** ** Robert Stromberg and Karen O'Hara with the Achievement in Art Direction award, received for Alice In Wonderland, at the 83rd Academy Awards at the Kodak Theatre, Los Angeles. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-stromberg-and-karen-ohara-with-the-achievement-in-art-direction-105815525.html
RMG448NW–** ** Robert Stromberg and Karen O'Hara with the Achievement in Art Direction award, received for Alice In Wonderland, at the 83rd Academy Awards at the Kodak Theatre, Los Angeles.
Streetview, pedestrians and locals in Chelsea, Art District, Manhatten, New York, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/streetview-pedestrians-and-locals-in-chelsea-art-district-manhatten-image157166301.html
RMK3KF65–Streetview, pedestrians and locals in Chelsea, Art District, Manhatten, New York, USA
Moving in the Right Direction fence by Beatrice Coron in Lancaster PA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/moving-in-the-right-direction-fence-by-beatrice-coron-in-lancaster-pa-image466275388.html
RM2J2GK0C–Moving in the Right Direction fence by Beatrice Coron in Lancaster PA
Allegorical depiction of the seasons in Art Nouveau style. Allegory of July. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-july-album-salon-1901-spain-catalonia-barcelona-image335674267.html
RM2AE37XK–Allegorical depiction of the seasons in Art Nouveau style. Allegory of July. Album Salon. 1901. Spain, Catalonia, Barcelona
Morning by Alfred Thiele. Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/morning-by-alfred-thiele-published-in-die-kunst-im-deutschen-reich-image69820372.html
RME1GGGM–Morning by Alfred Thiele. Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
Navigation aérienne. Ballon & appareil de direction construit par M. Pompéien-Piraud, inventeur. Created / Published in Lyon, Paris by B. Arnaud. 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/navigation-arienne-ballon-appareil-de-direction-construit-par-m-pompien-piraud-inventeur-created-published-in-lyon-paris-by-b-arnaud-1883-image461667974.html
RF2HR2P5X–Navigation aérienne. Ballon & appareil de direction construit par M. Pompéien-Piraud, inventeur. Created / Published in Lyon, Paris by B. Arnaud. 1883
Shepherd Pointing Out the Direction to a Shepherdess. Dated: 1762. Dimensions: plate: 19.6 x 25.7 cm (7 11/16 x 10 1/8 in.) sheet: 28.5 x 40.8 cm (11 1/4 x 16 1/16 in.). Medium: etching heightened with white gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shepherd-pointing-out-the-direction-to-a-shepherdess-dated-1762-dimensions-plate-196-x-257-cm-7-1116-x-10-18-in-sheet-285-x-408-cm-11-14-x-16-116-in-medium-etching-heightened-with-white-gouache-on-blue-laid-paper-museum-national-gallery-of-art-washington-dc-author-francesco-londonio-image225505484.html
RMR2TJF8–Shepherd Pointing Out the Direction to a Shepherdess. Dated: 1762. Dimensions: plate: 19.6 x 25.7 cm (7 11/16 x 10 1/8 in.) sheet: 28.5 x 40.8 cm (11 1/4 x 16 1/16 in.). Medium: etching heightened with white gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO.
Beautiful artistic image that represent a human ear with surreal wheels and mechanic object in a surreal background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-beautiful-artistic-image-that-represent-a-human-ear-with-surreal-wheels-168541510.html
RFKP5MBJ–Beautiful artistic image that represent a human ear with surreal wheels and mechanic object in a surreal background
Visitors, tourists in front of the direction sign to the Mona Lisa hall in the Musée du Louvre museum, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/visitors-tourists-in-front-of-the-direction-sign-to-the-mona-lisa-image61855337.html
RMDGHN35–Visitors, tourists in front of the direction sign to the Mona Lisa hall in the Musée du Louvre museum, Paris
Pointing male hand in pop art style. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pointing-male-hand-in-pop-art-style-vector-illustration-image331048658.html
RF2A6GFXA–Pointing male hand in pop art style. Vector illustration
An art direction of an abstract shape in vector on minimal background with how to use the shape in various resolution template. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-art-direction-of-an-abstract-shape-in-vector-on-minimal-background-with-how-to-use-the-shape-in-various-resolution-template-image333624671.html
RF2AANWJR–An art direction of an abstract shape in vector on minimal background with how to use the shape in various resolution template.
Nigeria: A mid-19th century version of the Qur'an from Kano in Nigeria. The Qur’an is the religious text of Islam. It is widely regarded as the finest piece of literature in the Arabic language. Muslims hold that the Qur’an is the verbal divine guidance and moral direction for mankind. Muslims also consider the original Arabic verbal text to be the final revelation of God and believe that the Qur’an was repeatedly revealed from Allah to Muhammad verbally through the angel Jibril (Gabriel) over a period of approximately 33 years, beginning in 610 CE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nigeria-a-mid-19th-century-version-of-the-quran-from-kano-in-nigeria-the-quran-is-the-religious-text-of-islam-it-is-widely-regarded-as-the-finest-piece-of-literature-in-the-arabic-language-muslims-hold-that-the-quran-is-the-verbal-divine-guidance-and-moral-direction-for-mankind-muslims-also-consider-the-original-arabic-verbal-text-to-be-the-final-revelation-of-god-and-believe-that-the-quran-was-repeatedly-revealed-from-allah-to-muhammad-verbally-through-the-angel-jibril-gabriel-over-a-period-of-approximately-33-years-beginning-in-610-ce-image344229940.html
RM2B010PC–Nigeria: A mid-19th century version of the Qur'an from Kano in Nigeria. The Qur’an is the religious text of Islam. It is widely regarded as the finest piece of literature in the Arabic language. Muslims hold that the Qur’an is the verbal divine guidance and moral direction for mankind. Muslims also consider the original Arabic verbal text to be the final revelation of God and believe that the Qur’an was repeatedly revealed from Allah to Muhammad verbally through the angel Jibril (Gabriel) over a period of approximately 33 years, beginning in 610 CE.
A vertical shot of wooden direction signs with pictures in Dubai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-vertical-shot-of-wooden-direction-signs-with-pictures-in-dubai-image476291087.html
RF2JJTX3Y–A vertical shot of wooden direction signs with pictures in Dubai
Portrait of Hugh Latimer (1487-1555), Fellow of Clare College, Cambridge, and Bishop of Worcester before the Reformation, and later Church of England chaplain to King Edward VI as the English church moved in a more Protestant direction. He then served as chaplain to Katherine Duchess of Suffolk. However, when Edward VI's sister Mary I came to the throne, he was tried for his beliefs and teachings in Oxford and imprisoned. In October 1555 he was burned at the stake outside Balliol College, Oxford. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-hugh-latimer-1487-1555-fellow-of-clare-college-cambridge-and-bishop-of-worcester-before-the-reformation-and-later-church-of-england-chaplain-to-king-edward-vi-as-the-english-church-moved-in-a-more-protestant-direction-he-then-served-as-chaplain-to-katherine-duchess-of-suffolk-however-when-edward-vis-sister-mary-i-came-to-the-throne-he-was-tried-for-his-beliefs-and-teachings-in-oxford-and-imprisoned-in-october-1555-he-was-burned-at-the-stake-outside-balliol-college-oxford-image215910746.html
RMPF7GA2–Portrait of Hugh Latimer (1487-1555), Fellow of Clare College, Cambridge, and Bishop of Worcester before the Reformation, and later Church of England chaplain to King Edward VI as the English church moved in a more Protestant direction. He then served as chaplain to Katherine Duchess of Suffolk. However, when Edward VI's sister Mary I came to the throne, he was tried for his beliefs and teachings in Oxford and imprisoned. In October 1555 he was burned at the stake outside Balliol College, Oxford.
