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Divine source Stock Photos and Images
RMRC51YK–A skeleton. Pia Desideria: or, Divine Addresses... For Henry Bonwicke: London, 1686. Source: 1460.b.31, page 218. Language: English.
RMR4X9D3–For the Lord's-day morning. [Divine songs attempted in easy language for the u. London, 1848. Source: 1220.f.33, 64. Language: English.
RMR525WR–The Divine Office, with partial foliate border carried by an angel. Book of Hours, Use of Paris ('The Hours of René d'Anjou'). France, Central (Paris); c.1410. Source: Egerton 1070, f.72. Language: Latin, with French image captions.
![Scenes from the book of revelations. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXI. Stock Photo](https://c8.alamy.com/comp/R585YK/scenes-from-the-book-of-revelations-acta-apostolorum-elegantiss-monochromatis-delineata-the-revelation-of-s-john-the-divine-compiled-by-n-ferrar-and-his-family-little-gidding-1635-source-c23e3-page-from-chapter-xxi-R585YK.jpg "Scenes from the book of revelations. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXI. Stock Photo")
RMR585YK–Scenes from the book of revelations. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXI.
RMR514KT–This illustration depicts a divine warrior with a rat head. Sancai Tuhui, “Pictorial Encyclopaedia of the Three Powersâ€. Ming period, 1609 c.a. Source: Chin.F.633-644 (box3). Language: Chinese. Author: WANG QI.
RMR56NEE–The top of the folio shows Agastya presenting Rama with a jewel of divine origin, wrought by the god Visvakarma. The bottom section tells the story of Agastya's acquisition of the jewel. Ramayana. Udaipur, 1653. . Source: Add. 15297(2), f.95. Language: Sanskrit.
![View of a city. Christ in front. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXII. Stock Photo](https://c8.alamy.com/comp/R5DHC8/view-of-a-city-christ-in-front-acta-apostolorum-elegantiss-monochromatis-delineata-the-revelation-of-s-john-the-divine-compiled-by-n-ferrar-and-his-family-little-gidding-1635-source-c23e3-page-from-chapter-xxii-R5DHC8.jpg "View of a city. Christ in front. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXII. Stock Photo")
RMR5DHC8–View of a city. Christ in front. Acta Apostolorum elegantiss. monochromatis delineata. (The Revelation of S. John the Divine.) [Compiled by N. Ferrar and his family.]. [Little Gidding, 1635?]. Source: C.23.e.3 page from chapter XXII.
![A 17th century account of plagues in London. London's loud cryes to the Lord by prayer: made by a Reverend Divine. ... With an account of several modern plagues ... in London ... continued down to ... August 8th, 1665. London, [1665.]. Source: 816.m.9.(26.). Stock Photo](https://c8.alamy.com/comp/R570BP/a-17th-century-account-of-plagues-in-london-londons-loud-cryes-to-the-lord-by-prayer-made-by-a-reverend-divine-with-an-account-of-several-modern-plagues-in-london-continued-down-to-august-8th-1665-london-1665-source-816m926-R570BP.jpg "A 17th century account of plagues in London. London's loud cryes to the Lord by prayer: made by a Reverend Divine. ... With an account of several modern plagues ... in London ... continued down to ... August 8th, 1665. London, [1665.]. Source: 816.m.9.(26.). Stock Photo")
RMR570BP–A 17th century account of plagues in London. London's loud cryes to the Lord by prayer: made by a Reverend Divine. ... With an account of several modern plagues ... in London ... continued down to ... August 8th, 1665. London, [1665.]. Source: 816.m.9.(26.).
RMR50W1W–Portrait of John Hall (1627–1656). English poet, essayist and pamphleteer of the Commonwealth period. The Second Booke of Divine Poems. R. Daniel, Cambridge; E. J. for J. Rothwell, London, 1646-47. Source: E.1166* Frontispiece. Language: English. Author: HALL, JOHN. Marshall, W.
