. 540 BC.
Magna Graecia. Paestum. Temple of Athena. 6th century BC. Doric style. Detail. Campania. Italy. Stock Photo
RMP7C4F1–Magna Graecia. Paestum. Temple of Athena. 6th century BC. Doric style. Detail. Campania. Italy.
Greek Art. Temple of Hera (Temple E). Classic Greek, Doric architectural style. 460-450 B.C. the East Hill. Selinunte. Sicily. Italy. Stock Photo
RMPPDB5Y–Greek Art. Temple of Hera (Temple E). Classic Greek, Doric architectural style. 460-450 B.C. the East Hill. Selinunte. Sicily. Italy.
Italy. Pompeii. House of the Faun. Roman private residence of the 2nd century BC. View of the second peristyle. Stock Photo
RMPPBCHF–Italy. Pompeii. House of the Faun. Roman private residence of the 2nd century BC. View of the second peristyle.
Sicily. Temple of Segesta. Built ca. 420 BC. Doric style. Trapani Province. Italy. Stock Photo
RMP7BXJA–Sicily. Temple of Segesta. Built ca. 420 BC. Doric style. Trapani Province. Italy.
Italy. Sicily. Agrigento. Valley of the Temples. Temple of Heracles. 6th century BC. Doric style. UNESCO World Heritage Site. Stock Photo
RMP7BXKJ–Italy. Sicily. Agrigento. Valley of the Temples. Temple of Heracles. 6th century BC. Doric style. UNESCO World Heritage Site.
Greek Art. Magna Graecia. Paestum.Temple of Athena. It was built around 500 BC. The architecture is transitional, being partly in the Ionic style and partly early Doric. Facade. Outside. Stock Photo
RMPPEXJP–Greek Art. Magna Graecia. Paestum.Temple of Athena. It was built around 500 BC. The architecture is transitional, being partly in the Ionic style and partly early Doric. Facade. Outside.
Magna Graecia. Temple of Hera II, dedicated to Poseidon. Doric order. 600-450 BC. Paestum. Province of Salermo. Campania. Italy. Stock Photo
RMPPHXE9–Magna Graecia. Temple of Hera II, dedicated to Poseidon. Doric order. 600-450 BC. Paestum. Province of Salermo. Campania. Italy.
Italy. Sicily. Agrigento. Valley of the Temples. Temple of Concordia, ca.440-430 BC. Doric style. UNESCO World Heritage Site. Stock Photo
RMP7C4F0–Italy. Sicily. Agrigento. Valley of the Temples. Temple of Concordia, ca.440-430 BC. Doric style. UNESCO World Heritage Site.
Greek Art. Greece. Cape Sounion. Temple of Poseidon, built in 444-440 B.C. Stock Photo
RMPPC90F–Greek Art. Greece. Cape Sounion. Temple of Poseidon, built in 444-440 B.C.
Greek Art. Greece. Cape Sounion. Temple of Poseidon, built in 444-440 B.C. Stock Photo
RMPPB98K–Greek Art. Greece. Cape Sounion. Temple of Poseidon, built in 444-440 B.C.
Italy. Paestum. Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Neptune (Poseidon). South of Naples. Unesco World Heritage. Stock Photo
RMPPCEX8–Italy. Paestum. Doric temple of Hera from about 450 BC, formerly incorrectly attributed as the Temple of Neptune (Poseidon). South of Naples. Unesco World Heritage.
Paestum. Temple of Poseidon. 5th century BC. Northwest side Italy. Stock Photo
RMPPDAD4–Paestum. Temple of Poseidon. 5th century BC. Northwest side Italy.
Greek Art. Greece. Delphi. The Athenian Treasury. Built in Parian marble. Its construction ranging from 510 to 480 B.C. The metopes are reproductions. The originals are kept in the museum of Delphi. Stock Photo
RMPPC8AG–Greek Art. Greece. Delphi. The Athenian Treasury. Built in Parian marble. Its construction ranging from 510 to 480 B.C. The metopes are reproductions. The originals are kept in the museum of Delphi.
Greek art. Magna Graecia. Paestum. Temple of Hera, also called of Neptune, built around 460Ð450 BC. Archaic doric temple. Campania. Italy. Stock Photo
RMPPEY4W–Greek art. Magna Graecia. Paestum. Temple of Hera, also called of Neptune, built around 460Ð450 BC. Archaic doric temple. Campania. Italy.
Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Doric order. Colonnade. Stock Photo
RMPPETNP–Greece. Peloponesse. Olympia. Santuary of ancient Greece in Elis. Palaestra (3rd century BC). Hellenistic Period. Ruins. Doric order. Colonnade.
Greece. Athens. Propylaea. Monumental entrance to the sacred precinct of the Acropolis. Built between 437-432 B.C. by order of Pericles and according Mnesicles project. Stock Photo
RMPPDB5N–Greece. Athens. Propylaea. Monumental entrance to the sacred precinct of the Acropolis. Built between 437-432 B.C. by order of Pericles and according Mnesicles project.
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