Allegorical depiction of the seasons in Art Nouveau style. Allegory of May. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-may-album-salon-1901-spain-catalonia-barcelona-image397441731.html
RM2E2H0YF–Allegorical depiction of the seasons in Art Nouveau style. Allegory of May. Album Salon. 1901. Spain, Catalonia, Barcelona
Engraved map image from an atlas, with original caption reading 'Canisteo Village, Canisteo Business Notices', 1873. From the New York Public Library. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-engraved-map-image-from-an-atlas-with-original-caption-reading-canisteo-166307820.html
RMKJFY90–Engraved map image from an atlas, with original caption reading 'Canisteo Village, Canisteo Business Notices', 1873. From the New York Public Library.
An illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustration-from-dictionnaire-des-sciences-anthropologiques-1883-published-under-the-direction-of-alphonse-bertillon-coudereau-a-hovelacque-issaurat-and-others-alphonse-bertillon-1853-1914-was-a-french-police-officer-and-biometrics-researcher-who-created-anthropometry-an-identification-system-based-on-physical-measurements-anthropometry-was-the-first-scientific-system-used-by-police-to-identify-criminals-in-this-system-the-person-was-identified-by-measurement-of-the-head-and-body-individual-markings-tattoos-scars-and-personality-characteristics-image352826312.html
RM2BE0HFM–An illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics.
Inspired by Seen in a northeastern direction with the rear of the houses on Warmoesstraat. Boats on the left. View of the Damrak in Amsterdam The Netherlands, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-seen-in-a-northeastern-direction-with-the-rear-of-the-houses-on-warmoesstraat-boats-on-the-left-view-of-the-damrak-in-amsterdam-the-netherlands-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459352710.html
RF2HK991X–Inspired by Seen in a northeastern direction with the rear of the houses on Warmoesstraat. Boats on the left. View of the Damrak in Amsterdam The Netherlands, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Crowning of the Virgin, Johann Nepomuk Strixner, 1782-1855, 1821, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 630 mm, Width (paper size) 370 mm, Gedrucht under der Direction von Strixner in Stuttgart, N. Strixner del. 1821, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crowning-of-the-virgin-johann-nepomuk-strixner-1782-1855-1821-graphic-art-lithograph-paper-color-printers-ink-lithography-colored-printet-height-paper-size-630-mm-width-paper-size-370-mm-gedrucht-under-der-direction-von-strixner-in-stuttgart-n-strixner-del-1821-graphic-design-european-modernity-1800-1914-image573193621.html
RM2T8F68N–Crowning of the Virgin, Johann Nepomuk Strixner, 1782-1855, 1821, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 630 mm, Width (paper size) 370 mm, Gedrucht under der Direction von Strixner in Stuttgart, N. Strixner del. 1821, Graphic Design, European, Modernity (1800 - 1914
** ** Robert Stromberg and Karen O'Hara with the Achievement in Art Direction award, received for Alice In Wonderland, with Tom Hanks at the 83rd Academy Awards at the Kodak Theatre, Los Angeles. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-stromberg-and-karen-ohara-with-the-achievement-in-art-direction-105815575.html
RMG448RK–** ** Robert Stromberg and Karen O'Hara with the Achievement in Art Direction award, received for Alice In Wonderland, with Tom Hanks at the 83rd Academy Awards at the Kodak Theatre, Los Angeles.
Unusual Architecture, House in Chelsea, Art District, Manhatten, New York, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unusual-architecture-house-in-chelsea-art-district-manhatten-new-york-image157166309.html
RMK3KF6D–Unusual Architecture, House in Chelsea, Art District, Manhatten, New York, USA
New terminal B at Laguardia Airport in Queens New York City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-terminal-b-at-laguardia-airport-in-queens-new-york-city-image551255979.html
RM2R0RTHF–New terminal B at Laguardia Airport in Queens New York City
Allegorical depiction of the seasons in Art Nouveau style. Allegory of October. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-october-album-salon-1901-spain-catalonia-barcelona-image335674281.html
RM2AE37Y5–Allegorical depiction of the seasons in Art Nouveau style. Allegory of October. Album Salon. 1901. Spain, Catalonia, Barcelona
statue of Jason by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-jason-by-bertel-thorvaldsen-published-in-die-kunst-im-deutschen-image69820546.html
RME1GGPX–statue of Jason by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
Illustration of a sunset on Mars. Dust and small particles suspended in the Martian atmosphere scatter light in the direction of the Sun forward. This Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-sunset-on-mars-dust-and-small-particles-suspended-in-the-martian-atmosphere-scatter-light-in-the-direction-of-the-sun-forward-this-image228969052.html
RFR8ECA4–Illustration of a sunset on Mars. Dust and small particles suspended in the Martian atmosphere scatter light in the direction of the Sun forward. This
Regensburg. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 1 13/16 × 4 13/16 in. (4.6 × 12.2 cm) cut on the platemark. Date: 1652-77. River landscape on the Danube, with Regensburg castle on the left bank; two boats with cabins rowed in direction of a distant bridge in the middle of the composition. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/regensburg-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-1-1316-4-1316-in-46-122-cm-cut-on-the-platemark-date-1652-77-river-landscape-on-the-danube-with-regensburg-castle-on-the-left-bank-two-boats-with-cabins-rowed-in-direction-of-a-distant-bridge-in-the-middle-of-the-composition-museum-metropolitan-museum-of-art-new-york-usa-image213181824.html
RMPAR7GG–Regensburg. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 1 13/16 × 4 13/16 in. (4.6 × 12.2 cm) cut on the platemark. Date: 1652-77. River landscape on the Danube, with Regensburg castle on the left bank; two boats with cabins rowed in direction of a distant bridge in the middle of the composition. Museum: Metropolitan Museum of Art, New York, USA.