![A priest, in a pulpit, addressing a large congregation. Choice emblems, divine and moral, antient and modeern: or, Delights for the ingenious The sixth edition. [The epistle to the reader signed: R.B., i.e. Nathaniel Crouch.]. London: Edmund Parker, 1732. Source: 1607/3407, 150. Language: English. Stock Photo](https://c8.alamy.com/comp/R5HPAM/a-priest-in-a-pulpit-addressing-a-large-congregation-choice-emblems-divine-and-moral-antient-and-modeern-or-delights-for-the-ingenious-the-sixth-edition-the-epistle-to-the-reader-signed-rb-ie-nathaniel-crouch-london-edmund-parker-1732-source-16073407-150-language-english-R5HPAM.jpg "A priest, in a pulpit, addressing a large congregation. Choice emblems, divine and moral, antient and modeern: or, Delights for the ingenious The sixth edition. [The epistle to the reader signed: R.B., i.e. Nathaniel Crouch.]. London: Edmund Parker, 1732. Source: 1607/3407, 150. Language: English. Stock Photo")
RMR5HPAM–A priest, in a pulpit, addressing a large congregation. Choice emblems, divine and moral, antient and modeern: or, Delights for the ingenious The sixth edition. [The epistle to the reader signed: R.B., i.e. Nathaniel Crouch.]. London: Edmund Parker, 1732. Source: 1607/3407, 150. Language: English.
!['Incomprehensible men! Wrapped up in meditations of a kind which I cannot divine, they pass me by unnoticed.' Illustration for the story 'Ms. in a bottle'. Tales of Mystery and Imagination ... Illustrated by Harry Clarke. London : G. G. Harrap ; New York : Brentano's, [1923]. Source: 12703.i.44 plate opposite page 14. Stock Photo](https://c8.alamy.com/comp/R56YH4/incomprehensible-men!-wrapped-up-in-meditations-of-a-kind-which-i-cannot-divine-they-pass-me-by-unnoticed-illustration-for-the-story-ms-in-a-bottle-tales-of-mystery-and-imagination-illustrated-by-harry-clarke-london-g-g-harrap-new-york-brentanos-1923-source-12703i44-plate-opposite-page-14-R56YH4.jpg "'Incomprehensible men! Wrapped up in meditations of a kind which I cannot divine, they pass me by unnoticed.' Illustration for the story 'Ms. in a bottle'. Tales of Mystery and Imagination ... Illustrated by Harry Clarke. London : G. G. Harrap ; New York : Brentano's, [1923]. Source: 12703.i.44 plate opposite page 14. Stock Photo")
RMR56YH4–'Incomprehensible men! Wrapped up in meditations of a kind which I cannot divine, they pass me by unnoticed.' Illustration for the story 'Ms. in a bottle'. Tales of Mystery and Imagination ... Illustrated by Harry Clarke. London : G. G. Harrap ; New York : Brentano's, [1923]. Source: 12703.i.44 plate opposite page 14.
RMR56N7R–Knights meet White Stag. La Queste del Saint Graal. France; circa 1316. (Miniature) Perceval and Galahad come upon the Divine White Stag and four lions. Image taken from La Queste del Saint Graal. Originally published/produced in France; circa 1316. . Source: Add. 10294, f.45v. Language: French.
RMR56MC6–The British ark; being a brief narrative of facts, leading, by divine providence, to an attempt to obtain a floating place of worship for the use of religious seamen in the Port of London. The Prose and Poetical Works of ... G. C. Smith. London, 1819, 17, 20. Source: 4412.bb.41. Language: English. Author: Smith, Rev. G. C.
RMR50XTG–Enamelled cover decorated with figures and animals, and shorthand symbols in the central roundel, bordered with red velvet. Attached to a manuscript of Divine Prophesies in verse, written by Jane Seager for presentation to Queen Elizabeth I in 1578. The Divine Prophesies of the ten Sibills upon the birthe of our Saviour Christ. 1578. Source: Add. 10037, binding. Language: English.
RMR54X2F–Emblem L. Illustration showing a sword amongst fire and royal crowns. Below is the latin phrase, Sic transit gloria mundi, 'Thus passes the glory of the world.' It has been interpreted as 'Worldly things are fleeting.' . Choice emblems, divine and moral, antient and modern: or, Delights for the ingenious ... The sixth edition. London, 1732. Source: 1607/3407 page 198. Language: English. Author: NATHANIEL CROUCH.