Route to Cezannes Studio in Aix en Provence France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/route-to-cezannes-studio-in-aix-en-provence-france-image558679017.html
RM2RCX0P1–Route to Cezannes Studio in Aix en Provence France
THEOSOPHY - THOUGHT-FORMS - ASTRAL PLANE Thought forms, seen by trained clairvoyants, on the astral plane. The top form is descriptive of those seen in art galleries, when a person is communing appreciatively with a work of art - in this case, the work is of a religious subject. The bottom form is representative of the type seen on the astral plane when two friends meet. The two arms are, so to speak, reaching out from one person sin the direction of his or her friend. The rose colour indicates the affection felt, the green shows the depth of sympathy between the two, and the yellow shows Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theosophy-thought-forms-astral-plane-thought-forms-seen-by-trained-clairvoyants-on-the-astral-plane-the-top-form-is-descriptive-of-those-seen-in-art-galleries-when-a-person-is-communing-appreciatively-with-a-work-of-art-in-this-case-the-work-is-of-a-religious-subject-the-bottom-form-is-representative-of-the-type-seen-on-the-astral-plane-when-two-friends-meet-the-two-arms-are-so-to-speak-reaching-out-from-one-person-sin-the-direction-of-his-or-her-friend-the-rose-colour-indicates-the-affection-felt-the-green-shows-the-depth-of-sympathy-between-the-two-and-the-yellow-shows-image179624741.html
RMMC6H59–THEOSOPHY - THOUGHT-FORMS - ASTRAL PLANE Thought forms, seen by trained clairvoyants, on the astral plane. The top form is descriptive of those seen in art galleries, when a person is communing appreciatively with a work of art - in this case, the work is of a religious subject. The bottom form is representative of the type seen on the astral plane when two friends meet. The two arms are, so to speak, reaching out from one person sin the direction of his or her friend. The rose colour indicates the affection felt, the green shows the depth of sympathy between the two, and the yellow shows
Pointing male hand in pop art style. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pointing-male-hand-in-pop-art-style-vector-illustration-image330616212.html
RF2A5TT9T–Pointing male hand in pop art style. Vector illustration
An art direction of an abstract shape in vector on minimal background with how to use the shape in various resolution template. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-art-direction-of-an-abstract-shape-in-vector-on-minimal-background-with-how-to-use-the-shape-in-various-resolution-template-image333624285.html
RF2AANW51–An art direction of an abstract shape in vector on minimal background with how to use the shape in various resolution template.
India: Krishna dancing on a lotus blossom. Gouache watercolour painting, Tiruchirappalli (Trichy), Tamil Nadu, 1825. Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata. Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/india-krishna-dancing-on-a-lotus-blossom-gouache-watercolour-painting-tiruchirappalli-trichy-tamil-nadu-1825-krishna-literally-dark-black-dark-blue-is-a-central-figure-of-hinduism-and-is-traditionally-attributed-the-authorship-of-the-bhagavad-gita-he-is-an-avatar-of-vishnu-and-considered-in-some-monotheistic-traditions-as-the-supreme-being-krishna-is-identified-as-a-historical-individual-who-participated-in-the-events-of-the-mahbhrata-krishna-is-often-described-as-an-infant-or-young-boy-playing-a-flute-as-in-the-bhagavata-purana-or-as-a-youthful-prince-giving-direction-image344240286.html
RM2B01DYX–India: Krishna dancing on a lotus blossom. Gouache watercolour painting, Tiruchirappalli (Trichy), Tamil Nadu, 1825. Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata. Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction.
1950s COED COLLEGE ANONYMOUS YOUNG MEN AND WOMEN IN GRAPHIC AND FINE ART SUNLIGHT OUTDOOR CLASS DRAWING FROM LIFE OF MALE MODEL - s3431 HAR001 HARS 1 STYLE COMMUNICATION YOUNG ADULT JOY LIFESTYLE CELEBRATION FEMALES COPY SPACE FULL-LENGTH LADIES PERSONS INSPIRATION MALES SUNLIGHT ARTIST CONFIDENCE B&W ARTISTS FREEDOM GOALS WIDE ANGLE TEMPTATION HAPPINESS HIGH ANGLE ADVENTURE DISCOVERY LIVE UNIVERSITIES AND EXTERIOR KNOWLEDGE PROGRESS SADDLE SHOES DIRECTION IN OF OPPORTUNITY AUTHORITY OCCUPATIONS PLAID SKIRT HIGHER EDUCATION CONCEPTUAL IMAGINATION STYLISH SUNLIT VOCATION COLLEGES ANONYMOUS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1950s-coed-college-anonymous-young-men-and-women-in-graphic-and-fine-art-sunlight-outdoor-class-drawing-from-life-of-male-model-s3431-har001-hars-1-style-communication-young-adult-joy-lifestyle-celebration-females-copy-space-full-length-ladies-persons-inspiration-males-sunlight-artist-confidence-bw-artists-freedom-goals-wide-angle-temptation-happiness-high-angle-adventure-discovery-live-universities-and-exterior-knowledge-progress-saddle-shoes-direction-in-of-opportunity-authority-occupations-plaid-skirt-higher-education-conceptual-imagination-stylish-sunlit-vocation-colleges-anonymous-image359757477.html
RM2BW8A99–1950s COED COLLEGE ANONYMOUS YOUNG MEN AND WOMEN IN GRAPHIC AND FINE ART SUNLIGHT OUTDOOR CLASS DRAWING FROM LIFE OF MALE MODEL - s3431 HAR001 HARS 1 STYLE COMMUNICATION YOUNG ADULT JOY LIFESTYLE CELEBRATION FEMALES COPY SPACE FULL-LENGTH LADIES PERSONS INSPIRATION MALES SUNLIGHT ARTIST CONFIDENCE B&W ARTISTS FREEDOM GOALS WIDE ANGLE TEMPTATION HAPPINESS HIGH ANGLE ADVENTURE DISCOVERY LIVE UNIVERSITIES AND EXTERIOR KNOWLEDGE PROGRESS SADDLE SHOES DIRECTION IN OF OPPORTUNITY AUTHORITY OCCUPATIONS PLAID SKIRT HIGHER EDUCATION CONCEPTUAL IMAGINATION STYLISH SUNLIT VOCATION COLLEGES ANONYMOUS
Around 1380, one John Churchman built a custom house on a site on the banks of the River Thames, known as Wool Quay to collect dues for the City of London, England. In 1382 the Crown came to an agreement to use its facilities. It remained in use until 1559, the freehold passing through various hands. A replacement was erected under the direction of William Paulet, Marquess of Winchester, the Lord High Treasurer in the 17th Century but it was destroyed in the Great Fire of 1666. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/around-1380-one-john-churchman-built-a-custom-house-on-a-site-on-the-banks-of-the-river-thames-known-as-wool-quay-to-collect-dues-for-the-city-of-london-england-in-1382-the-crown-came-to-an-agreement-to-use-its-facilities-it-remained-in-use-until-1559-the-freehold-passing-through-various-hands-a-replacement-was-erected-under-the-direction-of-william-paulet-marquess-of-winchester-the-lord-high-treasurer-in-the-17th-century-but-it-was-destroyed-in-the-great-fire-of-1666-image229850197.html
RMR9XG7H–Around 1380, one John Churchman built a custom house on a site on the banks of the River Thames, known as Wool Quay to collect dues for the City of London, England. In 1382 the Crown came to an agreement to use its facilities. It remained in use until 1559, the freehold passing through various hands. A replacement was erected under the direction of William Paulet, Marquess of Winchester, the Lord High Treasurer in the 17th Century but it was destroyed in the Great Fire of 1666.
Allegorical depiction of the seasons in Art Nouveau style. Allegory of August. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-august-album-salon-1901-spain-catalonia-barcelona-image397441739.html
RM2E2H0YR–Allegorical depiction of the seasons in Art Nouveau style. Allegory of August. Album Salon. 1901. Spain, Catalonia, Barcelona
A photograph of a painted wooden sign that reads 'Middle Caicos Co-Op', the blue sign also has arrows that point in the direction of the business, it rests against a tree in the sand, the store represents local artists that produce souvenirs for tourists, Turks and Caicos Islands, 2013. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-photograph-of-a-painted-wooden-sign-that-reads-middle-caicos-co-166771435.html
RMKK92JK–A photograph of a painted wooden sign that reads 'Middle Caicos Co-Op', the blue sign also has arrows that point in the direction of the business, it rests against a tree in the sand, the store represents local artists that produce souvenirs for tourists, Turks and Caicos Islands, 2013.
A brain illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics. This illustration is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-brain-illustration-from-dictionnaire-des-sciences-anthropologiques-1883-published-under-the-direction-of-alphonse-bertillon-coudereau-a-hovelacque-issaurat-and-others-alphonse-bertillon-1853-1914-was-a-french-police-officer-and-biometrics-researcher-who-created-anthropometry-an-identification-system-based-on-physical-measurements-anthropometry-was-the-first-scientific-system-used-by-police-to-identify-criminals-in-this-system-the-person-was-identified-by-measurement-of-the-head-and-body-individual-markings-tattoos-scars-and-personality-characteristics-this-illustration-is-image352834675.html
RM2BE106B–A brain illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics. This illustration is
Inspired by Seen in a northeastern direction with the back of the houses on the Warmoesstraat. At the front boats. and View of the Damrak in Amsterdam The Netherlands, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-seen-in-a-northeastern-direction-with-the-back-of-the-houses-on-the-warmoesstraat-at-the-front-boats-and-view-of-the-damrak-in-amsterdam-the-netherlands-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459345749.html
RF2HK9059–Inspired by Seen in a northeastern direction with the back of the houses on the Warmoesstraat. At the front boats. and View of the Damrak in Amsterdam The Netherlands, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Saint Bernhard in the Reichstag in Speyer, Carl Heindel, 1831, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 520 mm, Width (paper size) 440 mm, Gedrucht under der Direction von Strixner in Stuttgart, C. Heindel del. 1831, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-bernhard-in-the-reichstag-in-speyer-carl-heindel-1831-graphic-art-lithograph-paper-color-printers-ink-lithography-colored-printet-height-paper-size-520-mm-width-paper-size-440-mm-gedrucht-under-der-direction-von-strixner-in-stuttgart-c-heindel-del-1831-graphic-design-european-modernity-1800-1914-image573193738.html
RM2T8F6CX–Saint Bernhard in the Reichstag in Speyer, Carl Heindel, 1831, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 520 mm, Width (paper size) 440 mm, Gedrucht under der Direction von Strixner in Stuttgart, C. Heindel del. 1831, Graphic Design, European, Modernity (1800 - 1914
Dan Hennah, Grant Major and Alan Lee with their Oscars for Art Direction, for Lord of the Rings: The Return of the King at the Kodak Theatre in Los Angeles during the 76th Academy Awards. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dan-hennah-grant-major-and-alan-lee-with-their-oscars-for-art-direction-107488689.html
RMG6TEWN–Dan Hennah, Grant Major and Alan Lee with their Oscars for Art Direction, for Lord of the Rings: The Return of the King at the Kodak Theatre in Los Angeles during the 76th Academy Awards.
Rusty red weathervane above vineyard under a cloudy sky Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rusty-red-weathervane-above-vineyard-under-a-cloudy-sky-84771523.html
RFEWWJXB–Rusty red weathervane above vineyard under a cloudy sky
Mosaic tiles of people in the 63rd street station on the F subway line in the upper eastside of Manhattan New York City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-tiles-of-people-in-the-63rd-street-station-on-the-f-subway-line-in-the-upper-eastside-of-manhattan-new-york-city-image515154523.html
RM2MX38RR–Mosaic tiles of people in the 63rd street station on the F subway line in the upper eastside of Manhattan New York City
Allegorical depiction of the seasons in Art Nouveau style. Allegory of May. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-may-album-salon-1901-spain-catalonia-barcelona-image335674219.html
RM2AE37TY–Allegorical depiction of the seasons in Art Nouveau style. Allegory of May. Album Salon. 1901. Spain, Catalonia, Barcelona
statue depicting Hebe by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-depicting-hebe-by-bertel-thorvaldsen-published-in-die-kunst-image69820377.html
RME1GGGW–statue depicting Hebe by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
Hand Pointing Finger Direction In Business Suit Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-pointing-finger-direction-in-business-suit-image450932147.html
RF2H5HMFF–Hand Pointing Finger Direction In Business Suit
Copy of John Frederic the Magnanimous, in Electoral Robes. Artist: Lucas Cranach the Younger and Workshop (German, Wittenberg 1515-1586 Wittenberg). Dimensions: Sheet: 7 13/16 × 5 1/8 in. (19.9 × 13 cm). In the same direction with coats of arms added around a frame and with an inscription bellow. Museum: Metropolitan Museum of Art, New York, USA. Author: Lucas Cranach the Younger and Workshop. after Lucas Cranach the Younger. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-of-john-frederic-the-magnanimous-in-electoral-robes-artist-lucas-cranach-the-younger-and-workshop-german-wittenberg-1515-1586-wittenberg-dimensions-sheet-7-1316-5-18-in-199-13-cm-in-the-same-direction-with-coats-of-arms-added-around-a-frame-and-with-an-inscription-bellow-museum-metropolitan-museum-of-art-new-york-usa-author-lucas-cranach-the-younger-and-workshop-after-lucas-cranach-the-younger-image225407477.html
RMR2M5F1–Copy of John Frederic the Magnanimous, in Electoral Robes. Artist: Lucas Cranach the Younger and Workshop (German, Wittenberg 1515-1586 Wittenberg). Dimensions: Sheet: 7 13/16 × 5 1/8 in. (19.9 × 13 cm). In the same direction with coats of arms added around a frame and with an inscription bellow. Museum: Metropolitan Museum of Art, New York, USA. Author: Lucas Cranach the Younger and Workshop. after Lucas Cranach the Younger.
The bronze figurs honors the work of the fishermen. It is located in Neuharlingersiel / North Sea /Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bronze-figurs-honors-the-work-of-the-fishermen-it-is-located-in-neuharlingersiel-north-sea-germany-image342068208.html
RF2ATEFDM–The bronze figurs honors the work of the fishermen. It is located in Neuharlingersiel / North Sea /Germany.
Vector Minimalistic Direction Arrows Letter S Logo in a Simple Modern Style Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vector-minimalistic-direction-arrows-letter-s-logo-in-a-simple-modern-style-image228040604.html
RFR70438–Vector Minimalistic Direction Arrows Letter S Logo in a Simple Modern Style
Pointing male hand. Business concept in pop art retro comic style. Cartoon vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pointing-male-hand-business-concept-in-pop-art-retro-comic-style-cartoon-vector-illustration-image330755759.html
RF2A6369K–Pointing male hand. Business concept in pop art retro comic style. Cartoon vector illustration
An art direction of a businessman is sitting and thinking on stairs in vector, with how to use this abstract art in various resolution template. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-art-direction-of-a-businessman-is-sitting-and-thinking-on-stairs-in-vector-with-how-to-use-this-abstract-art-in-various-resolution-template-image335959456.html
RF2AEG7M0–An art direction of a businessman is sitting and thinking on stairs in vector, with how to use this abstract art in various resolution template.