![The divine image. Songs of Innocence and of Experience. H. Young & Sons: Liverpool, 1923. The Divine image. Illustrated poem Image taken from 'Songs of Innocence and of Experience. [A facsimile of a coloured and gilded copy of the first edition.].' Published by H. Young & Sons: Liverpool, 1923 . Source: C.71.d.19, page 18. Language: English. Author: BLAKE, WILLIAM. Stock Photo](https://c8.alamy.com/comp/R510E1/the-divine-image-songs-of-innocence-and-of-experience-h-young-sons-liverpool-1923-the-divine-image-illustrated-poem-image-taken-from-songs-of-innocence-and-of-experience-a-facsimile-of-a-coloured-and-gilded-copy-of-the-first-edition-published-by-h-young-sons-liverpool-1923-source-c71d19-page-18-language-english-author-blake-william-R510E1.jpg "The divine image. Songs of Innocence and of Experience. H. Young & Sons: Liverpool, 1923. The Divine image. Illustrated poem Image taken from 'Songs of Innocence and of Experience. [A facsimile of a coloured and gilded copy of the first edition.].' Published by H. Young & Sons: Liverpool, 1923 . Source: C.71.d.19, page 18. Language: English. Author: BLAKE, WILLIAM. Stock Photo")
RMR510E1–The divine image. Songs of Innocence and of Experience. H. Young & Sons: Liverpool, 1923. The Divine image. Illustrated poem Image taken from 'Songs of Innocence and of Experience. [A facsimile of a coloured and gilded copy of the first edition.].' Published by H. Young & Sons: Liverpool, 1923 . Source: C.71.d.19, page 18. Language: English. Author: BLAKE, WILLIAM.
RMR5HCT5–Text and a small illustration showing three figures pointing swords to a winged heart. They are named as Papa (representing the Pope); Antichristian Presbiter (representing a Presbyterian); and, a prelate. Dictated Thoughts upon the Presbyterians' late Petitions for compleat and universall power (in divine ordinances) to be conferred upon the Presbyters by humane authority. London, 1646. Source: 699.f.10.(48). Language: English.
RMR513ET–Biblical and mythological creation scenes: top left, God shapes the world from Chaos; top right, the creation of animals, birds and fish; bottom left, Prometheus animates man with a spark of divine fire; bottom left, God fashions Eve from Adam's rib. Metamorphoses. 15th century. Source: Add. 10324, f.1. Language: French. Author: Ovid, (Publius Ovidius Naso).
RMR55GBK–Bibhishana sets light to the funeral pyre and Ravana's body is burnt. Lakshmana offers pinda cakes to Rama, bottom left. Above, Rama divests himself of the divine armour, sending Matali and his chariot back to Indra. Rama instructs Lakshmana to consecrate Bibhishana King of Lanka which he does, top right. Ramayana, Yuddha Kanda. Udaipur, 1652. Source: Add. 15297(1), f.175. Language: Sanskrit. Author: SAHIB DIN.
RMR5ET4P–Japanese noble family. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 1, f.22. Language: Japanese.
RMR517YB–Praying at a Buddhist altar. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 1, f.28. Language: Japanese.
RMR5C8PY–Woman with a bowl on her head. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 1, f.33. Language: Japanese.
RMR570A1–People at a table with, money. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 2, f.18. Language: Japanese.
RMR5GF3K–Japanese women on a verandah. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 2, f.11v. Language: Japanese.
RMR5ACY7–Men and women wearing kimonos. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12885 volume 1, f.14v. Language: Japanese.
RMR52F21–Woman crossing a bridge. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12885 volume 1, f.8v. Language: Japanese.
RMR5HN81–Women playing musical instruments. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 3, f.46v. Language: Japanese.
RMR569CM–Woman lighting a fire. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12885 volume 2, f.26. Language: Japanese.
RMR50J7T–Japanese ladies and a palanquin. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12885 volume 1, f.2v. Language: Japanese.
RMR5C5DE–Men sitting on a verandah. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12897 volume 1, f.21v. Language: Japanese.
RMRC49YM–A shipwreck scene. A mariner leaning against the rocks on shore. Wreck of sailing ship foundering in rough seas. . The life of John Thompson, mariner, written by himself: also, his divine selections in prose and verse, from esteemed authors. Newcastle, 1810. LESCHINSKY, Gottfried Thomas, calling himself THOMPSON (John) The life of John Thompson, mariner, written by himself: also, his divine selections in prose and verse, from esteemed authors. Newcastle, 1810. . Source: 4903.cc.27 frontispiece. Language: English.