England/UK: An early drawing of a mariner's compass, Thomas Dawson, 1607. A compass rose is a figure on a map, a nautical chart or sometimes a paving stone or wall, used to display the orientation of the cardinal directions, — north, south, east, and west. It is also the term for the graduated markings found on traditional magnetic compasess. Today, the idea of a compass rose features in almost all navigational systems. Early forms of the compass rose were known as wind roses, since no differentiation was made between a cardinal direction and the winds that emanated from that direction. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/englanduk-an-early-drawing-of-a-mariners-compass-thomas-dawson-1607-a-compass-rose-is-a-figure-on-a-map-a-nautical-chart-or-sometimes-a-paving-stone-or-wall-used-to-display-the-orientation-of-the-cardinal-directions-north-south-east-and-west-it-is-also-the-term-for-the-graduated-markings-found-on-traditional-magnetic-compasess-today-the-idea-of-a-compass-rose-features-in-almost-all-navigational-systems-early-forms-of-the-compass-rose-were-known-as-wind-roses-since-no-differentiation-was-made-between-a-cardinal-direction-and-the-winds-that-emanated-from-that-direction-image344237489.html
RM2B01AC1–England/UK: An early drawing of a mariner's compass, Thomas Dawson, 1607. A compass rose is a figure on a map, a nautical chart or sometimes a paving stone or wall, used to display the orientation of the cardinal directions, — north, south, east, and west. It is also the term for the graduated markings found on traditional magnetic compasess. Today, the idea of a compass rose features in almost all navigational systems. Early forms of the compass rose were known as wind roses, since no differentiation was made between a cardinal direction and the winds that emanated from that direction.
Seattle Mariners Jack Perconte looks for the ball which bounced in the opposite direction during a game aginst the Texas Rangers at Arlington Stadium in Arlington Tx USA 1985 photo by bill belknap Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-seattle-mariners-jack-perconte-looks-for-the-ball-which-bounced-in-176327654.html
RMM6TBM6–Seattle Mariners Jack Perconte looks for the ball which bounced in the opposite direction during a game aginst the Texas Rangers at Arlington Stadium in Arlington Tx USA 1985 photo by bill belknap
Art nouveau Metro tube station entrance in Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-nouveau-metro-tube-station-entrance-in-paris-image66134693.html
RMDRGKD9–Art nouveau Metro tube station entrance in Paris
Allegorical depiction of the seasons in Art Nouveau style. Allegory of March. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-march-album-salon-1901-spain-catalonia-barcelona-image397441725.html
RM2E2H0Y9–Allegorical depiction of the seasons in Art Nouveau style. Allegory of March. Album Salon. 1901. Spain, Catalonia, Barcelona
Compass rose at the waterfront in Port Townsend, Washington state, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/compass-rose-at-the-waterfront-in-port-townsend-washington-state-usa-image311612468.html
RMS2Y4TM–Compass rose at the waterfront in Port Townsend, Washington state, USA
A brain illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics. This illustration is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-brain-illustration-from-dictionnaire-des-sciences-anthropologiques-1883-published-under-the-direction-of-alphonse-bertillon-coudereau-a-hovelacque-issaurat-and-others-alphonse-bertillon-1853-1914-was-a-french-police-officer-and-biometrics-researcher-who-created-anthropometry-an-identification-system-based-on-physical-measurements-anthropometry-was-the-first-scientific-system-used-by-police-to-identify-criminals-in-this-system-the-person-was-identified-by-measurement-of-the-head-and-body-individual-markings-tattoos-scars-and-personality-characteristics-this-illustration-is-image352826303.html
RM2BE0HFB–A brain illustration from 'Dictionnaire des sciences anthropologiques' (1883) published under the direction of Alphonse Bertillon, Coudereau, A. Hovelacque, Issaurat, and others. Alphonse Bertillon (1853-1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. In this system the person was identified by measurement of the head and body, individual markings (tattoos, scars) and personality characteristics. This illustration is
Inspired by Dam, seen in a northerly direction with numbers 6 to 10. On the right you may see an advertising column/press box, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-dam-seen-in-a-northerly-direction-with-numbers-6-to-10-on-the-right-you-may-see-an-advertising-columnpress-box-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459345895.html
RF2HK90AF–Inspired by Dam, seen in a northerly direction with numbers 6 to 10. On the right you may see an advertising column/press box, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Circumcision, Ignaz Bergmann, 1831, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 388 mm, Width (paper size) 657 mm, Quint. Messis pinxt., Gedrucht under der Direction von Strixner in Stuttgart, I. Bergman del. 1831, Graphic Design, European, Modernity (1800 - 1914), Printer, Johann Nepomuk Strixner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-circumcision-ignaz-bergmann-1831-graphic-art-lithograph-paper-color-printers-ink-lithography-colored-printet-height-paper-size-388-mm-width-paper-size-657-mm-quint-messis-pinxt-gedrucht-under-der-direction-von-strixner-in-stuttgart-i-bergman-del-1831-graphic-design-european-modernity-1800-1914-printer-johann-nepomuk-strixner-image573193722.html
RM2T8F6CA–The Circumcision, Ignaz Bergmann, 1831, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 388 mm, Width (paper size) 657 mm, Quint. Messis pinxt., Gedrucht under der Direction von Strixner in Stuttgart, I. Bergman del. 1831, Graphic Design, European, Modernity (1800 - 1914), Printer, Johann Nepomuk Strixner
Donald Graham Burt (left) and Victor J. Zolfo with the Achievement in Art Direction award, received for The Curious Case of Benjamin Button, at the 81st Academy Awards at the Kodak Theatre, Los Angeles. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-donald-graham-burt-left-and-victor-j-zolfo-with-the-achievement-in-110333189.html
RMGBE331–Donald Graham Burt (left) and Victor J. Zolfo with the Achievement in Art Direction award, received for The Curious Case of Benjamin Button, at the 81st Academy Awards at the Kodak Theatre, Los Angeles.
The arrow points in four directions. Vector illustration. Gray arrows isolated Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arrow-points-in-four-directions-vector-illustration-gray-arrows-isolated-image229553378.html
RFR9D1JX–The arrow points in four directions. Vector illustration. Gray arrows isolated
Mosaic tiles of people in the 63rd street station on the F subway line in the upper eastside of Manhattan New York City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-tiles-of-people-in-the-63rd-street-station-on-the-f-subway-line-in-the-upper-eastside-of-manhattan-new-york-city-image515154447.html
RM2MX38N3–Mosaic tiles of people in the 63rd street station on the F subway line in the upper eastside of Manhattan New York City
Allegorical depiction of the seasons in Art Nouveau style. Allegory of March. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-march-album-salon-1901-spain-catalonia-barcelona-image335674205.html
RM2AE37TD–Allegorical depiction of the seasons in Art Nouveau style. Allegory of March. Album Salon. 1901. Spain, Catalonia, Barcelona
Bust of Hans Knappertsbusch, by Bernhard Bleeker, Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-hans-knappertsbusch-by-bernhard-bleeker-published-in-die-kunst-image69820365.html
RME1GGGD–Bust of Hans Knappertsbusch, by Bernhard Bleeker, Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
Hand Pointing Finger Direction In Business Suit Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-pointing-finger-direction-in-business-suit-image463866002.html
RF2HXJWPX–Hand Pointing Finger Direction In Business Suit
Dolphin pendant. Dimensions: H. 3.9 × W. 1 cm (1 9/16 × 3/8 in.). Date: 2nd-3rd century. The dolphin motif is frequent in Hellenistic and Roman iconography. This hollow element has two loops on the underside at right angles to the direction of its body. It may have been part of a necklace of linked elements, a style that belongs in the later Roman Period. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dolphin-pendant-dimensions-h-39-w-1-cm-1-916-38-in-date-2nd-3rd-century-the-dolphin-motif-is-frequent-in-hellenistic-and-roman-iconography-this-hollow-element-has-two-loops-on-the-underside-at-right-angles-to-the-direction-of-its-body-it-may-have-been-part-of-a-necklace-of-linked-elements-a-style-that-belongs-in-the-later-roman-period-museum-metropolitan-museum-of-art-new-york-usa-image213208483.html
RMPATDGK–Dolphin pendant. Dimensions: H. 3.9 × W. 1 cm (1 9/16 × 3/8 in.). Date: 2nd-3rd century. The dolphin motif is frequent in Hellenistic and Roman iconography. This hollow element has two loops on the underside at right angles to the direction of its body. It may have been part of a necklace of linked elements, a style that belongs in the later Roman Period. Museum: Metropolitan Museum of Art, New York, USA.
ABSTRACT ART: Lost in Translation Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-art-lost-in-translation-image362628299.html
RM2C1Y42K–ABSTRACT ART: Lost in Translation
Boxing gloves in pop art style Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boxing-gloves-in-pop-art-style-image528440648.html
RF2NKMFC8–Boxing gloves in pop art style
Vector Artistic Illustration or Drawing of Businessman Hand in Suit With Finger Pointing Left Direction Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vector-artistic-illustration-or-drawing-of-businessman-hand-in-suit-with-finger-pointing-left-direction-image183006301.html
RFMHMJB9–Vector Artistic Illustration or Drawing of Businessman Hand in Suit With Finger Pointing Left Direction
The 2-tone-color of artistic direction of the man silhouette is standing on the edge of the gap caused by the roll up of the floor in vector art. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-2-tone-color-of-artistic-direction-of-the-man-silhouette-is-standing-on-the-edge-of-the-gap-caused-by-the-roll-up-of-the-floor-in-vector-art-image335959451.html
RF2AEG7KR–The 2-tone-color of artistic direction of the man silhouette is standing on the edge of the gap caused by the roll up of the floor in vector art.
Turkey/Middle East: Ottoman astronomers use an astrolabe and a cross-staff to try to determine latitude in an observatory in Constantinople. Painting by Ala ad-Din Mansur-Shirazi (fl. 1574-1595), c. 1574-1595. The period from the mid-8th century to the mid-13th century is considered the Islamic Golden Age. It was a time when Arabs and Muslims made great strides in the fields of science, engineering, education, technology and more. Astronomy was studied fastidiously to calculate the direction of the Qibla and to fix the times for Salah, Muslim prayers, as well as to aid sailors and navigators. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turkeymiddle-east-ottoman-astronomers-use-an-astrolabe-and-a-cross-staff-to-try-to-determine-latitude-in-an-observatory-in-constantinople-painting-by-ala-ad-din-mansur-shirazi-fl-1574-1595-c-1574-1595-the-period-from-the-mid-8th-century-to-the-mid-13th-century-is-considered-the-islamic-golden-age-it-was-a-time-when-arabs-and-muslims-made-great-strides-in-the-fields-of-science-engineering-education-technology-and-more-astronomy-was-studied-fastidiously-to-calculate-the-direction-of-the-qibla-and-to-fix-the-times-for-salah-muslim-prayers-as-well-as-to-aid-sailors-and-navigators-image344233151.html
RM2B014W3–Turkey/Middle East: Ottoman astronomers use an astrolabe and a cross-staff to try to determine latitude in an observatory in Constantinople. Painting by Ala ad-Din Mansur-Shirazi (fl. 1574-1595), c. 1574-1595. The period from the mid-8th century to the mid-13th century is considered the Islamic Golden Age. It was a time when Arabs and Muslims made great strides in the fields of science, engineering, education, technology and more. Astronomy was studied fastidiously to calculate the direction of the Qibla and to fix the times for Salah, Muslim prayers, as well as to aid sailors and navigators.
Abstract art installation at the Winter Lights Festival at Canary Wharf in London UK 2018 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abstract-art-installation-at-the-winter-lights-festival-at-canary-176779111.html
RFM7GYFK–Abstract art installation at the Winter Lights Festival at Canary Wharf in London UK 2018
Art nouveau Metro tube station entrance in Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-nouveau-metro-tube-station-entrance-in-paris-image66134728.html
RMDRGKEG–Art nouveau Metro tube station entrance in Paris
Allegorical depiction of the seasons in Art Nouveau style. Allegory of September. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-september-album-salon-1901-spain-catalonia-barcelona-image397441743.html
RM2E2H0YY–Allegorical depiction of the seasons in Art Nouveau style. Allegory of September. Album Salon. 1901. Spain, Catalonia, Barcelona
Abstract minimalistic wall decoration. Three connected eyes look in different directions. Three connected beads. Minimal wall art decoration, poster Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-minimalistic-wall-decoration-three-connected-eyes-look-in-different-directions-three-connected-beads-minimal-wall-art-decoration-poster-image451779013.html
RF2H708MN–Abstract minimalistic wall decoration. Three connected eyes look in different directions. Three connected beads. Minimal wall art decoration, poster
La Primera de Cataluña' (The First of Catalonia), 1846. Spanish frigate dragged by the North American tugboat Star, on the Hudson River, in direction to New York. Maritime Museum of Barcelona (Catalonia, Spain). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-primera-de-catalua-the-first-of-catalonia-1846-spanish-frigate-image158191046.html
RMK5A686–La Primera de Cataluña' (The First of Catalonia), 1846. Spanish frigate dragged by the North American tugboat Star, on the Hudson River, in direction to New York. Maritime Museum of Barcelona (Catalonia, Spain).