RMR54EKB–VibhÄ«á¹£aṇa and HanumÄn are battling with Indrajit, but then leave him to Laká¹£maṇa. The two hurl everything they can at each other. Laká¹£maṇa’s arrows slay Indrajit’s charioteer and pierce his horses, which are jumped on by the monkeys to force Indrajit to dismount. The two battle on, until finally Indrajit’s head is severed from his body by Laká¹£maṇa’s most fomidable arrow. Divine beings rain flowers down on Laká¹£maṇa. A calm and grave RÄma, seated with SugrÄ«va, Aá¹…gada and JÄmbavÄn, awaits the outcome of the battle. Ramayana, Yuddha Kanda. Udaipur, 1652. Source:
RMR5E4BT–Playing musical instruments. Hachikazuki ('Tale of Hachikazuki'). early Edo period (1640-1680). Japanese women playing musical instruments. From a manuscript telling the story of a princess forced to wear a bowl on her head and later finding fame and fortune through the divine help of the goddess Kannon. Image taken from Hachikazuki ('Tale of Hachikazuki'). Originally published/produced in early Edo period (1640-1680). . Source: Or. 12885 volume 3, f.45. Language: Japanese.
RMR5EJ6A–Christ the Sun attracts souls. Omne Bonum. England (London); 1360-1375. (Detail) Top, the divine head with rays drawing up souls. Centre, St. Benedict and St. Paul kneeling. Below, a representation of the Fall of Man in the midst of the planetary spheres, between male and female kneeling figures. Image taken from Omne Bonum. Originally published/produced in England (London); 1360-1375. . Source: Royal 6 E. VI, f.16. Language: Latin.
RMR5542P–Christian army saved by prayer. Greek fire is blown back on the Saracens as divine intervention causes a change of wind, following the prayers of Robert of Nazareth. Chronique d'Ernoul et de Bernard le Trésorier. TRANSLATION, into French, and continuation to 1231, of the Latin history of the Crusades by Guillelmus, Archbishop of Tyre (1174-1190 ?). The French text of William is printed by Paulin Paris (Guillaume de Tyr, Paris, 1879). S. Netherlands (Bruges); late 15th century. Source: Royal 15 E. I, f.266. Language: French. Author: Ernoul, Bernard, treasurer of Corbie.
RMR5HP3F–Purgatorio. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.85v. Language: Italian, Latin.
RMR5E5MJ–Purgatorio: They meet the gluttons. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.104. Language: Italian, Latin.
RMR5CPHR–Purgatorio: They meet Matilda. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.114. Language: Italian, Latin.
RMR56GW4–Inferno: At a waterfall. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.29v. Language: Italian, Latin.
RMR5HEP3–Inferno: The giants Nimrod and Ephialtes. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.55v. Language: Italian, Latin.
RMR52HP3–Purgatorio: Sordello embraces Virgil. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.73. Language: Italian, Latin.
RMR587P0–Inferno: Jason among the seducers. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.33. Language: Italian, Latin.
RMR5266B–Paradiso : Dante turns to Beatrice. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.151v. Language: Italian, Latin.
RMR56YD1–Purgatorio: Dante talking to Statius. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.108. Language: Italian, Latin.
RMR52K13–Dante listens to Beatrice's explanation. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.177v. Language: Italian, Latin.
RMR5EK6R–Circular diagrams of the spheres of Heaven. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.128v. Language: Italian, Latin.
RMR528KA–Inferno: He opens the gate of Dis. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.18. Language: Italian, Latin.
RMR5AYR9–Inferno: Minos judging three souls. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.10. Language: Italian, Latin.
RMR52H1P–Inferno: Centaurs beside the river of blood. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.22. Language: Italian, Latin.
RMR5ARD8–Paradiso : Peter questions Dante about his faith. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.170. Language: Italian, Latin.
RMR57K9B–Inferno: Adamo the counterfeiter, swollen with dropsy. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.54. Language: Italian, Latin.
RMR586NP–Paradiso : Beatrice tutors Dante further. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.134. Language: Italian, Latin.
RMR5GA3C–Purgatorio: Virgil speaks to the souls of the proud. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.82. Language: Italian, Latin.
RMR5782K–Purgatorio: Statius tries to embrace Virgil. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.101v. Language: Italian, Latin.
RMR575GY–Purgatorio: Dante climbs the mountain of purification. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.88v. Language: Italian, Latin.
RMR5EKPN–Inferno: Virgil summons the beast Geryon. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.30. Language: Italian, Latin.
RMR54XTH–Purgatorio: Statius meets Dante and Virgil. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.100v. Language: Italian, Latin.
RMR5AMRH–Paradiso : Beatrice explains the order to Dante. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.176v. Language: Italian, Latin.
RMR5AR6X–Purgatorio: The sleeping Dante is grasped by an eagle. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.78. Language: Italian, Latin.
RMR5CR49–Purgatorio: Seven candles appear ahead. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.115v. Language: Italian, Latin.
RMR52HR0–Inferno: They speak to suicides that have been turned into trees. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.24v. Language: Italian, Latin.