Inspired by Seen from the Lage Markt in the direction of the Nonnenstraat. In the middle the Nonnentrap on the left the synagogue. View of the Nonnenplaats in Nijmegen. Nijmegen, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-seen-from-the-lage-markt-in-the-direction-of-the-nonnenstraat-in-the-middle-the-nonnentrap-on-the-left-the-synagogue-view-of-the-nonnenplaats-in-nijmegen-nijmegen-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459345240.html
RF2HK8YF4–Inspired by Seen from the Lage Markt in the direction of the Nonnenstraat. In the middle the Nonnentrap on the left the synagogue. View of the Nonnenplaats in Nijmegen. Nijmegen, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Crucifixion, Ignaz Bergmann, 1830, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 552 mm, Width (paper size) 490 mm, Joh. Mabuse pinx., Gedrucht under der Direction von Strixner in Stuttgart, I. Bergman del. 1830, Graphic Design, European, Modernity (1800 - 1914), Printer, Johann Nepomuk Strixner Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-ignaz-bergmann-1830-graphic-art-lithograph-paper-color-printers-ink-lithography-colored-printet-height-paper-size-552-mm-width-paper-size-490-mm-joh-mabuse-pinx-gedrucht-under-der-direction-von-strixner-in-stuttgart-i-bergman-del-1830-graphic-design-european-modernity-1800-1914-printer-johann-nepomuk-strixner-image573193660.html
RM2T8F6A4–The Crucifixion, Ignaz Bergmann, 1830, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 552 mm, Width (paper size) 490 mm, Joh. Mabuse pinx., Gedrucht under der Direction von Strixner in Stuttgart, I. Bergman del. 1830, Graphic Design, European, Modernity (1800 - 1914), Printer, Johann Nepomuk Strixner
Dan Hennah, Grant Major and Alan Lee with their Oscars for Art Direction, for Lord of the Rings: The Return of the King and actress Angelina Jolie at the Kodak Theatre in Los Angeles during the 76th Academy Awards. Angelina Jolie is wearing a H Stern diamond necklace, worth 1m. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dan-hennah-grant-major-and-alan-lee-with-their-oscars-for-art-direction-107488690.html
RMG6TEWP–Dan Hennah, Grant Major and Alan Lee with their Oscars for Art Direction, for Lord of the Rings: The Return of the King and actress Angelina Jolie at the Kodak Theatre in Los Angeles during the 76th Academy Awards. Angelina Jolie is wearing a H Stern diamond necklace, worth 1m.
Set of colored arrows in flat design. Vector illustration. Arrow icons isolated. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-colored-arrows-in-flat-design-vector-illustration-arrow-icons-isolated-image229553376.html
RFR9D1JT–Set of colored arrows in flat design. Vector illustration. Arrow icons isolated.
Lady in alcove Bayon Temple Angkor Thom Cambodia 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-in-alcove-bayon-temple-angkor-thom-cambodia-2-image3233754.html
RMA07KDB–Lady in alcove Bayon Temple Angkor Thom Cambodia 2
Allegorical depiction of the seasons in Art Nouveau style. Allegory of April. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-april-album-salon-1901-spain-catalonia-barcelona-image335674214.html
RM2AE37TP–Allegorical depiction of the seasons in Art Nouveau style. Allegory of April. Album Salon. 1901. Spain, Catalonia, Barcelona
statue depicting Ganymede by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-depicting-ganymede-by-bertel-thorvaldsen-published-in-die-kunst-image69820539.html
RME1GGPK–statue depicting Ganymede by Bertel Thorvaldsen, published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
Hand Pointing Finger Direction In Business Suit Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-pointing-finger-direction-in-business-suit-image265290879.html
RFWBH167–Hand Pointing Finger Direction In Business Suit
The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 9/16 x 16 5/8 in. (29.4 x 42.2 cm). Date: ca. 1520-27. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-abduction-of-helen-battle-scene-on-a-shore-with-two-men-pulling-helen-into-a-boat-at-center-and-another-man-pulling-on-her-drapery-in-the-opposite-direction-artist-marcantonio-raimondi-italian-argini-ca-1480-before-1534-bologna-after-raphael-raffaello-sanzio-or-santi-italian-urbino-1483-1520-rome-dimensions-sheet-11-916-x-16-58-in-294-x-422-cm-date-ca-1520-27-museum-metropolitan-museum-of-art-new-york-usa-image213416311.html
RMPB5XK3–The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 9/16 x 16 5/8 in. (29.4 x 42.2 cm). Date: ca. 1520-27. Museum: Metropolitan Museum of Art, New York, USA.
Dante in front of a streamlet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dante-in-front-of-a-streamlet-29778150.html
RMBMCE9A–Dante in front of a streamlet
Compass on wooden folk art flag Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-compass-on-wooden-folk-art-flag-26069024.html
RMBEBF8G–Compass on wooden folk art flag
Vector Artistic Illustration or Drawing of Businessman Hand in Suit With Finger Pointing Left Direction Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vector-artistic-illustration-or-drawing-of-businessman-hand-in-suit-with-finger-pointing-left-direction-image183006377.html
RFMHMJE1–Vector Artistic Illustration or Drawing of Businessman Hand in Suit With Finger Pointing Left Direction
The 2-tone-color of Antelope Canyon pattern in vector, with how to use this abstract art in various resolution template. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-2-tone-color-of-antelope-canyon-pattern-in-vector-with-how-to-use-this-abstract-art-in-various-resolution-template-image335959624.html
RF2AEG7X0–The 2-tone-color of Antelope Canyon pattern in vector, with how to use this abstract art in various resolution template.
China: A scene from the revolutionary ballet 'The Red Detachment of Women' which came to symbolise the formulaic art style of the Cultural Revolution, 1972. The Red Detachment of Women (Hongse Niangzijun) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn was adapted from the novel by Liang Xin, it depicts a peasant girl from Hainan Island's rise in the CCP. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/china-a-scene-from-the-revolutionary-ballet-the-red-detachment-of-women-which-came-to-symbolise-the-formulaic-art-style-of-the-cultural-revolution-1972-the-red-detachment-of-women-hongse-niangzijun-is-a-chinese-ballet-which-premiered-in-1964-it-is-perhaps-best-known-in-the-west-as-the-ballet-performed-for-us-president-richard-nixon-on-his-visit-to-china-in-february-1972-adapted-from-the-earlier-film-of-the-same-title-under-the-personal-direction-of-zhou-enlai-which-in-turn-was-adapted-from-the-novel-by-liang-xin-it-depicts-a-peasant-girl-from-hainan-islands-rise-in-the-ccp-image344231294.html
RM2B012EP–China: A scene from the revolutionary ballet 'The Red Detachment of Women' which came to symbolise the formulaic art style of the Cultural Revolution, 1972. The Red Detachment of Women (Hongse Niangzijun) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn was adapted from the novel by Liang Xin, it depicts a peasant girl from Hainan Island's rise in the CCP.