RMR5HEJD–Paradiso : Dante listens to Beatrice's discourse. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.175. Language: Italian, Latin.
RMR5ABPN–Paradiso : Dante talking to Petrus Damianus. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.164. Language: Italian, Latin.
RMR530J6–Purgatorio: The three pass through the fire. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.112. Language: Italian, Latin.
RMR5HMJ5–Paradiso: Dante and Bernard pray to Mary. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.184v. Language: Italian, Latin.
RMR57H2P–Purgatorio: Dante talks to Hugh Capet. . Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.96. Language: Italian, Latin.
RMR5E495–Inferno: Circular diagram of the spheres of Hell. . Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.2v. Language: Italian, Latin.
RMR5CC04–Inferno: Seducers being scourged by devils. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.32. Language: Italian, Latin.
RMR529XD–Purgatorio: Dante and Statius talk to Beatrice. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.124v. Language: Italian, Latin.
RMR58ND3–Purgatorio: The Angel of Chastity shows them the fire. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.111v. Language: Italian, Latin.
RMR5GBJA–Purgatorio: Dante dreams of an eagle above him. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.77v. Language: Italian, Latin.
RMR57K56–Purgatorio: Dante talks to Hugh Capet. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.99. Language: Italian, Latin.
RMR577AD–Purgatorio: Statius follows Dante and Virgil. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.102. Language: Italian, Latin.
RMR574WD–Inferno: Virgil tells Dante about Crete. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.26. Language: Italian, Latin.
RMR529KK–Inferno: Pope Clement V punished for simony. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.34v. Language: Italian, Latin.
RMR5877T–Purgatorio: Dante and Virgil meet the Angel of Generosity. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.89v. Language: Italian, Latin.
RMR5EKH4–Paradiso : Dante and Beatrice see the members of the triumphant Church. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.167. Language: Italian, Latin.
RMR58ACP–Inferno: A sinner is attacked by a dragon. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.45. Language: Italian, Latin.
RMR5772G–Dante talks to the souls. Purgatorio, with Latin commentary. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.110. Language: Italian, Latin.
RMR54G41–Purgatorio: Sordello bows to Virgil, the great poet. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.74. Language: Italian, Latin.
RMR5CGC6–Paradiso : Dante and Beatrice look up to heaven. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.172. Language: Italian, Latin.
RMR5DMMM–Purgatorio: Dante is accosted by a group of penitents. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.72. Language: Italian, Latin.
RMR52HMG–Inferno: Dante and Virgil meeting Paolo and Francesca. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.11v. Language: Italian, Latin.
RMR5C98P–Inferno: Pluto in the form of a wolf. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.13v. Language: Italian, Latin.
RMR553HN–Purgatorio: Dante talks to Sapia from Siena. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.86v. Language: Italian, Latin.
RMR5ABM4–Purgatorio: Dante talks to one of the angry souls. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.91v. Language: Italian, Latin.
RMR5CTCK–Inferno: Among the thorns, they meet a harpy. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.23v. Language: Italian, Latin.
RMR52PFK–Purgatorio: Leah speaks to Dante in his dream. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.113. Language: Italian, Latin.
RMR5EK8P–Inferno: Brunetto Latini (partially erased) and the Sodomites. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.27. Language: Italian, Latin.
RMR5G41C–Purgatorio: Dante and Virgil talking about the nature of love. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.94. Language: Italian, Latin.
RMR58PH4–Purgatorio: Dante and Virgil talking about the nature of love. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.95. Language: Italian, Latin.
RMR58T00–Purgatorio: Angels dance around the Tree of Knowledge. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.122. Language: Italian, Latin.
RMR5G2HB–Paradiso : Beatrice explaining the order of the universe to Dante. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.130. Language: Italian, Latin.
RMR5ET21–Purgatorio: They see a light shining in the sky. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.115. Language: Italian, Latin.
RMR5HDDD–Paradiso : Beatrice explains Christian redemption to Dante. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.139. Language: Italian, Latin.
RMR5BY65–Inferno: Dante and Virgil arrive at the gates of hell. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.6v. Language: Italian, Latin.
RMR5FWGG–Purgatorio: They see a cart pulled by a griffon. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.117. Language: Italian, Latin.
RMR57HBT–Paradiso : Dante addressing the souls of three Dominicans. Dante Alighieri, Divina Commedia ( The Divine Comedy ), with a commentary in Latin. 1st half of the 14th century. Source: Egerton 943, f.151. Language: Italian, Latin.
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