Abstract art installation at the Winter Lights Festival at Canary Wharf in London UK 2018 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abstract-art-installation-at-the-winter-lights-festival-at-canary-176779107.html
RFM7GYFF–Abstract art installation at the Winter Lights Festival at Canary Wharf in London UK 2018
The Bank of England, the central bank of the United Kingdom, was established in 1694 to act as the English Government's banker and is the world's eighth-oldest bank. It was privately owned by stockholders from its foundation in 1694 until it was nationalised in 1946. The Bank moved to its current location in London's Threadneedle Street in 1734, and thereafter slowly acquired neighbouring land to create the site necessary for erecting the Bank's original home at this location, under the direction of its chief architect Sir John Soane, between 1790 and 1827. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-bank-of-england-the-central-bank-of-the-united-kingdom-was-established-in-1694-to-act-as-the-english-governments-banker-and-is-the-worlds-eighth-oldest-bank-it-was-privately-owned-by-stockholders-from-its-foundation-in-1694-until-it-was-nationalised-in-1946-the-bank-moved-to-its-current-location-in-londons-threadneedle-street-in-1734-and-thereafter-slowly-acquired-neighbouring-land-to-create-the-site-necessary-for-erecting-the-banks-original-home-at-this-location-under-the-direction-of-its-chief-architect-sir-john-soane-between-1790-and-1827-image235853427.html
RMRKM1CK–The Bank of England, the central bank of the United Kingdom, was established in 1694 to act as the English Government's banker and is the world's eighth-oldest bank. It was privately owned by stockholders from its foundation in 1694 until it was nationalised in 1946. The Bank moved to its current location in London's Threadneedle Street in 1734, and thereafter slowly acquired neighbouring land to create the site necessary for erecting the Bank's original home at this location, under the direction of its chief architect Sir John Soane, between 1790 and 1827.
Allegorical depiction of the seasons in Art Nouveau style. Allegory of January. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-january-album-salon-1901-spain-catalonia-barcelona-image397441719.html
RM2E2H0Y3–Allegorical depiction of the seasons in Art Nouveau style. Allegory of January. Album Salon. 1901. Spain, Catalonia, Barcelona
Young man walking in city underpass silhouette Glasgow, Scotland, U.K Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-young-man-walking-in-city-underpass-silhouette-glasgow-scotland-uk-124600362.html
RMH6M10X–Young man walking in city underpass silhouette Glasgow, Scotland, U.K
Jul. 07, 1964 - ''Phantasy of steel''. is the name given to this ''plastic'' by the workmen of a forgery in Kassel, Germany. The giant steel block has lost its form under a hammer in the factory. So the workmen decided to polish it, put it on a scole and exhibit it in the famous ''documenta III'' at Kassel, where famous artists from all over the world show their sculptures, painting and plastics. But the documenta-direction did not accept their ''sculpture'' as a work of art and let it remove from the exhibit grounds Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jul-07-1964-phantasy-of-steel-is-the-name-given-to-this-plastic-by-image69412214.html
RME0WYYJ–Jul. 07, 1964 - ''Phantasy of steel''. is the name given to this ''plastic'' by the workmen of a forgery in Kassel, Germany. The giant steel block has lost its form under a hammer in the factory. So the workmen decided to polish it, put it on a scole and exhibit it in the famous ''documenta III'' at Kassel, where famous artists from all over the world show their sculptures, painting and plastics. But the documenta-direction did not accept their ''sculpture'' as a work of art and let it remove from the exhibit grounds
Inspired by Keizersgracht seen in the direction of the Brouwersgracht, Amsterdam, Amsterdam, 1868 - 1890, paper, albumen print, height 87 mm × width 178 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-keizersgracht-seen-in-the-direction-of-the-brouwersgracht-amsterdam-amsterdam-1868-1890-paper-albumen-print-height-87-mm-width-178-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459470439.html
RF2HKEK6F–Inspired by Keizersgracht seen in the direction of the Brouwersgracht, Amsterdam, Amsterdam, 1868 - 1890, paper, albumen print, height 87 mm × width 178 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Saint Jerome, Johann Nepomuk Strixner, 1782-1855, 1829, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 390 mm, Width (paper size) 280 mm, M. Schoen pinx:, Gedrucht under der Direction von Strixner in Stuttgart, N. Strixner del. 1829, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-jerome-johann-nepomuk-strixner-1782-1855-1829-graphic-art-lithograph-paper-color-printers-ink-lithography-colored-printet-height-paper-size-390-mm-width-paper-size-280-mm-m-schoen-pinx-gedrucht-under-der-direction-von-strixner-in-stuttgart-n-strixner-del-1829-graphic-design-european-modernity-1800-1914-image573193726.html
RM2T8F6CE–Saint Jerome, Johann Nepomuk Strixner, 1782-1855, 1829, Graphic Art, Lithograph, Paper, Color, Printer's ink, Lithography, Colored, Printet, Height (paper size) 390 mm, Width (paper size) 280 mm, M. Schoen pinx:, Gedrucht under der Direction von Strixner in Stuttgart, N. Strixner del. 1829, Graphic Design, European, Modernity (1800 - 1914
Tapestries (from left) 'After Benches (1973)' by Tom Phillips and 'Overall (1967)' by Harold Cohn, both artists wove their pieces under the direction of Archie Brennan, ahead of the opening of the exhibition Archie Brennan: Tapestry Goes Pop! at the Dovecot Studios in Edinburgh. The exhibition is the first major retrospective of work by former Mr. Scotland, bodybuilder and tapestry trailblazer, Archie Brennan. Picture date: Friday April 23, 2021. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tapestries-from-left-after-benches-1973-by-tom-phillips-and-overall-1967-by-harold-cohn-both-artists-wove-their-pieces-under-the-direction-of-archie-brennan-ahead-of-the-opening-of-the-exhibition-archie-brennan-tapestry-goes-pop!-at-the-dovecot-studios-in-edinburgh-the-exhibition-is-the-first-major-retrospective-of-work-by-former-mr-scotland-bodybuilder-and-tapestry-trailblazer-archie-brennan-picture-date-friday-april-23-2021-image419354836.html
RM2FA77AC–Tapestries (from left) 'After Benches (1973)' by Tom Phillips and 'Overall (1967)' by Harold Cohn, both artists wove their pieces under the direction of Archie Brennan, ahead of the opening of the exhibition Archie Brennan: Tapestry Goes Pop! at the Dovecot Studios in Edinburgh. The exhibition is the first major retrospective of work by former Mr. Scotland, bodybuilder and tapestry trailblazer, Archie Brennan. Picture date: Friday April 23, 2021.
Cadillac Ranch is a public art installation and sculpture in Amarillo, Texas, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cadillac-ranch-is-a-public-art-installation-and-sculpture-in-amarillo-texas-usa-image399114935.html
RM2E5974R–Cadillac Ranch is a public art installation and sculpture in Amarillo, Texas, USA.
A middle aged woman art teacher critiques a student's painting while teaching a class in Laguna Beach, CA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-middle-aged-woman-art-teacher-critiques-a-students-painting-while-78283455.html
RMEFA39K–A middle aged woman art teacher critiques a student's painting while teaching a class in Laguna Beach, CA.
Allegorical depiction of the seasons in Art Nouveau style. Allegory of December. Album Salon. 1901. Spain, Catalonia, Barcelona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-depiction-of-the-seasons-in-art-nouveau-style-allegory-of-december-album-salon-1901-spain-catalonia-barcelona-image335674329.html
RM2AE380W–Allegorical depiction of the seasons in Art Nouveau style. Allegory of December. Album Salon. 1901. Spain, Catalonia, Barcelona
Bust of Paul Graener by Walther Wolff. Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-paul-graener-by-walther-wolff-published-in-die-kunst-im-deutschen-image69820358.html
RME1GGG6–Bust of Paul Graener by Walther Wolff. Published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagnerand later issued under the direction Adolf Hitler himself.
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